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Subject: triton Drum Loops and cakewalk
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Hi there, I'm currently using an  enhanced version of Cakewalk Pro Audio 8 
and the Triton.  I am recording some of the drum patterns from the Triton 
into my hard drive as wav files via Cakewalk.  I'd like to sync my midi tempo 
clock on cakewalk with the drum patterns BPM.  I know cakewalk does have a 
Time Extracting feature that finds the steady beat of a wav file, but how do 
I sync it with the midi tempo clock?

please help!!!

thanks!
Ricky C!

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Subject: Re: When??
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>  >
>  > Why is the solution to all my problems "more gear?" ;-)
>

amazing really... I found that I produce the best by using the same 
gear over a long time, so that all the operation becomes intuitive 
and the sounds are very familiar so I can get used to really express 
through them...
-- 


          ---> http://Matthias.Grob.org

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Subject: Re: Looping Visual effects?
Date: Thu, 30 Nov 2000 21:33:57 -0000
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  Try kthuga

  Gareth

  Does anyone know of a Windows programme that will give me visual =
effects from a sound source. Something like the colour screens in Music =
Match Jukebox. It would also be nice if the files could be saved a avi =
files, but I expect that is asking too much.

  Has anyone else attempted anything like this? I would be interested in =
hearing your experiences.

  Cheers

  Martin


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV><FONT face=3DArial>
  <P><FONT size=3D2>Try kthuga</FONT></P>
  <P><FONT size=3D2>Gareth</FONT></P>
  <P>Does anyone know of a Windows programme that will give me visual =
effects=20
  from a sound source. Something like the colour screens in Music Match =
Jukebox.=20
  It would also be nice if the files could be saved a avi files, but I =
expect=20
  that is asking too much.</P>
  <P>Has anyone else attempted anything like this? I would be interested =
in=20
  hearing your experiences.</P>
  <P>Cheers</P>
  <P>Martin</P></FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_001A_01C05B15.3EBA2000--

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 03:32:16 2000
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Subject: Synching Lexicon Vortex
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In relation to the thread of a week or so ago, I am trying to synch my
Vortex to midi, on the recommendation of someone on the list I looked into
the Kenton Pro Kadi midi trigger unit. The friendly chaps at Kenton advised
me the yes, indeed the pro Kadi is the beast for me so I ordered one. Turned
up yesterday and (after a couple of hours battling with it) I got it to
work.... sort of!
It sends a clock signal OK which does trigger the Vortex tap input, HOWEVER
it only divides the midi clock down to a maximum of 1 clock pulse to every
24 midi pulses which means the longest delay/loop/whatever I can get with it
synchronised to midi is quarter notes or maybe half notes (didnt check
exactly) When the Vortex is capable of looping whole bars or two, this is a
shame... SO... I need to divide this further, to maybe double the length,
does anyone know how to do this (someone on the list had tried the Kadi
method...what did you do please?) either by SIMPLE modification of the Kadi
or my a VERY simple additional curcuit??? clock divider maybe??? It cost me
a bit so if I cant get it to work exactly how I want I'll probably return it
and wait to get an EDP (still waiting for mine from the group but thing if
anyone is reading from there...BTW)and use Mattias's special cable method...
Pleas help me guys!!



MArk Red

mogul.com° ...................................................

Mark Francombe Red
drammensveien 134
N-0277 oslo
norway

tel +47 24 11 43 00
dir + 47 24 11 4515 
mark.francombe@mogul.com
http://www.mogul.com

personal homepage
http://www.8day.com/redweb/
http://www.cranes-fan.com/
ICQ: 4531031

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 03:46:31 2000
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god do i concur-i been playin since the 70s-and *most* of my stuff that i
currently use is the stuff i've always used(upgraded from EH 16 sec. delay
to lexicon PCM 42...loop content ;-) ) and it is about intuition and
expression as much as anything. now if only the guitar strings wouldnt keep
breakin so much...goin loopy, stanner 
>
>amazing really... I found that I produce the best by using the same 
>gear over a long time, so that all the operation becomes intuitive 
>and the sounds are very familiar so I can get used to really express 
>through them...
>-- 
>
>
>          ---> http://Matthias.Grob.org
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 05:01:46 2000
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Is anybody here using a Roland VS880?  I just purchased one, and have
been searching the net for info. It seems there was a VS880 Mailing
List, but it's apparently now defunct. Is this an appropriate place to
ask questions about it?  I've been lurking here for a few months, and I
expect that with the recent purchase I'll start to understand what
people are talking about a bit better.



From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 11:26:07 2000
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The best visualization software I've ever seen is the Bomb by scott
draves (www.draves.org/bomb). It's unbelievable. It's also very
temperamental and tough to get working correctly, but the reward is far
worth the effort. I've used it live with a laptop and lcd projector to
excellent effect. There's also a port to opcode Max, so if you Max hackers
want to midify the thing and make it do incredible stuff, it's more than
encouraged.

On the topic of Fruityloops, I just got the Electribe ES-1. I was pretty
turned off by its cheezy dj look and feel, and mere 95 seconds of sample
time, but it's really, actually, honestly just like having FruityLoops in
a box. I'm never gigging with a laptop again.

-><-

On Wed, 29 Nov 2000, Rick Walker wrote:

> Its' extraordinarily cheesy, but Fruity Loops Pro (the greatest,
> simplest most intuitive virtual drum machine in the world and I have
> programmed most of them over the past 20 years) has a color organ that
> goes with it.   If you figure out the BPM of your loop and put the loop
> in with just one trigger per measure, the color organ will groove on
> down with you.
> Seriously,  the drum machine rocks:  it uses any .wav files you have and
> has a ton of simple and quick processing options.  I use it with my
> looping material a lot.
> yours,  Rick Walker
> PS  If you discover anything else, will you please e-mail me back with
> it?
> 

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 11:52:37 2000
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Date: Fri, 1 Dec 2000 14:53:57 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: When??
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>  >amazing really... I found that I produce the best by using the same
>>gear over a long time, so that all the operation becomes intuitive
>>and the sounds are very familiar so I can get used to really express
>>through them...
>  >--

>god do i concur-i been playin since the 70s-and *most* of my stuff that i
>currently use is the stuff i've always used(upgraded from EH 16 sec. delay
>to lexicon PCM 42...loop content ;-) ) and it is about intuition and
>expression as much as anything. now if only the guitar strings wouldnt keep
>breakin so much...goin loopy, stanner
>
Thats not the way I meant it. I think we should care to be up to the 
tecnological quality possible. But a good equipment like for example 
a Lexicon Reverb keeps its place for 10 years. So it ends up cheaper, 
better and "more mine" than the latest mfx box.
So it depends on the type of thing. Strings are changed most and the 
guitar least :-)
-- 


          ---> http://Matthias.Grob.org

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oh go ahead and buy a new toy! nothing like it to open up the creative
pours. eventually we all hopefully get to a point where our gear is realized
and therefore maximized in it's performing / recording usage. even then i
find it good for the soul to score an occasional new toy ... my three month
rule is if i don't use an item with in three months then it is gone to make
room.

i'll never forget the day i replaced 100's of pounds of rack gear with a 72
pound johnson millennium 150 amp ...

best wishes
jimmy george
http://www.jimmygeorgearts.com


-----Original Message-----
From: Matthias Grob [mailto:matthias@grob.org]
Sent: Friday, December 01, 2000 11:54 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: When??


>  >amazing really... I found that I produce the best by using the same
>>gear over a long time, so that all the operation becomes intuitive
>>and the sounds are very familiar so I can get used to really express
>>through them...
>  >--

>god do i concur-i been playin since the 70s-and *most* of my stuff that i
>currently use is the stuff i've always used(upgraded from EH 16 sec. delay
>to lexicon PCM 42...loop content ;-) ) and it is about intuition and
>expression as much as anything. now if only the guitar strings wouldnt keep
>breakin so much...goin loopy, stanner
>
Thats not the way I meant it. I think we should care to be up to the 
tecnological quality possible. But a good equipment like for example 
a Lexicon Reverb keeps its place for 10 years. So it ends up cheaper, 
better and "more mine" than the latest mfx box.
So it depends on the type of thing. Strings are changed most and the 
guitar least :-)
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 12:20:50 2000
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my trusty Korg A2 started having problems, a while back, it had been the
core of my gtr efx system for a long time, I was very used to it and
knew how to make it do what I wanted, we fit.  this being an older
product I figured it was time to change, so I bought a bunch of stuff
and worked with it, bought more stuff worked with that, got frustrated
and pulled the noisy/dead LCD A2 back in and there was my sound.
I went out and bought another A2 immediately and am sending my old one
in for repair,  I don't think its just a matter of knowing how it works
but alot of my playing developed while using it so what it does is part
of what I do.  I'm sure I could manage w/o out it but to me its like the
pickups I use, right hand techniques or anything else that makes me the
(hopefully) unique player I want to be.
if I had found something that did the same thing no prob, I have nothing
against change, I have augmented it w/ other gear in my gtr rig and use
lexi and other units for other purposes but there is definately
something to be said for sticking with gear unless there is a compelling
reason to change.  that said I do admit to frequent bouts of gear lust,
anybody using technology has to feel that pull once in a while.  I'm
curerently drooling to pickup a couple new pieces of software after the
holidays

peace,    steve

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 12:32:59 2000
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Subject: EVENTIDE USERS MAILING LIST ON LINE! ! !
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Fellow loopers and tweakers...thanx to Ray Peck, Eventide users have a cool 
mailing list at www.egroups.com/group/eventide-users ! ! ! Open to anybody, 
lots of LD people and other great contributors.
Please...anybody is WELCOME!!!...ciao  ItalOOOp
_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

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I am buying a used Akai E1 Headrush from someone, but it comes with no
manual.  I could not find one on the Akaipro website.  Other than contacting
Akai, or asking some music store sales guy to xerox me a one, does anyone
know where I can get one on-line?  Or maybe even a page with tutorials or
something on the Headrush?

Thanks,

Alex F/Brain21

<--------========b21========-------->
Brain21 - www.brain21.net
www.mp3.com/Brain21
Buy individual songs @
http://www.nrmmusic.com/customcds.htm
<--------========b21========-------->

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 13:43:01 2000
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From: jordanpease@webtv.net (Jordan Pease)
Date: Fri, 1 Dec 2000 10:40:02 -0800 (PST)
To: Loopers-Delight@loopers-delight.com
Subject: Echoplex on e-bay/Tutorial
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Well, It feels weird, but I just listed my two Echolpexs on e-bay. I was
so excited When I got them back in May, but I find myself using my old
Jammans more. Never got the hang of the interface, I guess. Hope I don't
end-up regretting this later...Am I a fool.... ? MAYBE A VIDEO TUTORIAL
WOULD HAVE SAVED ME !!!!!

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 13:53:30 2000
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The .pdf manual combined with some interest and patience would have gotten
you far- my bet is regret- ;)

c

-----Original Message-----
From: Jordan Pease <jordanpease@webtv.net>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Friday, December 01, 2000 10:44 AM
Subject: Echoplex on e-bay/Tutorial


Well, It feels weird, but I just listed my two Echolpexs on e-bay. I was
so excited When I got them back in May, but I find myself using my old
Jammans more. Never got the hang of the interface, I guess. Hope I don't
end-up regretting this later...Am I a fool.... ? MAYBE A VIDEO TUTORIAL
WOULD HAVE SAVED ME !!!!!


From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 13:53:44 2000
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	 <Loopers-Delight@loopers-delight.com>
Subject: southern california gig spam
Date: Fri, 1 Dec 2000 13:48:50 -0500 
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This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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howdy .  . . for those who want to go to ventura . . . 


Ventura New Music Concert Series

Dr. Eugene Chadbourne
Solo Guitar and Banjo

Opening will be the Jeff Kaiser Quintet
Jeff Kaiser, tpt and electronics, looping
Steuart Liebig, basses and electronics, looping
Woody Aplanalp, guitars and electronics, looping
Brad Dutz, percussion
Richie West, drums

Saturday, December 2, 2000
Ventura City Hall, Ventura California
501 Poli Street
8 PM
$10 Admission 

NO ADVANCE TICKET SALES. Tickets at the door only.

http://www.newcreativemusic.com


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
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<META NAME="Generator" CONTENT="MS Exchange Server version 5.5.2653.12">
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</HEAD>
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<P><FONT SIZE=2>howdy .&nbsp; . . for those who want to go to ventura . . . </FONT>
</P>
<BR>

<P><FONT SIZE=2>Ventura New Music Concert Series</FONT>
</P>

<P><FONT SIZE=2>Dr. Eugene Chadbourne</FONT>
<BR><FONT SIZE=2>Solo Guitar and Banjo</FONT>
</P>

<P><FONT SIZE=2>Opening will be the Jeff Kaiser Quintet</FONT>
<BR><FONT SIZE=2>Jeff Kaiser, tpt and electronics, looping</FONT>
<BR><FONT SIZE=2>Steuart Liebig, basses and electronics, looping</FONT>
<BR><FONT SIZE=2>Woody Aplanalp, guitars and electronics, looping</FONT>
<BR><FONT SIZE=2>Brad Dutz, percussion</FONT>
<BR><FONT SIZE=2>Richie West, drums</FONT>
</P>

<P><FONT SIZE=2>Saturday, December 2, 2000</FONT>
<BR><FONT SIZE=2>Ventura City Hall, Ventura California</FONT>
<BR><FONT SIZE=2>501 Poli Street</FONT>
<BR><FONT SIZE=2>8 PM</FONT>
<BR><FONT SIZE=2>$10 Admission </FONT>
</P>

<P><FONT SIZE=2>NO ADVANCE TICKET SALES. Tickets at the door only.</FONT>
</P>

<P><FONT SIZE=2><A HREF="http://www.newcreativemusic.com" TARGET="_blank">http://www.newcreativemusic.com</A></FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C05BC7.582D09A0--

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 14:17:16 2000
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Subject: Re: Echoplex on e-bay/Tutorial
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Sorry to hear about your high level of frustration.  I feel like you're
selling the wrong pieces of equipment, but then I'm not in your situation.

Dennis Leas
-------------------
dennis@mdbs.com

----- Original Message -----
From: "Jordan Pease" <jordanpease@webtv.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, December 01, 2000 1:40 PM
Subject: Echoplex on e-bay/Tutorial


> Well, It feels weird, but I just listed my two Echolpexs on e-bay. I was
> so excited When I got them back in May, but I find myself using my old
> Jammans more. Never got the hang of the interface, I guess. Hope I don't
> end-up regretting this later...Am I a fool.... ? MAYBE A VIDEO TUTORIAL
> WOULD HAVE SAVED ME !!!!!
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 14:26:29 2000
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Hey

I just found this site: http://www.onadime.com  Might be useful/fun.
There's a free demo.

Mark

whiteoakstudios wrote:

>      Try kthuga
>
>      Gareth
>
>      Does anyone know of a Windows programme that will give me
>      visual effects from a sound source. Something like the
>      colour screens in Music Match Jukebox. It would also be nice
>      if the files could be saved a avi files, but I expect that
>      is asking too much.
>
>      Has anyone else attempted anything like this? I would be
>      interested in hearing your experiences.
>
>      Cheers
>
>      Martin
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 14:59:27 2000
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Subject: Re: Echoplex on e-bay/Tutorial
From: "Allan Hoeltje" <ahoeltje@best.com>
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Jordan,

Can you post the ebay url for your EDP's?  I see a lot of the old tape
echoplexs and one EPD currently priced at $1,000 but I don't see your two.

I am interested in getting at least one more but not at $1,000!  Not when
Alto sells them around $700 new.

-Allan

----------
>From: jordanpease@webtv.net (Jordan Pease)
>To: Loopers-Delight@loopers-delight.com
>Subject: Echoplex on e-bay/Tutorial
>Date: Fri, Dec 1, 2000, 10:40 AM
>

> Well, It feels weird, but I just listed my two Echolpexs on e-bay. I was
> so excited When I got them back in May, but I find myself using my old
> Jammans more. Never got the hang of the interface, I guess. Hope I don't
> end-up regretting this later...Am I a fool.... ? MAYBE A VIDEO TUTORIAL
> WOULD HAVE SAVED ME !!!!!
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 15:19:36 2000
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Oh my god, when did you discover this learning disability?







jordanpease@webtv.net on 12/01/2000 10:46:43 AM
Please respond to Loopers-Delight@loopers-delight.com@SMTP 
To:	Loopers-Delight@loopers-delight.com@SMTP
cc:	 
Subject:	Echoplex on e-bay/Tutorial
Classification:	

Well, It feels weird, but I just listed my two Echolpexs on e-bay. I was
so excited When I got them back in May, but I find myself using my old
Jammans more. Never got the hang of the interface, I guess. Hope I don't
end-up regretting this later...Am I a fool.... ? MAYBE A VIDEO TUTORIAL
WOULD HAVE SAVED ME !!!!!




From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 15:33:53 2000
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To: Loopers-Delight@loopers-delight.com
From: Michael Clark <mcl451@airmail.net>
Subject: Re: Echoplex on e-bay/Tutorial
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Perhaps someone here could have helped you.  Well oh well.

Michael


At 02:07 PM 12/1/00 -0500, you wrote:
>Sorry to hear about your high level of frustration.  I feel like you're
>selling the wrong pieces of equipment, but then I'm not in your situation.
>
>Dennis Leas
>-------------------
>dennis@mdbs.com
>
>----- Original Message -----
>From: "Jordan Pease" <jordanpease@webtv.net>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Friday, December 01, 2000 1:40 PM
>Subject: Echoplex on e-bay/Tutorial
>
>
>> Well, It feels weird, but I just listed my two Echolpexs on e-bay. I was
>> so excited When I got them back in May, but I find myself using my old
>> Jammans more. Never got the hang of the interface, I guess. Hope I don't
>> end-up regretting this later...Am I a fool.... ? MAYBE A VIDEO TUTORIAL
>> WOULD HAVE SAVED ME !!!!!
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 15:43:48 2000
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Subject: CENTROZOON : Update 3 (Slightly Off-Topic)
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This week sees the launch of a newly improved official CENTROZOON website,
which resides at http://www.centrozoon.de.

The public production continues to make waves as 'The Cult Of: Bibbiboo'
edges ever closer to her final form. But there's still time to enter 'the
cult' and bestow your whims upon producer Derek Difilippo...

Here are some of the new interactive goodies on offer:-

* Diary - attempt to make sense of Bibbiboo's daily musings, or touch her
spirit by posting your unanswered questions to The Oracle...

* Bibbiboo Photo Galleries - "Who the hell is bibbiboo?" Check-out the
models and vote ;-)

* The Shrine - enthusiasts and supporters can now purchase CENTROZOON
merchandise (CD's, T-shirts, etc.) directly from the official shop.

And don't forget the Naming Contest, which is now fully underway. Check out
the latest (MP3 / RealAudio) mixes, and submit your entries... The winning
authors will ultimately see their titles in print on the ensuing album, as
well as receiving a T-shirt and 'Blast' CD.

If you missed my original post and are consequently wondering "who? / what?
/ why?",  then my advice to you, as always, is to point your browser towards
http://www.centrozoon.de and sample the divine beast first hand :-)

We hope to see you there.

Regards,

Lee Fletcher.

(My apologies for any cross-posting.)

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 15:48:12 2000
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Date: Fri, 1 Dec 2000 12:44:38 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: Re: Roland VS880 
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Chris,
The vs880 list looks alive to me

http://www.mooncafe.com/4artists/

I've used a vs800 for about 3 yrs.  They are wonderful, but has a
learning curve to understand what is beneath the surface (behind the
tiny display).  Let me know if you have a specific question, offline.

I used to subscribe to the vs880 list, but as it grew to thousands of
members, hundreds of emails a day, mostly offtopic, I dropped off the
list. Just now I tried to find some documents on the roland us web site
that I had before that were helpful to me, but my old urls don't work
there anymore.  

They had a vs-880 supplemental guide that was easier to follow than the
manual.  You can search for roland documents at
http://www.rolandus.com/home-fst.html
and may find a vs-880 reference that is different and better than the
user manual.
have fun,
bret

--- Chris Case <r-anima@qb3.so-net.ne.jp> wrote:
> 
> Is anybody here using a Roland VS880?  I just purchased one, and have
> been searching the net for info. It seems there was a VS880 Mailing
> List, but it's apparently now defunct. Is this an appropriate place
> to
> ask questions about it?  I've been lurking here for a few months, and
> I
> expect that with the recent purchase I'll start to understand what
> people are talking about a bit better.
> 
> 
> 


__________________________________________________
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Yahoo! Shopping - Thousands of Stores. Millions of Products.
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From: jordanpease@webtv.net (Jordan Pease)
Date: Fri, 1 Dec 2000 12:47:10 -0800 (PST)
To: Loopers-Delight@loopers-delight.com
Subject: E-BAY EDP URL 
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Echoplex Digital Pro for sale:
 
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1200185428 


From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 16:12:16 2000
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From: rich <rich@nuvisionsca.com>
Subject: Re: Echoplex on e-bay/Tutorial
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>Oh my god, when did you discover this learning disability?

learning disability?  jeez...since when was the Echoplex Digital Pro 
considered an easy processor to learn?  or to operate successfully on 
anything more than a rudimentary (read: jamman) level?  we take our 
own looping skills/technophilia for granted sometimes, methinks. 
despite it's limitations, the jamman is relatively easy to use, rock 
solid, flexible (when operated via midi), and fun, IMHO.

i've had opportunities to buy EDP's, and i passed too, since it was 
unwieldy in ways that would have prohibited my way of working, and i 
knew i was in for a steep learning curve in order to make the 
investment worthwile.  sure, i could have learned it and found ways 
to exploit it, but chose other toys to do the job at hand.

seems pretty harsh to label someone with a learning disablity for 
choosing their tools, and letting us have a go at the goodies, no 
less.

i'm assuming that your being sarcastic, no?



two pennies is all it's worth,
rich

From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 16:30:25 2000
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Sorry, I was being sarcastic and I forgot the power of the written word. 

Nevertheless, I really don't think the EDP is that hard to learn. It is like a guitar, easy to make some
pleasant sounds quickly, and fun to work on for years and years in order to perfect the craft.

Well, maybe what I was saying is that I love the EDP, respect it's capabiltiy, and I really think that 
it is worth spending the time to learn.

Brother K


From Loopers-Delight-request@loopers-delight.com  Fri Dec  1 17:42:27 2000
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Jordan,
I can't answer your question about whether you are a fool, but your
ebay adds seems likely to increase the confusion and misinformation
about the echoplex digital pro by oberheim vs. gibson.

In your add you state: 
This unit is one of the new versions made by Gibson, not to be confused
with the older Oberhiem ones that were plagued with software problems.

We have three of the 'older Oberheim ones' and they have the exact same
software that your 'Gibson' echoplex has.  Even if someone did have the
earliest software for there 'older Oberheim' echoplex, they could buy
the eproms with the latest software from Gibson for $45.  However, even
the software in your Gibson echoplex will be upgraded in due time (are
we there yet, Kim?)

In one of the adds you also mention the 'extra ROM is at another $100
at least'.  I think you mean to say RAM instead of ROM.

In a way I hope people start believing that the oberheim echoplex are
'plagued with software problems' so I can buy more Oberheims, at a
lower price than the super, duper Gibson echoplex.  After all, they are
the same machine.
bret


--- Jordan Pease <jordanpease@webtv.net> wrote:
> Well, It feels weird, but I just listed my two Echolpexs on e-bay. I
> was
> so excited When I got them back in May, but I find myself using my
> old
> Jammans more. Never got the hang of the interface, I guess. Hope I
> don't
> end-up regretting this later...Am I a fool.... ? MAYBE A VIDEO
> TUTORIAL
> WOULD HAVE SAVED ME !!!!!
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
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Hi Alex,

The Headrush doesn't actually have a manual, just an instruction sheet.
Most of it is identical to what you'll find on the Akaipro site (the
explanation of the controls and features, and a list of the technical specs).

The actual instructions are short enough that I can give 'em to you right
here:

****************************************
TAPE ECHO Basic Settings: (Blue-lettered controls)
Minimum delay time is 10ms, maximum delay time is 5.9 seconds (HEAD 1)
using TAP TEMPO.

1. Set the Mode Switch to TAPE ECHO.
2. Set the FEEDBACK, RATIO and HEADGAP controls to minimum.
3. Set the delay time by tapping the right hand footswitch twice. The delay
time is always set by the last two taps, so you can keep altering the tempo
if you want.

NORMAL DELAY Basic Settings: (Red-lettered controls)
Maximum delay time is 23.8 seconds using TAP TEMPO.

1. Set the Mode Switch to NORMAL DELAY.
2. (same as step 3 above)

(Black-lettered controls work in either mode)

LOOP RECORDING Basic Settings: (only uses the LEVEL control)
If you do not overdub, you can record and make a loop of up to 23.8
seconds. The recording time is 11.9 seconds when using overdubbing.

1. Set the Mode Switch to LOOPING REC.
2. Start playing.
3. Step on the right hand footswitch to start recording.
4. Step on the left hand footswitch to stop recording. The loop is
immediately played back when you stop recording.
5. Step on the right hand footswitch again if you want to overdub without
erasing the previous recording.
6. Step on the left hand footswitch to stop overdubbing. The loop will
continue being played back.

Repeat 5&6 as many times as you like to build up a multi-layered loop.

* To delete _all_ of the overdubbed phrases, step on the right hand
footswitch again while overdubbing.

* To stop playback of the loop, step on the left hand footswitch again. If
you want to play the loop again later, step on the left hand footswitch
again (while playing, you can even overdub again if you want by repeating
5&6).

Note:
- If your first recording is longer than 11.9 seconds, you cannot overdub a
second track (pressing the right hand footswitch will have no effect).
- When you make your first recording, the right hand LED will start
flashing at 8.9 seconds to warn you that the 11.9 second limit for
overdubbing is almost reached. When your first recording goes over 11.9
seconds, the right hand LED will start flashing again at 20.8 seconds to
warn you that the 23.8 second time limit is almost reached.

***********************************

That's all there is to it. It's really a very simple interface, and it
takes less time to figure out than it did to type.

Good luck,

Tim

At 01:12 PM 12/1/00 -0500, you wrote:
>I am buying a used Akai E1 Headrush from someone, but it comes with no
>manual.  I could not find one on the Akaipro website.  Other than contacting
>Akai, or asking some music store sales guy to xerox me a one, does anyone
>know where I can get one on-line?  Or maybe even a page with tutorials or
>something on the Headrush?
>
>Thanks,
>
>Alex F/Brain21


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This is a multi-part message in MIME format.

------=_NextPart_000_0088_01C05C01.87C2FF00
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Hi,

if i'm not wrong it's CThugha:)) well, i know it starts with C, not =
exactly sure about the rest.:)))

greetings,

gregor
   =20
   =20
        Try kthuga

        Gareth




------=_NextPart_000_0088_01C05C01.87C2FF00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
Transitional//EN">
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
<STYLE></STYLE>

</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Hi,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>if i'm not wrong it's CThugha:)) well, i know it =
starts with=20
C, not exactly sure about the rest.:)))</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>greetings,</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>gregor</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><BR>&nbsp;</DIV></FONT>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
        <DIV><FONT face=3DArial>
        <P><FONT size=3D2>Try kthuga</FONT></P>
        <P><FONT size=3D2>Gareth</FONT></P>
        =
<P>&nbsp;</P></FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0088_01C05C01.87C2FF00--

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Subject: Fostex 2050 Line Mixer
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I'm considering a Fostex 2050 line mixer as part of my live
loop/feedback/processor setup... can anyone clarify to me how well it works
as a feedback mixer and give me some clear specs on the ins/outs?

This will be used with 2 Korg Kaoss pads (feeding the input of one back into
another should hopefully allow me to overdub loops and effected loops), an
Akai Headrush and assorted other stuff like optical theremins, electribe
es-1, etc.

Right now I have a behringer eurorack 2004 (16/20 channel) mixer that only
has 2 effects sends so basically i want to use this line mixer to augment
that and give me more power to route effects and have more channels (I'm
already getting low on channels ;D ).

Thanks!
Jonathan
aka phalen180

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Bret wrote:

> Chris,
> The vs880 list looks alive to me
>
> http://www.mooncafe.com/4artists/

There's a link there for joining, but I tried it and got a message back
saying "no such list exists here"

> They had a vs-880 supplemental guide that was easier to follow than the
> manual.  You can search for roland documents at
> http://www.rolandus.com/home-fst.html
> and may find a vs-880 reference that is different and better than the
> user manual.

'Thanks for the tip. I've downloaded a few documents...


From Loopers-Delight-request@loopers-delight.com  Sat Dec  2 04:40:27 2000
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 <15439-3A27F082-4733@storefull-113.iap.bryant.webtv.net>
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Date: Sat, 2 Dec 2000 01:37:46 -0800
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Echoplex on e-bay/Tutorial
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We offered to help Jordan many times. You have here in this forum the
actual designers of the echoplex, where we have been answering user's
questions for years. The list archives and the web site are full of such
explanations. Apparently that was not enough, and instead Jordan complained
a lot that he needed a video to teach him. We would love to make a video,
but unfortunately we are just a couple of people working hard developing
the next versions, and do not have time or resources now to make videos.
Instead, we begged Jordan to simply ask us directly for any help he needed.
But he never asked!

kim


At 12:30 PM -0800 12/1/00, Michael Clark wrote:
>Perhaps someone here could have helped you.  Well oh well.
>
>Michael
>
>
>At 02:07 PM 12/1/00 -0500, you wrote:
>>Sorry to hear about your high level of frustration.  I feel like you're
>>selling the wrong pieces of equipment, but then I'm not in your situation.
>>
>>Dennis Leas
>>-------------------
>>dennis@mdbs.com
>>
>>----- Original Message -----
>>From: "Jordan Pease" <jordanpease@webtv.net>
>>To: <Loopers-Delight@loopers-delight.com>
>>Sent: Friday, December 01, 2000 1:40 PM
>>Subject: Echoplex on e-bay/Tutorial
>>
>>
>>> Well, It feels weird, but I just listed my two Echolpexs on e-bay. I was
>>> so excited When I got them back in May, but I find myself using my old
>>> Jammans more. Never got the hang of the interface, I guess. Hope I don't
>>> end-up regretting this later...Am I a fool.... ? MAYBE A VIDEO TUTORIAL
>>> WOULD HAVE SAVED ME !!!!!
>>>
>>
>>


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sat Dec  2 05:03:32 2000
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At 2:29 PM -0800 12/1/00, Bret wrote:
>Jordan,
>I can't answer your question about whether you are a fool, but your
>ebay adds seems likely to increase the confusion and misinformation
>about the echoplex digital pro by oberheim vs. gibson.
>
>In your add you state:
>This unit is one of the new versions made by Gibson, not to be confused
>with the older Oberhiem ones that were plagued with software problems.

yes, that is complete nonsense. The more recent versions labeled "Gibson"
are identical to the the previous "oberheim" ones, except for the logo. The
LoopIIIv5.0 software in the gibson ones is the same software that has been
shipping in the echoplex for years. It's all in the echoplex FAQ on the LD
site.

The upcoming Gibson Echoplexes that should be coming out in a few weeks
actually do have some very minor hardware changes. We added a limiter to
the input so people can't overdrive it and clip the digital path to the
loop, and fixed up some old hardware bugs. (the pin5 thing, and "andre's
noise")


>We have three of the 'older Oberheim ones' and they have the exact same
>software that your 'Gibson' echoplex has.  Even if someone did have the
>earliest software for there 'older Oberheim' echoplex, they could buy
>the eproms with the latest software from Gibson for $45.  However, even
>the software in your Gibson echoplex will be upgraded in due time (are
>we there yet, Kim?)

almost. You need to harass Matthias about that. :-)

>In one of the adds you also mention the 'extra ROM is at another $100
>at least'.  I think you mean to say RAM instead of ROM.

neither one costs anywhere close to $100. 4MB simms cost about $5 each. We
sell the 5.0 update for $45, but I think everybody must have it by now
because we never get orders anymore.


>In a way I hope people start believing that the oberheim echoplex are
>'plagued with software problems' so I can buy more Oberheims, at a
>lower price than the super, duper Gibson echoplex.  After all, they are
>the same machine.

yep.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sat Dec  2 05:59:24 2000
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Date: Sat, 02 Dec 2000 11:58:11 +0100
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DJ/Homestudio Loopers,

DJRND3 is now available at http://perso.club-internet.fr/perille

SCSI-HD extension coming soon

Emmanuel

From Loopers-Delight-request@loopers-delight.com  Sat Dec  2 12:05:15 2000
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From: PaulPokr@aol.com
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Date: Sat, 2 Dec 2000 12:02:32 EST
Subject: AKAI Headrush
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Am I hallucinating?

I though someone posted a message re: Akai Headrush's at a price of $139. I 
can't find it anywhere. Does anyone remember this post from a couple of weeks 
ago?

Regards, Paul

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Date: Sat, 2 Dec 2000 12:21:50 -0500 (EST)
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Subject: Re: AKAI Headrush
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On Sat, 2 Dec 2000 PaulPokr@aol.com wrote:

> Am I hallucinating?
>
> I though someone posted a message re: Akai Headrush's at a price of $139. I
> can't find it anywhere. Does anyone remember this post from a couple of weeks
> ago?

Yes, there were two used ones on zzounds. The normal price for a hradrush
from zzounds is still $169. The former existence of the two used ones can
be seen on

> A public service announcement - zZounds has used
> Headrush units for $139.
>
> http://www.zzounds.com/love.music?p=p.AKAE1&z=918717784424

best,
Steve Burnett
 --
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett


From Loopers-Delight-request@loopers-delight.com  Sat Dec  2 12:16:04 2000
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paul, they where available at zzounds, they sold the used ones already,
they have a blowout on new ones at 169 and may have one left, move fast
if its what you want

steve

From Loopers-Delight-request@loopers-delight.com  Sat Dec  2 14:20:36 2000
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Get a Line 6 instead.




PaulPokr@aol.com wrote:

> Am I hallucinating?
>
> I though someone posted a message re: Akai Headrush's at a price of $139. I
> can't find it anywhere. Does anyone remember this post from a couple of weeks
> ago?
>
> Regards, Paul

From Loopers-Delight-request@loopers-delight.com  Sat Dec  2 17:27:18 2000
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Date: Sat, 02 Dec 2000 17:20:23 -0500
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Subject: Ebay auctions of interest to looping guitarists
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Hi everyone,

I'm offering a Roland GP-100, as well a Ground Control Foot Controller, GCX 
Switcher, and System Mix Plus audio mixer for sale on ebay.

All are in excellent condition, having only seen home studio use, and come 
with original manuals.

The reason I'm selling is that I also play reeds and am badly in need of a 
soprano saxophone.  In the unlikely event someone wants to work a trade, 
email me privately.

Check it out ...

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=516642490

best,
rob

From Loopers-Delight-request@loopers-delight.com  Sun Dec  3 00:23:45 2000
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From: andre <andre@monmouth.com>
Subject: Frisell...VS 880
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Just saw Bill Frisell.... what a show..Village Vanguard, NYC, 12-2-00

part acoustic, bluegrass-y breakdown...

part trio madness wide-prairie jazz....

part crazy looping textures - 


gear included a line 6 DL4, digitehc 8 sec PDS, boss delay, ibanez Tube
screamer.... into 2 little fender amps...


wow!! -- this guy just makes it always seem sooo easy... and
musical......swweeeeet. With Kenyy Wolleson-drums and Tony Scheer - bass
and slide guitar..


ALSO - i have a VS 880 - and wil gladly answer some ez questions via
private email

andre'






PROJECT OBJECT Zappa Tribute New Years Eve 2001 w/ IKE WILLIS !!!!
feat. "JOE'S GARAGE" in entirety!
Secure, Credit card Ordering via http://www.projectobject.com

NEW CD - "absolutely LIve" -- available http://www.phoenix-media.com
Live at Wetlands Aug 200 with....
IKE WILLIS (Zappa Guitarist/Vocalist)..... 
GARY LUCAS (Captain Beefheart Guitarist).....
JOE DENINZON (NYC Violinist)

over an hour of Live Zappa music!!!


From Loopers-Delight-request@loopers-delight.com  Sun Dec  3 00:24:40 2000
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At 03:43 PM 12/01/2000 -0500, you wrote:
>Loopers-Delight-d Digest				Volume 00 : Issue 384  Today's Topics:   help
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>
>ith
>ck
>Digitech
>pds2700
>
>
>
>
>
>
>[
>konarsteenberg
>
>]
>
>
>triton
>Drum
>Loops
>and
>cakewalk 
>
>
>
>
>
>
>[
>RChiare954@aol.com
>]
>
>
>Re:
>When??      
>     
>      
>
>
>
>
>
>
>
>
>[
>Matthias Grob  ]
>
>
>Re:
>Looping
>Visual effects?
>
>
>
>
>
>
>
>
>
>
>[
>"whiteoakstudios"  ] 
>
>Re:
>When?? 
>        
>   
> 
> 
>  
>
>
>
>
>
>
>[
>Matthias
>Grob  ]  
>RE:
>When??    
>        
>  
>  
>
>
>
>
>
>
>
>
>[
>Jimmy
>George
>
>]
>
>
>EVENTIDE
>USERS
>MAILING
>LIST
>ON
>LINE!
>
>[
>"italo
>de
>angelis"
>
>]
>
>
>Re:
>Looping
>Visual
>effects?
>(mac
>OS)
>
>[
>Mark
>Sottilaro
>
>]
>
>
>Re:
>Echoplex
>on
>e-bay/Tutorial
>
>
>
>
>
>
>
>[
>kamlapati.khalsa@philips.com
>]
>
>
>Re:
>Echoplex
>on
>e-bay/Tutorial 
> 
> 
> 
>[
>Michael
>Clark
>
>]
>
>Administrivia:
>Looper's
>Delight
>****************
>
>Please
>send
>posts
>to:
>
>Loopers-Delight@loopers-delight.com  Don't
>send
>them
>to the
>digest!
>
>To
>subscribe/unsubscribe to
>the
>Loopers-Delight
>digest
>version,
>send
>email
>with "subscribe"
>(or
>"unsubscribe") in both
>the
>subject and
>the
>body,
>with
>no
>signature
>files,
>to:
>
>Loopers-Delight-d-request@loopers-delight.com
>
>
>To
>subscribe/unsubscribe
>to the real Loopers-Delight list,
>send
>email
>with
>"subscribe" (or
>"unsubscribe") in both the subject and
>the
>body,
>with no
>signature files,
>to:
>
>Loopers-Delight-request@loopers-delight.com
>  Check
>the web
>page
>for
>archives and lots of other
>goodies!
>
>http://www.loopers-delight.com 
> Your
>humble list maintainer,
> Kim
>Flint
>kflint@loopers-delight.com
>Date: Thu,
>30 Nov 2000 21:23:29
>-0600
>From:
>konarsteenberg 
>To:
>loopers-delight@loopers-delight.com
>Subject:
>help with
>sick
>Digitech
>pds2700 Message-ID:
>
>Content-Type:
>text/plain;
>charset=us-ascii;
>x-mac-type="54455854";
>x-mac-creator="4D4F5353"
>Content-Transfer-Encoding:
>7bit  Hello looping
>friends.  I have a tale of
>woe that I hope the more
>technologically
>sophisticated among you might be
>able to help me cope
>with.  I have a PDS
>2700 which I adore and which is
>now (temporarily I
>hope) silenced by an
>unknown malady.  It started with
>loud hum that would
>suddenly kick in in
>the middle of my playing for no
>apparent reason.  It
>was loud enough to
>overpower the guitar signal.  To
>get rid of it, I would
>unplug and replug
>the adapter (9 volt, not the
>recommended 10 volt). 
>Sometimes it took two
>or three such hard resets to
>get rid of the noise. 
>Then one day Mr.
>Green just stopped putting out any
>signal at all.  The
>LEDs still light
>up as if everything is fine, but no
>signal goes through
>to the amp, not
>even the accursed hum.  I opened it up
>and don't see any
>loose
>connections, just a lot of intimidating integrated
>circuitry. 
>One
>curious item -- the stereo output appears to have only one
>lead.  In
>any
>event, I am hoping against hope that someone may have
>suggestions
>for
>repair/troubleshooting.  Could the 9v adapter have caused
>the
>problem? 
>The unit currently doesn't work with batteries any better
>than
>with an
>adapter.  Thanks in advance for your looper compassion.
>Date:
>Wed, 29 Nov
>2000 20:38:00 -0800 From: Rick Walker  To: Loopers
>Delight 
>Subject: Re:
>Looping Visualeffects Message-ID: 
>Content-Type:
>text/plain;
>charset=us-ascii Content-Transfer-Encoding:
>7bit  Its'
>extraordinarily
>cheesy, but Fruity Loops Pro (the greatest,
>simplest most
>intuitive virtual
>drum machine in the world and I have
>programmed most of
>them over the past
>20 years) has a color organ that
>goes with it.   If you
>figure out the BPM
>of your loop and put the loop
>in with just one trigger
>per measure, the
>color organ will groove on down
>with you. Seriously,  the
>drum machine
>rocks:  it uses any .wav files you
>have and has a ton of
>simple and quick
>processing options.  I use it with
>my looping material a
>lot. yours,  Rick
>Walker PS  If you discover
>anything else, will you
>please e-mail me back
>with it? Date: Fri, 1 Dec
>2000 00:23:40 EST From:
>RChiare954@aol.com
>To:
>Loopers-Delight@loopers-delight.com Subject: triton
>Drum Loops and
>cakewalk
>Message-ID:  Content-Type:
>text/plain;
>charset="US-ASCII"
>Content-Transfer-Encoding: 7bit  Hi there,
>I'm
>currently using an  enhanced
>version of Cakewalk Pro Audio 8  and
>the
>Triton.  I am recording some of
>the drum patterns from the Triton 
>into my
>hard drive as wav files via
>Cakewalk.  I'd like to sync my midi
>tempo 
>clock on cakewalk with the drum
>patterns BPM.  I know cakewalk
>does have a
> Time Extracting feature that
>finds the steady beat of a wav
>file, but how
>do  I sync it with the midi
>tempo clock?  please help!!! 
>thanks! Ricky C!
>Date: Fri, 1 Dec 2000
>03:28:39 -0300 From: Matthias Grob
> To:
>Loopers-Delight@loopers-delight.com
>Subject: Re: When?? Message-Id:
>
>Content-Type: text/plain;
>charset="us-ascii" ; format="flowed"  >  > > 
>>
>Why is the solution to all
>my problems "more gear?" ;-) > 
>amazing
>really... I found that I produce
>the best by using the same  gear
>over a
>long time, so that all the
>operation becomes intuitive  and the
>sounds are
>very familiar so I can get
>used to really express  through
>them... --     
>        --->
>http://Matthias.Grob.org Date: Thu, 30 Nov
>2000 21:33:57
>-0000 From:
>"whiteoakstudios"  To:  Subject: Re: Looping
>Visual effects?
>Message-ID:
>
>Content-Type:
>multipart/alternative;
>	boundary="----=_NextPart_000_001A_01C05B15.3EBA2000"           Try kthuga 
> Gareth   Does anyone know of a Windows programme that will give me visual
>effects    from a sound source. Something like the colour screens in Music
>Match Jukebox.    It would also be nice if the files could be saved a avi
>files, but I expect    that is asking too much.   Has anyone else attempted
>anything like this? I would be interested in    hearing your experiences.  
>Cheers   Martin
> Date: Fri, 1 Dec 2000 09:28:57 +0100  From: Mark Francombe  To:
>"'Loopers-Delight@loopers-delight.com'" 	  Subject: Synching Lexicon Vortex
>Message-ID:  Content-Type: text/plain; 	charset="iso-8859-1"
>Content-Transfer-Encoding: 8bit  In relation to the thread of a week or so
>ago, I am trying to synch my Vortex to midi, on the recommendation of
>someone on the list I looked into the Kenton Pro Kadi midi trigger unit.
>The friendly chaps at Kenton advised me the yes, indeed the pro Kadi is the
>beast for me so I ordered one. Turned up yesterday and (after a couple of
>hours battling with it) I got it to work.... sort of! It sends a clock
>signal OK which does trigger the Vortex tap input, HOWEVER it only divides
>the midi clock down to a maximum of 1 clock pulse to every 24 midi pulses
>which means the longest delay/loop/whatever I can get with it synchronised
>to midi is quarter notes or maybe half notes (didnt check exactly) When the
>Vortex is capable of looping whole bars or two, this is a shame... SO... I
>need to divide this further, to maybe double the length, does anyone know
>how to do this (someone on the list had tried the Kadi method...what did
>you do please?) either by SIMPLE modification of the Kadi or my a VERY
>simple additional curcuit??? clock divider maybe??? It cost me a bit so if
>I cant get it to work exactly how I want I'll probably return it and wait
>to get an EDP (still waiting for mine from the group but thing if anyone is
>reading from there...BTW)and use Mattias's special cable method... Pleas
>help me guys!!    MArk Red  mogul.com°
>...................................................  Mark Francombe Red
>drammensveien 134 N-0277 oslo norway  tel +47 24 11 43 00 dir + 47 24 11
>4515  mark.francombe@mogul.com http://www.mogul.com  personal homepage
>http://www.8day.com/redweb/ http://www.cranes-fan.com/ ICQ: 4531031 Date:
>Fri, 01 Dec 2000 00:44:53 -0700 From: stanitarium@earthlink.net To:
>Loopers-Delight@loopers-delight.com Subject: Re: When?? Message-Id: 
>Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding:
>7bit  god do i concur-i been playin since the 70s-and *most* of my stuff
>that i currently use is the stuff i've always used(upgraded from EH 16 sec.
>delay to lexicon PCM 42...loop content ;-) ) and it is about intuition and
>expression as much as anything. now if only the guitar strings wouldnt keep
>breakin so much...goin loopy, stanner  > >amazing really... I found that I
>produce the best by using the same  >gear over a long time, so that all the
>operation becomes intuitive  >and the sounds are very familiar so I can get
>used to really express  >through them... >--  > > >          --->
>http://Matthias.Grob.org > > Date: Fri, 01 Dec 2000 17:27:46 +0900 From:
>Chris Case  To: Loopers-Delight@loopers-delight.com Subject: Roland VS880 
>Message-ID:  Content-Type: text/plain; charset=us-ascii;
>x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding:
>7bit  Is anybody here using a Roland VS880?  I just purchased one, and have
>been searching the net for info. It seems there was a VS880 Mailing List,
>but it's apparently now defunct. Is this an appropriate place to ask
>questions about it?  I've been lurking here for a few months, and I expect
>that with the recent purchase I'll start to understand what people are
>talking about a bit better. Date: Thu, 30 Nov 2000 21:51:45 -0500 (EST)
>From: noah  To: Loopers Delight  Subject: Re: Looping Visualeffects
>Message-ID:  Content-Type: TEXT/PLAIN; charset=US-ASCII  The best
>visualization software I've ever seen is the Bomb by scott draves
>(www.draves.org/bomb). It's unbelievable. It's also very temperamental and
>tough to get working correctly, but the reward is far worth the effort.
>I've used it live with a laptop and lcd projector to excellent effect.
>There's also a port to opcode Max, so if you Max hackers want to midify the
>thing and make it do incredible stuff, it's more than encouraged.  On the
>topic of Fruityloops, I just got the Electribe ES-1. I was pretty turned
>off by its cheezy dj look and feel, and mere 95 seconds of sample time, but
>it's really, actually, honestly just like having FruityLoops in a box. I'm
>never gigging with a laptop again.  -> Its' extraordinarily cheesy, but
>Fruity Loops Pro (the greatest, > simplest most intuitive virtual drum
>machine in the world and I have > programmed most of them over the past 20
>years) has a color organ that > goes with it.   If you figure out the BPM
>of your loop and put the loop > in with just one trigger per measure, the
>color organ will groove on > down with you. > Seriously,  the drum machine
>rocks:  it uses any .wav files you have and > has a ton of simple and quick
>processing options.  I use it with my > looping material a lot. > yours, 
>Rick Walker > PS  If you discover anything else, will you please e-mail me
>back with > it? >  Date: Fri, 1 Dec 2000 14:53:57 -0300rom: Matthias ob
> To: Loopers-Delight@loopers-delight.com Subject: Re: When?? Message-Id: 
>Content-Type: text/plain; charset="us-ascii" ; format="flowed"  >  >amazing
>really... I found that I produce the best by using the same >>gear over a
>long time, so that all the operation becomes intuitive >>and the sounds are
>very familiar so I can get used to really express >>through them... >  >-- 
>>god do i concur-i been playin since the 70s-and *most* of my stuff that i
>>currently use is the stuff i've always used(upgraded from EH 16 sec. delay
>>to lexicon PCM 42...loop content ;-) ) and it is about intuition and
>>expression as much as anything. now if only the guitar strings wouldnt
>keep >breakin so much...goin loopy, stanner > Thats not the way I meant it.
>I think we should care to be up to the  tecnological quality possible. But
>a good equipment like for example  a Lexicon Reverb keeps its place for 10
>years. So it ends up cheaper,  better and "more mine" than the latest mfx
>box. So it depends on the type of thing. Strings are changed most and the 
>guitar least :-) --              ---> http://Matthias.Grob.org Date: Fri, 1
>Dec 2000 10:30:15 -0600  From: Jimmy George  To:
>"'Loopers-Delight@loopers-delight.com'" 	  Subject: RE: When?? Message-ID: 
>Content-Type: text/plain; 	charset="windows-1252"  oh go ahead and buy a
>new toy! nothing like it to open up the creative pours. eventually we all
>hopefully get to a point where our gear is realized and therefore maximized
>in it's performing / recording usage. even then i find it good for the soul
>to score an occasional new toy ... my three month rule is if i don't use an
>item with in three months then it is gone to make room.  i'll never forget
>the day i replaced 100's of pounds of rack gear with a 72 pound johnson
>millennium 150 amp ...  best wishes jimmy george
>http://www.jimmygeorgearts.com   -----Original Message----- From: Matthias
>Grob [mailto:matthias@grob.org] Sent: Friday, December 01, 2000 11:54 AM
>To: Loopers-Delight@loopers-delight.com Subject: Re: When??   >  >amazing
>really... I found that I produce the best by using the same >>gear over a
>long time, so that all the operation becomes intuitive >>and the sounds are
>very familiar so I can get used to really express >>through them... >  >-- 
>>god do i concur-i been playin since the 70s-and *most* of my stuff that i
>>currently use is the stuff i've always used(upgraded from EH 16 sec. delay
>>to lexicon PCM 42...loop content ;-) ) and it is about intuition and
>>expression as much as anything. now if only the guitar strings wouldnt
>keep >breakin so much...goin loopy, stanner > Thats not the way I meant it.
>I think we should care to be up to the  tecnological quality possible. But
>a good equipment like for example  a Lexicon Reverb keeps its place for 10
>years. So it ends up cheaper,  better and "more mine" than the latest mfx
>box. So it depends on the type of thing. Strings are changed most and the 
>guitar least :-) --              ---> http://Matthias.Grob.org Date: Fri,
>01 Dec 2000 12:20:50 -0400 From: T  To: Loopers-Delight@loopers-delight.com
>Subject: Re: When?? Message-ID:  Content-Type: text/plain; charset=us-ascii
>Content-Transfer-Encoding_01C05BC7.582D09A0"         . . for those who
want to go to ventura . . .   
>  Ventura New Music Concert Series   Dr. Eugene Chadbourne 
>Solo Guitar and Banjo   Opening will be the Jeff Kaiser Quintet 
>Jeff Kaiser, tpt and electronics, looping 
>Steuart Liebig, basses and electronics, looping 
>Woody Aplanalp, guitars and electronics, looping 
>Brad Dutz, percussion 
>Richie West, drums   Saturday, December 2, 2000 
>Ventura City Hall, Ventura California 
>501 Poli Street 
>8 PM 
>$10 Admission    NO ADVANCE TICKET SALES. Tickets at the door only.  
>http://www.newcreativemusic.com    Date: Fri, 1 Dec 2000 14:07:34 -0500
>From: "Dennis Leas"  To:  Subject: Re: Echoplex on e-bay/Tutorial
>Message-ID:  Content-Type: text/plain; 	charset="iso-8859-1"
>Content-Transfer-Encoding: 7bit  Sorry to hear about your high level of
>frustration.  I feel like you're selling the wrong pieces of equipment, but
>then I'm not in your situation.  Dennis Leas -------------------
>dennis@mdbs.com  ----- Original Message ----- From: "Jordan Pease"  To: 
>Sent: Friday, December 01, 2000 1:40 PM Subject: Echoplex on e-bay/Tutorial
>  > Well, It feels weird, but I just listed my two Echolpexs on e-bay. I
>was > so excited When I got them back in May, but I find myself using my
>old > Jammans more. Never got the hang of the interface, I guess. Hope I
>don't > end-up regretting this later...Am I a fool.... ? MAYBE A VIDEO
>TUTORIAL > WOULD HAVE SAVED ME !!!!! > Date: Fri, 01 Dec 2000 11:23:28
>-0800 From: Mark Sottilaro  To: Loopers-Delight@loopers-delight.com
>Subject: Re: Looping Visual effects? (mac OS) Message-ID:  Content-Type:
>text/plain; charset=us-ascii; x-mac-type="54455854";
>x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit  Hey  I just found
>this site: http://www.onadime.com  Might be useful/fun. There's a free
>demo.  Mark  whiteoakstudios wrote:  >      Try kthuga > >      Gareth > > 
>    Does anyone know of a Windows programme that will give me >      visual
>effects from a sound source. Something like the >      colour screens in
>Music Match Jukebox. It would also be nice >      if the files could be
>saved a avi files, but I expect that >      is asking too much. > >     
>Has anyone else attempted anything like this? I would be >      interested
>in hearing your experiences. > >      Cheers > >      Martin > Date: Fri,
>01 Dec 2000 11:57:49 -0800 From: "Allan Hoeltje"  To:
>Loopers-Delight@loopers-delight.com, jordanpease@webtv.net Subject: Re:
>Echoplex on e-bay/Tutorial Message-Id:  Content-type: text/plain;
>charset="US-ASCII" Content-transfer-encoding: 7bit  Jordan,  Can you post
>the ebay url for your EDP's?  I see a lot of the old tape echoplexs and one
>EPD currently priced at $1,000 but I don't see your two.  I am interested
>in getting at least one more but not at $1,000!  Not when Alto sells them
>around $700 new.  -Allan  ---------- >From: jordanpease@webtv.net (Jordan
>Pease) >To: Loopers-Delight@loopers-delight.com >Subject: Echoplex on
>e-bay/Tutorial >Date: Fri, Dec 1, 2000, 10:40 AM >  > Well, It feels weird,
>but I just listed my two Echolpexs on e-bay. I was > so excited When I got
>them back in May, but I find myself using my old > Jammans more. Never got
>the hang of the interface, I guess. Hope I don't > end-up regretting this
>later...Am I a fool.... ? MAYBE A VIDEO TUTORIAL > WOULD HAVE SAVED ME
>!!!!! > >  Date: Fri, 1 Dec 2000 14:18:48 -0600 From:
>kamlapati.khalsa@philips.com To:  Subject: Re: Echoplex on e-bay/Tutorial
>Message-ID:  Content-Type: text/plain; charset=iso-8859-1; name="MEMO
>12/01/00 14:10:23" Content-Disposition: inline Content-Transfer-Encoding:
>8bit  Oh my god, when did you discover this learning disability?       
>jordanpease@webtv.net on 12/01/2000 10:46:43 AM Please respond to
>Loopers-Delight@loopers-delight.com@SMTP 
>To:	Loopers-Delight@loopers-delight.com@SMTP cc:	  Subject:	Echoplex on
>e-bay/Tutorial Classification:	  Well, It feels weird, but I just listed my
>two Echolpexs on e-bay. I was so excited When I got them back in May, but I
>find myself using my old Jammans more. Never got the hang of the interface,
>I guess. Hope I don't end-up regretting this later...Am I a fool.... ?
>MAYBE A VIDEO TUTORIAL WOULD HAVE SAVED ME !!!!! Date: Fri, 01 Dec 2000
>14:30:05 -0600 From: Michael Clark  To: Loopers-Delight@loopers-delight.com
>Subject: Re: Echoplex on e-bay/Tutorial Message-Id:  Content-Type:
>text/plain; charset="us-ascii"  Perhaps someone here could have helped you.
> Well oh well.  Michael   At 02:07 PM 12/1/00 -0500, you wrote: >Sorry to
>hear about your high level of frustration.  I feel like you're >selling the
>wrong pieces of equipment, but then I'm not in your situation. > >Dennis
>Leas >------------------- >dennis@mdbs.com > >----- Original Message -----
>>From: "Jordan Pease"  >To:  >Sent: Friday, December 01, 2000 1:40 PM
>>Subject: Echoplex on e-bay/Tutorial > > >> Well, It feels weird, but I
>just listed my two Echolpexs on e-bay. I was >> so excited When I got them
>back in May, but I find myself using my old >> Jammans more. Never got the
>hang of the interface, I guess. Hope I don't >> end-up regretting this
>later...Am I a fool.... ? MAYBE A VIDEO TUTORIAL >> WOULD HAVE SAVED ME
>!!!!! >> > > 
PROJECT OBJECT Zappa Tribute New Years Eve 2001 w/ IKE WILLIS !!!!
feat. "JOE'S GARAGE" in entirety!
Secure, Credit card Ordering via http://www.projectobject.com

NEW CD - "absolutely LIve" -- available http://www.phoenix-media.com
Live at Wetlands Aug 200 with....
IKE WILLIS (Zappa Guitarist/Vocalist)..... 
GARY LUCAS (Captain Beefheart Guitarist).....
JOE DENINZON (NYC Violinist)

over an hour of Live Zappa music!!!


From Loopers-Delight-request@loopers-delight.com  Sun Dec  3 03:17:19 2000
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Date: Sun, 3 Dec 2000 06:19:07 -0300
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From: Matthias Grob <matthias@grob.org>
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>
>  >      Try kthuga

  have version 1.0 and found it fun - for some time. Its at 
ftp://ftp.afn.org//cthugha/
It could grow much further...
Did they abandon it? Any newer version?
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sun Dec  3 03:20:57 2000
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Date: Sun, 3 Dec 2000 06:24:40 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Echoplex on e-bay/Tutorial
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>>Oh my god, when did you discover this learning disability?
>
>learning disability?  jeez...since when was the Echoplex Digital Pro 
>considered an easy processor to learn?

Since the beginning :-). I sold the LOOP delay with only a footswitch 
for Record and Overdub and with those two its as easier as any other 
loop device.
Then you can start introducing other switches and by trying, you find 
out what they do, no? And then yes, the cross functions may do 
unexpected things...
Shure, it gets complicated when you start changing parameters, using 
sync, brothering... but thats because the other units dont offer 
those options.

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sun Dec  3 09:24:48 2000
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Date: Sun, 03 Dec 2000 15:14:43 -0800
From: Claude Voit <c.voit@vtx.ch>
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andre wrote:
> 
> At 03:43 PM 12/01/2000 -0500, you wrote:
> >Loopers-Delight-d Digest                               Volume 00 : Issue 384  Today's Topics:   help
> >w

28 K of quotes snipped (the whole digest)

end of snip 
we get an add:

> > PROJECT OBJECT Zappa Tribute New Years Eve 2001 w/ IKE WILLIS !!!!
blabla bla

in this message we get 28k of useless quoted text we all already have
gotten earlier
and all that for a gig announcement that concerns perhaps 3 people 

hey you, 
all digest users please please please :edit your replies please

1- edit the header because "Re: Loopers-Delight-d Digest V00 #384" is
not really interesting and useful for the reader
2-do not quote the whole digest: the vast majority of the planet still
pays the internet conection
and finnally nobody care of your response if we have to find in the
middle of the digest the line your responding to
3- if all this is too much work join the regular mailling list so it it
easyer to reply to our posts
4- whats great also is that you are going to get your own 28k again
because everything goes to the digest 

end of rant

thank you 


Claude

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From: magicicada@mindspring.com
Date: Sun, 03 Dec 2000 14:56:55 -0500
To: Loopers-Delight@loopers-delight.com
Subject: Line 6 repair issues
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recently my line 6 dl4 stopped working in 14 second mode which sucks sine i mainly use it for just that purpose! i have been having a hell of a time getting my RA number so i can send it off to be repaired under warranty. anyone else have this much trouble dealing with them?
thanks
c.

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Actually just the opposite.  I sent an email from their automated FAQ/repair on line and had a response within a day.  After I sent the serial number and all of that back to them I received a phone call from them with my RA# and the location to send it to.  No problems at all.

Try going through the On-line support section at www.line6.com.  This seems to be how they're handling things these days.

Kevin

magicicada@mindspring.com wrote:

> recently my line 6 dl4 stopped working in 14 second mode which sucks sine i mainly use it for just that purpose! i have been having a hell of a time getting my RA number so i can send it off to be repaired under warranty. anyone else have this much trouble dealing with them?
> thanks
> c.

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Boy that was fast ! I sold both my EDPs on e-bay for $800 each in less
than 48 hours, with minimal regrets. And I've still got my two Jammans
to console me !

I am thankful that Kim has maintained this list and for the things I
have learned here, but I must say I'm a bit offended by his harsh
comments. Perhaps I am a little "learning disabled", but the reality is
that the EDP is a difficult product to learn and the manual is of little
help. Yes I could have stuck with it longer, but I'm doing this "just
for fun" and my experiences with the EDP were more frustrating than fun
most of the time.

Contrary to his assertions, I did ask for and receive help from others
on and off this list, but I never really felt as comfortable using the
EDP as I was with the Jamman. Besides, the kind of help I was seeking
could only really be had one-on-one, which is why I was so vocal about
the idea of a tutorial video. BTW- if a good one was ever was produced,
I might go get another EDP ! I really am crazy, see !! :)

As I was telling someone else on this list (but outside the open forum),
I would never have become a musician if I didn't like to connect wires
and turn knobs so much ! Consequently, I love to be in love with my
gear, and I've cycled through a lot. Perhaps I could have learned to
love the EDP, as I had so hoped to.

Now the Repeater is the new object of my affection !

Kim, "humble list maintainer", I respect you and what you do for the
looping community, and I have stood-up for you a couple of times when
you've offended others, but man you can be arrogant ! 

And as for confusing people on e-bay about older Oberhiem EDPs- I'm
sorry, I guess I was confused myself. I had gathered from this
discussion list that the older versions of EDPs were glitch-prone.

My sincere thanks to Matthis, Gary, and the others on this list who've
helped and encouraged me. Sorry if I've disappointed you.

Looking forward to more "just for fun" experiences with the Repeater,
Jordan

From Loopers-Delight-request@loopers-delight.com  Sun Dec  3 16:33:18 2000
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Date: Sun, 03 Dec 2000 16:31:29 -0500
Subject: Re: EDP Debrief
From: Doug Miller <dmiller3@columbus.rr.com>
To: <Loopers-Delight@loopers-delight.com>
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Let us know how the Repeater sits with you. I may have to get one of them
there gadgets too! Ye ha!
_________________________________
Doug Miller
Graphic Designer / Illustrator
http://home.columbus.rr.com/dougmiller
http://www.dispatch.com
http://www.cccn.org

> Looking forward to more "just for fun" experiences with the Repeater

From Loopers-Delight-request@loopers-delight.com  Sun Dec  3 17:30:20 2000
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Date: Sun, 03 Dec 2000 17:23:41 -0500
To: Loopers-Delight@loopers-delight.com
From: andre <andre@monmouth.com>
Subject: Oops!! sorry for 28K noise
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>From: Claude Voit <c.voit@vtx.ch>
>
>28 K of quotes snipped (the whole digest)
>
>end of snip 
>we get an add:
>
>> > PROJECT OBJECT Zappa Tribute New Years Eve 2001 w/ IKE WILLIS !!!!
>blabla bla
>
>in this message we get 28k of useless quoted text we all already have
>gotten earlier
>and all that for a gig announcement that concerns perhaps 3 people 
>
>hey you, 
>all digest users please please please :edit your replies please
>
>1- edit the header because "Re: Loopers-Delight-d Digest V00 #384" is
>not really interesting and useful for the reader
>2-do not quote the whole digest: the vast majority of the planet still
>

thanks!! i made a grave mistake , slipped and hit SEND before changing the
heading, editing etc completely. I'm sure somewhere you'v e done the same -
sorry tho'

as for my sig file-- i think it's pretty common for musicians to plugtheir
work. i'll turn it off now tho, 
thanks

andre'


From Loopers-Delight-request@loopers-delight.com  Sun Dec  3 18:41:49 2000
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Date: Sun, 3 Dec 2000 18:37:40 EST
Subject: Re: Oops!! sorry for 28K noise
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i for one am interested in the zappa/zappa related material - you can 
advertise to me anytime - Harry

From Loopers-Delight-request@loopers-delight.com  Sun Dec  3 19:37:16 2000
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Subject: 49/32 Radio updates 8/2000 to 12/3/2000
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Hello folks,

Happy Holidays and all that stuff.  I've updated the part of the 
49/32 Radio archives from August 2000 to December 3, 2000 (this 
weekend). Mid-March to August 2000 will get done in the near future.

49/32 Radio is the very first all microtonal streaming audio program
on the net. Microtonal is a term that loosely covers any music outside 
of the 12 tone equal temperament commonly accepted in the Western 
world - the notes in between the frets of a guitar or the pitches 
between the keys of a piano. Microtonality isn't a style of music, 
rather an approach to pitch.

Recent programs featured Vishwa Mohan Bhatt, Mohamed Abdel Wahab,
Chas Smith, Anaympatti S. Dhandapani, Talip Ozkan, Musicans from the
Deserts of Rajasthan, Hariprasad Chaurasia, the Master Musicans of 
Jajouka, Anthology of World Music: The Music of Tibetan Buddhism,
Carter Scholtz, The Monks of the Drepung-Loseling Monastery,
David Maranha, Jah Wobble & the Invaders of the Heart,
Jon Catler and the Evolution Ensemble, Neil Haverstick,
Pauline Oliveros, John Cale, Tony Conrad, Angus Maclise, 
La Monte Young, Marian Zazeela and Arnold Dreyblatt and the Orchestra 
of Excited Strings

http://www.virtulink.com/immp/jux/j_index.htm#events

-- 
* D a v i d         B e a r d s l e y
* 49/32  R a d i o "all microtonal, all the time"
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@loopers-delight.com  Mon Dec  4 02:30:21 2000
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Date: Mon, 4 Dec 2000 05:32:16 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP Debrief
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>
>My sincere thanks to Matthis, Gary, and the others on this list who've
>helped and encouraged me. Sorry if I've disappointed you.

You didnt, just follow your trail, thats ok!

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Dec  4 16:22:39 2000
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Date: Mon, 4 Dec 2000 18:10:53 -0300 (ART)
From: =?iso-8859-1?q?Henrique=20Roscoe?= <hhhenrique@yahoo.com.br>
Subject: trigger
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I have a Waldorf 4-pole and I'm using it as a pedal
effect for my guitar. It has a audio input and a
trigger input.
Does anyone knows what can I use as a trigger input?
No sequencers, just a simple foot switch that I could
control the start of the envelopes.

Thanks

Henrique

________________________________________________________________________
Do You Yahoo!?
Crie o seu e-mail grátis do Yahoo! Mail com 6 Megabytes livres!
http://mail.yahoo.com.br

From Loopers-Delight-request@loopers-delight.com  Mon Dec  4 19:14:15 2000
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From: "Petr Dolak" <pepetr@yahoo.com>
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Subject: improv + looping in Jungian reflection
Date: Sat, 2 Dec 2000 21:40:38 -0600
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I am working on the project of utilizing improvisation and looping in
Active Imagination and other forms of analytical reflection on shadow,
archetypes, etc., based on CG Jung and others.  Another part of the
project is a art-expressive workshops for small groups.  Is there
anyone with similar interests?  (Not necessarily new age stuff,
including dealing with brain waves, etc. -- I don't need that.)

petr dolak
petr@tryi.com



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Dec  4 19:23:48 2000
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From: "Lisa Heinen" <lheinen@excel.net>
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Subject: Warr Guitar for sale by owner
Date: Mon, 4 Dec 2000 18:13:33 -0600
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This is a multi-part message in MIME format.

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Warr Guitar for sale by owner.12-string.Excellent condition,
Excellent price! Deep bass, smooth melody, fast attack,
great sustain.More details upon request. Tim Heinen
e-mail... lheinen@excel.net=20


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<DIV><FONT face=3DArial size=3D2>Warr Guitar for sale by =
owner.12-string.Excellent=20
condition,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Excellent price! Deep bass, smooth =
melody, fast=20
attack,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>great sustain.More details upon =
request. Tim=20
Heinen</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>e-mail... <A=20
href=3D"mailto:lheinen@excel.net">lheinen@excel.net</A> </FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0007_01C05E1D.E9A45F20--

From Loopers-Delight-request@loopers-delight.com  Mon Dec  4 19:41:23 2000
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From: Sam Cranley <cranley@thinkcity.com>
To: "'Loopers-delight@loopers-delight.com'"
	 <Loopers-delight@loopers-delight.com>
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Date: Mon, 4 Dec 2000 04:34:51 -0800 
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Hello, 
This is cranley@thinkcity.com
Would you please remove me from your email broadcast list?
I would greatly appreciate it.
Thanks,
Sam Cranley

From Loopers-Delight-request@loopers-delight.com  Mon Dec  4 21:46:09 2000
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Even though Jordan's post would lead one to believe that he has a
Repeater in hand, I've yet to hear of any of them hitting the streets.
I'm wondering what the progress/prognosis is on the Repeater.  We
haven't heard from Damon in a while, and I noticed that a request a
while back for a status report went unanswered.

I've been mostly lurking on looper's delight for a couple of months,
with my yen for a "looper of my own" has been getting stronger all the
time.  The Repeater really looks like a good start for me (nice
price/feature point from what I can tell), but on the other hand, I hear
from a Gibson rep that EDP's will be available very shortly, but only
for a brief time (shipping in mid-Dec, and then not available again
until at least Feb).  If the Repeater looks like a pretty sure bet in
the next month or two, I'll hold off.  But I'd really like to know
whether to wait, or to grab a "bird in the hand"   =)

Thanks,
Elby

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 00:44:04 2000
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Subject: Repeater Most Desireable
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Hey--
Aren't the Repeaters all gonna be accounted for when they actually ship?
That being said, it's also much cheaper than the EDP, isn't it?  Does the
unit ship with the card?
An aside to those who own the PMC and EDP--what do you use the control
pedals for?  I'm using one on the PMC for various things, but haven't
started using a second pedal .  What does anyone use the pedal for besides
volume and feedback?
Cheers,
Gary

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 03:23:07 2000
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Subject: Re: Repeater update
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I've written to the Electrix Customer Support.
They told me that the "repeater has been delayed until early January and
should hit the stores by the 3rd week of january".

Let's hope so...

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 03:57:47 2000
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Subject: Re: Repeater update
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At 6:44 PM -0800 12/4/00, Mountain Man wrote:
>Even though Jordan's post would lead one to believe that he has a
>Repeater in hand, I've yet to hear of any of them hitting the streets.
>I'm wondering what the progress/prognosis is on the Repeater.  We
>haven't heard from Damon in a while, and I noticed that a request a
>while back for a status report went unanswered.
>
>I've been mostly lurking on looper's delight for a couple of months,
>with my yen for a "looper of my own" has been getting stronger all the
>time.  The Repeater really looks like a good start for me (nice
>price/feature point from what I can tell), but on the other hand, I hear
>from a Gibson rep that EDP's will be available very shortly, but only
>for a brief time (shipping in mid-Dec, and then not available again
>until at least Feb).  If the Repeater looks like a pretty sure bet in
>the next month or two, I'll hold off.  But I'd really like to know
>whether to wait, or to grab a "bird in the hand"   =)

aside from the most rudimentary loop functions, the feature sets of the two
are very different. One clearly does not replace the other. Perhaps you
should decide what it is that you want to do, and choose the one that does
those things?

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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Subject: A Most Bitchin' Application of the PMC-10 Foot Controller
Date: Tue, 5 Dec 2000 01:06:26 -0800
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Hello all you happy loopers--
I found another great looping application of the PMC-10 by Digitech!  With
the Echoplex Digital Pro (nearly available in stores!) and a MIDI
controllable effects device (or MIDI mixer--MOTU etc) (I am using the GT-3,
with volume controlled by CC 7), here's how to create a balance pedal.  Set
Expression pedal 1 to volume of guitar, with minimum at 40 or so on
controller 1, and volume of the EDP on controller 2, with polarity reversed.
All the way forward is just direct, all the way back is full volume loop,
with just a little live ax.
I am curious as to what other great MIDI strings all y'all have come up
with.  The PMC is the foot controller everybody on this list could use!
Even so, I'm afraid to sell my Mitigator, although I'm not sure if it's good
to go--I'm tempted to buy a second PMC to have as a backup.
Gary

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 06:41:07 2000
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Subject: EDP Multiply without recording revisited
Date: Tue, 5 Dec 2000 03:37:38 -0800
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Hey--
You can record using multiply and not add new material if you are in delay
mode and have the volume pedal backed down.
Gary

----- Original Message -----

> At 12:44 PM -0700 9/2/00, Om_Audio wrote:
>  >Is it possible to enter Multiply mode without recording? I don't think
so
>  >but thought I'd ask- I want to Multiply and play on top but not record
what
>  >I play while multiplying.- Thanks-
>  >
Then Floyd Miller wrote:

> You could turn down the input control all the way.
> But why?  all multiply without recording would do is
> make copies of the original loop which would be the
> same as just letting the original loop play, except
> the multiple loops would use up more memory.

And then Gozanabit explains:

Here's why--
Sometimes I have a phrase which works as the first part of a phrase, but
needs to be a multiple, i. e., it does not repeat enough times--you know,
like the first 4 bars of the blues, say.
Then I want to insert the next part, but in order to fool the audience into
thinking that it's live (!), I need to keep playing thru the doubling of the
first part while I multiply to get to the proper place in the progression.
See, I'm not using any more than one loop yet.  I haven't needed or wanted
to switch between loops since the Echoplex has such an abundance of power.
Much better to compose the tune and arrange the parts as I go along--then it
will play correctly ''til Kingdom come (or the audience gets ugly).
Unfortunately there is this limitation.  Good to know what the boundaries
are . . .
Gary




From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 12:13:24 2000
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Hi Kim,

I'd be interested in hearing your observations about the feature differences
you see between the two products - EDP and Repeater. What will be the
performance impact of the different feature sets in your view?

Thanks,
Kevin
"Gettin' ready to buy one of these things..."


> aside from the most rudimentary loop functions, the feature sets
> of the two
> are very different. One clearly does not replace the other. Perhaps you
> should decide what it is that you want to do, and choose the one that does
> those things?

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 12:55:50 2000
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From: abduction scene <abduction_scene@yahoo.com>
Subject: semi-OT: cheap weighted keys to loop
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Hey all-

Can anyone suggest an inexpensive keyboard with
weighted keys?  Doesn't have to be anything
amazing.  Weighted keys and price are the first
criteria, since this will be used mostly to
write/
tinker/loop with.  I want to see if I'd get into
it before dropping a bundle on a keyboard.

Thanks,

-abduction-




__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 13:15:33 2000
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Subject: EDP Delay mode
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Wow--
In delay mode with the foot pedal backed off, threshold will not trigger!
Not until you "open" the loop.  This can be very cool--play for a while
until you begin the loop, with a volume swell . . .
Gary

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 14:03:42 2000
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> Thanks Perille! Looks good... 

DJRND3 is the DJRND2 Big Mac (TM) Happy meal

More loops, more memory, more fun !

"Bon appetit mes amis !" (Uncle Bens)

DJRND3, a french looping recipe

Emmanuel

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Subject: Re: EDP Delay mode
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OK folks--
This only works in "retrigger" threshold; i. e., there is material in the
EDP and then you "arm" for recording (quantize on) by pressing record, but
until the delay mode volume pedal is activated, no retrigger!  Also the
volume by MIDI and volume pedal in loop mode seem to be redundant--that is,
each affects the EDP independently.
Gary

> Wow--
> In delay mode with the foot pedal backed off, threshold will not trigger!
> Not until you "open" the loop.  This can be very cool--play for a while
> until you begin the loop, with a volume swell . . .
> Gary
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 16:00:56 2000
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Subject: Re: semi-OT: cheap weighted keys to loop
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> Can anyone suggest an inexpensive keyboard with
> weighted keys?

This may be more than you planned on, but I've been reading reviews about
the FATAR StudioLogic stuff.

Guitar Center is pushing the SL990 for $500 (searching the internet might
get it for <$400 new I see). For a few hundred bucks more you can get one
with 'zones' and some controllers.

I was gonna buy an SL-880 one but on impulse decided to jump on Jordan's
recent EDP garage sale! (Thanks!!!) Best price I saw on the SL-880 was
$569.00  (
http://marketplace.harmonycentral.com/Scripts/ListingInfo.asp?LotNo=27986469
&SiteCatNo=52612 )  that's an auction, but it looks like an endless supply
and you might actually get it for the $569 price.

I'd be interested in anything that is worth mentioning in the even-lower
prices ranges, but the FATAR sounds like its hard to beat.

Bob



From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 16:22:22 2000
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Subject: This Friday in Chicago--Four Theremins and One Guitar
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Hello,

I'll be performing solo, on Springboard and Echoplex, opening for...

The Lothars (from Boston): Four Theremins....... One Guitar...... All Heart

9:30 p.m. Friday, December 8 at the Nervous Center

"...The Lothars conspire to create a monstrous edifice of noise. 
Ramona Herboldsheimer's purposeful electric strumming just about 
manages to hold
together the joyfully bizarre arrangements of audio squiggles and 
deep space scrawls which Kris Thompson, Jon Bernhardt and Brendan 
Quinn produce on their theremins." — Ken Hollings, The WIRE.

The Nervous Center is at 4612 N. Lincoln Ave. next door to the Davis 
Theater. Telephone: (773) 728-5010.

The Lothars home page: http://www.wobblymusic.com/lothars

After their set I'll join The Lothars for some improvisations to 
conclude the evening.

Best regards,
Eric



sound thinking: http://pages.ripco.net/~eleon
upcoming performances: http://pages.ripco.net/~eleon/whatsnew.html

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From: Michael Clark <mcl451@airmail.net>
Subject: Re: improv + looping in Jungian reflection
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Explain more fully what you are doing.

Thanks,

M.


At 09:40 PM 12/2/00 -0600, you wrote:
>I am working on the project of utilizing improvisation and looping in
>Active Imagination and other forms of analytical reflection on shadow,
>archetypes, etc., based on CG Jung and others.  Another part of the
>project is a art-expressive workshops for small groups.  Is there
>anyone with similar interests?  (Not necessarily new age stuff,
>including dealing with brain waves, etc. -- I don't need that.)
>
>petr dolak
>petr@tryi.com
>
>
>
>_________________________________________________________
>Do You Yahoo!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 16:34:30 2000
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Date: Tue, 5 Dec 2000 13:29:30 -0800 (PST)
From: abduction scene <abduction_scene@yahoo.com>
Subject: RE: This Friday in Chicago--Four Theremins and One Guitar
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Kris Thompson is quite good.  He has performed
with Lauri des Marais a number of times.  He
sometimes can sound like the more experimental
Michael Brook.  Definitely worth checking
out...wish I was near Chicago.

Good luck, Eric!

-abduction-

> Ramona Herboldsheimer's purposeful electric
strumming just about 
> manages to hold
> together the joyfully bizarre arrangements of
audio squiggles and 
> deep space scrawls which Kris Thompson, Jon
Bernhardt and Brendan 
> Quinn produce on their theremins." — Ken
Hollings, The WIRE.


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 18:04:58 2000
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From: Jimmy George <jimmy@loadhandler.com>
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	 <Loopers-Delight@loopers-delight.com>
Subject: Hello Fellow Loopers ...
Date: Tue, 5 Dec 2000 16:29:42 -0600 
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If any of you are in Austin Texas over this next weekend I will be
performing my Looping Extravaganza show opening up for Tim Reynolds (Dave
Mathew's super groovy guitarist) Friday December the 8th.

I loop my vocals and guitar through my Boomerang with much lush layering of
sounds / effects galore! Ala Bobby McFerrin meets King Crimson ...

The show is at Lucy's Retired Surfers Bar located downtown on 6th Street. I
go on at 8:30 and Tim goes on at 11:00pm. Tickets are 13.00 at the door.
This show will sell out early. If you email me directly I will get you in
the show for free.

Just a FYI heads up.

Peace and health to you all,
Jimmy George
http://www.jimmygeorgearts.com

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 19:47:32 2000
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Subject: OT: Warning! Musician's Friend Warning!
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Hey.

I just had/am having a horrible experience with Musician's Friend.  I ordered a
GR-30 and a GK-2A, as they were blowing out the GR-30s at a great price ($399)
I paid extra to have it shipped next day FedEx.  The order was done on the
27th.  For some reason they decided not to ship it until the 29th.  I have not
received anything from them at this point.  They gave me a FedEx tracking
number, but FedEx claims to have never entered that number into their system.
Musician's Friend told me they had started a trace with FedEx, but I found out
yesterday that they never had.  This was confirmed by both FedEx, and a
customer service manager at Musician's Friend.

I was totally lied to.

Fed up with waiting, I attempted to buy a GR-33 from The Guitar Center,
Musician's Friend's brick and mortar sister.  Via the phone, I made the
salesman hunt down both the synth and the pick up and put my name on them.  He
claimed he could see both units in front of him.  When I arrived, the salesman
launched into an explanation about how the GK-2 blister pack only looked as if
it were missing stuff, when in fact it was not.  "Roland just uses the same
package for a lot of it's products."  Of course, the pick up was missing all of
the mounting hardware and cables.  You could see where some of the double sided
tape still clung to the pickup.  I just turned around and walked out.

I was totally lied to.

Last Friday I was told that if the "trace" didn't turn up something by
yesterday, they would just send me another one, next day, at no extra charge.
Yesterday I was told that the item was no longer in stock, and the trace might
take weeks.  They refuse to cancel the order and refund my money.  They refuse
to sell me a GR-33 at a discount.  After speaking to another FedEx rep today, I
find that still no trace has been put on this order.

Finally I get an email telling me that they are sending me a GR-30 and I should
receive it tomorrow.  Were they out of stock?  Are they really sending it?
Good question.  Oh, and get this: They are now out of the GK-2 pick up, so my
synth will be useless.

So this is my story.  Use the knowledge wisely.  I will never give a dime to
either Musician's Friend, or The Guitar Center again.

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 20:03:21 2000
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	 <Loopers-Delight@loopers-delight.com>
Subject: OT - - NAMM Reverb Goodies?
Date: Tue, 5 Dec 2000 19:58:52 -0500 
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Could be on topic if you consider that i would use the 'verb before one of
my loopers . . . 

Anyone hear any skuttlebutt about reverb pedals coming out for this
January's NAMM show??

jes' wondering . . . 

stig

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<P><FONT SIZE=2>Could be on topic if you consider that i would use the 'verb before one of my loopers . . . </FONT>
</P>

<P><FONT SIZE=2>Anyone hear any skuttlebutt about reverb pedals coming out for this January's NAMM show??</FONT>
</P>

<P><FONT SIZE=2>jes' wondering . . . </FONT>
</P>

<P><FONT SIZE=2>stig</FONT>
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From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 20:30:07 2000
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Hi Mark,

This is OT, but since we tend to buy a lot of stuff, it might be useful
information.

Did you pay with a credit card?  If Musician's Friend won't cancel your
order, you can have your credit card company refuse payment to them.  Just
call the number on your card, explain the situation, and they can probably
help you in disputing the claim (unless your credit card company is run by a
bunch of jerks too).  Look on the back of your statement and you should see
a section called "Statement of Disputed Items," with a list of legitimate
reasons.  You might even try calling Musician's Friend first, and telling
them that you will dispute the charge unless they refund your money.  That's
worked before too.


Peter


----- Original Message -----
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, December 05, 2000 7:44 PM
Subject: OT: Warning! Musician's Friend Warning!


> Hey.
>
> I just had/am having a horrible experience with Musician's Friend.  I
ordered a
> GR-30 and a GK-2A, as they were blowing out the GR-30s at a great price
($399)
> I paid extra to have it shipped next day FedEx.  The order was done on the
> 27th.  For some reason they decided not to ship it until the 29th.  I have
not
> received anything from them at this point.  They gave me a FedEx tracking
> number, but FedEx claims to have never entered that number into their
system.
> Musician's Friend told me they had started a trace with FedEx, but I found
out
> yesterday that they never had.  This was confirmed by both FedEx, and a
> customer service manager at Musician's Friend.
>
> I was totally lied to.
>
> Fed up with waiting, I attempted to buy a GR-33 from The Guitar Center,
> Musician's Friend's brick and mortar sister.  Via the phone, I made the
> salesman hunt down both the synth and the pick up and put my name on them.
He
> claimed he could see both units in front of him.  When I arrived, the
salesman
> launched into an explanation about how the GK-2 blister pack only looked
as if
> it were missing stuff, when in fact it was not.  "Roland just uses the
same
> package for a lot of it's products."  Of course, the pick up was missing
all of
> the mounting hardware and cables.  You could see where some of the double
sided
> tape still clung to the pickup.  I just turned around and walked out.
>
> I was totally lied to.
>
> Last Friday I was told that if the "trace" didn't turn up something by
> yesterday, they would just send me another one, next day, at no extra
charge.
> Yesterday I was told that the item was no longer in stock, and the trace
might
> take weeks.  They refuse to cancel the order and refund my money.  They
refuse
> to sell me a GR-33 at a discount.  After speaking to another FedEx rep
today, I
> find that still no trace has been put on this order.
>
> Finally I get an email telling me that they are sending me a GR-30 and I
should
> receive it tomorrow.  Were they out of stock?  Are they really sending it?
> Good question.  Oh, and get this: They are now out of the GK-2 pick up, so
my
> synth will be useless.
>
> So this is my story.  Use the knowledge wisely.  I will never give a dime
to
> either Musician's Friend, or The Guitar Center again.
>
> Mark Sottilaro
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 20:30:25 2000
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Date: Tue, 05 Dec 2000 17:28:17 -0800
Subject: Re: OT: Warning! Musician's Friend Warning!
From: "Allan Hoeltje" <ahoeltje@best.com>
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Mark,

I fear that your experience perfectly describes the new world order.  There
are so many people employed these days in service jobs and then many more
that do nothing but cover for the poor service.  It seems that I spend at
least 10% of my time at work dealing with nameless people on the phone (if I
am lucky to find a phone number to call) just to clear up stupid stuff like
incorrect phone bill, water bill, mysterious charges on my credit card,
parking tickets issued in my name for places I've never been, you name it.
Today it was resolving a totally screwed up situation with PayPal - two
weeks it has taken then to send my money to a guy for a G-Force I bought on
eBay.

There is only one thing you can do:  Loop away your stress.  Anything else
will just make your blood boil.

Now I am fearing that UPS will loose my new G-Force,

-Allan


----------
>From: Mark Sottilaro <sine@zerocrossing.net>
>To: Loopers-Delight@loopers-delight.com
>Subject: OT: Warning! Musician's Friend Warning!
>Date: Tue, Dec 5, 2000, 4:44 PM
>

> Hey.
>
> I just had/am having a horrible experience with Musician's Friend.
> I ordered...

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 20:33:42 2000
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Subject: improv + looping in Jungian analysis
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I am working on the project of utilizing improvisation and looping in
Active Imagination and other forms of analytical reflection on the
shadow,
archetypes, etc., based on CG Jung and others.  Another part of the
project is a art-expressive workshops for small groups.  Is there
anyone with similar interests?  (I don't need new age stuff,
including dealing with brain waves, etc.)

petr dolak
petr@tryi.com




_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 20:40:16 2000
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 <001801c05efc$bc3f2bc0$6601a8c0@nwlink.com>
 <3A2D8BEB.9C68ED0B@zerocrossing.net>
Date: Tue, 5 Dec 2000 17:30:23 -0800
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From: rich <rich@nuvisionsca.com>
Subject: Re: OT: Warning! Musician's Friend Warning!
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Sorry to hear about your troubles, Mark.  Tough one to beat, 
though...Musician's Friend and Guitar Center get so many incentives 
and great buys from the manufacturers because they buy so damn much, 
that they can drive the smaller stores (with possibly better service) 
out of business.

Very few of the mom/pop stores carry a selection that those 
stores/catalogs do, though.  They just can't carry that much 
inventory.  Which leaves people with taste for gear that's a bit left 
of center no choice sometimes.  Also, often the small shops can't 
even get premium brands because they don't sell enough units!

the best bet i have had is finding someone at the store, or on the 
phone that seems like they have more than just a couple of hampsters 
between their ears, and STICK TO THEM.  make them aware that you will 
only buy from them because they are the ONLY one in the store that 
gives you the service you want.  that usually means you will be 
buying from a manager.  nice side effect, though, is that if you're 
dealing with a manager at a high enough level, they can discount 
beyond what the little chumps can.  If you forge a relationship with 
someone, they are more likely to help you out, too.

best of luck,

rich

ps.  being lied to by a GC salesman?  ...like getting yelled at by 
someone with Tourette's syndrome.



>Hey.
>
>I just had/am having a horrible experience with Musician's Friend. 
>I ordered a
>GR-30 and a GK-2A, as they were blowing out the GR-30s at a great price ($399)
>I paid extra to have it shipped next day FedEx.  The order was done on the
>27th.  For some reason they decided not to ship it until the 29th.  I have not
>received anything from them at this point.  They gave me a FedEx tracking
>number, but FedEx claims to have never entered that number into their system.
>Musician's Friend told me they had started a trace with FedEx, but I found out
>yesterday that they never had.  This was confirmed by both FedEx, and a
>customer service manager at Musician's Friend.
>
>I was totally lied to.
>
>Fed up with waiting, I attempted to buy a GR-33 from The Guitar Center,
>Musician's Friend's brick and mortar sister.  Via the phone, I made the
>salesman hunt down both the synth and the pick up and put my name on them.  He
>claimed he could see both units in front of him.  When I arrived, the salesman
>launched into an explanation about how the GK-2 blister pack only looked as if
>it were missing stuff, when in fact it was not.  "Roland just uses the same
>package for a lot of it's products."  Of course, the pick up was 
>missing all of
>the mounting hardware and cables.  You could see where some of the 
>double sided
>tape still clung to the pickup.  I just turned around and walked out.
>
>I was totally lied to.
>
>Last Friday I was told that if the "trace" didn't turn up something by
>yesterday, they would just send me another one, next day, at no extra charge.
>Yesterday I was told that the item was no longer in stock, and the trace might
>take weeks.  They refuse to cancel the order and refund my money.  They refuse
>to sell me a GR-33 at a discount.  After speaking to another FedEx 
>rep today, I
>find that still no trace has been put on this order.
>
>Finally I get an email telling me that they are sending me a GR-30 
>and I should
>receive it tomorrow.  Were they out of stock?  Are they really sending it?
>Good question.  Oh, and get this: They are now out of the GK-2 pick up, so my
>synth will be useless.
>
>So this is my story.  Use the knowledge wisely.  I will never give a dime to
>either Musician's Friend, or The Guitar Center again.
>
>Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 20:59:09 2000
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Subject: Re: improv + looping in Jungian analysis
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In a message dated 00-12-05 20:31:29 EST, petr write:

<< I am working on the project of utilizing improvisation and looping in
 Active Imagination and other forms of analytical reflection on the
 shadow,
 archetypes, etc., based on CG Jung and others. >>

petr.......you already said this and were asked what you mean by 
it?.......could you explain what you are up 
to?........thanks...........michael

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 21:01:13 2000
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Yes this is so right.  My problem is that I'm new to the bay area and I don't know
any other places.  Frankly, I'm a little amazed at the lack of good music shops.
I'm going to try Banana's at Large in San Rafael tomorrow.  It's a hike for me,
but it may be worth while and the guy on the phone seemed very helpful and honest.

Mark



rich wrote:

> Sorry to hear about your troubles, Mark.  Tough one to beat,
> though...Musician's Friend and Guitar Center get so many incentives
> and great buys from the manufacturers because they buy so damn much,
> that they can drive the smaller stores (with possibly better service)
> out of business.
>
> Very few of the mom/pop stores carry a selection that those
> stores/catalogs do, though.  They just can't carry that much
> inventory.  Which leaves people with taste for gear that's a bit left
> of center no choice sometimes.  Also, often the small shops can't
> even get premium brands because they don't sell enough units!
>
> the best bet i have had is finding someone at the store, or on the
> phone that seems like they have more than just a couple of hampsters
> between their ears, and STICK TO THEM.  make them aware that you will
> only buy from them because they are the ONLY one in the store that
> gives you the service you want.  that usually means you will be
> buying from a manager.  nice side effect, though, is that if you're
> dealing with a manager at a high enough level, they can discount
> beyond what the little chumps can.  If you forge a relationship with
> someone, they are more likely to help you out, too.
>
> best of luck,
>
> rich
>
> ps.  being lied to by a GC salesman?  ...like getting yelled at by
> someone with Tourette's syndrome.
>
> >Hey.
> >
> >I just had/am having a horrible experience with Musician's Friend.
> >I ordered a
> >GR-30 and a GK-2A, as they were blowing out the GR-30s at a great price ($399)
> >I paid extra to have it shipped next day FedEx.  The order was done on the
> >27th.  For some reason they decided not to ship it until the 29th.  I have not
> >received anything from them at this point.  They gave me a FedEx tracking
> >number, but FedEx claims to have never entered that number into their system.
> >Musician's Friend told me they had started a trace with FedEx, but I found out
> >yesterday that they never had.  This was confirmed by both FedEx, and a
> >customer service manager at Musician's Friend.
> >
> >I was totally lied to.
> >
> >Fed up with waiting, I attempted to buy a GR-33 from The Guitar Center,
> >Musician's Friend's brick and mortar sister.  Via the phone, I made the
> >salesman hunt down both the synth and the pick up and put my name on them.  He
> >claimed he could see both units in front of him.  When I arrived, the salesman
> >launched into an explanation about how the GK-2 blister pack only looked as if
> >it were missing stuff, when in fact it was not.  "Roland just uses the same
> >package for a lot of it's products."  Of course, the pick up was
> >missing all of
> >the mounting hardware and cables.  You could see where some of the
> >double sided
> >tape still clung to the pickup.  I just turned around and walked out.
> >
> >I was totally lied to.
> >
> >Last Friday I was told that if the "trace" didn't turn up something by
> >yesterday, they would just send me another one, next day, at no extra charge.
> >Yesterday I was told that the item was no longer in stock, and the trace might
> >take weeks.  They refuse to cancel the order and refund my money.  They refuse
> >to sell me a GR-33 at a discount.  After speaking to another FedEx
> >rep today, I
> >find that still no trace has been put on this order.
> >
> >Finally I get an email telling me that they are sending me a GR-30
> >and I should
> >receive it tomorrow.  Were they out of stock?  Are they really sending it?
> >Good question.  Oh, and get this: They are now out of the GK-2 pick up, so my
> >synth will be useless.
> >
> >So this is my story.  Use the knowledge wisely.  I will never give a dime to
> >either Musician's Friend, or The Guitar Center again.
> >
> >Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 21:53:52 2000
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Hello,
Could Someone explain what the repater dos enot do that the echoplex dose 
do? From the alpha manual the repeater seems to be able to do loop copy and 
multiply plus longer loop time, better loop storage, stereo looping and 
pitch shifing(probably better customer support and reliability if electrix 
treats it like its other products). I have two edp's(one if you dont count 
the one that shane radke has had for 6 months with out calling me back 
once!but that is another story) I and I loved them but I feel that a 
repeater is a way more versatile music machine. Please correct me if I have 
interpreted some thing wrong oor or have missed something.
Thanks,
Jeremiah
_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 22:05:04 2000
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Sorry-I had to interrupt-How about Alto Music?I can personally guarantee you 
a better price and better service.I'm sure plenty on this list can vouch for 
us.Email-altomusic@altomusic.com.The next time you need gear try 
us.....BTW-Repeaters and echoplexes are not on the too distant horizon-Soon! 
I promise!-Jon from Alto

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 22:10:31 2000
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> .......you already said this

ah, I get it... he's looping!

This is great!!!

I see that an earlier post of  Petr's had a URL:   www.geocities.com/pepetr

...but inquiring minds still want more, petr!   please indulge us you will.
We all need a kick in the artistic pants to stop reading catalogs and make
some sonic art!


From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 22:35:18 2000
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mark,

Sorry you have had this experience.  Very common.  But, it's not happend to
me.  Here's why - I think.

Here's the deal:  ONLY buy from the manager of the department (at least) if
not the store manager.  Develop a rapport with the store manager -
especially if you buy a lot of gizmos or expensive gizmos.  I have found
that once the person on the phone actually activates enough brain cells to
understand that you want to speak with the manager, and then actually
remembers who the manager is and how to actually connect you, and then does
actually connect you, and you are then actually speaking with the manager -
you will be listened to and the service will be good.  That has been my
experience with GC.

Don't deal with chumps who tomorrow will be asking someone if they want
fries and a large Coke.

Stairway To Heaven destroys brain cells.

A rule of business #1:  Always deal with the real decision maker.  Anything
else is wasting your time (not always true, but mostly).

A rule of business #2:  Go with the person who has the most to lose.

My 2 cents.

M.


At 05:58 PM 12/5/00 -0800, you wrote:
>Yes this is so right.  My problem is that I'm new to the bay area and I
don't know
>any other places.  Frankly, I'm a little amazed at the lack of good music
shops.
>I'm going to try Banana's at Large in San Rafael tomorrow.  It's a hike
for me,
>but it may be worth while and the guy on the phone seemed very helpful and
honest.
>
>Mark
>
>
>
>rich wrote:
>
>> Sorry to hear about your troubles, Mark.  Tough one to beat,
>> though...Musician's Friend and Guitar Center get so many incentives
>> and great buys from the manufacturers because they buy so damn much,
>> that they can drive the smaller stores (with possibly better service)
>> out of business.
>>
>> Very few of the mom/pop stores carry a selection that those
>> stores/catalogs do, though.  They just can't carry that much
>> inventory.  Which leaves people with taste for gear that's a bit left
>> of center no choice sometimes.  Also, often the small shops can't
>> even get premium brands because they don't sell enough units!
>>
>> the best bet i have had is finding someone at the store, or on the
>> phone that seems like they have more than just a couple of hampsters
>> between their ears, and STICK TO THEM.  make them aware that you will
>> only buy from them because they are the ONLY one in the store that
>> gives you the service you want.  that usually means you will be
>> buying from a manager.  nice side effect, though, is that if you're
>> dealing with a manager at a high enough level, they can discount
>> beyond what the little chumps can.  If you forge a relationship with
>> someone, they are more likely to help you out, too.
>>
>> best of luck,
>>
>> rich
>>
>> ps.  being lied to by a GC salesman?  ...like getting yelled at by
>> someone with Tourette's syndrome.
>>
>> >Hey.
>> >
>> >I just had/am having a horrible experience with Musician's Friend.
>> >I ordered a
>> >GR-30 and a GK-2A, as they were blowing out the GR-30s at a great price
($399)
>> >I paid extra to have it shipped next day FedEx.  The order was done on the
>> >27th.  For some reason they decided not to ship it until the 29th.  I
have not
>> >received anything from them at this point.  They gave me a FedEx tracking
>> >number, but FedEx claims to have never entered that number into their
system.
>> >Musician's Friend told me they had started a trace with FedEx, but I
found out
>> >yesterday that they never had.  This was confirmed by both FedEx, and a
>> >customer service manager at Musician's Friend.
>> >
>> >I was totally lied to.
>> >
>> >Fed up with waiting, I attempted to buy a GR-33 from The Guitar Center,
>> >Musician's Friend's brick and mortar sister.  Via the phone, I made the
>> >salesman hunt down both the synth and the pick up and put my name on
them.  He
>> >claimed he could see both units in front of him.  When I arrived, the
salesman
>> >launched into an explanation about how the GK-2 blister pack only
looked as if
>> >it were missing stuff, when in fact it was not.  "Roland just uses the
same
>> >package for a lot of it's products."  Of course, the pick up was
>> >missing all of
>> >the mounting hardware and cables.  You could see where some of the
>> >double sided
>> >tape still clung to the pickup.  I just turned around and walked out.
>> >
>> >I was totally lied to.
>> >
>> >Last Friday I was told that if the "trace" didn't turn up something by
>> >yesterday, they would just send me another one, next day, at no extra
charge.
>> >Yesterday I was told that the item was no longer in stock, and the
trace might
>> >take weeks.  They refuse to cancel the order and refund my money.  They
refuse
>> >to sell me a GR-33 at a discount.  After speaking to another FedEx
>> >rep today, I
>> >find that still no trace has been put on this order.
>> >
>> >Finally I get an email telling me that they are sending me a GR-30
>> >and I should
>> >receive it tomorrow.  Were they out of stock?  Are they really sending it?
>> >Good question.  Oh, and get this: They are now out of the GK-2 pick up,
so my
>> >synth will be useless.
>> >
>> >So this is my story.  Use the knowledge wisely.  I will never give a
dime to
>> >either Musician's Friend, or The Guitar Center again.
>> >
>> >Mark Sottilaro
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec  5 23:10:35 2000
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Subject: Looping Gig (Seattle, WA, USA): Electrochakra 12/6/00
From: Tiktok <tiktok@sprintmail.com>
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Electrochakra, a loop-heavy instrumental band will be playing this
Wednesday, December 6, between 6 and 11PM, at the Hurricane Cafe (7th and
Bell).  This will be our second gig with our new drummer, Sean Sippel, so
anyone curious as to how integrating loops with a drummer can be approached
is welcome to drop by.

Admission is free, our new CD will be for sale, and free nachos are
available upon request.


Be seeing you,

Travis Hartnett
Electrochakra


-- 
MP3's and calendar of upcoming shows available at:

www.mp3.com/electrochakra

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Too bad to hear your pain Mark.

Especially when it comes at a part of life so close to my heart - You can 
take my girfriends away, burn down my house, let loose wolves to chase me 
naked into the long cold night; as long as a shiny new toy is in the mail, 
that I got a real deal on and is guaranteed to make me a rock star, 
everything will be ok.

> Sorry-I had to interrupt-How about Alto Music?I can personally guarantee 
you
> a better price and better service.I'm sure plenty on this list can vouch 
for
> us.Email-altomusic@altomusic.com.The next time you need gear try
> us.....BTW-Repeaters and echoplexes are not on the too distant 
horizon-Soon!
> I promise!-Jon from Alto

Yup, I'll vouch for them. They know what they are doing, and are always 
looking to get you what they need, not make a sale. Anything new, I've 
bought from them, since the echoplex group buy.

As far as good bay area shops, 'Computers and Music' in San Francisco 
doesn't get good marks. They don't know their equipment and they won't 
bother themselves to set equipment up for you to demo. They also tried to 
sell me gear by quoting a whole load of rather imaginary features that they 
misread off the back of the product pamphlet; I don't want to pay extra to 
a local shop just for the privelege of educating their staff.

Starving musician in Sunnyvale isn't bad, but they trade mostly in used 
gear; of which there is a better choice on the internet. They will rent a 
lot of stuff (I'm not sure if they will rent all of their used inventory) - 
pretty good if you suddenly need to record vocals or something and don't 
have the rig for it. The staff seem to know what their doing, as far as my 
interactions with them.

There's a store in Redwood city, on El Camino, whose name is on the tip of 
my tongue (Gerbers? something with a G :>). They have a good selection of 
gear, and usually mark stuff down at the register. The staff aren't that 
knowledgeable, at least in the keyboard department. However, they are not 
working on commision, which makes their life, and ours, easier.

There's a store called Draper's in Palo Alto, just down the street from me. 
Not as wide a selection as the place in Redwood city. I haven't bought 
anything them; they are more one the 'musical toy store' category - lots of 
beginners guitar sets on sale and the like. They have some nice custom 
guitars and basses in the corner too. I tried out the Hand-sonic there, 
which we discussed a while ago, and I decided wasn't for me.

>Last Friday I was told that if the "trace" didn't turn up something by
>yesterday, they would just send me another one, next day, at no extra 
charge.
>Yesterday I was told that the item was no longer in stock, and the trace 
might
>take weeks.  They refuse to cancel the order and refund my money.  They 
refuse
>to sell me a GR-33 at a discount.  After speaking to another FedEx rep 
today, I
>find that still no trace has been put on this order.
>

I would do a chargeback under these circumstances on principle. That, or 
small claims court.

>Finally I get an email telling me that they are sending me a GR-30 and I 
should
>receive it tomorrow.  Were they out of stock?  Are they really sending it?
>Good question.  Oh, and get this: They are now out of the GK-2 pick up, so 
my
>synth will be useless.

Ouch. Insult added to injury. Still, a gk-2a pickup should not be hard to 
find

Good luck Mark, maybe I'll see you next Sunday?

bIz



On Tuesday, December 05, 2000 6:59 PM, JHKNICKS@aol.com 
[SMTP:JHKNICKS@aol.com] wrote:

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Gelb Music - 722 El Camino Real

There's also Guitar Showcase in San Jose on Bascom.


At 08:59 PM 12/5/2000 -0800, you wrote:
>
>There's a store in Redwood city, on El Camino, whose name is on the tip of 
>my tongue (Gerbers? something with a G :>). They have a good selection of 
>gear, and usually mark stuff down at the register. The staff aren't that 
>knowledgeable, at least in the keyboard department. However, they are not 
>working on commision, which makes their life, and ours, easier.
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 02:37:53 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: To kim flint RE:Repeater update
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At 6:50 PM -0800 12/5/00, George Washington wrote:
>Hello,
>Could Someone explain what the repater dos enot do that the echoplex dose
>do? From the alpha manual the repeater seems to be able to do loop copy and
>multiply plus longer loop time, better loop storage, stereo looping and
>pitch shifing(probably better customer support and reliability if electrix
>treats it like its other products). I have two edp's(one if you dont count
>the one that shane radke has had for 6 months with out calling me back
>once!but that is another story) I and I loved them but I feel that a
>repeater is a way more versatile music machine. Please correct me if I have
>interpreted some thing wrong oor or have missed something.

You've missed a lot. Go look at it again:

http://www.loopers-delight.com/tools/echoplex/Echoplex_Manual.pdf
http://www.loopers-delight.com/tools/echoplex/echopedals.html
http://www.loopers-delight.com/tools/echoplex/FAQ.html
http://www.loopers-delight.com/tips/Plhints.html
http://www.loopers-delight.com/tools/echoplex/echoplex_reverse.html

http://www.electrixpro.com/topsecret/repeater.pdf

The two are oriented at completely different audiences and emphasize
different things. Each has far more depth than the other in the areas where
they are strong. Even the things that are similar work in completely
different ways.

I'd be happy to write it all out for you, but it is a lot and I don't have
time right now. It is not even really possible yet, since the repeater is
not even available and the manual for it is not very specific in many
areas. Some other day I will add repeater to the echoplex/jamman comparison
page on the LD site:

http://www.loopers-delight.com/tools/Plex_Jamman.html

I guess I should add other loopers to that as well and make a big
comparison chart, with nice explanations of all the features and subtleties
of their operation. For now though, you will have to do your own research.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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Subject: OT: Midi drum mapping in Cubase
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Hello-

I wrote a drum track on a friend's Mac using his Roland Dr.770 as the sound
source- I am now trying to use the midi file on my PC in Cubase and am
wondering if anyone knows of a source for Drum machine maps, sounds, etc for
Cubase as now all the midi notes do not correlate to my LM-4 plug or my
DR-5. Thanks-

Cliff

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Subject: RE: Midi drum mapping in Cubase
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Was needing the same info actually... but I have the DR202 Dr Groove, on
which i like the sounds fine but programming it???.... is arse (ass for you
americans) So I want a drum map for cubase for it that can access all the
sounds from one huge mother of a drum track...
As a Cubase beginner dont think I could make one myself...
anyone know of a drum-maps site???

M

-----Original Message-----
From: Om_Audio [mailto:clifsound@mediaone.net]
Sent: 6. desember 2000 08:57
To: Undisclosed-Recipient:@lsmls02.we.mediaone.net;
Subject: OT: Midi drum mapping in Cubase


Hello-

I wrote a drum track on a friend's Mac using his Roland Dr.770 as the sound
source- I am now trying to use the midi file on my PC in Cubase and am
wondering if anyone knows of a source for Drum machine maps, sounds, etc for
Cubase as now all the midi notes do not correlate to my LM-4 plug or my
DR-5. Thanks-

Cliff

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 07:10:31 2000
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From: "Sound Mind" <soundmind@pandora.be>
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Subject: new sounds - Fripp soundscapes
Date: Wed, 6 Dec 2000 12:56:58 +0100
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This is a multi-part message in MIME format.

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Hi all,

here's a link to copy into you realplayer
rtsp://bonobo.realimpact.net/realimpact/wnyc/rans/ns1856.ra
It's a looper dedicated show, with at the end some 18 minutes of recent =
Fripp soundscapes

Jan

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.600" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>here's a link to copy into you=20
realplayer</FONT></DIV>
<DIV>rtsp://bonobo.realimpact.net/realimpact/wnyc/rans/ns1856.ra<BR><FONT=
=20
face=3DArial size=3D2>It's a looper dedicated show, with at the end some =
18 minutes=20
of recent Fripp soundscapes</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jan</FONT></DIV></BODY></HTML>

------=_NextPart_000_0009_01C05F84.04EDF7C0--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 10:29:22 2000
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Man, oh, man, do I have to weigh in on this issue.  You see, I >worked< at
Guitar Center for a few months after just moving back into town.  Rich and
Michael are absolutely right is their approach to Guitar Center: find the
one competent employee in the department and patronize only them.  It's not
so important as it used to be for the salesperson--they are no longer on an
individual commission basis, but rather some "team" commission that doesn't
quite make sense to me.  While working there, I cannot tell you the
frustration the salesman feels confronted with the very same issues:
looking up inventory in the computer, promising the customer something and
then finding the product missing, incomplete or trashed.  Special orders
were a mess.  And the check-out process is excruciatingly long.  To be
fair, there is a HUGE amount of fraud (by both employees and customers) and
the slow downs are often caused in part by safeguards put into place to
prevent theft.  Now, saying that he sees the product "right in front of
him," was probably a ruse--but it's one perpetrated by day after day (GC
employees are required to work 6 days a week) of an unending grind, beaten
down by missed shipments, lost power supplies and a million dollars of demo
equipment that no one has set up correctly (and a management that does not
encourage such diligence).  Add to that the whirling procession of new and
out-going managers from each store and there's no continuity, no quality
control and no real emphasis on customer service, just the numbers.  To
combat this--and knowing that sometimes GC is the only alternative--, try
the following:

1.)  Find a decent employee, with some measure of knowledge.  Ask around,
"who knows the most about X?"  I'll guarantee that there's at least one guy
in there that has used and/or owned the same piece of equipment.  You just
have to find him.  Also, to be fair, manufacturers spend a lot of money
training the GC staff on their products--it's just that only one or two get
to go to the seminars from each store.

2.)  If you detect insincere recommendations for alternate products, (eg,
"yeah, that's cool, but what you REALLY need is this over here"), stick
with your guns, ask about pricing or availability and you'll soon find out
why the salesperson is pushing the alternate item--that or he may get a
SPIF for selling it.

3.)  If you don't mind sticking it right back to them, say you used to work
in the Guitar Center in [other city] for a while.  Bluntly ask if you can
get a hook-up.  To show your authenticity, ask, "What's PAC (pronounced
"pack") on that thing?  Do you think I could get 10 over that?"  Meaning:
what's net cost on that thing, and can I get a price only ten percent above
that?  Big whigs, studio mavens and star performers gets this price all the
time.  It's the "professional" price, though more and more I've noticed
that GC management has imposed minimums on many products (like the SM58,
for instance), but you can often find an alternate product without a
minimum for MUCH less (like the Audix OM2--I just bought six).  To further
compliment your ruse, ask how the salesperson is liking the new team
commission--that'll get you buddy-buddy real quick ("oh, man, it sucks,
dude.  I was totally banking before...")

Other than that, it's your regular caveat emptor stuff...

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Subject: please send me a 'repeater' link for product information ...
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thanks!

jimmy george

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At 04:44 PM 12/5/00 -0800, Mark Sottilaro wrote:

I'll second this -- I had practically the same experience last year around 
the holidays with Musicians Friend.  I ordered a mixer and two limiters to 
be delivered next day in order to meet a deadline.  They never arrived.  I 
got runaround after runaround, and MF missed not only the initial ship 
date, but the follow-up date they promised when I called up to complain.

When everything finally arrived (days late), they double-shipped the 
limiters, and I had to deal with 2x the anticipated amount on my credit 
card until I was able to straighten the whole thing out and return the 
extra two limiters.

Everything *was* finally resolved, and I *did* get free shipping on 
everything as well as an extra point or two discount.  But the session I 
needed the items for was totally blown, and I wasted a lot of time and 
endured a lot of frustration and irritation in the process.

Although I had previous satisfactory experience with MF, I haven't given 
them a bit of business since this incident.  They're probably OK most of 
the time, but I'd steer clear around the holidays.

rob switzer


>I just had/am having a horrible experience with Musician's Friend.  I 
>ordered a
>GR-30 and a GK-2A, as they were blowing out the GR-30s at a great price ($399)
>I paid extra to have it shipped next day FedEx.  The order was done on the
>27th.  For some reason they decided not to ship it until the 29th.  I have not
>received anything from them at this point.  They gave me a FedEx tracking
>number, but FedEx claims to have never entered that number into their system.
>Musician's Friend told me they had started a trace with FedEx, but I found out
>yesterday that they never had.  This was confirmed by both FedEx, and a
>customer service manager at Musician's Friend.
>
>I was totally lied to.
>
>Fed up with waiting, I attempted to buy a GR-33 from The Guitar Center,
>Musician's Friend's brick and mortar sister.  Via the phone, I made the
>salesman hunt down both the synth and the pick up and put my name on them.  He
>claimed he could see both units in front of him.  When I arrived, the salesman
>launched into an explanation about how the GK-2 blister pack only looked as if
>it were missing stuff, when in fact it was not.  "Roland just uses the same
>package for a lot of it's products."  Of course, the pick up was missing 
>all of
>the mounting hardware and cables.  You could see where some of the double 
>sided
>tape still clung to the pickup.  I just turned around and walked out.
>
>I was totally lied to.
>
>Last Friday I was told that if the "trace" didn't turn up something by
>yesterday, they would just send me another one, next day, at no extra charge.
>Yesterday I was told that the item was no longer in stock, and the trace might
>take weeks.  They refuse to cancel the order and refund my money.  They refuse
>to sell me a GR-33 at a discount.  After speaking to another FedEx rep 
>today, I
>find that still no trace has been put on this order.
>
>Finally I get an email telling me that they are sending me a GR-30 and I 
>should
>receive it tomorrow.  Were they out of stock?  Are they really sending it?
>Good question.  Oh, and get this: They are now out of the GK-2 pick up, so my
>synth will be useless.
>
>So this is my story.  Use the knowledge wisely.  I will never give a dime to
>either Musician's Friend, or The Guitar Center again.
>
>Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 11:32:53 2000
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You may also find it interesting that Musician's 'Friend' and
GC are the same company. Both, it has been my experience, have
no clue. Try SweetWater: http://www.sweetwater.com Excellent
service and salesmen who really know their stuff. 

Another horror story: My roommate ordered a guitar and a case
from MF. Same problem, they kept saying it would show up soon,
ect. Then the case showed up with no guitar. He finds out that
they are out of stock on the guitar. Nice of them to send an
empty case!

From: Mark Sottilaro <sine@zerocrossing.net> 

Hey. 
 
I just had/am having a horrible experience with Musician's Friend.
I ordered a 
GR-30 and a GK-2A, as they were blowing out the GR-30s at a great
price ($399) 
I paid extra to have it shipped next day FedEx. The order was
done on the 
27th. For some reason they decided not to ship it until the 29th.
I have not 
received anything from them at this point. They gave me a FedEx
tracking 
number, but FedEx claims to have never entered that number into
their system. 
Musician's Friend told me they had started a trace with FedEx,
but I found out 
yesterday that they never had. This was confirmed by both FedEx,
and a 
customer service manager at Musician's Friend. 
 
I was totally lied to. 
 
Fed up with waiting, I attempted to buy a GR-33 from The Guitar
Center, 
Musician's Friend's brick and mortar sister. Via the phone, I
made the 
salesman hunt down both the synth and the pick up and put my
name on them. He 
claimed he could see both units in front of him. When I arrived,
the salesman 
launched into an explanation about how the GK-2 blister pack
only looked as if 
it were missing stuff, when in fact it was not. "Roland just
uses the same 
package for a lot of it's products." Of course, the pick up was
missing all of 
the mounting hardware and cables. You could see where some of
the double sided 
tape still clung to the pickup. I just turned around and walked
out. 
 
I was totally lied to. 
 
Last Friday I was told that if the "trace" didn't turn up something
by 
yesterday, they would just send me another one, next day, at
no extra charge. 
Yesterday I was told that the item was no longer in stock, and
the trace might 
take weeks. They refuse to cancel the order and refund my money.
They refuse 
to sell me a GR-33 at a discount. After speaking to another FedEx
rep today, I 
find that still no trace has been put on this order. 
 
Finally I get an email telling me that they are sending me a
GR-30 and I should 
receive it tomorrow. Were they out of stock? Are they really
sending it? 
Good question. Oh, and get this: They are now out of the GK-2
pick up, so my 
synth will be useless. 
 
So this is my story. Use the knowledge wisely. I will never give
a dime to 
either Musician's Friend, or The Guitar Center again. 
 
Mark Sottilaro 
 


------
Geek.com WebBox - http://www.geek.com
A free service provided by WebBox - http://webbox.com


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From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: please send me a 'repeater' link for product information
  ...
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Jimmy George (09:12 AM 12.06.2000) wrote:

 >thanks!

   http://www.electrixpro.com/

   Click "Products" in the top frame
   Click "Repeater" in the left frame


Mark

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>>> jeremiah266@hotmail.com 12/05/00 06:50PM >>>
Hello, Could Someone explain what the repater dos enot do that the echoplex dose do? 

Hi Jeremiah... just have time for a couple quick observations. I'm copying this to Damon AND Kim for feedback if they care to get caught up in this dialog.

> From the alpha manual the repeater seems to be able to do loop copy and multiply 

Repeater: Loop Copy sounds like it doubles the loop... and they don't really make it completely clear if you can arm Overdub so it begins at the start of the Loop Copy and allows you to play while the loop copy is being done. So I'm believing that you may have to wait for one Loop Copy cycle to double a loop... what if you want 16 copies? Do you have to press Loop Copy 4 times (2 4 8 16?) It doesn't sound like you'll be able to create odd numbered or even 6, 10, 12 or 14 bar executions. Food for thought... 

EDP: Multiply begins at any point in a loop creating a new start point as well as beginning overdub if you've got the other parameters set correctly.. So you just hit the Multiply button and start playing your melody... freely stating any passage you please until you're happy... at which time you can tap Multiply to stop the process at the end of the phrase cycle ANY WHERE IN THE CYCLE. If you want to create one long cycle, you just press record to end the cycle exactly at the tap instead of the end of the next cycle... creating a single long loop with your melody overdub... which you can then multiply, divide etc.

> plus longer loop time, better loop storage, stereo looping and pitch shifing.

Well sure... storage, stereo looping and pitch shifting with time stretch will be great features and help make the Repeater unique in it's desirability. We'll see how well they work in actuality when it ships.

One EDP feature which I really like that I don't believe the Repeater has is the Insert function. This can work by adding time (new material) to a loop wherever you tap in and tap out... It can also work as a Replace function where you can pop in tiny chunks of rythymic feedback, silence etc. allowing you to completely alter the loop rather than just add to it or overdub. I manage to migrate around to completely different musical content using this function. This is a MAJOR feature and I use it constantly... The Repeater and most other loopers out there don't really do Insert and Replace in this way. The EDP does this stuff quite simply in real time IN SPADES. Not to mention that the Insert parameter also has the Rehearse mode and Reverse mode allowing for still more weirdness... (I realize that the Repeater has Reverse).

The EDP NextLoop function allows for groupings of dissimilar length loops which you can freely move between. You don't have to have a midi controller to initiate a pgm chg to jump to another dissimilar length loop. Damon has said that a pgm chg to another STORED loop will happen very fast so it should be functional still doesn't address the fact that you're not able to record dissimilar length loops in REAL TIME ON THE FLY and then migrate among them without intensive midi pgm chg tap dancing. 

NextLoop also allows for either Copying the previous loop using Multiply mode to create differing length loops IMMEDIATELY... OR playing real time NEW material to create a contrast to the previous loop. You can configure up to 9 of these loops, each having these capabilities, on the EDP. I usually have mine setup for 3 or 4 loops. 

When using my midi controller, I have a bank configured to freely call up any of these loops with a single button press... I also can tap a button and change the parameters so that the change occurs either at the end of the loop or immediately. 

This kind of capability and depth doesn't seem likely in the Repeater and literally ALL other loopers. This is what makes the EDP unique. I won't say better, because as we've heard before, It's important to critically assess your needs, THEN choose your product based on that. I want a Repeater because it appears to include some attractive SAMPLER type capabilities, as well as stereo. I will probably use the EDP more as a free form real-time looper... and the Repeater as a way to capture that stuff in stereo and further mutate it as well as store my best efforts. 

> (probably better customer support and reliability if electrix treats it like its other products). 

Wait and see... I have my own gripes with the handling of the EDP by Gibson, but I've already thoroughly exhausted them. I won't bother the group with them any more.

That said... My EDP has been working great since it's first (quickly repaired under warranty) problem. I trust it at this point fairly well.

I'll stop here for now... As Kim suggests... carefully assess your needs and select a looper based on your preferences. 

All I know is that I'm really hooked on the Insert and Multiply features the way the EDP has implemented them. I believe Pitch Transposing is coming in the next ROM upgrade as well as many other hinted at tricks and treats. So I'm actually very excited and really looking forward to EVEN MORE functionality for my EDP, with deep, multi-configurable parameters, which only the EDP s/w team has been able to provide in a product to this date.

Happy Looping!
-Miko Biffle

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 12:33:59 2000
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I used to work at Guitar Center also.  The main thing
to remember is to research what you are going to buy
before you go to the store.  The next thing is to
always ask if they have a minimum price for a
particular product, which is sometimes lower than
their guaruanteed lowest price that they advertise. 
Also, inspect the product's you are buying, before you
leave the store.

=====
SCOTT'S WEBSITE IS STUPID!!!!!!!!!!!!!! www.geocities.com/auralart

__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 12:36:18 2000
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> >>> jeremiah266@hotmail.com 12/05/00 06:50PM >>>
> Hello, Could Someone explain what the repater dos enot do that the
echoplex dose do?
>
> Hi Jeremiah... just have time for a couple quick observations. I'm copying
this to Damon AND Kim for feedback if they care to get caught up in this
dialog.
> . . .

Good info, Miko.

I'll just add that the EDP UNDO function with it's multiple levels is
unique.  I find it really handy.

Dennis Leas
-------------------
dennis@mdbs.com

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>Repeater: Loop Copy sounds like it doubles the loop... and they don't 
>really make it completely clear if you can arm Overdub so it begins at the 
>start of the Loop Copy and allows you to play while the loop copy is being 
>done. So I'm believing that you may have to wait for one Loop Copy cycle to 
>double a loop... what if you want 16 copies? Do you have to press Loop Copy 
>4 times (2 4 8 16?) It doesn't sound like you'll be able to create odd 
>numbered or even 6, 10, 12 or 14 bar executions. Food for thought...
>

I asked Damon (on-list, I think) about this and he mentioned about the loop 
TRIM function.  This function _should_ allow the repeater to multiply by any 
amount.  I looks like you would loop copy to multiply by 2, then trim the 
result to get 1.5 or whatever.  I have no way of knowing about whether you 
can overdub while the loop is being copied.
bye-
jon
_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

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I recently recorded six improvisational comedians in an audio-only setting,
but stumbled into a strange phenomenon.  Each performer had their own mic,
running into their own channel on the board, mixed down to stereo
two-track, through a limiter, then to a stand-alone CDR, then to a
distribution amp, and then to six pair of headphones.

What happened was this: each performer complained that there own voice was
low in volume compared to the others in the mix.  As everyone was listening
to the same mix, I found that a bit odd, but indeed when I spoke into the
mic whilst everyone else spoke too, my voice did seem decidedly lower in
volume.  I could watch meters all day, making sure the levels were even,
but still it really did sound like your own voice was significantly lower
in the mix.

Now, I have a few theories about this, but I'd love to hear what you guys
think.  Is it possible that the signal coming from the headphones is out of
phase with the sound of your own voice inside your head?  Are they
cancelling each other out?  Or is this just a psycho-acoustic effect,
whereby you are trained to ignore your own voice and thereby hear it
differently when presented the sound in this context.

As it was, everyone did fine--it did not affect the performance, but still,
it was strange.  Any thoughts?

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>>Repeater: Loop Copy sounds like it doubles the loop... and they don't  really make it completely clear if you can arm Overdub so it begins at the start of the Loop Copy and allows you to play while the loop copy is being done. So I'm believing that you may have to wait for one Loop Copy cycle to double a loop... what if you want 16 copies? Do you have to press Loop Copy 4 times (2 4 8 16?) It doesn't sound like you'll be able to create odd numbered or even 6, 10, 12 or 14 bar executions. Food for thought...

> I asked Damon (on-list, I think) about this and he mentioned about the loop TRIM function.  This function _should_ allow the repeater to multiply by any amount.  I looks like you would loop copy to multiply by 2, then trim the result to get 1.5 or whatever.  I have no way of knowing about whether you can overdub while the loop is being copied.bye- jon

So for the Repeater, I'll bet that to do Loop Copy you have to press a button with your hand (or via midi) the number of times you need to get the number of bars desired (possibly even having to wait for each doubling before the next button press). THEN press another button with your hand to arm the trim function... then press yet another button with your hand to actually trim.

My point is that the EDP does this with either one foot press to initiate and one foot press to complete both processes in real time, NO HANDS... NO MIDI.

I'm not arguing for or against either product... Just that they have unique user interfaces and that it would be a good idea to critically compare them base on your intended use. I view the Repeater's u/i to be more post-editing and re-mixing oriented... although it will certainly be a very cool way to grab simple STEREO loops and mangle them with the Pitch functions. The fx loop and pre-post insert functions are unique and will be ultra-cool as well. The Repeater will be awesome if it all plays like they say it will... The EDP is ALREADY awesome right now though. Different beasts.

Best,
-Miko

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Subject: Re: OT: Warning! Musician's Friend Warning!
From: "Allan Hoeltje" <ahoeltje@best.com>
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I sometimes go to Guitar Center to browse but I go to Alto to buy.  Alto 
simply amazes me.  One time I called them to see if they had any Yamaha FS1R
sound generators.  Jon said they might get a few but wasn't sure when since
Yamaha had discontinued the unit.  A couple months later he called me and
asked "how many do you want?"  Alto is the place for great service and great
prices.  It is good to hear that they expect more EDPs soon!

-Allan

----------
>From: JHKNICKS@aol.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: OT: Warning! Musician's Friend Warning!
>Date: Tue, Dec 5, 2000, 6:59 PM
>

> Sorry-I had to interrupt-How about Alto Music?I can personally guarantee you
> a better price and better service.I'm sure plenty on this list can vouch for
> us.Email-altomusic@altomusic.com.The next time you need gear try
> us.....BTW-Repeaters and echoplexes are not on the too distant horizon-Soon!
> I promise!-Jon from Alto
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 14:38:00 2000
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Subject: My Looper Can Beat Up Your Looper
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It's me again--
I asked Kim what the EDP could do that the (vaporware) Repeater could not.
He has not replied, but others have (Thanks Miko!), so here's something
else--
I have prepared three sequences which can change the mode to loop, out, or
delay.  The volume pedal will act in three different ways--feedback, loop
volume, and input volume, depending on which mode is selected.  So in real
time you can control your material in a number of ways with the same volume
pedal (the one attached to the EDP).
Of course I want the Repeater!  But I guess the EDP is plenty of distraction
for now . . .
Gary

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 15:40:34 2000
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From: Todd Madson <crash@waste.org>
To: <Loopers-Delight@loopers-delight.com>
Subject: Michael Monroe gig in City Center, Mpls today review
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I saw Michael Monroe do a free performance in the skyway of City
Center in Minneapolis around noon today when I was on my lunch hour.

This guy is freaking amazing.  Instruments: 1 Godin acoustic-electric
classical guitar with synth pickup, Roland GR-1 synth, 1 Lexicon Jam
Man, 1 dbx compressor, 1 alesis reverb effect, a mixer, a PA, and
Michael on vocals, flute and ocarina.

I've never seen looping done like this live:
He'd play 8 bars of guitar with vocals, then add a harmony guitar
AND vocal line, then add bass and organ (as triggered from the GR1),
then add many layers of harmony vocals.  It was all done totally
cleanly, clearly and professionally.  And then he could extend
the arrangements - he'd play flute and it would get looped too.
He'd use Ocarina to create a seagull cry effect.

At one point, he had eight vocal harmonies in counterpoint, multiple
guitar arrangements (not unlike King Crimson's "Discipline" era),
with bass, drumming, organ/synth/strings/piano.  Beautiful stuff.

Eventually, he'd fade the looping out and end the tunes or he'd
go back down to one instrument and gradually fade more and different
things in.  He did everything from reggae tunes, a Joni Mitchell
piece, his own music, a few christmas tunes for good measure,
and really had drawn quite a crowd.

He basically had two Lexicon dual switch pedals to control the Jam
Man, the footpedal of the GR1, his hands to play guitar, flute,
control the audio mixer among other things.

He even did a little demo on how looping works to the audience and
did multiple levels of vocal harmony with himself.  He also showed
off the GR1 and how that worked.

I've heard great musicians live in that space, Billy McLaughlin is
a notable example, but I've never seen a musician actually get
applause and he got it multiple times.

He'll be back tomorrow I'm told so if you're in the downtown Minneapolis
area definetely check this guy out.

-Todd
-- 


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Subject: RE: Michael Monroe gig in City Center, Mpls today review
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wish i was in the area!

-----Original Message-----
From: Todd Madson [mailto:crash@waste.org]
Sent: Wednesday, December 06, 2000 2:36 PM
To: Loopers-Delight@loopers-delight.com
Subject: Michael Monroe gig in City Center, Mpls today review


I saw Michael Monroe do a free performance in the skyway of City
Center in Minneapolis around noon today when I was on my lunch hour.

This guy is freaking amazing.  Instruments: 1 Godin acoustic-electric
classical guitar with synth pickup, Roland GR-1 synth, 1 Lexicon Jam
Man, 1 dbx compressor, 1 alesis reverb effect, a mixer, a PA, and
Michael on vocals, flute and ocarina.

I've never seen looping done like this live:
He'd play 8 bars of guitar with vocals, then add a harmony guitar
AND vocal line, then add bass and organ (as triggered from the GR1),
then add many layers of harmony vocals.  It was all done totally
cleanly, clearly and professionally.  And then he could extend
the arrangements - he'd play flute and it would get looped too.
He'd use Ocarina to create a seagull cry effect.

At one point, he had eight vocal harmonies in counterpoint, multiple
guitar arrangements (not unlike King Crimson's "Discipline" era),
with bass, drumming, organ/synth/strings/piano.  Beautiful stuff.

Eventually, he'd fade the looping out and end the tunes or he'd
go back down to one instrument and gradually fade more and different
things in.  He did everything from reggae tunes, a Joni Mitchell
piece, his own music, a few christmas tunes for good measure,
and really had drawn quite a crowd.

He basically had two Lexicon dual switch pedals to control the Jam
Man, the footpedal of the GR1, his hands to play guitar, flute,
control the audio mixer among other things.

He even did a little demo on how looping works to the audience and
did multiple levels of vocal harmony with himself.  He also showed
off the GR1 and how that worked.

I've heard great musicians live in that space, Billy McLaughlin is
a notable example, but I've never seen a musician actually get
applause and he got it multiple times.

He'll be back tomorrow I'm told so if you're in the downtown Minneapolis
area definetely check this guy out.

-Todd
-- 

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Subject: Re: Michael Monroe gig in City Center, Mpls today review
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If you could find out if he has a web site I would appreciate it- I searched
but there is a big hair rocker with same name that screams to the top of all
searches-

Cliff

-----Original Message-----
From: Todd Madson <crash@waste.org>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Wednesday, December 06, 2000 12:39 PM
Subject: Michael Monroe gig in City Center, Mpls today review


>I saw Michael Monroe do a free performance in the skyway of City
>Center in Minneapolis around noon today when I was on my lunch hour.
>
>This guy is freaking amazing.  Instruments: 1 Godin acoustic-electric
>classical guitar with synth pickup, Roland GR-1 synth, 1 Lexicon Jam
>Man, 1 dbx compressor, 1 alesis reverb effect, a mixer, a PA, and
>Michael on vocals, flute and ocarina.
>
>I've never seen looping done like this live:
>He'd play 8 bars of guitar with vocals, then add a harmony guitar
>AND vocal line, then add bass and organ (as triggered from the GR1),
>then add many layers of harmony vocals.  It was all done totally
>cleanly, clearly and professionally.  And then he could extend
>the arrangements - he'd play flute and it would get looped too.
>He'd use Ocarina to create a seagull cry effect.
>
>At one point, he had eight vocal harmonies in counterpoint, multiple
>guitar arrangements (not unlike King Crimson's "Discipline" era),
>with bass, drumming, organ/synth/strings/piano.  Beautiful stuff.
>
>Eventually, he'd fade the looping out and end the tunes or he'd
>go back down to one instrument and gradually fade more and different
>things in.  He did everything from reggae tunes, a Joni Mitchell
>piece, his own music, a few christmas tunes for good measure,
>and really had drawn quite a crowd.
>
>He basically had two Lexicon dual switch pedals to control the Jam
>Man, the footpedal of the GR1, his hands to play guitar, flute,
>control the audio mixer among other things.
>
>He even did a little demo on how looping works to the audience and
>did multiple levels of vocal harmony with himself.  He also showed
>off the GR1 and how that worked.
>
>I've heard great musicians live in that space, Billy McLaughlin is
>a notable example, but I've never seen a musician actually get
>applause and he got it multiple times.
>
>He'll be back tomorrow I'm told so if you're in the downtown Minneapolis
>area definetely check this guy out.
>
>-Todd
>--
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 15:54:43 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE:Repeater update...
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I have the sickness (flu).
The update on Repeater would be as Leonardo said. We are aiming to Ship
before winter NAMM. Our power supply passed CSA with a few minor mods so
that is big news for us. The PSU is about 2" X 1.25" X 4.25", is light as a
feather and has a locking connector. (one supply for all countries). We have
done Alpha testing and are going into beta test soon so baring any
"unknowns" we are still looking good for the NAMM show shipping target. 

Now, with sickness bearing down on me, I'll answer a few tidbits...

>Repeater: Loop Copy sounds like it doubles the loop

Nope. Loop copy lets you copy a loop from one location to another. For
example: I make a loop at location 1 on the CFC card. I want to copy it to
another card without booting my computer. I just copy the loop to location
'1 in the internal memory, swap cards and then copy the loop from '1 to the
new card. You could also use it to copy the loop to another location to
build a variation. etc...It's like it sounds....copy.

>... and they don't really make it completely clear if you can arm Overdub
so it begins at the start of the Loop Copy and allows you to play while >the
loop copy is being done. So I'm believing that you may have to wait for one
Loop Copy cycle to double a loop... what if you want 16 copies? 
>Do you have to press Loop Copy 4 times (2 4 8 16?) It doesn't sound like
you'll be able to create odd numbered or even 6, 10, 12 or 14 bar 
>executions. Food for thought... 

This is the function of loop multiply. The present implementation is that it
doubles the loop every time you press the button. A press and hold of the
button will let you dial in the exact number of times you want the loop
replicated i.e.: 1,2,3,4,5,6 etc. We have had alpha feedback to allow this
to divide a loop length as well. We have also had feedback to make this a
live process where it is enabled and multiplies the loop as you overdub
(similar to EDP). Odds are it will be implemented as stated first,
however...the software will be easy to update. (Put software on CFC card
-Insert CFC - New Repeater OS. No service people, no screw drivers, no chip
pulling). So If you become a Repeater looper give us your feedback! 

>One EDP feature which I really like that I don't believe the Repeater has
is the Insert function. 

Correct. At the present time we do not have an insert function.


>The EDP NextLoop function allows for groupings of dissimilar length loops
which you can freely move between. You don't have to have a midi 
>controller to initiate a pgm chg to jump to another dissimilar length loop.
Damon has said that a pgm chg to another STORED loop will happen very >fast
so it should be functional still doesn't address the fact that you're not
able to record dissimilar length loops in REAL TIME ON THE FLY and >then
migrate among them without intensive midi pgm chg tap dancing. 

This makes it sound harder than it actually is. There is a knob on the face
plate to access loop locations as well as the MIDI access. Access to a new
loop location is instant whether it is STORED or blank so you will be able
to record a new loop at a different length in real time on the fly.


>When using my midi controller, I have a bank configured to freely call up
any of these loops with a single button press... I also can tap a 
>button and change the parameters so that the change occurs either at the
end of the loop or immediately. 

Repeater kinda does this in a different way. You move to the new location
and pressing play will engage the new loop. If you hit play close to the end
of the loop Repeater will wait and engage the new loop at the end of the
loop. A press outside of this window will engage the loop exactly when you
press play. 

>This kind of capability and depth doesn't seem likely in the Repeater and
literally ALL other loopers. This is what makes the EDP unique. I won't >say
better, because as we've heard before, It's important to critically assess
your needs, THEN choose your product based on that. I want a 
>Repeater because it appears to include some attractive SAMPLER type
capabilities, as well as stereo. I will probably use the EDP more as a free 
>form real-time looper... and the Repeater as a way to capture that stuff in
stereo and further mutate it as well as store my best efforts.

Repeater is very much a real time loop based recorder. Even though it has
production features like pitch and time stretching everything is accessible
instantly. We are working to make Repeater a powerful looper both live and
in the studio.


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


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Subject: RE: Michael Monroe gig in City Center, Mpls today review
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http://hometown.aol.com/mmonroedmm

is this it?

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From: Stephen <dakshah@yahoo.com>
Subject: RE: OT: Warning! Musician's Friend Warning!
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> There's a store in Redwood city, on El Camino, whose
> name is on the tip of 
> my tongue (Gerbers? something with a G :>). They
> have a good selection of 
> gear, and usually mark stuff down at the register.
> The staff aren't that 
> knowledgeable, at least in the keyboard department.
> However, they are not 
> working on commision, which makes their life, and
> ours, easier.

Gelb music.  This is usually one of my first choices. 
Trouble is that they frequently seem to have trouble
coming close to matching others' prices.

> There's a store called Draper's in Palo Alto, just
> down the street from me. 

My experience has only been bad with Draper's.  They
once agreed to sell me a piece of gear on the phone
for a certain price, said that I would get no return
priviledges 'cuz they were selling it so low <huh?,
well, ok>.  I said ok, <I really wanted this gizmo>
and went in an hour later to get it.  They then said
that they couldn't sell it to me because it was a demo
model.  But they could order one for me, but couldn't
sell it at the price they had quoted me.  The manager
was no help at all, except to point out to the Ass.
Mngr.  that it was illegal to try to sell gear without
a return priviledges.  My second attempt to buy
something from them was no better.


I've had good luck also with Bananas at Large,
8thstreet.com, and Gitter Center in San Jose. 
Starving is always fun to polk around in.

=====
Stephen

__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 16:33:01 2000
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> I have the sickness (flu).
> The update on Repeater would be as Leonardo said. We are aiming to Ship
> before winter NAMM. Our power supply passed CSA with a few minor mods so
> . . .

Thanks for the update and info, Damon!

And get well soon!  ('Doc' Leas sez, "Drink plenty of fluids (
alcoholic-free :(   ).  Get plenty of rest.  And avoid computers....What
'cha doin' emailing us!!!")

Dennis Leas
-------------------
dennis@mdbs.com

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I'm the guy who has been asking about the existance of any good MIDI
software loopers for the Mac.  My poking around finally yeilded a
potential gem:
http://www.mboom.com
It allows you to create an environment where you can have a bunch of
different MIDI loops represented as buttons, and when you press one it
loops there indefinitely until you press another which then causes it to
switch at a quantized point - all the while sending beat clocks.  This
is almost exactly what I was looking for.  I will try the demo over the
holidays and report back.
Cheers,
eo


--
eric oberthaler
http://www.soundsliketree.com
(music within)


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????????????



From: "Dennis Leas" <dennis@mdbs.com>
Reply-To: Loopers-Delight@loopers-delight.com
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: RE:Repeater update...
Date: Wed, 6 Dec 2000 16:23:27 -0500

 > I have the sickness (flu).
 > The update on Repeater would be as Leonardo said. We are aiming to Ship
 > before winter NAMM. Our power supply passed CSA with a few minor mods so
 > . . .

Thanks for the update and info, Damon!

And get well soon!  ('Doc' Leas sez, "Drink plenty of fluids (
alcoholic-free :(   ).  Get plenty of rest.  And avoid computers....What
'cha doin' emailing us!!!")

Dennis Leas
-------------------
dennis@mdbs.com


_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

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> I have the sickness (flu).

Feel better Damon... I think I'm at the beginning of some bug meself.

> Nope. Loop copy lets you copy a loop from one location to another. For example: I make a loop at location 1 on the CFC card. I want to copy it to another card without booting my computer. I just copy the loop to location '1 in the internal memory, swap cards and then copy the loop from '1 to the new card. You could also use it to copy the loop to another location to build a variation. etc...It's like it sounds....copy.

Ah... a more storage based function.

>>... and they don't really make it completely clear if you can arm Overdub so it begins at the start of the Loop Copy and allows you to play while the loop copy is being done. So I'm believing that you may have to wait for one Loop Copy cycle to double a loop... what if you want 16 copies?  Do you have to press Loop Copy 4 times (2 4 8 16?) It doesn't sound like
you'll be able to create odd numbered or even 6, 10, 12 or 14 bar  executions. Food for thought... 

> This is the function of loop multiply. The present implementation is that it doubles the loop every time you press the button. A press and hold of the button will let you dial in the exact number of times you want the loop replicated i.e.: 1,2,3,4,5,6 etc. 

That sounds good... what's the upper limit on this? 

> We have had alpha feedback to allow this to divide a loop length as well. We have also had feedback to make this a live process where it is enabled and multiplies the loop as you overdub (similar to EDP). Odds are it will be implemented as stated first,

Cool... I'd be very interested in having Divide capable of quantized divide (halving or cutting down the number of cycles) as well as real-time.. where the first tap shows the start point and the next tap ends the divide.

> however...the software will be easy to update. (Put software on CFC card -Insert CFC - New Repeater OS. No service people, no screw drivers, no chip pulling). So If you become a Repeater looper give us your feedback! 

Simply awesome...

>>One EDP feature which I really like that I don't believe the Repeater has is the Insert function. 

> Correct. At the present time we do not have an insert function.

Any alpha folks commenting on this? If not you have to get a few more people in on alpha testing!

>>The EDP NextLoop function allows for groupings of dissimilar length loops which you can freely move between. You don't have to have a midi controller to initiate a pgm chg to jump to another dissimilar length loop. Damon has said that a pgm chg to another STORED loop will happen very fast so it should be functional still doesn't address the fact that you're not
able to record dissimilar length loops in REAL TIME ON THE FLY and then migrate among them without intensive midi pgm chg tap dancing. 

> This makes it sound harder than it actually is. There is a knob on the face plate to access loop locations as well as the MIDI access. Access to a new loop location is instant whether it is STORED or blank so you will be able to record a new loop at a different length in real time on the fly.

So do you just reach over and crank to a new location? Then hit record to start?

>> When using my midi controller, I have a bank configured to freely call up any of these loops with a single button press... I also can tap a  button and change the parameters so that the change occurs either at the end of the loop or immediately. 

> Repeater kinda does this in a different way. You move to the new location and pressing play will engage the new loop. If you hit play close to the end of the loop Repeater will wait and engage the new loop at the end of the loop. A press outside of this window will engage the loop exactly when you press play. 

Awesome... 

>> This kind of capability and depth doesn't seem likely in the Repeater... snip!

> Repeater is very much a real time loop based recorder. Even though it has production features like pitch and time stretching everything is accessible instantly. We are working to make Repeater a powerful looper both live and in the studio.

My above comment probably seems provocative... As an admirer of the completist approach of Kim and Matthias, I've probably made this seem too strong. I'm just saying that the Repeater has many VERY ATTRACTIVE features, but still doesn't have some of the (important to me) features I frequently use on the EDP. I'm still totally stoked that it's coming to market though and certainly will do my best to grab one. 

I'd say the stereo feature coupled with the moveable fx insert point will be a major joy for me. I'm so burdened by having to have dedicated boxes before and after my looper now... 

Thanks so much for your quick replies Damon... Get well soon.

Best,
-Miko

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nocal only-loopers-i've always loved 'haight' tho' i bought my edp @
bananas...stanner
----------
>From: Stephen <dakshah@yahoo.com>
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: OT: Warning! Musician's Friend Warning!
>Date: Wed, Dec 6, 2000, 2:21 PM
>

>> There's a store in Redwood city, on El Camino, whose
>> name is on the tip of 
>> my tongue (Gerbers? something with a G :>). They
>> have a good selection of 
>> gear, and usually mark stuff down at the register.
>> The staff aren't that 
>> knowledgeable, at least in the keyboard department.
>> However, they are not 
>> working on commision, which makes their life, and
>> ours, easier.
>
>Gelb music.  This is usually one of my first choices. 
>Trouble is that they frequently seem to have trouble
>coming close to matching others' prices.
>
>> There's a store called Draper's in Palo Alto, just
>> down the street from me. 
>
>My experience has only been bad with Draper's.  They
>once agreed to sell me a piece of gear on the phone
>for a certain price, said that I would get no return
>priviledges 'cuz they were selling it so low <huh?,
>well, ok>.  I said ok, <I really wanted this gizmo>
>and went in an hour later to get it.  They then said
>that they couldn't sell it to me because it was a demo
>model.  But they could order one for me, but couldn't
>sell it at the price they had quoted me.  The manager
>was no help at all, except to point out to the Ass.
>Mngr.  that it was illegal to try to sell gear without
>a return priviledges.  My second attempt to buy
>something from them was no better.
>
>
>I've had good luck also with Bananas at Large,
>8thstreet.com, and Gitter Center in San Jose. 
>Starving is always fun to polk around in.
>
>=====
>Stephen
>
>__________________________________________________
>Do You Yahoo!?
>Yahoo! Shopping - Thousands of Stores. Millions of Products.
>http://shopping.yahoo.com/
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 20:26:27 2000
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In a message dated 12/5/00 7:26:53 PM Central Standard Time, 
shindler@mediaone.net writes:

<< Did you pay with a credit card?  If Musician's Friend won't cancel your
 order, you can have your credit card company refuse payment to them.  Just
 call the number on your card, explain the situation, and they can probably
 help you in disputing the claim (unless your credit card company is run by a
 bunch of jerks too). >>

For this type of thing, I highly recommend Citibank Visa, they have helped me 
out on charges like this quite a few times, and have always been friendly, 
courteous, and got the job done. 

my $.02
- Crossedout@aol.com *hoping now that the "Friend" doesn't fuck up my return 
of defective merchandise*

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 21:56:20 2000
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Date: Wed, 6 Dec 2000 18:54:13 -0800 (PST)
To: Loopers-Delight@loopers-delight.com
Subject: Tape looping/sequencing
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Hi everyone,
 I want to get into tape sampling/sequencing, on account that it's
cheaper, it sounds better (IMO), It looks cooler- using a razor to cut &
splice, and I'm an "analog purist" ha ha ha! I can't find any info about
how to do it anywhere! Can one of you mad scientists out there tell me
the basics of it, just so I can get started, I'd GREATLY appreciate it!
Thanks in advance!!!!!
 

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 22:07:08 2000
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From: "Petr Dolak" <pepetr@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject:  improv + looping in Jungian analysis
Date: Tue, 5 Dec 2000 11:03:44 -0600
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I am sorry.  The repeating of my message was not an intentional loop
but probably a looping mistake of my server.

I am taking a class on C.G. Jung's active imagination.  I found that,
actually, I have been doing it for years with my music and poetry,
although not as systematically as he suggests.  Active imagination can
be done in various ways and with various techniques, such as poetry,
visual arts, sculpting, etc.  The point is to do art in order to
reflect and not for art's sake.  A session should be followed by the
reflection on the symbols and "messages" received during the creative
event.

Personally, I do it with musical improvisation and looping.  I find
looping VERY helpful in the process because, e.g. it lets me to stay
with a topic for a while, play over, let it go, mix it with another
one.  Right now I am doing research on the relationship between
musical improvisation (and looping) and the unconscious during the
active imagination practice.  I  thought there might be someone on LD
knowledgeble of the subject.

I am writing a paper about the process.  When I am done with it, I
will put it on my web site and announce it here, in case some of you
wants to look at the paper.

SOURCES:
I have not found anything written on looping and the unconscious yet
(would you know?).  But some good resources about active imagination
and improvisation are these:
Robert A. Johnson: Inner Work
C.G. Jung: Jung on Active Imagination
Collin Lee: Music at the Edge: The Music Therapy experiences of a
musician with AIDS. (This is a great book showing the value of musical
improvisation!)


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

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Subject: Re:  improv + looping in Jungian analysis
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Looping and the unconscious mind are intimately linked in a lot of the
Jung-related material that I have read.

One of the most prominent symbols for an inner journey is the spiral...
through which one travels from the light into the darkness (a point of
singularity where all is one) and back out again to the point where one
began.

The process continues as one grows or continues seeking even deeper levels
of meaning and self-knowledge, thus creating the loop.

Also, rituals and any repetitive acts could be considered "looping" and
broadens the scope of connection between looping and the unconscious mind.

Life is the loop,
Jonathan

<< I have not found anything written on looping and the unconscious yet
(would you know?).  >>

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Date: Wed, 06 Dec 2000 21:30:29 -0600
From: jim palmer <jimp@pobox.com>
Subject: OT: considering kyma purchase
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sorry for the off topic post, but i noticed 
several kyma believers posting here and
i just couldn't help myself.  temporary insanity....

i am considering getting a kyma system before 
the end of the year (so uncle sam can help me out).
i plan to use it for effects, looping and general
mangling using several instruments as input.
(mostly real-time)

does anyone want to talk me into/out of this?
i have already read the orville vs. kyma debate in
the archives, so let's not repeat that, ok?

any info on picking one up used in the usa?

thanks

From Loopers-Delight-request@loopers-delight.com  Wed Dec  6 22:28:19 2000
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From: Tim Nelson <tcn62@ici.net>
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Live, real-time looping and slice&splice magnetic tape constructions aren't
really the same thing at all, but if you aren't in the mood for LD's
apples, try some of the cool-looking cheap oranges at
<http://arts.ucsc.edu/ems/music/equipment/analog_recorders/Analog_Recorders.
html>
or <http://cec.concordia.ca/econtact/Histories/EaMusicCanada.htm>

Tim

At 06:54 PM 12/6/00 -0800, you wrote:
> I want to get into tape sampling/sequencing, on account that it's
>cheaper, it sounds better (IMO), It looks cooler- using a razor to cut &
>splice, and I'm an "analog purist" ha ha ha! I can't find any info about
>how to do it anywhere!


From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 02:14:55 2000
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Date: Thu, 7 Dec 2000 05:17:33 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: improv + looping in Jungian analysis
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>I am sorry.  The repeating of my message was not an intentional loop
>but probably a looping mistake of my server.
>
>I am taking a class on C.G. Jung's active imagination.  I found that,
>actually, I have been doing it for years with my music and poetry,
>although not as systematically as he suggests.  Active imagination can
>be done in various ways and with various techniques, such as poetry,
>visual arts, sculpting, etc.  The point is to do art in order to
>reflect and not for art's sake.

I started in that corner too, I suspect. I used to say that my loops 
were not art, not music, just sound that helped for some brain 
process...

>A session should be followed by the
>reflection on the symbols and "messages" received during the creative
>event.

I used to play for an hour every day and then listen to it while 
doing some relaxation exercises. A lot changed in live, I went to 
Rio...

>Personally, I do it with musical improvisation and looping.  I find
>looping VERY helpful in the process because, e.g. it lets me to stay
>with a topic for a while, play over, let it go, mix it with another
>one.  Right now I am doing research on the relationship between
>musical improvisation (and looping) and the unconscious during the
>active imagination practice.  I  thought there might be someone on LD
>knowledgeble of the subject.
>
>I am writing a paper about the process.  When I am done with it, I
>will put it on my web site and announce it here, in case some of you
>wants to look at the paper.

Very insteresting. I had the intention to relate looping to other 
sciences in the beginning and then more and more abandoned the idea 
to make music and create loop equipment... ambition...
I had imagined that psychiatrists and brain research would join our 
group (which turned to be this list). On the LOOP delay prospect it 
said:
LOOP GROOP - Forum for Loopology and repetitive happenings.

>
>SOURCES:
>I have not found anything written on looping and the unconscious yet
>(would you know?).  But some good resources about active imagination
>and improvisation are these:
>Robert A. Johnson: Inner Work
>C.G. Jung: Jung on Active Imagination
>Collin Lee: Music at the Edge: The Music Therapy experiences of a
>musician with AIDS. (This is a great book showing the value of musical
>improvisation!)

I hope I find time to read next year!
-- 


          ---> http://Matthias.Grob.org

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Date: Thu, 7 Dec 2000 05:35:22 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re:  improv + looping in Jungian analysis
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>Looping and the unconscious mind are intimately linked in a lot of the
>Jung-related material that I have read.
>
>One of the most prominent symbols for an inner journey is the spiral...

great! of course we related looping to the spiral form immediately...
Later I joined a tradition where the spiral is the symbol for force, 
more or less.

>through which one travels from the light into the darkness (a point of
>singularity where all is one) and back out again to the point where one
>began.

sounds like TAO.

>The process continues as one grows or continues seeking even deeper levels
>of meaning and self-knowledge, thus creating the loop.
>
>Also, rituals and any repetitive acts could be considered "looping" and
>broadens the scope of connection between looping and the unconscious mind.
>
>Life is the loop,

hm, to be more precise, I think evolution has a spiral form and might 
sound like a growing loop, with a slightly reduced FeedBack :-)

The only lyrics I ever wrote is about this:
http://matthias.grob.org/pMusic/lyrics.htm
The song, recorded one t.c.2290 in 1988 is also there:
http://matthias.grob.org/pMusic/ppSound/Rhythm.ram
(I should put it up as mp3, maybe)
-- 


          ---> http://Matthias.Grob.org

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Subject: Re: improv + looping in Jungian analysis
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Matthias Grob wrote:
<< great! of course we related looping to the spiral form immediately...
Later I joined a tradition where the spiral is the symbol for force,
more or less. >>

Well when thinking of spirals in terms of force, I tend to think about two
interacting linear forces which form the spiral... I actually have some
ideas for an art/sculpture project about this which I'll probably never get
to *sigh*.

<<
>through which one travels from the light into the darkness (a point of
>singularity where all is one) and back out again to the point where one
>began.

sounds like TAO. >>

Yep, it's a common theme and TAO is a very good symbolization of it.

<<
>The process continues as one grows or continues seeking even deeper levels
>of meaning and self-knowledge, thus creating the loop.
>
>Also, rituals and any repetitive acts could be considered "looping" and
>broadens the scope of connection between looping and the unconscious mind.
>
>Life is the loop,

hm, to be more precise, I think evolution has a spiral form and might
sound like a growing loop, with a slightly reduced FeedBack :-) >>

I always think that the universe is just one complex waveform with
multi-dimensional axes... I wonder what feedback does to it?  Hey speaking
of which isn't sound-art one of the only four-dimensional art forms since
the waveforms can be three-dimensional and change through time...

Anyway this is really off-topic isn't it?  I don't even have my hardware
looper yet!!!

Jonathan
aka phalen180

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Subject: Re:  improv + looping in Jungian analysis
Date: Thu, 7 Dec 2000 09:32:58 -0000
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I remember my first time under Sodium Pentathol, the occasion being the
removal of some otherwise lovely K9 bicuspids in preparation for (ugh)
braces.  It was 1971, and I'd never heard anything really that used looping
technology, more or less just emerging musically from using Beethoven to
help my parents escape Montovani, Percy Faith and Perry Como.

[shudder]

The thing I remember sonically during the blackout after attempting to count
backwards past 99 was a non-lingual jibberish combined with what I believe
were four tones, repeated over and over again, until I came to.  At first of
course there was the fear element, but my curiosity and analysis of the
looped sounds helped me to stabilize the fear, and enjoy the experience
somehow.  I couldn't ever repeat the sounds of course, but I never forgot
the edge of the sound loop itself.  And it WAS a loop, I'm convinced.

Does this have anything to do with my enthusiasm for looping today?  Could
be, could be!  I try not to analyse THAT too much, preferring to just DO
instead.

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
http://StephenGoodman.iuma.com * Even more MP3s!

"Petr Dolak" <pepetr@yahoo.com> Looped:

> I am taking a class on C.G. Jung's active imagination.  I found that,
> actually, I have been doing it for years with my music and poetry,
> although not as systematically as he suggests.  Active imagination can
> be done in various ways and with various techniques, such as poetry,
> visual arts, sculpting, etc.  The point is to do art in order to
> reflect and not for art's sake.  A session should be followed by the
> reflection on the symbols and "messages" received during the creative
> event.


From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 07:33:25 2000
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Fri. Dec. 15th. "Invasion of Time" - (Paul Mimlitsch -Stick®/ Loops & Jim 
Speer-Stick/Loops) - "Gate to Moon Base Alpha" Concert Series, @ "The 
Rotunda", University of Penn., 4012 Walnut St., Philadelphia. Additional 
performances by Quentin Davis, Meisha, Seaweed Soup, David Tolento. Time: 
8:00pm-11:30pm. info: (215)349-7725
<<http://simpletone.com/pacmanmission.htm>>
<<http://www.facilities.upenn.edu/>>

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i once slipped on a broken egg next to still waters
c.
Loopers-Delight@loopers-delight.com wrote:
> Matthias Grob wrote:
>

Well when thinking of spirals in terms of force, I tend to think about two
interacting linear forces which form the spiral... I actually have some
ideas for an art/sculpture project about this which I'll probably never get
to *sigh*.

through which one travels from the light into the darkness (a point of
>singularity where all is one) and back out again to the point where one
>began.

sounds like TAO. >>

Yep, it's a common theme and TAO is a very good symbolization of it.

The process continues as one grows or continues seeking even deeper levels
>of meaning and self-knowledge, thus creating the loop.
>
>Also, rituals and any repetitive acts could be considered "looping" and
>broadens the scope of connection between looping and the unconscious mind.
>
>Life is the loop,

hm, to be more precise, I think evolution has a spiral form and might
sound like a growing loop, with a slightly reduced FeedBack :-) >>

I always think that the universe is just one complex waveform with
multi-dimensional axes... I wonder what feedback does to it?  Hey speaking
of which isn't sound-art one of the only four-dimensional art forms since
the waveforms can be three-dimensional and change through time...

Anyway this is really off-topic isn't it?  I don't even have my hardware
looper yet!!!

Jonathan
aka phalen180


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Date: Thu, 7 Dec 2000 11:44:18 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: OT: Inter-Aural Phase Cancellation?
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>Is it possible that the signal coming from the headphones is out of
>phase with the sound of your own voice inside your head?  Are they
>cancelling each other out?

no, its too complex for such acuracy.

>Or is this just a psycho-acoustic effect,
>whereby you are trained to ignore your own voice and thereby hear it
>differently when presented the sound in this context.

good idea

I think we are simply used to hear ourselves better.
If you do the same with a band mix, the guitarist also will complain.
-- 


          ---> http://Matthias.Grob.org

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Subject: Re: Tape looping/sequencing
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From: <Bowerbird@webtv.net>
>  I want to get into tape sampling/sequencing, on account that it's
> . . .
>Can one of you mad scientists out there tell me
> the basics of it, just so I can get started, I'd GREATLY appreciate it!

I'm not the best qualified to comment on this.  It's been a long time since
I cut tape...

What kind of things do you want to do?  Splice segments together?  Form tape
loops?  What kind of tape recorder do you have?

Awhile back, somebody mentioned a "classic" book on tape splicing, etc.  I
can't recall the name of it right now and I think it's out of print.  But
maybe you could still find a copy.  Check the LD archives.

Dennis Leas
-------------------
dennis@mdbs.com

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Jonathan:
>Anyway this is really off-topic isn't it?  I don't even have my hardware
>looper yet!!!

Not at all, this list was never meant as a gear list!
Discussion of functions and necessary equipment is a result of a 
desire and fascination we have for the non material side of 
repetition, no?
As you just proved, the hardware is not necessary to get involved.

aka phalen180:
>i once slipped on a broken egg next to still waters

sorry? you drowned?

Jonathan:
>Well when thinking of spirals in terms of force, I tend to think about two
>interacting linear forces which form the spiral... I actually have some
>ideas for an art/sculpture project about this which I'll probably never get
>to *sigh*.

its amazingly dificult to care for the things we consider fundamental...

>m>Life is the loop,
>
>hm, to be more precise, I think evolution has a spiral form and might
>sound like a growing loop, with a slightly reduced FeedBack :-) >>
>
>I always think that the universe is just one complex waveform with
>multi-dimensional axes...

Fine, the spiral then represents this waveform in a way we can look at it.
The further dimensions may be the ones we really are fascinated by.

>I wonder what feedback does to it?

As EE and looper I tend to believe that there is no oszilation 
without feedback.
I dont know how the tiny parts guys think about it.
What is it really that keeps everithing vibrating? :-)

>Hey speaking
>of which isn't sound-art one of the only four-dimensional art forms since
>the waveforms can be three-dimensional and change through time...

Well, in the usual graphic, the axis of the spiral would be time, and 
we assume that the oscilation of the other two axis moves "upwards" 
or foreward in evolution. This is just a model or symbol.
If you animate the graphic, you win a dimension, but it changes its 
look, since you watch time as time and the third dimension is a 
further oscilation. Can you creat this illusion on a 2d screen? It 
might turn into a growing ball.

-- 


          ---> http://Matthias.Grob.org

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there was a pretty good overview of razor editing in an issue of tape op a
while back, maybe it was early this year or late 99... that'd be as good a
place to start as any. but fasten yr seatbelt when you go shopping for a
block, my 1/2 inch editall ran me about $90. and it might not be too easy
to get yr hands on splicing tape & leader either, depending on where you
live...

if you don't already have a full compass catalog, that's a good source for
analog accessories that might or might not be hard to find nearer by where
you are.

also - bear in mind that if you're getting into looping tape it's not
necessarily what the manufacturer of your tape deck planned on in its
design stage, and running long loops (like out to a mic stand or some
other "external hub") can be somewhat detrimental to motors, capstan,
etc. if you have but one open-reel machine that you rely on for everything
it might be a good thing to check the flea markets, yard sales, pawn
shops, etc for a secondary looping deck in order to spare yr primary the
wear n tear.

getting off the soapbox now,

a:c



On Thu, 7 Dec 2000, Dennis Leas wrote:

> From: <Bowerbird@webtv.net>
> >  I want to get into tape sampling/sequencing, on account that it's
> > . . .
> >Can one of you mad scientists out there tell me
> > the basics of it, just so I can get started, I'd GREATLY appreciate it!
> 
> I'm not the best qualified to comment on this.  It's been a long time since
> I cut tape...
> 
> What kind of things do you want to do?  Splice segments together?  Form tape
> loops?  What kind of tape recorder do you have?
> 
> Awhile back, somebody mentioned a "classic" book on tape splicing, etc.  I
> can't recall the name of it right now and I think it's out of print.  But
> maybe you could still find a copy.  Check the LD archives.
> 
> Dennis Leas
> -------------------
> dennis@mdbs.com
> 
> 

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From: abduction scene <abduction_scene@yahoo.com>
Subject: RE: Re: improv + looping in Jungian analysis
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I *love* having Matthias G. on this list...


> Discussion of functions and necessary equipment
is a result of a 
> desire and fascination we have for the non
material side of 
> repetition, no?
> As you just proved, the hardware is not
necessary to get involved.

AND:

> 
> aka phalen180:
> >i once slipped on a broken egg next to still
waters
> 
> sorry? you drowned?


AND:


 
> its amazingly dificult to care for the things
we consider 
> fundamental...

AND:


> What is it really that keeps everithing
vibrating? :-)


AND so much more...

-abduction-



__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

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Subject: Re: Re: improv + looping in Jungian analysis
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> I *love* having Matthias G. on this list...

Yes!  

Dennis Leas
-------------------
dennis@mdbs.com

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Subject: RE: Re: improv + looping in Jungian analysis
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NOT ME FOR GODSAKES!







just kidding. he's a pal indeed!
Jimmy George
> I *love* having Matthias G. on this list...

Yes!  

Dennis Leas

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Subject: Re: considering kyma purchase
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Hi,
I'm using Kyma and these are a few of my, (subjective) observations.
Kyma is not just a looper it's a general sound creating/processing tool that
you can configure to be a looper. It could just as easily be a sampler,
synthesizer etc. It has a lot of ram for storing loops ands if you want to
store complete performances it'll do that to your computer's hard drive too.
It's sonic quality is impeccable, 24 bit at up to 100khz sampling rate. This
is important for me since the regeneration of sound involves degeneration of
signals and I don't like my loops mushy.
It's interface is rather clunky as far as programming is concerned. Having
said that if you've programmed 8 independent stereo loops with variable
pitch shifting and filtering once, this patch may form the basis of all your
musical output for the next 3 years. You also HAVE to use it with a
computer. This obviously gives you good visual feedback but is one more
thing to cart around for live gigs.
Kyma to me is like an utterly beautiful sophisticated woman who's also a bit
crazy - she can be exasperating but she's worth it !
Mine sings to me too : )

Gareth
            L's
                   Kyma
                             OK

>
> i am considering getting a kyma system before
> the end of the year (so uncle sam can help me out).
> i plan to use it for effects, looping and general
> mangling using several instruments as input.
> (mostly real-time)
>
> does anyone want to talk me into/out of this?
> i have already read the orville vs. kyma debate in
> the archives, so let's not repeat that, ok?
>
> any info on picking one up used in the usa?
>
> thanks
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 13:06:54 2000
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Date: Thu, 07 Dec 2000 11:57:08 -0600
To: Loopers-Delight@loopers-delight.com
From: Michael Clark <mcl451@airmail.net>
Subject: Re: improv + looping in Jungian analysis
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Hi,

There is actually a lot written on the subject:
looping/unconscious/symbols/meaning.

Shamanic literature
Ecstatic dancing
Voodoo
Drumming
Native American
Etc.

Read some of Charles Tart's stuff.  Stanley Krippner.

People have been fooling around in this area for a long time.

Michael




At 11:03 AM 12/5/00 -0600, you wrote:
>I am sorry.  The repeating of my message was not an intentional loop
>but probably a looping mistake of my server.
>
>I am taking a class on C.G. Jung's active imagination.  I found that,
>actually, I have been doing it for years with my music and poetry,
>although not as systematically as he suggests.  Active imagination can
>be done in various ways and with various techniques, such as poetry,
>visual arts, sculpting, etc.  The point is to do art in order to
>reflect and not for art's sake.  A session should be followed by the
>reflection on the symbols and "messages" received during the creative
>event.
>
>Personally, I do it with musical improvisation and looping.  I find
>looping VERY helpful in the process because, e.g. it lets me to stay
>with a topic for a while, play over, let it go, mix it with another
>one.  Right now I am doing research on the relationship between
>musical improvisation (and looping) and the unconscious during the
>active imagination practice.  I  thought there might be someone on LD
>knowledgeble of the subject.
>
>I am writing a paper about the process.  When I am done with it, I
>will put it on my web site and announce it here, in case some of you
>wants to look at the paper.
>
>SOURCES:
>I have not found anything written on looping and the unconscious yet
>(would you know?).  But some good resources about active imagination
>and improvisation are these:
>Robert A. Johnson: Inner Work
>C.G. Jung: Jung on Active Imagination
>Collin Lee: Music at the Edge: The Music Therapy experiences of a
>musician with AIDS. (This is a great book showing the value of musical
>improvisation!)
>
>
>_________________________________________________________
>Do You Yahoo!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 13:18:43 2000
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Subject: Friday's Looping Show in Austin Texas ...
Date: Thu, 7 Dec 2000 11:40:57 -0600 
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Hello all. Will the folks from Houston contact me if you are coming to the
show tomorrow the 8th for Jimmy George and Tim Reynolds. I need your names
for the list at the door. Please send your replies to jimmy@loadhandler.com
and also jimmyg@jimmygeorgearts.com .

Thanks!
Jimmy George

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>Kyma to me is like an utterly beautiful sophisticated woman who's also a bit
>crazy - she can be exasperating but she's worth it !

hahaha...i liked this one.

what does that make the other looper hardware though?  are they women, too?

"Jamman is like a trustworthy and dedicated plain jane who only does 
the missionary position"???

best,

rich

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Subject: Re: Re: improv + looping in Jungian analysis
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> As EE and looper I tend to believe that there is no oszilation 
> without feedback.
> I dont know how the tiny parts guys think about it.
> What is it really that keeps everithing vibrating? :-)

prime mover?
big bang?

quantum mechanics says: heat and chance.

i am only vaguely familiar with string theory,
but these guys think all matter is energy oscilating in
tiny loops. i agree that fundamentally there must
be a feedback occurring down there.

> >Hey speaking
> >of which isn't sound-art one of the only four-dimensional art forms since
> >the waveforms can be three-dimensional and change through time...
> 
> Well, in the usual graphic, the axis of the spiral would be time, and 
> we assume that the oscilation of the other two axis moves "upwards" 
> or foreward in evolution. This is just a model or symbol.
> If you animate the graphic, you win a dimension, but it changes its 
> look, since you watch time as time and the third dimension is a 
> further oscilation. Can you creat this illusion on a 2d screen? It 
> might turn into a growing ball.

wouldn't this just look like a waveform display?
if the object were a regular spiral it would be a sin wave...


> Not at all, this list was never meant as a gear list!
> Discussion of functions and necessary equipment is a result of a 
> desire and fascination we have for the non material side of 
> repetition, no?
> As you just proved, the hardware is not necessary to get involved.

are you guys SURE you don't want to talk about gear?


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From: improv@peak.org (Dave Trenkel)
Subject: Re: Tape looping/sequencing
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>there was a pretty good overview of razor editing in an issue of tape op a
>while back, maybe it was early this year or late 99... that'd be as good a
>place to start as any. but fasten yr seatbelt when you go shopping for a
>block, my 1/2 inch editall ran me about $90. and it might not be too easy
>to get yr hands on splicing tape & leader either, depending on where you
>live...
>
Speaking of tape op and splicing tape, there's a great anecdote in the new
issue from Phill Brown. He was doing a splice on the 2" master of Marley
and the Wailers "I Shot the Sheriff", one of the band member handed him an
enormous spliff, and while he was smoking, a seed popped and sent some hot
ashes onto the tape, which melted several inches of the master, and it was
part that they intended to use. In this day and age of digital editing,
it's good to be reminded of the old days, when you had one chance to get it
right...

____________________________________________
Dave Trenkel : improv@peak.org
Minus Web Site: http://listen.to/minusmusic
Minus MP3's: http://www.mp3.com/-minus-
____________________________________________


From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 14:42:10 2000
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Not as bad as you might think considering the tape was probably running at
least 15 ips- 2 inches would be a fraction of a second- and there is no
chance the tape will "crash". I am digital myself but still love the whole
analog system- I am often driven to madness by software problems- a fresh
all-audio box will be in the works for me...

..the moral is- clean your herb RIGHT the first time!

Cliff

-----Original Message-----
From: Dave Trenkel <improv@peak.org>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Thursday, December 07, 2000 11:26 AM
Subject: Re: Tape looping/sequencing


>>there was a pretty good overview of razor editing in an issue of tape op a
>>while back, maybe it was early this year or late 99... that'd be as good a
>>place to start as any. but fasten yr seatbelt when you go shopping for a
>>block, my 1/2 inch editall ran me about $90. and it might not be too easy
>>to get yr hands on splicing tape & leader either, depending on where you
>>live...
>>
>Speaking of tape op and splicing tape, there's a great anecdote in the new
>issue from Phill Brown. He was doing a splice on the 2" master of Marley
>and the Wailers "I Shot the Sheriff", one of the band member handed him an
>enormous spliff, and while he was smoking, a seed popped and sent some hot
>ashes onto the tape, which melted several inches of the master, and it was
>part that they intended to use. In this day and age of digital editing,
>it's good to be reminded of the old days, when you had one chance to get it
>right...
>
>____________________________________________
>Dave Trenkel : improv@peak.org
>Minus Web Site: http://listen.to/minusmusic
>Minus MP3's: http://www.mp3.com/-minus-
>____________________________________________
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 15:28:32 2000
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To: "'Rob Switzer'" <rswitzer@721.com>, loopers-delight@loopers-delight.com
Subject: RE: Ebay auctions of interest to looping guitarists
Date: Thu, 7 Dec 2000 15:18:49 -0500 
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If the whole Ground Control system does not sell, would you be interested in
selling JUST the GCX?  I have the Ground Control, and right now don't need
the System Mix.  If so, how much?

Thanks,

Alex F/Brain21

<--------========b21========-------->
Brain21 - www.brain21.net
www.mp3.com/Brain21
Buy individual songs @
http://www.nrmmusic.com/customcds.htm
<--------========b21========-------->


> -----Original Message-----
> From: Rob Switzer [mailto:rswitzer@721.com]
> Sent: Saturday, December 02, 2000 5:20 PM
> To: loopers-delight@loopers-delight.com
> Subject: Ebay auctions of interest to looping guitarists
> 
> 
> Hi everyone,
> 
> I'm offering a Roland GP-100, as well a Ground Control Foot 
> Controller, GCX 
> Switcher, and System Mix Plus audio mixer for sale on ebay.
> 
> All are in excellent condition, having only seen home studio 
> use, and come 
> with original manuals.
> 
> The reason I'm selling is that I also play reeds and am badly 
> in need of a 
> soprano saxophone.  In the unlikely event someone wants to 
> work a trade, 
> email me privately.
> 
> Check it out ...
> 
> http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=516642490
> 
> best,
> rob
> 

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lemmee guess.... that would have been on the _burnin_ 
sessions, right?


nyuck, nyuck...

a:c


On Thu, 7 Dec 2000, Dave Trenkel wrote:

> >there was a pretty good overview of razor editing in an issue of tape op a
> >while back, maybe it was early this year or late 99... that'd be as good a
> >place to start as any. but fasten yr seatbelt when you go shopping for a
> >block, my 1/2 inch editall ran me about $90. and it might not be too easy
> >to get yr hands on splicing tape & leader either, depending on where you
> >live...
> >
> Speaking of tape op and splicing tape, there's a great anecdote in the new
> issue from Phill Brown. He was doing a splice on the 2" master of Marley
> and the Wailers "I Shot the Sheriff", one of the band member handed him an
> enormous spliff, and while he was smoking, a seed popped and sent some hot
> ashes onto the tape, which melted several inches of the master, and it was
> part that they intended to use. In this day and age of digital editing,
> it's good to be reminded of the old days, when you had one chance to get it
> right...
> 
> ____________________________________________
> Dave Trenkel : improv@peak.org
> Minus Web Site: http://listen.to/minusmusic
> Minus MP3's: http://www.mp3.com/-minus-
> ____________________________________________
> 
> 
> 

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	 <Loopers-Delight@loopers-delight.com>,
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I am interested in the Ground Control. How much?

jimmy george
jimmy@loadhandler.com

If the whole Ground Control system does not sell, would you be interested in
selling JUST the GCX?  I have the Ground Control, and right now don't need
the System Mix.  If so, how much?

Thanks,

Alex F/Brain21

From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 15:56:53 2000
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Subject: Re: Tape looping/sequencing
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>Not as bad as you might think considering the tape was probably running at
>least 15 ips- 2 inches would be a fraction of a second- and there is no
>chance the tape will "crash". I am digital myself but still love the whole
>analog system- I am often driven to madness by software problems- a fresh
>all-audio box will be in the works for me...

Evidently it was enough that he had to find the same bar in a 3rd take and
replace it. The band and producer never noticed, anyway (probably too
stoned!).

____________________________________________
Dave Trenkel : improv@peak.org
Minus Web Site: http://listen.to/minusmusic
Minus MP3's: http://www.mp3.com/-minus-
____________________________________________


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I'm interested in constructing closed tape loops, ol'-skool
sequencing/editing/sampling. I'm not really interested in real-time
looping.  Right now I have an Akai 1700. I bought it a few months back,
not knowing how downright impossible it would be to get any information
whatsoever on the basic techniques of tape editing.... what basic
materials do I need?, -what type of adhesive do I use to splice? What's
an "editing block"? Please excuse the dumb questions- I really am this
clueless about it. 

From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 16:40:54 2000
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Some group with 2 Theremin players was at the Adler Planetarium in Chicago 
at a Calendar Trade show.  I didn't make it but my co-worker was saying I 
should have-it was very exotic sounding she says.  I don't know if they were 
looping or not.  Does this group ring a bell with anyone?  They had 2 
additional players of unknown instruments.

Do the Lothars (which are playing at the Nervous Center in Chicago on Friday 
Night) have any thing to do with Lothar and the Hand People?  Sounds like 
they were at least inspired by the name if nothing else...


Nick Wilson


_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

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Subject: PERCUSSION LOOPER
Date: Thu, 07 Dec 2000 15:48:21 -0600
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Hi
My name is Alyosha, I am a percussion player and I was wondering if some one 
has heard about some cheep (400USD) machine to loop.
I was interested in the Jamman but it's really hard to get.
If there are some cool advices I would appreciate it.
Thank you.
Alyosha

_____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 16:55:31 2000
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Date: Thu, 7 Dec 2000 13:45:49 -0800
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Subject: Re: Tape looping/sequencing
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hi all,

just out of curiosity...

why do you folks want to do tape loops?  i think i would get it if 
you already had experience with tape loops and splicing and such, and 
had access to the equipment.  but if you're a total beginner to it, 
and don't have any equipment and such...what is the attraction to it 
from a creative point of view?

i would be interested...especially since we make alot of noise on 
this list about User Interfaces and 'instant gratification' sort of 
subjects...like "why won't this machine think like i do, so i don't 
have to change the way i like to work".

as a newbie to tape splicing and looping, it would seem that the 
learning curve would be pretty steep to 'get it right' and the 
potential to get bogged down in the 'process' of making tape loops 
could outweigh the creative output.  i'm just imagining how long it 
would take me to create a tape loop that would yield the same results 
that my DL4 would give me in a matter of seconds.

also, the methodology of tape looping isn't really 'original' at this 
point.  people have struggled for years with the limitations of the 
technology.  what drives you to do it yourself?


i'm not slagging on your interest....far from it.  i would just be 
interested in why you're attracted to it.  the 'sound' of tape?  the 
unexpected results based on the margin of error?  the mechanics of 
building the loop?

best,

rich

From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 17:05:42 2000
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Subject: Re: PERCUSSION LOOPER
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On Thu, 7 Dec 2000, Alyosha Barreiro wrote:

> Hi
> My name is Alyosha, I am a percussion player and I was wondering if some one
> has heard about some cheep (400USD) machine to loop.
> I was interested in the Jamman but it's really hard to get.
> If there are some cool advices I would appreciate it.

I'd recommend you check out the Tools of the Trade section of the Loopers
website.
http://www.loopers-delight.com/tools/tools.html

At your price point, maybe a little more and look at the Boomerang?
http://www.loopers-delight.com/tools/boomerang/boomerang.html

Maybe the Line 6 DL4 for well under $400?
http://www.loopers-delight.com/tools/line6/Line6-DL4.html

regards,
Steve Burnett
-- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett

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Could just be a desire to experience the process in a more tactile way.
Literally touching the recording has a kind of appeal, though I confess I
haven't done tape loops myself I can remember the old "record pause rewind
repeat" style loops before I had anything else to work with. Something was
satisfying about it, even though today it would seem really inferior to
sampling something destroying it and cropping it in soundforge and being
done with it. I don't think either way is right or wrong, I can see the
appeal of each, maybe people are just interested in the contrast.  Plus,
when I listen to old stuff like Reich's "come out" it does intrigue me,
maybe the limitations are a way to force creativity.

okay done rambling

cheers!

Jon

> why do you folks want to do tape loops?  i think i would get it if
> you already had experience with tape loops and splicing and such, and
> had access to the equipment.  but if you're a total beginner to it,
> and don't have any equipment and such...what is the attraction to it
> from a creative point of view?
>


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From: "Alyosha Barreiro" <balyosha@hotmail.com>
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Thank you
Alyosha

From: Steve Burnett <sburnett@webslingerz.com>
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To: <Loopers-Delight@loopers-delight.com>
Subject: Re: PERCUSSION LOOPER
Date: Thu, 7 Dec 2000 17:02:48 -0500 (EST)

On Thu, 7 Dec 2000, Alyosha Barreiro wrote:

 > Hi
 > My name is Alyosha, I am a percussion player and I was wondering if some 
one
 > has heard about some cheep (400USD) machine to loop.
 > I was interested in the Jamman but it's really hard to get.
 > If there are some cool advices I would appreciate it.

I'd recommend you check out the Tools of the Trade section of the Loopers
website.
http://www.loopers-delight.com/tools/tools.html

At your price point, maybe a little more and look at the Boomerang?
http://www.loopers-delight.com/tools/boomerang/boomerang.html

Maybe the Line 6 DL4 for well under $400?
http://www.loopers-delight.com/tools/line6/Line6-DL4.html

regards,
Steve Burnett
--
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whhuuffff.... ok, here goes. 

you need an edit block, splicing tape, a wax marker  
(sometimes referred to as a "china marker", preferably white,)
and a shitload of razorblades. some empty reels
will also come in handy in certain situations.

the edit block is a heavy rectangular piece of steel
that's grooved in the EXACT width of the tape you're using.
so if you're on a 1/2 inch machine (like me), your block
has a channel running along it 1/2" wide. a 4 or 5 inch segment
of your tape sits in there so it won't wiggle while you
slice. cut into the block perpendicular to the guide channel
are 2 slits, one at 90 degrees and one on an angular bias.
those are the guides you run the razor blade thru so IT
won't wiggle when you cut. the block will also help
you line up your segments-to-be-joined.


now, dunno my akais, i'm assuming that's an open-reel deck...
but it needs to be able to allow you to cue, that is to
scrub the reels by hand over the heads. some decks, when
in "pause" keep the tape off the heads and won't let it
down. some decks won't allow you to move the reels in pause.
you need to be able to do both.


so here's how it goes - 

stop the tape right near the place you want to edit.
in cue, (tape on heads, reels not turning) scrub the
tape to locate the exact moment you need. it's a lot
like cueing up a record, if you've ever done
any dj'ing.

when you locate your spot, make a china marker mark
on the BACK of the tape (the side of the tape not
in contact with the heads) on the part of the
tape that's right on the playback head (if you're
in "play") or the sync head (if you're in "sync")
but not over the rec head.

and of course, don't get any marker grease on the
head, or anywhere but the backcoat of the tape.

then roll the tape back and play it a couple of times
watching carefully for that marker mark to make sure that
you put it in the right spot. the marker mark might
zip by kinda quick, so you gotta keep an eye right on it.
stop the deck. if it's in the place you want fine,. if not,
re-cue and re-mark.

pull the pertinant section of tape away from the machine,
slide it into the guide on the block with the back sdie
of the tape up (or you won't see the mark, natch)
line the marker mark up with one of the razor guides. 

run the razor thru the 
slot and you'll get a neatly cut piece of tape.

then you'll need to repeat the operation with the 
tape you're linking up to, whether that's tape
from another reel, leader, or the ass end of the
segment you've got (in the case of a loop).

once that's done, put both trimmed ends in the
block butting up against one another. the block
really helps you line the 2 ends of tape up precisely.

cut a piece of splicing tape an inch or 2 long,
lay it carefully over the backs of both segments
with the middle of the splice tape over the place
where your 2 tape ends meet.

lay the splicing tape down very, very carefully so that it
is straight and even over both segments.


burnish it down (as in, "rub") and i now
pronouce you man and splice.

if you're doing lots of these, change blades
frequently. and you should do lots
of these to really get the hang of it.

now, to address the question of "why would you"...

well, it's like wanting to work with wood, or
old carburators, or molten gold leaf....
yeah, there's lots more modern ways to do it,
that are (arguably) vastly more modern, efficient,
and precise! you just gotta..... sorta... like it,
like working with tape and blades and china markers.

hey, i'm already pushing a mouse around all day at
work... it's nice to get home to a completely unrelated
technology now and then! also - if you (like me) like
the way analog sounds, then you're either spending a bit
over a hundred on all the tools to cut tape or a LOT
more on a computer system to dump yr analog sounds into
so you can then manipulate them.

using a computer is definately a lot more efficient
than open reel tape, no doubt about it, and the availble
utilities are mind boggling. it just so happens
that i don't own any of that stuff... so deal!

i don't have time to proof this very well, so
sorry if i've omitted or mistyped anything.

all right!

a:c



On Thu, 7 Dec 2000 Bowerbird@webtv.net wrote:

> I'm interested in constructing closed tape loops, ol'-skool
> sequencing/editing/sampling. I'm not really interested in real-time
> looping.  Right now I have an Akai 1700. I bought it a few months back,
> not knowing how downright impossible it would be to get any information
> whatsoever on the basic techniques of tape editing.... what basic
> materials do I need?, -what type of adhesive do I use to splice? What's
> an "editing block"? Please excuse the dumb questions- I really am this
> clueless about it. 
> 
> 

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Subject: improv + looping in Jungian analysis
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Michael,

Could you please be more specific?  The subjects you mentioned contain
hundereds of volumes.  Any specific titles?

>There is actually a lot written on the subject:
looping/unconscious/symbols/meaning.

Shamanic literature
Ecstatic dancing
Voodoo
Drumming
Native American
Etc.


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Yeah but over and over an over  :  P

Martin Shellard 


> From: rich <rich@nuvisionsca.com>

> 
> hahaha...i liked this one.
> 
> what does that make the other looper hardware though?  are they women, too?
> 
> "Jamman is like a trustworthy and dedicated plain jane who only does
> the missionary position"???
> 
> best,
> 
> rich
> 

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The basic quantum mechanics wave equation and Maxwell's Equations both have different derivatives of the wave on each
 side of the equation, so this is the "source" of feedback and oscillation.  Quantum electrodynamics, the combination of the two, 
does the same. I don't know string theory either but I would venture to guess that this concept is so fundamental that it is hard to 
avoid in descriptions of the Universe.

It has been many years of EE'ing since my Bachelors in Physics!


> As EE and looper I tend to believe that there is no oszilation
> without feedback.
> I dont know how the tiny parts guys think about it.
> What is it really that keeps everithing vibrating? :-)

prime mover?
big bang?

quantum mechanics says: heat and chance.

i am only vaguely familiar with string theory,
but these guys think all matter is energy oscilating in
tiny loops. i agree that fundamentally there must
be a feedback occurring down there.

> >Hey speaking
> >of which isn't sound-art one of the only four-dimensional art forms since
> >the waveforms can be three-dimensional and change through time...
>
> Well, in the usual graphic, the axis of the spiral would be time, and
> we assume that the oscilation of the other two axis moves "upwards"
> or foreward in evolution. This is just a model or symbol.
> If you animate the graphic, you win a dimension, but it changes its
> look, since you watch time as time and the third dimension is a
> further oscilation. Can you creat this illusion on a 2d screen? It
> might turn into a growing ball.

wouldn't this just look like a waveform display?
if the object were a regular spiral it would be a sin wave...


> Not at all, this list was never meant as a gear list!
> Discussion of functions and necessary equipment is a result of a
> desire and fascination we have for the non material side of
> repetition, no?
> As you just proved, the hardware is not necessary to get involved.

are you guys SURE you don't want to talk about gear?





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Subject: RE: Tape looping/sequencing
Date: Thu, 7 Dec 2000 16:49:15 -0800 
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I had fun making some tape loops on an old Teac 4-track, 1/4" machine.  I
just cut loops of blank tape and threaded them into the machine, and then
recorded onto the four tracks.  You can do some cool stuff that way.  The
Teac records at 7.5 or 15 inches per second, so you can record some of the
tacks at each speed, which makes them play at half or double speed,
depending upon which is engaged.  You can also flip the tape around and
record some of the tracks in reverse.  You can  also use the sync head to
change the timing between tracks.    

It would be fun to play around on a machine with 24 tracks, and with
vari-pitch, and with a high-end console with lots of aux sends, and with
racks and racks of outboard gear, and with an intern bringing me coffee, and
with some guy that I could call who would come in and re-patch everything
the way I wanted it, and with another guy who would come in and figure out
why it wasn't working correctly and fix it, but I digress....

As far as splicing goes, what I was doing only required a single splice.  I
just overlapped the two ends of the loop and made a 45 degree cut through
both ends at once with a razor blade.  Then I used one of the little pieces
of silver tape that comes with the reel to join the ends after I butted them
together.  I used scotch tape after I ran out of the silver stuff, and it
worked great.  You need to line up the ends of the tape really well so that
you won't hear a transition.

Have fun!


-Hans


-----Original Message-----
From: Bowerbird@webtv.net [mailto:Bowerbird@webtv.net]
Sent: Thursday, December 07, 2000 1:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Tape looping/sequencing


I'm interested in constructing closed tape loops, ol'-skool
sequencing/editing/sampling. I'm not really interested in real-time
looping.  Right now I have an Akai 1700. I bought it a few months back,
not knowing how downright impossible it would be to get any information
whatsoever on the basic techniques of tape editing.... what basic
materials do I need?, -what type of adhesive do I use to splice? What's
an "editing block"? Please excuse the dumb questions- I really am this
clueless about it. 

From Loopers-Delight-request@loopers-delight.com  Thu Dec  7 20:25:31 2000
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Date: Thu, 7 Dec 2000 17:22:38 -0800 (PST)
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goto   www.synthrepairshop.com
he is in Gainesville, FL but accepts ship-ins
from all over.

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From: Tim Nelson <tcn62@ici.net>
Subject: RE: Tape looping/sequencing
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At 04:49 PM 12/7/00 -0800, Hans wrote:
>...Then I used one of the little pieces
>of silver tape that comes with the reel to join the ends after I butted them
>together.  I used scotch tape after I ran out of the silver stuff, and it
>worked great.

You can get *real* audio splicing tape at Radio Shack, 1/2" x 100" for
$1.99 (pn 44-1127)...

(Scotch tape tends to ooze sticky gummy gooey stuff sometimes, and your
heads won't like that even a little bit. And that silver stuff is used to
trigger the auto-reverse sensor on some 1/4 track open reels.)

They also have a simple editing block for $3.99 (pn 44-224); nothing fancy
or precise, but it works. It has tracks for both 1/4" and 1/8" tape.

Tim

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Eric:

I've been using MBoom for creating ambient soundscapes for about 10 months
now. It's a great program for looping.
Some examples of what I've done with it ( and another pc program "Sounder" )
can be found at:

http://artists.mp3s.com/artists/160/will_green.html

You might also want to look into MOTU's Freestyle. Another great midi
looping tool.

Will



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So, what looper does this repair shop prefer? Does it have anything to
contribute to looping ideas? I didn't think so. This is just plain old,
mindless, grade B spam. Please don't spam the list.

Pratt Winkle wrote:
> 
> goto   www.synthrepairshop.com
> he is in Gainesville, FL but accepts ship-ins
> from all over.
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Shopping - Thousands of Stores. Millions of Products.
> http://shopping.yahoo.com/

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Rich-
 I can totally understand where you're coming from- why spend so long
making a tape loop when you can easily do it in one second with a
sampler? I like the imperfections of analog equipment versus the
perfection of digital equipment. This goes for synths, analog delays,
and also sampling/sequncing. I'm basing this on my personal experiences
using digital and analog equipment and especially listening to records
that use analog versus digital equipment. To me, a simple tape loop is
much more stimulating to listen to than a computer-sequence. I'm not
knocking anyone who uses computers or hardware sequncers, this is just
my personal taste. Besides the aesthetic part, it's more economical for
me to do it with tape, it's hundreds of dollars cheaper than a computer
or hardware sequencer, and like I said- I prefer the (imperfect) sound
of analog versus digital.  One more thing- in a live setting you don't
have to wait for a tape sequence to load up.

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Hey Alyosha,   My name is Rick Walker and I am a professional percussionist/trapset
drummer who has been looping live for about 7 years.   I have used three jammans
(or jampersons as we call them in politically correct Santa Cruz) and have recently
purchased two of the LINE 6 DM4 Modeller footpedals.

I can't rave about them enough!!!   If they had any midi syncing capabilities (which they
don't, unfortunately) I would sell my jampersons in an instant.

A friend of mine (a very creative Looping Acoustic/Electric Bassist by the name of
Max Valentino) just bought one for the best price I've heard yet ($239.00) from
Mars Music.

>From my experience it would be good to put a mic preamp before the pedal and you can get
a really cheap, physically small one from Behringer for under $100.
I have mics into channels one and two and panned hard left and right, then the left
channel goes to one DM4 and the right channel goes to a Digitech Whammy Pedal (simple
octave up/down harmonization) and then into the DM4.   It's all on a pedal board:  very
convenient.
Good luck in the looping world.  If you end up having any problems don't hesitate to
e-mail me for help.

Yours,   Rick

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space module wrote:

> Do the Lothars (which are playing at the Nervous Center in Chicago on Friday
> Night) have any thing to do with Lothar and the Hand People?  Sounds like
> they were at least inspired by the name if nothing else...

Inspiration and acknowledgement of one's ancestors is the connection.

John McIntyre
Physics - Astronomy Domine Dept
Michigan State University
mcintyre@pa.msu.edu




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Bowerbird@webtv.net wrote:

> I'm interested in constructing closed tape loops, ol'-skool
> sequencing/editing/sampling. I'm not really interested in real-time
> looping.  Right now I have an Akai 1700. I bought it a few months back,
> not knowing how downright impossible it would be to get any information
> whatsoever on the basic techniques of tape editing.... what basic
> materials do I need?, -what type of adhesive do I use to splice? What's
> an "editing block"? Please excuse the dumb questions- I really am this
> clueless about it.

An editing block holds the tape so you can get precise repeatable cutting
angles.
There is special splicing tape to put the pieces together.  Add a single
edge
razor blade, and you have the basics.

John McIntyre
Physics - Astronomy Domine Dept
Michigan State University
mcintyre@pa.msu.edu



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>I can't rave about them enough!!!   If they had any midi syncing
capabilities (which they don't, unfortunately) I would sell my jampersons
in an instant.<

Rick, I agree that the DL4 is a potent low-cost looper, but, like you, I am
disappointed by the lack of midi synch.  I thought perhaps I could use the
DL4's max delay and sample times as hard bpm determinants, for instance,
always setting the delay or loop time to the max and--knowing the max delay
time--work out the bpm from there.  This is what I discovered:

Delay models (2.5 seconds delay time):
     at 4 beats per sample, bpm = 96,
     at 8 beats per sample, bpm = 192.

Looper (11 seconds sample time):
     at 16 beats per sample (four 4/4 measures), bpm = 87.27
     at 24 beats per sample (six 4/4 measures), bpm = 130.91
     at 32 beats per sample (eight 4/4 measures), bpm = 174.55

As you can see, none of those bpm are really "standard" tempos, either a
shade too fast or too slow.  Even switching to 3/4 doesn't help much, the
tempos remain the same, unless you can work in phrases or statements of
odd-numbered measures.  Anyone up for a ten-bar blues?

So, I was wondering--especially in working with other hard-bpm sources like
a drum machine or sampler--how does one combat the inevitable drift?  I
wonder if it would at all be possible to retrofit the DL4's delay time knob
with a detented or quantized pot, one that allows accurate, reproducible
delay times of say, 0.5, 1, 1.5 and 2 seconds? The tap tempo function would
still be available to get delay settings in between the discrete values.
The bpm generated by these values are much more friendly.

Oh, wait, then I'd lose all the super-cool delay-time knob twiddling psycho
monumental sound storms available by a non-discrete pot.  Damn.  What if we
just capped the delay time at 2 seconds?  The loop time to 8 or 10?  Any
ideas?  Should I just shut up and buy a EDP or Repeater?


L




                                                                                            
                    Rick Walker                                                             
                    <GLOBAL@cruzi        To:     Loopers-Delight@loopers-delight.com        
                    o.com>               cc:                                                
                                         Subject:     RE: PERCUSSION LOOPER                 
                    12/07/00                                                                
                    03:33 AM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



Hey Alyosha,   My name is Rick Walker and I am a professional
percussionist/trapset
drummer who has been looping live for about 7 years.   I have used three
jammans
(or jampersons as we call them in politically correct Santa Cruz) and have
recently
purchased two of the LINE 6 DM4 Modeller footpedals.

I can't rave about them enough!!!   If they had any midi syncing
capabilities (which they
don't, unfortunately) I would sell my jampersons in an instant.

A friend of mine (a very creative Looping Acoustic/Electric Bassist by the
name of
Max Valentino) just bought one for the best price I've heard yet ($239.00)
from
Mars Music.

>From my experience it would be good to put a mic preamp before the pedal
and you can get
a really cheap, physically small one from Behringer for under $100.
I have mics into channels one and two and panned hard left and right, then
the left
channel goes to one DM4 and the right channel goes to a Digitech Whammy
Pedal (simple
octave up/down harmonization) and then into the DM4.   It's all on a pedal
board:  very
convenient.
Good luck in the looping world.  If you end up having any problems don't
hesitate to
e-mail me for help.

Yours,   Rick





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> Should I just shut up and buy a EDP or Repeater?
>

Yes.

Mark Sottilaro

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Thanks.  I knew there would be at least one super-funny-guy to respond like
this.

L



                                                                                            
                    Mark                                                                    
                    Sottilaro            To:     Loopers-Delight@loopers-delight.com        
                    <sine@zerocro        cc:                                                
                    ssing.net>           Subject:     Re: PERCUSSION LOOPER                 
                                                                                            
                    12/08/00                                                                
                    12:10 PM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



> Should I just shut up and buy a EDP or Repeater?
>

Yes.

Mark Sottilaro





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Hey,

Digital is great, but there are still things that do not work as well in
the digital domain.  Mainly this is due to processor speed and
resolution.  When you get right down to it, tape "is" a digital domain in
the fact that you're changing the magnetic properties of an atom of some
metal.  It's just REALLY HIGH resolution.  This is what quantum mechanics
is all about.  I'd love to get into DJ'ing for the "scratching" element of
it, but I don't have the room for the turntables or the vinyl I'd need.
My Korg KAOSS pad kind of let's you "scratch/shuttle" through a sample,
but IT'S JUST NOT THE SAME.  I played with a yamaha DJXIIB the other day
and it seemed to do a decent job at faking a record scratch effect, but it
was hard to tell through it's cheezy speakers, and my fiancee was very
embarrassed by my playing with it and dragged me away.  She dragged me to
the Roland guitar synths, so it wasn't that bad.  Anyone have one of
these?  I should probably just buy a turntable.

A few months ago I saw Negitiveland play in San Francisco and it was one
of the best performances I've ever seen.  TONS of looping, most of in
analog.  Negitiveland is mostly about the content, and I don't think it
would have mattered if they were using slick digital samplers and digital
video setups, except for the SHOW.  It was amazing to watch them flail
around with tons of tape loops and 16mm film loops.  Watching people push
buttons on black plastic just don't cut it.  When I perform, I use MIDI to
control video clips via a Macintosh.  I started doing this because people
always commented about my horrible stage presence!  I'm looping guitar,
vocals and bass!  I don't have time for that Davey Jones/Axel Rose dance!
The video is my dancer.  I've actually taken video tape of my audience
with and without the video show, and I've proven that people stay longer
with the video.

Mark Sottilaro

Bowerbird@webtv.net wrote:

> Rich-
>  I can totally understand where you're coming from- why spend so long
> making a tape loop when you can easily do it in one second with a
> sampler? I like the imperfections of analog equipment versus the
> perfection of digital equipment. This goes for synths, analog delays,
> and also sampling/sequncing. I'm basing this on my personal experiences
> using digital and analog equipment and especially listening to records
> that use analog versus digital equipment. To me, a simple tape loop is
> much more stimulating to listen to than a computer-sequence. I'm not
> knocking anyone who uses computers or hardware sequncers, this is just
> my personal taste. Besides the aesthetic part, it's more economical for
> me to do it with tape, it's hundreds of dollars cheaper than a computer
> or hardware sequencer, and like I said- I prefer the (imperfect) sound
> of analog versus digital.  One more thing- in a live setting you don't
> have to wait for a tape sequence to load up.

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That WAS succinct Mark! 

Lindsay... I'd say the DL4 is a great sounding, affordable, fun delay and looping box... but there's no substitute for sync capabilities if you want that. It sounds like with drumboxes and sequencers, you're definitely in that world... so YES... get something with sync capabilities. Keep the DL4 and any other hardware delays you have though. You'll want more delays later... trust me. 8-)

Best,
-Miko

>>> lindsay@pavestone.com 12/08/00 10:14AM >>>

> Thanks.  I knew there would be at least one super-funny-guy to respond like
this.

>>> Should I just shut up and buy a EDP or Repeater?


>> Yes.

>> Mark Sottilaro






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It's good to find someone in a similar boat.
Have you had any problems with MBoom in a live looping setting?
Anything about it leave you wanting?
eo



William Green wrote:

> Eric:
>
> I've been using MBoom for creating ambient soundscapes for about 10 months
> now. It's a great program for looping.
> Some examples of what I've done with it ( and another pc program "Sounder" )
> can be found at:
>
> http://artists.mp3s.com/artists/160/will_green.html
>
> You might also want to look into MOTU's Freestyle. Another great midi
> looping tool.
>
> Will

--
eric oberthaler
http://www.soundsliketree.com
(music within)


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Mark Sottilaro wrote:

>When I perform, I use MIDI to

> control video clips via a Macintosh.

what software do you use if you don't mind me asking?
eo


--
eric oberthaler
http://www.soundsliketree.com
(music within)


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Subject: The Curse of Knob-Twiddling
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<< Watching people push buttons on black plastic just don't cut it.  When I
perform, I use MIDI to
control video clips via a Macintosh.  I started doing this because people
always commented about my horrible stage presence!  I'm looping guitar,
vocals and bass!  I don't have time for that Davey Jones/Axel Rose dance!
The video is my dancer.  I've actually taken video tape of my audience
with and without the video show, and I've proven that people stay longer
with the video.

Mark Sottilaro >>

My story goes like this:

About a year ago I started making music using my computer and loop-based
software (ACID, etc) and really got into it.  I'd wanted to be a musician
for a long time but really hadn't "believed" that I could do it all by
myself.

Anyway, to make a long story short, I decided recently that I wanted to be
able to play live shows without doing some sort of glorified CD player bit
with DAT/MD/CD/Laptop/etc, which led to several weeks of frustration as I
attempted to envision a process/method/setup wherein I could put on an
interesting performance and be able to create a complex and interesting
sound live with a minimum of backing tracks.

I've gotten a bunch of gear now and I'm well on my way to having a (to my
mind) satisfactory live sound, but I've also found that as Mark states here
"I don't have time for that Davey Jones/Axel Rose dance!" or to even look
away from what my hands are doing.

Besides the fact that after practicing a lot more (years...) I may be able
to work all this stuff without looking, and the mentioned use of video....
does anyone have any suggestions/comments about what to do to "jazz" up a
necessarily knob-twiddling performance?

Thanks,
Jonathan
aka phalen180

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vidvox

http://vidvox.net/

eric oberthaler wrote:

> Mark Sottilaro wrote:
>
> >When I perform, I use MIDI to
>
> > control video clips via a Macintosh.
>
> what software do you use if you don't mind me asking?
> eo
>
> --
> eric oberthaler
> http://www.soundsliketree.com
> (music within)

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http://vidvox.net/

phalen orion wrote:

> << Watching people push buttons on black plastic just don't cut it.  When I
> perform, I use MIDI to
> control video clips via a Macintosh.  I started doing this because people
> always commented about my horrible stage presence!  I'm looping guitar,
> vocals and bass!  I don't have time for that Davey Jones/Axel Rose dance!
> The video is my dancer.  I've actually taken video tape of my audience
> with and without the video show, and I've proven that people stay longer
> with the video.
>
> Mark Sottilaro >>
>
> My story goes like this:
>
> About a year ago I started making music using my computer and loop-based
> software (ACID, etc) and really got into it.  I'd wanted to be a musician
> for a long time but really hadn't "believed" that I could do it all by
> myself.
>
> Anyway, to make a long story short, I decided recently that I wanted to be
> able to play live shows without doing some sort of glorified CD player bit
> with DAT/MD/CD/Laptop/etc, which led to several weeks of frustration as I
> attempted to envision a process/method/setup wherein I could put on an
> interesting performance and be able to create a complex and interesting
> sound live with a minimum of backing tracks.
>
> I've gotten a bunch of gear now and I'm well on my way to having a (to my
> mind) satisfactory live sound, but I've also found that as Mark states here
> "I don't have time for that Davey Jones/Axel Rose dance!" or to even look
> away from what my hands are doing.
>
> Besides the fact that after practicing a lot more (years...) I may be able
> to work all this stuff without looking, and the mentioned use of video....
> does anyone have any suggestions/comments about what to do to "jazz" up a
> necessarily knob-twiddling performance?
>
> Thanks,
> Jonathan
> aka phalen180

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 Thankyou for the in-depth advice! What reel-to-reel models would you
recommend? The reason I'm asking is that my Akai doesn't work properly,
and I'll probably be buying a r-to-r through the recycler, so I'll have
to know if it's an acceptable model before I drive out to
who-knows-where to buy it. I've heard Revox is my best bet. About that
"china marker", is there a place to buy those, or is it just any old
peice of wax? Just one more thing.... since different loops are
different lengths, is there some kind of device for keeping the tape
tight aroud the reels? Is this what's refered to as a "loop arm"?
Thanks so much!

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Date: Fri, 8 Dec 2000 20:09:06 -0000
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Finally!  Someone else who recognized that Axel Rose ("Drunks and Posers")
stole his dance from Davy Jones of the Monkees.  Thank you!  Thank you!

Now back to twiddling the knobs on my DigiTech 7.6... :)

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
http://StephenGoodman.iuma.com * Even more MP3s!

"phalen orion" <phalen180@infin8ty.com> intoned:

> I'm looping guitar, vocals and bass!  I don't have time
> for that Davey Jones/Axel Rose dance!


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Date: Fri, 8 Dec 2000 16:12:38 -0600
To: "space module" <spacemodule@hotmail.com>,
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Nick,

The Lothars are 4 theremin players and a guitarist/violinist. There 
name is in fact inspired by Lothar and the Hand People. I'll be 
performing with The Lothars tonight, 9:30 Friday at the Nervous 
Center, 4612 N. Lincoln Ave. (tel: 773-728-5010), right next door to 
the  Davis theater.

We use looping among other effects, and you can find out about their 
name (guess what Lothar is) on their website. It's linked on my 
"what's new" page: http://pages.ripco.net/~eleon/whatsnew.html

Best regards,
Eric

At 3:37 PM -0600 12/7/00, space module wrote:
>Some group with 2 Theremin players was at the Adler Planetarium in 
>Chicago at a Calendar Trade show.  I didn't make it but my co-worker 
>was saying I should have-it was very exotic sounding she says.  I 
>don't know if they were looping or not.  Does this group ring a bell 
>with anyone?  They had 2 additional players of unknown instruments.
>
>Do the Lothars (which are playing at the Nervous Center in Chicago 
>on Friday Night) have any thing to do with Lothar and the Hand 
>People?  Sounds like they were at least inspired by the name if 
>nothing else...
>
>
>Nick Wilson
>
>
>_____________________________________________________________________ 
>________________
>Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

sound thinking: http://pages.ripco.net/~eleon
upcoming performances: http://pages.ripco.net/~eleon/whatsnew.html

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Will the repeater undo midi controller function allow you to do as
follows:

Record loop A
Stack B on top of Loop A
(then press undo)
Back to just Loop A
(then undo again)
Loop A with stack B? (or will it take away the loop A leaving you
nothing?)

Will it do this back and forth thing indefinetly?


Can I also record loops while I am MIDI to a Alesis effect processor and
trigger different effects via Midi with different loops?

I hope this is clear.

I'm so new to this thing as a solo acoustic guitar player.

Zing

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>What reel-to-reel models would you
recommend? 
Revox is king but had a Tandberg ½ track, never did any tape looping with one but they do master pretty well. 
Another brand is Scully.
---Still love Analog man! 
 Anyone agree with me and still prefer a good analog hifi VCR decks warmth over 16-20 bit @ 44.1k digital recordings?
-TS


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In a message dated 00-12-08 14:38:49 EST, you write:

<< does anyone have any suggestions/comments about what to do to "jazz" up a
 necessarily knob-twiddling performance? >>

jonathan.........ive been thinking about this also..........i have this weird 
need to go out and play and i was thinking i need some "schtick" (sp?) to 
make it work.........im thinking of playing in a small tent with images being 
projected thru the walls.........do you think this would upset 
anyone?......... funny hats work sometimes........i got to come up with 
something soon, i may have a gig in mid jan...........michael

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I think antique furniture and tea cosies set a very nice mood... Just come out, sit down in an easy chair, and act like you're in your living room. (Of course your living room may be bristling with hi-tech gear, but hey... it'll blend with the homey atmosphere plus you'll have some nice tea to sooth your jangled nerves.)

A little pounding on the gear, like it's not working properly, adds a certain element of intrigue and tension as well... Just like dad with the old tv set. 

Do NOT preen or affect any other obvious superior airs... 

Become one with your audience...

enough...
-Miko

>>> Nemoguitt@aol.com 12/08/00 03:32PM >>>
In a message dated 00-12-08 14:38:49 EST, you write:

<< does anyone have any suggestions/comments about what to do to "jazz" up a
 necessarily knob-twiddling performance? >>

jonathan.........ive been thinking about this also..........i have this weird 
need to go out and play and i was thinking i need some "schtick" (sp?) to 
make it work.........im thinking of playing in a small tent with images being 
projected thru the walls.........do you think this would upset 
anyone?......... funny hats work sometimes........i got to come up with 
something soon, i may have a gig in mid jan...........michael


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well, U2 used the guys from EBN to do video for their Zoo TV tour, and Madonna
seems to think that being naked with lot's of dancers works well.  No one from
EBN has returned my calls, I got thrown in jail once for acting like Madonna,
and I don't know any men or women that will be my solid gold dancers.

Try making weird faces.  In his first Guitar Player article, Steve Vai wrote all
about the importance of good guitar faces.

Remember, tomato is really hard to get off of gear.

Mark

Nemoguitt@aol.com wrote:

> In a message dated 00-12-08 14:38:49 EST, you write:
>
> << does anyone have any suggestions/comments about what to do to "jazz" up a
>  necessarily knob-twiddling performance? >>
>
> jonathan.........ive been thinking about this also..........i have this weird
> need to go out and play and i was thinking i need some "schtick" (sp?) to
> make it work.........im thinking of playing in a small tent with images being
> projected thru the walls.........do you think this would upset
> anyone?......... funny hats work sometimes........i got to come up with
> something soon, i may have a gig in mid jan...........michael

From Loopers-Delight-request@loopers-delight.com  Fri Dec  8 20:03:24 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater function question
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>Record loop A
>Stack B on top of Loop A
>(then press undo)
>Back to just Loop A
>(then undo again)
>Loop A with stack B
>Will it do this back and forth thing indefinetly?

You got it! It's an undo redo kinda thing. (cough, cough)

Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

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Subject: Re: The Curse of Knob-Twiddling
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----- Original Message -----
From: "phalen orion" <phalen180@infin8ty.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, December 08, 2000 2:42 PM
Subject: The Curse of Knob-Twiddling


> Besides the fact that after practicing a lot more (years...) I may be able
> to work all this stuff without looking, and the mentioned use of video....
> does anyone have any suggestions/comments about what to do to "jazz" up a
> necessarily knob-twiddling performance?
>
> Thanks,
> Jonathan
> aka phalen180


Dress like a blue-collar slob, drink a beer onstage while you're between
songs, and scratch your ass a lot.  Deflate any artistic pretensions
yourself before the audience can do it.  And dont forget to smile!


Peter

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Getting some talented live dancers who know your music is a real eye 
catcher.  Start building a light show.  Build it with MIDI control and sync 
it to video.  The Tent could be an elaborate cloth backdrop.  You could run 
8 or 16 mm film loops on it or a slides.  Just some brainstorms...


I think you could easily do better than Aphex Twin who just sits on a couch 
with his lap top and brings on a bunch of lame dancing Bears (he obviously 
never watched the real "Dancing Bear" on Captain Kangaroo), Yawn.
As for offending anyone, I guess that depends on how you present yourself 
and who you are playing to.  People are bored, be exciting.

Nick Wilson


----Original Message Follows----
From: Nemoguitt@aol.com
Reply-To: Loopers-Delight@loopers-delight.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Curse of Knob-Twiddling
Date: Fri, 8 Dec 2000 18:31:44 EST

In a message dated 00-12-08 14:38:49 EST, you write:

<< does anyone have any suggestions/comments about what to do to "jazz" up a
  necessarily knob-twiddling performance? >>

jonathan.........ive been thinking about this also..........i have this 
weird
need to go out and play and i was thinking i need some "schtick" (sp?) to
make it work.........im thinking of playing in a small tent with images 
being
projected thru the walls.........do you think this would upset
anyone?......... funny hats work sometimes........i got to come up with
something soon, i may have a gig in mid jan...........michael


_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Fri Dec  8 20:45:23 2000
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What are the knobs doing, and can you accomplish these
things through midi?  If so, you could get some
interesting midi controllers, such as a buchla
lightening, ztar, kurz. expression mate, I-cube
sensors, etc. that can provide more 'splash'.  Just a
thought.

stephen


--- Nemoguitt@aol.com wrote:
> In a message dated 00-12-08 14:38:49 EST, you write:
> 
> << does anyone have any suggestions/comments about
> what to do to "jazz" up a
>  necessarily knob-twiddling performance? >>


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
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> << does anyone have any suggestions/comments about what to do to "jazz" up a
>  necessarily knob-twiddling performance? >>
>
> jonathan.........ive been thinking about this also..........im thinking of playing in a small tent with images being projected thru the walls.........do you think this would upset
> anyone?........

hints from pseudo buddha:

fire works nicely.
have crazy people do things while you loop
have a nice looking woman accompany you while you loop.
oil & water light show or intellibeams.
fine-looking hippy chicks undulating to the drone (makes guys pay to get in)
plants & faux-oriental rugs will impress the granola babes (keep the fire away from the plants, though)

> Just come out, sit down in an easy chair, and act like you're in your living room. (Of course your living room may be bristling with hi-tech gear, but hey... it'll blend with the homey atmosphere plus you'll have some nice tea to sooth your jangled nerves.)

that's how my living room really is; no couch, just gear, some pillows. i don't socialize much.

>
> Become one with your audience...

aum. ohm. ooogolly.

bobdog


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Date: Fri, 8 Dec 2000 18:03:37 -0800
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>I think antique furniture and tea cosies set a very nice mood... 
>Just come out, sit down in an easy chair, and act like you're in 
>your living room. (Of course your living room may be bristling with 
>hi-tech gear, but hey...


read an article recently that this reminded me of.  it was an 
interview/article on The Thievery Corporation...one of the 
remix/dub/dj duo's currently garnering alot of press and praise (and 
i totally dig their new record 'the mirror conspiracy'...highly 
recommended!).

anyways, on their recent tour, they set up the equipment, get the 
sound going, and then come out in front of the setup where there are 
a couple of chairs, some martini's, and some cigarettes.  they just 
sit down and let the music go...

i guess this could be seen as snobbish, but i liked their 
explanation.  they said that the 'art' of remixing is not a 
performance.  it's a lot of time and work done in the studio 
twiddling knobs, cutting, pasting, restructuring, etc.  so why should 
they fake it onstage and act like they're bouncing around doing alot 
of work that's actually done in the studio?

best,

rich

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Subject: Percussion looping:JamDude for sale
From: "Tom Roady" <tomroady@telalink.net>
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Thought I'ld stop lurking and let everyone know of a used JamMan for sale 
for $350.00 at Broadway Music in Nashville Tn. Phone number 615-329-3577.
Alyosho ..this could be for you.

Zendrummer                                            

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Used a Tandberg half track and an Otari 50-50 to loop back in late 70's and I
still find some of those loops(guitar,electric piano,ARP 2600) sonicly 
amazing to this
day.
                    b.helm

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In a message dated 12/8/00 7:11:09 PM Mountain Standard Time, 
rich@nuvisionsca.com writes:

<< anyways, on their recent tour, they set up the equipment, get the 
 sound going, and then come out in front of the setup where there are 
 a couple of chairs, some martini's, and some cigarettes.  they just 
 sit down and let the music go... >>

This reminds me of a story that I heard Robert Fripp relate about a gig that 
he
and Brian Eno played in a bullring in Spain in the early 70's (Basque 
separatists
with automatic weapons greeted them at the airport upon deplaning).They
had finished actively inputing anything into the tape loop and left the stage 
for a
press box overlooking the arena whilst the tape loop played on. Peering out 
between the slats of the blinds they were noticed and a figure approached the 
box and inquired through the window in an American accent "Hey guys is the 
show over?"
to which Eno replied "Well it is for us, but not for you".

As to what to do to look interesting on stage while knob twiddling......
I've heard Fripp's soundscape gigs likened to watching an air traffic 
controller
at work.......minus the life and death element of chance as it were.

Live performance like print media will be seldom seen by the end of this 
century.
Enjoy it while you can, as performer or audient or both.

my 2 cents
                                  b.helm

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At 06:03 PM 12/8/00 -0800, you wrote:
>>I think antique furniture and tea cosies set a very nice mood... 
>>Just come out, sit down in an easy chair, and act like you're in 
>>your living room. (Of course your living room may be bristling with 
>>hi-tech gear, but hey...

Martin Mull used to do that with a couple of guys who were later in The
Cars. "Fabulous Furniture" he called it.

-t

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     I was talking to a friend of mine about this silly little
conversion I made to make my Lexicon Jammans say 'Jamperson',  because
it bugged me the inate sexism in the name, when it suddenly occurred to
me:   I don't know of a single woman looping artist, nor have I noticed
any postings on this chain.  Please excuse my ignorance on the subject.

    Will everybody who knows a woman looper be into posting info about
them or convincing them to post to the group, assuming that there are
any.    I've noticed that the electronica world is more of a boys club
than even the sexist pop musical world.
It would be very cool if this could change.

     I'm going to be producing some live solo looping shows next spring
and summer  in Northern and Central California and I would love to
include some women in the shows.

    I would also be interested in knowing of any one out there who is
doing unusual and unconventional things in their looping shows (as
opposed to the typical guitar oriented
performance that seems to be most prevalent----don't get me wrong, I
know and love several guitarist loopers in my area, including my
incredible brother, Bill Walker, Gary Hull and the incomparable Miko B).

     If you are doing some cool unconventional and creative things in
your solo looping shows and you live either in Southern California,
Central California, Northern California or Nevada and are interested in
being involved in a series of Looping Festivals next year would you
please contact me?

    These festivals will most definitely be 'seat of your pants'
(although well publicized) and will probably preclude people being able
to take off a week with little or no pay without it crippling them
financially..........but then again, if you can afford an EDP or a
REPEATER in the first place  this will probably not be to painful ;-)~

please write me at     GLOBAL@cruzio.com
and mail me some kind of documentation of your work (I can play CDs,
cassettes, vinyl and minidiscs...........i can accomodate DATS put I
don't own one so would prefer it not to be
in this format.

My snail mail is:



|                                                                  |
         |           __   __    __        __    __     __    |
         |___   (__) (__) (__)  *  (__)  (__)  (__)   |___
                                    |           |
                                    |           |


c/o RICK WALKER
412 DARWIN STREET
SANTA CRUZ, CALIFORNIA  95062-2629

tele: 831-425-8659
e-mail: GLOBAL@cruzio.com

Thanks, Rick






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Subject: Re:Tape Loops Editing
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> tape editing.... what basic
>  materials do I need?, -what type of adhesive do I use to splice? What's
>  an "editing block"? 
You need
1) "Splicing Tape" of the correct width to match your tape (1/4 in), you 
  need the stuff which is specially designed for the purpose.
3) A razor blade. Preferably a pack of the one edged ones.
2) An editing block is a metal block with a groove that holds your
  tape while you cut & splice. it also has  guides so that you 
  can cut at a fixed angle.(45,60,90 deg)
2b) Some people can get away with using scissors and no block. 
3) A demagnetiser to use on your razor blade (or scissors)every few edits.

Also, you'll probably want another tape deck.

Have you checked out the technique usually refered to as
Frippertronics? Passing a tape from one machine to another.
This lets you build up overdubbed loops without having to edit. 

Andy Butler
<A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 

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Rick,

I am quite an unconventional looper. My name is Keith M. Kelley. I'm a poet 
from Chicago. I've pasted my short bio below. I would love to do some shows 
out your way. I will be snail mailing you a CD on Monday. Peace.

Artist's Bio:
Keith M. Kelley  is a poet, musician and audio artist. He has added the 
rhyme, reason and raw edge of the spoken word to the programming needs of: 
coffee houses, nightclubs, theaters, festivals, schools and national 
television and radio commercials. Keith is an exciting, engaging and natural 
performer with the ability to inspire audience members with a written line or 
an adlibbed phrase. Kelley's work as the founder and Artistic Director of his 
spoken word band, The Funky Wordsmyths, has earned much critical acclaim 
including: "Critic's Choice" in the Chicago Reader, "Best Poetry\Music 
Performer" in New City, a Chicago Music Award nomination and a "thank-you" in 
the credits of the feature film "love jones". His poetic sense of humor has 
earned him the reputation of being one "funny man" who tells great stories 
and always seems to find the metaphor in the current issues, trends and 
attitudes of the day. Keith M. Kelley has proven for almost a decade from New 
York City to San Francisco that he is not only "another" performer of the 
spoken word or music; he is truly an innovator of both!

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Keefopoetry@aol.com wrote:
> 
> Rick,
> 
> I am quite an unconventional looper. My name is Keith M. Kelley. I'm a poet
> from Chicago. 

And you're a woman too???


-- 
* D a v i d         B e a r d s l e y
* 49/32  R a d i o "all microtonal, all the time"
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 09:53:48 2000
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Rick Walker wrote:
> 
>      I was talking to a friend of mine about this silly little
> conversion I made to make my Lexicon Jammans say 'Jamperson',  because
> it bugged me the inate sexism in the name, when it suddenly occurred to
> me:   I don't know of a single woman looping artist, nor have I noticed
> any postings on this chain.  Please excuse my ignorance on the subject.

Harpist Victoria Jordanova:

http://www.hooked.net/~compress/

violist Martha Mook:

http://www.virtulink.com/immp/jux/mooke.htm


-- 
* D a v i d         B e a r d s l e y
* 49/32  R a d i o "all microtonal, all the time"
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 09:59:52 2000
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From: "Alyosha Barreiro" <balyosha@hotmail.com>
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Subject: Re: Percussion looping:JamDude for sale
Date: Sat, 09 Dec 2000 08:55:18 -0600
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Thank you for answering,
Do you recomend the JAMMAN, Does it have midi functions?
In a future I whant  to use it whith a computer, what is your eperience?
Thank you for the tip, Monday morning I will call.
Alyosha

Thought I'ld stop lurking and let everyone know of a used JamMan for sale
for $350.00 at Broadway Music in Nashville Tn. Phone number 615-329-3577.
Alyosho ..this could be for you.

Zendrummer


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From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 10:06:45 2000
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I am looking for a device that I can play real-time, also I want to be able 
to process real-time the sound (eq, plugins) which I would like to do from a 
computer.
Would a Jamman be a good selection.
What would you recommend, and what is your experience.
Also I want pedals (as all of you am sure)
Thank's for all your help, I rally appreciate it.
Alyosha
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From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 10:44:11 2000
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Date: Sat, 09 Dec 2000 10:42:47 -0500
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Women in live looping and Producing Live Solo Looping Shows
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At 09:47 AM 12/9/00 -0500, you wrote:
>Rick Walker wrote:
>I don't know of a single woman looping artist, nor have I noticed
>> any postings on this chain.

Try a search of the archive for "Pauline Oliveros" (or "Deep Listening").
She's been immediately mentioned the last several times this thread has
come up, along with several other less well known loopstresses.

-t

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Greetings, 

  This is my first post to this list. I have been lurking for 
  quite a while, studying the archive, learning, and slowly  
  building up my looping rig. 

  I recently purchased an Ibanez DM1100 3.6 second rack mounted 
  delay and am pleased with it except that it begins to randomly 
  modulate the delayed sound after operating for about 15 to 20 
  minutes. Obvious Guy says it probably has something to do with 
  heat dissipation and older (circa 1985) components. 

  There are several trim pots in the delay (one controls the max delay time
  so I an squeeze out more than 3.6 seconds .. woo hoo ..!) but I can't tell 
  what the other trim pots are for. Does anyone have a schematic or a service 
  manual for this delay ? Does it have a trim to control modulation sensitivity ? 
  Can I just disable the modulation somehow ? 

  P.S. I could just weave the random modulation into the soundscape and call 
  it 'art' but I would prefer to have a bit more control than that. :-)

Thanks, 
Bill Davies

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 13:14:41 2000
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Date: Sat, 9 Dec 2000 16:14:12 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: feedback and loops
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from the  "improv + looping in Jungian analysis" posts:

>  > As EE and looper I tend to believe that there is no oszilation
>>  without feedback.
>>  I dont know how the tiny parts guys think about it.
>>  What is it really that keeps everithing vibrating? :-)
>
>prime mover?
>big bang?

hmm, the prime mover attacked a string a very long while ago and its 
still sounding? :-)

>quantum mechanics says: heat and chance.

yes, but its no answer, since heat we can only define through the 
movement and chance?

>i am only vaguely familiar with string theory,
>but these guys think all matter is energy oscilating in
>tiny loops. i agree that fundamentally there must
>be a feedback occurring down there.

yes, the most simple model for a string vibration is an energy loop 
between movement and tension.
If you see the attack (additional) tension as input, that energy then 
turns into movement (sound output) and then on the other extreme, 
when the string stops again to change direction, the movement is 
transformed into tension again, so it may be seen as feeding back the 
energy...

The historic loops of peace/war or splitting/unifying could be 
explained through feedback: The result of an action feeds a change of 
behavior which then changes the situation so that behavior changes 
again...

Maybe the problem with the word "feedback" is that in many loops its 
not quite clear what is "back".
If we look at the time scale in our music loops, it might be more 
correct to speak of "feedforward" (expression is used in engineering, 
too), since we bring the sound of a few seconds ago forward to now 
when its "fed back" into memory from where it will be read in a few 
seconds...

How about feedarround? :-)
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 14:22:05 2000
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Subject: RE: Women in live looping and Producing Live Solo Looping Shows
Date: Sat, 9 Dec 2000 11:16:10 -0800
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Hey, I saw Pauline Oliveros last Sunday at a concert here in Berkeley to
benefit the Pauline Oliveros Foundation, something all of us loopers should
know about.

She presented all the artists, including Terry Riley, his son and his friend
the sax player, and they played three tunes, one by each.

Pauline herself presented two of her former students with whom apparently
she has maintained a creative relationship, and they performed an amazing
piece, no doubt mostly improvisational, and although no looping hardware was
involved, there was some recurring themes.  The three of them played in
different tunings, Pauline herself playing an accordion, tuned different
from the piano, played by Dana Reason, which was tuned different from the
obscure flutes Philip Gelb was playing.  Dana Reason, by the way, a very
attractive blonde, was stunning on the keys.  We must keep an eye out for
her.  She's nearly finished with her Ph.D., and hopefully she will be
putting out some new music.

I am getting in touch with the Pauline Oliveros Foundation, as they are
actively engaged in promoting new music and new artists.  I have their
brochure here.  The Web site is http://www.deeplistening.org.

And Pauline rocks...

  | -----Original Message-----
  | From: Tim Nelson [mailto:tcn62@ici.net]
  | Sent: Saturday 09 December 2000 7:43 AM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Re: Women in live looping and Producing Live Solo Looping Shows
  |
  |
  | At 09:47 AM 12/9/00 -0500, you wrote:
  | >Rick Walker wrote:
  | >I don't know of a single woman looping artist, nor have I noticed
  | >> any postings on this chain.
  |
  | Try a search of the archive for "Pauline Oliveros" (or "Deep
  | Listening").
  | She's been immediately mentioned the last several times this thread has
  | come up, along with several other less well known loopstresses.
  |
  | -t

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 14:32:14 2000
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Subject: Women who loop 
Date: Sat, 09 Dec 2000 11:29:45 -0800
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Pauline Oliveros has been around musically since the 60's. She teaches at 
Mills College, and a lot of people credit her with being the inventor of 
looped music.

There's also Cosey Fanni Tutti, the former guitarist of the band Throbbing 
Gristle.

Margaret Feidler is in the electronic group Laika. I'm pretty sure that she 
does a large part of the instrumentation in addition to the vocals. The 
first 2 albums by this group are really nice. They create really nice 
multilayered rhythms.

And there's Alejandra Salinas from the married experimental duo Alejandra & 
Underwood. Usually her role is of coming up with cd ideas and gathering 
source material for Aeron Bergman (Underwood) to loop and alter sonically, 
but I think she takes part in the sound processing in their live shows.

There's also Jane Dowe, who's a sampling musician. I only know her from the 
"Deconstructing Beck" CD, but I think she has solo releases out too.

I'm sure there are more. There are lots in the techno and rap worlds. I 
don't know of any female dj's who actually create music, but I'm sure 
they're out there. As for rap, I know that Missy 'Misdemeanor' Elliott takes 
pride in doing her own production. Lots of others too, but I don't know the 
names. The last time I heard an Ani Difranco album, she created her own 
loops in 2 of the songs. I think that album was "Dilate".


I know not many of these women loop solo live (well, Pauline does 
occasionally, I think), but there are women who loop. It's pretty amazing 
how few though.

>From: Rick Walker <GLOBAL@cruzio.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers Delight <Loopers-Delight@loopers-delight.com>
>Subject: Women in live looping and Producing Live Solo Looping Shows
>Date: Thu, 07 Dec 2000 23:42:17 -0800
>

>
>     Will everybody who knows a woman looper be into posting info about
>them or convincing them to post to the group, assuming that there are
>any.    I've noticed that the electronica world is more of a boys club
>than even the sexist pop musical world.
>It would be very cool if this could change.

_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 15:03:13 2000
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Don't forget your slippers and a nice tabby cat - but don't fall asleep!
Invite your audience in for crumpets that'd help to cosy up the atmosphere.

Gareth

> I think antique furniture and tea cosies set a very nice mood... Just come
out, sit down in an easy chair, and act like you're in your living room. (Of
course your living room may be bristling with hi-tech gear, but hey... it'll
blend with the homey atmosphere plus you'll have some nice tea to sooth your
jangled nerves.)
>
> A little pounding on the gear, like it's not working properly, adds a
certain element of intrigue and tension as well... Just like dad with the
old tv set.
>
> Do NOT preen or affect any other obvious superior airs...
>
> Become one with your audience...
>
> enough...
> -Miko
>
> >>> Nemoguitt@aol.com 12/08/00 03:32PM >>>
> In a message dated 00-12-08 14:38:49 EST, you write:
>
> << does anyone have any suggestions/comments about what to do to "jazz" up
a
>  necessarily knob-twiddling performance? >>
>
> jonathan.........ive been thinking about this also..........i have this
weird
> need to go out and play and i was thinking i need some "schtick" (sp?) to
> make it work.........im thinking of playing in a small tent with images
being
> projected thru the walls.........do you think this would upset
> anyone?......... funny hats work sometimes........i got to come up with
> something soon, i may have a gig in mid jan...........michael
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 15:08:03 2000
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From: jim palmer <jimp@pobox.com>
Subject: OT: Re: Women in live looping and Producing Live Solo Looping Shows
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>      I was talking to a friend of mine about this silly little
> conversion I made to make my Lexicon Jammans say 'Jamperson',  because
> it bugged me the inate sexism in the name, when it suddenly occurred to
> me:   I don't know of a single woman

do you mean woperson?

>...performance...

perforpersonce?

>...documentation...

docupeopletation?

allright, i am just being goofy, but i think it would be better if we all could 
get past this focus on words. it is very superificial and only serves as a
distraction from any real injustices that might actually exist.

also: i think the idea of a pc world is offensive to our mac-user members...


 

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 15:23:07 2000
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At 11:29 AM 12/9/00 -0800, you wrote:
>I know not many of these women loop solo live (well, Pauline does 
>occasionally, I think)

>From what I've heard about her innovation with what Ms. Oliveros calls
"extended accordian", it's more than "occasional" and more like "integral".
Her own definition of her instrument (which was actually featured on Peter
Schickele's show on National Public Radio a few months ago) includes
several delay lines for live sampling and layering. Sounds loopish to me! :-)

Tim

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From: "alex mcmanus" <alexmcmanus@mindspring.com>
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Subject: dokorder
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This is a multi-part message in MIME format.

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hi ...does anyone out there have a copy of the manual for a dokorder 4 =
track with sound on sound? thanks, alex

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<DIV><FONT face=3DArial size=3D2>hi ...does anyone out there have a copy =
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manual for a dokorder 4 track with sound on sound? thanks,=20
alex</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 17:30:45 2000
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Date: Sat, 9 Dec 2000 17:28:12 EST
Subject: Re: Women in live looping and Producing Live Solo Looping Shows 
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In a message dated 00-12-09 09:13:36 EST, keith wrote:

<<  I will be snail mailing you a CD on Monday. Peace. >>

keith........how could i get one of them puppies?........michael

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 17:44:23 2000
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Subject: Cracks in EDP
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My EDP seems to be pretty sensitive to heat. I just finished a looping show
outside in the Florida sun (it was 80 out today) and after about an hour of
my EDP baking in a 6-space rack, it started to add crackles and pops into
the loops. They got pretty bad, eventually I had to switch in my DL4
instead, and shut the EDP down for the rest of the set. Now I know it was
the EDP causing the pops, because I recorded some silence with no input into
the EDP and sure enough, the pops and crackles came back. This has happened
maybe half-a-dozen times when playing while it was hot outside in the sun. I
would like to know if anyone else has had this problem, and if it can be
solved, Is it just a matter of ventilation? A fan, perhaps? Is it just the
memory that is sensitive?

BTW, Misha, the other half of my duo Future Perfect, uses a DL4 to loop her
vocals.

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com


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Subject: RE: Women in live looping 
From: Tiktok <tiktok@sprintmail.com>
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Jehn Cerron did a bunch of vocal live looping under her name and the
"Eyelight" moniker.  Really beautiful stuff.

Travis Hartnett

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Subject: Female live loopers
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Lesli Dalaba loops trumpet in various projects.  The most public example is
probably the Seattle band "Land".

Jessica Lurie (I have no idea if she's related to John Lurie) plays sax with
Living Daylights.  I know their bassist loops extensively, and I believe
Lurie also uses a JamMan.

http://www.livingdaylights.com/start.html


TH

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----- Original Message ----- 
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, December 09, 2000 1:14 PM
Subject: Re: feedback and loops


> from the  "improv + looping in Jungian analysis" posts:
> 
> >  > As EE and looper I tend to believe that there is no oszilation
> >>  without feedback.
> >>  I dont know how the tiny parts guys think about it.
> >>  What is it really that keeps everithing vibrating? :-)
> >
> >prime mover?
> >big bang?
> 
> hmm, the prime mover attacked a string a very long while ago and its 
> still sounding? :-)

boooooooo|:ooooiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinnnnnnnnnnnnnnnnnnggggggggggggggggggg:|

in the beginning was the word...
what was the word?
maybe just a big string called "word"?
ohm?
the hebrew name for god translates as "i am."
i interpret this to mean consciousness (or self awareness)
i think that consciousness itself arises from a feedback loop.
both from an awareness of sense itself and
from the sensing of oneself through the senses.
whoo boy, does that make any sense?
"sense and sensamillia"
i think this kind of thing is what attracted me to musical looping
in the first place.

> >quantum mechanics says: heat and chance.
> 
> yes, but its no answer, since heat we can only define through the 
> movement and chance?

interesting point of view.
what came first the chicken or the egg?
they define movement in terms of "probability waves"
so what is oscillating to cause these?

> 
> >i am only vaguely familiar with string theory,
> >but these guys think all matter is energy oscilating in
> >tiny loops. i agree that fundamentally there must
> >be a feedback occurring down there.
> 
> yes, the most simple model for a string vibration is an energy loop 
> between movement and tension.
> If you see the attack (additional) tension as input, that energy then 
> turns into movement (sound output) and then on the other extreme, 
> when the string stops again to change direction, the movement is 
> transformed into tension again, so it may be seen as feeding back the 
> energy...
> 
> The historic loops of peace/war or splitting/unifying could be 
> explained through feedback: The result of an action feeds a change of 
> behavior which then changes the situation so that behavior changes 
> again...

have you read "zen and the art of motorcycle maintenance"?
persiig calls these two poles "classical" and "romantic" after the
two previous periods in western culture and talks about the
oscillation through history between them.

> Maybe the problem with the word "feedback" is that in many loops its 
> not quite clear what is "back".
> If we look at the time scale in our music loops, it might be more 
> correct to speak of "feedforward" (expression is used in engineering, 
> too), since we bring the sound of a few seconds ago forward to now 
> when its "fed back" into memory from where it will be read in a few 
> seconds...

feedforward
an interesting notion
back is from output to input.
in a delay this equates to forward in time.
how is the term used in engineering?

i recently had the brilliant idea of plugging my guitar into one input
on a ring modulator the output of which i plugged into a delay, the output of which
i plugged into the other input of the ring modulator.  "i will play with 
the ring modulation of my former self and thus rule the universe!"
the problem was, with no signal in the second input of the rm, there was no 
signal to the delay and thus no signal to the second input of the rm....


> How about feedarround? :-)

yes!

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Date: Sat, 9 Dec 2000 21:03:37 -0300
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>One more thing- in a live setting you don't
>have to wait for a tape sequence to load up.

? who loads it then, how do you do that?
-- 


          ---> http://Matthias.Grob.org

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Observations that may be specific for my work:

I usually look down, either on the pedals, on the rack (which is 
upright on the ground, or at the neck). People dont like that, and 
its not so necessary.
Since looping always lets you some moments to look up and do nothing, 
we just need to remember that, and it feels better!

Projectors and whatnot dont resolve the problem, the public wants to 
see the facial expression of the artist and feel that he cares for 
them.
Remember how good you feel if you are in the middle of the public and 
the "star" looks straight at you?
-- 


          ---> http://Matthias.Grob.org

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Time for a brief de-lurk.

In a message dated 12/9/00 2:42:01 PM, artists@hazardfactor.com writes:

<< I would like to know if anyone else has had this problem, and if it can be

solved, Is it just a matter of ventilation? A fan, perhaps? Is it just the

memory that is sensitive? >>

Yes. 

Well, I don't actually get pops and clicks, my EDPs simply stop responding to 
most footpedal commands when they get hot. Heat is about the only problem I 
have experienced (knock on wood) with my EDPs in the 4 or 5 years I've had 
them. 

Now I have an extra reason to turn down outdoor gigs (small price to pay, I 
hate 'em anyway). Other than that if it gets warm indoors I pop the back off 
my SKB rack and that seems to be ventilation enough most of the time. 

Back to lurking mode

T.Killian

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I read with much interest the news that there is a way to trigger video
with MIDI!
Is there a program like it on/for the PC?

From Loopers-Delight-request@loopers-delight.com  Sat Dec  9 20:51:23 2000
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From: Frank Gerace <seahorse@channel1.com>
Subject: Re: Women who loop 
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        Cheryl Wanner, my lovely wife and partner in Dreamchild does vocal
looping.  She incorporates a lot of that into our live show, and into the
recorded materials as well, using a different approach/philosophy for each
environment.  In the shameless plug department, we have a new CD out,
released a month ago, called La Fee Verte.  See our site for further info on
that.  Cheryl uses a JamMan with 32 seconds of memory. She has no problem
with the name and thinks that PC sort of thing is absurd . 
        Then there are the days when I thibk I only have 32 seconds of memory.

Frank Gerace
Dreamchild
www.dreamchildmusic.com
www.cdbaby.com/dreamchild2

At 11:29 AM 12/9/00 -0800, you wrote:
>Pauline Oliveros has been around musically since the 60's. She teaches at 
>Mills College, and a lot of people credit her with being the inventor of 
>looped music.
>
>There's also Cosey Fanni Tutti, the former guitarist of the band Throbbing 
>Gristle.
>
>Margaret Feidler is in the electronic group Laika. I'm pretty sure that she 
>does a large part of the instrumentation in addition to the vocals. The 
>first 2 albums by this group are really nice. They create really nice 
>multilayered rhythms.
>
>And there's Alejandra Salinas from the married experimental duo Alejandra & 
>Underwood. Usually her role is of coming up with cd ideas and gathering 
>source material for Aeron Bergman (Underwood) to loop and alter sonically, 
>but I think she takes part in the sound processing in their live shows.
>
>There's also Jane Dowe, who's a sampling musician. I only know her from the 
>"Deconstructing Beck" CD, but I think she has solo releases out too.
>
>I'm sure there are more. There are lots in the techno and rap worlds. I 
>don't know of any female dj's who actually create music, but I'm sure 
>they're out there. As for rap, I know that Missy 'Misdemeanor' Elliott takes 
>pride in doing her own production. Lots of others too, but I don't know the 
>names. The last time I heard an Ani Difranco album, she created her own 
>loops in 2 of the songs. I think that album was "Dilate".
>
>
>I know not many of these women loop solo live (well, Pauline does 
>occasionally, I think), but there are women who loop. It's pretty amazing 
>how few though.
>
>>From: Rick Walker <GLOBAL@cruzio.com>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: Loopers Delight <Loopers-Delight@loopers-delight.com>
>>Subject: Women in live looping and Producing Live Solo Looping Shows
>>Date: Thu, 07 Dec 2000 23:42:17 -0800
>>
>
>>
>>     Will everybody who knows a woman looper be into posting info about
>>them or convincing them to post to the group, assuming that there are
>>any.    I've noticed that the electronica world is more of a boys club
>>than even the sexist pop musical world.
>>It would be very cool if this could change.
>
>___________________________________________________________________________
__________
>Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com
>
>
>

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Frank Gerace wrote:

>         Cheryl Wanner, my lovely wife and partner in Dreamchild does vocal
> looping.  She incorporates a lot of that into our live show, and into the
> recorded materials as well, using a different approach/philosophy for each
> environment.  In the shameless plug department, we have a new CD out,
> released a month ago, called La Fee Verte.  See our site for further info on
> that.  Cheryl uses a JamMan with 32 seconds of memory. She has no problem
> with the name and thinks that PC sort of thing is absurd .
>         Then there are the days when I thibk I only have 32 seconds of memory.
>
> ...

from one mdm (memory-deficient male) to another:

i wonder on those days if she would rather be with the jamman? :-)


lance g.


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Subject: Re: feedback and loops
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Use an oscillator on one side, (A) of the ring modulator and your instrument
on the other, (B) . Direct the output of your delay line into B and you get
an interesting, evolving timbre - anything from tinkling bells to gong- like
tones. As an added effect you could get someone to 'play' the oscillator or
control it from a foot switch.
If you get to rule the universe just remember who suggested this : )

Gareth

>
> i recently had the brilliant idea of plugging my guitar into one input
> on a ring modulator the output of which i plugged into a delay, the output
of which
> i plugged into the other input of the ring modulator.  "i will play with
> the ring modulation of my former self and thus rule the universe!"
> the problem was, with no signal in the second input of the rm, there was
no
> signal to the delay and thus no signal to the second input of the rm....
>
>
> > How about feedarround? :-)
>
> yes!
>

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Matthias Grob wrote:

> >Or is this just a psycho-acoustic effect,
> >whereby you are trained to ignore your own voice and thereby hear it
> >differently when presented the sound in this context.
> 
> good idea
> 
> I think we are simply used to hear ourselves better.

Not only, I think.
Our a cappella group has been dealing with the same phenomenon since we
started using in ear monitoring with one monitor mix for all of uns.

Figure you´re one in a group of singers and you are _not_ using
microphones.
I say you´re used to hearing yourself quite in front of the "mix" that
reaches your ears through the air. Just by distance.
Ever tried in ear microphones and recorded yourself speaking?
You are surprised of just how loud you were if you listen to your
recording afterwards. 

So yes, I´d confirm there is some mechanism weigthing your own voice
down while you produce it. Be it psycho-acoustic or physiologic.
And it is a constant rather than a factor:
we found that the effect is worst at a certain point of balance between
the headphone volume and what you hear of your voice "acoustically". 
So it normally helps just to vary the headphone volume. 

That is, if you´re not too much limited by a noiseful environment in one
direction and pain in the other.

-- 
Manfred Bohnhoff

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From: Chris Becker <beckermusic@yahoo.com>
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Please remove beckermusic@yahoo.com from the emailing
list.  I need to get a seperate email address for
myself to accomodate all the looper email I get! I'll
be back when I set up a new address.

Best,

Chris Becker

__________________________________________________
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please remove me from mailings...i'm all set and thanks for the help!

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>please remove me from mailings...i'm all set and thanks for the help!</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 13:06:49 2000
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>         Then there are the days when I thibk I only have 32 seconds of memory.
> 
> Frank Gerace
> Dreamchild

if you were an edp you could upgrade...

From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 13:14:39 2000
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Subject: need advice from you experts
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Hi friends-


I just discovered this list, and I need to ask some advice!

I am a full time record producer from Denver, and I also
write songs and perform solo.  I play a variety of
instruments, and need a good LIVE LOOPING DEVICE to layer
multiple instruments.  I don't need anything frilly in terms
of backwards, tempo variations, etc.  Just a good basic unit
that will allow reliable and relatively "glitch-free" live
use for adding one part at a time.  I have read all the
reviews on the loopers-delight site, and I'm a bit
overwhelmed by all the feature comparisons.  Knowing the
application I seek to use the device for- WHAT DO YOU
RECOMMEND?  Line6?  Akai?  Jam Man?  Boomerang?  YIKES!  I
just need good sound quality and ease of use.

Please reply directly to me at:

Taylor Mesplé
maresple@uswest.net

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Hi friends-

I'm brand new to this list- and I need advice ASAP!


I'm a full-time record producer from Denver, CO- and I'm
also a songwriter that performs solo.  I play multiple
instruments, and I need a good LIVE LOOPING DEVICE that I
can use to stack more than one instrument together in a
loop, in real-time.  I don't need features like backwards,
tempo variation, etc.- Just a good sound quality, reliable,
relatively "glitch-free" looping device that won't frustrate
the heck out of me.  I've read all the reviews and such on
the delight site, but I'm a bit overwhelmed with the
feature-based comparisons.  What would you experts recommend
to someone like me?  The Jam Man?  The 'Rang?  The Akai?
The Line6?  HELP!!!!!  :)  Thanks in advance, loopers.

Taylor Mesplé
www.taylormesple.com
maresple@uswest.net


From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 15:11:40 2000
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Subject: Cracks in EDP
Date: Sun, 10 Dec 2000 14:11:43 -0600
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... My EDP seems to be pretty sensitive to heat. ...

I have a similar problem, but my EDP makes LOUD and UGLY noises when it over
heats.  I have been checking for what seem to be the hot components on the
circuit board and have isolated "excess heat" to the voltage converter
(power supply) IC's.  I have not tried to replace them yet but may attempt
it soon.  I had this problem some time ago and send the unit in for service.
They replaced the memory chips and the EDP worked better for a while but the
problem has returned.  Any other ideas as to how to solve the problem would
be appreciated.

Thanks
Steve Kraninger


From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 15:49:33 2000
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Subject: Re: improv + looping in Jungian analysis
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Hi,

I wish I could be more specific.  Not possible w/o Me doing a bit of
research.  I'd rather compose.  You're the academian.

Here's a tip.  Contact the Foundation For Shamanic Studies (something like
that).  Do a web search.  Michael Harner runs it.

What you find are references to what you are looking for.  In harner's
book, Way Of The Shaman, he writes about a shamanic initiation someplace in
Mexico, I think.  An over the top psychedelic experience.  during the
experience, he confronts a very threatening dragon.  He later relates this
meeting to the shaman who laughs.  The shaman describes the dragon and it's
meaning - reference Hopi mythology.  Same meaning, essentially.  Later,
Harner runs into some missionaries working the area for Jesus.  They tell
him of the biblical reference to the exact experience he had.  Very
interesting stuff.  Looping?  Drums.  Perhaps the experience, itself -
"looping" through cultures.

Mythology - parallel symbols.  Then, the vehicle employed to reach the state
required to "meet" the symbol.  Drums, chants, dancing, powerful drugs,
repetitive movements and sounds, focused attention (hypnosis), etc.

Good luck. 

Michael


 At 05:30 AM 12/7/00 -0600, you wrote:
>Michael,
>
>Could you please be more specific?  The subjects you mentioned contain
>hundereds of volumes.  Any specific titles?
>
>>There is actually a lot written on the subject:
>looping/unconscious/symbols/meaning.
>
>Shamanic literature
>Ecstatic dancing
>Voodoo
>Drumming
>Native American
>Etc.
>
>
>_________________________________________________________
>Do You Yahoo!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 16:40:04 2000
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 Yeah, my noises range from little crackles and pops to loud, ugly digital
glitches, which gets recorded onto the loop and repeats. This is only when I
perform in a hot room, or outside in the sun.

 Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com



>
> I have a similar problem, but my EDP makes LOUD and UGLY noises
> when it over
> heats.
>

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----- Original Message -----=20
From: JrsPLCE@aol.com=20
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Sent: Sunday, December 10, 2000 6:59 PM
Subject: please remove


please remove me from mailings...i'm all set and thanks for the help!=20

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----- Original Message -----
From: "Manfred Bohnhoff" <Manfred_Bohnhoff@t-online.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, December 10, 2000 5:40 PM
Subject: Re: OT: Inter-Aural Phase Cancellation?


> Matthias Grob wrote:
>
> > >Or is this just a psycho-acoustic effect,
> > >whereby you are trained to ignore your own voice and thereby hear it
> > >differently when presented the sound in this context.
> >
> > good idea
> >
> > I think we are simply used to hear ourselves better.
>
> Not only, I think.
> Our a cappella group has been dealing with the same phenomenon since we
> started using in ear monitoring with one monitor mix for all of uns.
>
> Figure you´re one in a group of singers and you are _not_ using
> microphones.
> I say you´re used to hearing yourself quite in front of the "mix" that
> reaches your ears through the air. Just by distance.
> Ever tried in ear microphones and recorded yourself speaking?
> You are surprised of just how loud you were if you listen to your
> recording afterwards.
>
> So yes, I´d confirm there is some mechanism weigthing your own voice
> down while you produce it. Be it psycho-acoustic or physiologic.
> And it is a constant rather than a factor:
> we found that the effect is worst at a certain point of balance between
> the headphone volume and what you hear of your voice "acoustically".
> So it normally helps just to vary the headphone volume.
>
> That is, if you´re not too much limited by a noiseful environment in one
> direction and pain in the other.
>
> --
> Manfred Bohnhoff
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 17:11:47 2000
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----- Original Message ----- 
From: "Chris Becker" <beckermusic@yahoo.com>
To: <loopers-delight@loopers-delight.com>
Sent: Sunday, December 10, 2000 6:39 PM
Subject: Please remove


> Please remove beckermusic@yahoo.com from the emailing
> list.  I need to get a seperate email address for
> myself to accomodate all the looper email I get! I'll
> be back when I set up a new address.
> 
> Best,
> 
> Chris Becker
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Shopping - Thousands of Stores. Millions of Products.
> http://shopping.yahoo.com/
> 

From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 18:15:18 2000
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Subject: PROMO: Looping show in Seattle on Friday
Date: Sun, 10 Dec 2000 15:23:26 -0800
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Intonarumori performs at Consolidated Works (410 N Terry Ave, Seattle WA) on
Friday, December 15th.  The performance is part of the Tactical Navigation /
Imagined Landscapes series hosted by the gallery.  This will be the last
Intonarumori performance for quite a while, so come check it out.

Intonarumori loops Cello, Bass and synths using all manner of looping
devices.
For Intonarumori info: www.intonarumori.com

    Kevin

Unit Circle Media
http://www.unitcircle.com

From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 19:47:52 2000
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Date: Sun, 10 Dec 2000 22:51:24 -0300
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Subject: Re: considering kyma purchase
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Gareth said:
>... if you've programmed 8 independent stereo loops with variable
>pitch shifting and filtering once, this patch may form the basis of all your
>musical output for the next 3 years.

Did you do that? I mean it does not make sense that each looper dugs 
himself through the programming of such a patch...
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 20:54:35 2000
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Subject: Re: Fab New MIDI/Mac sequencer/looper!
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> It's good to find someone in a similar boat.
> Have you had any problems with MBoom in a live looping setting?
> Anything about it leave you wanting?
> eo
>
I haven't used it live, just in the studio. No problems to speak of though,
it has been very stable.

I do wish that it didn't take over the computer, though. Right now I feed
the audio output from another sequencer ( Sounder, Cakewalk...) back into
the computer and record it to harddrive using Total Recorder. Mboom won't
allow that. ( Thou shall run no other application but me :-)  ). I'm
thinking of getting a standalone harddrive recorder to work around that
problem.

Small price to pay considering MBoom allows you to run different lengthed
loops against each other. I haven't found any other sequencer yet that does
that.

Will

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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Cracks in EDP
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At 12:11 PM -0800 12/10/00, stevek@msidata.com wrote:
>... My EDP seems to be pretty sensitive to heat. ...
>
>I have a similar problem, but my EDP makes LOUD and UGLY noises when it over
>heats.  I have been checking for what seem to be the hot components on the
>circuit board and have isolated "excess heat" to the voltage converter
>(power supply) IC's.  I have not tried to replace them yet but may attempt
>it soon.  I had this problem some time ago and send the unit in for service.
>They replaced the memory chips and the EDP worked better for a while but the
>problem has returned.  Any other ideas as to how to solve the problem would
>be appreciated.
>
>Thanks
>Steve Kraninger


All recently built Echoplexes (the past two years or so) use a different
type of voltage regulator that generates practically no heat. In older
units, the linear regulators used to supply +5V to the digital section got
quite hot. That sounds like what you are experiencing. If you want to
update your Echoplex with the newer regulator and you've got some soldering
skils, it is pretty easy. (if you don't have such skills, find a decent
electronics tech to do it for you or have gibson do it. I'm pretty sure
Shane Radtke at Gibson's service dept knows about this one.)


You need to change the two +5V linear regulators at the back of the unit to
a switching regulator. These are 5 volt regulators U40, and U28. When you
take the top off the echoplex, they will be the two in the back attached to
the heatsink. These power two 5 volt digital sections.

The part used in current Echoplex production to replace these is the Power
Trends (http://www.powertrends.com/) PT5101N 5V switching regulator. You
should be able to get this part from Digikey (www.digikey.com). This part
is a drop-in replacement for the standard 3-pin linear regulators, and they
work great. You can actually use one of these to replace both of the linear
regulators, and it works just fine. This is what they do in production now.

You need to take the PCB out of the chassis to do it. To do that, unscrew
the front panel, unscrew the pcb, unscrew the heat sink from the back, and
remove the nuts from the jacks on the back. It should pop right out. What
you want to do is unscrew the regulators from the heatsink. Desolder and
remove both U28 and U40, the linear regs. Take the heat sink out altogether
since it will be in the way, and you won't need it anymore.

Solder the PT5101 into one of the regulator spots (the left one is a good
choice). The PT5101 is pin compatible with the linear regs, so there should
be no trouble with that. Now solder a wire from it's output pin (pin 3, on
the right when looking at the front of the part) to the output hole (pin 3
again) for the other regulator location. Use reasonably thick wire,
probably 18 gauge is ok. This way the PT5101 will be supplying power for
both the +5V rails the old regulators powered. Put the PCB back in the
chassis and screw it back together. Now power it up and make sure it works!
You should see the Echoplex runs practically at room temperature now, and
hopefully that cures the trouble.

Let me know if you have questions.

kim




______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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Date: Sun, 10 Dec 2000 18:04:51 -0800
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: RE: Cracks in EDP
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Hi Dave-

The Echoplex has to get very hot to start behaving that way. If it was 80
degrees out and sunny, the temperature inside a rack of black metal
electronics boxes, all generating their own heat with little air-flow and
the sun beating on them is going to be far hotter!

You should be careful about that. Even though the Echoplex was the first to
act up, other items are likely to have been close to the edge as well.
Digital electronics frequently don't work well at extreme temperatures. All
sorts of data errors can start occuring (which is probably what was
happening to you.) Even if they don't obviously show problems during use,
you are defintely reducing the life-span of your gear.  A rule of thumb for
electronics reliability in manufacturing is for every 10 degrees of
operating temperature, you reduce the life of the product by half!

If you are going to be playing outside in the sunlight on hot days, I would
highly suggest keeping your gear under some sort of shade and have a fan
blow air through your rack. That will bring the temperature down
considerably inside those metal boxes! Your gear will be more reliable and
last a lot longer.

kim


At 1:37 PM -0800 12/10/00, future perfect wrote:
> Yeah, my noises range from little crackles and pops to loud, ugly digital
>glitches, which gets recorded onto the loop and repeats. This is only when I
>perform in a hot room, or outside in the sun.
>
> Dave Eichenberger- guitars.loops.devices
>http://www.hazardfactor.com
>
>
>
>>
>> I have a similar problem, but my EDP makes LOUD and UGLY noises
>> when it over
>> heats.
>>


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 21:15:21 2000
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Subject: RE: Cracks in EDP
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Kim- my 'plex is about 4 years old. Along with your other suggestions, do
you recommend I do this mod to my Plex as well?
thanks for your help!

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com



>
> All recently built Echoplexes (the past two years or so) use a different
> type of voltage regulator that generates practically no heat. In older
> units, the linear regulators used to supply +5V to the digital section got
> quite hot. That sounds like what you are experiencing. If you want to
> update your Echoplex with the newer regulator and you've got some
> soldering
> skils, it is pretty easy.
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 10 21:32:40 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: RE: Cracks in EDP
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yes, definitely! it is much better running cool.
kim

At 6:13 PM -0800 12/10/00, future perfect wrote:
>Kim- my 'plex is about 4 years old. Along with your other suggestions, do
>you recommend I do this mod to my Plex as well?
>thanks for your help!
>
>Dave Eichenberger- guitars.loops.devices
>http://www.hazardfactor.com
>
>
>
>>
>> All recently built Echoplexes (the past two years or so) use a different
>> type of voltage regulator that generates practically no heat. In older
>> units, the linear regulators used to supply +5V to the digital section got
>> quite hot. That sounds like what you are experiencing. If you want to
>> update your Echoplex with the newer regulator and you've got some
>> soldering
>> skils, it is pretty easy.
>>


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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whooaahhh
$15.00 for a regulator chip?
is it that good?

----- Original Message ----- 
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, December 10, 2000 8:30 PM
Subject: RE: Cracks in EDP


> yes, definitely! it is much better running cool.
> kim
> 
> At 6:13 PM -0800 12/10/00, future perfect wrote:
> >Kim- my 'plex is about 4 years old. Along with your other suggestions, do
> >you recommend I do this mod to my Plex as well?
> >thanks for your help!
> >
> >Dave Eichenberger- guitars.loops.devices
> >http://www.hazardfactor.com
> >
> >
> >
> >>
> >> All recently built Echoplexes (the past two years or so) use a different
> >> type of voltage regulator that generates practically no heat. In older
> >> units, the linear regulators used to supply +5V to the digital section got
> >> quite hot. That sounds like what you are experiencing. If you want to
> >> update your Echoplex with the newer regulator and you've got some
> >> soldering
> >> skils, it is pretty easy.
> >>
> 
> 
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
> 
> 
> 

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Subject: Re: considering kyma purchase
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Explain 'dugs'

Gareth



> Gareth said:
> >... if you've programmed 8 independent stereo loops with variable
> >pitch shifting and filtering once, this patch may form the basis of all
your
> >musical output for the next 3 years.
>
> Did you do that? I mean it does not make sense that each looper dugs
> himself through the programming of such a patch...
> --
>
>
>           ---> http://Matthias.Grob.org
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 00:38:32 2000
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Yes,
They're worth it.
You won't believe how cool this chip runs.  One of the new regulators
replaces the 2 older ones.  The new regulator does not have to be
attached to a heatsink at all.  I had a couple of early edps then
bought one edp with the new regulator.  I replaced the old regulators,
and what was very hot, now does not even feel warm to the touch.
The replacement regulator must be much more efficient than the old
style.
Thermal cycles (heating/cooling) lead to death in solid state
electronics.  It's good to stay cool.
bret
--- jim palmer <jimp@pobox.com> wrote:
> whooaahhh
> $15.00 for a regulator chip?
> is it that good?
> 
> ----- Original Message ----- 
> From: "Kim Flint" <kflint@loopers-delight.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, December 10, 2000 8:30 PM
> Subject: RE: Cracks in EDP
> 
> 
> > yes, definitely! it is much better running cool.
> > kim
> > 
> > At 6:13 PM -0800 12/10/00, future perfect wrote:
> > >Kim- my 'plex is about 4 years old. Along with your other
> suggestions, do
> > >you recommend I do this mod to my Plex as well?
> > >thanks for your help!
> > >
> > >Dave Eichenberger- guitars.loops.devices
> > >http://www.hazardfactor.com
> > >
> > >
> > >
> > >>
> > >> All recently built Echoplexes (the past two years or so) use a
> different
> > >> type of voltage regulator that generates practically no heat. In
> older
> > >> units, the linear regulators used to supply +5V to the digital
> section got
> > >> quite hot. That sounds like what you are experiencing. If you
> want to
> > >> update your Echoplex with the newer regulator and you've got
> some
> > >> soldering
> > >> skils, it is pretty easy.
> > >>
> > 
> > 
> >
>
______________________________________________________________________
> > Kim Flint                     | Looper's Delight
> > kflint@loopers-delight.com    | http://www.loopers-delight.com
> > 
> > 
> > 
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 00:59:59 2000
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From: Jonathan <levitzke@bigpond.net.au>
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thanks for the great info,
please unsubscribe me from this list

thanks
jwl

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 01:58:43 2000
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Hi, Bret!

Y'know I mentioned a 4-track recorder a while back...well now I have a
VS-840!  I picked it up used for $525 (I haven't really checked, but it
seemed a pretty good deal...).  I'm really enjoying it.   

I know you said:
> I've used a vs800 for about 3 yrs.

and they are different animals, but they should have similarities?

I am getting the hang of it pretty well, but "SCRUBBING" confuses me,
and I think it's going to be very essential!  Can you give me kind of a
basic idea of how to do it?  (I've got the manual, and will read, read,
read it more, but scrubbing doesn't just jump out at me for clarity).

In appreciation,  David

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 01:59:43 2000
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To: Rick Walker <GLOBAL@cruzio.com>,
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From: Eric Leonardson <eleon@ripco.com>
Subject: Re: Women in live looping and Producing Live Solo Looping Shows
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At 11:42 PM -0800 12/7/00, Rick Walker wrote:
[...]
>     Will everybody who knows a woman looper be into posting info about
>them or convincing them to post to the group, assuming that there are
>any.    I've noticed that the electronica world is more of a boys club
>than even the sexist pop musical world.
>It would be very cool if this could change.

A number of us here in Chicago are very conscious of the "boys club" 
phenomenon. In 1998 and '99 I helped and performed with several women 
sound artists and composers in a festival called "Mixing." 
Unfortunately the web site is no longer accessible. A lot artists 
performed in it; Pauline Oliveros among them.

Of those who were using real-time sampling and looping effects, there 
was Sarah Peebles from Toronto, Yuko Nexus6 from Japan, Christine 
Baczewska from New York, Danielle Malkoff from Chicago, and Andrea 
Polli (co-organizer of the festival).

Sarah, Andrea and Yuko all use MAX on Macintoshs, Christine used a 
couple JamMans, and I'm not sure what devices Danielle uses (she's a 
member of the wonderful group Ribbon Effect).

Sarah Peebles: http://www.interlog.com/~speeb/

Andrea Polli: http://homepage.interaccess.com/~apolli/

Yuko Nexus6: http://www02.so-net.ne.jp/~nexus6/index.html

Ribbon Effect has a new CD out on Roomtone Records, available on-line 
at http://www.insound.com or http://www.othermusic.com.


Let me know if you'd like Christine Baczewska's contact info.

Kaffe Matthews has also made a name for herself in the field of 
electronic music performance, using violin and real-time sampling on 
a system called Lisa, which was invented at STEIM in Amsterdam. Her 
record label is called Annette Works: 
http://www.stalk.net/annetteworks/

Best regards,
Eric

sound thinking: http://pages.ripco.net/~eleon
upcoming performances: http://pages.ripco.net/~eleon/whatsnew.html

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 03:26:50 2000
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>  > Gareth said:
>>  >... if you've programmed 8 independent stereo loops with variable
>>  >pitch shifting and filtering once, this patch may form the basis of all
>your
>>  >musical output for the next 3 years.
>>
>>  Did you do that? I mean it does not make sense that each looper dugs
>>  himself through the programming of such a patch...
>  > --
>  >

>Explain 'dugs'
>
>Gareth

oh sorry, I thought it was past for "to dig" and was a picture for 
learning effort to make patches.
-- 


          ---> http://Matthias.Grob.org

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Taylor,

	Hey man, that's nearly a tall order, however, I do have one suggestion, try
out a Boomerang.  The user interface is really simple and intuitive.  I've
had a few different loopers, and this one is probably the best bang for the
buck, especially with the new BIOS.  When you're wanting to get something a
bit more complex, and I do mean QUITE A BIT, check out the Echoplex, once
things settle down some more as far as their production goes.  The only
reason I sold mine was that I don't like the user interface and that there
was much more practice involved in getting the unit to act the way I was
wanting it to, needs to have hotkeys, or an equivalent so that more oft used
functions are not buried within menus, using a pot (or a pair of buttons for
up and down, so that you can scroll through functions rather than having to
deal with long/short press) and a second LCD would help out with this.

	Now then, for dealing with multiple instruments, let's take a slight page
from my book or that of Gary Lucas, use either a switch box, or a mixing
board in order to bring multiple signals into the Boomerang, it does have
two inputs, one is a 1/4" mono, and the other is an RCA (has the same for
outputs, too).  Then should you be using multiple instruments either at one
time, or be switching back and forth it'd be a matter of either giving the
switch box a good kick, or moving a (fader) pot in order to get to the new
instrument.

	Another thing is to use multiple loopers, as each of the boxes you've
mentioned have some other fun features to them.  The Green Line 6 box
(sorry, the designation escapes me) was lots of fun, easy to use, but only
does 14 seconds.  Really like the volume swell portion of this beastie, but
again this might not be what you're needing.  I've only played a little with
a Jam Man, and have to say that it was a great unit, albeit, since it is
discontinued, they can be more difficult to get support.

	Hope this helps out.

	Tap on, gliss extended, loop out,


		LeeohkinoWired.

-----Original Message-----
From: maresple@uswest.net [mailto:maresple@uswest.net]
Sent: Sunday, December 10, 2000 2:18 PM
To: Loopers-Delight@loopers-delight.com
Subject: I need expert advice from you folks!


Hi friends-

I'm brand new to this list- and I need advice ASAP!


I'm a full-time record producer from Denver, CO- and I'm
also a songwriter that performs solo.  I play multiple
instruments, and I need a good LIVE LOOPING DEVICE that I
can use to stack more than one instrument together in a
loop, in real-time.  I don't need features like backwards,
tempo variation, etc.- Just a good sound quality, reliable,
relatively "glitch-free" looping device that won't frustrate
the heck out of me.  I've read all the reviews and such on
the delight site, but I'm a bit overwhelmed with the
feature-based comparisons.  What would you experts recommend
to someone like me?  The Jam Man?  The 'Rang?  The Akai?
The Line6?  HELP!!!!!  :)  Thanks in advance, loopers.

Taylor Mesplé
www.taylormesple.com
maresple@uswest.net


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please unsubscribe me...thanks,alex

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I thought that everyone knew that the past-tense of "dig" is "dag"  <g>

Elby


>
> Subject: Re: considering kyma purchase
> Date: Mon, 11 Dec 2000 06:30:33 -0300
> From: Matthias Grob <matthias@grob.org>
> To: Loopers-Delight@loopers-delight.com
>
> >  > Gareth said:
> >>  >... if you've programmed 8 independent stereo loops with variable
> >>  >pitch shifting and filtering once, this patch may form the basis
> of all
> >your
> >>  >musical output for the next 3 years.
> >>
> >>  Did you do that? I mean it does not make sense that each looper
> dugs
> >>  himself through the programming of such a patch...
> >  > --
> >  >
>
> >Explain 'dugs'
> >
> >Gareth
>
> oh sorry, I thought it was past for "to dig" and was a picture for
> learning effort to make patches.
> --
>
>
>           ---> http://Matthias.Grob.org
>
>    ----------------------------------------------------------------
>

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I thought that everyone knew that the past-tense of "dig" is "dag"&nbsp;
&lt;g>
<p>Elby
<br>&nbsp;
<blockquote TYPE=CITE>&nbsp;
<br><nobr><b>Subject: </b>Re: considering kyma purchase</nobr>
<br><nobr><b>Date: </b>Mon, 11 Dec 2000 06:30:33 -0300</nobr>
<br><nobr><b>From: </b>Matthias Grob &lt;matthias@grob.org></nobr>
<br><nobr><b>To: </b>Loopers-Delight@loopers-delight.com</nobr>
<pre WRAP>>&nbsp; > Gareth said:
>>&nbsp; >... if you've programmed 8 independent stereo loops with variable
>>&nbsp; >pitch shifting and filtering once, this patch may form the basis of all
>your
>>&nbsp; >musical output for the next 3 years.
>>
>>&nbsp; Did you do that? I mean it does not make sense that each looper dugs
>>&nbsp; himself through the programming of such a patch...
>&nbsp; > --
>&nbsp; >

>Explain 'dugs'
>
>Gareth

oh sorry, I thought it was past for "to dig" and was a picture for&nbsp;
learning effort to make patches.
--&nbsp;


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ---> <a href="http://Matthias.Grob.org">http://Matthias.Grob.org</a></pre>

<hr WIDTH="90%" SIZE=4>
<div WRAP></div>&nbsp;
</blockquote>

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> i recently had the brilliant idea of plugging my guitar into one input
> on a ring modulator the output of which i plugged into a delay, the
output of which
> i plugged into the other input of the ring modulator.  "i will play with
> the ring modulation of my former self and thus rule the universe!"
> the problem was, with no signal in the second input of the rm, there was
no
> signal to the delay and thus no signal to the second input of the rm....

Why not reverse your patching?  Let the original signal be the carrier and
the delay signal be the one modulated.  Add some dry direct signal to the
output.  I wish I had a RM to try this with...

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 10:01:01 2000
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From: Todd Madson <crash@waste.org>
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Subject: The Prime Mover, the UniverseLoop, and Sustain
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I like this concept, the prime mover who struck a string a long
time ago that is still vibrating, in that our own small loops are
just harmonics and other by-products of a long sustaining loop.
Maybe the activities of prominent individuals are enough to
sufficiently change the character of the ongoing loop.

I also have a particular guitar that, owing to its neck thru
body construction seems to want to sustain forever.  So when
I tried it through a looper it was like having two guitars as
the loop would make itself apparent when the guitar was still
sustaining the same note.

Maybe that's why people believe there are two earths, or two
superuniverses.  It's still there, but just an afterecho of
what came before.  Like the guitar still sustaining, there's
a loop of sustained guitar that is just the echo of the real
thing but no less real.

And what if we, in this life are the after echo and the real
earth is doing the before sustain?

I've got to wake up and stop this!  Caffeine please.

-t

-- 


From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 10:06:51 2000
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> I like this concept, the prime mover who struck a string a long
> time ago that is still vibrating, in that our own small loops are
> just harmonics and other by-products of a long sustaining loop.

Hey!  It was a DRUM the Prime Mover struck, not a STRING!  That's why it's
called "the Big Bang"!  :)

Dennis Leas, percussionist
-------------------
dennis@mdbs.com

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I thought it was "dug."



-----Original Message-----
From: Mountain Man [mailto:mtman@cloud9.net]
Sent: Monday 11 December 2000 5:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Loopers-Delight-d Digest V00 #397


I thought that everyone knew that the past-tense of "dig" is "dag"  <g> 
Elby 
  
 

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I thought it was "dug."



-----Original Message-----
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I thought that everyone knew that the past-tense of "dig" is "dag"  <g> 
Elby 
  
 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 11:17:34 2000
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Date: Mon, 11 Dec 2000 14:19:15 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: brain and language limits
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>I thought that everyone knew that the past-tense of "dig" is "dag"  <g>
>
>Elby

The problem is that some people dont realize that there are people 
growing up speaking differently from the americans and then have a 
hard time to memorize each of those irregular forms.

Learn a foreign language, it will enrich you!!

Learn to read a text with a wrong letter in it!!

And change the subject when you reply from digest!!
-- 


          ---> http://Matthias.Grob.org

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Date: Mon, 11 Dec 2000 14:19:15 -0300
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Subject: Re: Women who loop
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: Women who loop</title></head><body>
<div>In Sao Paulo, there is Magda Puggi, singer and leader of the
World-Vocal group MAVACA. She got hold of a EDP and ended up a
including a looped piece in their latest CD.
http://www.mawaca.com.br</div>
<div><br>
In Switzerland, accoustic bass player Mich Gerber uses 4 Loop Delays /
EDP on stage, one for the singer Imogen Heap. When I saw the show, she
could not come and another lady took over the vocal part including
looping operation in 3 days, and it was perfect. Then she asked me
where to buy such equipment, so there are two of them now :-)<br>
There is a great drummer, too...<br>
Check out the CD: Amor Fati&nbsp; http://www.michgerber.ch</div>

<div>-- <br>
<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ---&gt;
http://Matthias.Grob.org</div>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 11:38:10 2000
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Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
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is THAT why the universe is drooling out of one side of it's mouth?

maybe we should call it the big twang?

or maybe it was a gong
no, wait; a wuhan china cymbal...

kkhhaaaaaaaahhhhhh

----- Original Message ----- 
From: "Dennis Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, December 11, 2000 8:58 AM
Subject: Re: The Prime Mover, the UniverseLoop, and Sustain


> > I like this concept, the prime mover who struck a string a long
> > time ago that is still vibrating, in that our own small loops are
> > just harmonics and other by-products of a long sustaining loop.
> 
> Hey!  It was a DRUM the Prime Mover struck, not a STRING!  That's why it's
> called "the Big Bang"!  :)
> 
> Dennis Leas, percussionist
> -------------------
> dennis@mdbs.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 11:53:13 2000
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Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
Date: Mon, 11 Dec 2000 16:49:27 -0000
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Perhaps it's actually The Big Bhang, and the Univeral OOP. [snicker]

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
http://StephenGoodman.iuma.com * Even more MP3s!

----- Original Message -----
From: "jim palmer" <jimp@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: 11 December 2000 16:38 PM
Subject: Re: The Prime Mover, the UniverseLoop, and Sustain


> is THAT why the universe is drooling out of one side of it's mouth?
>
> maybe we should call it the big twang?
>
> or maybe it was a gong
> no, wait; a wuhan china cymbal...
>
> kkhhaaaaaaaahhhhhh
>
> ----- Original Message -----
> From: "Dennis Leas" <dennis@mdbs.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, December 11, 2000 8:58 AM
> Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
>
>
> > > I like this concept, the prime mover who struck a string a long
> > > time ago that is still vibrating, in that our own small loops are
> > > just harmonics and other by-products of a long sustaining loop.
> >
> > Hey!  It was a DRUM the Prime Mover struck, not a STRING!  That's why
it's
> > called "the Big Bang"!  :)
> >
> > Dennis Leas, percussionist
> > -------------------
> > dennis@mdbs.com
> >
> >
>
>
>
>

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Date: Mon, 11 Dec 2000 08:46:49 -0800
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>Live performance like print media will be seldom seen by the end of this
>century.
>Enjoy it while you can, as performer or audient or both.
>
>my 2 cents
>                                   b.helm

i would have to disagree with you here.  i work in the advertising 
industry and we are seeing only an expansion of print media.  yes, 
the other media portals are expanding at a rapid pace, but paper 
production, print sales and other indicators have only gone up in the 
last couple of years, despite the expansion of the web, multimedia, 
cable, etc, etc.

and i think we might see a backlash against studio produced music. 
if 'anybody' can have a studio for under $4000, and 'anybody' can cut 
and paste until the finished product has a perfect sheen, how will 
you know if the performer is actually any good unless you've seen 
them live?  if we get too jaded of this technology, the pendulum 
might swing and we will place more value on the intimacy of the live 
performance.

my 2 cents,

rich

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 11:59:02 2000
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Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
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> is THAT why the universe is drooling out of one side of it's mouth?

Humm, this confirms that the universe isn't level.  Just as I thought!

Dennis Leas
-------------------
dennis@mdbs.com


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Could you (list moderator) switch me to digest mode please?


Taylor :)

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coldcabinetkeyowner!

----- Original Message ----- 
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, December 11, 2000 11:19 AM
Subject: brain and language limits


> >I thought that everyone knew that the past-tense of "dig" is "dag"  <g>
> >
> >Elby
> 
> The problem is that some people dont realize that there are people 
> growing up speaking differently from the americans and then have a 
> hard time to memorize each of those irregular forms.
> 
> Learn a foreign language, it will enrich you!!
> 
> Learn to read a text with a wrong letter in it!!
> 
> And change the subject when you reply from digest!!
> -- 
> 
> 
>           ---> http://Matthias.Grob.org
> 
> 

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Subject: Re: considering kyma purchase
Date: Mon, 11 Dec 2000 17:13:26 -0000
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We share patches through the Kyma support page. I agree there's no point in
re-inventing the wheel. I would rather spend time playing into Kyma than
programming it though it's nice to imagine confugurations and be able to
implement them.
Which reminds me Dennis - any sign of your looping patches?

Gareth


> >  > Gareth said:
> >>  >... if you've programmed 8 independent stereo loops with variable
> >>  >pitch shifting and filtering once, this patch may form the basis of
all
> >your
> >>  >musical output for the next 3 years.
> >>
> >>  Did you do that? I mean it does not make sense that each looper dugs
> >>  himself through the programming of such a patch...
> >  > --
> >  >
>
> >Explain 'dugs'
> >
> >Gareth
>
> oh sorry, I thought it was past for "to dig" and was a picture for
> learning effort to make patches.
> --
>
>
>           ---> http://Matthias.Grob.org
>

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Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
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of course.  it's leaning out, just like me...

----- Original Message ----- 
From: "Dennis Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, December 11, 2000 10:50 AM
Subject: Re: The Prime Mover, the UniverseLoop, and Sustain


> > is THAT why the universe is drooling out of one side of it's mouth?
> 
> Humm, this confirms that the universe isn't level.  Just as I thought!
> 
> Dennis Leas
> -------------------
> dennis@mdbs.com
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 12:15:21 2000
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Date: Mon, 11 Dec 2000 15:18:12 -0300
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Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
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>  > I like this concept, the prime mover who struck a string a long
>>  time ago that is still vibrating, in that our own small loops are
>>  just harmonics and other by-products of a long sustaining loop.
>
>Hey!  It was a DRUM the Prime Mover struck, not a STRING!  That's why it's
>called "the Big Bang"!  :)

I thought it was due to some extra-cosmic fast food company called Bang.
-- 


          ---> http://Matthias.Grob.org

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Subject: Re: brain and language limits
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I'm not American.

I speak some Italian

Even when changing the one letter it didn't make much sense, (but let's not
fall out over it). I freely admit that your English is MUCH better than my
Italian : )

Hwyl,

Gareth, (The Welshman)


> The problem is that some people dont realize that there are people
> growing up speaking differently from the americans and then have a
> hard time to memorize each of those irregular forms.
>
> Learn a foreign language, it will enrich you!!
>
> Learn to read a text with a wrong letter in it!!
>
> And change the subject when you reply from digest!!
> --
>
>
>           ---> http://Matthias.Grob.org
>

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Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
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Drum Theory ?!

>
> Hey!  It was a DRUM the Prime Mover struck, not a STRING!  That's why it's
> called "the Big Bang"!  :)
>
> Dennis Leas, percussionist
> -------------------
> dennis@mdbs.com
>

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Subject: Re: considering kyma purchase
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> Which reminds me Dennis - any sign of your looping patches?

Yes!  I'm getting much closer to a beta!  I have one more microSound to
write (hopefully this next week, but it might take two) and update my
documentation.  Then I need a way to distribute without sending the source
code; SymbSound is working on this issue.

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 13:10:53 2000
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Subject: Women in Looping...
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Well... speaking of women and music. Pauline posted THIS to the BA-NEWMUS mailing list just this weekend... Synchronicity... WOW!

Best,
-Miko
*------------------------------------------------------------------------
From: Mammaroma@aol.com
Message-ID: <c0.cded6c7.2764e0dc@aol.com>
Date: Sun, 10 Dec 2000 08:36:28 EST
Subject: [BA-NEWMUS:2310] BA-NEWMUS-from Pauline Oliveras
To: "Bay Area New Music Discussion List" <ba-newmus@eartha.mills.edu>
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Since 1996 when I began teaching in the graduate composition program at Mills College I have been alarmed at the ratio of male to female candidates in composition and technology. My seminars typically have eleven men and two women. The majority of graduates in Music at Mills are men and this is a women's college. It is difficult for me to understand why women are not applying in greater numbers to this program. I would appreciate feedback and suggestions on this situation and I would love to see more women in composition and technology here at Mills.

Please pass this announcement along to those that might be interested.

Thank you,
Pauline Oliveros
Darius Milhaud Professor
****************************************************************************
**

We're looking for adventurous women . . .

Whether you're classically trained, improvisor, DJ, or experimentalist whether you're interested in acoustic or electronic music whether you have a strong vision or are unsure of which road to take the world-renowned Music Department at Mills could be the place for you!

 *small classes

 *a supportive and friendly atmosphere

 *space to imagine and create

 *the skills you need to realize your ideas

 *your questions about music technology treated with respect - and answered

 *a wide range of interdisciplinary activities (dance, art, digital arts, theater, video)

Mills College is situated in one of the most vibrant and creative areas in the United States, within easy reach of Oakland, Berkeley, and San Francisco.

Mills Music Faculty includes composer/audio engineer Maggi Payne, and pioneering composer and visionary Pauline Oliveros, as well as distinguished composer/improvisers Chris Brown, Alvin Curran, and Fred Frith, and noted scholars Michelle Fillion and David Bernstein. 

The instrumental teaching faculty includes some of the finest musicians in the Bay Area (such as the Abel-Steinberg-Winant Trio), and our concert series presents cutting-edge performers from all over the world (recent visitors include AMM, Anne Bourne, Abbie Conant, Lesli Dalaba, Douglas Ewart, Amy Denio, Jos@ Maceda, Ikue Mori, Ursula Oppens, Jim OÆRourke, Zeena Parkins, Aki Takahashi, & Richard Teitelbaum)

Some of the great composers and performers whose work was presented at Mills:  Maryanne Amacher, Beth Anderson, Laurie Anderson, Blectum from Blechdom, Krys Bobrowski, Barbara Golden, Janice Giteck, Susie Ibarra, Jin Hi Kim, Jill Kroesen, Annea Lockwood, Frankie Mann, Miya Masaoka, Amy X Neuburg, Jeanne Parson, Eliane Radigue, Wendy Reid, Peggy Seeger, Laetitia Sonami, and Hildegard Westerkamp.

WE SAY YES - the freedom to explore and experiment, the freedom to find your own voice,the freedom to be yourself...............

Financial assistance is available.

For further information, please call the Office of Graduate Studies, the 510-430-3309, fax 510-430-2159 or e-mail grad-studies@mills.edu or check out the Mills College website:  www.mills.edu

David Bernstein
Associate Professor of Music
and Head of the Music Department
Mills College, Oakland CA 94613
510-430-2025 (phone)
510-430-3228 (fax)

For further information, please call................fax.............or e-mail......................
Pauline Oliveros                
(510)636-7815  
156 Hunter St. Kingston NY 12401             
(845)331-6624FAX
http://www.deeplistening.org/pauline



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Nice!

Gareth


> > Which reminds me Dennis - any sign of your looping patches?
>
> Yes!  I'm getting much closer to a beta!  I have one more microSound to
> write (hopefully this next week, but it might take two) and update my
> documentation.  Then I need a way to distribute without sending the source
> code; SymbSound is working on this issue.
>
> Dennis Leas
> -------------------
> dennis@mdbs.com
>

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And if this isn't the way to be removed from the
loopers list, would someone please tell me how to get
my name removed?  

Thanks,

Chris Becker

__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 15:12:01 2000
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From: rich <rich@nuvisionsca.com>
Subject: Re: Roland VS880 Scrubbing question!
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>Y'know I mentioned a 4-track recorder a while back...well now I have a
>VS-840!  I picked it up used for $525 (I haven't really checked, but it
>seemed a pretty good deal...).  I'm really enjoying it.  
>
>
>I am getting the hang of it pretty well, but "SCRUBBING" confuses me,
>and I think it's going to be very essential!  Can you give me kind of a
>basic idea of how to do it?  (I've got the manual, and will read, read,
>read it more, but scrubbing doesn't just jump out at me for clarity).


I would be curious to know if the VS840 even 'scrubs' at all.  Does 
anybody know if the 840, 880, 1680 or 1880 have scrubbing as a 
feature?  I was under the assumption that they did not.  That you had 
to locate points (on the 880/1680 at least) by looking at the 
waveform on the display.

If anybody knows (for sure), please post or email me privately.  This 
feature is one of the important ones for me and will guide my 
decision to purchase either the Roland, or the Akai 16 track, or the 
Yamaha 4416 sometime next year.

or, god knows what they'll release within 9-12 months.  A 48 track? 
that makes cappucino?

best,

rich

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 15:22:51 2000
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Subject: Re: Tape looping/sequencing
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> Thankyou for the in-depth advice! What reel-to-reel models would you
> recommend? The reason I'm asking is that my Akai doesn't work properly,
>. . .

I used to use a 4-track machine.  I think it was either a Teac 2340 or Teac
3340.  I see one of each on ebay right now:

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1201286271
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=520944035

I had a lot of fun with this machine.  Real tape is cool!

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 15:26:04 2000
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thanks for all the replies, everyone.
i have decided to make the plunge.
should have a basic system in my grubby, 
little hands next week.

ok, their really pretty big hands.

and not so grubby, really...


From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 15:32:19 2000
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Chris, you are so polite!  Read the following from the LD website:

=================================================
I'm sorry, I need to unsubscribe from Looper's Delight. How do I do that?
It's not that I dislike people there or anything, you understand.

To unsubscribe, send mail with the word "unsubscribe" in both the subject
and body, and no sig files or anything else, to:

Loopers-Delight-request@loopers-delight.com

If you are on the digest version of Looper's Delight, send your unsubscribe
request to:

Loopers-Delight-d-request@loopers-delight.com

Don't send your unsubscribe message to the list, or people will make fun of
you and you will feel like a dork.
=================================================

Now, I see from your message that you have a sig file, or maybe it's added
automatically by Yahoo.  So you'll have to fix that, or bribe Kim.

Good luck and thanks for visiting with us!

Dennis Leas
-------------------
dennis@mdbs.com

----- Original Message -----
From: "Chris Becker" <beckermusic@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, December 11, 2000 2:05 PM
Subject: Please take me off the list


> And if this isn't the way to be removed from the
> loopers list, would someone please tell me how to get
> my name removed?
>
> Thanks,
>
> Chris Becker
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Shopping - Thousands of Stores. Millions of Products.
> http://shopping.yahoo.com/
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 15:45:23 2000
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Date: Mon, 11 Dec 2000 12:35:21 -0800
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
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>is THAT why the universe is drooling out of one side of it's mouth?


haha!  like this one.  i have a spoken word tape of WS Burroughs 
where he says "this universe is a ball of grease being flicked off 
the giant's finger, and it's on its way to the floor"...

rich

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 16:06:31 2000
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Date: Mon, 11 Dec 2000 13:02:07 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: OT:Re: Roland VS880 Scrubbing question!
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Rich, Dave, all,
Yes the VS880 scrubs.  I'm sure the vs1680, and 1880 will scrub.  I
don't know about the 840, but my guess is that it does, too.

First, let's be sure we are talking about the same feature.  The vs880
has a button called scrub.  When this feature is on, you can hear a
small segment (a few ms.) of a single track played repeatedly (hence
the name scrub).  The shuttle wheel allows you to move through time,
down to a frame at a time, to select where on that track you hear the
scrub.  This allows you to visually and audibly find an exact point on
that track, like when a note begins or ends, that can be used as a
precise edit point. 

There is a system parameter that allows you to choose how many
milliseconds long is the scrub (how much of the track is playback
looped during scrub).  As you hear the scrub, you will see an amplitude
over time graph of the track's signal displayed on the screen.  A
vertical line on the screen indicates the point in time where you begin
the scrub. 

You must have a track recorded first before you can scrub it (duh).  To
invoke scrub, the machine must be stopped (no playback), and you should
position the track near the area to scrub.

Press the scrub button (scrub light comes on), and choose the channel
to scrub by pressing the 'channel edit' button for that prerecorded
track.  You can now move through time on that track by turning the
shuttle wheel.  

In Scrub, you will only hear one track at a time, and you will hear
that track panned just like it is panned in your normal playback mix. 
The track fader, and master fader will affect the scrub volume.  The
track to be scrubbed must be in the 'play' mode (green light) in order
to hear the scrub.  While in scrub (the scrub light is on) you can
select to scrub any of the the tracks (with the 'channel edit' button)
that are in 'play mode' (green) and that have material recorded
already.

Scrub is musch easier to use than to describe.  It is very easy to get
precise edits using scrub.  Let me know if you need further help,
offline.

All of the music on our mp3 pages were recorded on the VS-880, and
scrub was essential to creating tight edits.

http://artists3.iuma.com/IUMA/Bands/BrotherSync/

http://www.mp3.com/brothersync

bret

--- rich <rich@nuvisionsca.com> wrote:
> >Y'know I mentioned a 4-track recorder a while back...well now I have
> a
> >VS-840!  I picked it up used for $525 (I haven't really checked, but
> it
> >seemed a pretty good deal...).  I'm really enjoying it.  
> >
> >
> >I am getting the hang of it pretty well, but "SCRUBBING" confuses
> me,
> >and I think it's going to be very essential!  Can you give me kind
> of a
> >basic idea of how to do it?  (I've got the manual, and will read,
> read,
> >read it more, but scrubbing doesn't just jump out at me for
> clarity).
> 
> 
> I would be curious to know if the VS840 even 'scrubs' at all.  Does 
> anybody know if the 840, 880, 1680 or 1880 have scrubbing as a 
> feature?  I was under the assumption that they did not.  That you had
> 
> to locate points (on the 880/1680 at least) by looking at the 
> waveform on the display.
> 
> If anybody knows (for sure), please post or email me privately.  This
> 
> feature is one of the important ones for me and will guide my 
> decision to purchase either the Roland, or the Akai 16 track, or the 
> Yamaha 4416 sometime next year.
> 
> or, god knows what they'll release within 9-12 months.  A 48 track? 
> that makes cappucino?
> 
> best,
> 
> rich
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

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ooohhhh...
i hope you have sampled that...
uncle willy has such a cool voice.
i think i'll go listen to spare ass annie

what happens when it hits the floor?
maybe the floor is a big drum...


> >is THAT why the universe is drooling out of one side of it's mouth?
> 
> 
> haha!  like this one.  i have a spoken word tape of WS Burroughs 
> where he says "this universe is a ball of grease being flicked off 
> the giant's finger, and it's on its way to the floor"...
> 
> rich
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 17:46:45 2000
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Subject: More and MORE list member's music reviewed!
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WARNING Cross posted. Reply directly to Legion@voicenet.com

This month my Left of the Dials column on www.creativesynth.com features
some great music by our very own Skoop as well as some WRONG modular
madness by atlatl, the first Outer Space alliance CD, and a review of
the latest CT collective CD, Bluezette,  chock full of looping
goodness.

http://creativesynth.com/Columns/007_LeftDial/LeftDial_current.html

I try and review all styles on underground/electronic based music so if
you've got a CD, tape, streaming radio program, etc and want some press
send me an email or pop off a CD, etc plus short bio with ordering info.
Unfortunately my online connection is Sloooow so if you have MP3s I can
only listen to them if you burn 'em to a Cd or make a tape and send it
in.

Mail yr stuff to: Help Wanted Productions PO BOX 2205 Phila, Pa. 19103

I can't promise I'll review everything sent but I listen to it all and
try and put together the best mix of styles each month. I never do one
thing (ie: it's not all techno or noise or industrial or whatever) so
the column reflects a number of genres every issue. Comments, etc. more
than welcome and enjoy the stuff up there now and check the archives
(link at the bottom of each month's column) for some great stuff by
other list members and international musicians you haven't heard of but
probably want to know about.

__________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.






From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 17:54:17 2000
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Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
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At 03:17 PM 12/11/00 -0600, you wrote:
>what happens when it hits the floor?

According to Burroughs (who attributes the quote to an "all-purpose bedtime
story" told by Brion Gyson) when the grease hits the floor, it goes SPLAT!

-t


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Bret wrote:

> Rich, Dave, all,
> Yes the VS880 scrubs.  I'm sure the vs1680, and 1880 will scrub.  I
> don't know about the 840, but my guess is that it does, too.
> 

VS-840's a scrubber.  I'll use what's in the manual AND your notes! 
Thanks, Bret!

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LOL! In the review, he calls my track "polished"... That's funny! (It's all
first-take bass overdubs with no clean-up, but I liked the vibe...) :-)

Thanks for the review! It's actually not the LATEST CT-Project release,
though; we've been busy! If anyone's interested, you can check out the
other stuff we've been up to at <http://www.loopxchange.com>, and there's
more on the way soon!

Tim

At 05:38 PM 12/11/00 -0500, Legion wrote:
>This month my Left of the Dials column on www.creativesynth.com features
>...a review of the latest CT collective CD, Bluezette, chock full of looping
>goodness.
>http://creativesynth.com/Columns/007_LeftDial/LeftDial_current.html


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mmmmmmm, splicing 1/8" tape. after that you can try your
hand at violin repair!

rgrds

a:c

On Thu, 7 Dec 2000, Tim Nelson wrote:

> At 04:49 PM 12/7/00 -0800, Hans wrote:
> >...Then I used one of the little pieces
> >of silver tape that comes with the reel to join the ends after I butted them
> >together.  I used scotch tape after I ran out of the silver stuff, and it
> >worked great.
> 
> You can get *real* audio splicing tape at Radio Shack, 1/2" x 100" for
> $1.99 (pn 44-1127)...
> 
> (Scotch tape tends to ooze sticky gummy gooey stuff sometimes, and your
> heads won't like that even a little bit. And that silver stuff is used to
> trigger the auto-reverse sensor on some 1/4 track open reels.)
> 
> They also have a simple editing block for $3.99 (pn 44-224); nothing fancy
> or precise, but it works. It has tracks for both 1/4" and 1/8" tape.
> 
> Tim
> 
> 

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i think a lot of you have already weiged in on this one, but...

On Fri, 8 Dec 2000 Bowerbird@webtv.net wrote:

>  Thankyou for the in-depth advice! What reel-to-reel models would you
> recommend? The reason I'm asking is that my Akai doesn't work properly,
> and I'll probably be buying a r-to-r through the recycler, so I'll have
> to know if it's an acceptable model before I drive out to
> who-knows-where to buy it. I've heard Revox is my best bet. 

ReVox good.
studer VERY good
teac/tascam fine
ampex, nice as well
otari also nice
dokoder ok, but parts sort of hard to find

like i said before, any machine's fine as long as
you can move the tape over the heads manually with
the machine stopped - not every deck'll do that.




> About that "china marker", is there a place to buy those, or is it just any old
> peice of wax? 

a good art supply store will have em, check pearl paint or someplace like
that. it is not just a piece of wax, it's a like a grease pencil thing.

Just one more thing.... since different loops are
> different lengths, is there some kind of device for keeping the tape
> tight aroud the reels? Is this what's refered to as a "loop arm"?

well - the tape isn't really going to be around the reels, only
ONE reel. i guess if you're running a very _short_ loop it
could be a reel's-width span, but anything longer than that
is going to require something "out there" to run the tape around.

that's basically yours to experiment with. it's not uncommon to
see a mic stand pressed into service as a remote-hub sort of
thing. because it is difficult to keep tension even across the unit
your deck will experience the additional stresses i mentioned
in my earlier rant.

me, i'd use actual, real splicing tape, as opposed to gaffers tape,
velcro, masking tape, what have you.


rbrt 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 19:02:25 2000
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wow...

dt, is this the true source of SPLaTTeRCeLL?

----- Original Message ----- 
From: "Tim Nelson" <tcn62@ici.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, December 11, 2000 4:51 PM
Subject: Re: The Prime Mover, the UniverseLoop, and Sustain


> At 03:17 PM 12/11/00 -0600, you wrote:
> >what happens when it hits the floor?
> 
> According to Burroughs (who attributes the quote to an "all-purpose bedtime
> story" told by Brion Gyson) when the grease hits the floor, it goes SPLAT!
> 
> -t
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 21:36:16 2000
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Subject: magnavox vs. mackie
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well i made the BIG plunge and i must tell you that the mackie powered 
monitors with the 1202-VLZ pro mixer sounds a whole bunch better than my 20 
year old stereo with mis-matched speakers..........what a delight.........i 
might also mention that i got them through sweetwater music with absolutly no 
problems (nice professional people).........now i have no excuse not to play 
out, all i must fear is fear itself......so if anyone wants to move to 
pittsburgh and join my big band (me) please do...........:).............oh 
happy day!...........michael

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 23:46:20 2000
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Date: Tue, 12 Dec 2000 04:43:33 -0000
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Funny what a Mackie 1202VLZ will do for that.  Now the only excuse I've got
is, HEY, no excuse besides not having a car here in London!
Stephen Goodman

http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
http://StephenGoodman.iuma.com * Even more MP3s!

----- Original Message -----
From: <Nemoguitt@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: 12 December 2000 02:30 AM
Subject: magnavox vs. mackie


> well i made the BIG plunge and i must tell you that the mackie powered
> monitors with the 1202-VLZ pro mixer sounds a whole bunch better than my
20
> year old stereo with mis-matched speakers..........what a
delight.........i
> might also mention that i got them through sweetwater music with absolutly
no
> problems (nice professional people).........now i have no excuse not to
play
> out, all i must fear is fear itself......so if anyone wants to move to
> pittsburgh and join my big band (me) please do...........:).............oh
> happy day!...........michael
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 11 23:51:47 2000
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Date: Mon, 11 Dec 2000 20:48:54 -0800 (PST)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Tape looping/sequencing
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Hi everyone,
 This is a pretty obscure question ......
Anyone know if the Teac 2340 allows you to "cue'/move the reels by hand
while in pause mode?

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 01:20:26 2000
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My Boomerang power supply quit on me recently, and since I've received
no reply from Mike Nelson, I'm wondering if anyone here knows of a
source for an AC adapter that puts out 9 volts AC (not DC), 300-500 ma
(power supply says 500 ma, unit says 300 ma). Ideally with the same size
barrel as the rang, and hopefully reasonably priced. Any help much
appreciated.

Thanks,

Paul

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 09:42:54 2000
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> Anyone know if the Teac 2340 allows you to "cue'/move the reels by hand
> while in pause mode?

DISCLAIMER: My memory is somewhat vague but I'll try to recall.  I'm not
sure if I used a 2340 or a 3340, but I think the transport was identical
(the 3340 accepted larger reels).  And I'm not sure of the details though I
remember the PAUSE button quite well.

Given that, "Yes".  I used to cue the beastie all the time.  I recall the
cue worked in both PLAYBACK and SIMUL-SYNC modes.  The SIMUL-SYNC mode used
the record heads as playback heads so you could record in sync with the
playback sound.  It had a cue lever that (among other functions) disabled
the tape lifters so the tape was always in contact with the heads.  Thus you
could hear the tape even in FF or REWIND.

Hope this helps.

Dennis Leas
-------------------
dennis@mdbs.com

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yes, the cue lever is the magic item.

plus, the unbridled joy of looping in FOUR tracks should
keep anyone happy for a long time.



On Tue, 12 Dec 2000, Dennis Leas wrote:

> > Anyone know if the Teac 2340 allows you to "cue'/move the reels by hand
> > while in pause mode?
> 
> DISCLAIMER: My memory is somewhat vague but I'll try to recall.  I'm not
> sure if I used a 2340 or a 3340, but I think the transport was identical
> (the 3340 accepted larger reels).  And I'm not sure of the details though I
> remember the PAUSE button quite well.
> 
> Given that, "Yes".  I used to cue the beastie all the time.  I recall the
> cue worked in both PLAYBACK and SIMUL-SYNC modes.  The SIMUL-SYNC mode used
> the record heads as playback heads so you could record in sync with the
> playback sound.  It had a cue lever that (among other functions) disabled
> the tape lifters so the tape was always in contact with the heads.  Thus you
> could hear the tape even in FF or REWIND.
> 
> Hope this helps.
> 
> Dennis Leas
> -------------------
> dennis@mdbs.com
> 
> 

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Date: Tue, 12 Dec 2000 11:05:59 EST
Subject: Re: The Prime Mover, the UniverseLoop, and Sustain
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>wow...
>dt, is this the true source of SPLaTTeRCeLL?
inna word:
hmmmmm.
best,
dt

>> >what happens when it hits the floor?
>> According to Burroughs (who attributes the quote to an "all-purpose bedtime
>> story" told by Brion Gyson) when the grease hits the floor, it goes SPLAT!

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 12:55:00 2000
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Subject: Re: magnavox vs. mackie
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Hi Michael, I hope Sweatwater gave you a good price, I noticed they run much higher then say.... 8th street. 

>>> Nemoguitt@aol.com 12/11 6:31 PM >>>
well i made the BIG plunge and i must tell you that the mackie powered 
monitors with the 1202-VLZ pro mixer sounds a whole bunch better than my 20 
year old stereo with mis-matched speakers..........what a delight.........i 
might also mention that i got them through sweetwater music with absolutly no 
problems (nice professional people).........now i have no excuse not to play 
out, all i must fear is fear itself......so if anyone wants to move to 
pittsburgh and join my big band (me) please do...........:).............oh 
happy day!...........michael


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> Why not reverse your patching?  Let the original signal be the carrier and
>  the delay signal be the one modulated.  Add some dry direct signal to the
>  output.  I wish I had a RM to try this with...
This wouldn't work either though
............Think about it.
Andy Butler
<A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 13:27:38 2000
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I suppose I wasn't clear.  In reversing the patching, reverse all of it,
putting the RM behind the delay.  Dry signal as carrier, delay as
modulated.  I guess that really only gets you a modulated delay signal, but
it is modulated by its former self, hence helping to rule the universe,
which was the stated objective.




                                                                                            
                    SoundFNR@aol.                                                           
                    com                  To:     Loopers-Delight@loopers-delight.com        
                                         cc:                                                
                    12/12/00             Subject:     Re: Loops & Feedback                  
                    12:00 PM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



> Why not reverse your patching?  Let the original signal be the carrier
and
>  the delay signal be the one modulated.  Add some dry direct signal to
the
>  output.  I wish I had a RM to try this with...
This wouldn't work either though
............Think about it.
Andy Butler
<A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex
Database
</A>





From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 13:36:49 2000
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From: Bret <echoplex@yahoo.com>
Subject: Re: boomerang power supply
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        "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
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Not sure where in the world you live, but Radio Shack sells a 9v ac
adapter, I believe.  You may need to replace the barrel plug, but they
stock most sizes.
bret
--- Paul Sullivan <paulsull@gis.net> wrote:
> My Boomerang power supply quit on me recently, and since I've
> received
> no reply from Mike Nelson, I'm wondering if anyone here knows of a
> source for an AC adapter that puts out 9 volts AC (not DC), 300-500
> ma
> (power supply says 500 ma, unit says 300 ma). Ideally with the same
> size
> barrel as the rang, and hopefully reasonably priced. Any help much
> appreciated.
> 
> Thanks,
> 
> Paul
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 14:49:51 2000
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Subject: Re: Women who loop
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okay, now i see what the deal is . Sorry, too much mail. Unscribe me now
please.

thank you
meneer dawie
----- Original Message -----
From: "jim palmer" <jimp@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, December 10, 2000 8:12 PM
Subject: Re: Women who loop


> >         Then there are the days when I thibk I only have 32 seconds of
memory.
> >
> > Frank Gerace
> > Dreamchild
>
> if you were an edp you could upgrade...
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 16:24:57 2000
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	 <Loopers-Delight@loopers-delight.com>
Subject: passport review
Date: Tue, 12 Dec 2000 14:51:21 -0600
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does any of you have testing experience with the fender passport 250 pa? i'm
wondering how durable it is and also any comments you might have on this
system.

thanks!
jimmy george
http://www.jimmygeorgearts.com

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 17:50:50 2000
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On Tue, 12 Dec 2000, Bret wrote:

> Not sure where in the world you live, but Radio Shack sells a 9v ac
> adapter, I believe.  You may need to replace the barrel plug, but they
> stock most sizes.
> bret


but look again CAREFULLY!!!!  the boomerang power supply does
NOT convert AC -> DC... it's ac in/ ac out!! you won't be finding
that puppy at radio shack any time soon!


and fried boomerang just doesn't taste very good...


rbrt

> --- Paul Sullivan <paulsull@gis.net> wrote:
> > My Boomerang power supply quit on me recently, and since I've
> > received
> > no reply from Mike Nelson, I'm wondering if anyone here knows of a
> > source for an AC adapter that puts out 9 volts AC (not DC), 300-500
> > ma
> > (power supply says 500 ma, unit says 300 ma). Ideally with the same
> > size
> > barrel as the rang, and hopefully reasonably priced. Any help much
> > appreciated.
> > 
> > Thanks,
> > 
> > Paul
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Shopping - Thousands of Stores. Millions of Products.
> http://shopping.yahoo.com/
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 18:19:58 2000
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Forgive my ignorance on the electricity specifications.  What happens 
if you use a power supply that lists MORE than your unit needs?  Does 
that mean that your unit might fry, or does it just use what it needs?

The reason i ask is that the Line 6 power supplies, that power the 
POD's, and the DL4 and their other stomp boxes, is an 9v AC supply, 
if i'm not mistaken.  However, if i remember correctly...it's 1200ma. 
I'll double check tonight.

The L6 power supply goes for about 20 bucks, i think, and they are 
available at most Guitar Centers.

rich



>On Tue, 12 Dec 2000, Bret wrote:
>
>>  Not sure where in the world you live, but Radio Shack sells a 9v ac
>>  adapter, I believe.  You may need to replace the barrel plug, but they
>>  stock most sizes.
>>  bret
>
>
>but look again CAREFULLY!!!!  the boomerang power supply does
>NOT convert AC -> DC... it's ac in/ ac out!! you won't be finding
>that puppy at radio shack any time soon!
>
>
>and fried boomerang just doesn't taste very good...
>
>
>rbrt
>
>>  --- Paul Sullivan <paulsull@gis.net> wrote:
>>  > My Boomerang power supply quit on me recently, and since I've
>>  > received
>>  > no reply from Mike Nelson, I'm wondering if anyone here knows of a
>>  > source for an AC adapter that puts out 9 volts AC (not DC), 300-500
>>  > ma
>>  > (power supply says 500 ma, unit says 300 ma). Ideally with the same
>>  > size
>>  > barrel as the rang, and hopefully reasonably priced. Any help much
>>  > appreciated.
>>  >
>>  > Thanks,
>>  >
>>  > Paul
>>  >
>>
>>
>>  __________________________________________________
>>  Do You Yahoo!?
>>  Yahoo! Shopping - Thousands of Stores. Millions of Products.
>>  http://shopping.yahoo.com/
>>
>>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 18:33:42 2000
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> -----Original Message-----
> From: Mike Biffle [mailto:Mbiffle@svg.com]
> Sent: Friday, December 08, 2000 7:12 PM
> 
> I think antique furniture and tea cosies set a very nice 
> mood... Just come out, sit down in an easy chair, and act 
> like you're in your living room. (Of course your living room 
> may be bristling with hi-tech gear, but hey... it'll blend 
> with the homey atmosphere plus you'll have some nice tea to 
> sooth your jangled nerves.)

I've actually done something along these lines. Earlier this year I did a
solo performance as part of a now deceased improviser's series. The
furniture was more vintage than antique, both dating from about the thirties
or forties, and included a small armchair (that, nonetheless, weighed a
ton!), a large-ish table lamp, and an old console radio/phono (78 r.p.m.!)
that I used as an amplifier - the turntable connected to the amp with a
phono plug, so I just ran everything through a mixer and into that.
Naturally it was all in mono. Not really any looping, unless you include an
analogue delay in that category, but I was hoping that the cracked copy of
Elvis' "Love Me Tender" would skip, providing a sort of loop (but of course
it didn't).

It wasn't a totally original idea, though. I was inspired by the photo
inside Henry Cow's "Concerts" LP. I really enjoyed the experience, and would
recommend trying it if you want something different.

Jim Bailey

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Subject: Re: boomerang power supply
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All Electronics
1800-826-5432
ask for model # actx-945
9 VAC
rated at 450 mA
price is  a measly $2.50 US plus UPS gas money
All of you listers hould call this # and ask for a  catalog- tons of parts
and cool stuff to take apart and use in your looping, I especially like the
digital chip toys that can be circuit-bent to produce some cool noise.
busyditch-back to the shadows.....
-----Original Message-----
From: Paul Sullivan <paulsull@gis.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, December 12, 2000 1:20 AM
Subject: boomerang power supply


>My Boomerang power supply quit on me recently, and since I've received
>no reply from Mike Nelson, I'm wondering if anyone here knows of a
>source for an AC adapter that puts out 9 volts AC (not DC), 300-500 ma
>(power supply says 500 ma, unit says 300 ma). Ideally with the same size
>barrel as the rang, and hopefully reasonably priced. Any help much
>appreciated.
>
>Thanks,
>
>Paul
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 18:52:11 2000
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Date: Tue, 12 Dec 2000 15:48:45 -0800
From: "Mike Biffle" <Mbiffle@svg.com>
To: <JBailey@corporate.southam.ca>, <loopers-delight@loopers-delight.com>
Subject: RE: The Curse of Knob-Twiddling
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>> From: Mike Biffle [mailto:Mbiffle@svg.com] 
>> I think antique furniture and tea cosies set a very nice mood... Just come out, sit down in an easy chair, and act like you're in your living room. (Of course your living room may be bristling with hi-tech gear, but hey... it'll blend with the homey atmosphere plus you'll have some nice tea to sooth your jangled nerves.)

> I've actually done something along these lines. Earlier this year I did a solo performance as part of a now deceased improviser's series. The furniture was more vintage than antique, both dating from about the thirties or forties, and included a small armchair (that, nonetheless, weighed a ton!), a large-ish table lamp, and an old console radio/phono (78 r.p.m.!) that I used as an amplifier - the turntable connected to the amp with a phono plug, so I just ran everything through a mixer and into that. Naturally it was all in mono. Not really any looping, unless you include an analogue delay in that category, but I was hoping that the cracked copy of Elvis' "Love Me Tender" would skip, providing a sort of loop (but of course it didn't).

Actually playing through antique/vintage stuff may be taking it a bit too far! 8-)

I've often thought that motorcycle helmets... the completely enclosed kind... combined with a pair of in-ear-monitors and a mic built into the mouth area might provide a nicely anonymous persona as well as lend itself to the metaphor of modern disenfranchisement... a distopian sort of thing.

> It wasn't a totally original idea, though. I was inspired by the photo inside Henry Cow's "Concerts" LP. I really enjoyed the experience, and would recommend trying it if you want something different. Jim Bailey

Well... there ya go! My referential port of entry as well... The Cow has left many indelible marks on my person.

Best,
-Miko

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Date: Tue, 12 Dec 2000 18:52:17 -0500
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: boomerang power supply
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At 05:45 PM 12/12/00 -0500, you wrote:

>> Not sure where in the world you live, but Radio Shack sells a 9v ac
>> adapter, I believe.  You may need to replace the barrel plug, but they
>> stock most sizes.

>but look again CAREFULLY!!!!  the boomerang power supply does
>NOT convert AC -> DC... it's ac in/ ac out!! you won't be finding
>that puppy at radio shack any time soon!

Yeah, they have a couple of 'em. The more powerful one is Cat.# RSU
11918059... I'm not sure the plug tip is compatible, but it's a 9 VAC
output, 3400 mA with an 'M' plug tip (O.D. 5.5mm, I.D. 2.1 mm) for $27.99.
You'd probably have to order it, though; I don't believe it's a
regularly-stocked item.

There's also an 800 mA one with 4 selectable AC outs (9, 10.2, 12 and/or 13
VAC) for $12.99, Cat# 273-1631, same size tip. I'm not sure what the
'Rang's current demand is; 800 mA might not be enough.

You still may want to check first with Mikel Nelson to see if either of
these would fry anything, though.

Tim (no relation to Mikel, nor to Radio Shack, although I still had their
catalog on my desk from the splicing tape thread!)

ps: If Angus Young plugged his SG into a 'Rang, would they have to re-name
the band AC/AC? Boooooo.... Sorry..... 

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To the extended community at LoopersDelight:

I recently wrote a letter to a fellow respected looping musician asking
him if there was a chance of setting up a looping festival in the city
that he lives in.   This is part of the letter I recieved back from him
in reply (which also generously shared contact and club information in
his city):

He wrote:

"........Well, as far as 'my city'  being "happening"...I'd say there's
about fifty
musicians who work together in various loose-knit configurations and
attend
each other's shows (in groups of a half-dozen or so).  There's no
audience
beyond that........
       .I'm not really interested in setting up a mini-festival.  I
dealt with that
.....where I used to live and it was a massive pain in the ass for
very little return.  The public doesn't really care how you make
interesting
sounds, unless perhaps it's something exotic and fashionable such as the

Theremin--they just want to hear something interesting......."

I've heard this sentiment echoed frequently in the larger looping
community and
this is what I wrote in reply:

    I hear what you say about looping and looping festivals.  It is
virtually the same here.
We've only  had 50-100 people per show for 4 looping shows.   To be
frank, though, I couldn't care less about popularity.   I care about the
quality of the work and the nurturing of young artists in a culture that
undervalues their unique contributions (a nurturance that I wasn't lucky
enough to have growing up.....although my parents are pretty
hip and supportive now).

     Because of the festivals that I put on (and had considerable help
with, I must say),  35 artists performed and 28 of them had never
performed in public or never even considered that anyone would want to
hear what they were doing in a live context.   I am proud to say, a year
and a half later, that there are now 8-10 really serious
electronica/looping musicians in this area who are putting out
sophisticated recordings/interacting with each other and doing live gigs
and dozens more who are trying to get started.  There was NO scene two
years ago.  Hell, I only started these modest little shows because I was
lonely and a totally turned on/newbie/fanatic for electronic/looping
music and wanted a little community of people to talk to and gig with.

    Consequently, as well, the local music stores are starting to carry
a lot hipper gear than they used to and young musicians are starting to
get into this field much at a much younger age than their older
counterparts.    Electronic influences are noticeably seeping into
traditional Celtic shows/Local cable access television/local
commercials/folk recordings, etc.    Now, granted, a lot of this just
reflects what has been happening in the maintstream culture as well, but
believe me, not much of it had reached sleepy Santa Cruz two years ago
(with the exception of DJ/Rave culture and even that was fairly tame).

    My point is that community and energy are more powerful, culturally
speaking than pure monetarily driven commercialism.  I've been involved,
since it's inception 22 years ago, with the so called 'world beat'
movement.   No band has EVER been commercially successful
in the genre (or at least not mega successful).  It doesn't matter.  We
changed the face of music in this country with our efforts.  You cannot
see a movie without hearing an ethnic
fusionist aesthetic at work; almost every current pop record has
influences of world music
in them.  I've been fortunate enough to tour the world, make records
with incredible musicians and make my living because of that
'non-commercial' movement.

    At the heighth of the San Francisco sound in the late sixties when
the Jefferson Airplane
were on the cover of LIFE magazine (signalling, at that time, the
'arrival' of a new culture)
there were only about 15 bands in San Francisco that were playing the
Fillmore Auditorium
and the Avalon Ballroom on a rotating nightly basis......all communally
oriented; all sharing  and rotating their billing status from night to
night.   The average attendance at those venues  was only somewhere
between 125-250 people a night.
        My point?    Energy, Community and Creativity is what changes
our culture for the better.  Somebody once said that artists are the
antennae of a
culture, picking up and/or creating the emerging trends before the sweep

over the culture.  I agree.

    This is why I am interested in promoting Looping Culture as such:
not for the money
(I made none doing these shows) but because now we have a more
creative/fired up community in Santa Cruz.  Interestingly enough,
several of us have been getting local paying gigs and lucrative
corporate gigs (because the entertainment companies that book the lavish
corporate parties as tax writeoffs are sick to death of 70's cover
bands and are looking for something new and refreshing: that's us!).

    What I have found, in my admittedly limited 'newbie' concious, is
that creating a
'festival' kicks up interest in the community, excites the press and
radio people who are
bored with 'music as usual', and creates a specifically community
oriented atmosphere which is nurturing to future musical developements.
By having three (or more) artist on a bill you will insure that you will
not make money but you will be able to 'sell' the idea of the event to
the community at large.    With such a concept you can sometimes talk a
local church or community center into hosting the event for free or for
a much lower rental fee.  You can pool your respective  P.A. equipment
to save costs.  You can approach local music stores/radio stations and
even corporations for sponsorship to allay costs.   In general, you can
create a scene, cause a commotion, make a 'mess' of 'life as usual'.
It's hard work and there are very few economic rewards but you would be
suprised at the ripple effect it can have.

I say:  'Go for it!'

Thanks for hearing  my 'rant'.     yours, in creativity and looping,
Rick Walker (Loop.pooL)






From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 19:34:59 2000
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Date: Tue, 12 Dec 2000 19:35:12 -0500
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: RE: The Curse of Knob-Twiddling
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At 03:48 PM 12/12/00 -0800, Miko Biffle wrote:
>I've often thought that motorcycle helmets... the completely enclosed
kind... >combined with a pair of in-ear-monitors and a mic built into the
mouth area >might provide a nicely anonymous persona as well as lend itself
to the metaphor >of modern disenfranchisement... a distopian sort of thing.

The drummer in one of my old bands had a hot-pink motorcycle helmet... the
NON-completely enclosed kind... that had a red revolving safety light (like
the kind on a fire truck) bolted to the top. The light looked great shining
through the fog machine we used our closing number called "World War Four",
however the whole thing was so heavy he could only wear it for one tune!
(It also had an extension cord trailing behind it...) Oh, those early 90's...

Tim

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 19:41:46 2000
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Date: Tue, 12 Dec 2000 18:35:52 -0600
Subject: Re: passport review
From: keith rowley-yugen <yugen@ciris.net>
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I just got the 250 for my coffee shop.  It's pretty cool.  I've got the
system EQ cranked a bit toward the mid-high end-- flat EQ'ed sounds a little
boxy.

As far as durability, not sure.  It's a house PA & doesn't get moved much.
But i _did_ drop one of the speakers accidentally once and it didn't seem to
hurt it any...

Keith

> From: Jimmy George <jimmy@loadhandler.com>
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Tue, 12 Dec 2000 14:51:21 -0600
> To: 
> "'Loopers-Delight@loopers-delight.com'"<Loopers-Delight@loopers-delight.com>
> Subject: passport review
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Tue, 12 Dec 2000 16:24:29 -0500
> 
> does any of you have testing experience with the fender passport 250 pa? i'm
> wondering how durable it is and also any comments you might have on this
> system.
> 
> thanks!
> jimmy george
> http://www.jimmygeorgearts.com
> 

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 19:44:33 2000
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Subject: Re: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS
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Rick Walker wrote...
> I recently wrote a letter to a fellow respected looping musician asking him if there was a chance of setting up a looping festival in the city that he lives in.   This is part of the letter I recieved back from him in reply (which also generously shared contact and club information in his city):

>> He wrote:
>> "........Well, as far as 'my city'  being "happening"...I'd say there's about fifty musicians who work together in various loose-knit configurations and attend each other's shows (in groups of a half-dozen or so).  There's no audience beyond that......... I'm not really interested in setting up a mini-festival.  I dealt with that ..... where I used to live and it was a massive pain in the ass for very little return.  The public doesn't really care how you make
interesting sounds, unless perhaps it's something exotic and fashionable such as the Theremin--they just want to hear something interesting......."

To which Rick replied...
> I hear what you say about looping and looping festivals.  It is virtually the same here. We've only  had 50-100 people per show for 4 looping shows.   To be frank, though, I couldn't care less about popularity.   I care about the quality of the work and the nurturing of young artists in a culture that undervalues their unique contributions... snip... > My point is that community and energy are more powerful, culturally speaking than pure monetarily driven commercialism... snip... > My point?    Energy, Community and Creativity is what changes our culture for the better.  

I've gotta jump in here as well... Regardless of audience demographics, I've found that meeting other musicians and creating community is really what drives MY playing and motivates me. Dialog with your peers really brings a sense of shared effort and minimizes the feeling of lonliness pervasive in "unpop" culture. 

Many of us are lucky enough to be playing semi-normal sounding music which somehow fits into an existing scene. What about those really wanting to experiment? Push limits? Our audience is first and foremost our peers... other players out there trying to have dialog with each other and learn from each other.

This same problem exists in radical free-improv music... the so called "creative" music scene really has an intense, thriving worldwide community.. certainly with a small devout audience... but more certainly fueled by a commitment among the players to follow the creative impulse honestly **where ever** it arises regardless of current trends and audience demographics... It's been discussed to death recently over at the BA-NEWMUS list, and it's apparent that REALLY going for it and doing whatever you really feel like, is never going to appeal to large masses... It's too damned unpredictable... but it sure is HONEST and because of that it gains a fanatically loyal commitment by a core group of artists, and an ever growing group of listeners. What's so awful about that? I'm proud to be "unpop"!

Rick...
> Somebody once said that artists are the antennae of a culture, picking up and/or creating the emerging trends before the sweep over the culture.  I agree.

I've heard this said too... Thanks for reminding me of this Rick... I completely agree also.

Working together NOW... talking... playing... experimenting... learning... All of this will inform our collective growth and make for a meaningful dialog which will MAKE SENSE, in some way to listeners. We'll ultimately be connected and not lonely anymore... or maybe we'll all be lonley together? I can live with that! 8-) 

Anyway... I'm off MY soap box now as well...

Best,
-Miko Biffle

From Loopers-Delight-request@loopers-delight.com  Tue Dec 12 19:55:47 2000
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Subject: Re: boomerang power supply
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When I wrote 9v ac, I meant 9v ac.  That is 9v ac output.  I have
bought them from radio shack in the past with no problem.  

The fact that the boomerang uses ac input means that the boomerang
rectifies and filters the ac to dc inside of the boomerang.  Plugging
9v dc into a device that has rectifiers and filters on the power input
will not do any harm.  It may not work, but it will do no harm.
bret
--- "r. dennis" <tonobung@panix.com> wrote:
> 
> 
> On Tue, 12 Dec 2000, Bret wrote:
> 
> > Not sure where in the world you live, but Radio Shack sells a 9v ac
> > adapter, I believe.  You may need to replace the barrel plug, but
> they
> > stock most sizes.
> > bret
> 
> 
> but look again CAREFULLY!!!!  the boomerang power supply does
> NOT convert AC -> DC... it's ac in/ ac out!! you won't be finding
> that puppy at radio shack any time soon!
> 
> 
> and fried boomerang just doesn't taste very good...
> 
> 
> rbrt


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
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From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 02:03:56 2000
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 I'd just like to say thankyou to all the people who answered my tape
questions, the number of responses and the quality of the advice was
much more than I expected! Thanks everyone!

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Subject: CT Ambitative III:  Six Spots Left Open
Date: Tue, 12 Dec 2000 23:40:21 -0800
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Dear Looper Delighters:

This is Javier from Berkeley. You must have already heard about the CT
Collective, a group of Looper Delighters that started sharing original music
with each other via CD compilations at the invitation of Michael Klobuchar
back in early 1999, and that now have some MP3s at loopxchange.com.

This is to invite six people who have never participated in a CT Collective
project to be a part of a new one— the second on ambient music—that we are
calling "CT Ambitative III." The previous collection, "CT Ambitative 1 and
2" has been recently finished and is now being distributed. Look soon for a
notice about its availability.

We have at present six slots remaining open to complete a roster of 20
musicians. These 20 people will contribute music to be spread out over a
two-CD edition of this collection.

The object of the project is for people who want to contribute and share
some of their original ambient music for the others' enjoyment, to send one
or several pieces that add up to the number of minutes allotted to each
contributor. At this point, I would say the average time for 20 people over
two CDs is around 7 minutes, give or take a few seconds for track pauses,
folks who went over the limit, folks who didn't make the maximum, etc.

As the instigator of this second ambient-music project, I have volunteered
to collect and compile everybody's pieces, to create one master CD from
which copies will be made for everyone involved, and to print the artwork
that Lance Glover has volunteered to create for the CD package.

It is strictly a not-for-profit endeavor between people who, like you, have
an affinity and an inclination for creating ambient music; it's a way to
become aware of others who might be in a place similar to us, and to
establish a relationship with them that might be beneficial to our work.

Also, as you might know, there is one CT Collectiver in San Francisco (Matt
Davignon) who has volunteered to make extra copies of all the CT projects
available for sale for the rest of the members of the CT Collective, and for
those who in some way or another become interested and want to purchase a
copy. The actual price is rather modest, and only reflects the cost of the
materials used, as far as I know.

If you would be interested in participating, please refer to the general
guidelines below. If you join, you will become a member of one eGroup
mailing list in which you participate in the conversation leading up to the
production of your piece(s) and the final assembling of the collection.

At this point, we are only filling six spots. When the sixth person has
applied for that spot, all subsequent applications will be denied.

By contributing your music to this project you are not giving up any of the
copyright that belongs to you on your music. You are free to use your piece
in whichever way you want.

Following are the details on how to participate and what to expect. If you
are unclear about any of these issues, and become a member of the CT
Ambitative III, please ask your questions once you are a member of the
eGroup.

1. This is the only notice of this project on Looper’s Delight that you will
see. An additional notice will only notify you that the project is closed to
new applicants.

2. Please subscribe to the "CT-Ambitative3" eGroup by sending an e-mail to
this address: CT-Ambitative3-subscribe@egroups.com. There are only six slots
open, and they will be filled on a first-come, first-served basis. After
these slots are filled, the project will be closed to new participants. I’ll
let you know when this is. If you do not make it to "CT Ambitative III," be
on the lookout for more CT Collective projects.

3. Your musical contribution must be original, especially made for this
project between now and the date of the deadline, and must conform to the
general notions of what ambient music is. Your musical contribution must
also use some form of loop. This should go without saying, but let us be
clear, eh? This is not OT. You will remain the owner of the copyright on
your performance and on the sound recording. You will remain free to do
whatever you like with your composition from then on. However, for the
purposes of this CT Collective Project, there will be no basis to claim
royalties or carry forth a copyright claim that is counter to the stated
objectives of the project, namely, a low-cost way for members of a
cybercommunity to hear each other's work in the manner that has been stated.

4. I, Javier Miranda, will do the music collecting, mastering, duping,
assembling and mailing. I live in Berkeley, California. Contributors will
send their musical piece to me. I will produce one master CD from which I
will make one copy for each contributor. I will also print the artwork for
this initial run of production. A dollar amount will be agreed upon based on
the materials used in order to produce all these CDs. You will send this
dollar amount to me prior to my shipping a copy of the work to you.

5. As with all CT Collective CDs, Matt Davignon of "Ribosome Music," in San
Francisco, California, will distribute the CD to everybody else.

6. Most likely, MP3 files of this project will be available on none other
than Mr. Morgan Hamilton Lang’s "LoopXchange" Web site,
http://www.loopxchange.com. But this is not a promise.

7. I have good processing software, and I’ll be able to normalize your track
so its amplitude will be in the same level as all other tracks for the CD.
If it needs some noise reduction, I’ll work on that, but I’ll have you
listen to it somehow before burning the final master. Last thing we need is
some of your music missing because of noise reduction. If you don’t want any
noise reduction, please say so.

8. You may send your tune to me via USPS on a CD in WAV format preferably,
but I will be able to handle other computer sound formats, a regular audio
CD, an audio cassette, etc. I can’t listen to MD discs or digital tape at
this time. Please try not to send me an MP3 or a Real Audio file, as this is
very low quality when compared to the WAV format. I will try my best to make
this CD sound the best it can. I will return all materials you provide. I'll
tell you later of my address where to send your contribution.

9. In two 70-minute CDs, 20 contributors each get roughly 7 minutes to allow
for track pause and other inconveniences— and can use this time for one or
several pieces of ambient music.  But 7 minutes will be the limit for
everybody.  Tracks longer than 7 minutes I will edit at my discretion.  Cram
as many different sounds and textures as you can in there while at the same
time making it sound bare and beautiful.

10. The deadline for submission will be Wednesday 15 March 2001. Any
submission not in my hands by Wednesday afternoon when the Post Office
closes (Pacific time), will not make the CD. Barring horrible delays in the
delivery systems, medical emergencies, and other substantial reasons which
will be considered with great kindness, no exceptions will be made.

11. Have fun!


Thanks!
Javier Miranda V.
Berkeley, Calif.
U.S.

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 09:40:03 2000
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From: petr dolak <pepetr@yahoo.com>
Subject: Re: passport review
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I have Passport 150, a smaller version of 250.  I haul it around
quite a bit and it seems pretty durable.  Its durability plus weight
was the most important reason why I got it.

petr@tryi.com

=====






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.

__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 14:28:28 2000
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Subject: RE: Loopers-Delight-d Digest V00 #400 - Headrush question
Date: Wed, 13 Dec 2000 14:17:22 -0500
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I just got an Akai headrush, and I noticed something.  I wonder if my unit
is faulty or if they are all like this (I have no manual for it, BTW).

I create a loop.  WHen I play over it, the loop is at teh same volume so the
two drown each other out to a certain extent.  If I turn the level knob
down, NOTHING happens until I get it to about 9 o'clock.  Then I notice that
the green looping LED blinks once, and the volume cuts down.  Unfortuantely
at this volume level (only slightly below the volume if I had the Level
turned all the way up), when I solo over the rhythm, while I am hitting
notes the lopp volum drops severely, and then cuts back in when I stop, just
like a dynamic delay does.

Can I cut the volume down w/o having it start acting like a dynamic delay?
I tried starting the loop recording at different settings on the "Level"
knob, but it makes no difference.

Can I possibly replace that pot or what?

Thanks,

Alex F/Brain21

<--------========b21========-------->
Brain21 - www.brain21.net
www.mp3.com/Brain21
Buy individual songs @
http://www.nrmmusic.com/customcds.htm
<--------========b21========-------->

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 15:31:42 2000
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Subject: Re: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS
Date: Wed, 13 Dec 2000 20:25:02 
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<html><DIV></DIV>
<P>Hi Rick,&nbsp; &nbsp;I am definately interested in helping and performing in a looping event when ever I am needed.&nbsp; I have been refining my act and getting it polished up.&nbsp;&nbsp;</P>
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I am doing a&nbsp; few sets with the&nbsp;Mystic Family Circus in Feb. in San Diego.&nbsp; There will be fire jugglers and dancers, ariel acrobats, you name it...Burning Man energy&nbsp;....</P>
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Love to You,&nbsp; Narendra AKA Papa Dave</P>
<P>good talking with you at the coffee shop.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P>&gt;I recently wrote a letter to a fellow respected looping musician asking </P>
<DIV></DIV>&gt;him if there was a chance of setting up a looping festival in the city 
<DIV></DIV>&gt;that he lives in. This is part of the letter I recieved back from him 
<DIV></DIV>&gt;in reply (which also generously shared contact and club information in 
<DIV></DIV>&gt;his city): 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;He wrote: 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;"........Well, as far as 'my city' being "happening"...I'd say there's 
<DIV></DIV>&gt;about fifty 
<DIV></DIV>&gt;musicians who work together in various loose-knit configurations and 
<DIV></DIV>&gt;attend 
<DIV></DIV>&gt;each other's shows (in groups of a half-dozen or so). There's no 
<DIV></DIV>&gt;audience 
<DIV></DIV>&gt;beyond that........ 
<DIV></DIV>&gt; .I'm not really interested in setting up a mini-festival. I 
<DIV></DIV>&gt;dealt with that 
<DIV></DIV>&gt;.....where I used to live and it was a massive pain in the ass for 
<DIV></DIV>&gt;very little return. The public doesn't really care how you make 
<DIV></DIV>&gt;interesting 
<DIV></DIV>&gt;sounds, unless perhaps it's something exotic and fashionable such as the 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Theremin--they just want to hear something interesting......." 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;I've heard this sentiment echoed frequently in the larger looping 
<DIV></DIV>&gt;community and 
<DIV></DIV>&gt;this is what I wrote in reply: 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; I hear what you say about looping and looping festivals. It is 
<DIV></DIV>&gt;virtually the same here. 
<DIV></DIV>&gt;We've only had 50-100 people per show for 4 looping shows. To be 
<DIV></DIV>&gt;frank, though, I couldn't care less about popularity. I care about the 
<DIV></DIV>&gt;quality of the work and the nurturing of young artists in a culture that 
<DIV></DIV>&gt;undervalues their unique contributions (a nurturance that I wasn't lucky 
<DIV></DIV>&gt;enough to have growing up.....although my parents are pretty 
<DIV></DIV>&gt;hip and supportive now). 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; Because of the festivals that I put on (and had considerable help 
<DIV></DIV>&gt;with, I must say), 35 artists performed and 28 of them had never 
<DIV></DIV>&gt;performed in public or never even considered that anyone would want to 
<DIV></DIV>&gt;hear what they were doing in a live context. I am proud to say, a year 
<DIV></DIV>&gt;and a half later, that there are now 8-10 really serious 
<DIV></DIV>&gt;electronica/looping musicians in this area who are putting out 
<DIV></DIV>&gt;sophisticated recordings/interacting with each other and doing live gigs 
<DIV></DIV>&gt;and dozens more who are trying to get started. There was NO scene two 
<DIV></DIV>&gt;years ago. Hell, I only started these modest little shows because I was 
<DIV></DIV>&gt;lonely and a totally turned on/newbie/fanatic for electronic/looping 
<DIV></DIV>&gt;music and wanted a little community of people to talk to and gig with. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; Consequently, as well, the local music stores are starting to carry 
<DIV></DIV>&gt;a lot hipper gear than they used to and young musicians are starting to 
<DIV></DIV>&gt;get into this field much at a much younger age than their older 
<DIV></DIV>&gt;counterparts. Electronic influences are noticeably seeping into 
<DIV></DIV>&gt;traditional Celtic shows/Local cable access television/local 
<DIV></DIV>&gt;commercials/folk recordings, etc. Now, granted, a lot of this just 
<DIV></DIV>&gt;reflects what has been happening in the maintstream culture as well, but 
<DIV></DIV>&gt;believe me, not much of it had reached sleepy Santa Cruz two years ago 
<DIV></DIV>&gt;(with the exception of DJ/Rave culture and even that was fairly tame). 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; My point is that community and energy are more powerful, culturally 
<DIV></DIV>&gt;speaking than pure monetarily driven commercialism. I've been involved, 
<DIV></DIV>&gt;since it's inception 22 years ago, with the so called 'world beat' 
<DIV></DIV>&gt;movement. No band has EVER been commercially successful 
<DIV></DIV>&gt;in the genre (or at least not mega successful). It doesn't matter. We 
<DIV></DIV>&gt;changed the face of music in this country with our efforts. You cannot 
<DIV></DIV>&gt;see a movie without hearing an ethnic 
<DIV></DIV>&gt;fusionist aesthetic at work; almost every current pop record has 
<DIV></DIV>&gt;influences of world music 
<DIV></DIV>&gt;in them. I've been fortunate enough to tour the world, make records 
<DIV></DIV>&gt;with incredible musicians and make my living because of that 
<DIV></DIV>&gt;'non-commercial' movement. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; At the heighth of the San Francisco sound in the late sixties when 
<DIV></DIV>&gt;the Jefferson Airplane 
<DIV></DIV>&gt;were on the cover of LIFE magazine (signalling, at that time, the 
<DIV></DIV>&gt;'arrival' of a new culture) 
<DIV></DIV>&gt;there were only about 15 bands in San Francisco that were playing the 
<DIV></DIV>&gt;Fillmore Auditorium 
<DIV></DIV>&gt;and the Avalon Ballroom on a rotating nightly basis......all communally 
<DIV></DIV>&gt;oriented; all sharing and rotating their billing status from night to 
<DIV></DIV>&gt;night. The average attendance at those venues was only somewhere 
<DIV></DIV>&gt;between 125-250 people a night. 
<DIV></DIV>&gt; My point? Energy, Community and Creativity is what changes 
<DIV></DIV>&gt;our culture for the better. Somebody once said that artists are the 
<DIV></DIV>&gt;antennae of a 
<DIV></DIV>&gt;culture, picking up and/or creating the emerging trends before the sweep 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;over the culture. I agree. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; This is why I am interested in promoting Looping Culture as such: 
<DIV></DIV>&gt;not for the money 
<DIV></DIV>&gt;(I made none doing these shows) but because now we have a more 
<DIV></DIV>&gt;creative/fired up community in Santa Cruz. Interestingly enough, 
<DIV></DIV>&gt;several of us have been getting local paying gigs and lucrative 
<DIV></DIV>&gt;corporate gigs (because the entertainment companies that book the lavish 
<DIV></DIV>&gt;corporate parties as tax writeoffs are sick to death of 70's cover 
<DIV></DIV>&gt;bands and are looking for something new and refreshing: that's us!). 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; What I have found, in my admittedly limited 'newbie' concious, is 
<DIV></DIV>&gt;that creating a 
<DIV></DIV>&gt;'festival' kicks up interest in the community, excites the press and 
<DIV></DIV>&gt;radio people who are 
<DIV></DIV>&gt;bored with 'music as usual', and creates a specifically community 
<DIV></DIV>&gt;oriented atmosphere which is nurturing to future musical developements. 
<DIV></DIV>&gt;By having three (or more) artist on a bill you will insure that you will 
<DIV></DIV>&gt;not make money but you will be able to 'sell' the idea of the event to 
<DIV></DIV>&gt;the community at large. With such a concept you can sometimes talk a 
<DIV></DIV>&gt;local church or community center into hosting the event for free or for 
<DIV></DIV>&gt;a much lower rental fee. You can pool your respective P.A. equipment 
<DIV></DIV>&gt;to save costs. You can approach local music stores/radio stations and 
<DIV></DIV>&gt;even corporations for sponsorship to allay costs. In general, you can 
<DIV></DIV>&gt;create a scene, cause a commotion, make a 'mess' of 'life as usual'. 
<DIV></DIV>&gt;It's hard work and there are very few economic rewards but you would be 
<DIV></DIV>&gt;suprised at the ripple effect it can have. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;I say: 'Go for it!' 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Thanks for hearing my 'rant'. yours, in creativity and looping, 
<DIV></DIV>&gt;Rick Walker (Loop.pooL) 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV><br clear=all><hr>Get more from the Web.  FREE MSN Explorer download : <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

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Subject: Re: Loopers-Delight-d Digest V00 #400 - Headrush question
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>I just got an Akai headrush, and I noticed something.  I wonder if my unit
>is faulty or if they are all like this (I have no manual for it, BTW).
>

i have a headrush and it doesn't do that at all...sounds like the unit is
faulty.  the first unit i got was faulty and it got replaced with no
hassel...the new unit works great.



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This message is in MIME format. Since your mail reader does not understand
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------_=_NextPart_001_01C06545.9743DDD0
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howdy,
 
stinkbug: 
 
scott amendola: drumset
 
nels cline: guitars, loopage
 
steuart liebig: basses, loopage
 
ge stinson: guitars, loopage
 
 
 
knitting factory hollywood
 
sunday, 17 december 2000
 
alterknit lounge
 
two sets: first at 8:00 p.m. (i'd call club to verify)
 
8 smackers.
 
http://www.knittingfactory.com/kfla/ <http://www.knittingfactory.com/kfla/> 

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<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000>howdy,</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000>stinkbug: </SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=947353620-13122000>scott 
amendola: drumset</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=947353620-13122000>nels 
cline: guitars, loopage</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000>steuart liebig: basses, loopage</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=947353620-13122000>ge 
stinson: guitars, loopage</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000>knitting factory hollywood</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000>sunday, 17 december 2000</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000>alterknit lounge</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=947353620-13122000>two 
sets:</SPAN></FONT><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000> first at 8:00 p.m. (i'd call club to 
verify)</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=947353620-13122000>8 
smackers.</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=947353620-13122000><A 
href="http://www.knittingfactory.com/kfla/">http://www.knittingfactory.com/kfla/</A></SPAN></FONT></DIV></BODY></HTML>

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Date: Tue, 12 Dec 2000 21:53:40 +0200
From: David <reel.d@iafrica.com>
Subject: Re: unsubscribe me
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please unsubscribe me right now 

thank you

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 16:21:00 2000
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To: <Loopers-Delight@loopers-delight.com>
References: <4495C77AB577D31199120008C756D0C4130BF4@migarexch01.maritz.com>
Subject: Re: so cal gig spam
Date: Wed, 13 Dec 2000 15:26:46 -0600
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Is this the same kind of heavy-sounding thrash Stinkbug?! with some =
growling vocals?

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page
  ----- Original Message -----=20
  From: Liebig, Steuart A.=20
  To: 'Loopers-Delight@loopers-delight.com'=20
  Sent: Wednesday, December 13, 2000 2:45 PM
  Subject: so cal gig spam


  howdy,
  =20
  stinkbug:=20
  =20
  scott amendola: drumset
  =20
  nels cline: guitars, loopage
  =20
  steuart liebig: basses, loopage
  =20
  ge stinson: guitars, loopage
  =20
  =20
  =20
  knitting factory hollywood
  =20
  sunday, 17 december 2000
  =20
  alterknit lounge
  =20
  two sets: first at 8:00 p.m. (i'd call club to verify)
  =20
  8 smackers.
  =20
  http://www.knittingfactory.com/kfla/

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ecfcff>
<DIV><FONT face=3DArial size=3D2>Is this the same kind of heavy-sounding =
thrash=20
Stinkbug?! with some growling vocals?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Joshua</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>Pulse 8 - aim:jkerseyvcso<BR><A=20
href=3D"http://www.mp3.com/pulse8">http://www.mp3.com/pulse8</A> - Pulse =
8 Music=20
Project<BR><A=20
href=3D"http://www.egroups.com/community/loopoftheday">http://www.egroups=
.com/community/loopoftheday</A>=20
- Free Loop Of The Day<BR><A=20
href=3D"http://www.egroups.com/community/sampleoftheday">http://www.egrou=
ps.com/community/sampleoftheday</A>=20
- Free Sample Of The Day<BR><A=20
href=3D"http://users.ticnet.com/jkersey">http://users.ticnet.com/jkersey<=
/A> -=20
Personal Home Page</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:Steuart.Liebig@maritz.com"=20
  title=3DSteuart.Liebig@maritz.com>Liebig, Steuart A.</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:'Loopers-Delight@loopers-delight.com'"=20
  =
title=3DLoopers-Delight@loopers-delight.com>'Loopers-Delight@loopers-deli=
ght.com'</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 13, =
2000 2:45=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> so cal gig spam</DIV>
  <DIV><BR></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000>howdy,</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000>stinkbug: </SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000>scott amendola: drumset</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D947353620-13122000>nels=20
  cline: guitars, loopage</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000>steuart liebig: basses, =
loopage</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D947353620-13122000>ge=20
  stinson: guitars, loopage</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000>knitting factory =
hollywood</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000>sunday, 17 december =
2000</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000>alterknit lounge</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D947353620-13122000>two=20
  sets:</SPAN></FONT><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000> first at 8:00 p.m. (i'd call club to=20
  verify)</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D947353620-13122000>8=20
  smackers.</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D947353620-13122000><A=20
  =
href=3D"http://www.knittingfactory.com/kfla/">http://www.knittingfactory.=
com/kfla/</A></SPAN></FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 16:29:46 2000
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From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: so cal gig spam
Date: Wed, 13 Dec 2000 16:24:04 -0500
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no. free improv.no vocs. different band, same name?
 
s

-----Original Message-----
From: Pulse 8 [mailto:ozone@ticnet.com]
Sent: Wednesday, December 13, 2000 1:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: so cal gig spam


Is this the same kind of heavy-sounding thrash Stinkbug?! with some growling
vocals?
 
Joshua
 
Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 <http://www.mp3.com/pulse8>  - Pulse 8 Music
Project
http://www.egroups.com/community/loopoftheday
<http://www.egroups.com/community/loopoftheday>  - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday
<http://www.egroups.com/community/sampleoftheday>  - Free Sample Of The Day
http://users.ticnet.com/jkersey <http://users.ticnet.com/jkersey>  -
Personal Home Page

----- Original Message ----- 
From: Liebig, Steuart A. <mailto:Steuart.Liebig@maritz.com>  
To: 'Loopers-Delight@loopers-delight.com'
<mailto:'Loopers-Delight@loopers-delight.com'>  
Sent: Wednesday, December 13, 2000 2:45 PM
Subject: so cal gig spam

howdy,
 
stinkbug: 
 
scott amendola: drumset
 
nels cline: guitars, loopage
 
steuart liebig: basses, loopage
 
ge stinson: guitars, loopage
 
 
 
knitting factory hollywood
 
sunday, 17 december 2000
 
alterknit lounge
 
two sets: first at 8:00 p.m. (i'd call club to verify)
 
8 smackers.
 
http://www.knittingfactory.com/kfla/ <http://www.knittingfactory.com/kfla/> 


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<BODY bgColor=#ecfcff>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=233552221-13122000>no. 
free improv.no vocs. different band, same name?</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=233552221-13122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=233552221-13122000>s</SPAN></FONT></DIV>
<BLOCKQUOTE style="MARGIN-RIGHT: 0px">
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Pulse 8 
  [mailto:ozone@ticnet.com]<BR><B>Sent:</B> Wednesday, December 13, 2000 1:27 
  PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: so 
  cal gig spam<BR><BR></DIV></FONT>
  <DIV><FONT face=Arial size=2>Is this the same kind of heavy-sounding thrash 
  Stinkbug?! with some growling vocals?</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Joshua</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Pulse 8 - aim:jkerseyvcso<BR><A 
  href="http://www.mp3.com/pulse8">http://www.mp3.com/pulse8</A> - Pulse 8 Music 
  Project<BR><A 
  href="http://www.egroups.com/community/loopoftheday">http://www.egroups.com/community/loopoftheday</A> 
  - Free Loop Of The Day<BR><A 
  href="http://www.egroups.com/community/sampleoftheday">http://www.egroups.com/community/sampleoftheday</A> 
  - Free Sample Of The Day<BR><A 
  href="http://users.ticnet.com/jkersey">http://users.ticnet.com/jkersey</A> - 
  Personal Home Page</DIV>
  <BLOCKQUOTE 
  style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
    <A href="mailto:Steuart.Liebig@maritz.com" 
    title=Steuart.Liebig@maritz.com>Liebig, Steuart A.</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    href="mailto:'Loopers-Delight@loopers-delight.com'" 
    title=Loopers-Delight@loopers-delight.com>'Loopers-Delight@loopers-delight.com'</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, December 13, 2000 2:45 
    PM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> so cal gig spam</DIV>
    <DIV><BR></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000>howdy,</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000>stinkbug: </SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000>scott amendola: drumset</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000>nels cline: guitars, loopage</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000>steuart liebig: basses, loopage</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN class=947353620-13122000>ge 
    stinson: guitars, loopage</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000>knitting factory hollywood</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000>sunday, 17 december 2000</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000>alterknit lounge</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000>two sets:</SPAN></FONT><FONT color=#0000ff 
    face=Arial size=2><SPAN class=947353620-13122000> first at 8:00 p.m. (i'd 
    call club to verify)</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN class=947353620-13122000>8 
    smackers.</SPAN></FONT></DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
    class=947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=#0000ff face=Arial size=2><SPAN class=947353620-13122000><A 
    href="http://www.knittingfactory.com/kfla/">http://www.knittingfactory.com/kfla/</A></SPAN></FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------_=_NextPart_001_01C0654B.04AB1F50--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 16:40:49 2000
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From: SoundFNR@aol.com
Message-ID: <e6.eac55b2.276945ec@aol.com>
Date: Wed, 13 Dec 2000 16:36:44 EST
Subject: Re: Boomerang Power Supply
To: Loopers-Delight@loopers-delight.com
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> The fact that the boomerang uses ac input means that the boomerang
>  rectifies and filters the ac to dc inside of the boomerang.  Plugging
>  9v dc into a device that has rectifiers and filters on the power input
>  will not do any harm.  It may not work, but it will do no harm.
>  bret
Caution, all the current will be flowing through half of the rectification 
circuit
all of the time (instead of the normal half & half share).
If the power capacity of your rectification circuit isn't over specified 
by a factor of 2 then things might get a little hot.
So every chance you could blow up your gear.  
Andy 

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 16:41:39 2000
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From: SoundFNR@aol.com
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Date: Wed, 13 Dec 2000 16:36:43 EST
Subject: Re: Tape Looping/Teac2340 
To: Loopers-Delight@loopers-delight.com
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> Hi everyone,
>   This is a pretty obscure question ......
>  Anyone know if the Teac 2340 allows you to "cue'/move the reels by hand
>  while in pause mode?
I have the 3340 model, which as Dennis says is the same apart from the real 
size.
However it lacks the lever which he describes, the only way to scrub is to 
pull
the tape out from between the pinch roller and capstan ( while NOT running) 
and then making it run over the top of the capstan. You can then press play 
and manouver the tape manually, although you have to watch that the reels
will both be pulling the tape towards them, so if one happens to pull more 
than the other the tape will want to go that way.
This isn't a very 'tidy' technique, and if you take too long the capstan will 
rub a smooth patch on the back of the tape. It does work however, I have the 
edits to prove it.
Presumably there's other non-editing type decks out there which you
could use like this.

Andy Butler  

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 16:45:09 2000
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Date: Wed, 13 Dec 2000 23:17:03 +0200
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this system from loopers delight is getting topo much, i even get my own =
eimails so unsubscribe me please.
  ----- Original Message -----=20
  From: Liebig, Steuart A.=20
  To: 'Loopers-Delight@loopers-delight.com'=20
  Sent: Wednesday, December 13, 2000 10:45 PM
  Subject: so cal gig spam


  howdy,

  stinkbug:=20

  scott amendola: drumset

  nels cline: guitars, loopage

  steuart liebig: basses, loopage

  ge stinson: guitars, loopage



  knitting factory hollywood

  sunday, 17 december 2000

  alterknit lounge

  two sets: first at 8:00 p.m. (i'd call club to verify)

  8 smackers.

  http://www.knittingfactory.com/kfla/

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.100" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>this system from loopers delight is =
getting topo=20
much, i even get my own eimails so unsubscribe me please.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DSteuart.Liebig@maritz.com=20
  href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:'Loopers-Delight@loopers-delight.com'">'Loopers-Delight@lo=
opers-delight.com'</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 13, =
2000 10:45=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> so cal gig spam</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000>howdy,</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000>stinkbug: </SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000>scott amendola: drumset</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D947353620-13122000>nels=20
  cline: guitars, loopage</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000>steuart liebig: basses, =
loopage</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D947353620-13122000>ge=20
  stinson: guitars, loopage</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000>knitting factory =
hollywood</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000>sunday, 17 december =
2000</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000>alterknit lounge</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D947353620-13122000>two=20
  sets:</SPAN></FONT><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000> first at 8:00 p.m. (i'd call club to=20
  verify)</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D947353620-13122000>8=20
  smackers.</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D947353620-13122000><A=20
  =
href=3D"http://www.knittingfactory.com/kfla/">http://www.knittingfactory.=
com/kfla/</A></SPAN></FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 16:46:45 2000
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Message-ID: <013101c0654f$3774d800$e8ca37cf@8700.it.verio.net>
From: "Pulse 8" <ozone@ticnet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4495C77AB577D31199120008C756D0C4130BF7@migarexch01.maritz.com>
Subject: Re: so cal gig spam
Date: Wed, 13 Dec 2000 15:53:42 -0600
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apparently...that's cool...theirs is different, it's got a ! or =
something in it, i think it's "STINKBUG!"... i think they were local to =
dallas and i haven't heard anything from'm in awhile..i picked up a free =
promo CD, and they didn't sound looped..that's why i was going to be =
surprised :)

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page
  ----- Original Message -----=20
  From: Liebig, Steuart A.=20
  To: 'Loopers-Delight@loopers-delight.com'=20
  Sent: Wednesday, December 13, 2000 3:24 PM
  Subject: RE: so cal gig spam


  no. free improv.no vocs. different band, same name?
  =20
  s
    -----Original Message-----
    From: Pulse 8 [mailto:ozone@ticnet.com]
    Sent: Wednesday, December 13, 2000 1:27 PM
    To: Loopers-Delight@loopers-delight.com
    Subject: Re: so cal gig spam


    Is this the same kind of heavy-sounding thrash Stinkbug?! with some =
growling vocals?

    Joshua

    Pulse 8 - aim:jkerseyvcso
    http://www.mp3.com/pulse8 - Pulse 8 Music Project
    http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
    http://www.egroups.com/community/sampleoftheday - Free Sample Of The =
Day
    http://users.ticnet.com/jkersey - Personal Home Page
      ----- Original Message -----=20
      From: Liebig, Steuart A.=20
      To: 'Loopers-Delight@loopers-delight.com'=20
      Sent: Wednesday, December 13, 2000 2:45 PM
      Subject: so cal gig spam


      howdy,
      =20
      stinkbug:=20
      =20
      scott amendola: drumset
      =20
      nels cline: guitars, loopage
      =20
      steuart liebig: basses, loopage
      =20
      ge stinson: guitars, loopage
      =20
      =20
      =20
      knitting factory hollywood
      =20
      sunday, 17 december 2000
      =20
      alterknit lounge
      =20
      two sets: first at 8:00 p.m. (i'd call club to verify)
      =20
      8 smackers.
      =20
      http://www.knittingfactory.com/kfla/

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http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ecfcff>
<DIV><FONT face=3DArial size=3D2>apparently...that's cool...theirs is =
different,=20
it's got a ! or something in it, i think it's "STINKBUG!"... i think =
they were=20
local to dallas and i haven't heard anything from'm in awhile..i picked =
up a=20
free promo CD, and they didn't sound looped..that's why i was going to =
be=20
surprised :)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Joshua</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>Pulse 8 - aim:jkerseyvcso<BR><A=20
href=3D"http://www.mp3.com/pulse8">http://www.mp3.com/pulse8</A> - Pulse =
8 Music=20
Project<BR><A=20
href=3D"http://www.egroups.com/community/loopoftheday">http://www.egroups=
.com/community/loopoftheday</A>=20
- Free Loop Of The Day<BR><A=20
href=3D"http://www.egroups.com/community/sampleoftheday">http://www.egrou=
ps.com/community/sampleoftheday</A>=20
- Free Sample Of The Day<BR><A=20
href=3D"http://users.ticnet.com/jkersey">http://users.ticnet.com/jkersey<=
/A> -=20
Personal Home Page</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:Steuart.Liebig@maritz.com"=20
  title=3DSteuart.Liebig@maritz.com>Liebig, Steuart A.</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:'Loopers-Delight@loopers-delight.com'"=20
  =
title=3DLoopers-Delight@loopers-delight.com>'Loopers-Delight@loopers-deli=
ght.com'</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 13, =
2000 3:24=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: so cal gig =
spam</DIV>
  <DIV><BR></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D233552221-13122000>no.=20
  free improv.no vocs. different band, same name?</SPAN></FONT></DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D233552221-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
  class=3D233552221-13122000>s</SPAN></FONT></DIV>
  <BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
    <DIV align=3Dleft class=3DOutlookMessageHeader dir=3Dltr><FONT =
face=3DTahoma=20
    size=3D2>-----Original Message-----<BR><B>From:</B> Pulse 8 [<A=20
    =
href=3D"mailto:ozone@ticnet.com">mailto:ozone@ticnet.com</A>]<BR><B>Sent:=
</B>=20
    Wednesday, December 13, 2000 1:27 PM<BR><B>To:</B> <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
    Re: so cal gig spam<BR><BR></DIV></FONT>
    <DIV><FONT face=3DArial size=3D2>Is this the same kind of =
heavy-sounding thrash=20
    Stinkbug?! with some growling vocals?</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Joshua</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV>Pulse 8 - aim:jkerseyvcso<BR><A=20
    href=3D"http://www.mp3.com/pulse8">http://www.mp3.com/pulse8</A> - =
Pulse 8=20
    Music Project<BR><A=20
    =
href=3D"http://www.egroups.com/community/loopoftheday">http://www.egroups=
.com/community/loopoftheday</A>=20
    - Free Loop Of The Day<BR><A=20
    =
href=3D"http://www.egroups.com/community/sampleoftheday">http://www.egrou=
ps.com/community/sampleoftheday</A>=20
    - Free Sample Of The Day<BR><A=20
    =
href=3D"http://users.ticnet.com/jkersey">http://users.ticnet.com/jkersey<=
/A> -=20
    Personal Home Page</DIV>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A href=3D"mailto:Steuart.Liebig@maritz.com"=20
      title=3DSteuart.Liebig@maritz.com>Liebig, Steuart A.</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      href=3D"mailto:'Loopers-Delight@loopers-delight.com'"=20
      =
title=3DLoopers-Delight@loopers-delight.com>'Loopers-Delight@loopers-deli=
ght.com'</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December =
13, 2000=20
      2:45 PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> so cal gig =
spam</DIV>
      <DIV><BR></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>howdy,</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>stinkbug: </SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>scott amendola: =
drumset</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>nels cline: guitars, =
loopage</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>steuart liebig: basses,=20
      loopage</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>ge stinson: guitars, =
loopage</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>knitting factory =
hollywood</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>sunday, 17 december =
2000</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>alterknit lounge</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>two sets:</SPAN></FONT><FONT =
color=3D#0000ff=20
      face=3DArial size=3D2><SPAN class=3D947353620-13122000> first at =
8:00 p.m. (i'd=20
      call club to verify)</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000>8 smackers.</SPAN></FONT></DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
      class=3D947353620-13122000><A=20
      =
href=3D"http://www.knittingfactory.com/kfla/">http://www.knittingfactory.=
com/kfla/</A></SPAN></FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE><=
/BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 16:47:58 2000
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From: lindsay@pavestone.com
Subject: RE: so cal gig spam
To: Loopers-Delight@loopers-delight.com
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The drummer, Scott Amendola, is the same from the Charlie Hunter Trio
("Ready, Set... Shango!" and "Natty Dread"), with Charlie Hunter again on
the "Return of the Candyman" album and the two TJ Kirk albums, as well as
appearing or recording with Pat Martino, Joe Gore, Bill Frisell, John Zorn
and Primus.  So, I dig him, is what I'm saying.  Too bad I've 1600 miles
away.



                                                                                                
                    "Liebig, Steuart                                                            
                    A."                      To:     "'Loopers-Delight@loopers-delight.com'"    
                    <Steuart.Liebig@m        <Loopers-Delight@loopers-delight.com>              
                    aritz.com>               cc:                                                
                                             Subject:     RE: so cal gig spam                   
                    12/13/00 03:24 PM                                                           
                    Please respond to                                                           
                    Loopers-Delight                                                             
                                                                                                
                                                                                                



no. free improv.no vocs. different band, same name?

s
     -----Original Message-----
     From: Pulse 8 [mailto:ozone@ticnet.com]
     Sent: Wednesday, December 13, 2000 1:27 PM
     To: Loopers-Delight@loopers-delight.com
     Subject: Re: so cal gig spam

     Is this the same kind of heavy-sounding thrash Stinkbug?! with some
     growling vocals?

     Joshua

     Pulse 8 - aim:jkerseyvcso
     http://www.mp3.com/pulse8 - Pulse 8 Music Project
     http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
     http://www.egroups.com/community/sampleoftheday - Free Sample Of The
     Day
     http://users.ticnet.com/jkersey - Personal Home Page
      ----- Original Message -----
      From: Liebig, Steuart A.
      To: 'Loopers-Delight@loopers-delight.com'
      Sent: Wednesday, December 13, 2000 2:45 PM
      Subject: so cal gig spam

      howdy,

      stinkbug:

      scott amendola: drumset

      nels cline: guitars, loopage

      steuart liebig: basses, loopage

      ge stinson: guitars, loopage



      knitting factory hollywood

      sunday, 17 december 2000

      alterknit lounge

      two sets: first at 8:00 p.m. (i'd call club to verify)

      8 smackers.

      http://www.knittingfactory.com/kfla/



From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 16:57:53 2000
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Date: Wed, 13 Dec 2000 15:44:46 -0600
From: jim palmer <jimp@pobox.com>
Subject: Re: so cal gig spam
To: Loopers-Delight@loopers-delight.com
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there's a stinkbug in dallas that is kinda like that...

  ----- Original Message -----=20
  From: Liebig, Steuart A.=20
  To: 'Loopers-Delight@loopers-delight.com'=20
  Sent: Wednesday, December 13, 2000 3:24 PM
  Subject: RE: so cal gig spam


  no. free improv.no vocs. different band, same name?

  s
    -----Original Message-----
    From: Pulse 8 [mailto:ozone@ticnet.com]
    Sent: Wednesday, December 13, 2000 1:27 PM
    To: Loopers-Delight@loopers-delight.com
    Subject: Re: so cal gig spam


    Is this the same kind of heavy-sounding thrash Stinkbug?! with some =
growling vocals?

    Joshua

    Pulse 8 - aim:jkerseyvcso
    http://www.mp3.com/pulse8 - Pulse 8 Music Project
    http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
    http://www.egroups.com/community/sampleoftheday - Free Sample Of The =
Day
    http://users.ticnet.com/jkersey - Personal Home Page
      ----- Original Message -----=20
      From: Liebig, Steuart A.=20
      To: 'Loopers-Delight@loopers-delight.com'=20
      Sent: Wednesday, December 13, 2000 2:45 PM
      Subject: so cal gig spam


      howdy,

      stinkbug:=20

      scott amendola: drumset

      nels cline: guitars, loopage

      steuart liebig: basses, loopage

      ge stinson: guitars, loopage



      knitting factory hollywood

      sunday, 17 december 2000

      alterknit lounge

      two sets: first at 8:00 p.m. (i'd call club to verify)

      8 smackers.

      http://www.knittingfactory.com/kfla/

------=_NextPart_000_01B2_01C0651B.9E86CA50
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ecfcff>
<DIV><FONT size=3D2>there's a stinkbug in dallas that is kinda like=20
that...</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DSteuart.Liebig@maritz.com=20
  href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:'Loopers-Delight@loopers-delight.com'">'Loopers-Delight@lo=
opers-delight.com'</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 13, =
2000 3:24=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: so cal gig =
spam</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D233552221-13122000>no.=20
  free improv.no vocs. different band, same name?</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D233552221-13122000></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
  class=3D233552221-13122000>s</SPAN></FONT></DIV>
  <BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
    <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
    size=3D2>-----Original Message-----<BR><B>From:</B> Pulse 8=20
    [mailto:ozone@ticnet.com]<BR><B>Sent:</B> Wednesday, December 13, =
2000 1:27=20
    PM<BR><B>To:</B> <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
    Re: so cal gig spam<BR><BR></DIV></FONT>
    <DIV><FONT face=3DArial size=3D2>Is this the same kind of =
heavy-sounding thrash=20
    Stinkbug?! with some growling vocals?</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Joshua</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV>Pulse 8 - aim:jkerseyvcso<BR><A=20
    href=3D"http://www.mp3.com/pulse8">http://www.mp3.com/pulse8</A> - =
Pulse 8=20
    Music Project<BR><A=20
    =
href=3D"http://www.egroups.com/community/loopoftheday">http://www.egroups=
.com/community/loopoftheday</A>=20
    - Free Loop Of The Day<BR><A=20
    =
href=3D"http://www.egroups.com/community/sampleoftheday">http://www.egrou=
ps.com/community/sampleoftheday</A>=20
    - Free Sample Of The Day<BR><A=20
    =
href=3D"http://users.ticnet.com/jkersey">http://users.ticnet.com/jkersey<=
/A> -=20
    Personal Home Page</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3DSteuart.Liebig@maritz.com=20
      href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> =
</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:'Loopers-Delight@loopers-delight.com'">'Loopers-Delight@lo=
opers-delight.com'</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December =
13, 2000=20
      2:45 PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> so cal gig =
spam</DIV>
      <DIV><BR></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>howdy,</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>stinkbug: </SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>scott amendola: =
drumset</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>nels cline: guitars, =
loopage</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>steuart liebig: basses,=20
      loopage</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>ge stinson: guitars, =
loopage</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>knitting factory =
hollywood</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>sunday, 17 december =
2000</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>alterknit lounge</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>two sets:</SPAN></FONT><FONT =
face=3DArial=20
      color=3D#0000ff size=3D2><SPAN class=3D947353620-13122000> first =
at 8:00 p.m.=20
      (i'd call club to verify)</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000>8 smackers.</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
      class=3D947353620-13122000><A=20
      =
href=3D"http://www.knittingfactory.com/kfla/">http://www.knittingfactory.=
com/kfla/</A></SPAN></FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE><=
/BODY></HTML>

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No sir- you unsubscribe yourself just like you subscribed yourself- list =
members CAN NOT UNSUBSCRIBE YOU.

  -----Original Message-----
  From: David <reel.d@iafrica.com>
  To: Loopers-Delight@loopers-delight.com =
<Loopers-Delight@loopers-delight.com>
  Date: Wednesday, December 13, 2000 1:46 PM
  Subject: remove


  this system from loopers delight is getting topo much, i even get my =
own eimails so unsubscribe me please.
    ----- Original Message -----=20
    From: Liebig, Steuart A.=20
    To: 'Loopers-Delight@loopers-delight.com'=20
    Sent: Wednesday, December 13, 2000 10:45 PM
    Subject: so cal gig spam


    howdy,
    =20
    stinkbug:=20
    =20
    scott amendola: drumset
    =20
    nels cline: guitars, loopage
    =20
    steuart liebig: basses, loopage
    =20
    ge stinson: guitars, loopage
    =20
    =20
    =20
    knitting factory hollywood
    =20
    sunday, 17 december 2000
    =20
    alterknit lounge
    =20
    two sets: first at 8:00 p.m. (i'd call club to verify)
    =20
    8 smackers.
    =20
    http://www.knittingfactory.com/kfla/

------=_NextPart_000_01F1_01C0650B.865D9720
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Dwindows-1252" =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
Transitional//EN">
<META content=3D"MSHTML 5.00.3207.2500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>No sir- you unsubscribe yourself just like you =
subscribed=20
yourself- list members CAN NOT UNSUBSCRIBE YOU.</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px">
  <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
  </B>David &lt;<A=20
  =
href=3D"mailto:reel.d@iafrica.com">reel.d@iafrica.com</A>&gt;<BR><B>To: =
</B><A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  &lt;<A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR><B>Date:=20
  </B>Wednesday, December 13, 2000 1:46 PM<BR><B>Subject:=20
  </B>remove<BR><BR></DIV></FONT>
  <DIV><FONT face=3DArial size=3D2>this system from loopers delight is =
getting topo=20
  much, i even get my own eimails so unsubscribe me please.</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A href=3D"mailto:Steuart.Liebig@maritz.com"=20
    title=3DSteuart.Liebig@maritz.com>Liebig, Steuart A.</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    href=3D"mailto:'Loopers-Delight@loopers-delight.com'"=20
    =
title=3DLoopers-Delight@loopers-delight.com>'Loopers-Delight@loopers-deli=
ght.com'</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 13, =
2000=20
    10:45 PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> so cal gig =
spam</DIV>
    <DIV><BR></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000>howdy,</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000>stinkbug: </SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000>scott amendola: =
drumset</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000>nels cline: guitars, =
loopage</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000>steuart liebig: basses, =
loopage</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D947353620-13122000>ge=20
    stinson: guitars, loopage</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000>knitting factory =
hollywood</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000>sunday, 17 december =
2000</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000>alterknit lounge</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000>two sets:</SPAN></FONT><FONT =
color=3D#0000ff=20
    face=3DArial size=3D2><SPAN class=3D947353620-13122000> first at =
8:00 p.m. (i'd=20
    call club to verify)</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D947353620-13122000>8=20
    smackers.</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D947353620-13122000></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D947353620-13122000><A=20
    =
href=3D"http://www.knittingfactory.com/kfla/">http://www.knittingfactory.=
com/kfla/</A></SPAN></FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>=


------=_NextPart_000_01F1_01C0650B.865D9720--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 17:11:52 2000
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From: lindsay@pavestone.com
Subject: Re: remove
To: Loopers-Delight@loopers-delight.com
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I emailed him instructions for unsubscribing privately.  Let's not all get
huffy.

L



                                                                                              
                    "Clifford@BienA                                                           
                    ppraisers"             To:     <Loopers-Delight@loopers-delight.com>      
                    <bienappraisers        cc:                                                
                                           Subject:     Re: remove                            
                    12/13/00 03:49                                                            
                    PM                                                                        
                    Please respond                                                            
                    to                                                                        
                    Loopers-Delight                                                           
                                                                                              
                                                                                              



No sir- you unsubscribe yourself just like you subscribed yourself- list
members CAN NOT UNSUBSCRIBE YOU.

 -----Original Message-----
 From: David <reel.d@iafrica.com>
 To: Loopers-Delight@loopers-delight.com <
 Loopers-Delight@loopers-delight.com>
 Date: Wednesday, December 13, 2000 1:46 PM
 Subject: remove

 this system from loopers delight is getting topo much, i even get my own
 eimails so unsubscribe me please.
 ----- Original Message -----
 From: Liebig, Steuart A.
 To: 'Loopers-Delight@loopers-delight.com'
 Sent: Wednesday, December 13, 2000 10:45 PM
 Subject: so cal gig spam

 howdy,

 stinkbug:

 scott amendola: drumset

 nels cline: guitars, loopage

 steuart liebig: basses, loopage

 ge stinson: guitars, loopage



 knitting factory hollywood

 sunday, 17 december 2000

 alterknit lounge

 two sets: first at 8:00 p.m. (i'd call club to verify)

 8 smackers.

 http://www.knittingfactory.com/kfla/



From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 17:34:36 2000
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: remove
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I informed him once off list before this- thanks-

-----Original Message-----
From: lindsay@pavestone.com <lindsay@pavestone.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Wednesday, December 13, 2000 2:05 PM
Subject: Re: remove


>
>I emailed him instructions for unsubscribing privately.  Let's not all get
>huffy.
>
>L
>
>
>
>
>                    "Clifford@BienA
>                    ppraisers"             To:
<Loopers-Delight@loopers-delight.com>
>                    <bienappraisers        cc:
>                                           Subject:     Re: remove
>                    12/13/00 03:49
>                    PM
>                    Please respond
>                    to
>                    Loopers-Delight
>
>
>
>
>
>No sir- you unsubscribe yourself just like you subscribed yourself- list
>members CAN NOT UNSUBSCRIBE YOU.
>
> -----Original Message-----
> From: David <reel.d@iafrica.com>
> To: Loopers-Delight@loopers-delight.com <
> Loopers-Delight@loopers-delight.com>
> Date: Wednesday, December 13, 2000 1:46 PM
> Subject: remove
>
> this system from loopers delight is getting topo much, i even get my own
> eimails so unsubscribe me please.
> ----- Original Message -----
> From: Liebig, Steuart A.
> To: 'Loopers-Delight@loopers-delight.com'
> Sent: Wednesday, December 13, 2000 10:45 PM
> Subject: so cal gig spam
>
> howdy,
>
> stinkbug:
>
> scott amendola: drumset
>
> nels cline: guitars, loopage
>
> steuart liebig: basses, loopage
>
> ge stinson: guitars, loopage
>
>
>
> knitting factory hollywood
>
> sunday, 17 december 2000
>
> alterknit lounge
>
> two sets: first at 8:00 p.m. (i'd call club to verify)
>
> 8 smackers.
>
> http://www.knittingfactory.com/kfla/
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 17:48:01 2000
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Old-Return-Path: <lindsay@pavestone.com>
From: lindsay@pavestone.com
Subject: Re: remove
To: Loopers-Delight@loopers-delight.com
X-Mailer: Lotus Notes Release 5.0.2c  February 2, 2000
Message-ID: <OF3E856C6F.47F5B151-ON862569B4.007B8141@pavestone.com>
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Well, that's two sets of instructions he's received.  More than enough
justification to huff.
(I did not mean to sound snippy--damn this email and it's lack of
inflection)

L



                                                                                              
                    "Clifford@BienA                                                           
                    ppraisers"             To:     <Loopers-Delight@loopers-delight.com>      
                    <bienappraisers        cc:                                                
                                           Subject:     Re: remove                            
                    12/13/00 04:27                                                            
                    PM                                                                        
                    Please respond                                                            
                    to                                                                        
                    Loopers-Delight                                                           
                                                                                              
                                                                                              



I informed him once off list before this- thanks-

-----Original Message-----
From: lindsay@pavestone.com <lindsay@pavestone.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Wednesday, December 13, 2000 2:05 PM
Subject: Re: remove


>
>I emailed him instructions for unsubscribing privately.  Let's not all get
>huffy.
>
>L
>
>
>
>
>                    "Clifford@BienA
>                    ppraisers"             To:
<Loopers-Delight@loopers-delight.com>
>                    <bienappraisers        cc:
>                                           Subject:     Re: remove
>                    12/13/00 03:49
>                    PM
>                    Please respond
>                    to
>                    Loopers-Delight
>
>
>
>
>
>No sir- you unsubscribe yourself just like you subscribed yourself- list
>members CAN NOT UNSUBSCRIBE YOU.
>
> -----Original Message-----
> From: David <reel.d@iafrica.com>
> To: Loopers-Delight@loopers-delight.com <
> Loopers-Delight@loopers-delight.com>
> Date: Wednesday, December 13, 2000 1:46 PM
> Subject: remove
>
> this system from loopers delight is getting topo much, i even get my own
> eimails so unsubscribe me please.
> ----- Original Message -----
> From: Liebig, Steuart A.
> To: 'Loopers-Delight@loopers-delight.com'
> Sent: Wednesday, December 13, 2000 10:45 PM
> Subject: so cal gig spam
>
> howdy,
>
> stinkbug:
>
> scott amendola: drumset
>
> nels cline: guitars, loopage
>
> steuart liebig: basses, loopage
>
> ge stinson: guitars, loopage
>
>
>
> knitting factory hollywood
>
> sunday, 17 december 2000
>
> alterknit lounge
>
> two sets: first at 8:00 p.m. (i'd call club to verify)
>
> 8 smackers.
>
> http://www.knittingfactory.com/kfla/
>
>
>





From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 18:11:38 2000
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Old-Return-Path: <ozone@ticnet.com>
Message-ID: <01ac01c06559$fd5450f0$e8ca37cf@8700.it.verio.net>
From: "Pulse 8" <ozone@ticnet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <OF3E856C6F.47F5B151-ON862569B4.007B8141@pavestone.com>
Subject: Re: remove
Date: Wed, 13 Dec 2000 17:09:57 -0600
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Perhaps it'd help if "to unsubscribe" line included or a link for
subscription information...

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page
----- Original Message -----
From: <lindsay@pavestone.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, December 13, 2000 4:35 PM
Subject: Re: remove


>
> Well, that's two sets of instructions he's received.  More than enough
> justification to huff.
> (I did not mean to sound snippy--damn this email and it's lack of
> inflection)
>
> L
>
>
>
>
>                     "Clifford@BienA
>                     ppraisers"             To:
<Loopers-Delight@loopers-delight.com>
>                     <bienappraisers        cc:
>                                            Subject:     Re: remove
>                     12/13/00 04:27
>                     PM
>                     Please respond
>                     to
>                     Loopers-Delight
>
>
>
>
>
> I informed him once off list before this- thanks-
>
> -----Original Message-----
> From: lindsay@pavestone.com <lindsay@pavestone.com>
> To: Loopers-Delight@loopers-delight.com
> <Loopers-Delight@loopers-delight.com>
> Date: Wednesday, December 13, 2000 2:05 PM
> Subject: Re: remove
>
>
> >
> >I emailed him instructions for unsubscribing privately.  Let's not all
get
> >huffy.
> >
> >L
> >
> >
> >
> >
> >                    "Clifford@BienA
> >                    ppraisers"             To:
> <Loopers-Delight@loopers-delight.com>
> >                    <bienappraisers        cc:
> >                                           Subject:     Re: remove
> >                    12/13/00 03:49
> >                    PM
> >                    Please respond
> >                    to
> >                    Loopers-Delight
> >
> >
> >
> >
> >
> >No sir- you unsubscribe yourself just like you subscribed yourself- list
> >members CAN NOT UNSUBSCRIBE YOU.
> >
> > -----Original Message-----
> > From: David <reel.d@iafrica.com>
> > To: Loopers-Delight@loopers-delight.com <
> > Loopers-Delight@loopers-delight.com>
> > Date: Wednesday, December 13, 2000 1:46 PM
> > Subject: remove
> >
> > this system from loopers delight is getting topo much, i even get my own
> > eimails so unsubscribe me please.
> > ----- Original Message -----
> > From: Liebig, Steuart A.
> > To: 'Loopers-Delight@loopers-delight.com'
> > Sent: Wednesday, December 13, 2000 10:45 PM
> > Subject: so cal gig spam
> >
> > howdy,
> >
> > stinkbug:
> >
> > scott amendola: drumset
> >
> > nels cline: guitars, loopage
> >
> > steuart liebig: basses, loopage
> >
> > ge stinson: guitars, loopage
> >
> >
> >
> > knitting factory hollywood
> >
> > sunday, 17 december 2000
> >
> > alterknit lounge
> >
> > two sets: first at 8:00 p.m. (i'd call club to verify)
> >
> > 8 smackers.
> >
> > http://www.knittingfactory.com/kfla/
> >
> >
> >
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 18:11:47 2000
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Hey

I've been doing more recording than playing lately, and it's made me think
that a good tube modeling preamp may be the way to go.  I bought a Line 6
Spyder, and I like it, but I've been seeing the Johnson JStation around.  I
know the Line 6 is held in pretty high regard.  I also know that Adrian
Belew swears by Johnson amps.

Any opinions welcome.

Thanks.

Mark

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 18:23:36 2000
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You know what?  I think the Yamaha DG Stomp may be the way to go.  I own a
POD and loved it--until my friend and jam-mate got a DG Stomp.  First off,
the effects are measurably better.  Second, there's what seems to me a
deeper level of control over all the parameters.  Third, there's
footswitches!  It's built like a stomp-box, which the POD a J-Station are
not, making them near useless live without additional hardware (footswitch
or MIDI gear).  I have also been impressed by the tone, though I haven't
had too much opportunity to tinker with it.  I do know Guitar Player (Joe
Gore, I think) reviewed it and it won an Editors' Choice award with some
superlative commentary.

My 2.23 Yen.



                                                                                            
                    Mark                                                                    
                    Sottilaro            To:     Loopers-Delight@loopers-delight.com        
                    <sine@zerocro        cc:                                                
                    ssing.net>           Subject:     OT: Johnson JStation VS. Line6 Pod    
                                                                                            
                    12/13/00                                                                
                    05:04 PM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



Hey

I've been doing more recording than playing lately, and it's made me think
that a good tube modeling preamp may be the way to go.  I bought a Line 6
Spyder, and I like it, but I've been seeing the Johnson JStation around.  I
know the Line 6 is held in pretty high regard.  I also know that Adrian
Belew swears by Johnson amps.

Any opinions welcome.

Thanks.

Mark





From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 18:25:30 2000
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How bout the new Yamaha DG stomp.
-T

>>> sine@zerocrossing.net 12/13 3:04 PM >>>
Hey

I've been doing more recording than playing lately, and it's made me think
that a good tube modeling preamp may be the way to go.  I bought a Line 6
Spyder, and I like it, but I've been seeing the Johnson JStation around.  I
know the Line 6 is held in pretty high regard.  I also know that Adrian
Belew swears by Johnson amps.

Any opinions welcome.

Thanks.

Mark


From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 18:29:56 2000
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From: "Pulse 8" <ozone@ticnet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <OF3E856C6F.47F5B151-ON862569B4.007B8141@pavestone.com> <01ac01c06559$fd5450f0$e8ca37cf@8700.it.verio.net>
Subject: Re: remove
Date: Wed, 13 Dec 2000 17:34:03 -0600
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i speak english, i promise....i speak english, i promise....i speak english,
i promise....i speak english, i promise....i speak english, i promise....i
speak english, i promise....i speak english, i promise....i speak english, i
promise....

(that's about as far as it goes towards this message being loop related)

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page
----- Original Message -----
From: "Pulse 8" <ozone@ticnet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, December 13, 2000 5:09 PM
Subject: Re: remove


> Perhaps it'd help if "to unsubscribe" line included or a link for
> subscription information...
>
> Joshua
>
> Pulse 8 - aim:jkerseyvcso
> http://www.mp3.com/pulse8 - Pulse 8 Music Project
> http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
> http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
> http://users.ticnet.com/jkersey - Personal Home Page
> ----- Original Message -----
> From: <lindsay@pavestone.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, December 13, 2000 4:35 PM
> Subject: Re: remove
>
>
> >
> > Well, that's two sets of instructions he's received.  More than enough
> > justification to huff.
> > (I did not mean to sound snippy--damn this email and it's lack of
> > inflection)
> >
> > L
> >
> >
> >
> >
> >                     "Clifford@BienA
> >                     ppraisers"             To:
> <Loopers-Delight@loopers-delight.com>
> >                     <bienappraisers        cc:
> >                                            Subject:     Re: remove
> >                     12/13/00 04:27
> >                     PM
> >                     Please respond
> >                     to
> >                     Loopers-Delight
> >
> >
> >
> >
> >
> > I informed him once off list before this- thanks-
> >
> > -----Original Message-----
> > From: lindsay@pavestone.com <lindsay@pavestone.com>
> > To: Loopers-Delight@loopers-delight.com
> > <Loopers-Delight@loopers-delight.com>
> > Date: Wednesday, December 13, 2000 2:05 PM
> > Subject: Re: remove
> >
> >
> > >
> > >I emailed him instructions for unsubscribing privately.  Let's not all
> get
> > >huffy.
> > >
> > >L
> > >
> > >
> > >
> > >
> > >                    "Clifford@BienA
> > >                    ppraisers"             To:
> > <Loopers-Delight@loopers-delight.com>
> > >                    <bienappraisers        cc:
> > >                                           Subject:     Re: remove
> > >                    12/13/00 03:49
> > >                    PM
> > >                    Please respond
> > >                    to
> > >                    Loopers-Delight
> > >
> > >
> > >
> > >
> > >
> > >No sir- you unsubscribe yourself just like you subscribed yourself-
list
> > >members CAN NOT UNSUBSCRIBE YOU.
> > >
> > > -----Original Message-----
> > > From: David <reel.d@iafrica.com>
> > > To: Loopers-Delight@loopers-delight.com <
> > > Loopers-Delight@loopers-delight.com>
> > > Date: Wednesday, December 13, 2000 1:46 PM
> > > Subject: remove
> > >
> > > this system from loopers delight is getting topo much, i even get my
own
> > > eimails so unsubscribe me please.
> > > ----- Original Message -----
> > > From: Liebig, Steuart A.
> > > To: 'Loopers-Delight@loopers-delight.com'
> > > Sent: Wednesday, December 13, 2000 10:45 PM
> > > Subject: so cal gig spam
> > >
> > > howdy,
> > >
> > > stinkbug:
> > >
> > > scott amendola: drumset
> > >
> > > nels cline: guitars, loopage
> > >
> > > steuart liebig: basses, loopage
> > >
> > > ge stinson: guitars, loopage
> > >
> > >
> > >
> > > knitting factory hollywood
> > >
> > > sunday, 17 december 2000
> > >
> > > alterknit lounge
> > >
> > > two sets: first at 8:00 p.m. (i'd call club to verify)
> > >
> > > 8 smackers.
> > >
> > > http://www.knittingfactory.com/kfla/
> > >
> > >
> > >
> >
> >
> >
> >
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 18:33:24 2000
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Date: Wed, 13 Dec 2000 17:55:23 -0500
To: "Art List"  <emile@foryourhead.com>
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance Sat. 12.16.00 with Immersion Music Salon
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Hi folks.

I'm performing video improvisations with Immersion Music Salon  at 
the Zeitgeist Gallery in Cambridge MA, on Saturday Dec 16 at 8PM.

Marc Bisson     - prepared guitar
Teresa Marrin Nakra - violin
Dr T                 - video mix
Curtis Bahn  Extended Bass
Marilda Castro - movement

with special guests:

dj flack - turntables
sabrina - film loops

The Zeitgeist Gallery is located at 312 Broadway in Cambridge, 
Massachusetts.  Please call 617-623-1065 for directions and more 
information.

Hope you can make it. Previous shows with this group have been very special.
-- 

"Any sufficiently advanced technology is indistinguishable from magic"

--  Arthur C. Clarke

I like to think that is true for art and music as well.

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 18:37:50 2000
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 <3A380091.BCC6DB76@zerocrossing.net>
Date: Wed, 13 Dec 2000 15:19:28 -0800
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: Re: OT: Johnson JStation VS. Line6 Pod
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Those two modeling preamps and the opinions on each are as varied and 
vehement as the 'fender vs. marshall' or 'paul vs. strat' or 'big mac 
vs. whopper' arguments...

I use the POD regularly and think it's the best thing since sliced 
bread as far as direct recording (if you happen to have limited 
access to high quality mics, excellent sounding rooms, and good 
micing engineering skills...like me!)

I used to play bass for a rock band where the guitarist was using a 
Johnson Millenium with a Parker guitar.  In my opinion?  Crap plugged 
into crap.  No soul, no tone, just jangly overchorused junk.  Now he 
wasn't a wiz with programming either, so that may account for his 
tone...but god knows he futzed around with the stupid thing often 
enough.

Check out

http://www.dthraco.com/

or

http://www.geocities.com/SunsetStrip/Studio/2786/pod.html

These two dudes are the biggest POD evangalists, so expect a biased 
opinion.  However, dtraco has audio samples of the POD vs. J-Station 
at his site.  Malhavok (the second address) has literally hundreds of 
patches you can download into your POD via your computer and 
Soundiver software.

General concensus:

POD - much better and more accurate amp models
J-Station - better effects

good luck,

rich


>Hey
>
>I've been doing more recording than playing lately, and it's made me think
>that a good tube modeling preamp may be the way to go.  I bought a Line 6
>Spyder, and I like it, but I've been seeing the Johnson JStation around.  I
>know the Line 6 is held in pretty high regard.  I also know that Adrian
>Belew swears by Johnson amps.
>
>Any opinions welcome.
>
>Thanks.
>
>Mark

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 19:04:31 2000
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Date: Wed, 13 Dec 2000 15:39:01 -0800
To: Loopers-Delight@loopers-delight.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: OT: Johnson JStation VS. Line6 Pod
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My brother Anton got one of the DG Stomps and they sound quite good -- good
clean and gain sounds, and a nice reverb -- (much better than the POD,
IMO).  Also, it has the digital output (SPDIF) , which is nice for digital
audio recording, although, strangely, we could not get it to work with
Cubase (although other digital sources seem to work fine...). I've never
the J-station, though, so i can;t compare it to that.

- Chris


>You know what?  I think the Yamaha DG Stomp may be the way to go.  I own a
>POD and loved it--until my friend and jam-mate got a DG Stomp.  First off,
>the effects are measurably better.  Second, there's what seems to me a
>deeper level of control over all the parameters.  Third, there's
>footswitches!  It's built like a stomp-box, which the POD a J-Station are
>not, making them near useless live without additional hardware (footswitch
>or MIDI gear).  I have also been impressed by the tone, though I haven't
>had too much opportunity to tinker with it.  I do know Guitar Player (Joe
>Gore, I think) reviewed it and it won an Editors' Choice award with some
>superlative commentary.
>
>My 2.23 Yen.
>
>
>
>
>
>                    Mark
>
>                    Sottilaro            To:
>Loopers-Delight@loopers-delight.com
>                    <sine@zerocro        cc:
>
>                    ssing.net>           Subject:     OT: Johnson JStation
>VS. Line6 Pod
>
>
>                    12/13/00
>
>                    05:04 PM
>
>                    Please
>
>                    respond to
>
>                    Loopers-Delig
>
>                    ht
>
>
>
>
>
>
>
>
>Hey
>
>I've been doing more recording than playing lately, and it's made me think
>that a good tube modeling preamp may be the way to go.  I bought a Line 6
>Spyder, and I like it, but I've been seeing the Johnson JStation around.  I
>know the Line 6 is held in pretty high regard.  I also know that Adrian
>Belew swears by Johnson amps.
>
>Any opinions welcome.
>
>Thanks.
>
>Mark

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 19:12:06 2000
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Date: Wed, 13 Dec 2000 18:52:54 -0500
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: OT: Johnson JStation VS. Line6 Pod
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At 03:04 PM 12/13/00 -0800, Mark wrote:
>I also know that Adrian Belew swears by Johnson amps.

I thought so too, and there even a thread a while back about how Belew was
even using the Millennium's onboard circuitry for looping, but a friend of
mine caught a Crimson show a couple of weeks ago (Berklee Performance Ctr,
Boston) and swears Belew was using the old JC-120s again.

Tim

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 19:44:26 2000
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Subject: Re: OT: Johnson JStation VS. Line6 Pod-what Belew uses 
Date: Wed, 13 Dec 2000 18:32:57 -0600
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Hi Tim & all,

I'm not questioning what your friend saw, but I saw KC in Chicago at the 
Park West on Halloween and he did indeed have 2 Johnson amps.  KC also had a 
ton of looping gear, but except perhaps for Fripp's soundscapes I didn't 
hear any loops. When I saw KC back in (I think) 96' the string players were 
all using Bag End Monitors except for Tony Levin.

Best Regards,

Nick


At 03:04 PM 12/13/00 -0800, Mark wrote:
 >I also know that Adrian Belew swears by Johnson amps.

I thought so too, and there even a thread a while back about how Belew was
even using the Millennium's onboard circuitry for looping, but a friend of
mine caught a Crimson show a couple of weeks ago (Berklee Performance Ctr,
Boston) and swears Belew was using the old JC-120s again.

Tim


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space module wrote:

> Hi Tim & all,
>
> I'm not questioning what your friend saw, but I saw KC in Chicago at the
> Park West on Halloween and he did indeed have 2 Johnson amps.  KC also had a
> ton of looping gear, but except perhaps for Fripp's soundscapes I didn't
> hear any loops. When I saw KC back in (I think) 96' the string players were
> all using Bag End Monitors except for Tony Levin.
>
> Best Regards,
>
> Nick
>
> At 03:04 PM 12/13/00 -0800, Mark wrote:
>  >I also know that Adrian Belew swears by Johnson amps.
>
> I thought so too, and there even a thread a while back about how Belew was
> even using the Millennium's onboard circuitry for looping, but a friend of
> mine caught a Crimson show a couple of weeks ago (Berklee Performance Ctr,
> Boston) and swears Belew was using the old JC-120s again.
>
> Tim

maybe the millenium's were in the shop :-)

lance g.

From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 20:44:11 2000
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From: Bret <echoplex@yahoo.com>
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Andy,
I disagree with your conclusion that using a dc source to an ac
(rectified) input of a device like the boomerang can possibly damage
the rectifier's diodes or that 'things will get a little hot'.

As far as I know rectifier circuits and diodes are rated by max current
and max voltage, not power. Diodes will fail if you exceed their
current rating, or if you exceed their breakdown voltage rating.  

Your 'half and half share' statement assumes a full wave rectifier, but
whether damage is done does not matter if we are talking about a full
wave or a half wave rectifier.  

As you note, in the case of the full wave circuit presented with an ac
input, the current is not split across 2 paths at the same time.  It is
not analogous to 2 paths that carry the same current at the same time
(like 2 wires in parallel).  At a given moment, half of the full wave
rectifier's diodes carry ALL of the current.  When the phase of the ac
input changes, the other half of the full wave rectifier circuit
carries ALL of the current.  So, each of the diodes in the bridge must
be rated to carry ALL of the current (plus margin).

The half wave rectifier is simpler.  In this circuit the current flows
through the diode half the time when an ac voltage is applied.  When
the same rms dc voltage is applied to the diode, the diode conducts
100% of the time (if forward biased) or None of the time (if reverse
biased).  The diode is fine with the dc input because the current
through the forward biased diode is the same as with an ac input, and
the dc voltage presented to the diode will not exceed the peak ac
voltage.  

When a 9v dc source is applied to the device's 9v ac (rectified) input,
the current through the rectifier is not increased (the device still
draws the same current), nor is the peak voltage increased from the
same device having ac input to the rectifier (the peak may even be less
for the dc case).  The difference the diodes will experience is the
duty cycle of the voltage and current.  Going to a 100% duty cycle will
not damage the diode or diodes because the current and voltage ratings
of the diode junctions are not exceeded.  

On an anecdotal note, the Roland GR-09 guitar synth expects an AC
input, but I have used a DC input (inside a car) and not seen any
problems.

bret
--- SoundFNR@aol.com wrote:
> > The fact that the boomerang uses ac input means that the boomerang
> >  rectifies and filters the ac to dc inside of the boomerang. 
> Plugging
> >  9v dc into a device that has rectifiers and filters on the power
> input
> >  will not do any harm.  It may not work, but it will do no harm.
> >  bret
> Caution, all the current will be flowing through half of the
> rectification 
> circuit
> all of the time (instead of the normal half & half share).
> If the power capacity of your rectification circuit isn't over
> specified 
> by a factor of 2 then things might get a little hot.
> So every chance you could blow up your gear.  
> Andy 
> 


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From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 21:23:52 2000
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From: dan sumner <permadan@yahoo.com>
Subject: OT help with Logic Audio please
To: Loopers-Delight@loopers-delight.com
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Dear fellow Loopers,

If there is anyone who can help me set up my Logic
system by answering a few questions, I would be most
appreciative.  Does anyone know where I can order the
boomerang update?
Thanks,
Dan  

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From Loopers-Delight-request@loopers-delight.com  Wed Dec 13 21:33:36 2000
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On 13/12/00 at 18:21, dan sumner <permadan@yahoo.com> wrote:

> Dear fellow Loopers,
> 
> If there is anyone who can help me set up my Logic
> system by answering a few questions, I would be most
> appreciative.  Does anyone know where I can order the
> boomerang update?


The Logic list is logic-users@egroups.com

If you go to egroups you can get right on it.

HTH

Andrew

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 00:21:46 2000
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Date: Thu, 14 Dec 2000 00:21:34 -0500
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: OT: Johnson JStation VS. Line6 Pod-what Belew uses 
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By a strange coincidence, just as your message came across my screen, that
same friend arrived at my house. I showed him your post and asked "Are you
SURE they were the 120's?"
He said "Well, they MIGHT not have been, but they looked like it. They're
the two twelve combos, right?"

Hmmmmmmmm..... I'll bet they WERE the Millenniums! :-)

-t

At 06:32 PM 12/13/00 -0600, Nick wrote:
>I'm not questioning what your friend saw, but I saw KC in Chicago at the 
>Park West on Halloween and he did indeed have 2 Johnson amps.

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 01:48:06 2000
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Hi my name is Alyosha
I use Logic very often, so if I can help you let me know.
It is a greate program, greate that you got it.
Alyosha

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 03:03:46 2000
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The Johnson amp's Belew has been seen using are basically
Digitech 2120's (internal tube and solid-state preamp) built
into a solid-state amp.  The JStation is all digitally modelled -
a completely different animal.  There are interesting reviews
of both the Pod and JStation at Sound on Sound (www.sospubs.co.uk).
I suspect Belew will sound like himself no matter what he plugs
into.

My personal choice is a Pod + external FX -- let each
box do what it does best.  I had a Digitech 2101 for quite
a while, and though it has some great tones, I think the
Pod has the edge in that match-up.

Jim

space module wrote:

> Hi Tim & all,
>
> I'm not questioning what your friend saw, but I saw KC in Chicago at the
> Park West on Halloween and he did indeed have 2 Johnson amps.  KC also had a
> ton of looping gear, but except perhaps for Fripp's soundscapes I didn't
> hear any loops. When I saw KC back in (I think) 96' the string players were
> all using Bag End Monitors except for Tony Levin.
>
> Best Regards,
>
> Nick
>
> At 03:04 PM 12/13/00 -0800, Mark wrote:
>  >I also know that Adrian Belew swears by Johnson amps.
>
> I thought so too, and there even a thread a while back about how Belew was
> even using the Millennium's onboard circuitry for looping, but a friend of
> mine caught a Crimson show a couple of weeks ago (Berklee Performance Ctr,
> Boston) and swears Belew was using the old JC-120s again.
>
> Tim
>
> _____________________________________________________________________________________
> Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

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References: <01ee01c05ffe$0cac1530$080210ac@jpalmer><000201c06078$15629c60$1bb06fd4@y5w2s5> <p05001905b6596926b39b@[200.194.252.59]><005401c06324$c7b6eac0$87936fd4@y5w2s5> <p05001906b65a4e4b8470@[200.194.253.113]> <000701c06395$adaac220$20b06fd4@y5w2s5> <06f901c0639c$70e15f00$1fab82cc@mdbs.com>
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Ackkk!  56K programming on the Capybara!  What is it with that unit???? ;)

Happy looping  :)


Dennis Leas wrote:

> > Which reminds me Dennis - any sign of your looping patches?
>
> Yes!  I'm getting much closer to a beta!  I have one more microSound to
> write (hopefully this next week, but it might take two) and update my
> documentation.  Then I need a way to distribute without sending the source
> code; SymbSound is working on this issue.
>
> Dennis Leas
> -------------------
> dennis@mdbs.com

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Subject:  Looking for loopsampler for a Sax
Date: Thu, 14 Dec 2000 10:38:33 +0100
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> Hi, 
> 
> I am looking for a simple to use stage loop sample device that i can use
> with my saxophone.
> 
> I will use a normal dynamic mic and I will be connected to a PA.
> The looper could be connected to an effect return on then PA.
> 
> Any suggestions?
> 
> Best regards
> 
> /Per
> 
> --------------------------------------------------------------------------
> ---------------------------------
> Per Wallqvist ---- per@tankebolaget.se ---- ICQ: 807488
> Tankebolaget AB -------------------- www.tankebolaget.se 
> Kungstensgatan 21B 2tr----------- mob:+46-708-77 81 41
> S-113 57 STHLM, Sweden ------------ ph: +46-8-4429617
> 
> 
> 
> 
> 

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Hi gang,     I am proud to announce a free presentation of the live
version of


|                                                                  |
         |           __   __    __        __    __     __    |
         |___   (__) (__) (__)  *  (__)  (__)  (__)   |___
                                    |           |
                                    |           |


with my partner in Abstract Downtempo Electronica, George DeMarest

at the BLUEBIRD GALLERY   (6396 hwy 9 Felton 95018)


this Sunday, December 17th    from 3 p.m. until 7 p.m.

I will also be performing a set of my solo looping show:     Loop.1.pooL

which will be my first performance in this county since the excellent
WOODSTOCKHAUSEN 2000 Experimental Music Festival this summer.   There
will be a lot of audience participation in this one, so come prepared to
help me loop!

George DeMarest  is an excellent classically trained
trumpeter/flugelhornist with a beautiful voice who also  plays
keyboards, percussion, electronics and is even currently working on his
shofar and conch shell chops ;-)~       He will also be performing his
solo looping set as well.

Loop.pooL's perfromance will be our warm up gig for a featured
presentation at
Monterey's First Night in a specially constructed geodesic dome.
The live performance will include Ambient/Trip Hop/Abstract/ and World
music elements.

The BLUEBIRD GALLERY is a very creative new art enterprise run by Willia
and Javier, two talented visual artists.   They are very supportive of
artists and musicians and we are lucky to have them in our community.
Please support them.

I hope you can make it.    Yours, in creativity and expression,   Rick
Walker


















From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 05:42:35 2000
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Subject: Re: OT: Johnson JStation VS. Line6 Pod-what Belew uses
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In a message dated 12/14/00 3:03:14 AM, jimc@jguru.com writes:

<< My personal choice is a Pod + external FX -- let each
box do what it does best.  I had a Digitech 2101 for quite
a while, and though it has some great tones, I think the
Pod has the edge in that match-up.
 >>

Jim;
How do you run you're effects?  Before/ after the Pod - which ones?  While I 
agree the Pod is great I also had a 2101 (sold when I got the Pod) that I now 
kind of miss - those thick 8 voice chorus modules are something!  I think 
Digitech screwed up when they "upgraded" the 2101 with the 2112 - something 
was lost IMHO. - Paul

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Subject: Re: OT: Johnson JStation VS. Line6 Pod-what Belew uses
Date: Thu, 14 Dec 2000 11:37:45 +0100
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With KC2000 you can hear the Roland V-modelling (Fripp), POD's (Gunn) and
Johnson (Belew).
It seems they need a guy who's going to play Yamaha:)

Jan
----- Original Message -----
From: "Jim Coker" <jimc@jguru.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, December 14, 2000 8:51 AM
Subject: Re: OT: Johnson JStation VS. Line6 Pod-what Belew uses


>
> The Johnson amp's Belew has been seen using are basically
> Digitech 2120's (internal tube and solid-state preamp) built
> into a solid-state amp.  The JStation is all digitally modelled -
> a completely different animal.  There are interesting reviews
> of both the Pod and JStation at Sound on Sound (www.sospubs.co.uk).
> I suspect Belew will sound like himself no matter what he plugs
> into.
>
> My personal choice is a Pod + external FX -- let each
> box do what it does best.  I had a Digitech 2101 for quite
> a while, and though it has some great tones, I think the
> Pod has the edge in that match-up.
>
> Jim
>
> space module wrote:
>
> > Hi Tim & all,
> >
> > I'm not questioning what your friend saw, but I saw KC in Chicago at the
> > Park West on Halloween and he did indeed have 2 Johnson amps.  KC also
had a
> > ton of looping gear, but except perhaps for Fripp's soundscapes I didn't
> > hear any loops. When I saw KC back in (I think) 96' the string players
were
> > all using Bag End Monitors except for Tony Levin.
> >
> > Best Regards,
> >
> > Nick
> >
> > At 03:04 PM 12/13/00 -0800, Mark wrote:
> >  >I also know that Adrian Belew swears by Johnson amps.
> >
> > I thought so too, and there even a thread a while back about how Belew
was
> > even using the Millennium's onboard circuitry for looping, but a friend
of
> > mine caught a Crimson show a couple of weeks ago (Berklee Performance
Ctr,
> > Boston) and swears Belew was using the old JC-120s again.
> >
> > Tim
> >
> >
____________________________________________________________________________
_________
> > Get more from the Web.  FREE MSN Explorer download :
http://explorer.msn.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 08:55:57 2000
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> Well, that's two sets of instructions he's received.  More than enough
> justification to huff.

Actually three sets.  I sent him instructions from the LD website as well...

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 11:35:53 2000
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I use to see so much stuff regarding the new Repeater and lately
nothing.

How can something be so exciting then so extinct?

Zing

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 12:03:39 2000
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From: Jimmy George <jimmy@loadhandler.com>
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Subject: RE: Johnson JStation VS. Line6 Pod
Date: Thu, 14 Dec 2000 10:29:58 -0600
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i also swear by johnson amps. i've been playing the stereo 150 for a smudge
over 2 years now. it has replaced 200 plus pounds of rack gear. so far so
good very solid amp. i've done over a few hundred shows with this amp with
no errors for johnson. (knock on wood ...)i have no j-station experience
myself but my friends swear by it. use your ears and pick your winner.

best wishes,
jimmy george

-----Original Message-----
From: Mark Sottilaro [mailto:sine@zerocrossing.net]
Sent: Wednesday, December 13, 2000 5:05 PM
To: Loopers-Delight@loopers-delight.com
Subject: OT: Johnson JStation VS. Line6 Pod


Hey

I've been doing more recording than playing lately, and it's made me think
that a good tube modeling preamp may be the way to go.  I bought a Line 6
Spyder, and I like it, but I've been seeing the Johnson JStation around.  I
know the Line 6 is held in pretty high regard.  I also know that Adrian
Belew swears by Johnson amps.

Any opinions welcome.

Thanks.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 13:27:17 2000
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From: dan sumner <permadan@yahoo.com>
Subject: Re: OT help with Logic Audio please
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Alyosha,

Thanks for your ear.  I'm trying to sync an adat xt to
my logic ISIS program.  I use the Guillemont card and
am hooking up the adat with the alesis adat PCR card. 
LAW will controll the adat transport just fine, but
will not move it's own transport when synced!!!! I
hope this makes sense to you.  Does anyone have a
solution for me?

Also, I did get it to sync a couple of times and when
I tried to record an audio signal comming through the
guillemont card, LAW recorded it for a few seconds and
then dropped out of recording for no aparant reason. 
I checked the audio window and I had the recording
time set for 5 min.

Thanks for your thoughts,
Dan Sumner
New Orleans
--- Alyosha Barreiro <balyosha@hotmail.com> wrote:
> Hi my name is Alyosha
> I use Logic very often, so if I can help you let me
> know.
> It is a greate program, greate that you got it.
> Alyosha
> 
>
_____________________________________________________________________________________
> Get more from the Web.  FREE MSN Explorer download :
> http://explorer.msn.com
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
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From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 13:31:31 2000
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Scott Winzinger (08:32 AM 12/14/00) wrote:

 >I use to see so much stuff regarding the new Repeater and lately
 >nothing.
 >
 >How can something be so exciting then so extinct?

I think that it's been talked out pretty well. I started hyping it in July, 
then I think Damon decloaked around September to start answering questions. 
They had to push pushed back the release date, so at this point I think 
folks are simply waiting for users to get their hands on it.

Damon is still here on the list, though he got nailed by a nasty flu bug...


Mark

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Because we realized that it doesn't really exist.

Scott Winzinger wrote:

> I use to see so much stuff regarding the new Repeater and lately
> nothing.
>
> How can something be so exciting then so extinct?
>
> Zing

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 13:46:40 2000
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>,
        GLOBAL@cruzio.com, "'Mbiffle@svg.com'" <Mbiffle@svg.com>
Subject: RE: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS
Date: Thu, 14 Dec 2000 12:10:38 -0600
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i am also very interested in being part of any type of looping movement. a
looping festival is a great idea! we could host this in austin texas at a
number of venues. please feel free to email me directly both at
jimmy@loadhandler.com and jimmyg@jimmygeorgearts.com  to discuss further. i
think that having an annual looping festival is a great idea. i would
happily drive else where if need be to join such a cause.

peace
jimmy george

-----Original Message-----
From: Mike Biffle [mailto:Mbiffle@svg.com]
Sent: Tuesday, December 12, 2000 6:39 PM
To: GLOBAL@cruzio.com; Loopers-Delight@loopers-delight.com
Subject: Re: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS


Rick Walker wrote...
> I recently wrote a letter to a fellow respected looping musician asking
him if there was a chance of setting up a looping festival in the city that
he lives in.   This is part of the letter I recieved back from him in reply
(which also generously shared contact and club information in his city):

>> He wrote:
>> "........Well, as far as 'my city'  being "happening"...I'd say there's
about fifty musicians who work together in various loose-knit configurations
and attend each other's shows (in groups of a half-dozen or so).  There's no
audience beyond that......... I'm not really interested in setting up a
mini-festival.  I dealt with that ..... where I used to live and it was a
massive pain in the ass for very little return.  The public doesn't really
care how you make
interesting sounds, unless perhaps it's something exotic and fashionable
such as the Theremin--they just want to hear something interesting......."

To which Rick replied...
> I hear what you say about looping and looping festivals.  It is virtually
the same here. We've only  had 50-100 people per show for 4 looping shows.
To be frank, though, I couldn't care less about popularity.   I care about
the quality of the work and the nurturing of young artists in a culture that
undervalues their unique contributions... snip... > My point is that
community and energy are more powerful, culturally speaking than pure
monetarily driven commercialism... snip... > My point?    Energy, Community
and Creativity is what changes our culture for the better.  

I've gotta jump in here as well... Regardless of audience demographics, I've
found that meeting other musicians and creating community is really what
drives MY playing and motivates me. Dialog with your peers really brings a
sense of shared effort and minimizes the feeling of lonliness pervasive in
"unpop" culture. 

Many of us are lucky enough to be playing semi-normal sounding music which
somehow fits into an existing scene. What about those really wanting to
experiment? Push limits? Our audience is first and foremost our peers...
other players out there trying to have dialog with each other and learn from
each other.

This same problem exists in radical free-improv music... the so called
"creative" music scene really has an intense, thriving worldwide community..
certainly with a small devout audience... but more certainly fueled by a
commitment among the players to follow the creative impulse honestly **where
ever** it arises regardless of current trends and audience demographics...
It's been discussed to death recently over at the BA-NEWMUS list, and it's
apparent that REALLY going for it and doing whatever you really feel like,
is never going to appeal to large masses... It's too damned unpredictable...
but it sure is HONEST and because of that it gains a fanatically loyal
commitment by a core group of artists, and an ever growing group of
listeners. What's so awful about that? I'm proud to be "unpop"!

Rick...
> Somebody once said that artists are the antennae of a culture, picking up
and/or creating the emerging trends before the sweep over the culture.  I
agree.

I've heard this said too... Thanks for reminding me of this Rick... I
completely agree also.

Working together NOW... talking... playing... experimenting... learning...
All of this will inform our collective growth and make for a meaningful
dialog which will MAKE SENSE, in some way to listeners. We'll ultimately be
connected and not lonely anymore... or maybe we'll all be lonley together? I
can live with that! 8-) 

Anyway... I'm off MY soap box now as well...

Best,
-Miko Biffle

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> 
> Sorry.  I did not mean to send this to the whole
group.
\Dan
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Shopping - Thousands of Stores. Millions of
> Products.
> http://shopping.yahoo.com/
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

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Subject: ground control to Major Hum (OT, sorta...)
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<html>
<br>
gentleLoopers, your advise please (and god help me, i'm in for it
now)<br>
<br>
i am using a performance rig chock-a-block with typical performace rig
componants and connections. scads o stomp boxes, and all typical tip/ring
connectors.<br>
<br>
except for one componant, the last thing in the chain - a dbx 160A
compresser that wants (ideally)&nbsp; balanced input/output (i'm using
the 1/4 inch jacks). now, sometimes i get hum from this unit and have to
lift the ground on the overall ac, which i sorta hate doing, but, hell,
when ya gotta go...<br>
<br>
in anyone's estimatiion, should i be using TRS connectors even tho i have
no balanced lines anywhere else in the rig? somehow that just doesn't
seem right to me, but....<br>
<br>
i think there's a chance that polarity flakiness in the building i'm
located in may have something to do with this - but you can usually file
that with &quot;grasping at straws&quot; and &quot;the dog ate my
homework&quot;. <br>
<br>
more information on a setup that would make rube goldberg proud can be
fingered at:<br>
<br>
<a href="http://www.tensionheadache.org/ac/gear.htm" eudora="autourl">http://www.tensionheadache.org/ac/gear.htm</a><br>
<br>
<br>
thanking you for your expertise &amp; indulgence, and you can reply
off-list if it seems too non-loop.<br>
<x-sigsep><p></x-sigsep>
<div align="center">
***************************<br>
&nbsp;- just what the world needs...
<a href="http://www.tensionheadache.org/">another frikkin url</a> - 
<br>
</div>
</html>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 15:04:16 2000
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Hi Jimmy...

If the timing was right I'd love to schedule a vacation down in Austin if we build some momentum on this. I've never been there and often wanted to visit. 

I know Rick Walker has been very active in the Santa Cruz area and enjoyed playing at one of his shindigs. I'm also planning my own sporadic future gigs there as well. We'll certainly be able to host something in Santa Cruz... Rick? Any specific plans in place? I'd love to begin planning something for spring/summer. Broadway Playhouse or Loudon Nelson Theater would both be cool places to host an event. It might be nice to have it before UCSC spring session is over to attract the college types.

Best,
-Miko

>>> Jimmy George <jimmy@loadhandler.com> 12/14/00 10:10AM >>>
> i am also very interested in being part of any type of looping movement. a looping festival is a great idea! we could host this in austin texas at a number of venues. please feel free to email me directly both at jimmy@loadhandler.com and jimmyg@jimmygeorgearts.com  to discuss further. i think that having an annual looping festival is a great idea. i would happily drive else where if need be to join such a cause.

> peace jimmy george

From: Mike Biffle [mailto:Mbiffle@svg.com] 
Sent: Tuesday, December 12, 2000 6:39 PM
To: GLOBAL@cruzio.com; Loopers-Delight@loopers-delight.com 
Subject: Re: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS

Lot's snipped for brevity...

> Working together NOW... talking... playing... experimenting... learning... All of this will inform our collective growth and make for a meaningful dialog which will MAKE SENSE, in some way to listeners. We'll ultimately be connected and not lonely anymore... or maybe we'll all be lonley together? I can live with that! 8-) 


From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 15:49:35 2000
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Subject: Concert this Friday night
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This Friday night, Dec 15th, my band Overdrive Date Master will  perform
our annual holiday show in Phila PA .

Http://www.voicenet.com/~legion/odm.html

ODM (as we're know to our fan) play one show a year that is part
carnival sideshow, part thrift store extravaganza, and all heart. We
show up in jumpsuits (swiss lettered with the band name of course) mix
various strange records together at the wrong speeds and tie it all
together with Binky our windup monkey as a drummer. There will be candy,
dancing, and all sorts of other nonsense in a performance art sort of
way. Christmas lights, candle, a live mandolin player and more await you

on this magical evening. Hell, we may even play a song. Maybe.

Fresh (?) off the heels of my Sept. shows at the Fringe Festival I have
evidently gained some undeserved credibility and this show will take
place at the monthly concert series promoted and paid for by the
University of Pennsylvania. It's free and open to the public and there
will be all sorts of other nonsense including performance artist/dancer
the great  Quentini (a 6 1/2 foot, 140 pound man in a giant bird
costume) and other bands with names like Seaweed soup and the like.
There will also be a DJ.

Come out and celebrate the holidays with a windup monkey, robots, and
music that sounds like Burl Ives getting a handjob from a fire hydrant.
Plus candy! If you're in Phila. there is write-up in the Citypaper (P
34) this week.

'da facts:

When: This Friday night, Dec 15th. 8-11 PM (we go on around 9 PM)

Where: The Rotunda, a beautiful church at the corner of 40th and Walnut
St. There is plenty of safe parking on the street (I know, I've been to
many of these shows).

Who: Overdrive Date Master (My "band"). Seaweed Soup, Meisha, and the
great Quentini.

When (again); Show starts at 8PM and is over at 11:00. I believe we're
going on around 9 PM and will probably make a racket for about 45
minutes. Don't worry, it'll seem like a lot longer.

Cost: FREE!!! (Cider and Snacks will also be free.)

____________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.




From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 15:59:49 2000
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austin would be a great place for this stuff.
there is a good audience there for such things.
i would definitely come down from dallas for it.


----- Original Message ----- 
From: "Jimmy George" <jimmy@loadhandler.com>
To: <Loopers-Delight@loopers-delight.com>; <GLOBAL@cruzio.com>; <Mbiffle@svg.com>
Sent: Thursday, December 14, 2000 12:10 PM
Subject: RE: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS


> i am also very interested in being part of any type of looping movement. a
> looping festival is a great idea! we could host this in austin texas at a
> number of venues. please feel free to email me directly both at
> jimmy@loadhandler.com and jimmyg@jimmygeorgearts.com  to discuss further. i
> think that having an annual looping festival is a great idea. i would
> happily drive else where if need be to join such a cause.
> 
> peace
> jimmy george
> 
> -----Original Message-----
> From: Mike Biffle [mailto:Mbiffle@svg.com]
> Sent: Tuesday, December 12, 2000 6:39 PM
> To: GLOBAL@cruzio.com; Loopers-Delight@loopers-delight.com
> Subject: Re: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS
> 
> 
> Rick Walker wrote...
> > I recently wrote a letter to a fellow respected looping musician asking
> him if there was a chance of setting up a looping festival in the city that
> he lives in.   This is part of the letter I recieved back from him in reply
> (which also generously shared contact and club information in his city):
> 
> >> He wrote:
> >> "........Well, as far as 'my city'  being "happening"...I'd say there's
> about fifty musicians who work together in various loose-knit configurations
> and attend each other's shows (in groups of a half-dozen or so).  There's no
> audience beyond that......... I'm not really interested in setting up a
> mini-festival.  I dealt with that ..... where I used to live and it was a
> massive pain in the ass for very little return.  The public doesn't really
> care how you make
> interesting sounds, unless perhaps it's something exotic and fashionable
> such as the Theremin--they just want to hear something interesting......."
> 
> To which Rick replied...
> > I hear what you say about looping and looping festivals.  It is virtually
> the same here. We've only  had 50-100 people per show for 4 looping shows.
> To be frank, though, I couldn't care less about popularity.   I care about
> the quality of the work and the nurturing of young artists in a culture that
> undervalues their unique contributions... snip... > My point is that
> community and energy are more powerful, culturally speaking than pure
> monetarily driven commercialism... snip... > My point?    Energy, Community
> and Creativity is what changes our culture for the better.  
> 
> I've gotta jump in here as well... Regardless of audience demographics, I've
> found that meeting other musicians and creating community is really what
> drives MY playing and motivates me. Dialog with your peers really brings a
> sense of shared effort and minimizes the feeling of lonliness pervasive in
> "unpop" culture. 
> 
> Many of us are lucky enough to be playing semi-normal sounding music which
> somehow fits into an existing scene. What about those really wanting to
> experiment? Push limits? Our audience is first and foremost our peers...
> other players out there trying to have dialog with each other and learn from
> each other.
> 
> This same problem exists in radical free-improv music... the so called
> "creative" music scene really has an intense, thriving worldwide community..
> certainly with a small devout audience... but more certainly fueled by a
> commitment among the players to follow the creative impulse honestly **where
> ever** it arises regardless of current trends and audience demographics...
> It's been discussed to death recently over at the BA-NEWMUS list, and it's
> apparent that REALLY going for it and doing whatever you really feel like,
> is never going to appeal to large masses... It's too damned unpredictable...
> but it sure is HONEST and because of that it gains a fanatically loyal
> commitment by a core group of artists, and an ever growing group of
> listeners. What's so awful about that? I'm proud to be "unpop"!
> 
> Rick...
> > Somebody once said that artists are the antennae of a culture, picking up
> and/or creating the emerging trends before the sweep over the culture.  I
> agree.
> 
> I've heard this said too... Thanks for reminding me of this Rick... I
> completely agree also.
> 
> Working together NOW... talking... playing... experimenting... learning...
> All of this will inform our collective growth and make for a meaningful
> dialog which will MAKE SENSE, in some way to listeners. We'll ultimately be
> connected and not lonely anymore... or maybe we'll all be lonley together? I
> can live with that! 8-) 
> 
> Anyway... I'm off MY soap box now as well...
> 
> Best,
> -Miko Biffle
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 16:09:40 2000
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From: Jimmy George <jimmy@loadhandler.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS
Date: Thu, 14 Dec 2000 14:33:51 -0600
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aye! how should we organize the acts to play?

-----Original Message-----
From: jim palmer [mailto:jimp@pobox.com]
Sent: Thursday, December 14, 2000 3:03 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS


austin would be a great place for this stuff.
there is a good audience there for such things.
i would definitely come down from dallas for it.


----- Original Message ----- 
From: "Jimmy George" <jimmy@loadhandler.com>
To: <Loopers-Delight@loopers-delight.com>; <GLOBAL@cruzio.com>;
<Mbiffle@svg.com>
Sent: Thursday, December 14, 2000 12:10 PM
Subject: RE: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS


> i am also very interested in being part of any type of looping movement. a
> looping festival is a great idea! we could host this in austin texas at a
> number of venues. please feel free to email me directly both at
> jimmy@loadhandler.com and jimmyg@jimmygeorgearts.com  to discuss further.
i
> think that having an annual looping festival is a great idea. i would
> happily drive else where if need be to join such a cause.
> 
> peace
> jimmy george
> 
> -----Original Message-----
> From: Mike Biffle [mailto:Mbiffle@svg.com]
> Sent: Tuesday, December 12, 2000 6:39 PM
> To: GLOBAL@cruzio.com; Loopers-Delight@loopers-delight.com
> Subject: Re: A CALL TO CREATE LIVE GRASSROOTS LOOPING FESTIVALS
> 
> 
> Rick Walker wrote...
> > I recently wrote a letter to a fellow respected looping musician asking
> him if there was a chance of setting up a looping festival in the city
that
> he lives in.   This is part of the letter I recieved back from him in
reply
> (which also generously shared contact and club information in his city):
> 
> >> He wrote:
> >> "........Well, as far as 'my city'  being "happening"...I'd say there's
> about fifty musicians who work together in various loose-knit
configurations
> and attend each other's shows (in groups of a half-dozen or so).  There's
no
> audience beyond that......... I'm not really interested in setting up a
> mini-festival.  I dealt with that ..... where I used to live and it was a
> massive pain in the ass for very little return.  The public doesn't really
> care how you make
> interesting sounds, unless perhaps it's something exotic and fashionable
> such as the Theremin--they just want to hear something interesting......."
> 
> To which Rick replied...
> > I hear what you say about looping and looping festivals.  It is
virtually
> the same here. We've only  had 50-100 people per show for 4 looping shows.
> To be frank, though, I couldn't care less about popularity.   I care about
> the quality of the work and the nurturing of young artists in a culture
that
> undervalues their unique contributions... snip... > My point is that
> community and energy are more powerful, culturally speaking than pure
> monetarily driven commercialism... snip... > My point?    Energy,
Community
> and Creativity is what changes our culture for the better.  
> 
> I've gotta jump in here as well... Regardless of audience demographics,
I've
> found that meeting other musicians and creating community is really what
> drives MY playing and motivates me. Dialog with your peers really brings a
> sense of shared effort and minimizes the feeling of lonliness pervasive in
> "unpop" culture. 
> 
> Many of us are lucky enough to be playing semi-normal sounding music which
> somehow fits into an existing scene. What about those really wanting to
> experiment? Push limits? Our audience is first and foremost our peers...
> other players out there trying to have dialog with each other and learn
from
> each other.
> 
> This same problem exists in radical free-improv music... the so called
> "creative" music scene really has an intense, thriving worldwide
community..
> certainly with a small devout audience... but more certainly fueled by a
> commitment among the players to follow the creative impulse honestly
**where
> ever** it arises regardless of current trends and audience demographics...
> It's been discussed to death recently over at the BA-NEWMUS list, and it's
> apparent that REALLY going for it and doing whatever you really feel like,
> is never going to appeal to large masses... It's too damned
unpredictable...
> but it sure is HONEST and because of that it gains a fanatically loyal
> commitment by a core group of artists, and an ever growing group of
> listeners. What's so awful about that? I'm proud to be "unpop"!
> 
> Rick...
> > Somebody once said that artists are the antennae of a culture, picking
up
> and/or creating the emerging trends before the sweep over the culture.  I
> agree.
> 
> I've heard this said too... Thanks for reminding me of this Rick... I
> completely agree also.
> 
> Working together NOW... talking... playing... experimenting... learning...
> All of this will inform our collective growth and make for a meaningful
> dialog which will MAKE SENSE, in some way to listeners. We'll ultimately
be
> connected and not lonely anymore... or maybe we'll all be lonley together?
I
> can live with that! 8-) 
> 
> Anyway... I'm off MY soap box now as well...
> 
> Best,
> -Miko Biffle
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 16:39:02 2000
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Old-Return-Path: <Damon@Electrixpro.com>
Message-ID: <FBFDDCD15C6DD311B8B500508B4ABE3D457EAD@IVLMAIL>
From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater hype evaporates
Date: Thu, 14 Dec 2000 13:34:11 -0800
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>Because we realized that it doesn't really exist.

Yet.....

Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com



Scott Winzinger wrote:

> I use to see so much stuff regarding the new Repeater and lately
> nothing.
>
> How can something be so exciting then so extinct?
>
> Zing

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From: David <reel.d@iafrica.com>
Subject: Re: so cal gig spam
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 <01b501c0654d$e993ab30$080210ac@jpalmer>
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Aha , this loopers delight thing is getting better, didn't know so many =
people would reply the way they did, thanx to those who offered kind =
advice. Much appreciated.Wasn't aware of a subscription service like =
this and even if it was on the website telling me about it , i don't =
remember . i'm going to not unsubscribe as even though i get a fuckload =
of mail, which was my original concern, i can see da benefit mon, you =
know what i'm saying.=20

peace and out

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ecfcff>
<DIV><FONT face=3DArial size=3D2>Aha , this loopers delight thing is =
getting better,=20
didn't know so many people would reply the way they did, thanx to those =
who=20
offered kind advice. Much appreciated.Wasn't aware of a subscription =
service=20
like this&nbsp;and even if it was on the website telling me about it , i =
don't=20
remember .&nbsp;i'm going to not unsubscribe as even though i get a =
fuckload of=20
mail, which was my original concern, i can see da benefit mon, you know =
what i'm=20
saying. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>peace and =
out</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 17:11:18 2000
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Date: Thu, 14 Dec 2000 14:07:32 -0800 (PST)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Tape Looping/Teac2340
Message-ID: <29325-3A3944A4-1006@storefull-241.iap.bryant.webtv.net>
In-Reply-To: SoundFNR@aol.com's message of Wed, 13 Dec 2000 16:36:43 EST
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Andy-
 So basically it would be easier, and less riskier to cue with a Teac
3340 than with a 2340? I would have to re-arrange the path of the tape
every time I switched between play and cue?

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 17:11:18 2000
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From: "Pulse 8" <ozone@ticnet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4495C77AB577D31199120008C756D0C4130BF7@migarexch01.maritz.com><01b501c0654d$e993ab30$080210ac@jpalmer> <009801c06619$ec2d9640$301a07c4@david>
Subject: Re: so cal gig spam
Date: Thu, 14 Dec 2000 16:17:29 -0600
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yeah, there's a lot of mail, but there's supposed to be a digest version =
if you're that concerned about the amount of mail, i'm not much of a =
looper myself (other than some software) I don't have the info for the =
digest version, and i tried swapping to it, unsuccessfully, but i said =
"the list is good enough, i'll just filter it"..

Joshua


Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page
  ----- Original Message -----=20
  From: David=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, December 14, 2000 4:05 PM
  Subject: Re: so cal gig spam


  Aha , this loopers delight thing is getting better, didn't know so =
many people would reply the way they did, thanx to those who offered =
kind advice. Much appreciated.Wasn't aware of a subscription service =
like this and even if it was on the website telling me about it , i =
don't remember . i'm going to not unsubscribe as even though i get a =
fuckload of mail, which was my original concern, i can see da benefit =
mon, you know what i'm saying.=20
  =20
  peace and out

------=_NextPart_000_0381_01C065E9.5AD5A4B0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ecfcff>
<DIV><FONT face=3DArial size=3D2>yeah, there's a lot of mail, but =
there's supposed=20
to be a digest version if you're that concerned about the amount of =
mail, i'm=20
not much of a looper myself (other than some software) I don't have the =
info for=20
the digest version, and i tried swapping to it, unsuccessfully, but i =
said "the=20
list is good enough, i'll just filter it"..</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Joshua</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Pulse 8 - aim:jkerseyvcso<BR><A=20
href=3D"http://www.mp3.com/pulse8">http://www.mp3.com/pulse8</A> - Pulse =
8 Music=20
Project<BR><A=20
href=3D"http://www.egroups.com/community/loopoftheday">http://www.egroups=
.com/community/loopoftheday</A>=20
- Free Loop Of The Day<BR><A=20
href=3D"http://www.egroups.com/community/sampleoftheday">http://www.egrou=
ps.com/community/sampleoftheday</A>=20
- Free Sample Of The Day<BR><A=20
href=3D"http://users.ticnet.com/jkersey">http://users.ticnet.com/jkersey<=
/A> -=20
Personal Home Page</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:reel.d@iafrica.com" =
title=3Dreel.d@iafrica.com>David</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, December 14, =
2000 4:05=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: so cal gig =
spam</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Aha , this loopers delight thing is =
getting=20
  better, didn't know so many people would reply the way they did, thanx =
to=20
  those who offered kind advice. Much appreciated.Wasn't aware of a =
subscription=20
  service like this&nbsp;and even if it was on the website telling me =
about it ,=20
  i don't remember .&nbsp;i'm going to not unsubscribe as even though i =
get a=20
  fuckload of mail, which was my original concern, i can see da benefit =
mon, you=20
  know what i'm saying. </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>peace and=20
out</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0381_01C065E9.5AD5A4B0--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 17:18:50 2000
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From: lindsay@pavestone.com
Subject: OT: Welcome back
To: Loopers-Delight@loopers-delight.com
X-Mailer: Lotus Notes Release 5.0.2c  February 2, 2000
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Wow.  A conversion.  Next we just need a baptism of some sort.

I don't know what sort of email client you're using (or if it's web-based
or whatever), but I've got mine here at work and a home to automatically
divert any mail with the text "looper" in the address, subject heading or
body of the message to a separate folder "LoopMail."  From there I can
ignore it until I really feel like reading and it doesn't distract me from
work, etc.  Works pretty well, except when the reply address is not
"Loopers-Delight@loppers-delight.com," as occasionally happens.  I'd
investigate your client and see if there's not an "agent" or "rules"
function that can help you sort the deluge out.

L

Oh, and I'll see you guys in Austin if it ever materializes.  You wanna
ride together, Jim?



                                                                                            
                    David                                                                   
                    <reel.d@iafri        To:     Loopers-Delight@loopers-delight.com        
                    ca.com>              cc:                                                
                                         Subject:     Re: so cal gig spam                   
                    12/14/00                                                                
                    04:05 PM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



Aha , this loopers delight thing is getting better, didn't know so many
people would reply the way they did, thanx to those who offered kind
advice. Much appreciated.Wasn't aware of a subscription service like this
and even if it was on the website telling me about it , i don't remember .
i'm going to not unsubscribe as even though i get a fuckload of mail, which
was my original concern, i can see da benefit mon, you know what i'm
saying.

peace and out



From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 17:23:37 2000
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From: Jimmy George <jimmy@loadhandler.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Welcome back - Looping in austin this sunday ...
Date: Thu, 14 Dec 2000 15:49:57 -0600
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aye! ah  i live in austin but we can take a scenic stroll if need be. i'll
be looping at the hideout theatre, downtown congress ave. on sunday dec the
17th from 7 to 9 for looping madness fyi.

peace
jimmy george

-----Original Message-----
From: lindsay@pavestone.com [mailto:lindsay@pavestone.com]
Sent: Thursday, December 14, 2000 4:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: OT: Welcome back



Wow.  A conversion.  Next we just need a baptism of some sort.

I don't know what sort of email client you're using (or if it's web-based
or whatever), but I've got mine here at work and a home to automatically
divert any mail with the text "looper" in the address, subject heading or
body of the message to a separate folder "LoopMail."  From there I can
ignore it until I really feel like reading and it doesn't distract me from
work, etc.  Works pretty well, except when the reply address is not
"Loopers-Delight@loppers-delight.com," as occasionally happens.  I'd
investigate your client and see if there's not an "agent" or "rules"
function that can help you sort the deluge out.

L

Oh, and I'll see you guys in Austin if it ever materializes.  You wanna
ride together, Jim?



 

                    David

                    <reel.d@iafri        To:
Loopers-Delight@loopers-delight.com        
                    ca.com>              cc:

                                         Subject:     Re: so cal gig spam

                    12/14/00

                    04:05 PM

                    Please

                    respond to

                    Loopers-Delig

                    ht

 

 




Aha , this loopers delight thing is getting better, didn't know so many
people would reply the way they did, thanx to those who offered kind
advice. Much appreciated.Wasn't aware of a subscription service like this
and even if it was on the website telling me about it , i don't remember .
i'm going to not unsubscribe as even though i get a fuckload of mail, which
was my original concern, i can see da benefit mon, you know what i'm
saying.

peace and out


From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 17:41:48 2000
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From: lindsay@pavestone.com
Subject: RE: Welcome back - Looping in austin this sunday ...
To: Loopers-Delight@loopers-delight.com
X-Mailer: Lotus Notes Release 5.0.2c  February 2, 2000
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I kind-of directed the drive-with thing to Jim Palmer, who mentioned
driving from Dallas.  Unfortunately, I will not be in Austin this Sunday,
but good luck with the gig and many happy returns to you (ha!  a little
looper-pun.  "returns"?  get it?  hello...is this thing on?).

L



                                                                                            
                    Jimmy George                                                            
                    <jimmy@loadha        To:     "'Loopers-Delight@loopers-delight.com'"    
                    ndler.com>           <Loopers-Delight@loopers-delight.com>              
                                         cc:                                                
                    12/14/00             Subject:     RE: Welcome back - Looping in austin  
                    03:49 PM             this sunday ...                                    
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



aye! ah  i live in austin but we can take a scenic stroll if need be. i'll
be looping at the hideout theatre, downtown congress ave. on sunday dec the
17th from 7 to 9 for looping madness fyi.

peace
jimmy george

-----Original Message-----
From: lindsay@pavestone.com [mailto:lindsay@pavestone.com]
Sent: Thursday, December 14, 2000 4:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: OT: Welcome back



Wow.  A conversion.  Next we just need a baptism of some sort.

I don't know what sort of email client you're using (or if it's web-based
or whatever), but I've got mine here at work and a home to automatically
divert any mail with the text "looper" in the address, subject heading or
body of the message to a separate folder "LoopMail."  From there I can
ignore it until I really feel like reading and it doesn't distract me from
work, etc.  Works pretty well, except when the reply address is not
"Loopers-Delight@loppers-delight.com," as occasionally happens.  I'd
investigate your client and see if there's not an "agent" or "rules"
function that can help you sort the deluge out.

L

Oh, and I'll see you guys in Austin if it ever materializes.  You wanna
ride together, Jim?





                    David

                    <reel.d@iafri        To:
Loopers-Delight@loopers-delight.com
                    ca.com>              cc:

                                         Subject:     Re: so cal gig spam

                    12/14/00

                    04:05 PM

                    Please

                    respond to

                    Loopers-Delig

                    ht








Aha , this loopers delight thing is getting better, didn't know so many
people would reply the way they did, thanx to those who offered kind
advice. Much appreciated.Wasn't aware of a subscription service like this
and even if it was on the website telling me about it , i don't remember .
i'm going to not unsubscribe as even though i get a fuckload of mail, which
was my original concern, i can see da benefit mon, you know what i'm
saying.

peace and out






From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 17:44:06 2000
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Message-Id: <sa38daf5.068@mailhub.svg.com>
X-Mailer: Novell GroupWise Internet Agent 5.5.3.1
Date: Thu, 14 Dec 2000 14:36:31 -0800
From: "Tim Sanz" <tsanz@svg.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Tape Looping/Revox for sale
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 by coincidence...found this on the H.C., now you just need to find a second one.
cheers, Tim

Revox ½ track Recorder
Asking Price: US$200
Condition: Good
Age: N/A
Description: 
	Revox 1/2 Track recorder It is an A77...Works good buyer pays shipping and handeling from Cleveland. I send through Mailboxes etc. so there is no grief, I dont have means to package equipment...Serial# G 105169
Seller: Joe Cenzori, 
E-mail: ampy2000@earthlink.net (Profile)
Location: CLEVELAND, OH
Post Date: 12/9/2000



From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 17:46:00 2000
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From: Jimmy George <jimmy@loadhandler.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Welcome back - Looping in austin this sunday ...
Date: Thu, 14 Dec 2000 16:12:35 -0600
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indeed!!!

From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 18:37:43 2000
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Date: Thu, 14 Dec 2000 17:37:07 -0600
From: jim palmer <jimp@pobox.com>
Subject: Re: Welcome back - Looping in austin this sunday ...
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i take it you are also from dallas?
are you gigging here?



> 
> I kind-of directed the drive-with thing to Jim Palmer, who mentioned
> driving from Dallas.  Unfortunately, I will not be in Austin this Sunday,
> but good luck with the gig and many happy returns to you (ha!  a little
> looper-pun.  "returns"?  get it?  hello...is this thing on?).


From Loopers-Delight-request@loopers-delight.com  Thu Dec 14 23:36:29 2000
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From: "Keith A.H. Smith" <kah.smith@home.com>
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Subject: New Guy
Date: Thu, 14 Dec 2000 21:33:03 -0700
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Hello All,
I can't remember how I found you folks.  It might have been a link off =
n-tracks site.  I'm no looper, but I've been playing jazz guitar in =
Canada for about 30 odd years (sic.) - mostly standards and the dreaded =
bread and butter gigs.
I recently heard Michael Ochipinti, a Toronto guitarist with his =
quartet.  Both he and his bassist Andrew Downing were creating loops on =
the fly and over dubbing on them. It was all done with great sensitivity =
-especially Downing who played probably the best bowed bass I've ever =
heard in a jazz club-- and it really captured my imagination --(though I =
could have done without the wangy arm distortion feedback thing between =
the looped bits).
So now I guess I'm hooked but I'm not to sure where to start.  I didn't =
get a chance to see what Michael's mess of pedals really consisted of.
I was talking to the local music store about the Line 6 Delay Modeller.  =
Is that a sensible starting point for a guy on a budget? =20
I've already got a Teac A-3440, DBX 1066 Compressor, an old Yamaha SPX90 =
(noisy!), a small Mackie board, and n-tracks, but for now I'm thinking =
of something small and cheap that I can use on regular gigs while I =
experiment.
Also can somebody define the term looping for me - as you use it.  I'm =
just wondering where looping ends and something else begins. Does that =
make sense?

Thanks.

PS.  What a ton of mail!  But it's fun, and I thank you for that too.
ks
Keith Smith


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charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello All,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I can't remember how I found you =
folks.&nbsp; It=20
might have been a link off n-tracks site.&nbsp; I'm no looper, but I've =
been=20
playing jazz guitar in Canada for about 30 odd years (sic.) - mostly =
standards=20
and the dreaded bread and butter gigs.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I recently heard Michael Ochipinti, a =
Toronto=20
guitarist with his quartet.&nbsp; Both he and his bassist Andrew Downing =
were=20
creating loops on the fly and over dubbing on them. It was all done with =
great=20
sensitivity -especially Downing who played probably the best&nbsp;bowed =
bass=20
I've ever heard in a jazz club-- and it really captured my imagination =
--(though=20
I could have done without the wangy arm distortion feedback thing =
between the=20
looped bits).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>So now I guess I'm hooked but I'm not =
to sure where=20
to start.&nbsp; I didn't get a chance to see what Michael's mess of =
pedals=20
really consisted of.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I was talking to the local music store =
about the=20
Line 6 Delay Modeller.&nbsp; Is that a sensible starting point for a guy =
on a=20
budget?&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I've already got a Teac A-3440, DBX =
1066=20
Compressor, an old Yamaha SPX90 (noisy!), a small Mackie board, and =
n-tracks,=20
but for now I'm thinking of something small and cheap that I can use on =
regular=20
gigs while I experiment.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Also can somebody define the term =
looping for me -=20
as you use it.&nbsp; I'm just wondering where looping ends and something =
else=20
begins. Does that make sense?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>PS.&nbsp; What a ton of mail!&nbsp; But =
it's fun,=20
and I thank you for that too.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>ks</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Keith =
Smith<BR></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 01:24:47 2000
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Subject: Reply to New Guy--Where Looping Begins
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The Line 6 Delay Modeller is a  great choice for affordable looping, but =
your Yamaha SPX90 (if it's the Mark II) has 2 seconds of delay, long =
enough to build a phrase (albeit a short one).  In my opinion, 2 seconds =
is just about where looping begins.
Where does it end?  And something else begin?  When your significant =
other gets tired of it.
Gary

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<DIV><FONT size=3D4><FONT face=3DArial>The Line 6 Delay Modeller is =
a&nbsp; great=20
choice for affordable looping, but your </FONT><FONT face=3DArial>Yamaha =
SPX90 (if=20
it's the Mark II) has 2 seconds of delay, long enough to build a phrase =
(albeit=20
a short one).&nbsp; </FONT><FONT face=3DArial>In my opinion, 2 seconds =
is just=20
about where looping begins.</FONT></FONT></DIV>
<DIV dir=3Dltr style=3D"FONT: 10pt arial"><FONT size=3D4>Where does it =
end?&nbsp; And=20
something else begin?&nbsp; When your significant other gets tired of=20
it.</FONT></DIV>
<DIV dir=3Dltr style=3D"FONT: 10pt arial"><FONT=20
size=3D4>Gary</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 01:27:58 2000
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Subject: Re: New Guy
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Hi Keith,

The Line 6 is maybe the better choice for you, you can take a look at =
the Akai Headrush (but most of us here don't put it on the same level). =
What is great about the DL4 is that it can sounds like a couple of old =
analog units and it does it pretty well for a "cheap" digital unit. If I =
remember correctly, Bill Frisell (a jazz guitarist you might know if =
you're in Jazz) actually uses 2 DL4s... But you can also loop with it, =
which is great.=20

Personnally, I prefer older units, but it can be difficult to find an =
old loop delay. Even after some good tries with the Headrush and the =
DL-4, I'm not able to quit my good, old Deltalab's Echotron. I am maybe =
only nostalgic, but if you find one of these, give it a try... They are =
pretty cheap on the market today (around 100-150$). They do not have the =
DL4's flexibility, but about sound,I find them 200% better. But it is =
only my opinion.

About mails, I was also a little "stunned" with it the first days, but =
it is great... I love Looper's delight and my fellow loopers... pretty =
nice people here! Look at the web site for more informations about the =
different units on the market!!!=20
  ----- Original Message -----=20
  From: Keith A.H. Smith=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, December 14, 2000 11:33 PM
  Subject: New Guy


  Hello All,
  I can't remember how I found you folks.  It might have been a link off =
n-tracks site.  I'm no looper, but I've been playing jazz guitar in =
Canada for about 30 odd years (sic.) - mostly standards and the dreaded =
bread and butter gigs.
  I recently heard Michael Ochipinti, a Toronto guitarist with his =
quartet.  Both he and his bassist Andrew Downing were creating loops on =
the fly and over dubbing on them. It was all done with great sensitivity =
-especially Downing who played probably the best bowed bass I've ever =
heard in a jazz club-- and it really captured my imagination --(though I =
could have done without the wangy arm distortion feedback thing between =
the looped bits).
  So now I guess I'm hooked but I'm not to sure where to start.  I =
didn't get a chance to see what Michael's mess of pedals really =
consisted of.
  I was talking to the local music store about the Line 6 Delay =
Modeller.  Is that a sensible starting point for a guy on a budget? =20
  I've already got a Teac A-3440, DBX 1066 Compressor, an old Yamaha =
SPX90 (noisy!), a small Mackie board, and n-tracks, but for now I'm =
thinking of something small and cheap that I can use on regular gigs =
while I experiment.
  Also can somebody define the term looping for me - as you use it.  I'm =
just wondering where looping ends and something else begins. Does that =
make sense?

  Thanks.

  PS.  What a ton of mail!  But it's fun, and I thank you for that too.
  ks
  Keith Smith


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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Keith,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The Line 6 is maybe the better choice =
for you, you=20
can take a look at the Akai Headrush (but most of us here don't put it =
on the=20
same level). What is great about the DL4 is that it can sounds like a =
couple of=20
old analog units and it does it pretty well for a "cheap" digital unit. =
If I=20
remember correctly, Bill Frisell (a jazz guitarist you might know if =
you're in=20
Jazz) actually uses 2 DL4s... But you can also loop with it, which is =
great.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Personnally, I prefer older units, but =
it can be=20
difficult to find an old&nbsp;loop delay.&nbsp;Even&nbsp;after some good =
tries=20
with the Headrush and the DL-4, I'm not able to quit my good, old =
Deltalab's=20
Echotron.&nbsp;I am maybe only nostalgic, but if you find one of these, =
give it=20
a try... They are pretty&nbsp;cheap on the market today (around=20
100-150$).&nbsp;They do not have the DL4's flexibility, but about =
sound,I find=20
them 200% better. But it is only my opinion.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>About mails, I was also a little =
"stunned" with it=20
the first days, but it is great... I love Looper's delight and my fellow =

loopers... pretty nice people here! Look at the web site for more =
informations=20
about the different units on the market!!!</FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkah.smith@home.com href=3D"mailto:kah.smith@home.com">Keith =
A.H.=20
  Smith</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, December 14, =
2000 11:33=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> New Guy</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hello All,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I can't remember how I found you =
folks.&nbsp; It=20
  might have been a link off n-tracks site.&nbsp; I'm no looper, but =
I've been=20
  playing jazz guitar in Canada for about 30 odd years (sic.) - mostly =
standards=20
  and the dreaded bread and butter gigs.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I recently heard Michael Ochipinti, a =
Toronto=20
  guitarist with his quartet.&nbsp; Both he and his bassist Andrew =
Downing were=20
  creating loops on the fly and over dubbing on them. It was all done =
with great=20
  sensitivity -especially Downing who played probably the =
best&nbsp;bowed bass=20
  I've ever heard in a jazz club-- and it really captured my imagination =

  --(though I could have done without the wangy arm distortion feedback =
thing=20
  between the looped bits).</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>So now I guess I'm hooked but I'm not =
to sure=20
  where to start.&nbsp; I didn't get a chance to see what Michael's mess =
of=20
  pedals really consisted of.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I was talking to the local music =
store about the=20
  Line 6 Delay Modeller.&nbsp; Is that a sensible starting point for a =
guy on a=20
  budget?&nbsp; </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I've already got a Teac A-3440, DBX =
1066=20
  Compressor, an old Yamaha SPX90 (noisy!), a small Mackie board, and =
n-tracks,=20
  but for now I'm thinking of something small and cheap that I can use =
on=20
  regular gigs while I experiment.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Also can somebody define the term =
looping for me=20
  - as you use it.&nbsp; I'm just wondering where looping ends and =
something=20
  else begins. Does that make sense?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Thanks.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>PS.&nbsp; What a ton of mail!&nbsp; =
But it's fun,=20
  and I thank you for that too.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>ks</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Keith=20
Smith<BR></FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 05:45:48 2000
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Date: Fri, 15 Dec 2000 05:40:55 EST
Subject: Re: Boomerang Power Supply
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Hi Bret, hey, someone actually reads my posts.
> Andy,
>  I disagree with your conclusion that using a dc source to an ac
>  (rectified) input of a device like the boomerang can possibly damage
>  the rectifier's diodes or that 'things will get a little hot'.
>  
>  As far as I know rectifier circuits and diodes are rated by max current
>  and max voltage, not power. Diodes will fail if you exceed their
>  current rating, or if you exceed their breakdown voltage rating.  
> 
I just checked, its average current and RMS voltage, for a rectifier.
I think current is specified rather than the power in order to make design 
easier.
(so we don't have to use P=IV)   
>   At a given moment, half of the full wave
>  rectifier's diodes carry ALL of the current.  When the phase of the ac
>  input changes, the other half of the full wave rectifier circuit
>  carries ALL of the current.  So, each of the diodes in the bridge must
>  be rated to carry ALL of the current (plus margin).
  
So each side of the bridge carries full current for half of the time, which
means that the average current is half the full current.

>  The half wave rectifier is simpler.  In this circuit the current flows
>  through the diode half the time when an ac voltage is applied.
 
Actually current only flows for a small portion of the cycle, depending
on the size of the reservoir capacitor.

>  When a 9v dc source is applied to the device's 9v ac (rectified) input,
>  the current through the rectifier is not increased (the device still
>  draws the same current), 

Thats right tho' , if there's a single bridge rectifier component it would 
have the same amount of power/heat to disipate,so should be OK.
If there's discrete components for each half of the cycle, then with DC
I/P one side has to take twice the expected current, so twice the
power, so twice the heat.   
 
>  On an anecdotal note, the Roland GR-09 guitar synth expects an AC
>  input, but I have used a DC input (inside a car) and not seen any
>  problems.
  
Yes, and we've yet to hear any anecdotes along the lines of 
"I used a DC supply and fried my JamMan"

andy

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Date: Fri, 15 Dec 2000 05:40:56 EST
Subject: Re: Tape Looping/Teac2340
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> Andy-
>   So basically it would be easier, and less riskier to cue with a Teac
>  3340 than with a 2340? I would have to re-arrange the path of the tape
>  every time I switched between play and cue?
Huh, did I say that?
I have a 3340, its difficult to cue (as described).
the 2240 is the same machine with smaller reals.
Dennis Leas said his 3340 had a dedicated cueing function, which
is what you want. Maybe they brought out two different models.
Maybe Dennis had the 3440 (Dennis?).

If you can, go for a Revox. Some of them have a built in edit block
..............and varispeed .

andy butler

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> Maybe Dennis had the 3440 (Dennis?).

I've been meaning to check.  I think I still have the beastie over in a
corner somewheres...I'll write a note to myself and check tonight (Friday).
More news on Monday.

Dennis Leas
-------------------
dennis@mdbs.com

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>i take it you are also from dallas?
>are you gigging here?

Yes, I'm from Dallas, but no, I've got no current gig.  To tell the truth,
I don't know that I'm ready to gig: I've just got into the wonderful world
of looping and I find my rhythm sucks.  Metronomic accuracy is suddenly
much more important when you're faced with hearing your out-of-timedness
over and over and over...

What about you?  Currently gigging?

L



                                                                                            
                    jim palmer                                                              
                    <jimp@pobox.c        To:     Loopers-Delight@loopers-delight.com        
                    om>                  cc:                                                
                                         Subject:     Re: Welcome back - Looping in austin  
                    12/14/00             this sunday ...                                    
                    05:37 PM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



i take it you are also from dallas?
are you gigging here?



>
> I kind-of directed the drive-with thing to Jim Palmer, who mentioned
> driving from Dallas.  Unfortunately, I will not be in Austin this Sunday,
> but good luck with the gig and many happy returns to you (ha!  a little
> looper-pun.  "returns"?  get it?  hello...is this thing on?).






From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 10:20:53 2000
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 <005301c0665e$8afbf160$67bcd8cc@gary>
Date: Fri, 15 Dec 2000 07:09:44 -0800
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: Re: Reply to New Guy--Where Looping Begins
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--============_-1235229511==_ma============
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>The Line 6 Delay Modeller is a  great choice for affordable looping, 
>but your Yamaha SPX90 (if it's the Mark II) has 2 seconds of delay, 
>long enough to build a phrase (albeit a short one).  In my opinion, 
>2 seconds is just about where looping begins.
>Where does it end?  And something else begin?  When your significant 
>other gets tired of it.
>Gary

Yes!  And if you can pick up any used Digitech PDS/RDS series on the 
cheap, they make great learning tools.  you'll probably want to move 
on to a bigger beast if ya like it, but a groovy learning curve and a 
helpful addition to any pedalbox.

welcome...to gearhead country...feel the flavor...

rich
--============_-1235229511==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: Reply to New Guy--Where Looping
Begins</title></head><body>
<blockquote type="cite" cite><font face="Arial" size="+1">The Line 6
Delay Modeller is a&nbsp; great choice for affordable looping, but
your Yamaha SPX90 (if it's the Mark II) has 2 seconds of delay, long
enough to build a phrase (albeit a short one).&nbsp; In my opinion, 2
seconds is just about where looping begins.</font></blockquote>
<blockquote type="cite" cite><font size="+1">Where does it end?&nbsp;
And something else begin?&nbsp; When your significant other gets
tired of it.</font></blockquote>
<blockquote type="cite" cite><font size="+1">Gary</font></blockquote>
<div><br></div>
<div>Yes!&nbsp; And if you can pick up any used Digitech PDS/RDS
series on the cheap, they make great learning tools.&nbsp; you'll
probably want to move on to a bigger beast if ya like it, but a
groovy learning curve and a helpful addition to any pedalbox.</div>
<div><br></div>
<div>welcome...to gearhead country...feel the flavor...</div>
<div><br></div>
<div>rich</div>
</body>
</html>
--============_-1235229511==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 10:24:59 2000
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I'm not gigging either, but if anyone's interested in gigging, you should
check out DAM, Dallas Area Musicians. We're putting a CD together and stuff.
We've had two showcases, and we have parties and stuff. It's a lot of fun.
We swap gigs and etc. You can join the e/mail list @
http://www.egroups.com/community/MusiciansDFW and check out our website @
http://www.dallasareamusic.com


Unfortunately, the mailing list is a little more active than the web page.

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page
----- Original Message -----
From: <lindsay@pavestone.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, December 15, 2000 9:07 AM
Subject: Re: Welcome back - Looping in austin this sunday ...


>
> >i take it you are also from dallas?
> >are you gigging here?
>
> Yes, I'm from Dallas, but no, I've got no current gig.  To tell the truth,
> I don't know that I'm ready to gig: I've just got into the wonderful world
> of looping and I find my rhythm sucks.  Metronomic accuracy is suddenly
> much more important when you're faced with hearing your out-of-timedness
> over and over and over...
>
> What about you?  Currently gigging?
>
> L
>
>
>
>
>                     jim palmer
>                     <jimp@pobox.c        To:
Loopers-Delight@loopers-delight.com
>                     om>                  cc:
>                                          Subject:     Re: Welcome back -
Looping in austin
>                     12/14/00             this sunday ...
>                     05:37 PM
>                     Please
>                     respond to
>                     Loopers-Delig
>                     ht
>
>
>
>
>
> i take it you are also from dallas?
> are you gigging here?
>
>
>
> >
> > I kind-of directed the drive-with thing to Jim Palmer, who mentioned
> > driving from Dallas.  Unfortunately, I will not be in Austin this
Sunday,
> > but good luck with the gig and many happy returns to you (ha!  a little
> > looper-pun.  "returns"?  get it?  hello...is this thing on?).
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 11:47:56 2000
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From: Rich Grasso <planet_three@inorbit.com>
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Hello All.

I'm looking for something a little extra to color my guitar sound before it
gets to my delay system and was wondering what all of you thought of  these
two units.

I used to work with someone who had a DMM and I loved the sound of it, but
the Space Station also seems cool and a big plus is that I can (possibly?)
use it as a volume pedal as well ( my existing volume pedal is getting a bit
old and scratchy).

Any thoughts? I'd also take other suggestions in this price range
(US$150-200)

Rich


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Hi Rich, 
Had a bud that used the Morley Pro Treadle Flanger into a  DMM 
Together they were great! 
I have a Pro Treadle Flanger still I bought in the 70's and I'm not using it anymore if ya want to get it.
Let me know, we could go off the L/D list with descriptions. I'll let it go cheep.

Cheers, Tim

>>> planet_three@inorbit.com 12/15 8:40 AM >>>
Hello All.

I'm looking for something a little extra to color my guitar sound before it
gets to my delay system and was wondering what all of you thought of  these
two units.

I used to work with someone who had a DMM and I loved the sound of it, but
the Space Station also seems cool and a big plus is that I can (possibly?)
use it as a volume pedal as well ( my existing volume pedal is getting a bit
old and scratchy).

Any thoughts? I'd also take other suggestions in this price range
(US$150-200)

Rich


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FREE Personalized Email at Mail.com
Sign up at http://www.mail.com/?sr=signup 


From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 12:17:28 2000
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Subject: Where to Get Tapes for Old Tape Delays?
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>> Personnally, I prefer older units, but it can be difficult to find an old
loop delay.

I'll say. Here's a question: I have a very old Roland Space Echo SRE-755.
It's a tape delay unit. Does anyone have ANY idea where I might be able to
get tapes for it???

Thanks,
Kevin

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Roland was making graphite coated tape loops up until a couple of years ago.
You can still find some shops that have them in stock, but they are few and far
between.  Another option is 8-track tapes, thats the only other tape I know of
that is graphite coated..  Once and a while you can find an old abba 8-track
that has bareley been used.  You can get a couple of years out of one eight
track.

If you use regular 1/4 inch tape, it always gets stuck after a while.  The
graphite works best.

cheers

dave

Kevin Mulvihill wrote:

> >> Personnally, I prefer older units, but it can be difficult to find an old
> loop delay.
>
> I'll say. Here's a question: I have a very old Roland Space Echo SRE-755.
> It's a tape delay unit. Does anyone have ANY idea where I might be able to
> get tapes for it???
>
> Thanks,
> Kevin

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 13:24:49 2000
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i've been lurking here for a while...

there's some free samples here if anyone is interested
(+ info on a cool pickup i found)

http://www.thejethros.com/Pickups.html

-- 

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 "The music business is a cruel and shallow money trench, a long 
 plastic hallway where thieves and pimps run free, and good men 
 die like dogs... There's also a negative side." - Hunter S. Thompson

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 13:34:51 2000
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For a little more than the Spacestation, you can get the Korg AX1000, which is also a very cool box.  I've
got the Korg AX30 and I love it.  It's not as weird as the Spacestation, but it's a lot more programmable.
Spacestation only has uneditable presets, but they are cool.  Get both!  All!  Stuff!

Mark

Tim Sanz wrote:

> Hi Rich,
> Had a bud that used the Morley Pro Treadle Flanger into a  DMM
> Together they were great!
> I have a Pro Treadle Flanger still I bought in the 70's and I'm not using it anymore if ya want to get it.
> Let me know, we could go off the L/D list with descriptions. I'll let it go cheep.
>
> Cheers, Tim
>
> >>> planet_three@inorbit.com 12/15 8:40 AM >>>
> Hello All.
>
> I'm looking for something a little extra to color my guitar sound before it
> gets to my delay system and was wondering what all of you thought of  these
> two units.
>
> I used to work with someone who had a DMM and I loved the sound of it, but
> the Space Station also seems cool and a big plus is that I can (possibly?)
> use it as a volume pedal as well ( my existing volume pedal is getting a bit
> old and scratchy).
>
> Any thoughts? I'd also take other suggestions in this price range
> (US$150-200)
>
> Rich
>
> ______________________________________________
> FREE Personalized Email at Mail.com
> Sign up at http://www.mail.com/?sr=signup

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 13:37:57 2000
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From: Jimmy George <jimmy@loadhandler.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Space Station vs. Deluxe Memory Man ... 2101!
Date: Fri, 15 Dec 2000 12:04:06 -0600
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if you like those space station sounds find a 2101 by digitech. it has ALL
the cool digitech stuff AND is FULLY programmable! BOING!!! check ebay ...

jimmy george

-----Original Message-----
From: Mark Sottilaro [mailto:sine@zerocrossing.net]
Sent: Friday, December 15, 2000 12:30 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Space Station vs. Deluxe Memory Man


For a little more than the Spacestation, you can get the Korg AX1000, which
is also a very cool box.  I've
got the Korg AX30 and I love it.  It's not as weird as the Spacestation, but
it's a lot more programmable.
Spacestation only has uneditable presets, but they are cool.  Get both!
All!  Stuff!

Mark

Tim Sanz wrote:

> Hi Rich,
> Had a bud that used the Morley Pro Treadle Flanger into a  DMM
> Together they were great!
> I have a Pro Treadle Flanger still I bought in the 70's and I'm not using
it anymore if ya want to get it.
> Let me know, we could go off the L/D list with descriptions. I'll let it
go cheep.
>
> Cheers, Tim
>
> >>> planet_three@inorbit.com 12/15 8:40 AM >>>
> Hello All.
>
> I'm looking for something a little extra to color my guitar sound before
it
> gets to my delay system and was wondering what all of you thought of
these
> two units.
>
> I used to work with someone who had a DMM and I loved the sound of it, but
> the Space Station also seems cool and a big plus is that I can (possibly?)
> use it as a volume pedal as well ( my existing volume pedal is getting a
bit
> old and scratchy).
>
> Any thoughts? I'd also take other suggestions in this price range
> (US$150-200)
>
> Rich
>
> ______________________________________________
> FREE Personalized Email at Mail.com
> Sign up at http://www.mail.com/?sr=signup

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 13:39:27 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Where to Get Tapes for Old Tape Delays?
Date: Fri, 15 Dec 2000 10:36:00 -0800
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>I'll say. Here's a question: I have a very old Roland Space Echo SRE-755.
>It's a tape delay unit. Does anyone have ANY idea where I might be able to
>get tapes for it???

Try our old friend ebay. I just got some RT-1L tape for my space echo. (I
don't think the RT-1L tape will work for any space echo over 555).


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


-----Original Message-----
From: Kevin Mulvihill [mailto:kmulvihill@mediaone.net]
Sent: Friday, December 15, 2000 9:15 AM
To: Loopers-Delight@loopers-delight.com
Subject: Where to Get Tapes for Old Tape Delays?

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 14:07:57 2000
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Date: Fri, 15 Dec 2000 11:01:47 -0800 (PST)
From: petr dolak <pepetr@yahoo.com>
Subject: Alternate tuning chords list
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There was a long discussion of alternate tuning at LD some time ago. 
But in the archive I cannot find anything about some kind of
publicaton which would give a list of chords or so.  Does anyone know
if something like that was ever published?  I am looking specifically
for New Standard Tuning.  I am trying to do one for myself (for 8
string guitar, with F bass string) and it would be helpful to have
some sources.

petr@tryi.com

=====






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 14:35:49 2000
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Date: Fri, 15 Dec 2000 11:32:21 -0700
Subject: Re: Space Station vs. Deluxe Memory Man
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i luv my space station if only for simplicitys sake-however, its in the shop
for the second time since i got it :-(  and as far as 'coloring my guitar
sound', drenches is more like it!!   ...stanner
----------
>From: Rich Grasso <planet_three@inorbit.com>
>To: Loopers-Delight@loopers-delight.com
>Subject: Space Station vs. Deluxe Memory Man
>Date: Fri, Dec 15, 2000, 9:40 AM
>

>Hello All.
>
>I'm looking for something a little extra to color my guitar sound before it
>gets to my delay system and was wondering what all of you thought of  these
>two units.
>
>I used to work with someone who had a DMM and I loved the sound of it, but
>the Space Station also seems cool and a big plus is that I can (possibly?)
>use it as a volume pedal as well ( my existing volume pedal is getting a bit
>old and scratchy).
>
>Any thoughts? I'd also take other suggestions in this price range
>(US$150-200)
>
>Rich
>
>
>______________________________________________
>FREE Personalized Email at Mail.com
>Sign up at http://www.mail.com/?sr=signup
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 14:41:51 2000
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Date: Fri, 15 Dec 2000 11:37:40 -0800 (PST)
From: Scott Martin <coirbidh_99@yahoo.com>
Subject: Re: Space Station
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I really dig my Space Station.  I mostly use it for
the volume pedal in solo looping, but I've started
jamming with a bassist and drummer, and I'm finding
cool uses for some of the other settings as well,
especially the synth swells and the "Time Machine"
forward/reverse rocker.  I do wish some of the effects
weren't so extreme - particularly the
resonator/filters, and the sample/hold, which tends to
drown out my original guitar signal (it won't replace
a wah or autowah for functionality).  Then again, I
don't have the bills to pick up a 2120 to get at the
programmability issue.  You can find the Digitech
stuff at decent prices on eBay and elsewhere, but I
really recommend that you try a unit out before you
buy - particularly this one, since the sounds are so
extreme and idiosyncratic.

-Scott


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From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 15:06:34 2000
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petr writes :

>There was a long discussion of alternate tuning at LD some time ago.
But in the archive I cannot find anything about some kind of
publicaton which would give a list of chords or so.  Does anyone know
if something like that was ever published?  I am looking specifically
for New Standard Tuning.  I am trying to do one for myself (for 8
string guitar, with F bass string) and it would be helpful to have
some sources.

petr@tryi.com

=====

Try this link for New Standard Tuning :

http://www.seattlecircle.com/gcwnews/gcwnews.htm


From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 17:15:48 2000
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To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: RE: Space Station vs. Deluxe Memory Man
Date: Fri, 15 Dec 2000 14:15:33 -0800
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>
> I used to work with someone who had a DMM and I loved the sound of it, 
but
> the Space Station also seems cool and a big plus is that I can 
(possibly?)
> use it as a volume pedal as well ( my existing volume pedal is getting a 
bit
> old and scratchy).
>
> Any thoughts? I'd also take other suggestions in this price range
> (US$150-200)
>

If you can go the extra hundred dollars or so for a used Digitech 2120 and 
pedal, you'll have an absolutely sick amount of processing power; more than 
twice the power of a Space Station, and fully programable. There's enough 
power for 2 10 second loops, and functions for sampler, 'slo-gear' style 
reverse guitar, and much more.

For any of you how already have one, or one of the other Digitech 
programmable units or pedals, (RP21, Valve-fx, JM-150) you owe it to 
yourself to get ahold of the RPEdit patch programmer. It's freeware, and 
very useful indeed. There was a new beta released last week (don't let the 
beta fool you - I haven't found any bugs yet).

http://www.voyager.co.nz/~bjames/RPEdit.html

bIz

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 17:21:15 2000
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References: 
 <4495C77AB577D31199120008C756D0C4130BF7@migarexch01.maritz.com>
 <01b501c0654d$e993ab30$080210ac@jpalmer>
 <009801c06619$ec2d9640$301a07c4@david>
Date: Fri, 15 Dec 2000 20:25:07 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: so cal gig spam
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>Aha , this loopers delight thing is getting better, didn't know so 
>many people would reply the way they did, thanx to those who offered 
>kind advice. Much appreciated.Wasn't aware of a subscription service 
>like this and even if it was on the website telling me about it , i 
>don't remember . i'm going to not unsubscribe as even though i get a 
>fuckload of mail, which was my original concern, i can see da 
>benefit mon, you know what i'm saying.
>
>peace and out

are you saying that this is really a friendly place? :-)

Yes so, welcome to stay some more!

what do you mean by: "i can see da benefit mon"

please remember that there are non american speaking people on the 
list. Thank you.
-- 


          ---> http://Matthias.Grob.org

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That's Jamaican, not American. pretend Bob Marley is saying it.
kim

-----Original Message-----
From: Matthias Grob [mailto:matthias@grob.org]

what do you mean by: "i can see da benefit mon"

please remember that there are non american speaking people on the 
list. Thank you.

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 18:02:02 2000
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e questo è italiano..."posso vedere i benefici, mamma"
                 ciao Italoop

>From: Kim Flint <kflint@inkra.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers-Delight@loopers-delight.com'"  
><Loopers-Delight@loopers-delight.com>
>Subject: RE: so cal gig spam
>Date: Fri, 15 Dec 2000 14:51:49 -0800
>
>
>That's Jamaican, not American. pretend Bob Marley is saying it.
>kim
>
>-----Original Message-----
>From: Matthias Grob [mailto:matthias@grob.org]
>
>what do you mean by: "i can see da benefit mon"
>
>please remember that there are non american speaking people on the
>list. Thank you.
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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   Buy a standard 1/4 inch tape and make a loop, there used to be new old
stock replacement tape from roland but is getting really difficult to get
them, it´s the same tape, and maybe a better quality as well.







At 09:15 a.m. 15/12/00 -0800, you wrote:
>>> Personnally, I prefer older units, but it can be difficult to find an old
>loop delay.
>
>I'll say. Here's a question: I have a very old Roland Space Echo SRE-755.
>It's a tape delay unit. Does anyone have ANY idea where I might be able to
>get tapes for it???
>
>Thanks,
>Kevin
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 21:06:23 2000
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Subject: OT: SoCal Steinberger repair
Date: Fri, 15 Dec 2000 19:03:27 -0700
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A few months ago I purchased a used Steinberger GK4T (the Klein shaped 
Steiny)and it could definitely stand to use a nice set-up. However I am 
primarily a bass player and I don't know of any places to take so 
specialized a guitar and I don't want to take it to some chop-shop. Do any 
of you SoCal guitar loopers out there know of a good repair place to take a 
Steinberger? Preferably someplace with experience setting up a Trans-Trem 
and the zero fret has seen some better days so if they can do fret work on a 
pheno fingerboard that would be groovy too. Please help a brother out.

Muchas Gracias

-Skully
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Fri Dec 15 21:39:09 2000
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Subject: Re: OT: SoCal Steinberger repair
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I have no idea of his Steiny experience, but Doc Pitillo in Fountain 
Valley has a great reputation for guitar repair.  He's a custom 
builder as well, and his Gypsy and Recording King guitars are so 
beautiful you have to be careful not to drool on them.  I've had all 
my guitars and bass worked on and set up at Doc's shop in the last 5 
years.

He's a purist at heart, preferring to do work on classic instruments 
and not too keen on mods, and he will bend your ear off with mind 
numbing details if you let him.  Futhermore, you will need to hound 
him to get your axe back in a reasonable time...Want it in two 
weeks?...Tell Doc you have a gig the coming weekend and you must have 
your guitar.  The work is all top-notch though, and Doc will be 
honest with you about working on the Trans-trem, whether he can do it 
or not.

call information for Fountain Valley and ask for "The Guitar Doctor" 
He's on Euclid Avenue.

rich

side note to the above mention of 'mods'.  Doc does do an extremely 
nice wiring mod for Les Pauls, making it have a single volume 
control, master tone, and two individual pickup volume controls. 
Nice way to get that pickup blend you like, then just have ONE 
control for the volume.  ever try to do a smooth volume swell into 
your loop (on topic, yeah!!) with those two fricking volume pots on a 
Paul?  argghhhh...where's my volume pedal, dammit?




>A few months ago I purchased a used Steinberger GK4T (the Klein 
>shaped Steiny)and it could definitely stand to use a nice set-up. 
>However I am primarily a bass player and I don't know of any places 
>to take so specialized a guitar and I don't want to take it to some 
>chop-shop. Do any of you SoCal guitar loopers out there know of a 
>good repair place to take a Steinberger? Preferably someplace with 
>experience setting up a Trans-Trem and the zero fret has seen some 
>better days so if they can do fret work on a pheno fingerboard that 
>would be groovy too. Please help a brother out.
>
>Muchas Gracias
>
>-Skully
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec 16 05:27:18 2000
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Date: Sat, 16 Dec 2000 02:24:14 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: I just scarfed up a used Oberheim Drummer for $63.....
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over at Zzounds!

Are those looks of envy or mocking sympathy?

I can never tell.  :)

John

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
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From Loopers-Delight-request@loopers-delight.com  Sat Dec 16 08:02:12 2000
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> > Maybe Dennis had the 3440 (Dennis?).
>  
>  I've been meaning to check.  I think I still have the beastie over in a
>  corner somewheres...I'll write a note to myself and check tonight (Friday).
>  More news on Monday.
Well I visited a friend last night, and saw (by chance) some old Teac 
Leaflets.
The 3340S  has the editing lever, which the 3340 does not.
The two look very similar apart from the transport controls, which 
are all simple push buttons in the 'S' model, which has 'logic controlled'
transport (=eats less tapes).

Andy Butler   

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Subject: Re: Where to Get Tapes for Old Tape Delays?
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Hi list !
somebody can tell me the delay times of the old echoplex tape delay =
units ???
thanks in advance !
julio
  ----- Original Message -----=20
  From: Dave=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, December 15, 2000 3:20 PM
  Subject: Re: Where to Get Tapes for Old Tape Delays?



  Roland was making graphite coated tape loops up until a couple of =
years ago.
  You can still find some shops that have them in stock, but they are =
few and far
  between.  Another option is 8-track tapes, thats the only other tape I =
know of
  that is graphite coated..  Once and a while you can find an old abba =
8-track
  that has bareley been used.  You can get a couple of years out of one =
eight
  track.

  If you use regular 1/4 inch tape, it always gets stuck after a while.  =
The
  graphite works best.

  cheers

  dave

  Kevin Mulvihill wrote:

  > >> Personnally, I prefer older units, but it can be difficult to =
find an old
  > loop delay.
  >
  > I'll say. Here's a question: I have a very old Roland Space Echo =
SRE-755.
  > It's a tape delay unit. Does anyone have ANY idea where I might be =
able to
  > get tapes for it???
  >
  > Thanks,
  > Kevin


------=_NextPart_000_0072_01C0675A.6B4B7A00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.600" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi list !</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>somebody can tell me the delay times of =
the old=20
echoplex tape delay units ???</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>thanks in advance !</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>julio</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlauzon@magi.com href=3D"mailto:lauzon@magi.com">Dave</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, December 15, 2000 =
3:20=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Where to Get Tapes =
for Old=20
  Tape Delays?</DIV>
  <DIV><BR></DIV><BR>Roland was making graphite coated tape loops up =
until a=20
  couple of years ago.<BR>You can still find some shops that have them =
in stock,=20
  but they are few and far<BR>between.&nbsp; Another option is 8-track =
tapes,=20
  thats the only other tape I know of<BR>that is graphite coated..&nbsp; =
Once=20
  and a while you can find an old abba 8-track<BR>that has bareley been=20
  used.&nbsp; You can get a couple of years out of one =
eight<BR>track.<BR><BR>If=20
  you use regular 1/4 inch tape, it always gets stuck after a =
while.&nbsp;=20
  The<BR>graphite works best.<BR><BR>cheers<BR><BR>dave<BR><BR>Kevin =
Mulvihill=20
  wrote:<BR><BR>&gt; &gt;&gt; Personnally, I prefer older units, but it =
can be=20
  difficult to find an old<BR>&gt; loop delay.<BR>&gt;<BR>&gt; I'll say. =
Here's=20
  a question: I have a very old Roland Space Echo SRE-755.<BR>&gt; It's =
a tape=20
  delay unit. Does anyone have ANY idea where I might be able to<BR>&gt; =
get=20
  tapes for it???<BR>&gt;<BR>&gt; Thanks,<BR>&gt;=20
Kevin<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0072_01C0675A.6B4B7A00--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 16 12:23:11 2000
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>That's Jamaican, not American. pretend Bob Marley is saying it.
>kim

:-) that does not make it easier to understand, but the italian 
translation did.

ok, I may be a bit oversensitive with that language question... sorry.

>
>-----Original Message-----
>From: Matthias Grob [mailto:matthias@grob.org]
>
>what do you mean by: "i can see da benefit mon"
>
>please remember that there are non american speaking people on the
>list. Thank you.

-- 


          ---> http://Matthias.Grob.org

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its a phonetc of the rasta style of speaking

i can see da benefit mon

= I can see the benefit, man

pretty common in the states

From Loopers-Delight-request@loopers-delight.com  Sat Dec 16 14:32:02 2000
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Why not give Lorenzo at Klein a ring? Don't have the number off hand but
 should not be to hard to locate.


Peter Underwood wrote:

> A few months ago I purchased a used Steinberger GK4T (the Klein shaped
> Steiny)and it could definitely stand to use a nice set-up. However I am
> primarily a bass player and I don't know of any places to take so
> specialized a guitar and I don't want to take it to some chop-shop. Do any
> of you SoCal guitar loopers out there know of a good repair place to take a
> Steinberger? Preferably someplace with experience setting up a Trans-Trem
> and the zero fret has seen some better days so if they can do fret work on a
> pheno fingerboard that would be groovy too. Please help a brother out.
>
> Muchas Gracias
>
> -Skully

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Do you know which model has the built-in edit block and varispeed. Are
all the Revox r-to-r's made for editing? I always see the A77 and B77
models on sale on ebay, are these made for editing?
Thanks alot!

From Loopers-Delight-request@loopers-delight.com  Sun Dec 17 08:56:55 2000
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From: "Bill Fox" <billfox@fast.net>
Subject: EMUSIC Playlist #194 (a week late!)
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #194                    December 7, 2000.

On this show, I began a month-long focus on Sequences Magazine
compilation CDs.  The feature CD at Midnight was from issue number 21.

Sequences Magazine    http://wdiyfm.org/emusic/playlists/2000/focus00.html#dec

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Free System Projekt &   A Night at the Museum    Okefenokee Dreams (Groove)
  Dave Brewer
OZMA                    Beta Hydri               A Hughe and Silent Place
                                                   (Atomic City)
Ashera                 Lullaby for Mother Earth  Ambient Selections (none)

12:00 am
VA [Bios]               The Dark Journey         Sequences No. 21 (none)
VA [Cosmic Hoffman]     The Gate to Lahore       Sequences No. 21 (none)
VA [Howard Armitage]    Earthrise                Sequences No. 21 (none)
VA [Howard Armitage]    Peace                    Sequences No. 21 (none)
VA [Brian Hirsch]       Black Spiral Vortex      Sequences No. 21 (none)
VA [Jon Palmer]         Between the Sun and Moon Sequences No. 21 (none)
VA [A.D.S.R.]           Analogue Sequence 1-2    Sequences No. 21 (none)
VA [Marcel Peelan]      In Sync 3                Sequences No. 21 (none)
VA [Invisible Universe] Liberation               Sequences No. 21 (none)
VA [Robert Wittek]      House of Spirits         Sequences No. 21 (none)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll continue the month-long focus on compilation CDs that
come with each issue of Sequences magazine.  This publication from the UK
covers cosmic, experimental, synth rock, space rock, and ambient electronic
music.  Next week's feature CD at midnight will be from issue number 22.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox

From Loopers-Delight-request@loopers-delight.com  Sun Dec 17 09:33:37 2000
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #195                    December 14, 2000.

On this show, I continued the month-long focus on Sequences Magazine
compilation CDs.  The feature CD at Midnight was from issue number 22.

Sequences Magazine    http://wdiyfm.org/emusic/playlists/2000/focus00.html#dec


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Keller & Schonwalder    Firewalker               The Reason Why (Manikin)
Klaus Schulze           The Wings of Strings     Contemporary Works (Rainhorse/
                                                   Manikin)
Don Slepian             Glimmerings              Electronic Music from the
                                                 Rainbow Isle (none)
Fanger & Kersten        Planet Intro             Splashdown (Manikin)
Fanger & Kersten        Alien Vocabulary         Splashdown (Manikin)
Ashera                  In Fifth Densities       Cobalt 144 (none)

12:00 am
VA [Dogmatic]           Dogmatic                 Sequences No. 22 (none)
VA [Kelvin Smith]       The Last Sun             Sequences No. 22 (none)
VA [Boddy & Reuter]     Red Giant                Sequences No. 22 (none)
VA [Nautilus]           Deep Earth               Sequences No. 22 (none)
VA [Glen Deardorff]     Solo Ascent Part 2       Sequences No. 22 (none)
VA [Mooch]              Blade Runner Extension   Sequences No. 22 (none)
VA [Char-el]            Aurora                   Sequences No. 22 (none)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll continue the month-long focus on compilation CDs that
come
with each issue of Sequences magazine.  This publication from the UK covers
cosmic, experimental, synth rock, space rock, and ambient electronic music.
Next week's feature CD at midnight will be from issue number 23.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox

From Loopers-Delight-request@loopers-delight.com  Sun Dec 17 11:42:47 2000
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Date: Mon, 18 Dec 2000 01:39:59 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: Live gig info (OSAKA & KOBE,Japan)
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Hi Loopers,

Our next live gig info:

21 Thu Dec '00

TIMECONTROL vs THE PORT
Live at OSAKA FANDANGO
Performance:
TIMECONTROL / THE PORT
1500/1800yen
7:00PM
more info:
FANDANGO
http://www.fandango-go.com/
Tel: 06-6308-1621

TIMECONTROL is improvised electronic progressive band.
http://cavestudio.xmit.org/TC/TC_about_E.html


29 Fri Dec '00

digital OBRATE
Live at KOBE troop cafe
Performance:
Sunao Inami,Masato Kawatani & Masahiro Mizutani
congerateuru
and more..
1800/2200yen
22:00 -
more info:
congerateuru
http://www.zephyr.dti.ne.jp/~congera/doframe.html

Sunao : Electronics, Masato : Guitar, Masahiro : Tabla.
Rehearsal pictures and sounds available:
http://low.cavestudio.org/ZEN/rehearsal20001213/

and,
Our last gig pictures  and sound is here:
dalma.net
15 Dec. at Sonic Hall,Kobe,Japan
http://low.cavestudio.org/dalma.net/official/


p.s.
I joined "PPG UK Reunion" at Abergavenny,South Wales ,UK
Pictures available:
http://www.cavestudio.com/PPG/reunion/


   Regards

$B!!(BSunao Inami
http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Sun Dec 17 12:46:24 2000
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Date: Sun, 17 Dec 2000 15:50:26 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Tape Looping/Teac2340
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>Do you know which model has the built-in edit block and varispeed. Are
>all the Revox r-to-r's made for editing? I always see the A77 and B77
>models on sale on ebay, are these made for editing?
>Thanks alot!

I dont know about the A77, but the B77 has an input. You can either 
buy the remote control to it or just connect a potentiometer your own 
way. I did it once...
A brilliant piece of swiss technology! :-)
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sun Dec 17 16:01:56 2000
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unsubscribe

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please send your unsubscribe to loopers-delight-request@loopers-delight.com

thanks.
----- Original Message ----- 
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Sent: Sunday, December 17, 2000 1:14 PM
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unsubscribe


From Loopers-Delight-request@loopers-delight.com  Sun Dec 17 17:48:10 2000
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From: "Luca" <lucafeed@tin.it>
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Date: Sun, 17 Dec 2000 23:44:48 +0100
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I am sorry to disturb you with this, but I think I have seen somebody =
saying something about german poet Paul Celan.
if it was not on LD, please accept my excuses ...
Luca

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D3>I am sorry to disturb you with this, =
but I think I=20
have seen somebody saying something about german poet Paul =
Celan.</FONT></DIV>
<DIV><FONT face=3DArial>if it was not on LD, please accept my excuses=20
...</FONT></DIV>
<DIV><FONT face=3DArial>Luca</FONT></DIV></BODY></HTML>

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please-please-remove me from your mailings.   THANK YOUI!!!

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<HTML><FONT  SIZE=2>please-please-remove me from your mailings. &nbsp;&nbsp;THANK YOUI!!!</FONT></HTML>

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Date: Sun, 17 Dec 2000 20:19:29 EST
Subject: Please remove me from your listings...
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Please remove me from your listings.  Thank You....Joel

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Please remove me from your listings. &nbsp;Thank You....Joel</FONT></HTML>

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Subject: What is a "Tube Pre amp"?
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Hello

Ok, I just signed up for the list.
>From what I can tell this is about Effects and rack mount effects?

If not, please let me know.

My problem is that when I plug my acoustic guitar in to my computer
soundcard,  I cant get any real level with out real bad distortion and
hiss.  Would a Tube pre-amp give me gain?  Right now I have the level
going in my tape deck and then i use the gain knob and resend it to my
computer.  At the time, I chose not to buy a cheep mixer and rather
get a tube pre amp.

Below is the one I may get tomorrow or the next.
http://www.harmony-central.com/Effects/Data/DigiTech/GFX_1_TwinTube-01.html

Again, forgive me if I have the wrong mail list.
-- 
Best regards,
 mastiff2001                            mailto:mastiff2001@yahoo.com



__________________________________________________
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Talk to your friends online with Yahoo! Messenger.
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From Loopers-Delight-request@loopers-delight.com  Sun Dec 17 22:26:21 2000
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Subject: OT: Re: What is a "Tube Pre amp"?
Date: Sun, 17 Dec 2000 22:28:11 -0500
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Hi Jason,

the mailing list is about looping, not really about effects...
so, you're a little OT (off topic) but I can answer you.

The main problem must be the impedance, so you must put something that will
change the impedance between your guitar and the computer. A tube preamp can
be good but tubes add colors to your sound and if it is an accoustic guitar,
it may be inappropriate... You can buy a good DI..

I can be wrong but I'm almost sure that it is an impedance problem..




> Hello
>
> Ok, I just signed up for the list.
> From what I can tell this is about Effects and rack mount effects?
>
> If not, please let me know.
>
> My problem is that when I plug my acoustic guitar in to my computer
> soundcard,  I cant get any real level with out real bad distortion and
> hiss.  Would a Tube pre-amp give me gain?  Right now I have the level
> going in my tape deck and then i use the gain knob and resend it to my
> computer.  At the time, I chose not to buy a cheep mixer and rather
> get a tube pre amp.
>
> Below is the one I may get tomorrow or the next.
>
http://www.harmony-central.com/Effects/Data/DigiTech/GFX_1_TwinTube-01.html
>
> Again, forgive me if I have the wrong mail list.
> --
> Best regards,
>  mastiff2001                            mailto:mastiff2001@yahoo.com
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
> http://im.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 00:58:37 2000
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Black milk of dawn ... 

Schwarze Milch der Frühe

 --- that´s how his most famous poem begins. It´s beautiful.

Alessandro

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I have some questions about my Cyberbass, could you answer me ?

If yes I'll mail you with all my questions.

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> THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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I have some questions about my Cyberbass, could you answer me ?

If yes I'll mail you with all my questions.
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<TT>I have some questions about my Cyberbass, could you answer me ?<BR>
<BR>
If yes I'll mail you with all my questions.</TT>
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From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 03:03:46 2000
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Subject: Re: Re: What is a "Tube Pre amp"?
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WARNING
this post is OT

You never know recording your own samples may not actually be of topic.

I'm just starting to play around with looping and what I can create with it
(which usually just turn into 3-17 minutes of monotony)

Right now I'm working with sequencing and looping before hand and just
tweaking the various loops.  I don't have the skill or equipment yet to do
any interactive looping as of yet.  But one thing that I have been doing is
trying to record my own riffs and the riffs of my friends.  fairly
unsuccessfully I might add.  can't seem to get any quality out of the
process
but I was wondering what kind of hardware I would need to sample my own
instrument loops.  Both instruments with output jacks and instruments
needing a mic.  I have all the instruments I need, all I need is a way to
record them properly.

Malthius Malphaedrius


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> Do you know which model has the built-in edit block and varispeed.

Thats the PR99 mkIII, maybe other models as well

>  all the Revox r-to-r's made for editing? I always see the A77 and B77
>  models on sale on ebay, are these made for editing?

A77 .old model, most don't have 15ips, won't have varispeed unless
  it's been modified (quite common).
B77 ...often used as an editing machine.
I looked up Revox in the 1975 Hifi YearBook they were selling the
"77 Series" then which doesn't look from the picture to be 'edit friendly'.
I actually had an A77 for a brief time but can't remember whether 
it was OK for edits.
andy

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Has anyone already tested the software Reason?
What do you think?


Henrique

________________________________________________________________________
Do You Yahoo!?
Crie o seu e-mail grátis do Yahoo! Mail com 6 Megabytes livres!
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PJ,

Vi vc na lista
Estou em BH e trabalho com música eletrônica.
Sobre o Cyberbass nao tenho conhecimento, mas se vc
quiser trocar informações sobre softwares e tecnologia
aplicada na musica, me mande um e-mail.

Um abraço

Henrique Roscoe

--- Paulo Roberto Diniz Junior <p.jota@uol.com.br>
escreveu: > I have some questions about my Cyberbass,
could you
> answer me ?
> 
> If yes I'll mail you with all my questions. 


________________________________________________________________________
Do You Yahoo!?
Crie o seu e-mail grátis do Yahoo! Mail com 6 Megabytes livres!
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Subject: The Prime Mover, the UniverseLoop, and Sustain (continued)
Date: Mon, 18 Dec 2000 15:05:36 -0000
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I found the most interesting bit/editorial here:
http://wwwiz.com/editorial.html

Go ahead, give it a read.  Keep vibrating, everyone.

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
http://StephenGoodman.iuma.com * Even more MP3s!

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 11:00:48 2000
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Date: Tue, 19 Dec 2000 00:57:08 +0900
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Hi,

>Has anyone already tested the software Reason?
>What do you think?
>

I used Reason our last live gig,15th Dec.
RealAudio available,please visit to:
http://low.cavestudio.org/dalma.net/official/

Reason is just new, I am not understand cooltips yet..
I will use Reason at 29th Dec in Kobe,Japan.
http://www.zephyr.dti.ne.jp/%7Econgera/doframe.html

  Regards

   Sunao Inami
http://www.cavestudio.com

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unsubscribe

-----Original Message-----
From: phalen orion [mailto:phalen180@infin8ty.com]
Sent: Sunday, December 17, 2000 1:19 PM
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Subject: Re: unsubscribe


please send your unsubscribe to loopers-delight-request@loopers-delight.com

thanks.
----- Original Message ----- 
From: <Longhurst4@aol.com>
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Sent: Sunday, December 17, 2000 1:14 PM
Subject: Re: unsubscribe


unsubscribe

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please send your unsubscribe to loopers-delight-request@loopers-delight.com

thanks.
-----Original Message-----
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unsubscribe

-----Original Message-----
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please send your unsubscribe to loopers-delight-request@loopers-delight.com

thanks.
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From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 13:40:13 2000
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Subject: OT - Recording Software for Mac
From: "Allan Hoeltje" <ahoeltje@best.com>
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Can anyone here recommend software for the Macintosh that can record audio
to the Mac's hard disk?  I seem to recall a discussion about this some time
ago but I did not pay attention since I was not interested.  Now my neighbor
is asking me because I am a "Mac person."

-Allan

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goto VersionTracker.com (http://www.versiontracker.com/) and do a search for
"audio recording".
--
Keith Rowley-Yugen


> From: "Allan Hoeltje" <ahoeltje@best.com>
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Mon, 18 Dec 2000 10:38:50 -0800
> To: Loopers Delight <Loopers-Delight@loopers-delight.com>
> Subject: OT - Recording Software for Mac
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Mon, 18 Dec 2000 13:40:07 -0500
> 
> Can anyone here recommend software for the Macintosh that can record audio
> to the Mac's hard disk?  I seem to recall a discussion about this some time
> ago but I did not pay attention since I was not interested.  Now my neighbor
> is asking me because I am a "Mac person."
> 
> -Allan
> 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 14:29:18 2000
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If you're looking for multitrack recording and midi sequencing, check out Metro
5, by Cakewalk.  It's a really great program, and uses the VST plugin
standard.  If you don't need audio recording, it will run in an SE-30!  Much
cheaper than a laptop.

Mark

Allan Hoeltje wrote:

> Can anyone here recommend software for the Macintosh that can record audio
> to the Mac's hard disk?  I seem to recall a discussion about this some time
> ago but I did not pay attention since I was not interested.  Now my neighbor
> is asking me because I am a "Mac person."
>
> -Allan

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 14:34:43 2000
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Subject: Re: OT - Recording Software for Mac
From: Doug Miller <dmiller3@columbus.rr.com>
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Go here:
http://www.versiontracker.com/mp/new_search.m?productDB=mac&mode=Quick&OS_Fi
lter=MacOS&search=sound+edit

On the high end is:
http://www.motu.com/
_________________________________
Doug Miller
Graphic Designer / Illustrator
http://home.columbus.rr.com/dougmiller
http://www.dispatch.com
http://www.cccn.org

> Can anyone here recommend software for the Macintosh that can record audio
> to the Mac's hard disk?  I seem to recall a discussion about this some time
> ago but I did not pay attention since I was not interested.  Now my neighbor
> is asking me because I am a "Mac person."

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 14:43:52 2000
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>
> Can anyone here recommend software for the Macintosh that can record audio
> to the Mac's hard disk?  I seem to recall a discussion about this some time
> ago but I did not pay attention since I was not interested.  Now my neighbor
> is asking me because I am a "Mac person."
>
> -Allan
>

If you are looking for a program to just record, edit and process sound files,
the bexst I have used is SoundMaker.  Look for it at

  http://www.micromat.com/soundMaker/index_soundMaker.html


From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 14:56:10 2000
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From: David Myers <dmgraph@earthlink.net>
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another vote here for Soundmaker--great, and cheap too!

David Lee Myers


>> 
>> Can anyone here recommend software for the Macintosh that can record audio
>> to the Mac's hard disk?  I seem to recall a discussion about this some time
>> ago but I did not pay attention since I was not interested.  Now my neighbor
>> is asking me because I am a "Mac person."
>> 
>> -Allan
>> 
> 
> If you are looking for a program to just record, edit and process sound files,
> the bexst I have used is SoundMaker.  Look for it at
> 
> http://www.micromat.com/soundMaker/index_soundMaker.html
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 15:11:47 2000
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Greeting Loopers,

   So I finally decide that my Roland SDE-1000 Delay
   has been sitting around unused for far too many years and
   I haul the thing to the music store and see what I 
   could get for it...  "80 Bucks in trade," sez Mr Storeperson,
   "have a look around".

   Not much of interest until I spy a Digitech 33B.  "Hmmm",
   thinks I, "I saw that beast on the David Torn video". 
   So I walk out of the store with the 33B in tow, and
   my wallet only a tiny increment thinner.  

   Unfortunately, it did not come with a manual,  and
   I am pretty much confounded by the thing. It does seem 
   pretty damn fun, but so far I have only figured how to 
   negotiate the presets... that's about it.  

   Can anyone help?  I could use a xerox of the manual, or
   a PDF/Jpg/gif, or advice, or suggestions, or just 
   about anything!

Thanks!
-jas
Albuquerque
http://www.unm.edu/~cornflak

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 15:14:55 2000
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I so like soundmaker for sample editing too.

keith rowley-yugen wrote:

> goto VersionTracker.com (http://www.versiontracker.com/) and do a search for
> "audio recording".
> --
> Keith Rowley-Yugen
>
> > From: "Allan Hoeltje" <ahoeltje@best.com>
> > Reply-To: Loopers-Delight@loopers-delight.com
> > Date: Mon, 18 Dec 2000 10:38:50 -0800
> > To: Loopers Delight <Loopers-Delight@loopers-delight.com>
> > Subject: OT - Recording Software for Mac
> > Resent-From: Loopers-Delight@loopers-delight.com
> > Resent-Date: Mon, 18 Dec 2000 13:40:07 -0500
> >
> > Can anyone here recommend software for the Macintosh that can record audio
> > to the Mac's hard disk?  I seem to recall a discussion about this some time
> > ago but I did not pay attention since I was not interested.  Now my neighbor
> > is asking me because I am a "Mac person."
> >
> > -Allan
> >

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 15:20:24 2000
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ANy one know where I can download a demo for sound maker ? I have sound
effects, and that works great... 



seAN


*-*--*--*--*--*--*--*--*--*--*--*--*--*--*
	
Widomaker Communications Services, Inc    
Network Operations Center ( NOC )
Williamsburg Va
(757) 220-4628

*-*--*--*--*--*--*--*--*--*--*--*--*--*--*

For me, love must be ugly, looks must be devine and death must be beautiful.

		- Dali

On Mon, 18 Dec 2000, Mark Sottilaro wrote:

> I so like soundmaker for sample editing too.
> 
> keith rowley-yugen wrote:
> 
> > goto VersionTracker.com (http://www.versiontracker.com/) and do a search for
> > "audio recording".
> > --
> > Keith Rowley-Yugen
> >
> > > From: "Allan Hoeltje" <ahoeltje@best.com>
> > > Reply-To: Loopers-Delight@loopers-delight.com
> > > Date: Mon, 18 Dec 2000 10:38:50 -0800
> > > To: Loopers Delight <Loopers-Delight@loopers-delight.com>
> > > Subject: OT - Recording Software for Mac
> > > Resent-From: Loopers-Delight@loopers-delight.com
> > > Resent-Date: Mon, 18 Dec 2000 13:40:07 -0500
> > >
> > > Can anyone here recommend software for the Macintosh that can record audio
> > > to the Mac's hard disk?  I seem to recall a discussion about this some time
> > > ago but I did not pay attention since I was not interested.  Now my neighbor
> > > is asking me because I am a "Mac person."
> > >
> > > -Allan
> > >
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 15:37:28 2000
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almost all of the major sequencing/recording platforms have a mac
version;

emagic logic audio(many levels at dif prices)
MOTU performer
steinberg Cubase
Opcode vision
macromedia Deck

contact me off list itf your friend is interested in a purchase

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 18:25:30 2000
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Subject: Re: 33B Pitch Shifter Vs. SDE-1000 Delay
Date: Mon, 18 Dec 2000 18:15:58 -0600
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Jason, I recently scored one of those sweet little 33B's for $80 some odd
myself!

Check out the Digitech website at http://www.digitech.com You can order
manuals from them. Or just send me your address off-list and i'll send you a
copy when they send me mine.

-----Original Message-----
From: Jason E. Fink <jfink@cabq.gov>
>   Can anyone help?  I could use a xerox of the manual, or
>   a PDF/Jpg/gif, or advice, or suggestions, or just
>   about anything!
>
>Thanks!
>-jas
>Albuquerque
>http://www.unm.edu/~cornflak
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 18:25:43 2000
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> Black milk of dawn ...
> Schwarze Milch der Frühe
>  --- that´s how his most famous poem begins. It´s beautiful.
> Alessandro

At least I've found someone else who loves his poems, but I also hope to
find out a trace of what I have received,that I have surely erased from my
pc (ouch !).
The thought someone is doing something with (or through) his poetry,
fascinates and interests me so much.
Luca


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>almost all of the major sequencing/recording platforms have a mac
>version;
>
>emagic logic audio(many levels at dif prices)
>MOTU performer
>steinberg Cubase
>Opcode vision
>macromedia Deck

Digidesign has a cutdown/free version of Protools 5 that is for the Mac. It
has 8 audio tracks and 24 MIDI tracks, uses the inbuilt Mac sound hardware,
and maybe other sound hardware as well.

You may need a recent PowerMac/G3/G4 though, I'm not sure.


Simon
Canberra
AUSTRALIA


From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 19:25:11 2000
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Well, it's well done. It sounds EXCELLENT.. and it has a good 'real' feeling
about it, working
the mixer and plugging stuff in the back. The problem I have with it is that
it's not really anything new,
simply a lateral movement from studio gear to computer simulation. The synth
is nord-y, the sampler is,
well, a sampler, and so on. My favorite computer Apps are the ones that have
no hardware counterpart.
The ones that really inspire you to use a computer, rather than make it more
convienient and/or cheaper.

Just my opinion, hehe.


> Has anyone already tested the software Reason?
> What do you think?
>
>
> Henrique
>
> ________________________________________________________________________
> Do You Yahoo!?
> Crie o seu e-mail grátis do Yahoo! Mail com 6 Megabytes livres!
> http://mail.yahoo.com.br
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 19:36:56 2000
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Subject: Re: Paul Celan
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Tooting my own horn...

The latest Intonarumori CD has the Paul Celan Suite that I wrote for two
voices and small chamber ensemble in 1998 (much looping was involved).  More
info on http://www.intonarumori.com

When I first read Celan I was struck by how haunting and penetrating his
words were.

Michael Nyman did an amazing job of setting Paul Celan to music on the CD he
did with Ute Lemper.

    Kevin

----- Original Message -----
From: Luca <lucafeed@tin.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, December 18, 2000 3:15 PM
Subject: R: Paul Celan


>
>
> > Black milk of dawn ...
> > Schwarze Milch der Frühe
> >  --- that´s how his most famous poem begins. It´s beautiful.
> > Alessandro
>
> At least I've found someone else who loves his poems, but I also hope to
> find out a trace of what I have received,that I have surely erased from my
> pc (ouch !).
> The thought someone is doing something with (or through) his poetry,
> fascinates and interests me so much.
> Luca
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 18 19:50:09 2000
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: OT - Recording Software for Mac
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At 10:53 AM 12/19/00 +0100, Simon wrote:
>Digidesign has a cutdown/free version of Protools 5 that is for the Mac...
>You may need a recent PowerMac/G3/G4 though, I'm not sure.

And if ProTools Free is like ProTools LE (the next version up), you'll also
need to make sure you've upgraded to OS 9. 

A friend of mine just switched from Cakewalk Metro to ProTools LE (as part
of the digidesign Digi-001 package) and he's absolutely loving it.

Tim

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Isn't Deck a Bias product now? Like as in Bias Peak and Bias Deck. And is
Opcode still around? I'm still trying to figure out what happened to them.
Can you still get Opcode software?

You might want to check out Steinberg products. They just released Cubase
VST 5.0 which can record at 32-bits floating point and 96kHz. Also, they
will be releasing Nuendo for the Mac soon, which has up to 200 channels and
8 speaker surround sound. But, Steinberg stuff tends to be more expensive
than most of the others.

Ben Porter.


------Original Message------
From: T <iyam@bellsouth.net>
To: Loopers-Delight@loopers-delight.com
Sent: December 18, 2000 7:37:06 PM GMT
Subject: Re: OT - Recording Software for Mac


almost all of the major sequencing/recording platforms have a mac
version;

emagic logic audio(many levels at dif prices)
MOTU performer
steinberg Cubase
Opcode vision
macromedia Deck

contact me off list itf your friend is interested in a purchase


______________________________________________
FREE Personalized Email at Mail.com
Sign up at http://www.mail.com/?sr=signup

From Loopers-Delight-request@loopers-delight.com  Tue Dec 19 06:19:17 2000
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Date: Tue, 19 Dec 2000 08:16:35 -0300 (ART)
From: =?iso-8859-1?q?Henrique=20Roscoe?= <hhhenrique@yahoo.com.br>
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Do you know somewhere that I can download the full
version of reason?

________________________________________________________________________
Do You Yahoo!?
Crie o seu e-mail grátis do Yahoo! Mail com 6 Megabytes livres!
http://mail.yahoo.com.br

From Loopers-Delight-request@loopers-delight.com  Tue Dec 19 08:06:09 2000
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Date: Tue, 19 Dec 2000 11:09:40 -0300
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>  > Do you know which model has the built-in edit block and varispeed.
>
>Thats the PR99 mkIII, maybe other models as well
>
>>   all the Revox r-to-r's made for editing? I always see the A77 and B77
>>   models on sale on ebay, are these made for editing?
>
>A77 .old model, most don't have 15ips, won't have varispeed unless
>   it's been modified (quite common).
>B77 ...often used as an editing machine.
>I looked up Revox in the 1975 Hifi YearBook they were selling the
>"77 Series" then which doesn't look from the picture to be 'edit friendly'.
>I actually had an A77 for a brief time but can't remember whether
>it was OK for edits.

B77 is much better to access.
And it sounds better and looks better and probably is cheap by now anyway...
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Dec 19 08:49:07 2000
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Date: Tue, 19 Dec 2000 13:45:26 +0000
Subject: Re: OT - Recording Software for Mac
From: Martin Shellard <martins@pwdu.demon.co.uk>
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Opcode are history and so is Studio Vision.
I'd avoid Cubase if I were you, I had a lot of problems with it (as did a
lot of people) it's best feature (vst plugins) are now available for any Mac
DAW.
I recommend MOTU Digital Performer, I find it to be the most user friendly
and well thought out of the bunch, to run vst plugs you need to get Pluggo
or Audio Ease's VST shell, also the Logic range is very good but a little
more work to learn.

Martin Shellard 



> 
> Isn't Deck a Bias product now? Like as in Bias Peak and Bias Deck. And is
> Opcode still around? I'm still trying to figure out what happened to them.
> Can you still get Opcode software?
> 
> You might want to check out Steinberg products. They just released Cubase
> VST 5.0 which can record at 32-bits floating point and 96kHz. Also, they
> will be releasing Nuendo for the Mac soon, which has up to 200 channels and
> 8 speaker surround sound. But, Steinberg stuff tends to be more expensive
> than most of the others.
> 
> Ben Porter.
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Dec 19 09:26:09 2000
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ftp.cubase.net

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page
----- Original Message -----
From: "Henrique Roscoe" <hhhenrique@yahoo.com.br>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, December 19, 2000 5:16 AM
Subject: download reason


> Do you know somewhere that I can download the full
> version of reason?
>
> ________________________________________________________________________
> Do You Yahoo!?
> Crie o seu e-mail grátis do Yahoo! Mail com 6 Megabytes livres!
> http://mail.yahoo.com.br
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 19 09:46:36 2000
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From: "Dennis Leas" <dennis@mdbs.com>
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Subject: Re: Loopers-Delight-d Digest V00 #408
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Hi!  Just got back to email today...I've been away for a few days...

Yes!  I dug out my old machine and it is indeed a TEAC A-3340S.  That
explains the extra lever!

Dennis Leas
-------------------
dennis@mdbs.com

----- Original Message -----
From: <SoundFNR@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, December 16, 2000 7:57 AM
Subject: Re: Loopers-Delight-d Digest V00 #408


> > > Maybe Dennis had the 3440 (Dennis?).
> >
> >  I've been meaning to check.  I think I still have the beastie over in a
> >  corner somewheres...I'll write a note to myself and check tonight
(Friday).
> >  More news on Monday.
> Well I visited a friend last night, and saw (by chance) some old Teac
> Leaflets.
> The 3340S  has the editing lever, which the 3340 does not.
> The two look very similar apart from the transport controls, which
> are all simple push buttons in the 'S' model, which has 'logic controlled'
> transport (=eats less tapes).
>
> Andy Butler
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 19 17:26:38 2000
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Subject: [show spam] Hilflos Kind in Anaheim, CA - 12/23/2000
Date: Tue, 19 Dec 2000 14:20:28 -0800
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My apologies for cross-posting, off-topic posting, etc.  Please delete if
you
aren't interested and forward to event-friendly lists where welcome.  I'm
hoping that some people will be interested in coming out to hear me.

I'm performing my first show as Hilflos Kind this Saturday, December 23,
2000 at the AAA Electra 99 Art Gallery in Anaheim, CA.  DJ group Epselon 5
will also be performing following my set.

My show will include use of live looping, some circuit bent toys, as well as
processing of radio static and my optical theremin, Talking Tina.  I will
also be playing native american flute.  The entire set will probably be
about 30-50 minutes including improvisational as well as rehearsed pieces.

AMBIENT STATIC ELECTRONIC RITUAL MUSIC
hilflos kind with Epselon 5

"static noise layered with gutteral growls.  the gentle meandering of flute
that seems to call to indigenous souls of cultures past." -- last sigh
magazine (http://www.lastsigh.com/ )

Audience participation welcome: bring a drum, kitchen appliance, kazoo,
recorder, toy, etc.

SAT 12.23.2000, 9 PM, $5
AAA Electra 99 Art Gallery
Anaheim, CA

http://www.hilfloskind.com/  for info/directions/sounds
AAA Electra 99: 714.666.1805

Best,
phalen180


From Loopers-Delight-request@loopers-delight.com  Wed Dec 20 00:36:10 2000
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Date: Wed, 20 Dec 2000 03:38:15 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: OT - Recording Software for Mac
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>Isn't Deck a Bias product now?

yes, but they dont develop it further, it seems. Exelent for editing.

>Like as in Bias Peak and Bias Deck.

I like Bias PEAK for mastering
http://www.bias-inc.com/
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed Dec 20 08:16:22 2000
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Subject: lexicon mpx-1 for sale or trade
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To All Who Care,

I have an Mpx-1 Lexicon Processor for sale or trade fully programmable and midi capable-in mint shape- would love to trade for an sp808 sampler (i will chip in some cash as well) o.b.o
love
c

From Loopers-Delight-request@loopers-delight.com  Wed Dec 20 11:13:36 2000
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<html>
<DIV>
<P><BR><BR></P></DIV>
<DIV></DIV>
<P>I see that you whant a good software for recording.</P>
<P><FONT style="BACKGROUND-COLOR: #ffffff">Go to digidesign.com and download Pro tools for free, from my opinion is the best.</FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff">Alyosha</FONT></P><br clear=all><hr>Get Your Private, Free E-mail from MSN Hotmail at <a href="http://www.hotmail.com">http://www.hotmail.com</a>.<br></p></html>

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Hi, I was looking for info on a group purchase of a new looper,and was to=
ld I need to subscribe.Thats ok but I have not done any looping.I own a b=
oomarang that I use for guitar practice and want a looper that can store =
my tracks instead of losing them .Will someone please advise me on the ne=
w looper and subscription matter?
Thanks,Tim DeHuff<br clear=3Dall><hr>Get your FREE download of MSN Explor=
er at <a href=3D"http://explorer.msn.com">http://explorer.msn.com</a><br>=
</p>

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<HTML><BODY STYLE=3D"font:10pt verdana; border:none;"><DIV><BR><BR>Hi, I =
was looking for info on a group purchase of a new looper,and was told I n=
eed to subscribe.Thats ok but I have not done any looping.I own a boomara=
ng that I use for guitar practice and want a looper that can store my tra=
cks instead of losing them .Will someone please advise me on the new loop=
er and subscription matter?</DIV> <DIV>Thanks,Tim DeHuff</DIV></BODY></HT=
ML><DIV><BR><br clear=3Dall><hr>Get your FREE download of MSN Explorer at=
 <a href=3D"http://explorer.msn.com">http://explorer.msn.com</a><br></p><=
/DIV>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 22 08:45:44 2000
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Subject: Merry Christmas/Season's Greetings!
Date: Fri, 22 Dec 2000 13:30:36 -0000
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Seasons' Greetings Everyone!

Since it's bad form and sometimes not server-permitted to send graphics, =
please click on this link to see my Christmas / Seasonal greeting for =
2000 to you!

http://www.earthlight.net/Christmas2000.html

Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
http://StephenGoodman.iuma.com * Even more MP3s!

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<DIV>Seasons' Greetings Everyone!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Since it's bad form and sometimes not server-permitted to send =
graphics,=20
please click on this link to see my Christmas / Seasonal greeting for =
2000 to=20
you!</DIV>
<DIV>&nbsp;</DIV>
<DIV><A=20
href=3D"http://www.earthlight.net/Christmas2000.html">http://www.earthlig=
ht.net/Christmas2000.html</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>Stephen Goodman<BR>EarthLight Productions</DIV>
<DIV><FONT color=3D#000080>*<BR><A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A> *=20
The free Loop of the Week!<BR><A=20
href=3D"http://www.mp3.com/StephenGoodman">http://www.mp3.com/StephenGood=
man</A> *=20
New MP3 Releases!<BR><A=20
href=3D"http://StephenGoodman.iuma.com">http://StephenGoodman.iuma.com</A=
> * Even=20
more MP3s!</FONT></DIV></DIV></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 22 12:54:37 2000
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Date: Fri, 22 Dec 2000 18:34:26 -0800
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get it there

http://www.defectiverecords.com/pc1600/pc1600.html

preset/scenes/globals Librarian
scenes/globals        Editor

Happy Hollidays

Claude

From Loopers-Delight-request@loopers-delight.com  Fri Dec 22 17:13:41 2000
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Date: Fri, 22 Dec 2000 14:03:37 -0800 (PST)
From: Pratt Winkle <prattwink2@yahoo.com>
Subject: Synth repair shop (link)
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        sh-101@egroups.com
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goto: www.synthrepairshop.com for repair of
anything analog. Amps, fx pedals, synthesizers,
etc. 

__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Dec 22 17:51:05 2000
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Subject: CENTROZOON : Xmas Update (Slightly Off-Topic)
Date: Fri, 22 Dec 2000 22:38:55 -0000
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Here's a brief rundown of the most recent additions to CENTROZOON's new-look
site @ http://www.centrozoon.de. (My apologies for any inadvertent
cross-posting.)

The (public) production of  'The Cult Of Bibbiboo' is further augmented by
the addition of 14 new MP3's showcasing the latest mixes from producer Derek
DiFilippo. Web visitors are still encouraged to voice their sentiments, and
help in piloting Bibbiboo's unchartered course...

Check out this 'secret' page:- http://www.centrozoon.de/bibbiriboo.html to
discover how you can build your own Bibbiriboo, and enter the 'Covers'
contest! (Visitors should be warned that the consumption of 'Sour Cream &
Onion' Pringles is required, unless you own / or have access to a dog!?)

* The Voice Of Bibbiboo - Just what does she sound like? Visitors need
wonder no more following the inclusion of an intriguing new link, located on
the 'Voice' page...

* The Galleries - Register your preferred physiognomy for the 'divine beast'
by choosing one of the six models on display. The people's choice will
eventually grace the cover of this CD. (Voting will close on the 15th
January 2001.)

* Naming Contest - Check out the latest (MP3 / RealAudio) mixes, and submit
your original titles... Winners will see their titles in print, as well as
receiving a T-Shirt and 'Blast' CD. Entries have been somewhat scant to
date, so you could be in with a fighting chance! (Please note that the
closing date for this contest is 31st January 2001.)

Sincere Christmas greetings are extended to all friends, and supporters of
CENTROZOON, from Markus, Bernhard, and not least Bibbiboo herself. We wish
you all a peaceful New Year...

Regards,

Lee Fletcher, (on behalf of CENTROZOON) http://www.centrozoon.de

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Date: Sat, 23 Dec 2000 12:56:41 +0900
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: live picts uploaded
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Hi Loopers,

TIMECONTROL did live gig in Osaka 21th Dec, and I uploaded pictures.
Please visit to:
http://www.cavestudio.com/TC/

   Merry Christmas!!

   Sunao Inami
http://www.cavestudio.com

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Sunao Inami wrote:

> Hi Loopers,
>
> TIMECONTROL did live gig in Osaka 21th Dec, and I uploaded pictures.
> Please visit to:
> http://www.cavestudio.com/TC/
>
>    Merry Christmas!!
>
>    Sunao Inami
> http://www.cavestudio.com

thanks for the pics, sunao. merry christmas!

lance g.

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Merry Christmas from Italy to all loopers worldwide.  We all want more =
music and less wars.

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 25 12:36:46 2000
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Subject: Meery Xmas
From: Marco <superpolpaccio@libero.it>
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Merry Xmas & happy LOOP year!
marco

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At my place:

Tune "Little Drummer Boy" is shimmering from my EDP, giving a nice
atmosphere as I dress for a Christmas Day ride on my bicycle.  I've done
the fifths drone with voice and synthy string, a bit o' bell, a hint of
melody with mic'd flute, and a tiny touch of drums via DR-660.  

I'm not way up the evolutionary ladder on electronic know-how, but mmmm,
this is nice!

Thanks Kim, Matthias, et al!  

Whatever your nomination, have an adequate dose of music today!

David

From Loopers-Delight-request@loopers-delight.com  Mon Dec 25 17:34:11 2000
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Subject: what is your favorite hardaware sequencer????????? 
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i'm planning to buy a hardware sequencer to play live
i performed during one year with a 1040 ste on stage but i won't do this 
anymore...
i bought the shaltwerk wich exceted me very much at the begining but that i 
can't 
take on stage because of its problems of sync ....
don't tell me to buy a MPC 3000 i'm not rich enough
of coourse i'm looking for the most interesting sequencer for live music
i mean i want to play sequences live and have tha possibility of muting 
unmuting
changing parameters loading sequences while playing
i heard about different stuffs :
ALESIS MMT 8 ,KAWAI X80 ,ENSONIQ ASRX ASRX pro,other new yamaha stuffs
just let me know your oppinion

From Loopers-Delight-request@loopers-delight.com  Mon Dec 25 21:08:12 2000
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Howdy Italo and all,

yeah, I've read all the posts at loopers-delight.com, and then some... Pitch
shifting is VERY important to me, but for voice pitch shifting  I'm thinking
of using Digitech's Vocalist Workstation EX, for two simple reasons: 1. It
can do a crowd of colored girls' background with this thingie (I've tried)
and 2. I already have it. BUT, I also want screaming, crying, hysterically
bitching and emotionally out of control guitar sound, and I was hoping to
dig it out from two Pulsar I cards in a PC box. After some fooling around
with the dedicated Pulsar (2x & linked) box, I'm beginning to have some
serious doubts about achieving that with the Creamware stuff. It's unreal
(great) for synths, though...
Right now I am killing myself over two alternatives for the guitar sound I
hear CLEARLY in my head, but cannot deliver it into a real world. Should I
try  Capybara 320/Kyma, with it's (possibly) 8 ins/outs (which is a BIG +),
or should I shoot for DSP7000...? Orville, as much as I love what I hear
about it, is out of my reach within a reasonable amount of time, so it
really is C230K vs. DSP7k struggle. I'm not asking you to make decision for
me, I would probably hafta kill you later if *WE* was wrong... hehehe Just
in your opinion: which would be better to achieve this
ordinary-woman-behavior-guitar-sound, C230K or DSP7k ?
Quite recently I was bidding on DSP4000 at E-bay, but due to a continuous
self-education, I was really happy to be outbid by some other guy and (with
the newly acquired knowledge about DSP7k - RTFM) didn't event think about
challenging him. And on top of it, after that auction I found about C230k...
God, I hate them at symbolicsound.com, life used to be so simple... Anyway,
things went rather well at E-bay, I didn't get the DSP4k (hehe) and I got
the additional time to realize, that anything below C230K or DSP7k  is..
well... unacceptable.
I'm a house rat, meaning I will never do live gigs, thus being tied up to a
PC box is not a bother to me. That would count toward C230K. However, that
screaming, crying, hysterically bitching and emotionally out of control
guitar sound is something I MUST have, and I'm not sure if C230K can
deliver. What do you think?

thx

Jara


From Loopers-Delight-request@loopers-delight.com  Mon Dec 25 22:37:17 2000
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From: Stephen <dakshah@yahoo.com>
Subject: Re: what is your favorite hardaware sequencer????????? 
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I like my Roland MC-80 - 16 tracks with mute and solo
for each.  i haven't used it for live work, but others
at the egroups discussion group have.  It supports
creation of live loops to some extent.  Check out the
discussion group archives at 

http://www.egroups.com/group/MC-80

stephen


-- Funkyboost@aol.com wrote:
> i'm planning to buy a hardware sequencer to play
> live
> of coourse i'm looking for the most interesting
> sequencer for live music
> i mean i want to play sequences live and have tha
> possibility of muting 
> unmuting
> changing parameters loading sequences while playing



=====
Stephen

__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
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From Loopers-Delight-request@loopers-delight.com  Mon Dec 25 23:32:34 2000
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Date: Tue, 26 Dec 2000 15:30:34 +1100
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The Akai MPC2000XL would be my choice, 64 MIDI/sampler tracks, muting 
of sixteen on one screen at a time with the drum pads, naming of 
tracks, built in sampler, etc.

Simon
Canberra
AUSTRALIA


>I like my Roland MC-80 - 16 tracks with mute and solo
>for each.  i haven't used it for live work, but others
>at the egroups discussion group have.  It supports
>creation of live loops to some extent.  Check out the
>discussion group archives at
>
>http://www.egroups.com/group/MC-80
>
>stephen
>
>
>-- Funkyboost@aol.com wrote:
>>  i'm planning to buy a hardware sequencer to play
>>  live
>>  of coourse i'm looking for the most interesting
>>  sequencer for live music
>>  i mean i want to play sequences live and have tha
>>  possibility of muting
>>  unmuting
>  > changing parameters loading sequences while playing

From Loopers-Delight-request@loopers-delight.com  Tue Dec 26 05:57:31 2000
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Hello JARA
no doubt about the choice, Eventide or(and) Kyma!!! I would consider Orville 
for its double dsp power, 8ins/8outs and quad audio modules, like mixers, 
etc.
PITCH SHIFTING: NO WAY!!! Eventide has the best! Don't even consider 
Digitech toys:once you'll hear it everything will sound different for your 
ears. New software V2.705 allows Orville to have 24 voices of chromatic, 
diatonic or reverse shifting, with 2 seconds delay each!!!
Building a patch matrix with  delays users can add even more delay to 
them!!! Sound quality is PRISTINE CLEAR ! ! ! No HopE elsewhere.
Kyma is a monster workstation!!! Great at any kind of Synthesis and 
sampling...love its granular synthesis!!! If you need hi quality verbs it 
could be a long thing to do though and I'm not sure if you can get the same 
Orville's quality. But still we're talking GREAT systems! If you work at 
home Kyma can be a pleasure...I wouldn't dare to go LIVE with it! Orville 
gives you more REAL TIME approach to everything. With Kyma it seems you have 
to plan things more ahead of time. Still Kyma can do things that Orville 
DOESN'T KNOW at all!
Choice depends on your working way and feeling for the 2 different systems. 
I wish I had both! If I had them, still I would go live ONLY with Orville.
You can do extensive vocals and gtr processing at the same time with it, no 
problem! You can even superimpose aspects of one audio source on the other, 
interactive processing...Kyma does that too and much more. I don't know 
about preamps! I love what you can do with Orville and I'd like to know more 
about it from Kyma users!
Lucky you didn't get a DSP4000! It's a great unit! I worked with it for 5 
years but today it just won't fit more extended and experimental uses & 
abuses.
The gtr sound you heard in my mp3 is a crunchy preamp into a pitch shifter 
with an lfo controlling pitch vibrato, switched by a footcontroller...gtr is 
played wit E-bow. All in 1 dsp Orville, working at about 35% of its total 
power!!! Huge room for more activity.            ciao Italo


>From: "maugli" <maugli@intermess.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: argh... my head hurts...
>Date: Mon, 25 Dec 2000 19:03:51 -0700
>
>Howdy Italo and all,
>
>yeah, I've read all the posts at loopers-delight.com, and then some... 
>Pitch
>shifting is VERY important to me, but for voice pitch shifting  I'm 
>thinking
>of using Digitech's Vocalist Workstation EX, for two simple reasons: 1. It
>can do a crowd of colored girls' background with this thingie (I've tried)
>and 2. I already have it. BUT, I also want screaming, crying, hysterically
>bitching and emotionally out of control guitar sound, and I was hoping to
>dig it out from two Pulsar I cards in a PC box. After some fooling around
>with the dedicated Pulsar (2x & linked) box, I'm beginning to have some
>serious doubts about achieving that with the Creamware stuff. It's unreal
>(great) for synths, though...
>Right now I am killing myself over two alternatives for the guitar sound I
>hear CLEARLY in my head, but cannot deliver it into a real world. Should I
>try  Capybara 320/Kyma, with it's (possibly) 8 ins/outs (which is a BIG +),
>or should I shoot for DSP7000...? Orville, as much as I love what I hear
>about it, is out of my reach within a reasonable amount of time, so it
>really is C230K vs. DSP7k struggle. I'm not asking you to make decision for
>me, I would probably hafta kill you later if *WE* was wrong... hehehe Just
>in your opinion: which would be better to achieve this
>ordinary-woman-behavior-guitar-sound, C230K or DSP7k ?
>Quite recently I was bidding on DSP4000 at E-bay, but due to a continuous
>self-education, I was really happy to be outbid by some other guy and (with
>the newly acquired knowledge about DSP7k - RTFM) didn't event think about
>challenging him. And on top of it, after that auction I found about 
>C230k...
>God, I hate them at symbolicsound.com, life used to be so simple... Anyway,
>things went rather well at E-bay, I didn't get the DSP4k (hehe) and I got
>the additional time to realize, that anything below C230K or DSP7k  is..
>well... unacceptable.
>I'm a house rat, meaning I will never do live gigs, thus being tied up to a
>PC box is not a bother to me. That would count toward C230K. However, that
>screaming, crying, hysterically bitching and emotionally out of control
>guitar sound is something I MUST have, and I'm not sure if C230K can
>deliver. What do you think?
>
>thx
>
>Jara
>
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Tue Dec 26 13:07:32 2000
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I've been using an mc303 as a sequencer, but i found it a bit a shame. 
Great percussive sounds, but an horrible programming section. Now I've 
got a Miditemp Mp88, which is a midi sequencer, plus a midi matrix 
patch bay with 8 midi I/O, you can do almost with it, plus in one of 
its newest incarnations, the MP88W you have the possibility of an 
internal wavetable, with stereo in and outs.It has a floppy and 
internal/external SCSI for Hard Disks, plus miditemp has created a 
program for Win95, 98 etc. to program it via computer. It is fully 
compatible with midi files, and the 8 ins and the 8 outs are totally 
independent one from the other. Plus you get a remote controller, with 
which you can open or close every iin or out in real time, just 
pressing a pair of buttons. The routing can be independent from the
files you send, and it can store in memory up to 128 matrix 
configurations. Resolution is higher than some software sequencers.
If you can, give it a try.
----- Original Message -----
From: <Funkyboost@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, December 25, 2000 11:25 PM
Subject: what is your favorite hardaware sequencer?????????


> i'm planning to buy a hardware sequencer to play live
> i performed during one year with a 1040 ste on stage but i won't do 
this
> anymore...
> i bought the shaltwerk wich exceted me very much at the begining but 
that
i
> can't
> take on stage because of its problems of sync ....
> don't tell me to buy a MPC 3000 i'm not rich enough
> of coourse i'm looking for the most interesting sequencer for live 
music
> i mean i want to play sequences live and have tha possibility of 
muting
> unmuting
> changing parameters loading sequences while playing
> i heard about different stuffs :
> ALESIS MMT 8 ,KAWAI X80 ,ENSONIQ ASRX ASRX pro,other new yamaha stuffs
> just let me know your oppinion
>


From Loopers-Delight-request@loopers-delight.com  Tue Dec 26 14:04:41 2000
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> > i'm planning to buy a hardware sequencer to play live

> >  i bought the shaltwerk wich exceted me very much at the begining but
> that I  can't take on stage  because of its problems   > of sync ....

I'm very curious to know what sync problems you are having with the Doepfer
Shaltwerk. That machine is a top of the line integrated live sequencer and
quite frankly I don't know of any other midi or CV sequencer that has that
much live tweakable control in it. In the US they are not cheap and I've
never heard from any user about any sync problems. Given what you must have
paid for it I'd seriously look into why you are experiencing problems with
it before I went out and bought another machine. It could be malfunctioning
or you could have it set up wrong but either way you owe it to yourself to
look into using that fabulous machine before dumping it. I know many serious
synth musicians who swear that is one of the best live sequencers around and
then do all sorts of syncing via midi, CV/gate triggering, etc as well as
slaving other machines to the Shaltwerk.

In other sequencers on the low end I've used an Alessis MMT8 and Kawaii Q80
extensively. I wrote a comparison between the two here:
http://www.voicenet.com/~legion/mmt8.htm which should give you some ideas on
the features and live use.

These days I mostly use machines with integrated sequencers or arpeggiators
in them. The Korg ER1 drum machine has the classic roland X0X style 16 step
programming systems as well as some amazing internal sounds. The MAM SQ16
also has this and is a stand alone midi sequencer which might be worth a
look.



____________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.


From Loopers-Delight-request@loopers-delight.com  Tue Dec 26 14:49:07 2000
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Here's an alternative solution:

The Macintosh SE-30.  With some inexpensive shareware midi sequencing software
and a serial to midi converter, you can do a lot with one of these.  The great
thing is that they're practically free.  (Some one gave me mine, but I've seen
them go for $5-10 dollars) For MIDI apps, you really don't need anymore, and
they look great on stage.  Very Kraftwerk.

Mark

Legion wrote:

> > > i'm planning to buy a hardware sequencer to play live
>
> > >  i bought the shaltwerk wich exceted me very much at the begining but
> > that I  can't take on stage  because of its problems   > of sync ....
>
> I'm very curious to know what sync problems you are having with the Doepfer
> Shaltwerk. That machine is a top of the line integrated live sequencer and
> quite frankly I don't know of any other midi or CV sequencer that has that
> much live tweakable control in it. In the US they are not cheap and I've
> never heard from any user about any sync problems. Given what you must have
> paid for it I'd seriously look into why you are experiencing problems with
> it before I went out and bought another machine. It could be malfunctioning
> or you could have it set up wrong but either way you owe it to yourself to
> look into using that fabulous machine before dumping it. I know many serious
> synth musicians who swear that is one of the best live sequencers around and
> then do all sorts of syncing via midi, CV/gate triggering, etc as well as
> slaving other machines to the Shaltwerk.
>
> In other sequencers on the low end I've used an Alessis MMT8 and Kawaii Q80
> extensively. I wrote a comparison between the two here:
> http://www.voicenet.com/~legion/mmt8.htm which should give you some ideas on
> the features and live use.
>
> These days I mostly use machines with integrated sequencers or arpeggiators
> in them. The Korg ER1 drum machine has the classic roland X0X style 16 step
> programming systems as well as some amazing internal sounds. The MAM SQ16
> also has this and is a stand alone midi sequencer which might be worth a
> look.
>
> ____________________________________________________________________
> HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
> "Bringing you the best in Organic Electronic music since we started..."
>
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@loopers-delight.com  Tue Dec 26 15:19:10 2000
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To: "Art List"  <emile@foryourhead.com>
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance (Cambridge, MA) Thursday 12.28.00
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Hi folks.

I'll be doing video improvisations with the band Urban Ambience at 
the Zeitgeist Gallery in Cambridge on Thursday evening. This 
concludes a series of performances that have been artistically 
rewarding for myself and the band. I hope some of you can make it.

 From the Urban's announcement

Urban Ambience will conclude their 1/2 year monthly residency at the
Zeitgeist Gallery in Cambridge
(Last Thursday of every month) on Dec. 28th.
Joining Urban Ambience (Chuck U., Michael Bloom and Bob McCloskey) will be
Mr. Curt on guitar and e-bow..

Also live video art by Dr. T (Emile Tobenfeld)
and photo-slides by Chuck & Di.

Urban Ambience will begin their extended set at 9:15pm

Prior to their performance will be a screening of short films by
underground Cezch film maker and performance artist, Milan Kohout.

Zeitgeist Gallery is located 312  Broadway at the corner of Norfolk St. in
Cambridge, near Central and Inman Sqs. Please call 617-623-1065 for 
directions and more information.

-- 
"Once the search is in progress, something will be found"

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Dec 26 19:02:01 2000
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From: "George Washington" <jeremiah266@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Looping IN europe
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Hello Looptatsic Sages,
I am 18 and I have decided to sell abunch of stuuf and go to europe for as 
long as I can afford and kick it loopin  improv style when ever and wherever 
I can. I would like some input on taking gear on the road, european 
loop/music experiences, places to play/pan handel, free street coner shows 
borrowed cafe extension cord style, power supplies for euro, or any other 
tools, tips, or ideas you could give me.
One of the major themes of this trip is to make  it a complete exercise in 
improvisation. I only speak english and spanish so that will make being in 
countries that dont speak those languages intersting. I think I want to fly 
into paris unless there is a reason not to. About all travel preparation 
that I will have is 500$ and a lets go book.
Here is the gear I am takin\
(18) space shock mounted rack
(2) edps (prolly in stereo or with onefoot foot controller connnected to 
both with an a/b switch? Also may add ev-5's)
(1) electrix filter factory with to cv pedals
  (1) lexicon vortex with foot switches and expession pedal
  (1) fostex 2016 line mixer( with 4 aux sends)
(1) Dl4 (mabey with expression pedal mabey not)
(1) Wh-1 whammy pedal Original(perhaps)
(1) Eh Micro synth
  (1) Modded wha
(1) Boss dist feedbacker
  I feel like I will want all the pedals mounted on a board  that will fit 
in and out of a rack drawer, or mabey have all the fx pedals attached to a 
rack drawer that they live in  and have the expression pedals on a borad 
that cam be removed a nd plced on the ground in a nother rack drawer?
   For guitar I have an early g&l pawn shop geetar that I  would not be too 
heart broken if she dont survive the trip. ANy way She's got an A bass 
geetar a string on top, and will be protected only buy my wits and a $19.95 
gig bag
   I  was thinking about having a totally stereo path after all my mono fx 
and star at the stereo out of the dl4. Somthing like  Dl4----->Mixer (mabey 
get 2 2016's so I can have but all my stereo fx in the aux sends and do 
feedback as well as being able to put my stereo fx in any order) Edp s in 
one aux,vortex in one aux , and filter fact in one aux, and then send the 
whole she-bang out to 2 gibson  Skylarks( they live in the unused space at 
the bottom of my rack)
   I know this rig seems a little complicated  but the reduced rig was  
microsynht--->whmmy---> dl4 1 skylark but then I have to carry them all 
individually instead on one big shock mounted box on casters.
I feel like the best plan is to put my bbb(big bad box) in an airport locker 
  and scope the scene out  then comeback and get it? no?
Beside the BBB I am just going to have a book bag type back-pack  with 2-3 
changes of clothes  and 2 econo chef boyardee ravioli cans in case the goin 
gets tuff(they might also be in rack)
A NOTe TO KIM OR MAttiIAS G:
Are x-rays bad for edps?
Thanks in advance for your help,
Jeremiah

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Dec 26 19:13:31 2000
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Just out of curiosity, where do you live now? Are you aware of the voltage
difference between europe and the rest of the world? (220v)
-----Original Message-----
From: George Washington <jeremiah266@hotmail.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Tuesday, December 26, 2000 7:02 PM
Subject: Looping IN europe


>
>Hello Looptatsic Sages,
>I am 18 and I have decided to sell abunch of stuuf and go to europe for as
>long as I can afford and kick it loopin  improv style when ever and
wherever
>I can. I would like some input on taking gear on the road, european
>loop/music experiences, places to play/pan handel, free street coner shows
>borrowed cafe extension cord style, power supplies for euro, or any other
>tools, tips, or ideas you could give me.
>One of the major themes of this trip is to make  it a complete exercise in
>improvisation. I only speak english and spanish so that will make being in
>countries that dont speak those languages intersting. I think I want to fly
>into paris unless there is a reason not to. About all travel preparation
>that I will have is 500$ and a lets go book.
>Here is the gear I am takin\
>(18) space shock mounted rack
>(2) edps (prolly in stereo or with onefoot foot controller connnected to
>both with an a/b switch? Also may add ev-5's)
>(1) electrix filter factory with to cv pedals
>  (1) lexicon vortex with foot switches and expession pedal
>  (1) fostex 2016 line mixer( with 4 aux sends)
>(1) Dl4 (mabey with expression pedal mabey not)
>(1) Wh-1 whammy pedal Original(perhaps)
>(1) Eh Micro synth
>  (1) Modded wha
>(1) Boss dist feedbacker
>  I feel like I will want all the pedals mounted on a board  that will fit
>in and out of a rack drawer, or mabey have all the fx pedals attached to a
>rack drawer that they live in  and have the expression pedals on a borad
>that cam be removed a nd plced on the ground in a nother rack drawer?
>   For guitar I have an early g&l pawn shop geetar that I  would not be too
>heart broken if she dont survive the trip. ANy way She's got an A bass
>geetar a string on top, and will be protected only buy my wits and a $19.95
>gig bag
>   I  was thinking about having a totally stereo path after all my mono fx
>and star at the stereo out of the dl4. Somthing like  Dl4----->Mixer (mabey
>get 2 2016's so I can have but all my stereo fx in the aux sends and do
>feedback as well as being able to put my stereo fx in any order) Edp s in
>one aux,vortex in one aux , and filter fact in one aux, and then send the
>whole she-bang out to 2 gibson  Skylarks( they live in the unused space at
>the bottom of my rack)
>   I know this rig seems a little complicated  but the reduced rig was
>microsynht--->whmmy---> dl4 1 skylark but then I have to carry them all
>individually instead on one big shock mounted box on casters.
>I feel like the best plan is to put my bbb(big bad box) in an airport
locker
>  and scope the scene out  then comeback and get it? no?
>Beside the BBB I am just going to have a book bag type back-pack  with 2-3
>changes of clothes  and 2 econo chef boyardee ravioli cans in case the goin
>gets tuff(they might also be in rack)
>A NOTe TO KIM OR MAttiIAS G:
>Are x-rays bad for edps?
>Thanks in advance for your help,
>Jeremiah
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 27 02:10:25 2000
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To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Looping IN europe
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At 3:49 PM -0800 12/26/00, George Washington wrote:
>Are x-rays bad for edps?
no.
kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Wed Dec 27 10:34:21 2000
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From: "Thys NV" <info@thysproducts.be>
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Subject: oberheim echoplex
Date: Wed, 27 Dec 2000 16:30:26 +0100
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Hallo,

I'm now searching  for a year to get a new oberheim echoplex digital pro =
III .
I'ts impossible to get one here in Europe.
Is there somebody who can help me to find one?
Please let me know

E-mail:   thysproducts@pandora.be

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http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hallo,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm now searching&nbsp; for a year to =
get a new=20
oberheim echoplex digital pro III .</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'ts impossible to get one here in=20
Europe.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Is there somebody who can help me to =
find=20
one?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Please let me know</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>E-mail:&nbsp;&nbsp; <A=20
href=3D"mailto:thysproducts@pandora.be">thysproducts@pandora.be</A></FONT=
></DIV></BODY></HTML>

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Subject: Re: what is your favorite hardaware sequencer?????????
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you're right it seems to be a hardware problem with the shaltwerk
i'm gonna send it back to doepfer... 

From Loopers-Delight-request@loopers-delight.com  Wed Dec 27 14:23:03 2000
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Hi,
18u of rack is not going to be very portable - can't you just take an edp
and a portable combo ?
What happens for instance if you get moved on by less than friendly police ?
Nice idea though - good luck.

Gareth



> Here is the gear I am takin\
> (18) space shock mounted rack
> (2) edps (prolly in stereo or with onefoot foot controller connnected to
> both with an a/b switch? Also may add ev-5's)
> (1) electrix filter factory with to cv pedals
>   (1) lexicon vortex with foot switches and expession pedal
>   (1) fostex 2016 line mixer( with 4 aux sends)
> (1) Dl4 (mabey with expression pedal mabey not)
> (1) Wh-1 whammy pedal Original(perhaps)
> (1) Eh Micro synth
>   (1) Modded wha
> (1) Boss dist feedbacker
>   I feel like I will want all the pedals mounted on a board  that will fit
> in and out of a rack drawer, or mabey have all the fx pedals attached to a
> rack drawer that they live in  and have the expression pedals on a borad
> that cam be removed a nd plced on the ground in a nother rack drawer?
>    For guitar I have an early g&l pawn shop geetar that I  would not be
too
> heart broken if she dont survive the trip. ANy way She's got an A bass
> geetar a string on top, and will be protected only buy my wits and a
$19.95
> gig bag
>    I  was thinking about having a totally stereo path after all my mono fx
> and star at the stereo out of the dl4. Somthing like  Dl4----->Mixer
(mabey
> get 2 2016's so I can have but all my stereo fx in the aux sends and do
> feedback as well as being able to put my stereo fx in any order) Edp s in
> one aux,vortex in one aux , and filter fact in one aux, and then send the
> whole she-bang out to 2 gibson  Skylarks( they live in the unused space at
> the bottom of my rack)
>    I know this rig seems a little complicated  but the reduced rig was
> microsynht--->whmmy---> dl4 1 skylark but then I have to carry them all
> individually instead on one big shock mounted box on casters.
> I feel like the best plan is to put my bbb(big bad box) in an airport
locker
>   and scope the scene out  then comeback and get it? no?
> Beside the BBB I am just going to have a book bag type back-pack  with 2-3
> changes of clothes  and 2 econo chef boyardee ravioli cans in case the
goin
> gets tuff(they might also be in rack)
> A NOTe TO KIM OR MAttiIAS G:
> Are x-rays bad for edps?
> Thanks in advance for your help,
> Jeremiah
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 27 14:29:26 2000
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Subject: headrush juice query
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<html>
<br>
<br>
hello you headrushists:<br>
<br>
can any of yall please confirm for me the power specs for the headrush? i
want to get a backup power supply and don't have mine to hand. i need to
know voltage, milliamperage, center pos/neg &amp; that in fact it is
doing an ac -&gt; dc conversion.<br>
<br>
thanks cats, and have a very meowy xmas <br>
<br>
a:c<br>
<x-sigsep><p></x-sigsep>
<div align="center">
***************************<br>
&nbsp;- just what the world needs...
<a href="http://www.tensionheadache.org/">another frikkin url</a> - 
<br>
</div>
</html>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 27 19:03:53 2000
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From: "George Washington" <jeremiah266@hotmail.com>
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Subject: Re: Looping IN europe internation power supplies
Date: Wed, 27 Dec 2000 18:00:41 -0600
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Hello,
Right now I am in Houston tx. I speak spanish cause I lived in central 
america for 3 years when I was younger. I was thinkin the 18space rack would 
be more portable because I could but everthing in it , it has pretty awsome 
casters, everthing is already set up just hit the on switches. The edp combo 
Idea seems less practical because a combo less flight case will get damaged 
and usually isnt stereo and because I am taking a edp I would need a small 
rack to. Now I am deal ing with multiple pieces and such. Also I am used to 
having multiple loops and it dosent fell like I can adjust to  single loop 
stuff in time to still go to paris with chops.
About voltage: is there something I can get, like a extesiomn cord, that 
changes Us to euro? aslo dose any one know of good power conditioners to 
use(Us)?
Is there any reason I should not have everything in my rack on us power and 
then use a transfor or adaptor to go to Euro.


>From: "Busyditch" <bzditch@sprynet.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>CC: "loopers delight" <Loopers-Delight@loopers-delight.com>
>Subject: Re: Looping IN europe
>Date: Tue, 26 Dec 2000 19:11:14 -0500
>
>Just out of curiosity, where do you live now? Are you aware of the voltage
>difference between europe and the rest of the world? (220v)
>-----Original Message-----
>From: George Washington <jeremiah266@hotmail.com>
>To: Loopers-Delight@loopers-delight.com
><Loopers-Delight@loopers-delight.com>
>Date: Tuesday, December 26, 2000 7:02 PM
>Subject: Looping IN europe
>
>
> >
> >Hello Looptatsic Sages,
> >I am 18 and I have decided to sell abunch of stuuf and go to europe for 
>as
> >long as I can afford and kick it loopin  improv style when ever and
>wherever
> >I can. I would like some input on taking gear on the road, european
> >loop/music experiences, places to play/pan handel, free street coner 
>shows
> >borrowed cafe extension cord style, power supplies for euro, or any other
> >tools, tips, or ideas you could give me.
> >One of the major themes of this trip is to make  it a complete exercise 
>in
> >improvisation. I only speak english and spanish so that will make being 
>in
> >countries that dont speak those languages intersting. I think I want to 
>fly
> >into paris unless there is a reason not to. About all travel preparation
> >that I will have is 500$ and a lets go book.
> >Here is the gear I am takin\
> >(18) space shock mounted rack
> >(2) edps (prolly in stereo or with onefoot foot controller connnected to
> >both with an a/b switch? Also may add ev-5's)
> >(1) electrix filter factory with to cv pedals
> >  (1) lexicon vortex with foot switches and expession pedal
> >  (1) fostex 2016 line mixer( with 4 aux sends)
> >(1) Dl4 (mabey with expression pedal mabey not)
> >(1) Wh-1 whammy pedal Original(perhaps)
> >(1) Eh Micro synth
> >  (1) Modded wha
> >(1) Boss dist feedbacker
> >  I feel like I will want all the pedals mounted on a board  that will 
>fit
> >in and out of a rack drawer, or mabey have all the fx pedals attached to 
>a
> >rack drawer that they live in  and have the expression pedals on a borad
> >that cam be removed a nd plced on the ground in a nother rack drawer?
> >   For guitar I have an early g&l pawn shop geetar that I  would not be 
>too
> >heart broken if she dont survive the trip. ANy way She's got an A bass
> >geetar a string on top, and will be protected only buy my wits and a 
>$19.95
> >gig bag
> >   I  was thinking about having a totally stereo path after all my mono 
>fx
> >and star at the stereo out of the dl4. Somthing like  Dl4----->Mixer 
>(mabey
> >get 2 2016's so I can have but all my stereo fx in the aux sends and do
> >feedback as well as being able to put my stereo fx in any order) Edp s in
> >one aux,vortex in one aux , and filter fact in one aux, and then send the
> >whole she-bang out to 2 gibson  Skylarks( they live in the unused space 
>at
> >the bottom of my rack)
> >   I know this rig seems a little complicated  but the reduced rig was
> >microsynht--->whmmy---> dl4 1 skylark but then I have to carry them all
> >individually instead on one big shock mounted box on casters.
> >I feel like the best plan is to put my bbb(big bad box) in an airport
>locker
> >  and scope the scene out  then comeback and get it? no?
> >Beside the BBB I am just going to have a book bag type back-pack  with 
>2-3
> >changes of clothes  and 2 econo chef boyardee ravioli cans in case the 
>goin
> >gets tuff(they might also be in rack)
> >A NOTe TO KIM OR MAttiIAS G:
> >Are x-rays bad for edps?
> >Thanks in advance for your help,
> >Jeremiah
> >
> >_________________________________________________________________
> >Get your FREE download of MSN Explorer at http://explorer.msn.com
> >
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec 27 21:42:43 2000
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Subject: CD manufacture (OT)
From: David Myers <dmgraph@earthlink.net>
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Sorry for the OT, but I'm looking for a reliable CD manufacturer.  Can
anyone give a recommendation?  Raintree looks good to me from their website
and pricing.  Anyone had experience with them?  Thanks.

David Lee Myers

From Loopers-Delight-request@loopers-delight.com  Wed Dec 27 23:34:52 2000
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Subject: Jimmy George Looping Extravagnza * Saturday December 30th @ Ruta Maya - 
 Austin Texas
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--------------2F424050312F5D5A8039730F
Content-Type: text/plain; charset=us-ascii
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                                   *


                            Come join us...
               December the 30th on the Eve of The Eve...

  This Saturday Night in Austin Texas at Ruta Maya, 4th & Lavaca, ...

                                 The...

                 * Jimmy George Looping Extravaganza *
           With special guest Wayne Reynolds on Fretless Bass
                * And featuring John McJunkin on Sound *

                         Show time is 10 to 1am

 Ruta is one of my favorite venues in Austin. Come help us bring in the
               New Year this night before New Years Eve.

     * Have a very safe and happy New Years and God bless to all! *

                                 Peace,
                              Jimmy George
                                   *
                                   *
                                    *

--------------2F424050312F5D5A8039730F
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>

<center>*
<br>&nbsp;
<p>Come join us...
<br>December the 30th on the Eve of The Eve...
<p>This Saturday Night in Austin Texas at Ruta Maya, 4th &amp; Lavaca,
...
<p>The...
<p>* Jimmy George Looping Extravaganza *
<br>With special guest Wayne Reynolds on Fretless Bass
<br>* And featuring John McJunkin on Sound *
<p>Show time is 10 to 1am
<p>Ruta is one of my favorite venues in Austin. Come help us bring in the
New Year this night before New Years Eve.
<p>* Have a very safe and happy New Years and God bless to all! *
<p>Peace,
<br>Jimmy George
<br>*
<br>*
<br>*</center>
</html>

--------------2F424050312F5D5A8039730F--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 04:05:31 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Looping IN europe internation power supplies
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At 4:00 PM -0800 12/27/00, George Washington wrote:

>About voltage: is there something I can get, like a extesiomn cord, that
>changes Us to euro? aslo dose any one know of good power conditioners to
>use(Us)?
>Is there any reason I should not have everything in my rack on us power and
>then use a transfor or adaptor to go to Euro.

for the echoplexes anyway, they have a switch on the back that converts the
internal supply between 110V or 220V. So you should have no problem there.
Check the rest of your gear.
kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 04:25:56 2000
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> Hello Looptatsic Sages,
>I am 18 and I have decided to sell abunch of stuuf and go to europe for as 
>long as I can afford and kick it loopin  improv style when ever and wherever 
>I can..........
WOW! If that isn't inspiring I don't know what is....Go for it "George" ! Stop
in at the cyber cafes and keep us updated.
Remember to switch the fuse drawer on the back of the FilterFactory to 220
when you get to europe. 

Damon

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 05:12:53 2000
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From: Per Wallqvist <per.wallqvist@tankebolaget.se>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Looping machines for woodwind
Date: Thu, 28 Dec 2000 11:09:59 +0100
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Hi, 

I am looking for some looping device that i can use on stage and that is
suiteabl for voice and woodwind looping. I play the saxophone and will
connect the mic to the PA-system and then put the looping machine to the
effect return. Is that the right way or shall I connect it in another way?

Best regards

/Per

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 07:13:26 2000
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Hah, this is hardly OT for all of us!

I've had a lot of folks send me stuff over the past 6 months for some
reason - and I think the DiscMakers folks still have the best deal per 1000
disks, though I've not seen Raintree yet.  The DiscMakers stuff includes
STORE PLACEMENT, though.  Big Plus in my book.

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
http://StephenGoodman.iuma.com * Even more MP3s!

From: "David Myers" <dmgraph@earthlink.net>
> Sorry for the OT, but I'm looking for a reliable CD manufacturer.  Can
> anyone give a recommendation?  Raintree looks good to me from their
website
> and pricing.  Anyone had experience with them?  Thanks.
>
> David Lee Myers
>
>
>
>

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Stephen P. Goodman wrote:

> The DiscMakers stuff includes
> STORE PLACEMENT, though.  Big Plus in my book.

Allow me to chime in with a few comments on this...

I just skimmed through the Discmakers site and the only sort of store
placement offer I saw mentioned was a free signup with amazon.com's
Amazon Advantage, which ANYONE can sign up for, so long as they have a
bar code (though it's true that Discmakers does offer this service for
free.  I don't know how much Amazon Advantage costs for non-Discmakers
people).

In the past, I believe Diskmakers may have done a tie-in deal with a
company called The Orchard, which had a big slant towards getting indie
CDs into retail stores and web sites.  The problem is that the Orchard
is about a year behind in paying their artists (I personally am owed
over $70.00 for several months' worth of sales).  There's been a lot of
talk on the Music Throughts mailing list about difficulties with The
Orchard.  At the moment, I don't believe that the Orchard services to
brick and mortar anymore.  If Discmakers has stopped dealing with them,
it's probably just as well.

Just to generally gloss over the whole issue of store placement and
distribution, there are two main things you should keep in mind:

1) It's VERY hard to get a CD into stores these days, EVEN IF you have
an established or reputable distributor (a distributor is the service
that gets CDs from a label to a store, or vica versa in the case of CDs
that a store returns).  You should be EXTREMELY skeptical about anyone
who claims to GUARANTEE store placement for you.  

2) Even if you DID have "store placement," a person needs to seriously
ask themselves how that would change their situation.  In other words,
are you REALLY going to be selling any CDs in stores just because there
happens to be one copy of the "Joe Schmoe, Internet Looper At Large"
solo album sitting in every Sam Goody or Wal-Mart across the nation? 
Unless people across the nation actually know who you are, and what you
do, and (in many cases) have been told these things several times in a
row, it's probably not going to help you out.  

For all intents and purposes, no one is going to buy a CD just because
they're aimlessly rummaging through the bins in a store and stumble
across an album they know nothing about.  With all due respect to the
musicians on this list who are putting out their own material,
practically no one here would stand to benefit from having store
placement at "brick-and-mortar" record stores, because practcally no one
here has a high enough profile to foster those sorts of sales.  What's
more, record stores will very frequently return product if it doesn't
sell within a certain time frame (usually three months or less).  

I go into this very subject in considerable detail in the FAQ on my
site, for those so interested:

http://www.altruistmusic.com/altruist/index.html

Finally, on the subject of CD manufacturing, I did my album with Rainbo
out of Santa Monica, CA, and was very happy with their service.  They
don't offer nearly as many extra bells and whistles as Discmakers, but
their prices are very good (if you strip away the various extras that
Discmakers offers, I believe they're pretty much the same), and they
have several established indie labels as customers.  (It was a kick
going to their warehouse to pick up my batch, and walking past the
stacks of CDs for Priority and Moonshine records).  I have also heard
many good things about Discmakers, however, though I haven't dealt with
them myself.

Anyway...

Andre LaFosse | Disruption Theory | http://www.altruistmusic.com
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"Andre LaFosse is an astonishing guitarist of a very different ilk. 
Fripp and Zappa, step aside."
(MOJO magazine, May 2000)

"Here is one that deserves the title 'unique'."  
(Expose' Magazine, October 2000)

"For electric guitar enthusiasts everywhere, this one's essential."
(Alternative Press magazine, September 2000)

"Disruption Theory is one of the best guitar albums I've ever heard."
(Outburn magazine #12)
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 10:48:51 2000
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ive got a friend that used cdman (just cdman.com) and had great success with
them (and they do odd shapes and 3" cds!)
-m

David Myers wrote:

> Sorry for the OT, but I'm looking for a reliable CD manufacturer.  Can
> anyone give a recommendation?  Raintree looks good to me from their website
> and pricing.  Anyone had experience with them?  Thanks.
>
> David Lee Myers

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in the same vien, erika records seems to be a good place to get vinyl pressed
-m

schlipp wrote:

> ive got a friend that used cdman (just cdman.com) and had great success with
> them (and they do odd shapes and 3" cds!)
> -m
>
> David Myers wrote:
>
> > Sorry for the OT, but I'm looking for a reliable CD manufacturer.  Can
> > anyone give a recommendation?  Raintree looks good to me from their website
> > and pricing.  Anyone had experience with them?  Thanks.
> >
> > David Lee Myers



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I agree- cdman.com was awesome to work with, and a lot cheaper than
discmakers, who must make the consumers pay for those nice catalogs. Another
tip to save a lot of money is to do the layout yourself- I think cdman has
templates on their site.

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com


>
> ive got a friend that used cdman (just cdman.com) and had great
> success with
> them (and they do odd shapes and 3" cds!)
> -m
>
> David Myers wrote:
>
> > Sorry for the OT, but I'm looking for a reliable CD manufacturer.  Can
> > anyone give a recommendation?  Raintree looks good to me from
> their website
> > and pricing.  Anyone had experience with them?  Thanks.
> >
> > David Lee Myers
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 12:34:46 2000
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Subject: RE: Looping machines for woodwind
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i play with a trumpet player who also does vocals into a small pa that he
uses for gigs. he uses the line6 dl4 for his looping. i also play with a
vocalist who uses a jamman . . . i think that most of the loopers out there
will accomodate your needs.


stig

-----Original Message-----
From: Per Wallqvist [mailto:per.wallqvist@tankebolaget.se]
Sent: Thursday, December 28, 2000 2:10 AM
To: 'Loopers-Delight@annihilist.com'
Subject: Looping machines for woodwind


Hi, 

I am looking for some looping device that i can use on stage and that is
suiteabl for voice and woodwind looping. I play the saxophone and will
connect the mic to the PA-system and then put the looping machine to the
effect return. Is that the right way or shall I connect it in another way?

Best regards

/Per

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<TITLE>RE: Looping machines for woodwind</TITLE>
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<P><FONT SIZE=3D2>i play with a trumpet player who also does vocals =
into a small pa that he uses for gigs. he uses the line6 dl4 for his =
looping. i also play with a vocalist who uses a jamman . . . i think =
that most of the loopers out there will accomodate your =
needs.</FONT></P>
<BR>

<P><FONT SIZE=3D2>stig</FONT>
</P>

<P><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: Per Wallqvist [<A =
HREF=3D"mailto:per.wallqvist@tankebolaget.se">mailto:per.wallqvist@tanke=
bolaget.se</A>]</FONT>
<BR><FONT SIZE=3D2>Sent: Thursday, December 28, 2000 2:10 AM</FONT>
<BR><FONT SIZE=3D2>To: 'Loopers-Delight@annihilist.com'</FONT>
<BR><FONT SIZE=3D2>Subject: Looping machines for woodwind</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>Hi, </FONT>
</P>

<P><FONT SIZE=3D2>I am looking for some looping device that i can use =
on stage and that is</FONT>
<BR><FONT SIZE=3D2>suiteabl for voice and woodwind looping. I play the =
saxophone and will</FONT>
<BR><FONT SIZE=3D2>connect the mic to the PA-system and then put the =
looping machine to the</FONT>
<BR><FONT SIZE=3D2>effect return. Is that the right way or shall I =
connect it in another way?</FONT>
</P>

<P><FONT SIZE=3D2>Best regards</FONT>
</P>

<P><FONT SIZE=3D2>/Per</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 16:19:29 2000
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Date: Thu, 28 Dec 2000 21:09:16 +0000
Subject: Re: CD manufacture (OT)
From: Steve Lawson <steve@steve-lawson.co.uk>
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> I agree- cdman.com was awesome to work with, and a lot cheaper than
> discmakers, who must make the consumers pay for those nice catalogs. Another
> tip to save a lot of money is to do the layout yourself- I think cdman has
> templates on their site.

If you're in the UK, it's well worth calling ICC duplication in eastbourne -
I had my album duplicated with them, and they did a great job. They use Sony
repro, and have loads of interesting packaging options available if you want
something other than hideous plastic boxes (Mine's done in digifile and
looks amazing, though I say so myself... :o)

I think the web-site is http://www.iccduplication.co.uk - if not, do a
search, they are based in Eastbourne...

cheers

Steve 
www.steve-lawson.co.uk 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 16:54:44 2000
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Subject: Oberheim echoplex
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Hello J.

I'm the guy who want to buy an echoplex (Oberheim)
My price would be between 1000 and 1200 dollars.

Hope you can help me find ( buy ) one.
thysproducts@pandora.be


Pieter

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<DIV><FONT face=3DArial size=3D2>Hello J.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm the guy who want to buy an echoplex =

(Oberheim)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>My price would be between 1000 and 1200 =

dollars.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Hope you can help me find ( buy ) =
one.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"mailto:thysproducts@pandora.be">thysproducts@pandora.be</A></FONT=
></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Pieter</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 17:29:41 2000
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From: Jimmy George <jimmy@loadhandler.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>,
        jimmyg@jimmygeorgearts.com
Subject: RE: Jimmy George Looping Extravagnza * Saturday December 30th @ R
	uta Maya - Austin Texas
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and to you too my fellow loopers! thanks miko!

peace
jimmy george

-----Original Message-----
From: Mike Biffle [mailto:Mbiffle@svg.com]
Sent: Thursday, December 28, 2000 4:16 PM
To: jimmyg@jimmygeorgearts.com; Loopers-Delight@loopers-delight.com
Subject: Re: Jimmy George Looping Extravagnza * Saturday December 30th @
Ruta Maya - Austin Texas


Break a leg Jimmy! Happy New Year to all...

-Miko

>>> jimmyg@jimmygeorgearts.com 12/27/00 08:32PM >>>
                                   *


                            Come join us...
               December the 30th on the Eve of The Eve...

  This Saturday Night in Austin Texas at Ruta Maya, 4th & Lavaca, ...

                                 The...

                 * Jimmy George Looping Extravaganza *
           With special guest Wayne Reynolds on Fretless Bass
                * And featuring John McJunkin on Sound *

                         Show time is 10 to 1am

 Ruta is one of my favorite venues in Austin. Come help us bring in the
               New Year this night before New Years Eve.

     * Have a very safe and happy New Years and God bless to all! *

                                 Peace,
                              Jimmy George
                                   *
                                   *
                                    *

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 17:29:41 2000
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From: "Mike Biffle" <Mbiffle@svg.com>
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Subject: Re: Jimmy George Looping Extravagnza * Saturday December 30th
	@ Ruta Maya - Austin Texas
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Break a leg Jimmy! Happy New Year to all...

-Miko

>>> jimmyg@jimmygeorgearts.com 12/27/00 08:32PM >>>
                                   *


                            Come join us...
               December the 30th on the Eve of The Eve...

  This Saturday Night in Austin Texas at Ruta Maya, 4th & Lavaca, ...

                                 The...

                 * Jimmy George Looping Extravaganza *
           With special guest Wayne Reynolds on Fretless Bass
                * And featuring John McJunkin on Sound *

                         Show time is 10 to 1am

 Ruta is one of my favorite venues in Austin. Come help us bring in the
               New Year this night before New Years Eve.

     * Have a very safe and happy New Years and God bless to all! *

                                 Peace,
                              Jimmy George
                                   *
                                   *
                                    *

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 17:59:58 2000
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From: "Thys NV" <info@thysproducts.be>
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Subject: Oberheim echoplex
Date: Thu, 28 Dec 2000 23:58:28 +0100
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Hello,

Are there people who are willing to sell their
Oberheim echoplex digital pro?
Important:  I'm located in Europe (Belgium)

Please let me know
thysproducts@pandora.be


Pieter

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Are there people who are willing to =
sell=20
their</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Oberheim echoplex digital =
pro?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Important:&nbsp; I'm located in Europe=20
(Belgium)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Please let me know</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"mailto:thysproducts@pandora.be">thysproducts@pandora.be</A></FONT=
></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Pieter</FONT></DIV></BODY></HTML>

------=_NextPart_000_00C7_01C0712A.12ED98A0--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 18:03:54 2000
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Subject: RE: Oberheim echoplex
Date: Thu, 28 Dec 2000 15:00:49 -0800
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Maybe after Repeater comes out.
=A0
Damon- Will it be ready in time for NAMM?=A0 I want to try one out.
=A0
Hans Lindauer=20
Engineer, Music Man R&D=20
Ernie Ball, Inc.=20

-----Original Message-----
From: Thys NV [mailto:info@thysproducts.be]
Sent: Thursday, December 28, 2000 2:58 PM
To: Loopers-Delight@annihilist.com
Subject: Oberheim echoplex


Hello,
=A0
Are there people who are willing to sell their
Oberheim echoplex digital pro?
Important:=A0 I'm located in Europe (Belgium)
=A0
Please let me know
thysproducts@pandora.be
=A0
=A0
Pieter


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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<META content="MSHTML 5.00.2920.0" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=273265722-28122000>Maybe 
after Repeater comes out.</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=273265722-28122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=273265722-28122000>Damon- 
Will it be ready in time for NAMM?&nbsp; I want to try one 
out.</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=273265722-28122000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=273265722-28122000>
<P><FONT face=Arial size=2>Hans Lindauer</FONT> <BR><FONT face=Arial 
size=2>Engineer, Music Man R&amp;D</FONT> <BR><FONT face=Arial size=2>Ernie 
Ball, Inc.</FONT> </P></SPAN></FONT></DIV>
<BLOCKQUOTE style="MARGIN-RIGHT: 0px">
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Thys NV 
  [mailto:info@thysproducts.be]<BR><B>Sent:</B> Thursday, December 28, 2000 2:58 
  PM<BR><B>To:</B> Loopers-Delight@annihilist.com<BR><B>Subject:</B> Oberheim 
  echoplex<BR><BR></DIV></FONT>
  <DIV><FONT face=Arial size=2>Hello,</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Are there people who are willing to sell 
  their</FONT></DIV>
  <DIV><FONT face=Arial size=2>Oberheim echoplex digital pro?</FONT></DIV>
  <DIV><FONT face=Arial size=2>Important:&nbsp; I'm located in Europe 
  (Belgium)</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Please let me know</FONT></DIV>
  <DIV><FONT face=Arial size=2><A 
  href="mailto:thysproducts@pandora.be">thysproducts@pandora.be</A></FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Pieter</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------_=_NextPart_001_01C07122.055CE250--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 18:23:06 2000
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Happy New Year to you all!

I have a roland FC-200 footcontroler.
whatever I do I can't get "gas" peadal
to work.
midi canal seems to in order it does
send massages.
all other pedals work as they should.

any ideas?



From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 19:30:49 2000
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Hello,
Well here is the deal. I am coming from the US to try to do some loopin in 
europe and I have been using two echplexi in stereo so I will sell ya one 
them in the box with footswitch for 1300 Us or 1200 if ya let me stay with 
ya a couple of days and we do some loopin?
How do you feel about that?
Thanks,
J


>From: "Thys NV" <info@thysproducts.be>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Oberheim echoplex
>Date: Thu, 28 Dec 2000 22:53:04 +0100
>
>Hello J.
>
>I'm the guy who want to buy an echoplex (Oberheim)
>My price would be between 1000 and 1200 dollars.
>
>Hope you can help me find ( buy ) one.
>thysproducts@pandora.be
>
>
>Pieter

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec 28 20:02:09 2000
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hey, remember that Repeater thingamagig?  It would seem to me that we're
right around the 45th day of our 30 to 45 day delay in shipping.  Is it
done yet?  Is it done yet?  Is it done yet?  Is it done yet?  Is it done
yet?  Is it done yet?  Is it done yet?  Is it done yet?  Is it done yet?
Is it done yet?  Is it done yet?  Is it done yet?  Is it done yet?  Is it
done yet?

I was part of the group buy from Alto music.  Is that still on?  Should I
call them back and confirm?

God damn it, I've got some looping to do!  What?  Did we loose a war?

Mark

From Loopers-Delight-request@loopers-delight.com  Fri Dec 29 09:36:54 2000
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Subject: EMUSIC Playlist #196 - A Week Late
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[ This is a week late due to the holiday rush. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #196                    December 21, 2000.

On this show, I continued the month-long focus on Sequences Magazine
compilation CDs.  The feature CD at Midnight was from issue number 23.

Sequences    http://wdiyfm.org/emusic/playlists/2000/focus00.html#dec


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Broekhuis, Keller, &    Come and Taste the Band  Drei (Manikin)
  Schonwalder             Part Two
Don Slepian             Sonic Perfume            Sea of Bliss (none)
Saul Stokes             *                A Collection of Live Recordings (none)

12:00 am
VA [Rudy Adrian]        Kinetic Flow             Sequences No. 23 (none)
VA [Sante]              Awakening                Sequences No. 23 (none)
VA [Roach & Unis]       Transfusion              Sequences No. 23 (none)
VA [Titania Moon]       Prelude to a Storm       Sequences No. 23 (none)
VA [Mark Ashby]   Circumnavigating the Universe  Sequences No. 23 (none)
VA [Patrick Kosmos]     Modification             Sequences No. 23 (none)
VA [Spaceman C]         It's About Time          Sequences No. 23 (none)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll conclude the month-long focus on compilation CDs that
come
with each issue of Sequences magazine.  This publication from the UK covers
cosmic, experimental, synth rock, space rock, and ambient electronic music.
Next week's feature CD at midnight will be from issue number 24.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox

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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #197                    December 28, 2000.

On this show, I concluded the month-long focus on Sequences Magazine
compilation CDs.  The feature CD at Midnight was from issue number 24.

Sequences    http://wdiyfm.org/emusic/playlists/2000/focus00.html#dec


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Braun, Broekhuis,       Not From This World      Project inter.com (Manikin)
  Keller, & Schonwalder
Remy                    Image Four               The Art of Imagination (Groove)
The Nightcrawlers       Tanzut                   Traveling Backwards (Manikin)
The Tunnel Singer       Corona Borealis          Night Skies (Tunnel Singer
                                                   Records)
Sean Washburn           Welcome                  Wave Mantra (none)

12:00 am
VA [Craig Padilla]      One '96                  Sequences No. 24 (none)
VA [Syndromeda in Chaos]  Huizen Express         Sequences No. 24 (none)
VA [Foreign Spaces]     Phaeton IV               Sequences No. 24 (none)
VA [T-Bass UK]          6EQUJS                   Sequences No. 24 (none)
VA [Ashok]              Again to Rocochet        Sequences No. 24 (none)
VA [Steve Frost]        Downward Spiral          Sequences No. 24 (none)
VA [Tranquillity]       State of Hysteria        Sequences No. 24 (none)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll begin a month-long focus on Fanger and Kersten a.k.a.
Mind~Flux.  Next week's feature CD at midnight will be "Splashdown" on the
Manikin label.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox

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Date: Fri, 29 Dec 2000 10:59:15 -0500
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WDIY 88.1 FM "EMUSIC" Top 20 report to
New Age Voice and CD Revolutions for December, 2000.
Shows #192 to #196; 23-November-2000 to 21-December-2000
Reported in non-ranked order.
Compiled by Bill Fox, billfox@fast.net

CONTACT:   billfox@fast.net

ARTIST - ALBUM TITLE - LABEL
============================
Ashera - Cobalt 144 - none
Braun, Broekhuis, Keller, & Schonwalder - Project inter.com - Manikin
Broekhuis, Keller, & Schonwalder - Drei - Manikin
Don Slepian - Sea of Bliss - none
Fanger & Kersten - Splashdown - Manikin
Free System Projekt & Dave Brewer - Okefenokee Dreams - Groove
Keller & Schonwalder - The Reason Why - Manikin
Klaus Schulze - Contemporary Works - Rainhorse/ Manikin
Larry Gaabe - History All At Once - Morphosis Music
M. Griffin & D. Fulton - The Most Distant Point Known - Hypnos
Max Corbacho - Far Beyond the Immobile Point - none
OZMA - A Hughe and Silent Place - Atomic City
Paul Ellis - Appears to Vanish - Neu Harmony
Remy - The Art of Imagination - Groove
Steve Roach & Byron Metcalf - The Serpent's Lair - Projekt
Various Artists - Four the Truth - Groove
Various Artists - Sequences No. 21 - none
Various Artists - Sequences No. 22 - none
Various Artists - Sequences No. 23 - none
Various Artists - Sequences No. 24 - none

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox

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Subject: Europe
Date: Fri, 29 Dec 2000 17:21:34 +0100
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Hi, J

I think you hit on the right spot.
Please be welcome in Belgium. Of course you can
stay at my place. It's a jazz-club in neighborhood of
Brusels and Antwerp.
I think the price is ok.

Pieter

What's your E-mail?


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<DIV><FONT face=3DArial size=3D2>Hi, J</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I think you hit on the right =
spot.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Please be welcome in Belgium. Of course =
you=20
can</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>stay at my place. It's a jazz-club in =
neighborhood=20
of</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Brusels and Antwerp.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I think the price is ok.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Pieter</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>What's your E-mail?</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 29 11:37:38 2000
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Date: Fri, 29 Dec 2000 11:33:58 EST
Subject: Re: Looping IN europe
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> I was thinkin the 18space rack would 
>  be more portable because I could but everthing in it , it has pretty 
awsome 
>  casters, everthing is already set up just hit the on switches.
I was thinkin that bout my 12space(+mixer on top),
'till I got it home
Had to take the front+back off to get it up the stairs,
and that was before the gear was in it.

definately a 2 person job moving on anything
but flat ground.
(those  casters are indeed awesome tho' )

Hope your experience is better than mine.

Welcome to Europe though 

Andy  

From Loopers-Delight-request@loopers-delight.com  Fri Dec 29 19:18:49 2000
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Date: Fri, 29 Dec 2000 16:08:17 -0800
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From: Harvey Starr <harvey@cts.com>
Subject: New product spam... rechargeable battery packs
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Hi!

We've built a new rechargeable battery pack/power supply that uses Makita
9V cordless drill batteries. I'm thinking of making it a product if anyone
is interested. We use it for a phantom supply for a MIDI controller but it
could be used for any 9V equipment..
thanks and HH,
harveyS
http://www.starrlabs.com

From Loopers-Delight-request@loopers-delight.com  Fri Dec 29 20:03:05 2000
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Harvey Starr wrote:

> Hi!
>
> We've built a new rechargeable battery pack/power supply that uses Makita
> 9V cordless drill batteries. I'm thinking of making it a product if anyone
> is interested. We use it for a phantom supply for a MIDI controller but it
> could be used for any 9V equipment..
> thanks and HH,
> harveyS
> http://www.starrlabs.com

this sounds interesting. tell us more...

best,
lance g.

anf hh to you too!

From Loopers-Delight-request@loopers-delight.com  Fri Dec 29 20:27:00 2000
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Date: Fri, 29 Dec 2000 20:24:09 EST
Subject: Echoplex for sale
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Hello everyone,

I am unfortunately in a position where I need to raise some funds, so I am 
putting my Oberheim EDP and Footcontroller on auction at eBay. You can find 
it at:

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1401550508

Thanks-

-Marshall

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 03:39:55 2000
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--------------1AA31FAB1949E7741EC3244A
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                   Tonight Saturday December the 30th
            O n  t h e  E v e  o f  N e w  Y e a r s  E v e
                      Come celebrate the Holidays

                                 *With*

                 The Jimmy George Looping Extravaganza

              Featuring *Wayne Reynolds* on Frettless Bass

                      And *John McJunkin* on Sound

              At Ruta Maya - 4th & Lavaca - Austin, Texas

                       Show time is 10:00 to 1am

                            NOCOVER!!NOCOVER

                  LOOPOOLOOPOOLPOOLOOPOOLOOPOOLPOOLOOP

--------------1AA31FAB1949E7741EC3244A
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
&nbsp;
<center>
<p><font size=+2>Tonight Saturday December the 30th</font>
<br><font size=+2>O n&nbsp; t h e&nbsp; E v e&nbsp; o f&nbsp; N e w&nbsp;
Y e a r s&nbsp; E v e</font>
<br><font size=+2>Come celebrate the Holidays</font>
<p>*With*
<p><font size=+3>The Jimmy George Looping Extravaganza</font>
<p><font size=+2>Featuring *Wayne Reynolds* on Frettless Bass</font>
<p><font size=+2>And *John McJunkin* on Sound</font>
<p><font size=+2>At Ruta Maya - 4th &amp; Lavaca - Austin, Texas</font>
<p><font size=+2>Show time is 10:00 to 1am</font>
<p><font size=+2>NOCOVER!!NOCOVER</font><font size=+2></font>
<p><font size=+2>LOOPOOLOOPOOLPOOLOOPOOLOOPOOLPOOLOOP</font></center>
</html>

--------------1AA31FAB1949E7741EC3244A--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 06:19:04 2000
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Subject: Re: *Tonight* @ Ruta Maya with Jimmy George & Friends - Austin, Texas ...
Date: Sat, 30 Dec 2000 11:16:10 -0000
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Good Luck JG!  I'm in London and can't make it, but have a great show!
Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
http://StephenGoodman.iuma.com * Even more MP3s!
  ----- Original Message -----=20
  From: jimmy george=20
  To: jimmyg@jimmygeorgearts.com=20
  Sent: 30 December 2000 08:36 AM
  Subject: *Tonight* @ Ruta Maya with Jimmy George & Friends - Austin, =
Texas ...


   =20
  Tonight Saturday December the 30th=20
  O n  t h e  E v e  o f  N e w  Y e a r s  E v e=20
  Come celebrate the Holidays=20

  *With*=20

  The Jimmy George Looping Extravaganza=20

  Featuring *Wayne Reynolds* on Frettless Bass=20

  And *John McJunkin* on Sound=20

  At Ruta Maya - 4th & Lavaca - Austin, Texas=20

  Show time is 10:00 to 1am=20

  NOCOVER!!NOCOVER=20

  LOOPOOLOOPOOLPOOLOOPOOLOOPOOLPOOLOOP


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Good Luck JG!&nbsp; I'm in London and can't make it, but have a =
great=20
show!</DIV>
<DIV>Stephen Goodman<BR><A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A> *=20
The free Loop of the Week!<BR><A=20
href=3D"http://www.mp3.com/StephenGoodman">http://www.mp3.com/StephenGood=
man</A> *=20
New MP3 Releases!<BR><A=20
href=3D"http://StephenGoodman.iuma.com">http://StephenGoodman.iuma.com</A=
> * Even=20
more MP3s!</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimmyg@jimmygeorgearts.com=20
  href=3D"mailto:jimmyg@jimmygeorgearts.com">jimmy george</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
title=3Djimmyg@jimmygeorgearts.com=20
  =
href=3D"mailto:jimmyg@jimmygeorgearts.com">jimmyg@jimmygeorgearts.com</A>=
 </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> 30 December 2000 08:36 =
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> *Tonight* @ Ruta Maya =
with Jimmy=20
  George &amp; Friends - Austin, Texas ...</DIV>
  <DIV><BR></DIV>&nbsp;=20
  <CENTER>
  <P><FONT size=3D+2>Tonight Saturday December the 30th</FONT> <BR><FONT =
size=3D+2>O=20
  n&nbsp; t h e&nbsp; E v e&nbsp; o f&nbsp; N e w&nbsp; Y e a r s&nbsp; =
E v=20
  e</FONT> <BR><FONT size=3D+2>Come celebrate the Holidays</FONT>=20
  <P>*With*=20
  <P><FONT size=3D+3>The Jimmy George Looping Extravaganza</FONT>=20
  <P><FONT size=3D+2>Featuring *Wayne Reynolds* on Frettless Bass</FONT> =

  <P><FONT size=3D+2>And *John McJunkin* on Sound</FONT>=20
  <P><FONT size=3D+2>At Ruta Maya - 4th &amp; Lavaca - Austin, =
Texas</FONT>=20
  <P><FONT size=3D+2>Show time is 10:00 to 1am</FONT>=20
  <P><FONT size=3D+2>NOCOVER!!NOCOVER</FONT><FONT size=3D+2></FONT>=20
  <P><FONT=20
size=3D+2>LOOPOOLOOPOOLPOOLOOPOOLOOPOOLPOOLOOP</FONT></CENTER></BLOCKQUOT=
E></P></BODY></HTML>

------=_NextPart_000_001C_01C07251.E9EB4000--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 09:23:21 2000
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Date: Sat, 30 Dec 2000 09:12:36 -0500
To: Loopers-Delight@loopers-delight.com
From: Patrick Smith <patrick@his.com>
Subject: Re: CD manufacture (OT)
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>ive got a friend that used cdman (just cdman.com) and had great success with
>them (and they do odd shapes and 3" cds!)
>-m

 We also used cdman for our first FingerPaint release " Primary Colors:
BLUE."  The price was the best we could find at the time ( 2 years ago),
service was friendly, but there were isues with the color of the artwork.
However this could have been miscommunication on our end.

Patrick

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 12:30:35 2000
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From: Michael Peters <mpeters@csi.com>
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Subject: OT: harmonizer control
Date: Sat, 30 Dec 2000 18:30:53 +0100
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just listened to a live recording of Nils Petter Molvaer who plays the 
trumpet in combination with a harmonizer, just as Jon Hassell does, and 
produces harmonies that often change while he sustains one single trumpet 
note. Even though I saw him live last year, I can't quite figure out how he 
does that - how he controls his harmonizer while he plays trumpet. With 
some kind of footpedal I guess, but how exactly? I could either imagine a 
midi pedal that sets various fixed harmonic presets, or for flexibility, 
maybe some kind of footpedal-keyboard like an organ player ... who does 
something similar and knows more about this specific technique?

=	michael peters
=	electronic music & strange attractors
=	http://www.mpeters.de/mpeweb


From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 13:39:55 2000
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From: KILLINFO@aol.com
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Date: Sat, 30 Dec 2000 13:34:49 EST
Subject: Updates to my MP3.com page
To: timothy@emma1.com, bobnme@cdsnet.net, Brian@connectedsystems.com,
        KMichaelis@aol.com, MikeBrown@danabgoods.com, Fmplautus@aol.com,
        SeymourwD@aol.com, jtg@ashlandhome.net, HooverA@tce.com,
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        rasp@mnic.net, 100422.2610@compuserve.com,
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Hi there folks,

The last time I wrote and mentioned this topic to any of you I was just 
testing to see if the one MP3 I had up on MP3.com really worked or not. A 
buddy of mine put it up for me (and I was thrilled, thank you Jeff Kaiser). 
But I didn't know for myself how well it worked (or not) because my own home 
computer was so slow I couldn't stream or download any of it myself. I could 
log on and see my silly picture (oh boy) but I couldn't actually hear a 
thing. However, it did seem to work pretty well for a good many of you and I 
thank you for your kind replies in letting me know even if you thought the 
music rather strange.

Now armed with a faster computer and relatively high-speed access to the net 
I have assumed control of my MP3.com page myself and have put up even more 
sonic nonsense to embarrass my friends and family with. There are now a total 
of 11 tracks (nearly an hou's worht of music) up there at: 
http://artists.mp3s.com/artists/138/ted_killian.html
 
Most of this stuff will still be unlistenable to some of you for technical 
reasons (some pieces are kinda longish and would take a long time to 
download). But online "streaming" is available if you have RealPlayer at 
high- and low-res levels. Others of you will still find this stuff 
unlistenable for other reasons... aesthetic ones no doubt. Sorry, I can't 
help that. But you might give it a try anyway and let me know what you think. 
I'm not terribly thin skinned and would appreciate the constructive feedback.

As a sort of "listening guide" I thought some of you might appreciate having 
me categorize these pieces into levels of listening difficulty (to borrow a 
term from Laurie Anderson) to aid in choosing what to bother listening to.

Easy listening: none available at this time (but you never know)

Mildly strange: Hubble*; Laugh Cry; Nocturne; Prayer; Reverse Logic

Pretty Strange: Relentless; Flux Eterna; God's Sock Puppet; Still Waiting

Very Strange Indeed: Bird Headed Dwarf; Float

* This was the "untitled" track that Jeff originally put up for me.

Well, have fun folks. Again, let me know if these work and what you think of 
them (even a good "rant" could contain useful feedback). It may be nearly 
2001 and I may not be showing any signs of "growing up" any time soon but...

Have a happy new year anyway!

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 13:46:58 2000
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: harmonizer control
Date: Sat, 30 Dec 2000 19:43:35 +0100
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Michael, what Nils does live with his TC G-Force (believe it or not) is just 
patching 2 different values or more for the 2 voices of the pitch 
shifters...so when he moves his pedal he changes chords. That processor 
allows him only a few preset changes...while an Eventide would allow an user 
to preset a control table of up to 11 shifting voices with 50 steps each, 
think 50 chords with a max. of 11+1 dry voices...well, this is power!!!
I recently saw him here in Italy and did an interview with his gtr player, 
Eivind Aarset...cool band...absolutely brilliant...top 5 in the world!!!   
Happy new Year...Italo


>From: Michael Peters <mpeters@csi.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers Delight'" <Loopers-Delight@loopers-delight.com>
>Subject: OT: harmonizer control
>Date: Sat, 30 Dec 2000 18:30:53 +0100
>
>just listened to a live recording of Nils Petter Molvaer who plays the
>trumpet in combination with a harmonizer, just as Jon Hassell does, and
>produces harmonies that often change while he sustains one single trumpet
>note. Even though I saw him live last year, I can't quite figure out how he
>does that - how he controls his harmonizer while he plays trumpet. With
>some kind of footpedal I guess, but how exactly? I could either imagine a
>midi pedal that sets various fixed harmonic presets, or for flexibility,
>maybe some kind of footpedal-keyboard like an organ player ... who does
>something similar and knows more about this specific technique?
>
>=	michael peters
>=	electronic music & strange attractors
>=	http://www.mpeters.de/mpeweb
>
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 13:57:40 2000
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Michael, I forgot to suggest you the listening of the Nils Petter Molvaer 
Band 2 cds, "KHMER" and "SOLID ETHER" both on ECM records 
(www.ecmrecords.com).......magic music from Norway!!!
best Italoop



_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 14:02:01 2000
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Wow, this just sets itself up for a lame joke on my part:

What part of BLUE could they not understand?


>From: Patrick Smith <patrick@his.com>

>  We also used cdman for our first FingerPaint release " Primary Colors:
>BLUE."  (......) there were isues with the color of the artwork.
>However this could have been miscommunication on our end.
>
>Patrick
>

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From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 15:30:45 2000
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----- Original Message -----
From: <KILLINFO@aol.com>
To: <timothy@emma1.com>; <bobnme@cdsnet.net>; <Brian@connectedsystems.com>;
<KMichaelis@aol.com>; <MikeBrown@danabgoods.com>; <Fmplautus@aol.com>;
<SeymourwD@aol.com>; <jtg@ashlandhome.net>; <HooverA@tce.com>;
<TimHoward@aol.com>; <jhuggard@iastate.edu>; <Wescarolh@aol.com>;
<jason@emma1.com>; <jewfamily@hotmail.com>; <jeff@pfmentum.com>;
<cnelson@executiveliaisons.com>; <altruist@earthlink.net>;
<GaryL53655@aol.com>; <Loopers-Delight@annihilist.com>; <MMansur7@aol.com>;
<mmyers@jeffnet.org>; <Dannagin@aol.com>; <Ohhpeachy@aol.com>;
<PEYTOND@psu4.pdx.edu>; <peyton@me.pdx.edu>; <Seaverwave@aol.com>;
<rasp@mnic.net>; <100422.2610@compuserve.com>;
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<suzukisax@email.msn.com>; <thomasz@jeffnet.org>;
<danateague@danabgoods.com>; <danateague@csi.com>; <pamnken@wizard.com>;
<improv@peak.org>; <TomH2O@aol.com>; <Joeinfo@aol.com>;
<DaBluzman1@aol.com>; <twatters@line6.com>
Sent: Saturday, December 30, 2000 11:34 AM
Subject: Updates to my MP3.com page


> Hi there folks,
>
> The last time I wrote and mentioned this topic to any of you I was just
> testing to see if the one MP3 I had up on MP3.com really worked or not. A
> buddy of mine put it up for me (and I was thrilled, thank you Jeff
Kaiser).
> But I didn't know for myself how well it worked (or not) because my own
home
> computer was so slow I couldn't stream or download any of it myself. I
could
> log on and see my silly picture (oh boy) but I couldn't actually hear a
> thing. However, it did seem to work pretty well for a good many of you and
I
> thank you for your kind replies in letting me know even if you thought the
> music rather strange.
>
...snip

Hi there, Killian!

By some strange turn of fate, I received your e-mail even without being
included in your list of "To:" recipients. Nevertheless, I would like to ask
you a question: does your sound-generation arsenal include an Eventide
device of any kind? Are you willing to share with me any info on your gear
used in your music? I am in the process of building my bedroom studio and I
would welcome any advice/opinion on any piece of sound gear.Of course, I
wouldn't mind to tell you about what I've got so far... :-)

Regards,

Jara

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 17:01:58 2000
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From: "Rick Walker (Loop.pooL)" <GLOBAL@cruzio.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Loop.pooL Live at Monterey, California's First Night Celebration, New Years Eve 
Date: Sat, 30 Dec 2000 13:57:39 -0800
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On New Year's Eve (tomorrow night),   George DeMarest and I, as the realtime
version of Loop.pooL will be performing realtime, loopbased Abstract
Electronica with an emphasis on Ambient,Abstract and Trip Hop styles in a
specially constructed 45 foot geodesic dome.
We'll will be performing for Monterey, California's First Night Celebration,
a family oriented, non-alchoholic carnival to bring in the year 2001.

If you are in the area come join us.   You will need to buy a first night
badge ($10 or $12) that let's you into  dozens of local art and music events
and allows you to see the big fireworks display over the Monterey Bay.

Happy New 2001  Loopers of the World!!!      Thanks to Kim Flint for hosting
this awesome site.

Yours,  Rick Walker (Loop.pooL)

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 19:48:25 2000
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From: "R.MUTT" <rauboto@dragonet.es>
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hi friends

	i still having my Roland GP-100,
	that has 5 sec. for loop / delay pourposes,
	amongst other capabilities !

	i'd like to get 400$ for it. if somebody
	is interested, e-mail me privately.

cheers,
R.MUTT




///////////////////////////////////////////////////////////////////////////
Tapeadores  <tapeadores@drgnet.com>
http://www.dragonet.es/users/d3055/tap
///////////////////////////////////////////////////////////////////////////

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 20:23:00 2000
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Subject: Re: Updates to my MP3.com page
From: kevin <hideaway53@opendoor.com>
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Hi Ted:

Don't even consider growing up!  The MP3s you've posted for the group are
absolutely wonderful.  I was transfixed by hubble, laughcry, reverse logic
and nocturne.  It seems to me a small miracle of the age that you can
communicate your wonderful music this way.

On the technical side...I did notice some digital "crackles" on some of the
cuts.  I'm using streaming Real Player 8 and a cable modem to download your
music...a good pair of Sennheiser headphones as well.

Please post more "tunes."

Best,
Kevin Cooney

> Hi there folks,
> 
> The last time I wrote and mentioned this topic to any of you I was just
> testing to see if the one MP3 I had up on MP3.com really worked or not. A
> buddy of mine put it up for me (and I was thrilled, thank you Jeff Kaiser).
> But I didn't know for myself how well it worked (or not) because my own home
> computer was so slow I couldn't stream or download any of it myself. I could
> log on and see my silly picture (oh boy) but I couldn't actually hear a
> thing. However, it did seem to work pretty well for a good many of you and I
> thank you for your kind replies in letting me know even if you thought the
> music rather strange.
> 
> Now armed with a faster computer and relatively high-speed access to the net
> I have assumed control of my MP3.com page myself and have put up even more
> sonic nonsense to embarrass my friends and family with. There are now a total
> of 11 tracks (nearly an hou's worht of music) up there at:
> http://artists.mp3s.com/artists/138/ted_killian.html
> 
> Most of this stuff will still be unlistenable to some of you for technical
> reasons (some pieces are kinda longish and would take a long time to
> download). But online "streaming" is available if you have RealPlayer at
> high- and low-res levels. Others of you will still find this stuff
> unlistenable for other reasons... aesthetic ones no doubt. Sorry, I can't
> help that. But you might give it a try anyway and let me know what you think.
> I'm not terribly thin skinned and would appreciate the constructive feedback.
> 
> As a sort of "listening guide" I thought some of you might appreciate having
> me categorize these pieces into levels of listening difficulty (to borrow a
> term from Laurie Anderson) to aid in choosing what to bother listening to.
> 
> Easy listening: none available at this time (but you never know)
> 
> Mildly strange: Hubble*; Laugh Cry; Nocturne; Prayer; Reverse Logic
> 
> Pretty Strange: Relentless; Flux Eterna; God's Sock Puppet; Still Waiting
> 
> Very Strange Indeed: Bird Headed Dwarf; Float
> 
> * This was the "untitled" track that Jeff originally put up for me.
> 
> Well, have fun folks. Again, let me know if these work and what you think of
> them (even a good "rant" could contain useful feedback). It may be nearly
> 2001 and I may not be showing any signs of "growing up" any time soon but...
> 
> Have a happy new year anyway!
> 
> Ted Killian
> 

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 21:25:43 2000
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Hi there!

In a message dated 12/30/00 5:20:52 PM, hideaway53@opendoor.com writes:

<< On the technical side...I did notice some digital "crackles" on some of the
cuts.  I'm using streaming Real Player 8 and a cable modem to download your
music...a good pair of Sennheiser headphones as well. >>

Thanks for the feedback. This confirms what I suspected. For those who have 
the patience (and the disc space) to download 'em the full size MP3s sound 
pretty okay. But the streaming stuff (which MP3.com creates for you from the 
uploaded MP3 files and provides free for you page sound pretty glitchy at 
best.

Your comments were helpful your praise very kind. Thanks!

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 21:32:03 2000
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Subject: Re: CD manufacture (OT)
Date: Sat, 30 Dec 2000 18:12:07 -0800
Organization: Unit Circle Media
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----- Original Message -----
> I just skimmed through the Discmakers site and the only sort of store
> placement offer I saw mentioned was a free signup with amazon.com's
> Amazon Advantage, which ANYONE can sign up for, so long as they have a
> bar code (though it's true that Discmakers does offer this service for
> free.  I don't know how much Amazon Advantage costs for non-Discmakers
> people).
>

Amazon Advantage is free to sign up and is worthwhile for anyone without
Distribution.  They take a much bigger cut from advantage participants than
they do with albums they get from distributors.

Discmakers makes their money off volume business.  This might be a good
thing if you're buying toilet paper, but it's not such a good thing when
you're producing an album.  Discmakers has good prices, but you can probably
come close to that with a local pressing agent who can help gaurentee a
higher quality release and will spend more time educating you to the
process.

    Kevin

Unit Circle Media
http://www.unitcircle.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec 30 22:00:36 2000
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Date: Sat, 30 Dec 2000 21:57:32 EST
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Jara,

In a message dated 12/30/00 12:26:55 PM, maugli@intermess.com writes:

<< Nevertheless, I would like to ask you a question: does your 
sound-generation arsenal include an Eventide device of any kind? 
Are you willing to share with me any info on your gear used in 
your music? I am in the process of building my bedroom studio and I

would welcome any advice/opinion on any piece of sound gear. Of 
course, I wouldn't mind to tell you about what I've got so far... :-) >>

Nope. I'd love an Eventide device but they are much beyond my budget.
I've got quite a lot of stuff but it's been aquired over a long period of 
time (not all at once). Buying even a low-end Eventide would problay be 
a quick way of winding up in divorce court.

My signal chain starts with a Duncan equipped Gibson RD Artist guitar 
with a Roland GK-2A hex-pickup connecting me to my trusty old Roland 
GR-1 guitar synth. From there it goes to an ART SGE-2000 Express, 
Big Briar Moogerfooger, a pair of Boss RPS-10 pitch shifter delays, 
2 Lexicon Vortexes, an Alesis Microverb III, Emu Proteus III, Rocktron 
12-channel mixer and 2 Oberheim Echoplex Digital Pros. I also use a 
little Akai S-20 phrase sampler to play various stored ambient or 
rhythmic samples*. Along with a Marshall 8008 power amp this more or
less fills my 12-space rack. I play in stereo through 2 pairs of Seymour 
Duncan 1x12 cabs. I play fingerstyle with Ernie Ball metal finger picks
and sometimes with as many as 2 ebows.

*I create these samples with a combination of other tools/instruments
including a Lakewood acoustic guitar, a Yamaha DJX keyboard, a Casio 
MIDI Horn, an electrified kalimba (or m'bira) and a Turkish instrument 
called a cünbüs (kind of a mandolin/banjo hybrid that never plays in 
tune) and various computer programs on my Mac including Hyperprism, 
Groovemaker and Rebirth. 

Boy that looks like a boatload when you list it all out like that.

Anywho, I hope that was helpful. Now it's your turn...

Ted










From Loopers-Delight-request@loopers-delight.com  Sun Dec 31 01:33:36 2000
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Date: Sat, 30 Dec 2000 22:28:41 -0800
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Tape looping insanity c. 1970
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This fellow sent this nice story to be forwarded to the list. Hope you
enjoy it:


>Date: Tue, 26 Dec 2000 09:37:11 -0500
>From: ChasWiller@aol.com
>Subject: Tape looping insanity c. 1970
>To: Loopers-Delight@loopers-delight.com
>
>I'm not joining the tape loopers group, just submitting this story for your
>amusement.
>
>In high school, I managed to get assigned to help in the language lab.
>There were about a half-dozen of us and we had ideas that just wouldn't stop
>when it came to utilizing the 38 reel-to-reel decks in the student booths and
>equipment rack. Oh yes, there was a teachers' console with a switching matrix
>that would not stop.
>
>Our first experiment was to run tape from deck-to-deck-to-deck  on the tall
>vertical equipment rack.  Since the machines ran at slightly different speeds
>and all we had was Ampex acetate-based tape, we snapped
>a lot of it.  Then an idea hit us.
>
>We used an empty reel as an idler, spinning vertically along the front of the
>rack with the tape doing a quarter-twist going in and out of the reel.
>When the reel climbed too high, we would stop the takeup deck and
>let the reel descend again.
>
>This gave us many seconds of delay for 3 decks.  We made a feedback loop from
>deck 3 to deck 1 and set the levels so there was slightly less than unity
>gain in the chain.
>
>When we plugged in a mic, it interrupted the loop audio, so we could start
>adding and replacing audio ad-lib.
>
>It was pretty inane at first. "Hi, how ya doin'?" "Feelin' pretty good." "Hey
>this is fun!" "Hee hee hee!", etc."
>
>The cacaphony of repeating dialogue built up until it was a giant mish-mosh
>of comments, almost like a giant party scene.
>
>Then we got another idea.  Why not use the 35 decks in the student booths?
>
>Of course, 34 empty reels were required to allow the tape to make it safely
>around the metal booth dividers in the 5 rows of 7 booths each.
>
>It was a monster of a setup, requiring most of a single class period to
>prepare.
>
>Then our lookout saw the Head of the Foreign Language Department coming down
>the hallway.
>
>The crew scrambled down the rows, taking the decks out of "PLAY" mode and
>then someone put deck #1 in "REWIND".
>
>You ever watch those giant domino setups falling down?  Imagine that sort of
>"clickety-clickety" sound with the amplitude of thirty-four 7" plastic reels
>falling 36 inches to the concrete floor!
>
>We managed to clean up enough to seem normal when Mr. L walked in.
>But that narrow escape did not cure us. We wanted more.
>
>The loop had to be longer, but how?
>
>Lightbulbs went on over our heads one day.  The window next to the equipment
>rack was opened and an empty reel was sent downward from the 3rd-floor
>language lab, rotating on a long-long loop of tape.
>
>It was very amusing to the Home Economics students on the first floor.
>Not so amused was Mr. L, who banned us from the language lab for
>quite a while.
>
>What happened to those language lab tape loopers?
>
>One is an on-staff inventor at a high-tech electronics company.
>One is a commercial audio producer.
>One is a deejay and producer at a radio station group.
>Two are college professors.
>One is a cell phone network hardware and software engineer.
>
>North Side High School has never been the same!
>
>Charlie Willer
>1655 N Wells St
>Fort Wayne IN 46808-3281
>

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Dec 31 04:17:00 2000
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Date: Sun, 31 Dec 2000 18:14:21 +0900
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
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Hi,

We did live gig in Kobe,Japan at 29th Dec,I made a web site.
RealAudio available:
http://low.cavestudio.org/ZEN/20001229/

We used Jamman,Time machine,DL4 loopy delays,
and Reason,absynth softwares and Roland System700 modular,Analog Solutions 
Concussor modular,Sherman Filterbank etc..

happy new century!

  Sunao Inami
http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Sun Dec 31 14:05:46 2000
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Date: Mon, 1 Jan 2001 04:01:59 +0900
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Hi,

I uploaded Japanese traditional New Years Day pictures in my local town.
If you have interest..

http://www.cavestudio.org/NYD2001/

  Sunao

>Hi,
>
>We did live gig in Kobe,Japan at 29th Dec,I made a web site.
>RealAudio available:
>http://low.cavestudio.org/ZEN/20001229/
>
>We used Jamman,Time machine,DL4 loopy delays,
>and Reason,absynth softwares and Roland System700 modular,Analog Solutions 
>Concussor modular,Sherman Filterbank etc..
>
>happy new century!
>
> Sunao Inami
>http://www.cavestudio.com

