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Date: Wed, 01 Dec 1999 00:17:31 +0100
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Dear Miko,

I feel I must respond to your post.

Hey Travis... this is priceless! This man should be given a prize for
naivette... David! You can buy mine for $1500... (plus shipping).
Supply is much lower than demand at this point in case you're missing
some important EDP history.Just an opinion (and we all know eveyone has
one). As for that otherpost telling us EDP gouging capitalist pigs to
take our offerings
elsewhere... Get a clue.

When I wrote that post I was reacting to the tone of some previous
posts, one of which was yours, that seemed to me to be gloating about
how much they could sell their EDP's for. It didn't  seem  to be in the
community spirit that  I've read in this list. My opinion, as you so
accurately remember.

If you're after an EDP, (I'm not, I have one) wouldn't you want to
know who's selling them and at what price?

No one is selling or buying at your price. Anyone who wants an EDP knows
they can go to ebay. I think the one $3000 sale a few months ago
distorted some peoples thinking. The average, before and after, is a
little more than half of your $1500 asking price, as the recent auction
confirms.

And in a forum for the
discussion of looping? If not, it's you who should go find a new
list.

I didn't tell anyone to find a new list, I just said that such offers
belonged on ebay, not here, and judging from the many positive emails I
received, many people agreed with me.

Hey! We might even share some tips and tricks and how to
possibly fix them if you're nice... But you're not being very, are
you?

I've been very nice. I tried not  to respond to this. I expressed my
opinion, as is the norm for newsgroups.  I didn't attack anybody, and
I'm sorry you felt so offended that you needed to. We're all in this
together, and I don't think it's nice for haves to taunt have nots with
offers to sell at inflated prices. I joined this list because I'm
interested in looping, and I have gotten (and given), lots of tips and
tricks and talked to some great people. In fact, (excepting just a
couple of recent  threads) I've looked forward to reading this list
every day. I've also enjoyed some of your helpful posts to people. I'd
like to think that you would help someone with EDP problems even if you
disagreed with them on something. Anyway,


Loop on

PS


From Loopers-Delight-request@annihilist.com  Tue Nov 30 23:47:52 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Socialism is a fat monkey on a sunny day.Anarchy is a pink pussycat with no tail
Date: Tue, 30 Nov 1999 20:28:09 PST
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Socialism notices that the ground is wet. He falls and hurts his bum bum. 
Anarchy licks his paws profusely. Socialism toots his kazoo into a 
microphone, splitting the signal into 2 different DL-4's and creating 
Reichian style loops. (For On Topic content.) Anarchy somehow manages to 
lick the back of his own neck, then licks the back of someone else's neck. 
The world turns like a wobbly marble.

The moral of this story is ...?

Just thought I'd share my thoughts.

Mr. Tough

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Nov 30 23:32:17 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Tack Piano
Date: Tue, 30 Nov 1999 20:13:49 PST
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There is an instrument that works like a music box, but a little larger. The 
cylinder inside is made of cork-board and you create the 'bumps' by 
inserting tacks into it. Like a real music box, this instrument also has a 
metal comb in which the different sprongs create different pitches. You turn 
the cork-board cylinder with a handle (much like one of those lottery 
devices...in fact, that's what they often use). The tacks make the sprongs 
sproing and create music. Of course, this might be an instrument completely 
different from a "tack piano". That's just what came to mind.

You know, it might be that other instrument with the 2 antennae that you 
play by moving your hands around it....

Mr. Tough


>From: "Michael S. Yoder" <myoder@tamiu.edu>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Tack Piano
>Date: Tue, 30 Nov 1999 10:05:48 -0600
>
>Dear musicians,
>
>Does anyone know what a "Tack Piano" is?  I'm sure I'm showing my ignorance
>here.  I've seen reference to it twice on liner notes:  Weather Report's
>"Mysterious Traveler" and the latest release by Stereolab.
>
>Sorry if this is "off-topic", but it's not as off-topic as all the
>socialist-bashing from yesterday!
>
>Y'all have a great day.
>
>Best,
>Michael
>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
>
>Dr. Michael S. Yoder
>Assistant Professor of Geography,
>Coordinator of Urban Studies
>Texas A&M International University
>5201 University Blvd.
>Laredo, TX  78041
>Tel. (956) 326-2634; FAX (956) 326-2464
>Internet:myoder@tamiu.edu
>
>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Nov 30 23:57:34 1999
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Subject: Re: Socialism is a fat monkey on a sunny day.Anarchy is a pink
	 pussycat with no tail
From: "Christopher White" <magicicada@mindspring.com>
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ahhh but anarchy is kin to chaos and chaaos is the supreme order...socialism
never works because the fat monkies in charge are the one's who get the
milk. while the looping mouse engines suck the dirt.
i orefer a controlled chaos myself
and reich
and i gotta say the anarchist has 8 kazoos of all different makes while the
socialist has one government issued sad kazoo that sounds like a duck's
fart...
possibly this means.....
----------
>From: "Mr. Tough" <electricfriends@hotmail.com>
>To: Loopers-Delight@annihilist.com
>Subject: Socialism is a fat monkey on a sunny day.Anarchy is a pink
pussycat with no tail
>Date: Wed, Dec 1, 1999, 12:28 AM
>

>Socialism notices that the ground is wet. He falls and hurts his bum bum. 
>Anarchy licks his paws profusely. Socialism toots his kazoo into a 
>microphone, splitting the signal into 2 different DL-4's and creating 
>Reichian style loops. (For On Topic content.) Anarchy somehow manages to 
>lick the back of his own neck, then licks the back of someone else's neck. 
>The world turns like a wobbly marble.
>
>The moral of this story is ...?
>
>Just thought I'd share my thoughts.
>
>Mr. Tough
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>

From Loopers-Delight-request@annihilist.com  Wed Dec  1 00:16:50 1999
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plus the monkey had to pay 50% sales tax on the one kazoo
----------
>From: "Christopher White" <magicicada@mindspring.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: Socialism is a fat monkey on a sunny day.Anarchy is a pink
pussycat with no tail
>Date: Wed, Dec 1, 1999, 11:53 AM
>

>ahhh but anarchy is kin to chaos and chaaos is the supreme order...socialism
>never works because the fat monkies in charge are the one's who get the
>milk. while the looping mouse engines suck the dirt.
>i orefer a controlled chaos myself
>and reich
>and i gotta say the anarchist has 8 kazoos of all different makes while the
>socialist has one government issued sad kazoo that sounds like a duck's
>fart...
>possibly this means.....
>----------
>>From: "Mr. Tough" <electricfriends@hotmail.com>
>>To: Loopers-Delight@annihilist.com
>>Subject: Socialism is a fat monkey on a sunny day.Anarchy is a pink
>pussycat with no tail
>>Date: Wed, Dec 1, 1999, 12:28 AM
>>
>
>>Socialism notices that the ground is wet. He falls and hurts his bum bum. 
>>Anarchy licks his paws profusely. Socialism toots his kazoo into a 
>>microphone, splitting the signal into 2 different DL-4's and creating 
>>Reichian style loops. (For On Topic content.) Anarchy somehow manages to 
>>lick the back of his own neck, then licks the back of someone else's neck. 
>>The world turns like a wobbly marble.
>>
>>The moral of this story is ...?
>>
>>Just thought I'd share my thoughts.
>>
>>Mr. Tough
>>
>>______________________________________________________
>>Get Your Private, Free Email at http://www.hotmail.com
>>
>

From Loopers-Delight-request@annihilist.com  Wed Dec  1 00:05:52 1999
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Date: Tue, 30 Nov 1999 22:00:59 -0700
To: Loopers-Delight@annihilist.com
From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: Re: Space Echo RE 201 and "the Fantastic" Echoplex echo chamber
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At 03:36 PM 11/30/99 -0800, you wrote:
>Jim Dunlop sells brand new tape cartridges- in the accesories section of
>their web site- only for the Echoplex tho- list price is just over 20 bucks-
>No idea on the Space Echo tape-

I always just cut and spliced my own on my 301, which died an unfortunate
death last year.  Never had a problem with simple chopping of 1/4" tape,
though.

==
the Reverend Rob   ICQ: 1280871   
http://www.realm-of-shade.com/music


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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Socialism is newsgroup luna-cy with EDP squabbling . . .
Date: Wed, 1 Dec 1999 00:00:23 -0600
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hmmmm . . . this cyclic gobbling  of bandwidth phenomena seems to be kicking
in again--time of the month     ;)

drone on~~~~~~~~~~~~~~~
Tom Lambrecht
hideo@concentric.net


From Loopers-Delight-request@annihilist.com  Wed Dec  1 01:40:22 1999
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Does opening EDP up to upgrade the memory invalidate the warranty..?


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Wed Dec  1 01:44:18 1999
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Message-ID: <3844C28E.B4CEB26@jimmygeorgearts.com>
Date: Wed, 01 Dec 1999 00:39:10 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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Subject: Re: cd duplication
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cd-r
We gave them a cd-pq master. Jerry Tubb at Terra Nova did the mastering. Call her and
mention that we sent you! She does not do mastering, but she is a great resource for
everything. She has a guy that she works with for DAT to cd duplicating. We looked
into getting a cd made from a 90 minute DAT recently. She said he would charge $35-50
to make a cd master. That would include manually separating each song into individual
tracks. She has been part of the music scene for a long time and knows lots of
people. great lady! tell her we said hi if you call!

Melody and Jimmy George

Bobdog/Doghouse Audio Laboratory wrote:

> howdy melody & jimmy -
>
> were these cd's or cd-r's? i would guess cd-r.
>
> did you give them a dat?
>
> did they duplicate or master?
>
> thanks,
>
> bobdog
>
> Jimmy George wrote:
>
> > We live in Austin and for short run duplication we have used "Lubbock or Leave
> > It". They are very reasonably priced, quick and professional. Pricing varies
> > with length of cd and number of copies.Our most recent cd was 43 minutes and it
> > cost $7.50 each for three. It drops a lot for more than 10. Talk to Barbara.
> > 512-302-9024.
> >
> > Melody Taylor and Jimmy George

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From: JohnFlem@aol.com
Message-ID: <0.8f40b47f.25761e94@aol.com>
Date: Wed, 1 Dec 1999 01:47:48 EST
Subject: Tack Piano Definitive answer with looping to boot!
	Continued...woops!
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I have one....it has a handle on the front that you pull (like an old manual 
choke on a car!) that lowers a bar with leather straps (about 4" long) with 
metal clips on the bottom.
A recent cool use of one by a guy I work with that is worth checking  out <A 
HREF="http://www.benfoldsfive.com/">Ben Folds Five - The Unauthorized 
Biography of …</A>  The songs "Mess", and Hospital" are the most obvious.  He 
made one using a 5'2" Baldwin Grand Piano.  Anyway, we looped it using an 
Mpc2000 on  "Fear Of Pop" (a side project he did with a guest appearance by 
William Shatner!  oops I get Trekkies and Loopers mixed up all the time) 
LOOPING...on topic ;)  He also uses it on stage as well.

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Date: Wed, 1 Dec 1999 01:42:06 EST
Subject: Re: Tack Piano Definitive answer with looping to boot!
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I have one....it has a handle on the front that you pull (like an old manual 
choke on a car!) that lowers a bar with leather straps (about 4" long) with 
metal clips on the bottom.
A recent cool use of one by a guy I work with that is worth checking  out <A 
HREF="http://www.benfoldsfive.com/">Ben Folds Five - The Unauthorized 
Biography of …</A>  He mde one using a %' 

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From: KRosser414@aol.com
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Date: Wed, 1 Dec 1999 02:05:16 EST
Subject: Re: Line 6 DL-4
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Along with what many have said about features/versatility/options all being 
cool, as a week-long owner of a DL-4 I have to add that this thing SOUNDS 
great - just the actual quality of the timbres passing through it is really 
beautiful, I don't know how else to put it.  I'm hooked...can't wait for the 
other two, if this one's that good.

Ken R

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Date: Wed, 01 Dec 1999 00:29:11 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: warranty / upgrade
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At 10:35 PM -0800 11/30/99, sock s wrote:
>Does opening EDP up to upgrade the memory invalidate the warranty..?
>

no. or if it does it's never been enforced. they don't mind about
installing software upgrades either.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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Date: Wed, 01 Dec 1999 00:26:20 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: 1 million hits
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haha, that's funny neal. BTW, the homeless scavenger guys were thrilled to
get all your mint SWR cabinets and the classic Ricky bass you left here.

kim

At 6:12 PM -0800 11/30/99, Neal Trembath wrote:
>(How many of those hits are Kim?)  --Sometimes he'd try not looking at it
>for a whole day, and then looking at it.
>
>N
>
>On Sun, 28 Nov 1999, Kim Flint wrote:
>
>> Well, we finally crossed that big milestone. The Looper's Delight website
>> had it's 1 millionth page-hit sometime last week!
>>
>> I, for one, am amazed. Never expected anything like it when I started this
>> 3 years ago. These days the site gets anywhere from 4000 to 7000 hits a
>> day, so I guess 2 million will come quite a bit quicker.


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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i think i like it ...

Kim Flint wrote:

> haha, that's funny neal. BTW, the homeless scavenger guys were thrilled to
> get all your mint SWR cabinets and the classic Ricky bass you left here.
>
> kim
>
> At 6:12 PM -0800 11/30/99, Neal Trembath wrote:
> >(How many of those hits are Kim?)  --Sometimes he'd try not looking at it
> >for a whole day, and then looking at it.
> >
> >N
> >
> >On Sun, 28 Nov 1999, Kim Flint wrote:
> >
> >> Well, we finally crossed that big milestone. The Looper's Delight website
> >> had it's 1 millionth page-hit sometime last week!
> >>
> >> I, for one, am amazed. Never expected anything like it when I started this
> >> 3 years ago. These days the site gets anywhere from 4000 to 7000 hits a
> >> day, so I guess 2 million will come quite a bit quicker.
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  |

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YOUR A POLICE MAN!

Kim Flint wrote:

> haha, that's funny neal. BTW, the homeless scavenger guys were thrilled to
> get all your mint SWR cabinets and the classic Ricky bass you left here.
>
> kim
>
> At 6:12 PM -0800 11/30/99, Neal Trembath wrote:
> >(How many of those hits are Kim?)  --Sometimes he'd try not looking at it
> >for a whole day, and then looking at it.
> >
> >N
> >
> >On Sun, 28 Nov 1999, Kim Flint wrote:
> >
> >> Well, we finally crossed that big milestone. The Looper's Delight website
> >> had it's 1 millionth page-hit sometime last week!
> >>
> >> I, for one, am amazed. Never expected anything like it when I started this
> >> 3 years ago. These days the site gets anywhere from 4000 to 7000 hits a
> >> day, so I guess 2 million will come quite a bit quicker.
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  |

From Loopers-Delight-request@annihilist.com  Wed Dec  1 04:12:15 1999
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Date: Wed, 01 Dec 1999 03:08:08 -0600
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From: Tom S <ths@interaccess.com>
Subject: Love The DL-4!
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Hi!

	Another satisfied DL-4 customer. I got mine from Elderly Music for $235
(kudos to them for being great to deal with over the phone AND getting the
unit here two days ahead of the projected arrival time).

	My looping equipment is a lone Echoplex (looking forward to that MusicYo
model :-o ), as well as the Vortex faux-looper. Given those two devices as
a sonic benchmark, I'd have to say that the DL-4 is certainly equal in
sound quality to either of them. Whether being used a looper or a delay (or
a delayed signal fed into the looper---a great extra ability of the pedal),
sound quality is excellent.

	Bonus: stereo!

	If this unit were just a looper, I'd say it's close to being worth the
price. Add in the delays, and it's just an outstanding buy. While I'm
completely at home with the looper functionality (pretty easy to learn),
I'm still having a blast playing around with the delay functions. All told,
I'd say this is a very easy to use unit, and the manual is well-written as
well.

	The stomp switches work fine, the unit is built to last forever, and there
are lots of little extras that make you go "Ohh, I'm glad I got this
thing". Definitely will tide you over until the next shipment of Echoplexes
arrive from Pluto!

Tom
ths@interaccess.com

	

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Date: Wed, 01 Dec 1999 06:05:08 -0600
Subject: Live Looping in Austin, TX 12/5/99
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For those of you in the Central Texas area:

Futura, an improvisational trio (guitar, bass, DJ) will be performing this
Sunday (12/5/99) on KUT (90.5 FM) between 8 and 9PM on "LiveSet".  There
will be loops aplenty.

Be seeing you,

Travis Hartnett
Futura
--

Futura mp3s available from:

www.rollingstone.com
www.mp3.com

Futura CD's can now be ordered on the web from:
https://order.kagi.com/

The Futura Collective
4107-A Speedway
Austin, TX 78751
512.451.5885
futura@fringware.com

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ok ok, i'm working on it - if i get it together maybe i'll make some
realaudio out of it. 

i'm trying to get this running smoothly while i play drums. the midi
implementation on the jamman is sorta anachronistic (i.e. uses
prog-chg's instead of controller messages), but it works.

maybe by this weekend (i shouldn't promise though) ...

later,
rob

Clifford Novey schrieb:
> 
> 
> Let's hear it!
> 
> C

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just to add to the list:

the mx3282a from (gulp) behringer has 8 AUXSENDS! this for the same
price as the mackie 1604 ...

the mx2442a from said company has 6 auxsends and is even cheaper yet.

lbnl: mx2642a with 4 auxsends and cheap as dirt!

fwiw,
rob



David Myers schrieb:
> 
> 
> >ive spent alot of time browsing David Myers page (pulsewidth)this weekend and
> >have taken a keen interest in this idea
> >this have the fun time i had last week taking the out from my stereo
> >delay/reverb pedal back into the input and getting a world of sounds(then
> >again, that pedal is broken anyhow so it makes a world of sounds on its own)
> >what sort of commercial mixers(pref rack mountable)come close to the ideal
> >matrix?
> >i suppose just lots of aux and routing capabilities?
> >
> >rodrigo
> 
> >i think mr. myers was using custom equipment, no?
> >
> >later,
> >rob
> 
> Using a commercial mixer can open up some additional possibilities for
> matrixing, like having EQ on every channel, but the problem is in finding
> one with more than two aux sends at a good price.  As far as I can see, the
> Mackie 1604 is about as cheap as you can go to get 4 sends, pretty much a
> minimum in my book for real Feedback Music.
> 
> Building a small mixer is the way to go; not long ago I made a mono mixer
> with seven channels and seven sends, which is very useful.  But be warned
> that building mixers is a boring, seemingly thankless task.  Until you get
> feedbackin, that is!  It's simple, if you can bear it--see Craig Anderton's
> Electronic Projects for Musicians.  Good luck.
> 
> David Myers


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Date: Wed, 1 Dec 1999 10:15:36 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: feedback matrix loops
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>
>Using a commercial mixer can open up some additional possibilities for
>matrixing, like having EQ on every channel, but the problem is in finding
>one with more than two aux sends at a good price.

It seams that those programmable matrix mixers would be ideal.
About two were mentioned under Spacial Sound.

I also recall a Akai MB76 1HE MIDI controlled mixer that was pretty 
cheap then and must be totally cheap now. It has 8 inputs and 8 
outputs!
Its not noise free, but cheap delays are not either...


          ---> http://Matthias.Grob.org

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just wondering: 

i've been experimenting with 4x4 feedback matrices in audiomulch. to
create my sounds i've been using granulators, phasers, flangers and
decimators in the signal paths.

now the question: can anybody suggest some other interesting
configurations? that is to say, without giving away any personal trade
secrets ...

thanks,
rob


From Loopers-Delight-request@annihilist.com  Wed Dec  1 09:16:20 1999
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Date: Wed, 01 Dec 1999 09:06:12 -0500
From: George McConnell <gcm22@drexel.edu>
Subject: Re: Oh yeah, thumb piano.....looping...
To: Loopers-Delight@annihilist.com
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Where can I get a copy?
----- Original Message ----- 
From: Todd Madson <crash@waste.org>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, November 30, 1999 3:48 PM
Subject: Oh yeah, thumb piano.....looping...


> That would be a Kalimba.  And Steve Tibbets, renowned Minnesota
> looper/guitarist/composer has used them a lot on his recordings.
> 
> I'd check out "Safe Journey" if you want some mindblowing, wild
> stuff....groundbreaking heavy rock jams culminating in eerie,
> drifty chiming loops, pastoral acoustic guitar with rumbling 
> and dense loops underneath, field recordings, crazed distortion
> guitar, eerie atmospheres.  Probably one of my top ten of all 
> time just for the variety and the fact that this one goes from
> a whisper to a scream to an out of body experience.
> 
> BUY IT!
> 
> 
> 

From Loopers-Delight-request@annihilist.com  Wed Dec  1 09:40:03 1999
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From: George McConnell <gcm22@drexel.edu>
Subject: Re: Line 6 DL-4
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What do you mean "other 2"?  Are newer models coming out?

George
----- Original Message -----
From: <KRosser414@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, December 01, 1999 2:05 AM
Subject: Re: Line 6 DL-4


> Along with what many have said about features/versatility/options all
being
> cool, as a week-long owner of a DL-4 I have to add that this thing SOUNDS
> great - just the actual quality of the timbres passing through it is
really
> beautiful, I don't know how else to put it.  I'm hooked...can't wait for
the
> other two, if this one's that good.
>
> Ken R
>

From Loopers-Delight-request@annihilist.com  Wed Dec  1 10:00:14 1999
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Date: Wed, 01 Dec 1999 09:54:07 -0500
From: David Beardsley <xouoxno@virtulink.com>
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George McConnell wrote:
> 
> What do you mean "other 2"?  Are newer models coming out?

I think he means the distortion and modulation pedals.

I tried out the DL-4 yesterday - I'm picking one up this
afternoon.


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@annihilist.com  Wed Dec  1 10:20:49 1999
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From: "tony moore" <moorelab@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: edp upgrade and other q's
Date: Wed, 01 Dec 1999 09:58:39 EST
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hey folks,

it's me, the fool that bought the $820 edp on ebay last week :-) considering 
i sold my jamman for $650 and upgraded to an edp with full memory upgrades 
and foot contoller for less than $200, i'm happy and INFORMED. fwiw, i've 
had an edp on order from zzounds.com (and elsewhere :-) for about 8 months 
now. ok, that's out of the way...

*please feel free to pmail me off list if these q's have been historically 
redundant*

i understand my edp has software version 3.2. can anyone tell me if it's 
possible to upgrade? advantages? i can't get an answer out of gibson. yes, 
i've called and emailed for about a week with no response :-)  i've read 
something of kim selling some type of upgrade. any more details on this?

i'm hoping to midi synch with fellow looper and ex-loop listee ric hordinski 
of monk (http://monkmusic.com)(i play bass in monk) so that our loops are in 
time with each other. has anyone has had any experience doing this? any 
tips? btw, ric is an endorser for the edp and can't get any kind of response 
concerning the edp either!

thanks!

tony
http://monkmusic.com
http://bluejordan.com

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Dec  1 10:26:59 1999
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Date: Wed, 01 Dec 1999 07:15:18 -0700
From: Mark Sottilaro <mark@cdm.sfai.edu>
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Subject: Re: Socialism is a fat monkey on a sunny day.Anarchy is a pink pussycat 
 with no tail
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> Socialism notices that the ground is wet. He falls and hurts his bum bum.
> Anarchy licks his paws profusely. Socialism toots his kazoo into a
> microphone, splitting the signal into 2 different DL-4's and creating
> Reichian style loops. (For On Topic content.) Anarchy somehow manages to
> lick the back of his own neck, then licks the back of someone else's neck.
> The world turns like a wobbly marble.
>
> The moral of this story is ...?
>
> Just thought I'd share my thoughts.
>
> Mr. Tough
>

Mr. Tough,

Did you lick a little picture of Snoopy before you wrote that?  Either
way, it would make a great title for an Adrian Belew instrumental.
--
Mark Sottilaro
Multimedia Specialist

mark@cdm.sfai.edu
(415) 771-7020 ext. 4411

Center For Digital Media
San Francisco Art Institute
800 Chestnut St.
San Francisco, CA
94133


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Date: Wed, 01 Dec 1999 08:50:54 -0600
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From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Re: Line6 DL-4
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Hi DL-4 owners:

Would you be so kind, please, as to check and see where the unit is
manufactured?  I try to purchase products whenever possible that are made
in countries with decent labor laws (ex: the Boomerang is made in the U.S.;
the EDP was too).

Thanks.
Michael.
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

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From: Bizurko@aol.com
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Date: Wed, 1 Dec 1999 10:21:35 EST
Subject: Re: edp upgrade and other q's
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Thanks for saying something, Tony. Glad you're satisfied.  As far as the 
upgrade,
Kim or Matthias may know something more definitive, but there is/was an 
upgrade available for $45 -- sorry I can't direct you to the specific 
website, but I found it a week ago thru Loopers Delight links. Perhaps try 
using the meta-search engine www.askjeeves.com.  He almost always finds me 
info that i'm looking for.

Cheers,

David Burk

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Date: Wed, 01 Dec 1999 08:39:40 -0800
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 dear list:  I have heard (read) a lot about the echoplex and the really long delay times. I do recall a  review  in keyboard a couple of years ago about an echoplex update that had up to 2 hpours of delay.  maybe this is the one  you are talking about. even if not what is the use of an echo that is longer  than say 30 seconds. I have dd-5 and its a great little box  so im thinking if " a delay has two seconds of delay then  of i ran Elvis 'dont be cruel' through it , then just as the sing is mostly over the delay would start from the beginning". Im  just trying to get my head around  that kind of echo. I notice mst people on this list play guitar through phrase samplers . I use a keyboard in  hip hop style so  guess theres some kinf\d of u2 like use for this.
--

On Tue, 30 Nov 1999 22:00:59   the Reverend Rob wrote:
>At 03:36 PM 11/30/99 -0800, you wrote:
>>Jim Dunlop sells brand new tape cartridges- in the accesories section of
>>their web site- only for the Echoplex tho- list price is just over 20 bucks-
>>No idea on the Space Echo tape-
>
>I always just cut and spliced my own on my 301, which died an unfortunate
>death last year.  Never had a problem with simple chopping of 1/4" tape,
>though.
>
>==
>the Reverend Rob   ICQ: 1280871   
>http://www.realm-of-shade.com/music
>
>
>


--
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From Loopers-Delight-request@annihilist.com  Wed Dec  1 11:43:07 1999
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Subject: Re: Oh yeah, thumb piano.....looping...
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where can you get "safe journey" and how much is it???

From Loopers-Delight-request@annihilist.com  Wed Dec  1 11:58:55 1999
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Date: Wed, 01 Dec 1999 11:49:07 -0500
To: Loopers-Delight@annihilist.com
From: Kevin Cheli-Colando <kevin@minds-eye.org>
Subject: Drum machines
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	Hi there,

I was thinking about maybe adding a little drum machine into my studio and
I was curious if anyone here had any recommendations as to make, model,
etc.  Somewhere in the $200 range is probably where I''m at (used is fine
also).  

Thanks for any help

Kevin

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> When I wrote that post I was reacting to the tone of some previous
posts, one of which was yours, that seemed to me to be gloating about
how much they could sell their EDP's for. It didn't  seem  to be in
the community spirit that  I've read in this list. My opinion, as you
so
accurately remember.

Who are you to know whether I'm gloating or not? Community spirit is
to offer what you have at the value you think it's worth to your
friends and community FIRST... then tell the rest of the world. You
have no idea what an EDP is worth to ME... Don't try to read my mind
and don't assume I'm gloating and being mean spirited when I'm in fact
stating EXACTLY what my intentions are and following through. If
you're feelings are hurt or you're offended by my price tough luck.
You want us all to walk on eggshells here.

> No one is selling or buying at your price. Anyone who wants an EDP
knows they can go to ebay. I think the one $3000 sale a few months ago
distorted some peoples thinking. The average, before and after, is a
little more than half of your $1500 asking price, as the recent
auction confirms.

And you're still not respecting my choice to attach a personal value
to MY EDP. Buy a cheaper one... you're a free citizen.

> I didn't tell anyone to find a new list, I just said that such
offers belonged on ebay, not here, and judging from the many positive
emails I received, many people agreed with me.

Once again... I always offer here first in a COMMUNITY SPIRIT. Maybe
this time my price is a little higher than others.... Who are you to
tell me what my shit is worth?! There are quite a number of people who
have purchased items from me very willingly and are still happy. If
there's consensus that we not offer items for sale here, I'd like to
hear it stated as policy. You read a lot of feeling and animosity into
a simple statement of price and value... Maybe your skin is a little
thin.

> I've been very nice. I tried not  to respond to this. I expressed
my opinion, as is the norm for newsgroups.  I didn't attack anybody,
and I'm sorry you felt so offended that you needed to. 

Your response was to label my price a "taunt" and decide my spirit in
this process was "offensive". You're the one jumping to conclusions.
Wake up. If you don't like my price don't buy. Maybe even email me
offline and ask what the hell I'm really up to. You make comments in
public about the nature of my activity, I respond in public. But I'm
getting sick of the whining about who's mean and who's unfair in this
group. Fucking babies...

> We're all in this together, and I don't think it's nice for haves
to taunt have nots with offers to sell at inflated prices. 

AGAIN... YOU'RE ASSUMING YOU KNOW MY INTENTIONS AND INNER WORKINGS.
YOU DO NOT! WHEN YOU SAY YOU DO, YOU OPEN YOUSELF TO REBUFF FROM
OTHERS TRYING TO DO HONEST BUSINESS WITH THEIR FRIENDS FIRST....

> I joined this list because I'm interested in looping, and I have
gotten (and given), lots of tips and tricks and talked to some great
people. In fact, (excepting just a couple of recent  threads) I've
looked forward to reading this list every day. I've also enjoyed some
of your helpful posts to people. I'd like to think that you would help
someone with EDP problems even if you disagreed with them on
something. Anyway,

Fucking wonderful.... You'll certainly see my for sale posts and
activity in the future.
-m

From Loopers-Delight-request@annihilist.com  Wed Dec  1 12:58:30 1999
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Date: Wed, 01 Dec 1999 11:44:16 -0600
Subject: FS: Headrush $150 (Harmony Central)
From: Travis Hartnett <hartne.t@apple.com>
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Cool Effects

Asking Price: US$N/A
Condition: Excellent
Age: N/A
Description:

       (All are near mint with papers and boxes)

       $150 Akai HeadRush (
http://www.akai.com/akaipro/products/guitarSP.html#E1 )

       $50 Dunlop "Original" Cry Baby (
http://www.jimdunlop.com/electronics/wahs.html )

       $40 EH Big Muff Pi (Black RI)

Seller: Marc Ahlfs, (916) 315-3506
E-mail: marc@happybob.com (Profile)
Location: ROCKLIN, CA
Post Date: 11/30/99

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Wow Stig,

Sounds great and even on topic. Any chance you guy will play near DC?

patrick


** not in the foreseeable future, maybe somewhere down the line . . . and
imagine that, me on topic (almost).

stig

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(1) does it actually loop for more than a few seconds?  I'd heard
    rumors it only looped for short amounts of time and that the 14
    second mode was for a sampler (i.e. non looper).  dispell please!

(2) stereo?  really?

(3) audio specs please?

(4) your impressions.

thanks.

P.S.  those who wanted to know about "Safe Journey" by Steve Tibbets
need only consult the nearest retailer of ECM product.  ECM is the 
label he's on at present and is the label that "Safe Journey" is on.



From Loopers-Delight-request@annihilist.com  Wed Dec  1 14:03:30 1999
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From: "Tiit Kikas" <tkikas@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: "LIVE MODE"
Date: Wed, 1 Dec 1999 20:49:26 +0200
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Hi loopers!

The Kurzweil samplers K2500/2600 have "LIVE MODE" in them.
My question is: is it possible to have "LIVE MODE" as a separate unit or
even as a computer soft, for i use a  Gigasampler(the best!!!) and i don't
want to buy Kurzweil only because it has "LIVE MODE" in it.

Thanks a lot:
Tiit Kikas
tkikas@yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Dec  1 13:31:18 1999
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Date: Wed, 01 Dec 1999 09:40:47 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: edp upgrade and other q's
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At 6:58 AM -0800 12/1/99, tony moore wrote:
>i understand my edp has software version 3.2. can anyone tell me if it's
>possible to upgrade? advantages?

The LoopIIIv5.0 upgrade for the echoplex is readily available. Aurisis
Research now sells it direct, for $45, same as Gibson always charged. Send
email to upgrade@aurisis.com to get more info. We ship them out about as
soon as we get the check, so there is not much delay.

In case you don't know, Aurisis is the developer of Loop, which we license
to Gibson as the Echoplex Digital Pro. The company is owned by Matthias,
myself and our usually silent partner Eric. LoopIII is the generation that
is the echoplex, version 5.0 came out about 2 years ago and made a ton of
improvements over v3.2. LoopI and LoopII were the earlier generations for
the classic Paradis LoopDelay. We are currently working on LoopIV, the next
generation of loop mania. That one will also be available as an upgrade for
exiting EDP users, and add lots of cool new stuff to the echoplex. We don't
publish features or release dates, so you'll just have to live with the
usual LD rumor and speculation for that one. :-)

Info about the upgrade and other news is on the Looper's Delight echoplex
page, so be sure to check there too:
http://www.annihilist.com/loop/tools/echoplex/echoplex.html

and there's the aurisis page: http://www.aurisis.com
kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Wed Dec  1 13:30:32 1999
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To: Loopers-Delight@annihilist.com
From: Joseph Long <joelong@cisco.com>
Subject: Re: Drum machines
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I have the Alesis SR16, It usually sells for about $250-$275 but it's
pretty good for a little home-studio thing. The features are good,..the
ease of use is excellent and it's sound quality is good. The only draw-back
(in my opionion) is the drum sounds are a bit dated. (I think the machine
is like 5 or 6 years old now) But it's got all your basic sounds and
again,..for somewhat simple stuff it works good for me. 

At 11:49 AM 12/1/99 -0500, you wrote:
>	Hi there,
>
>I was thinking about maybe adding a little drum machine into my studio and
>I was curious if anyone here had any recommendations as to make, model,
>etc.  Somewhere in the $200 range is probably where I''m at (used is fine
>also).  
>
>Thanks for any help
>
>Kevin
>
>

                   ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
                            CHECK OUT BOSTONS PREMIERE FUNK AND DANCE BAND
                                         www.funky-town.com

                                ****************************************
                          

                                       "GET DOWN WITH FUNKYTOWN"    
                   ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

From Loopers-Delight-request@annihilist.com  Wed Dec  1 14:33:54 1999
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From: "Laurent" <la.forge@worldonline.be>
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Subject: Re: Drum machines
Date: Wed, 1 Dec 1999 20:10:30 +0100
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Hello,

What's interresting in drum machines are the sounds (of course) but also the
outputs!!!  Alesis SR16 (but it's old, you will find it second hand only,
normally) is a GOOD stuff.  4 outputs!!!  I use one, it's easy to learn and
punchy to program via pads (sensitivity of the pads is surely VERY USEFUL
TOO)... or alesis D4

Newer?  Try Yamaha RY20 or  Boss DR770 (or older dr220) or try on softs (ok
you don't have the sensivity of working on a small engine)...

More money, buy roland 707, 808 or 909 (depends of what you need).

Double use? Buy a synth with drum parts (I've got the classic Korg X5D and
I've a TIMPANI inside, wow, helllllllll, devilish...) ... but it's a synth
AND THE FEEL/SENSITIVITY IS VERY IMPORTANT...

For softs, it depends of the computer you use...

Laurent

P.S.: Personally I'm Atari based and sr16 is a good solution (don't need
more).

-----Message d'origine-----
De : Kevin Cheli-Colando <kevin@minds-eye.org>
À : Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date : mercredi 1 décembre 1999 17:48
Objet : Drum machines


> Hi there,
>
>I was thinking about maybe adding a little drum machine into my studio and
>I was curious if anyone here had any recommendations as to make, model,
>etc.  Somewhere in the $200 range is probably where I''m at (used is fine
>also).
>
>Thanks for any help
>
>Kevin
>
>

From Loopers-Delight-request@annihilist.com  Wed Dec  1 14:31:14 1999
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From: "Matt Rowe" <mattrowe@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: "LIVE MODE"
Date: Wed, 01 Dec 1999 11:19:58 PST
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hey all,

i'm not too familiar with the capabilities of the kurz, but you may want to 
investigate reaktor as a soft alternative to (almost) realtime 
sampling/resynthesis:

www.native-instruments.com

matt



>From: "Tiit Kikas" <tkikas@yahoo.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: "LIVE MODE"
>Date: Wed, 1 Dec 1999 20:49:26 +0200
>
>Hi loopers!
>
>The Kurzweil samplers K2500/2600 have "LIVE MODE" in them.
>My question is: is it possible to have "LIVE MODE" as a separate unit or
>even as a computer soft, for i use a  Gigasampler(the best!!!) and i don't
>want to buy Kurzweil only because it has "LIVE MODE" in it.
>
>Thanks a lot:
>Tiit Kikas
>tkikas@yahoo.com
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Dec  1 14:28:26 1999
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I can hear everyone reaching for their credit cards already, so I'll ask the
obvious:

Anyone interested in putting a group buy together?  The last one (EDP's last
winter) worked well from a price perspective -- at least while supplies
lasted.  We could always use Alto music again.  I know they're a Line6
dealer as I bought my POD from them.

What say ye?

Greg out.

From Loopers-Delight-request@annihilist.com  Wed Dec  1 14:32:04 1999
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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Space Echo RE 201 and "the Fantastic" Echoplex echo chamber
Date: Wed, 01 Dec 1999 11:14:26 PST
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Thanks for responding Cliff, Does any on have Jim Dunlops email address???  
I'd like to get the "fantastic echoplex" echo chamber(that's what they call 
it) tape cartrige.Thanks, papa dave
                      Om and Out


>From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: Space Echo RE 201 and "the Fantastic" Echoplex echo chamber
>Date: Tue, 30 Nov 1999 15:36:02 -0800
>
>Jim Dunlop sells brand new tape cartridges- in the accesories section of
>their web site- only for the Echoplex tho- list price is just over 20 
>bucks-
>No idea on the Space Echo tape-
>
>Cliff
>-----Original Message-----
>From: David Potter <papadave55@hotmail.com>
>To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
>Date: Tuesday, November 30, 1999 3:21 PM
>Subject: Space Echo RE 201 and "the Fantastic" Echoplex echo chamber
>
>
> >These two items have been idle in my studio for some time.  I'm wondering
>if
> >there are replacement tape cartriges that could be found anywhere for
>either
> >or both of these dinosaurs.  They both work but need to be rigged with 
>new
> >tape.  Is there a museum?Any help would be appreciated.  Om and Out, Papa
> >Dave
> >
> >______________________________________________________
> >Get Your Private, Free Email at http://www.hotmail.com
> >
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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>The Kurzweil samplers K2500/2600 have "LIVE MODE" in them.
>My question is: is it possible to have "LIVE MODE" as a separate unit or
>even as a computer soft, for i use a  Gigasampler(the best!!!) and i don't
>want to buy Kurzweil only because it has "LIVE MODE" in it.

The answer is no.  It's written for their proprietary hardware
and is one of the big selling points of their box...  which is
splendid, I have it (though it's in the shop now waiting for the
effects board, waiting for a long time so far...)

	/t

From Loopers-Delight-request@annihilist.com  Wed Dec  1 15:46:18 1999
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Subject: EDP auction on eBay...
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OK kids... 

I've had about enough dickering and bickering about the fantabulous EDP. I'm in love with many of it's features, but just not giddy enough to keep it... I'm going into Korg DL8000r - TC D-Two - Line6 DL4 land... just ordered the DL4! If and when there's another issue of the EDP and I can with two in stereo, I'll consider then if it will be my looping preference. 

It's a 7 day auction with a minimum bid of $750... about what I paid for it with the foot controller.

Best to all...
-Miko

From Loopers-Delight-request@annihilist.com  Wed Dec  1 16:10:59 1999
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Date: Wed, 01 Dec 1999 15:56:05 -0800
To: Loopers-Delight@annihilist.com
From: Thad Brown <thad.brown@yale.edu>
Subject: Re: Line 6 DL-4
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I know of one other pedal that shares the same chassis and some of the same 
features (stereo I/O, cv input, etc.).  Its a modulation pedal that they 
are pitching as something that can emulate a bunch of different pedals, 
mostly the usual suspects, Phase 90, Uni-Vibe, CE-1 and so on.  My old 
Phase 90 just gave up a few months ago, so I'm thinking of one if it 
can  do that sound and some other stuff as well.  If it will do an 
auto-panning phase shifter across the stereo outs so I can run it to two 
amps, it's a deal.

TCB

At 09:16 AM 12/1/99 -0500, you wrote:
>What do you mean "other 2"?  Are newer models coming out?
>
>George
>----- Original Message -----
>From: <KRosser414@aol.com>
>To: <Loopers-Delight@annihilist.com>
>Sent: Wednesday, December 01, 1999 2:05 AM
>Subject: Re: Line 6 DL-4
>
>
> > Along with what many have said about features/versatility/options all
>being
> > cool, as a week-long owner of a DL-4 I have to add that this thing SOUNDS
> > great - just the actual quality of the timbres passing through it is
>really
> > beautiful, I don't know how else to put it.  I'm hooked...can't wait for
>the
> > other two, if this one's that good.
> >
> > Ken R
> >

Thad Brown
www.xlr8yourmac.com/audio
tcb@caliban.grendelnet.com

Life is too short to play with bad drummers . . .

From Loopers-Delight-request@annihilist.com  Wed Dec  1 16:00:23 1999
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Date: Wed, 01 Dec 1999 14:44:44 -0600
Subject: DL-4 $198 price?
From: Travis Hartnett <hartne.t@apple.com>
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And what happened to the guy that quoted the $198 price on a DL-4?  The
catalog price I've seen is $249 plus $20 for the AC adaptor.  Was the low
price a misprint, if not, where are they being sold for that price?

TH

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From: landman@wco.com (Mark Landman)
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Yes, I'd be interested, I'd also like to ask fellow list members where
they've found the best pricing on this unit.

Thanks-

Mark


>I can hear everyone reaching for their credit cards already, so I'll ask the
>obvious:
>
>Anyone interested in putting a group buy together?  The last one (EDP's last
>winter) worked well from a price perspective -- at least while supplies
>lasted.  We could always use Alto music again.  I know they're a Line6
>dealer as I bought my POD from them.
>
>What say ye?
>
>Greg out.


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From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: Re: reeeeaalyy lon echooo
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At 08:39 AM 12/1/99 -0800, mark givens wrote:

> even if not what is the use of an echo that 
>is longer  than say 30 seconds. 

One of my favorite loop toys while it lasted was an old absolutely trashed
EP-3 with the record head fried; I'd turn it on at the beginning of a show
and let it roll, and after about 20 minutes it degenerated into brilliant
white noise with a semblance of character.  This was with the stock 3
minute tape cartridge, ad I absolutely loved the thing.  The big use for
massive delay length is for "non-standard" music, although I'm there are a
few people who would argue otherwise. :)

>Im  just trying to get my head around  that kind 
>of echo. 

Get yourself an old answering machine loop tape; they're usually about
15-30 sec depending on manufacturer.  Record on it.  Hit play.  Start
wanking with your instrument(s) of choice.  Don't try to get your head
around it at first; just let your fingers do it.

>I notice mst people on this list play guitar through phrase 
>samplers . 

I run EVERYTHING through my rack, be it vocals, guitar, gods know what,
cable taps, childrens toys et al.

>I use a keyboard in  hip hop style so  guess theres some kinf\d 
>of u2 like use for this.

Far more than U2-like use; one of my favorite toys is my RDS 3.6 set at
3600 ms with the sweep filters on. 

==
the Reverend Rob      ICQ: 1280871
http://www.realm-of-shade.com/music

From Loopers-Delight-request@annihilist.com  Wed Dec  1 17:23:47 1999
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Travis Hartnett wrote:
> 
> And what happened to the guy that quoted the $198 price on a DL-4?  The
> catalog price I've seen is $249 plus $20 for the AC adaptor.  Was the low
> price a misprint, if not, where are they being sold for that price?
> 
> TH

I got mine this afternoon for $235 including the AC adaptor.


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

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Subject: RE: reeeeaalyy lon echooo
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I like gigantic reverb presets with no dry out, and no initial reflections,
set really long and really low, for the same effect. It picks up the general
tone of whats been played in, but so quiet that you can only hear it when
the instrument cuts out.



-----Original Message-----
From: the Reverend Rob [mailto:reverendrob@realm-of-shade.com]
Sent: Wednesday, December 01, 1999 1:15 PM
To: Loopers-Delight@annihilist.com
Subject: Re: reeeeaalyy lon echooo


At 08:39 AM 12/1/99 -0800, mark givens wrote:

> even if not what is the use of an echo that
>is longer  than say 30 seconds.

One of my favorite loop toys while it lasted was an old absolutely trashed
EP-3 with the record head fried; I'd turn it on at the beginning of a show
and let it roll, and after about 20 minutes it degenerated into brilliant
white noise with a semblance of character.  This was with the stock 3
minute tape cartridge, ad I absolutely loved the thing.  The big use for
massive delay length is for "non-standard" music, although I'm there are a
few people who would argue otherwise. :)

>Im  just trying to get my head around  that kind
>of echo.

Get yourself an old answering machine loop tape; they're usually about
15-30 sec depending on manufacturer.  Record on it.  Hit play.  Start
wanking with your instrument(s) of choice.  Don't try to get your head
around it at first; just let your fingers do it.

>I notice mst people on this list play guitar through phrase
>samplers .

I run EVERYTHING through my rack, be it vocals, guitar, gods know what,
cable taps, childrens toys et al.

>I use a keyboard in  hip hop style so  guess theres some kinf\d
>of u2 like use for this.

Far more than U2-like use; one of my favorite toys is my RDS 3.6 set at
3600 ms with the sweep filters on.

==
the Reverend Rob      ICQ: 1280871
http://www.realm-of-shade.com/music


From Loopers-Delight-request@annihilist.com  Wed Dec  1 17:22:40 1999
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Date: Wed, 01 Dec 1999 16:19:15 -0500
From: Legion <legion@voicenet.com>
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g716@hotmail.com wrote:
> 
> I can hear everyone reaching for their credit cards already, so I'll ask the
> obvious:
> 
> Anyone interested in putting a group buy together?  The last one (EDP's last
> winter) worked well from a price perspective -- at least while supplies
> lasted.  We could always use Alto music again.  I know they're a Line6
> dealer as I bought my POD from them.

I think this is a great idea and I'll do what I can to see it take off.
The only real question is what kind of discount can they give on a $225
pedal? Tehn again anything is better than nothing I guess and at least
Line6 is planning to push them for a while so who knows...

___________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.


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Todd Madson wrote:
> 
> (1) does it actually loop for more than a few seconds?  I'd heard
>     rumors it only looped for short amounts of time and that the 14
>     second mode was for a sampler (i.e. non looper).  dispell please!

14 sec loop, although I haven't spent enough time with it.


> (2) stereo?  really?

Oh yeah.


> 
> (3) audio specs please?


There are pdf manuals at the manufacturers web site:

http://www.line6.com/


> (4) your impressions.

I tried on yesterday for about 20 min.

I was excited enough to go back and get one this
afternoon. I would have picked one up yesterday
except I didn't want to carry it around NYC all night.


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@annihilist.com  Wed Dec  1 17:45:09 1999
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: mars
Date: Wed, 1 Dec 1999 17:33:51 -0500 
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for all of you folks who would like to loop/manipulate this:

Aboard NASA’s Mars Polar Lander, headed for
                                       landing on the Red Planet on Friday,
is a tiny, $15
                                       microphone, the same kind found in
hearing aids. It will
                                       capture the first sounds heard from
another planet — the
                                       hum of the probe’s machinery, the
soft whistling of wind,
                                       the patter of sand grains hitting
solar panels. 

guess they're gonna broadcast the loudest 10 seconds every day, get yer dats
ready . . . 


stig

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At 11:49 AM 12/1/99 -0500, you wrote:
>	Hi there,
>
>I was thinking about maybe adding a little drum machine into my studio and
>I was curious if anyone here had any recommendations as to make, model,
>etc.  Somewhere in the $200 range is probably where I''m at (used is fine
>also).  
>
>Thanks for any help
>
>Kevin

The Zoom 123 is GREAT!!!

Best,
Michael
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

From Loopers-Delight-request@annihilist.com  Wed Dec  1 18:29:07 1999
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Date: Wed, 01 Dec 1999 15:22:47 -0800
From: "Mike Biffle" <mbiffle@svg.com>
To: loopers-delight@annihilist.com, DKirkdorffer@exapps.com
Subject: Re: TC D-Two
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>>> David Kirkdorffer <DKirkdorffer@exapps.com> 12/01 3:01 PM >>>
Tell us more about this one!  I'm very curious indeed!!!! David Kirkdorffer

Hi David...

I've been ranting about this one for awhile now and it's probably going to hit the streets now pretty soon. It's a new TC Electronic "budget" box. Ten seconds stereo delay, with reverse on the fly and a hold function. It also has ducking, chorus/flange, supposedly a whole slew of multitap functions and MIDI. Simon at TC said list price was going to be $599 and street around $400, but apparently people are already showing list to be $699 and I guess in one catalog it's been listed at THAT price... I'm waiting for Leo's Pro Audio in Oakland, CA to get their shipment and I'll talk with them about it. I'm going to try this one before I buy. 

Best Regards,
Miko Biffle, mbiffle@svg.com
"Running scared from all the usual distractions..."

From Loopers-Delight-request@annihilist.com  Wed Dec  1 18:49:06 1999
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From: jpw77@together.net
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Date: Tue, 30 Nov 1999 23:47:02 +0000
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I've replaced loops on my Roland SRE-555 tape echo by cutting a piece of tape the length of 
the old loop. Thread it through the pinch roller into the bin, turn the thing on to spool the tape in 
and around and splice it. I've never seen inside a 201 but it might work. Cheap too.

Jon Williams

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Date: Wed, 1 Dec 1999 18:29:21 -0500
To: Loopers-Delight@annihilist.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Line6 DL4 - Gropu buy???
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>I think this is a great idea and I'll do what I can to see it take off.
>The only real question is what kind of discount can they give on a $225
>pedal?

I agree... my guess is that the "play" is around $20 a pedal, not
enough to really be worth it really.

But, if we all glom onto the lowest price store we can at least
guarantee a nice low price without haggling...

	/t

From Loopers-Delight-request@annihilist.com  Wed Dec  1 18:48:18 1999
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Stick thumbtacks in your piano's hammers and you'll be honky-tonking your way to a 
completely ruined set of hammers when you decide to take them out. Piano hammers are 
made of tightly compressed layered felt that's bent around a wood molding, so at the strike 
point the layers are very tightly .packed. Anything that breaks through the felt will change the 
tone the hammers achieve. Voicing is done by careful insertion of fine needles around and on 
the strike point, usually not very deep. A tack will instantly destroy the hammer, and 
replacement is not cheap. Only recommended for pianos with hammers deemed dead 
already from wear and age.
There are kits available for upright pianos that consist of a rod with 88 cloth strips hanging 
from it. The strips have metal tabs in them and can be lowered between the hammers and the 
strings. The hammer hits the cloth, the metal hits the string, and the effect is essentially the 
same as the thumbtack  method. 

Jon Williams


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Date: Wed, 01 Dec 1999 16:44:28 -0600
Subject: DL-4 $235 price?
From: Travis Hartnett <hartne.t@apple.com>
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Where?

TH



> 
> Travis Hartnett wrote:
>> 
>> And what happened to the guy that quoted the $198 price on a DL-4?  The
>> catalog price I've seen is $249 plus $20 for the AC adaptor.  Was the low
>> price a misprint, if not, where are they being sold for that price?
>> 
>> TH
> 
> I got mine this afternoon for $235 including the AC adaptor.
> 
> 
> -- 
> * D a v i d         B e a r d s l e y

From Loopers-Delight-request@annihilist.com  Wed Dec  1 18:56:50 1999
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Date: Wed, 01 Dec 1999 17:41:56 -0600
Subject: Re: Line6 DL4 - Group buy???
From: Travis Hartnett <hartne.t@apple.com>
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Well, technically it's a $349 pedal (list), so most places are starting with
a 30% discount.  Store cost is probably about $170 or so..

TH


> 
>> I think this is a great idea and I'll do what I can to see it take off.
>> The only real question is what kind of discount can they give on a $225
>> pedal?
> 
> I agree... my guess is that the "play" is around $20 a pedal, not
> enough to really be worth it really.
> 
> But, if we all glom onto the lowest price store we can at least
> guarantee a nice low price without haggling...
> 
> /t
> 

From Loopers-Delight-request@annihilist.com  Wed Dec  1 18:59:15 1999
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Line6 DL4 - Gropu buy???
Date: Wed, 1 Dec 1999 15:55:47 -0800
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I was quoted $220 each on a lot of 9 pedals not including adapters- not much
of a deal here- they are in demand so there is no incentive for them really
I guess-

Cliff
-----Original Message-----
From: Legion <legion@voicenet.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, December 01, 1999 3:35 PM
Subject: Re: Line6 DL4 - Gropu buy???


>g716@hotmail.com wrote:
>>
>> I can hear everyone reaching for their credit cards already, so I'll ask
the
>> obvious:
>>
>> Anyone interested in putting a group buy together?  The last one (EDP's
last
>> winter) worked well from a price perspective -- at least while supplies
>> lasted.  We could always use Alto music again.  I know they're a Line6
>> dealer as I bought my POD from them.
>
>I think this is a great idea and I'll do what I can to see it take off.
>The only real question is what kind of discount can they give on a $225
>pedal? Tehn again anything is better than nothing I guess and at least
>Line6 is planning to push them for a while so who knows...
>
>___________________________________________________________________
>     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
>"Bringing you the best in Organic Electronic music since we started..."
>
>Home of the Unusual Instrument and Recording Gallery with pictures and
>info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>
>

From Loopers-Delight-request@annihilist.com  Wed Dec  1 19:17:41 1999
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Date: Wed, 01 Dec 1999 19:09:55 -0500
From: Kevin <kevin@minds-eye.org>
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Line6 DL4

As I posted before,  Washington Music Center sells them for $225 (or so they
told me when I inquired).

http://www.wmcworld.com/

or

http://www.elderly.com

(a great store in my hometown.  $235 was the price I believe)

Kevin


From Loopers-Delight-request@annihilist.com  Wed Dec  1 19:36:34 1999
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Date: Wed, 1 Dec 1999 19:17:38 -0500
To: Loopers-Delight@annihilist.com
From: Tom Ritchford <tom@swirly.com>
Subject: Line6 DL4 only loops 2.5 seconds???
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Searching my DL4 info, I came across:

"Drew Skyfyre" <skyfyre_dys@yahoo.com> wrote:

>Line6 has the manuals for the modeller pedals up at :
>
>http://www.line6.com/support/library.htm
>
>If u just want to know about the DL4, get :
>http://www.line6.com/pdf/DelayModelerDetails.pdf
>
>Nicely done manual. But, I don't know if y'all knew this, but when they say,
>"Programmable Delay & 14 Second Loop Sampler", they mean it.
>
>Only the sampler does 14 seconds. The delays have a max. of 2.5 seconds.
>Dang. With all the thought they've obviously put into this product, you'd
>think they'd know to stick atleast 8 MB of RAM in there. Or even allow the
>memory to be expanded.

now that some people actually have this unit "in hand", is this
evaluation from the manual actually accurate?  Is the looping
and delay just 2.5s??

that would mean a BIG deal to me!

	/t

From Loopers-Delight-request@annihilist.com  Wed Dec  1 19:52:20 1999
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: mars
Date: Wed, 1 Dec 1999 16:46:15 -0800
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Oh man- I love it! I was on the Nasa site every day when the Pathfinder was
there snooping around- that was when I was on a 28.8 too but I waited for
those images anyway- now I'm on cable- what are the odds they will do
streaming audio?? None, but hey- we can dream, right? But I will actually be
able to make REAL LOOPS FROM MARS!!!

;)
Cliff
-----Original Message-----
From: Liebig, Steuart A. <LiebigSA@Maritz.com>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
Date: Wednesday, December 01, 1999 4:06 PM
Subject: mars


>for all of you folks who would like to loop/manipulate this:
>
>Aboard NASA’s Mars Polar Lander, headed for
>                                       landing on the Red Planet on Friday,
>is a tiny, $15
>                                       microphone, the same kind found in
>hearing aids. It will
>                                       capture the first sounds heard from
>another planet — the
>                                       hum of the probe’s machinery, the
>soft whistling of wind,
>                                       the patter of sand grains hitting
>solar panels.
>
>guess they're gonna broadcast the loudest 10 seconds every day, get yer
dats
>ready . . .
>
>
>stig
>

From Loopers-Delight-request@annihilist.com  Wed Dec  1 19:48:12 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Line6 DL4
Date: Wed, 1 Dec 1999 18:28:23 -0600
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I'm interested--$235 seems to be the best mailorder price I've seen . . .

I might be interested in the mod pedal as well

drone on~~~~~~~~~~~~~~~~~

Tom Lambrecht
hideo@concentric.net
-----Original Message-----
From: g716@hotmail.com <g716@hotmail.com>
To: Loopers Delight <Loopers-Delight@annihilist.com>
Date: Wednesday, December 01, 1999 2:12 PM
Subject: Line6 DL4


>I can hear everyone reaching for their credit cards already, so I'll ask
the
>obvious:
>
>Anyone interested in putting a group buy together?

SNIP


From Loopers-Delight-request@annihilist.com  Wed Dec  1 20:00:48 1999
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From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, hideo@concentric.net
Subject: Re: Line6 DL4
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I just got one of 4 remaining for $235 from Elderly Music... 3 left!
-Miko

>>> "Tom Lambrecht" <hideo@concentric.net> 12/01 4:46 PM >>>
I'm interested--$235 seems to be the best mailorder price I've seen .
. .

I might be interested in the mod pedal as well

drone on~~~~~~~~~~~~~~~~~

Tom Lambrecht
hideo@concentric.net 

From Loopers-Delight-request@annihilist.com  Wed Dec  1 20:15:39 1999
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From: Jprice01@aol.com
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Date: Wed, 1 Dec 1999 19:52:07 EST
Subject: Re: Line6 DL4 only loops 2.5 seconds???
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Whats the deal with loops that decay ?

It seems that according to the manual, the dl4 will decay the last recorded 
phrase ever so slowly each time the overdub function is activated. thats not 
looping...thats just a long delay that eventually fades. I dont wanna believe 
my own eyes. also, have not had a chance to hear a dl4 yet. And what is the 
actually time u get for looping both with or without overdubs ?

i like the sound of all the things u can do with an expression pedal for this 
unit but another question i have is does the expression pedal have to be  a 
line 6 unit or can ya use any old expression pedal u may have around your 
home ?

regards, 
jp

From Loopers-Delight-request@annihilist.com  Wed Dec  1 20:49:38 1999
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From: landman@wco.com (Mark Landman)
Subject: Re: Line6 DL4 only loops 2.5 seconds???
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Jprice wrote:

>Whats the deal with loops that decay ?
>
>It seems that according to the manual, the dl4 will decay the last recorded
>phrase ever so slowly each time the overdub function is activated. thats not
>looping...thats just a long delay that eventually fades.
>


This is a normal scheme for many looping delays, to avoid overload and
distortion, adding new audio (overdubbing) ever so slightly reduces the
level of previous overdubs.

Turn overdub off and it'll happily loop forever, and even with overdub on I
suspect it'll be hard to notice the difference too quickly...

Maybe Line6 was clever like the Aurisis boys and set the overdub to only
work if it detects audio (a noisegate type of function).

Given a choice I'd rather have two Echoplex's with Loop IV software, but am
considering fleshing out my lone Echoplex with a DL4.

Mark


From Loopers-Delight-request@annihilist.com  Wed Dec  1 21:18:45 1999
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From: Jhsidlo@aol.com
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Date: Wed, 1 Dec 1999 20:59:03 EST
Subject: Re: Tack Piano
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 The instrument with the two antennae sounds like a theremin.
                                                        
                                                James

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Date: Wed, 1 Dec 1999 21:29:57 EST
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In a message dated 12/1/99 9:47:24 PM Mid-Atlantic Standard Time, 
jpw77@together.net writes:

<< There are kits available for upright pianos that consist of a rod with 88 
cloth strips hanging 
 from it.  >>

what will they think up next!........ya gots ta luv 
it.........:).........michael

From Loopers-Delight-request@annihilist.com  Wed Dec  1 21:59:38 1999
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Date: Wed, 01 Dec 1999 21:42:45 -0500
From: George McConnell <gcm22@drexel.edu>
Subject: Multiple loopers
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What is the advantage of having more than one looping unit?  Can you attain
a longer looping time, or what?
Let me add that you all have been of incomparable help in my wish to know
more about looping.  I guess loopers are really great people!

George



From Loopers-Delight-request@annihilist.com  Wed Dec  1 22:24:44 1999
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At 09:42 PM 12/1/99 -0500, George McConnell wrote:

>What is the advantage of having more than one looping unit? 

You've got more than one loop that you can use at any given time.  I use
three main units, sometimes feeding the loop in one into a delay on another
or vice versa; it's all about texture and control after one unit rather
than length of loop.

> Can you attain a longer looping time, or what?

Nope.  One unit with 3000 ms, and another with 8000 still only have 3000
and 8000 ms of loop time, respectably.  It isn't an additive affair.



==
the Reverend Rob      ICQ: 1280871          Yahoo: theReverendRob
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.realm-of-shade.com/music : feedback and echo MP3s

From Loopers-Delight-request@annihilist.com  Wed Dec  1 22:45:22 1999
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Date: Wed, 01 Dec 1999 22:48:07 -0800
To: Loopers-Delight@annihilist.com
From: "Scott A. Martin" <scott@morriganrecords.com>
Subject: Vortex vs. MPX-100
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Fellow loopists-
  
  While waiting to take delivery of my very first
  loopifier (Headrush), I've begun plotting my next
  purchase. =)  What I'm interested in is a
  multi-effects unit, probably rackmountable, which I
  can use for either pre- or post-loop processing
  (depending on mixer routing).  I want to be able to
  get some really freaked-out guitar tones, but I don't
  want to spend $800, either.  At the moment I'm
  considering the Lexicon Vortex and the MPX-100.  As I
  have some time before acquiring this unit (I won't
  have the cash until March), I thought I'd solicit
  opinions from y'all to aid my decision.
  
  Vortex - There's a ton of stuff available to read
  online, and I've read most of it.  The problem is that
  I don't have access to a source of sound samples of
  various presets, which would be great for a unit like
  this.  Can anyone recommend one or more albums where
  Vortextualized instruments (pref. guitar) are
  prominent?  Andre, I'm planning to pick up your CD
  soon, so I was hoping we could start there. =)
  
  
  MPX-100 - If Lexicon would just put the manual online,
  I wouldn't have to pester you with these questions. =)
   How flexible is this unit in its effects settings and
  the routing of multiple effects?  How good are the
  delays for loop purposes?  Would I be able to, say,
  set a short infinite delay (1-3 sec) to swirl
  atmospherically behind a longer Headrush loop?  Can
  the Vortex's ability to set interesting polyrhythmic
  echoes be duplicated?  Could the unit be configured to
  act as two independent mono processors for pre- AND post-loop 
  messing-about?
  
  As the loop content of this request is (to me)
  questionable, feel free to mail me off-list if you
  prefer (scott@morriganrecords.com).  Other
  recommendations of flexible entry-level multi-effects are also 
  welcomed.
  
  While I'm here, let me just say that this list is a
  tremendous resource.  I find something interesting in
  the digest every time it arrives in my mailbox.  Keep it up!



Scott Martin
Morrigan Records
scott@morriganrecords.com
http://www.morriganrecords.com



From Loopers-Delight-request@annihilist.com  Wed Dec  1 22:35:58 1999
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Date: Wed, 1 Dec 1999 18:10:59 -0800 (PST)
From: petr dolak <pepetr@yahoo.com>
Subject: looper's missing delay presets -- why?
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I find it very frustrating that usual looping devices (such as EDP, Zoom
2100, etc.) do not include a possibility of delay length preset.  I like
to use precise strange and long delay times for my looping compositions,
and tapping is sometimes too inconvenient, especially when on stage.

Any ideas why this feature is usually neglected?

petr  (pepetr@yahoo.com)

=====






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.
__________________________________________________
Do You Yahoo!?
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: want to buy an echoplex.
Date: Wed, 1 Dec 1999 19:53:19 -0800
Message-ID: <LOBBJCEICBFKLACEKDADAEMJCCAA.gnominus@earthling.net>
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Hey, I said I wouldn't sell mine.  But you can beg all you want.

  | -----Original Message-----
  | From: David Potter [mailto:papadave55@hotmail.com]
  | Sent: Monday 22 November 1999 4:51 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: RE: want to buy an echoplex.
  | 
  | 
  | Hey there you go Craig.  Buy Javier's EDP for $600.  See how easy!
  | 
  | 
  | >From: "Javier Miranda V." <gnominus@earthling.net>
  | >Reply-To: Loopers-Delight@annihilist.com
  | >To: <Loopers-Delight@annihilist.com>
  | >Subject: RE: want to buy an echoplex.
  | >Date: Sun, 21 Nov 1999 18:49:19 -0800
  | >
  | >I won't sell mine, but you shouldn't pay more than $600 for 
  | it, used.  The
  | >new ones are coming soon any day now, right folks?

From Loopers-Delight-request@annihilist.com  Wed Dec  1 22:47:11 1999
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Date: Wed, 1 Dec 1999 19:42:12 -0800
To: Loopers-Delight@annihilist.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: looper's missing delay presets -- why?
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>I find it very frustrating that usual looping devices (such as EDP, Zoom
>2100, etc.) do not include a possibility of delay length preset.  I like
>to use precise strange and long delay times for my looping compositions,
>and tapping is sometimes too inconvenient, especially when on stage.
>
>Any ideas why this feature is usually neglected?
>
>petr  (pepetr@yahoo.com)
>
The JamMan will do this when under external MIDI clock control. You select
the number of beats from the front panel, tap to start recording and it
automatically stops when X-beats later. You're limited to multiples of 4
beats, but it does work fine.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


From Loopers-Delight-request@annihilist.com  Wed Dec  1 23:17:11 1999
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Scott A. Martin wrote:
> 
> Fellow loopists-
>   Vortex - There's a ton of stuff available to read
>   online, and I've read most of it.  The problem is that
>   I don't have access to a source of sound samples of
>   various presets, which would be great for a unit like
>   this.  Can anyone recommend one or more albums where
>   Vortextualized instruments (pref. guitar) are
>   prominent?  Andre, I'm planning to pick up your CD
>   soon, so I was hoping we could start there. =)

Sure, I'd be happy to recommend my CD.  :-{}

I'm sure you'll get plenty of posts to this effect, but just in case you
don't know: The Vortex is no longer made.  Lexicon discontinued it about
three years ago.  Used ones crop up on Harmony Central and eBay from
time to time...

Some (guitar-oriented) CDs I'd recommend that feature Vortexing:

Jon Durant -- "Silent Extinction Beyond The Zero" (this is a pretty
serious guitar-loop album, with some great Vortexed moments)

David Torn -- the two mid-'90s CMP solo albums ("Tripping Over God" and
"What Means Solid, Traveller?").  There's a lot of different processing
on both, but there are a couple of moments (particularly on the latter
album) that I've managed to stumble across whilst tweaking my Vortex
(tho I lost the settings almost as quickly!)  Now that I think about it,
I'm pretty sure I hear one on "Polytown" as well.  I think DT himself
should clear this up for us...

Should you find a Vortex available, keep in mind that it's a somewhat
narrow-focus box; the only "effects" it does are pitch-modulation
(chorus, et al) and delay, although within those two parameters there's
some *unbelievable* room for variation and experimentation (much more so
than any other effects processor I've personally used).  

Can't compare it to the MPX-100 since I've never tried that one.  As far
as the Vortex goes, there's no reverb, no MIDI, no EQ.  Think of it as a
bizarre cross between an Eventide Ultra-Harmonizer and a DeltaLab
Effectron -- slick digital meets analog-esque funkiness.

--Andre
http://www.altruistmusic.com

From Loopers-Delight-request@annihilist.com  Wed Dec  1 23:28:34 1999
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From: improv@peak.org (Dave Trenkel)
Subject: Re: Vortex vs. MPX-100
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>Fellow loopists-
>
>  While waiting to take delivery of my very first
>  loopifier (Headrush), I've begun plotting my next
>  purchase. =)  What I'm interested in is a
>  multi-effects unit, probably rackmountable, which I
>  can use for either pre- or post-loop processing
>  (depending on mixer routing).  I want to be able to
>  get some really freaked-out guitar tones, but I don't
>  want to spend $800, either.  At the moment I'm
>  considering the Lexicon Vortex and the MPX-100.  As I
>  have some time before acquiring this unit (I won't
>  have the cash until March), I thought I'd solicit
>  opinions from y'all to aid my decision.

I have both, and they're very different creatures. The MPX is an excellent
"meat and potatoes" device, not extremely flexable, but sounds terrific.
It's the main reverb/chorus/"normal" delay box I use anymore. The Vortex is
more of one of those "wierd Thai curries that taste great but you might not
want to know the ingredients" devices, if I may extend the food analogy to
a ridiculous degree. It's great for short loops that mutate over time, for
choruses and rotary simulations that have a non-cyclical swirly quality,
short delays that ping around the stereo field, etc. Very interesting and
deep machine, not exactly user friendly but not bad for how complex it can
be. It's one of those rare boxes where I find something new in it every
time I sit down to program it. For freaked out guitar tones, I'd recommend
the Vortex.
>
>  MPX-100 - If Lexicon would just put the manual online,
>  I wouldn't have to pester you with these questions. =)
>   How flexible is this unit in its effects settings and
>  the routing of multiple effects?

Not flexible. The routings are all preset, and there  are only one or 2
parameters you can modify within each preset. The unit basically sacrifices
programmability for sound quality, and it's a worthwhile trade-off, it
sounds wonderful, way better to my ears than anything else in the price
range.


>How good are the
>  delays for loop purposes?  Would I be able to, say,
>  set a short infinite delay (1-3 sec) to swirl
>  atmospherically behind a longer Headrush loop?

It can loop(5 secs I think), and there are some interesting multitap delays
available.

>Can
>  the Vortex's ability to set interesting polyrhythmic
>  echoes be duplicated?
Nope

>Could the unit be configured to
>  act as two independent mono processors for pre- AND post-loop
>  messing-about?

Nope.

Still, I find I actually use the MPX much more than the Vortex. The Vortex
isa incredibly cool for what it does, and I'll never sell mine, but the
MPX's simpler and more conventional delays are often more useable, even in
the strangest musical settings.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


From Loopers-Delight-request@annihilist.com  Wed Dec  1 23:32:14 1999
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From: "Peter Shindler" <shindler@mediaone.net>
To: <Loopers-Delight@annihilist.com>
References: <003601bf3c6e$e9dce420$1a111981@dhcp.drexel.edu>
Subject: Re: Multiple loopers
Date: Wed, 1 Dec 1999 23:26:57 -0500
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----- Original Message -----
From: George McConnell <gcm22@drexel.edu>


> What is the advantage of having more than one looping unit?  Can you
attain
> a longer looping time, or what?
> Let me add that you all have been of incomparable help in my wish to know
> more about looping.  I guess loopers are really great people!

The big advantage for me has been the new sounds I can make by running 2
loops together with different sample times.  For instance, if I set one loop
for 4 seconds and the other for 3 seconds, then I get sort of a meta-loop
that repeats every 12 seconds as they go out of synch then back in.  This
can make things a lot more dynamic and less repetitous.

Also, the devices I've got (2 DOD DFX94 pedals) are very limited compared to
an Echoplex or Boomerang; they'll each only hold maybe 8 or 9 layers before
the old ones fade out, so having two of them enables me to keep twice as
many layers alive, hence twice the noise!


Peter

From Loopers-Delight-request@annihilist.com  Wed Dec  1 23:52:02 1999
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From: Matthias Grob <matthias@grob.org>
Subject: A thought about On/Off topic:
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as long as off topic post are just MENTIONED, they are enriching.
as soon as off topic subjects are DISCUSSED, its too much.

If someone tells us about some equipment he sells, books about 
politics we should read, I find it positive.
Someone asked whether reading the books turn him a better looper. I guess so!
Whatever makes this world clearer to the musican turns his music stronger.

But a whole series of mails, a discussion between people of different 
opinion,  bargening of prices... should happen outside the list or be 
on topic, really.

Hows that?
Matthias


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@annihilist.com  Thu Dec  2 00:11:48 1999
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Date: Wed, 01 Dec 1999 23:07:04 -0600
Subject: Re: programable delay time
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The Zoom 506 would let you do this, but its maximum delay time was four 
seconds.  As always, each looping box has at least one thing that only it
will do, and a few things that it won't do that make you scratch your head
in wonder.

Programable loop length and absolute repeat parameter (ONLY 2 repeats of
loudness X, for example) are my two top requests for the next version of the
Loop software.

TH

----------
>From: Loopers-Delight-d-request@annihilist.com
>To: Loopers-Delight-d@annihilist.com
>Subject: Loopers-Delight-d Digest V99 #481
>Date: Wed, Dec 1, 1999, 10:33 PM
>

>
> I find it very frustrating that usual looping devices (such as EDP, Zoom
> 2100, etc.) do not include a possibility of delay length preset.  I like
> to use precise strange and long delay times for my looping compositions,
> and tapping is sometimes too inconvenient, especially when on stage.
>
> Any ideas why this feature is usually neglected?

From Loopers-Delight-request@annihilist.com  Thu Dec  2 00:18:38 1999
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From: Jax1723@aol.com
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Date: Thu, 2 Dec 1999 00:12:49 EST
Subject: Re: Line6 DL4 group buy
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I was gonna get another headrush but the Line6 DL4 group buy thing sounds 
like a good idea... keep me posted if this actually happens and there is a 
worthwhile savings...  thanks
cheers
jack

From Loopers-Delight-request@annihilist.com  Thu Dec  2 01:25:35 1999
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From: Nemoguitt@aol.com
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Date: Thu, 2 Dec 1999 01:07:24 EST
Subject: zoom 2100
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i have had this unit for a few months now and enjoy it very much, today i 
received the FP02 expression pedal for this unit.........what a 
gas............. is this what midi is like only to a greater 
extent?..........i have until now avoided midi but i am begining to see a 
great charm in changing parameters in real time (and this i assume is the 
role of midi, yes, no?)...............there is so much to learn, im getting 
worried.......:)..........michael
p.s........it was asked earlier today, will "any" expression pedal work on 
the DL4 (new object of lust)?.......please tell me this is one less thing ill 
have to buy........m

From Loopers-Delight-request@annihilist.com  Thu Dec  2 01:32:51 1999
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Message-ID: <016301bf3c8d$f72c63c0$4c9d60cb@EVOL>
From: "EVOL" <evol@inspire.net.nz>
To: <Loopers-Delight@annihilist.com>
References: <NIBEHPDLMBPPFAAA@ivillage.com> <3.0.1.32.19991201171457.0094f100@tamiu.edu>
Subject: Re: Drum machines
Date: Thu, 2 Dec 1999 19:16:59 +1300
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For what its worth I would recomend a Boss Dr Rythm. Soem older models are
flexible with programming, but not hot on different time signatures, ie they
are best suited for 2/4 and 4/4 styled beats.

evol

From Loopers-Delight-request@annihilist.com  Thu Dec  2 01:41:12 1999
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From: "Laurent" <la.forge@worldonline.be>
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Subject: zoom 123
Date: Thu, 2 Dec 1999 07:30:00 +0100
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Hello Michaël,

>The Zoom 123 is GREAT!!!


What is that zoom, never heard about it (?!?).  Give me more infos!

Laurent

From Loopers-Delight-request@annihilist.com  Thu Dec  2 02:07:50 1999
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From: Jeffery Hildebrand <jshildebrand@ucdavis.edu>
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	i work for a company  called the GUITAR CENTER, maybe you've
heard of it. if you all would be interested, i could put together a deal
for a good price, and we could all get DL4s for cheap. just for the
record, how cheap have you actually found a DL4 in the store or internet?
what's the best price you've seen?

								scott

From Loopers-Delight-request@annihilist.com  Thu Dec  2 01:43:56 1999
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Date: Thu, 2 Dec 1999 01:39:44 EST
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I just returned my headrush and picked up a DL4. This thing is insane for its 
price. BTW, got the DL4 for $185 at 8th street music in center city philly 
215.923.5040 phone.

Ask for Andre or Scott. These guys deal all the time.

JP

From Loopers-Delight-request@annihilist.com  Thu Dec  2 02:05:47 1999
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From: Nemoguitt@aol.com
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Date: Thu, 2 Dec 1999 01:59:18 EST
Subject: tibetan prayer wheels
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a few months ago, i came across a wav. of the "our father" read in old 
english, of course i had to loop it.........this made me wonder, along the 
lines of "do androids dream of electric sheep"..........are electronic 
prayers valid and can we storm the gates of heaven with prayer 
loops..........or is all prayer just the asking that one plus one not equal 
two (i hope not)...........historically, loops were present in religious 
chantings and prayer services, both western and eastern........the seasons, 
the phases of the moon, all loops.........spin a prayer wheel, if this isnt a 
prayer loop, what is?...........just some thoughts during this wild and wacky 
time of year.........maybe i should get out more.......:)............michael

From Loopers-Delight-request@annihilist.com  Thu Dec  2 01:53:33 1999
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From: JohnFlem@aol.com
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I have three synced together...I might use one for percussion, one for "bass" 
and one for whatever (horns, vocals, synched delay!)  The most fun is to get 
polyrhythms going (set the loopers to different time signatures).  Basically 
the advantage is having one looper stay constant while you mess with the 
other one.  Hours of fun with Drum Machines too!
John Painter
<A HREF="http://www.flemingandjohn.com">flemingandjohn.com</A>

In a message dated 12/1/99 8:59:03 PM, gcm22@drexel.edu writes:

<< What is the advantage of having more than one looping unit?  Can you attain

a longer looping time, or what?

Let me add that you all have been of incomparable help in my wish to know

more about looping.  I guess loopers are really great people!


George >>

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Subject: Re: Drum machines
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  how about a sequential circuits DRUMTRAKS?  it´s MIDI, cool sounds and you
can get them for real cheap...

smaug.






At 11:49 AM 1/12/99 -0500, you wrote:
>	Hi there,
>
>I was thinking about maybe adding a little drum machine into my studio and
>I was curious if anyone here had any recommendations as to make, model,
>etc.  Somewhere in the $200 range is probably where I''m at (used is fine
>also).  
>
>Thanks for any help
>
>Kevin
>
>

From Loopers-Delight-request@annihilist.com  Thu Dec  2 02:27:56 1999
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From: KRosser414@aol.com
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Date: Thu, 2 Dec 1999 02:22:04 EST
Subject: Re: misleading info on the Line 6 DL4 
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In a message dated 12/1/99 8:47:34 PM Pacific Standard Time, 
Loopers-Delight-d-request@annihilist.com writes:

<< Whats the deal with loops that decay ?
 
> It seems that according to the manual, the dl4 will decay the last recorded 
 phrase ever so slowly each time the overdub function is activated. thats not 
 looping...thats just a long delay that eventually fades. I dont wanna 
believe 
 my own eyes. also, have not had a chance to hear a dl4 yet. And what is the 
> actually time u get for looping both with or without overdubs ?

The max looping time is 14 seconds, with or without dubs - the max delay time 
on the rest of the delay models is 2.5 seconds.  The thing defintely 'loops' 
by anyone's definition of the word, i.e., anytime you want you can close the 
loop and wail over it without adding onto it, layer another part, then close 
it again.  It actually takes quite a while for the repeats to fade out on 
their own (and that's only when the overdubbing function is 'open')

 >i like the sound of all the things u can do with an expression pedal for 
this 
 unit but another question i have is does the expression pedal have to be  a 
 line 6 unit or can ya use any old expression pedal u may have around your 
 home ? >>

I have a Boss EV-5 that works just fine with it

The modulation pedal is not out yet - West L.A. Music (where I got mine for 
$229) said they are expected in Dec. 12.  The distortion modeler will be out 
"sometime in February".  

Ken R

From Loopers-Delight-request@annihilist.com  Thu Dec  2 02:33:19 1999
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Message-ID: <38461F37.3D0B4BC3@jimmygeorgearts.com>
Date: Thu, 02 Dec 1999 01:26:47 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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Subject: Re: Live Looping in Austin, TX 12/5/99
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i'll be listening. big kut fan here. i'm an austin boy as well. i will be at
lucy's friday the 10th, shaggy's saturday the 11th and hole in the wall sunday
the 12th  doing my looping and stuff. give me a shout if you wish. are you
guys from austin or just passing through?

peace
jimmy george

Tiktok World HQ wrote:

> For those of you in the Central Texas area:
>
> Futura, an improvisational trio (guitar, bass, DJ) will be performing this
> Sunday (12/5/99) on KUT (90.5 FM) between 8 and 9PM on "LiveSet".  There
> will be loops aplenty.
>
> Be seeing you,
>
> Travis Hartnett
> Futura
> --
>
> Futura mp3s available from:
>
> www.rollingstone.com
> www.mp3.com
>
> Futura CD's can now be ordered on the web from:
> https://order.kagi.com/
>
> The Futura Collective
> 4107-A Speedway
> Austin, TX 78751
> 512.451.5885
> futura@fringware.com

From Loopers-Delight-request@annihilist.com  Thu Dec  2 02:39:57 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: re>group buy - read this one!!!!!!!
Date: Wed, 1 Dec 1999 23:37:32 -0800
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I just returned my headrush and picked up a DL4. This thing is insane for
its
price. BTW, got the DL4 for $185 at 8th street music in center city philly
215.923.5040 phone.

Ask for Andre or Scott. These guys deal all the time.

JP

-----Original Message-----
From: Jeffery Hildebrand [mailto:jshildebrand@ucdavis.edu]
Sent: Wednesday, December 01, 1999 11:04 PM
To: loopers-delight@annihilist.com
Subject: re>group buy - read this one!!!!!!!


	i work for a company  called the GUITAR CENTER, maybe you've
heard of it. if you all would be interested, i could put together a deal
for a good price, and we could all get DL4s for cheap. just for the
record, how cheap have you actually found a DL4 in the store or internet?
what's the best price you've seen?

								scott

From Loopers-Delight-request@annihilist.com  Thu Dec  2 02:47:31 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: tibetan prayer wheels
Date: Wed, 1 Dec 1999 23:45:07 -0800
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Electronic players ARE-  so validity is irrelevant- and yes, I believe God
would be waiting, headphones on and head bobbing as she welcomes us in as
she gives kudos on the beautiful sounds and prayers we sent-

Cliff

-----Original Message-----
From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
Sent: Wednesday, December 01, 1999 10:59 PM
To: Loopers-Delight@annihilist.com
Subject: tibetan prayer wheels

..........are electronic
prayers valid and can we storm the gates of heaven with prayer
loops..........

From Loopers-Delight-request@annihilist.com  Thu Dec  2 04:10:20 1999
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Date: Thu, 02 Dec 1999 00:26:47 -0700
Subject: Re: looper's missing delay presets -- why?
From: "Stan Card" <stanitarium@earthlink.net>
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Why they neglect-I do not know,but for years I've used the PCM42 for my 
loops and you have to set the loop length before you start and now w/ the
EDP its the other way around and I find that each has its dis + advantages,
as always I'm goin loopy...STANNER

----------
>From: petr dolak <pepetr@yahoo.com>
>To: Loopers-Delight@annihilist.com
>Subject: looper's missing delay presets -- why?
>Date: Wed, Dec 1, 1999, 7:10 PM
>

> I find it very frustrating that usual looping devices (such as EDP, Zoom
> 2100, etc.) do not include a possibility of delay length preset.  I like
> to use precise strange and long delay times for my looping compositions,
> and tapping is sometimes too inconvenient, especially when on stage.
>
> Any ideas why this feature is usually neglected?
>
> petr  (pepetr@yahoo.com)
>
> =====
>
>
>
>
>
>
> Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale
> neznamena, ze bych osobne chtel propagovat tuto spolecnost.
> __________________________________________________
> Do You Yahoo!?
> Thousands of Stores.  Millions of Products.  All in one place.
> Yahoo! Shopping: http://shopping.yahoo.com
>
> 

From Loopers-Delight-request@annihilist.com  Thu Dec  2 04:07:43 1999
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main page w/ mirrors http://www.msnbc.com/news/340869.asp

"Liebig, Steuart A." wrote:

> for all of you folks who would like to loop/manipulate this:
>
> Aboard NASA’s Mars Polar Lander, headed for
>                                        landing on the Red Planet on Friday,
> is a tiny, $15
>                                        microphone, the same kind found in
> hearing aids. It will
>                                        capture the first sounds heard from
> another planet — the
>                                        hum of the probe’s machinery, the
> soft whistling of wind,
>                                        the patter of sand grains hitting
> solar panels.
>
> guess they're gonna broadcast the loudest 10 seconds every day, get yer dats
> ready . . .
>
> stig

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Message-ID: <38463254.6CE91CAB@jimmygeorgearts.com>
Date: Thu, 02 Dec 1999 02:48:20 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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yes count me in. how much will it cost and how do we move on this?

jimmy george

g716@hotmail.com wrote:

> I can hear everyone reaching for their credit cards already, so I'll ask the
> obvious:
>
> Anyone interested in putting a group buy together?  The last one (EDP's last
> winter) worked well from a price perspective -- at least while supplies
> lasted.  We could always use Alto music again.  I know they're a Line6
> dealer as I bought my POD from them.
>
> What say ye?
>
> Greg out.

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I found this , http://www.msnbc.com/news/143424.asp

jd

"Liebig, Steuart A." wrote:

> for all of you folks who would like to loop/manipulate this:
>
> Aboard NASA’s Mars Polar Lander, headed for
>                                        landing on the Red Planet on Friday,
> is a tiny, $15
>                                        microphone, the same kind found in
> hearing aids. It will
>                                        capture the first sounds heard from
> another planet — the
>                                        hum of the probe’s machinery, the
> soft whistling of wind,
>                                        the patter of sand grains hitting
> solar panels.
>
> guess they're gonna broadcast the loudest 10 seconds every day, get yer dats
> ready . . .
>
> stig

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From: Jeff Duke <jmar@bellsouth.net>
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sorry, this is de place, http://marslander.jpl.nasa.gov/

"Clifford@BienAppraisers" wrote:

> Oh man- I love it! I was on the Nasa site every day when the Pathfinder was
> there snooping around- that was when I was on a 28.8 too but I waited for
> those images anyway- now I'm on cable- what are the odds they will do
> streaming audio?? None, but hey- we can dream, right? But I will actually be
> able to make REAL LOOPS FROM MARS!!!
>
> ;)
> Cliff
> -----Original Message-----
> From: Liebig, Steuart A. <LiebigSA@Maritz.com>
> To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
> Date: Wednesday, December 01, 1999 4:06 PM
> Subject: mars
>
> >for all of you folks who would like to loop/manipulate this:
> >
> >Aboard NASA’s Mars Polar Lander, headed for
> >                                       landing on the Red Planet on Friday,
> >is a tiny, $15
> >                                       microphone, the same kind found in
> >hearing aids. It will
> >                                       capture the first sounds heard from
> >another planet — the
> >                                       hum of the probe’s machinery, the
> >soft whistling of wind,
> >                                       the patter of sand grains hitting
> >solar panels.
> >
> >guess they're gonna broadcast the loudest 10 seconds every day, get yer
> dats
> >ready . . .
> >
> >
> >stig
> >

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Date: Thu, 2 Dec 1999 12:09:09 +0000 (GMT)
From: Jim Carter <Jim.Carter@bristol.ac.uk>
To: Loopers-Delight@annihilist.com
Subject: Re: Drum machines
In-Reply-To: <199912011649.LAA15191@home.HoundsOfHeaven.com>
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I use (and like) a Roland TR626.
You can pick one up for 70-120pounds depending on condition
and at that pice they are great fun.
OK the sounds are very 80s but, hey, isn't that all coming back?
What I really like us the user interface (with BIG LCD screen)
Start in TapWrite and bang in a rhythm (very like using Overbud
on the EDP) adding bits at each pass of the sequence,
then switch to StepWrite and "improve" or add parts + acsents + shuffle
then into Play mode and improvise bits on top.

Jim Carter
Bristol
UK
Tel. (44) 117 9289934
FAX  (44) 117 9293746
e-mail jim.carter@bris.ac.uk


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Date: Thu, 2 Dec 1999 07:06:53 EST
Subject: Re: DL-4 adaptor?
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does it need a special adaptor or will anything work with it? thanks, =-) PJ

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From: "Tom Lambrecht" <hideo@concentric.net>
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Subject: Re: A thought about On/Off topic:
Date: Thu, 2 Dec 1999 07:12:11 -0600
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as usual, Matthias your short, eloquent posts posts cut right to the heart
of the matter . . .

thanks,

Tom Lambrecht
hideo@concentric.net

-----Original Message-----
From: Matthias Grob <matthias@grob.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, December 01, 1999 11:20 PM
Subject: A thought about On/Off topic:


>as long as off topic post are just MENTIONED, they are enriching.
>as soon as off topic subjects are DISCUSSED, its too much.
>
>If someone tells us about some equipment he sells, books about
>politics we should read, I find it positive.
>Someone asked whether reading the books turn him a better looper. I guess
so!
>Whatever makes this world clearer to the musican turns his music stronger.
>
>But a whole series of mails, a discussion between people of different
>opinion,  bargening of prices... should happen outside the list or be
>on topic, really.
>
>Hows that?
>Matthias
>
>
>          ---> http://Matthias.Grob.org
>
>

From Loopers-Delight-request@annihilist.com  Thu Dec  2 08:38:06 1999
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From: "Tom Lambrecht" <hideo@concentric.net>
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Subject: Re: mars
Date: Thu, 2 Dec 1999 07:35:31 -0600
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perusing this link a few clicks further (thanks, Jeff), I found the
planetary society's site where they will supposedly be streaming RealAudio .
. . (and 360 degree video)

http://planetfest.org/planetcast/index.html

might be an interesting communal loop experience for the time-shift DJs of
LD

hoping for a landing with the dirty side down . . . or on Bill Nye's pointy
head

drone on~~~~~~~~~~~~
Tom Lambrecht
hideo@concentric.net
-----Original Message-----
From: Jeff Duke <jmar@bellsouth.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, December 02, 1999 3:53 AM
Subject: Re: mars


>sorry, this is de place, http://marslander.jpl.nasa.gov/
>
>"Clifford@BienAppraisers" wrote:
>
>> Oh man- I love it! I was on the Nasa site every day when the Pathfinder
was
>> there snooping around- that was when I was on a 28.8 too but I waited for
>> those images anyway- now I'm on cable- what are the odds they will do
>> streaming audio?? None, but hey- we can dream, right? But I will actually
be
>> able to make REAL LOOPS FROM MARS!!!
>>
>> ;)
>> Cliff
>> -----Original Message-----
>> From: Liebig, Steuart A. <LiebigSA@Maritz.com>
>> To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
>> Date: Wednesday, December 01, 1999 4:06 PM
>> Subject: mars
>>
>> >for all of you folks who would like to loop/manipulate this:
>> >
>> >Aboard NASA’s Mars Polar Lander, headed for
>> >                                       landing on the Red Planet on
Friday,
>> >is a tiny, $15
>> >                                       microphone, the same kind found
in
>> >hearing aids. It will
>> >                                       capture the first sounds heard
from
>> >another planet — the
>> >                                       hum of the probe’s machinery, the
>> >soft whistling of wind,
>> >                                       the patter of sand grains hitting
>> >solar panels.
>> >
>> >guess they're gonna broadcast the loudest 10 seconds every day, get yer
>> dats
>> >ready . . .
>> >
>> >
>> >stig
>> >
>
>

From Loopers-Delight-request@annihilist.com  Thu Dec  2 09:09:39 1999
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From: Todd Madson <crash@waste.org>
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Subject: Some samples of Vortex sounds...
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Geez, if I'd known....

There are lots of MP3 files I've made and they're on the net for 
download.

You can first of all check out:
http://www.waste.org/~crash/asb.html
-and-
http://www.waste.org/~crash/loopage.html
-and-
http://webriffs.dhs.org/
-and-
http://www.waste.org/~crash/crash.html

The ASB site has, naturally, ASB music on it.
Many of the sounds in the track "aliensporebomb" are vortexed to death..
There's 6 stereo pairs of electric guitars playing in harmony and all are
processed thru the vortex.  Then, the drum machine has drums and bass 
playing, but is also the source of the "synthesizer" in the background.

The synth pad is created by taking the other two bass guitar samples
in the drum computer and tuning them up one and two octaves respectively
and mapping key notes to the drum pads.  Then I "play" the pads for each
rhythmic pattern.

I then take a line out from the drum machine and into the vortex running
a custom patch I created.  The tap tempo was used to further give the 
illusion that you're hearing a big keyboard synth thru a swirling leslie
like patch.

The drum machine allows you to send specific signals through any of its
six outputs (stereo left, stereo right, then 1 2 3 and 4).  This allows
processing of specific signals while leaving others unprocessed.  A very
nice feature.

So essentially, you're hearing 1 guitar and 1 drum machine.  But due to
the multiple outputs of the drum computer you can do a heck of a lot, and
the Vortex has much mutational power.

Let's see, the stuff at webriffs....lots of that is vortexed to death
too... Late nite has a clean guitar thru a choir patch with the tuned-up
bass samples from the drum computer into the vortex using another custom
patch.  There is no bass guitar or synth on this tune, just one guitar 
and one drum machine, the drum machine is playing internal samples to 
create the bass and "synth" parts (which are tuned up basses).  The 
higher pitched "synth" stuff is a fingerpicked bass up two octaves, the
lower pitched (sounds a bit like rubato electric piano thru chorus and
delay) is an acco contrabass sample up an octave or so.

"Dance of Life Part 2", guitar and Kawai K4 synth processed thru the
vortex there.  The lead guitar is conventional until the fake B3
(processed thru orbits) drops out and then you've got a guitar thru
a mesa boogie studio preamp thru a mxr blue box thru a boss oc-2
octave box into the vortex (on that dynaflanger patch, aerosol I 
think) direct to the board.  The drum programming is actually the
drum machine into the vortex using a tap tempo delay to create some
complex counter rhythms..  

I could go on...am I crazy enough for you yet?

The looppage stuff at my site...the flanging on "unravelling" (short
version) is vortex I believe, just 1 guitar and nothing else...

Oh....and the Vortex can rock too.  Check out my crash page to hear
"The Velocity of Naught", crunching chunks of heavy metal madness...
the song that could not be killed.  Nothing special in terms of weird
panning but it sounds allright.

-t


From Loopers-Delight-request@annihilist.com  Thu Dec  2 09:17:30 1999
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From: Kriswv1@aol.com
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Date: Thu, 2 Dec 1999 09:12:24 EST
Subject: Yamaha SU700
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Does anyone have a SU700???

From Loopers-Delight-request@annihilist.com  Thu Dec  2 09:19:25 1999
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From: Kriswv1@aol.com
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Subject: Re: Drum machines
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Listen, before you look into a drum machine look into sample cd's for your 
sampler (if you don't have a sampler you need one of them first)  They make 
hundreds of different cd's with breakbeats for techno, hip hop, trip hop, 
trance, ect.- any kind of music you want.  I have a couple of drum machines 
that I'm not really satisfied with.  I have the Alesis SR 16 and the Boss DR 
202.  The Alesis drums sound great- like real live drums and is pretty easy 
to use but to me it really doesn't do the job- it's made in 1991 and to me 
thats how it sounds.  The DR 202 is decent and you could probably find one 
used or on blowout for about$200 but the drums in it for the most part aren't 
that good unless you're doing drum n bass or techno stuff- you can edit the 
drum sounds a good bit but I don't feel like I got $400 worth of equipment 
from this thing.  I heard the new Korg drum machine is nice but I'd look into 
drum sample cd's.  For about $100 you get about 500 drum loop samples that 
you can manipulate to almost any form of music.  For any more info just 
e-mail me back......

From Loopers-Delight-request@annihilist.com  Thu Dec  2 09:53:33 1999
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From: "Alan Imberg" <alan_i@sprynet.com>
To: <Loopers-Delight@annihilist.com>
References: <0.8f4a993b.257772c6@aol.com>
Subject: Re: tibetan prayer wheels
Date: Thu, 2 Dec 1999 06:42:41 -0800
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Good question. I recall call a quote from M.J. Gandhi: "Every action can be
a prayer". He used it in the context of everyday chores, saying that as long
as the mind is contemplative of God as you do seemingly mundane actions,
then you are praying.  Who's to say that when we are awash in mulitple loops
and sonic bliss that we can't be in a spiritual state of mind. I may have
killed a few brain cells in my youth, but, at times, I do feel much the same
way when I loop with guitar in hand as I do when at church or in meditation.

----- Original Message -----
From: <Nemoguitt@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, December 01, 1999 10:59 PM
Subject: tibetan prayer wheels


> a few months ago, i came across a wav. of the "our father" read in old
> english, of course i had to loop it.........this made me wonder, along the
> lines of "do androids dream of electric sheep"..........are electronic
> prayers valid and can we storm the gates of heaven with prayer
> loops..........or is all prayer just the asking that one plus one not
equal
> two (i hope not)...........historically, loops were present in religious
> chantings and prayer services, both western and eastern........the
seasons,
> the phases of the moon, all loops.........spin a prayer wheel, if this
isnt a
> prayer loop, what is?...........just some thoughts during this wild and
wacky
> time of year.........maybe i should get out
more.......:)............michael
>


From Loopers-Delight-request@annihilist.com  Thu Dec  2 10:00:23 1999
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From: Kevin Cheli-Colando <kevin@minds-eye.org>
Subject: RE:  prayer loops
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Carlos Santana quotes Miles Davis as saying...

"Play and Pray, Pray and Play"

Kevin

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Date: Thu, 02 Dec 1999 07:05:32 -0700
From: Mark Sottilaro <mark@cdm.sfai.edu>
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A friend of mine tells a story of his trip into a kosher meat processing
plant (not sure which) and finds that the "Kosher" part is a tape loop
of the appropriate prayer played on a small PA near the conveyer belt.
A higher authority!

--
Mark Sottilaro
Multimedia Specialist

mark@cdm.sfai.edu
(415) 771-7020 ext. 4411

Center For Digital Media
San Francisco Art Institute
800 Chestnut St.
San Francisco, CA
94133



From Loopers-Delight-request@annihilist.com  Thu Dec  2 10:29:36 1999
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
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Subject: TC D-Two
Date: Thu, 2 Dec 1999 10:17:03 -0500 
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I received a catalog from Guitar Center yesterday with the TC D-Two in it.
Has anyone tried one yet?

David K

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From: David Kirkdorffer <DKirkdorffer@exapps.com>
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Subject: RE: Multiple loopers
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I think one of the big advantages is the way having multiple loopers gives
you the capability to create discrete loops that are separately -

	built
	panned
	lengthed
	processed
	combined
	
Also, I think having multiple loopers helps the analgesic industry.  It can
be a real headache to figure out which one is making which noise.

dk

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Date: Thu, 02 Dec 1999 10:11:19 -0500
To: Loopers-Delight@annihilist.com
From: Kevin Cheli-Colando <kevin@minds-eye.org>
Subject: Re: safe journey
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Actually, YR is not his first album.  His first album (recently reissued on
Cunieform) is a self titled disc I believe and includes the fantastic
Hendrix-esque "How do you like my Buddha?"  The rest of the album is far
less successful than the later records (IMO) featuring many synth
experiments and other things.  I believe this record is actually a college
project sort of deal.  

YR is definitely the best starting point in my opinion, but Safe Journey is
also fantastic.

Kevin

Anyone heard the record that followed after CHO?


>any of the major on line stores should have it (amazon, CD NOW, etc). you
>should also check out steve's first LP (on CD) called "yr". this is an
>amazing record as well. when it was reviewed (by me, actually) in the
>rolling stone record guide, we gave it 5 stars!


From Loopers-Delight-request@annihilist.com  Thu Dec  2 10:07:25 1999
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Date: Thu, 02 Dec 1999 10:01:48 -0500
Subject: safe journey
From: klowy <klowy@wrinklemuzik.com>
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any of the major on line stores should have it (amazon, CD NOW, etc). you
should also check out steve's first LP (on CD) called "yr". this is an
amazing record as well. when it was reviewed (by me, actually) in the
rolling stone record guide, we gave it 5 stars!

klowy


>where can you get "safe journey" and how much is it???

From Loopers-Delight-request@annihilist.com  Thu Dec  2 10:52:50 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: prayer loops
Date: Thu, 2 Dec 1999 07:44:02 -0800
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People make fun of Microsoft's "Plug and Play" thus:  "Plug and Pray."

  | -----Original Message-----
  | From: Kevin Cheli-Colando [mailto:kevin@minds-eye.org]
  | Sent: Thursday 02 December 1999 6:53 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: RE: prayer loops
  | 
  | 
  | Carlos Santana quotes Miles Davis as saying...
  | 
  | "Play and Pray, Pray and Play"
  | 
  | Kevin
  | 
  | 

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Date: Thu, 2 Dec 1999 07:53:26 -0800 (PST)
From: M T <ylpunk@yahoo.com>
Reply-To: m1cha3l@earthlink.net
Subject: what I think is a cool idea for the EDP (unfortunately, I will probably never own one)
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Here's an idea for the edp rev. software:

If the edp could support loading digital audio loops via midi (probably not
possible, I think) or via another port, someone else could write a program to
store audio loops in banks of 9 (not to exceed 198 seconds).  Then you could
load the edp with a particular bank of samples in the memory you weren't going
to use to loop. Or you could download loops you particularly liked into the
bank software for later use.  It would make the edp twice as cool (the
hard-core loopers might disagree). 

Of course, I'd be happy if I could get my hands on the old one. 

MT
 

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From Loopers-Delight-request@annihilist.com  Thu Dec  2 10:55:11 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Multiple loopers
Date: Thu, 2 Dec 1999 07:41:24 -0800
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Well, you could accomplish the same task by recording loops on a multitrack
machine.  Hey, that way you could get 3 or 4-- or more-- loops and really
get into some hard-to-explain stuff...  Especially if your multitrack can
sync to devices.  But you're right, the live element is crucial.

  | -----Original Message-----
  | From: JohnFlem@aol.com [mailto:JohnFlem@aol.com]
  | Sent: Wednesday 01 December 1999 10:48 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Multiple loopers
  |
  |
  |
  | I have three synced together...I might use one for percussion,
  | one for "bass"
  | and one for whatever (horns, vocals, synched delay!)  The most
  | fun is to get
  | polyrhythms going (set the loopers to different time
  | signatures).  Basically
  | the advantage is having one looper stay constant while you mess
  | with the
  | other one.  Hours of fun with Drum Machines too!

From Loopers-Delight-request@annihilist.com  Thu Dec  2 11:02:41 1999
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Date: Thu, 02 Dec 1999 09:50:39 -0600
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From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Re: Tack Piano
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At 08:59 PM 12/1/99 EST, you wrote:
> The instrument with the two antennae sounds like a theremin.
>                                                        

To quote Johnny Carson's sidekick, "You are correct Sir!"  I believe PAIA
sells them (or at least their version of the theremin).  They have a web
site, but I can't remember the address (Perhaps www.PAIA.com?)

Michael
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

From Loopers-Delight-request@annihilist.com  Thu Dec  2 11:49:33 1999
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Date: Thu, 02 Dec 1999 11:40:25 -0500
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From: Kevin Cheli-Colando <kevin@minds-eye.org>
Subject: Korg AM8000
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Does anyone have any leads on where to find a Korg AM8000?  Musician's
Friend had them a couple of weeks ago but when I got the $$$ they were gone.  

thanks for any help

Kevin

From Loopers-Delight-request@annihilist.com  Thu Dec  2 11:56:12 1999
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Date: Thu, 2 Dec 1999 11:50:41 -0500
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From: Ed and Jennifer Drake <ejmd@erols.com>
Subject: Slightly on topic/synth modules with looping?
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Hello loopfolk,
	I'm in the market for an inexpensive but decent synth/drum module
to use with my sequencer and incorporate into my looping and I thought I
would check and see if anyone knows anything about the Roland JV-1010 which
is available for a little over $400. It has 64 voice polyphony and lots of
drum and synth sounds and has room for one expansion board. If you know of
any other modules that are inexpensive but good (bang for the buck is
important!) that would be cool too. If this is too off topic please reply
privately.
Thanks in advance!
Ed


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From: "David Potter" <papadave55@hotmail.com>
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Subject: Re: safe journey
Date: Thu, 02 Dec 1999 08:51:09 PST
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I've checked several stores here in Santa Cruz for Safe Journey.  None have 
it.  Do you have an exact address to order it?  :)


>From: klowy <klowy@wrinklemuzik.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>, <Kriswv1@aol.com>
>Subject: safe journey
>Date: Thu, 02 Dec 1999 10:01:48 -0500
>
>any of the major on line stores should have it (amazon, CD NOW, etc). you
>should also check out steve's first LP (on CD) called "yr". this is an
>amazing record as well. when it was reviewed (by me, actually) in the
>rolling stone record guide, we gave it 5 stars!
>
>klowy
>
>
> >where can you get "safe journey" and how much is it???
>

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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: tibetan prayer wheels
Date: Thu, 02 Dec 1999 08:47:20 PST
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Om, that infinate space is the place I always go to in looping.  The Zone, 
the Cosmos,God consciousness, the music of the spheres.  We are in an 
interplay with and a part of that that force.  Nice thread.Om and Out, 
Narendra


>From: "Alan Imberg" <alan_i@sprynet.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: tibetan prayer wheels
>Date: Thu, 2 Dec 1999 06:42:41 -0800
>
>Good question. I recall call a quote from M.J. Gandhi: "Every action can be
>a prayer". He used it in the context of everyday chores, saying that as 
>long
>as the mind is contemplative of God as you do seemingly mundane actions,
>then you are praying.  Who's to say that when we are awash in mulitple 
>loops
>and sonic bliss that we can't be in a spiritual state of mind. I may have
>killed a few brain cells in my youth, but, at times, I do feel much the 
>same
>way when I loop with guitar in hand as I do when at church or in 
>meditation.
>
>----- Original Message -----
>From: <Nemoguitt@aol.com>
>To: <Loopers-Delight@annihilist.com>
>Sent: Wednesday, December 01, 1999 10:59 PM
>Subject: tibetan prayer wheels
>
>
> > a few months ago, i came across a wav. of the "our father" read in old
> > english, of course i had to loop it.........this made me wonder, along 
>the
> > lines of "do androids dream of electric sheep"..........are electronic
> > prayers valid and can we storm the gates of heaven with prayer
> > loops..........or is all prayer just the asking that one plus one not
>equal
> > two (i hope not)...........historically, loops were present in religious
> > chantings and prayer services, both western and eastern........the
>seasons,
> > the phases of the moon, all loops.........spin a prayer wheel, if this
>isnt a
> > prayer loop, what is?...........just some thoughts during this wild and
>wacky
> > time of year.........maybe i should get out
>more.......:)............michael
> >
>
>

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Jprice01@aol.com wrote:
 
> I just returned my headrush and picked up a DL4. This thing is insane for its
> price. BTW, got the DL4 for $185 at 8th street music in center city philly

I live in philly and know the buyers at 8th st well for the past 10+
years. I called and spoke to the head guy there today and he looked into
this and told me they are selling the unit for around $200 plus the
adapter. Someone came in this AM and claimed they saw the unit for $185
so they matched that "price". This is *not* the standard selling price
for them and the guys didn't check out this price before evidently so I
don't know that they will match it again (did this price exist in the
first place or did U make it up?)

HOWEVER, I asked about a group buy and they said they will gladly do
something for us. I am going to go in talk to them this afternoon (and
try out a pedal :)). 8th st is a licensed dealer of Line6 and ships
worldwide so this is as good as it gets. They are a big store but not a
chain so in a way you'd be supporting a local biz rather than a G center
or Sam's Ass if that matters to you (it does to me). I've dealt with
them for years and bought thousands of $$ of gear so I have a good
relationship (yeah, it's always good when you spend thousands of $$ -
LOL!).

I don't remember the logistics on the last EDP buy but here it will
probably be I work out a solid price and then you all call in with your
credit cards and ask for the promotional deal from the point man or his
cronies. As or now the price will easily be $220 including adapter and
probably better espcially if we get a number of serious buyers quickly.

Sound Good?

If so email me direct and I'll see what #'s we're talking about and let
them know to see what can be done. I am also going to check into the
adapter question to see if it really is anything unusal or If I U can
use a Radio shack one or something. That saves $20 right there.

See, it does pay to be good to your local store. 


____________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Thu Dec  2 12:16:05 1999
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Date: Thu, 02 Dec 1999 09:04:41 -0800
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, papadave55@hotmail.com
Subject: Re: safe journey
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Hey David...

Here's the Steve Tibbetts web site... you'll find an order page
there. You could also check out the ECM web site.

http://www.frammis.com/index.htm

-Biffoz

>>> "David Potter" <papadave55@hotmail.com> 12/02 8:55 AM >>>
I've checked several stores here in Santa Cruz for Safe Journey. 
None have 
it.  Do you have an exact address to order it?  :)


>From: klowy <klowy@wrinklemuzik.com>
>Reply-To: Loopers-Delight@annihilist.com 
>To: <Loopers-Delight@annihilist.com>, <Kriswv1@aol.com>
>Subject: safe journey
>Date: Thu, 02 Dec 1999 10:01:48 -0500
>
>any of the major on line stores should have it (amazon, CD NOW,
etc). you
>should also check out steve's first LP (on CD) called "yr". this is
an
>amazing record as well. when it was reviewed (by me, actually) in
the
>rolling stone record guide, we gave it 5 stars!
>
>klowy
>
>
> >where can you get "safe journey" and how much is it???
>

______________________________________________________
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From Loopers-Delight-request@annihilist.com  Thu Dec  2 12:21:12 1999
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I'd also add that "Exploded View" is my all time fave Steve
Tibbetts... 

>>> "Mike Biffle" <mbiffle@svg.com> 12/02 9:09 AM >>>
Hey David...

Here's the Steve Tibbetts web site... you'll find an order page
there. You could also check out the ECM web site.

http://www.frammis.com/index.htm 

-Biffoz

>>> "David Potter" <papadave55@hotmail.com> 12/02 8:55 AM >>>
I've checked several stores here in Santa Cruz for Safe Journey. 
None have 
it.  Do you have an exact address to order it?  :)


>From: klowy <klowy@wrinklemuzik.com>
>Reply-To: Loopers-Delight@annihilist.com 
>To: <Loopers-Delight@annihilist.com>, <Kriswv1@aol.com>
>Subject: safe journey
>Date: Thu, 02 Dec 1999 10:01:48 -0500
>
>any of the major on line stores should have it (amazon, CD NOW,
etc). you
>should also check out steve's first LP (on CD) called "yr". this is
an
>amazing record as well. when it was reviewed (by me, actually) in
the
>rolling stone record guide, we gave it 5 stars!
>
>klowy
>
>
> >where can you get "safe journey" and how much is it???
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com 

From Loopers-Delight-request@annihilist.com  Thu Dec  2 12:24:18 1999
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From: KILLINFO@aol.com
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Date: Thu, 2 Dec 1999 12:15:19 EST
Subject: Re: safe journey
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For those of you interested in Steve Tibbetts he does maintain a website at:

http://www.frammis.com/

The site isn't equited for e-commerce per se, but you can still order his 
entire catalog via snail mail using the printable order form they provide and 
a check.I ordered his first album a few months ago and it came fairly 
promptly (about a week later).

BTW there is lots of "loopy" commentary from Mr. Tibbetts all over this site 
in regards to his music and work ethic/methodology/philosopy. Much of it is 
very entertaining reading.

Best

From Loopers-Delight-request@annihilist.com  Thu Dec  2 12:43:11 1999
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Date: Thu, 02 Dec 1999 11:30:17 -0600
Subject: Boomerang FS: $215 (harmony central)
From: Travis Hartnett <hartne.t@apple.com>
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BOOMERANG PHRASE SAMPLER

Asking Price: US$215
Condition: Excellent
Age: 6 months
Description:

       I HAVE A BOOMERANG PHRASE SAMPLER FOR SALE. IT IS EXCELLENT
CONDITION, HARDLY USED. VERY USEFUL AND FUN TO PLAY WITH. EMAIL ME OR CALL
ME IF YOU ARE
       INTERESTED. IT SAMPLES FOR UP TO 2 MINUTES. VERY COOL.
       LES

Seller: LES GIBSON, 919 751 2902
E-mail: les_paul24@hotmail.com (Profile)
Location: GOLDSBORO, NC
Post Date: 12/1/99

From Loopers-Delight-request@annihilist.com  Thu Dec  2 12:50:16 1999
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Date: Thu, 02 Dec 1999 11:40:24 -0600
Subject: Re: Line6 DL4 group buy - Putting it together.
From: Travis Hartnett <hartne.t@apple.com>
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Well, actually it looks like it REALLY pays to quote "price of indeterminate
origin" to your local store before the counter guys have had their first cup
of coffee.

BTW, I truly appreciate the logic of appealing to "support your local music
store" while setting up a national group buy AND suggesting that we use
Radio Shack AC adaptors.


TH



> Jprice01@aol.com wrote:
> 
>> I just returned my headrush and picked up a DL4. This thing is insane for its
>> price. BTW, got the DL4 for $185 at 8th street music in center city philly
> 
> I live in philly and know the buyers at 8th st well for the past 10+
> years. I called and spoke to the head guy there today and he looked into
> this and told me they are selling the unit for around $200 plus the
> adapter. Someone came in this AM and claimed they saw the unit for $185
> so they matched that "price". This is *not* the standard selling price
> for them and the guys didn't check out this price before evidently so I
> don't know that they will match it again (did this price exist in the
> first place or did U make it up?)
> 
> HOWEVER, I asked about a group buy and they said they will gladly do
> something for us. I am going to go in talk to them this afternoon (and
> try out a pedal :)). 8th st is a licensed dealer of Line6 and ships
> worldwide so this is as good as it gets. They are a big store but not a
> chain so in a way you'd be supporting a local biz rather than a G center
> or Sam's Ass if that matters to you (it does to me). I've dealt with
> them for years and bought thousands of $$ of gear so I have a good
> relationship (yeah, it's always good when you spend thousands of $$ -
> LOL!).

> 
> See, it does pay to be good to your local store.
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Dec  2 13:31:39 1999
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Date: Thu, 02 Dec 1999 13:27:06 -0500
From: Legion <legion@voicenet.com>
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Travis Hartnett wrote:

> Well, actually it looks like it REALLY pays to quote "price of indeterminate
> origin" to your local store before the counter guys have had their first cup
> of coffee.

Evidently. I just wanted to point out this is not the norm least we have
ten more "How did you find that price?" posts that all go unanswered
like the last few have. So far no place has a standard price of less
than $200 from what I've seen and heard. Please post otherwise if you
know of a place that has a *regular* (not haggled) lower price. 

> BTW, I truly appreciate the logic of appealing to "support your local music
> store" while setting up a national group buy AND suggesting that we use
> Radio Shack AC adaptors.

I think my point was clearly made (independent store VS Chain store) but
quite frankly I don't give a damn where people buy 'em. 8th st isn't the
best store in the world (Each saledude is different) but over the years
I've met some of the best salesdudes I've met in any store there and
these guys go the extra mile to take care of all their customers not
just the big spenders. Personally I think that kind of attention
deserves reward. Since we're putting together a multi purchase *someone*
has to find a place to buy them and rather than deal with the chains
that constanlty get ragged on for poor and ignorant support it just made
sense to me that we support a particular salesmen or team that has
developed a decent track record which makes things easier to buy as well
as helps them out a bit.

As for the adaptors that was answering a question someone had yesterday
which is very pertinent to ANY DL4 user as well as people buying and
paying shipping for a $20 adapter VS one they can find around the corner
from them. 

Y'know I am trying to set this up for the list since there is so much
interest. What was all that community crap that someone wrote about the
past few days? If the best you can do is be a wiseass when somone's
going out of their way for nothing to help out the group perhaps you'd
feel more at home playing  with the ignorant sellers on Ebay than
following up on someone elses's efforts to get something done instead of
talking about it.

loop on.

____________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Thu Dec  2 13:14:13 1999
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Subject: Re: Line6 DL4 Group Buy Update
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Here's a quick update:

Prices seem to be around $230, but it may take some dickering.  If Scott
(working under the email alias Jeffery Hildebrand
<jshildebrand@ucdavis.edu>) can do better than $185 -- or equivalent, with
power supply, from Guitar Center, and will ship within the US, I say we go
for a group buy at that price.  Yes, we'd pay shipping charges surely.

Scott, can you do that?

Otherwise, I say every looper for himself and call 8th street music in
Philly!  185!  Did that include power supply?  People seem pretty anxious
and may not want to wait to save the extra $30 or $40 if they can get it for
$185 with no group buy hassles.

BTW, I did email Fred's and Alto music yesterday -- no reply yet.

Also, I did check out a DL4 at Guitar Center last night.  The sales staff
had no idea of the potential.  I plugged it in, started looping (no manual
needed -- it's pretty darn easy) and before long the manager was behind me
begging to try it.  I handled over the guitar and ran the buttons while he
laid down some rythm, then another complimentary track, then solos.  He was
amazed as I explained to him the benefits and pleasures of looping.  I
accidentally hit the reverse mode and the manager was blown away -- "Hey
Frank!  Check it out!  Jimi Hendrix!".  I had seen all I needed so I started
to unplug the rig.  The manager protested, "No, no!  Leave it, I'm gonna jam
some more.  I gotta check this thing out!".  They should be paying me!
Quoted price: $235.

Impression: worth the money.  The EDP is worth every penny of $600 or so I
paid last year.  The DL4 would be worth every penny especially if it were
just $185!

Total loop time:  I clocked it over 20 secs. using the 1/2 speed function in
mono.  Not sure if mono changes things, but the 1/2 speed sure did.  My
highly scientific method:  hit record while keeping an eye on my analog
watch.  Looper timed itself out and went into loop mode automatically
somewhere around 20 - 25 secs.

I just saw the Travis/JPrice email about 8th street being the best bet so
far.  Look like that's our best shot!

Greg out.

From Loopers-Delight-request@annihilist.com  Thu Dec  2 13:34:03 1999
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Date: Thu, 2 Dec 1999 13:12:10 -0500
From: Bill Monk <72267.2124@compuserve.com>
Subject: DL4 Group Buy
Sender: Bill Monk <72267.2124@compuserve.com>
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>>Anyone interested in putting a group buy together?... We could always use
>>Alto music again.  I know they're a Line6 dealer as I bought my POD from
>>them.

I'm interested in the Line6 delay and modulation stompboxes, maybe the
distortion one too when it's available. A group buy is a great idea; count me
in.

From Loopers-Delight-request@annihilist.com  Thu Dec  2 13:34:02 1999
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Date: Thu, 2 Dec 1999 13:12:17 -0500
From: Bill Monk <72267.2124@compuserve.com>
Subject: EDP guts questions
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Hey Kim - 

Opened my EDP last night to spray some Deoxit in my noisy input pot, and while
pondering the inner workings again, the following questions welled up....

1) Is it possible for you to make the service manual available on the LD site?
I enjoy and am competent to handle my own repairs, and like to have all the
service manuals I can get. Years down the road, they're very handy to have
around. 

Also they make interesting reading. Which saves you the trouble of answering
questions like these:

2) What is unused main board multi-pin connector P1 for?

3) What does jumper JP1 do?

4) What are the components at B1 and B2? Probably something obvious, but I'm
not a hardware geek, just a software geek with a soldering station....

5) Where are the non-volatile params stored? Don't see a battery anywhere....

6) Can you recommend a ribbon-cable socket that I could install for the ribbons
between the main board and the two front panel boards?

Reason is, those soldered-in ribbon cables can't stand much handling and are a
REAL pain if they break. A few years back, my EDP was in an accident that
smashed the Mix and Feedback pots. The tech (I was trying to save time by
letting someone else do it - a mistake), in getting everything out, flexed the
ribbon cables and broke one off. 

I then took the unit and fixed it, but lacking the proper ribbon-cable stripper
it was a drag to strip each conducter. 

Next time it's apart (for the gain mods) would really to install sockets and
replace the ribbons for sort of like a SCSI ribbon cable setup - able to
withstand repeated removal, but unlikely to vibrate loose.

7) Is there ANY way of reconfiguring/rewiring the back-panel Overdub jack to
perform Insert or Reverse? I really want Insert and Reverse both on
footswitches at the same time, and have never once in 5 years used the
back-panel Overdub jack. Foot controller have-nots enjoy it no doubt, but for
the rest of us it's really crying out for a useful job to perform.

Thanks - 
Bill Monk

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I think that some distinction is to be made between the ACT of
repetition(ie.chanting,drumming,mantra,funk bass playing;))and the
trance induction caused by listening to non-manual repetition. When I'm
continually aware of a loop I just played ,I re-create it in my
awareness and it can lead to one of the "goals" of repetitive
meditation;namely the insight that nothing can be repeated.The universe
is in a constant state of creative flux.If on the other hand, I ignore
the loop it can become a lifeless "thing" in my awareness without much
unfoldment creatively or spiritually.I go into a healing trance(not a
bad idea)But,don't nessessarily become more present or creative.This
goes for Prayer Wheels and Echoplexes.
The dance of creativity,contemplation and trance is what I love the most
about looping...
                          Scott Kungha Drengsen
                          http://www.basscapes.com

From Loopers-Delight-request@annihilist.com  Thu Dec  2 13:56:32 1999
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Date: Thu, 02 Dec 1999 10:55:39 -0800
From: lance glover <baumhaus@earthlink.net>
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"Michael S. Yoder" wrote:

> At 08:59 PM 12/1/99 EST, you wrote:
> > The instrument with the two antennae sounds like a theremin.
> >
>
> To quote Johnny Carson's sidekick, "You are correct Sir!"  I believe PAIA
> sells them (or at least their version of the theremin).  They have a web
> site, but I can't remember the address (Perhaps www.PAIA.com?)
>

for all things theremin and moogerful, try http://www.bigbriar.com/

lance g.

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Subject: Re: Vortex vs. MPX-100
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One thing that spurred my interest in the MPX-100:  the SPDIF out.  For
those of us using a PC or Mac to record with sound cards such as the
SBLive -- which does have a SPDIF in -- could we use the MPX as a higher
quality AD converter that resides outside of the digitally noisy PC
environment?  For $250, a nice effects box plus AD converter is a pretty
good deal.  Would it work?

After I get a DL4 of course....  and by xmas gifts....

Greg

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From: "G716" <g716@hotmail.com>
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Subject: Fw: Group buy of Line6 DL4
Date: Thu, 2 Dec 1999 10:45:05 -0800
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Just got a response from Alto.  $200 isn't bad.  Don't know if it includes
power.  If we can't get $185 from 8th street, Alto will be a good
alternative.  I'll find out if it includes power supply.


----- Original Message -----
From: ALTO MUSIC <u1010403@warwick.net>
To: <g716@hotmail.com>
Sent: Thursday, December 02, 1999 5:21 AM
Subject: Re: Group buy of Line6 DL4


> Hi Greg-This is Jon from Alto-I'm glad to hear all is well.I can offer
these
> pedals to you :"loopers" for $200.I have plenty in stock and can ship
> immediately.Have those who are interested go to www.altomusic.com
> and click on the left side where it says contact us.Let them say that they
> are from the loopers list and fill out the form that appears.We will take
it
> from there.Thanks-Jon from Alto Music.Let me know if you think this will
> work.........

From Loopers-Delight-request@annihilist.com  Thu Dec  2 14:19:30 1999
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Date: Thu, 2 Dec 1999 14:10:17 EST
Subject: Re: Line6 DL4 group buy - Putting it together.
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Believe it or not, I did not haggle my price with 8th street re: the DL4 so on the books i actually paid less than $185.

$185 was what was written on the DL4 box. I just didnt pay taxes or rather 8thstreet didnt charge me tax cause i was paying in cash ( even tho they actually will record it as a taxable transaction - they work it out in the books ). 

Considering all the prices i saw getting thrown around Looper's Delight and on Harmony Central - I was not even gonna haggle w/ a $185 price tag.

and yes, i'm a repeat 8th street customer. i got my gr-30 there 2 yrs ago for $625-brand new along with an ibanez rg470 for 225-new and a used sp202 for $150.

Once again, either Andre or Scott at 8th street music will hook you up and i'm sure they will make something happen on a bulk buy. 215.923.5040phone - also ck out: www.8thstreet.com 

but reach them in person or over the phone, thats is the way to go ( eyeball to eyeball ) if you are local to Phila.

I personally despise any buying situation where I cant negotiate a number that I feel is reasonable. 

And Im of the mindset of course you should always be prepared to haggle - and do your homework, know your options and item you want to purchase and be smart in regard to knowing where and from whom to buy. and how to leverage your knowledge as best as possible in a business politic manner across the board.  I know thats not everyones orientation - but it helps to have a mindset that is focused and determined on geting what you need and what you can pay for - realistically of course cause everything iS negotiable and ComPromise is probably the largest part of living a  "life". it all just depends on what degree and context its taken but more or less we all negotiate and haggle and compromise.

But I always share the scoop on a deal when i see one.

JP

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Subject: Re: mars
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This sounds very cool. Can you give anymore information such as
web-sites/contacts. I would love to follow something like this over the web.
I suppose I could search for nasa...........very interesting indeed. I was
wondering if scientists had yet attempted to record "alien"/"other"
atmospheres.....
    Anybody else out there enjoy looping "found-sounds"?  I heard a drone on
a passing bicycle today that sounded loop-worthy.   Peace out.

Jamie Mash
{experimental
music director
 wmts88.3}

From Loopers-Delight-request@annihilist.com  Thu Dec  2 14:49:42 1999
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Thanks for your work for the group.  Let me know what pans out.
           papadave55@hotmail.com


>From: Legion <legion@voicenet.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Line6 DL4 group buy - Putting it together.
>Date: Thu, 02 Dec 1999 13:27:06 -0500
>
>Travis Hartnett wrote:
>
> > Well, actually it looks like it REALLY pays to quote "price of 
>indeterminate
> > origin" to your local store before the counter guys have had their first 
>cup
> > of coffee.
>
>Evidently. I just wanted to point out this is not the norm least we have
>ten more "How did you find that price?" posts that all go unanswered
>like the last few have. So far no place has a standard price of less
>than $200 from what I've seen and heard. Please post otherwise if you
>know of a place that has a *regular* (not haggled) lower price.
>
> > BTW, I truly appreciate the logic of appealing to "support your local 
>music
> > store" while setting up a national group buy AND suggesting that we use
> > Radio Shack AC adaptors.
>
>I think my point was clearly made (independent store VS Chain store) but
>quite frankly I don't give a damn where people buy 'em. 8th st isn't the
>best store in the world (Each saledude is different) but over the years
>I've met some of the best salesdudes I've met in any store there and
>these guys go the extra mile to take care of all their customers not
>just the big spenders. Personally I think that kind of attention
>deserves reward. Since we're putting together a multi purchase *someone*
>has to find a place to buy them and rather than deal with the chains
>that constanlty get ragged on for poor and ignorant support it just made
>sense to me that we support a particular salesmen or team that has
>developed a decent track record which makes things easier to buy as well
>as helps them out a bit.
>
>As for the adaptors that was answering a question someone had yesterday
>which is very pertinent to ANY DL4 user as well as people buying and
>paying shipping for a $20 adapter VS one they can find around the corner
>from them.
>
>Y'know I am trying to set this up for the list since there is so much
>interest. What was all that community crap that someone wrote about the
>past few days? If the best you can do is be a wiseass when somone's
>going out of their way for nothing to help out the group perhaps you'd
>feel more at home playing  with the ignorant sellers on Ebay than
>following up on someone elses's efforts to get something done instead of
>talking about it.
>
>loop on.
>
>____________________________________________________________________
>      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
>"Bringing you the best in Organic Electronic music since we started..."
>
>Home of the Unusual Instrument and Recording Gallery with pictures and
>info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Date: Thu, 2 Dec 1999 10:58:35 -0800 (PST)
From: Randy Jones <ranjones@yahoo.com>
Subject: Re: Vortex vs. MPX-100
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Hello
Im using the mxp100 spdif directly into a sblive
platinum card ($153 at Buy.com), sb platinum has
drive bay extension w/ midi, spdif i/o and 1/4
line/mic. Seems to be working great. I recorded
some tracks in ACID through the mxp/sb last
night. Pretty cheap looping/multitrack recording
setup.


--- G716 <g716@hotmail.com> wrote:
> One thing that spurred my interest in the
> MPX-100:  the SPDIF out.  For
> those of us using a PC or Mac to record with
> sound cards such as the
> SBLive -- which does have a SPDIF in -- could
> we use the MPX as a higher
> quality AD converter that resides outside of
> the digitally noisy PC
> environment?  For $250, a nice effects box plus
> AD converter is a pretty
> good deal.  Would it work?
> 
> After I get a DL4 of course....  and by xmas
> gifts....
> 
> Greg
> 
> 

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

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From: Todd Madson <crash@waste.org>
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Subject: Tibbets in a Nutshell
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Yep, I remember checking out Steve's original issue white label LP
records from the Hennepin County Library here in Minneapolis and 
that's where I got my recording of YR from.

Strangely, the LP had a different mix than the CD.  And the first
tune didn't seem to have bass guitar like the CD did.

Anyway, here's my two cents:

Steve Tibbets: early college experimentation, fuzztone craziness with
ethnic percussion and synths.

YR: amazing statement, powerful guitar, drumming and bass, with ethnic
instruments.  First loop I'v ever heard with Mellotron.

Northern Song: quiet, pastoral acoustic statements with percussion.  No
electric guitar to speak of.  At one point, Tibbets processed acoustic
"hums like a frigidaire" (to quote musician magazine).

Safe Journey: my tie for personal fave tibbets disc, loops, crazed rock,
tabla, kalimba and quiet synths, very ambient, wonderful, field recordings
crazed experimentation.  a fabulous, fully realized statement.

Exploded View:
Expands on safe journey and pushes for a more belligerent, bellicose
sound.  Acoustics and percussion are still here, but Tibbets is 
gradually going from more linear electric guitar playing to wild,
almost out of control feedback use.  Occasional use of vocals 
(no lyrics, just pitched singing).

Big Map Idea:
I got the idea that if Led Zeppelin kicked out bonham and plant and
jimmy page spent eight years in nepal that this is what that music
would have sounded like.  More acoustically based, but still some
smatterings of electricity here.  Cool blue cover too.

The Fall of Us All:
A juggernaut of a recording.  Listen to "Dzogchen Punks" that opens
the recording - giant, massive, brutish percussion with wailing 
electric guitar punctuated by massive increases in tempo until we
finally land on a looped bed of oozing processed acoustic 12 string.
Bits of quietude and ambience here and there, but this one is made
to cram down your throat.  Difficult listening, but oh so worthy a
journey.





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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Line6 DL4 group buy - Putting it together.
Date: Thu, 02 Dec 1999 11:45:36 PST
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What's the phone number of 8th street?  Please? or email address


>From: Jprice01@aol.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Line6 DL4 group buy - Putting it together.
>Date: Thu, 2 Dec 1999 14:10:17 EST
>
>Believe it or not, I did not haggle my price with 8th street re: the DL4 so 
>on the books i actually paid less than $185.
>
>$185 was what was written on the DL4 box. I just didnt pay taxes or rather 
>8thstreet didnt charge me tax cause i was paying in cash ( even tho they 
>actually will record it as a taxable transaction - they work it out in the 
>books ).
>
>Considering all the prices i saw getting thrown around Looper's Delight and 
>on Harmony Central - I was not even gonna haggle w/ a $185 price tag.
>
>and yes, i'm a repeat 8th street customer. i got my gr-30 there 2 yrs ago 
>for $625-brand new along with an ibanez rg470 for 225-new and a used sp202 
>for $150.
>
>Once again, either Andre or Scott at 8th street music will hook you up and 
>i'm sure they will make something happen on a bulk buy. 215.923.5040phone - 
>also ck out: www.8thstreet.com
>
>but reach them in person or over the phone, thats is the way to go ( 
>eyeball to eyeball ) if you are local to Phila.
>
>I personally despise any buying situation where I cant negotiate a number 
>that I feel is reasonable.
>
>And Im of the mindset of course you should always be prepared to haggle - 
>and do your homework, know your options and item you want to purchase and 
>be smart in regard to knowing where and from whom to buy. and how to 
>leverage your knowledge as best as possible in a business politic manner 
>across the board.  I know thats not everyones orientation - but it helps to 
>have a mindset that is focused and determined on geting what you need and 
>what you can pay for - realistically of course cause everything iS 
>negotiable and ComPromise is probably the largest part of living a  "life". 
>it all just depends on what degree and context its taken but more or less 
>we all negotiate and haggle and compromise.
>
>But I always share the scoop on a deal when i see one.
>
>JP
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: "Bailey, Jim" <JBailey@corporate.southam.ca>
To: "'looppost'" <loopers-delight@annihilist.com>
Subject: RE: mars
Date: Thu, 2 Dec 1999 15:08:05 -0500 
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> -----Original Message-----
> From: Clifford@BienAppraisers [mailto:bienappraisers@mindspring.com]
> Sent: Wednesday, December 01, 1999 7:46 PM
> 
> Oh man- I love it! I was on the Nasa site every day when the 
> Pathfinder was
> there snooping around- that was when I was on a 28.8 too but 
> I waited for
> those images anyway- now I'm on cable- what are the odds they will do
> streaming audio?? None, but hey- we can dream, right? But I 
> will actually be
> able to make REAL LOOPS FROM MARS!!!

Will you be using a "Space Echo?" ;-)

Jim Bailey

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Subject: Re: Line6 DL4 group buy: It's comming together
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> What's the phone number of 8th street?  Please? or email address
>
>

Everyone:  I understand the excitement.  I'm eager too, but could I ask that
you hold off buying until we have a commitment from a store for a group
purchase?  Legion <legion@voicenet.com> and I have been investigating
various options and are working to get the best deal.

Of course you're free to do what you like.  I'm just considering the benefit
the group gains as a "retail force" of sorts.  Who knows, it might benefit
us when the next batch of EDP's are released.

thanks,
Greg

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Date: Thu, 2 Dec 1999 12:09:27 -0800 (PST)
From: Randy Jones <ranjones@yahoo.com>
Subject: Re: Tibbets in a Nutshell
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Tibbets ain't shit without Marc Anderson.
__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

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References: <Pine.SOL.3.95q.991202120110.20885B-100000@eis.bris.ac.uk>
Subject: Re: Drum machines
Date: Thu, 2 Dec 1999 14:36:45 -0600
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> I use (and like) a Roland TR626.
> You can pick one up for 70-120pounds depending on condition
> and at that pice they are great fun.


I don't. ever since my back went out this may be alittle too much...LOL

and what the hell's a "pice"

From Loopers-Delight-request@annihilist.com  Thu Dec  2 16:18:19 1999
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Date: Thu, 02 Dec 1999 16:17:45 +0000
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Does anyone have any experience using the Roland MS-1 sampler 
with a Flashdisk memory card?

Jon Williams

From Loopers-Delight-request@annihilist.com  Thu Dec  2 16:17:53 1999
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Date: Thu, 02 Dec 1999 15:08:03 -0600
Subject: Re: Line6 DL4 group buy - those pesky market forces
From: Travis Hartnett <hartne.t@apple.com>
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Everyone wants to get gear for the cheapest price, but let's be up-front
about it.  Allusions to the moral superiority of buying from 8th Street
Music over Guitar Center are pointless.  If Guitar Center undercut 8th
Street by $50, everyone would buy a DL-4 there.  If 8th Street was such a
wonderful place, they'd give everyone the best deal, not just the guys who
have dropped a lot of money there.  8th Street, like all independent music
stores, gives discounts where it thinks it will benefit them financially,
and doesn't give discounts under the same criteria.  And I'm sure that 8th
Street will appreciate you steering all this business to them.  Nudge,
nudge.  

All things held equal, I'd buy from 8th Street (or somewhere just like it).
If GC or AMS offers a better deal, I'll buy from them.  People could support
"independent" music stores in their own town, but what you're proposing is
that if 8th Street offers them a better price, don't support a store just
because it's independent, support it because it gives you the best deal.

TH


> 
> Travis Hartnett wrote:
> 
>> Well, actually it looks like it REALLY pays to quote "price of indeterminate
>> origin" to your local store before the counter guys have had their first cup
>> of coffee.
> 
> Evidently. I just wanted to point out this is not the norm least we have
> ten more "How did you find that price?" posts that all go unanswered
> like the last few have. So far no place has a standard price of less
> than $200 from what I've seen and heard. Please post otherwise if you
> know of a place that has a *regular* (not haggled) lower price.
> 
>> BTW, I truly appreciate the logic of appealing to "support your local music
>> store" while setting up a national group buy AND suggesting that we use
>> Radio Shack AC adaptors.
> 
> I think my point was clearly made (independent store VS Chain store) but
> quite frankly I don't give a damn where people buy 'em. 8th st isn't the
> best store in the world (Each saledude is different) but over the years
> I've met some of the best salesdudes I've met in any store there and
> these guys go the extra mile to take care of all their customers not
> just the big spenders. Personally I think that kind of attention
> deserves reward. Since we're putting together a multi purchase *someone*
> has to find a place to buy them and rather than deal with the chains
> that constanlty get ragged on for poor and ignorant support it just made
> sense to me that we support a particular salesmen or team that has
> developed a decent track record which makes things easier to buy as well
> as helps them out a bit.
> 
> As for the adaptors that was answering a question someone had yesterday
> which is very pertinent to ANY DL4 user as well as people buying and
> paying shipping for a $20 adapter VS one they can find around the corner
> from them. 
> 
> Y'know I am trying to set this up for the list since there is so much
> interest. What was all that community crap that someone wrote about the
> past few days? If the best you can do is be a wiseass when somone's
> going out of their way for nothing to help out the group perhaps you'd
> feel more at home playing  with the ignorant sellers on Ebay than
> following up on someone elses's efforts to get something done instead of
> talking about it.
> 
> loop on.
> 


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that's correct, the jamman allows you to do this with an external midi
sequencer.

this can be done in "loop" mode using the 3, 4, 6, 8, 12, 16, or beats
32 to limit the length OR in "echo" mode using prg-chg messages to "tap"
in the exact delay time.

the edp must be able to do this and MUCH more - can anybody tell me
about this? i ask because i'll be borrowing a friend's edp sometime
soon.

rob

Dave Trenkel schrieb:
> 
> 
> >I find it very frustrating that usual looping devices (such as EDP, Zoom
> >2100, etc.) do not include a possibility of delay length preset.  I like
> >to use precise strange and long delay times for my looping compositions,
> >and tapping is sometimes too inconvenient, especially when on stage.
> >
> >Any ideas why this feature is usually neglected?
> >
> >petr  (pepetr@yahoo.com)
> >
> The JamMan will do this when under external MIDI clock control. You select
> the number of beats from the front panel, tap to start recording and it
> automatically stops when X-beats later. You're limited to multiples of 4
> beats, but it does work fine.
> 
> ________________________________________________________
> Dave Trenkel : improv@peak.org  : www.peak.org/~improv/
> 
> "...there will come a day when you won't have to use
> gasoline. You'd simply take a cassette and put it in
> your car, let it run. You'd have to have the proper
> type of music. Like you take two sticks, put 'em
> together, make fire. You take some notes and rub 'em
> together - dum, dum, dum, dum - fire, cosmic fire."
>                                             -Sun Ra
> ________________________________________________________


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Date: Thu, 2 Dec 1999 13:42:49 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: Re: EDP guts questions
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Bill,
AFAIK, there is no service manual (I asked this
question of Gibson & Kim many months ago).  You can
get a schematic only.  

When I have worked on my Echoplexii, Kim has always
answered my questions with 24/7 tech support for free
;-)

He's a mean, grumpy old man ;-), but seems to like to
talk about the design and function of the EDP (if you
ask him nicely, and promise to keep your baseball out
of his yard).

bret

--- Bill Monk <72267.2124@compuserve.com> wrote:
> Hey Kim - 
> 
> Opened my EDP last night to spray some Deoxit in my
> noisy input pot, and while
> pondering the inner workings again, the following
> questions welled up....
> 
> 1) Is it possible for you to make the service manual
> available on the LD site?
> 

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

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From: Legion <legion@voicenet.com>
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Quick version:

The price for anyone who calls and wants to buy a DL4 from 8th st from
this second on is $219.00 for the pedal and $17.95 for the adapter.

Long version:

I spent over and hour talking to the salesmen and buyer for 8th st today
about the DL4, Line6 and the now infamous $185 deal. Here are some
facts:

1. Line 6 shipped the units with two different prices. They *just* got
them in and marked them at the wrong price. 

2. The $185 sale was a special deal with a couple issues including a
wrong price to start with. Congrats but you got lucky on that one. anyoe
lese is free to ask for it somewhere else but I think 8th st is getting
tired of being reminded about their mistake by now. 

3. While I was there three people called quoting the $185 price and one
person came in looking for the DL4. Can you say "hype" kids? 

4. They only had 4 pedals to start with and sold them all. New stock is
expected in next week sometime at a price of $219 (discount "normal"
price is $229) plus the adapter. 

Looks like the Alto music deal is the only group buy happening at this
time so I suggest people follow up with that.

As for my hippie love in with 8th st VS Guitar center for the last time
my point was to reward a good salesguy who did a good job vs give
anonymously to an organization that has more complaints against it on a
daily basis than sales from a Ma and Pa store. As for the comment of why
don't they offer the good deal to everyone as opposed to big buyers, I
suggest you reread my post. 

Enough of this though. I'm bowing out of the group buy and this thread
having seen this attempt to it's conclusion. if anyone has any questions
or needs to say something to me about it feel free to send me private
email and i'll fill in as much as I can.




____________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

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From: Rich <rich@nuvision.com>
Subject: Re: Line6 DL4 group buy: It's comming together
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Sorry to interject a bit of attitude here...I like the LD threads and all,
but... (as pee wee said long ago, there's always a big but)

Why is everyone pushing their adrenaline up over $20-50 dollars price
difference on the DL-4?  The same people who don't think twice about
getting into a bidding war over a used EDP from a stranger in another state?

Relax, people...If you are so hard up to get the DL-4 (like I was, the day
it came in is the day I bought it...$235 + tax, and I'm not complaining a
bit!)  Go to your local store, or the big chain and plunk down your cash.
Is waiting and speculating on the group buy to materialize and waiting for
shipping worth $20-50?  it's a free country, i guess.

oh, and by the way, the DL-4 smokes....enjoy. 



At 12:17 PM 12/2/99 -0800, you wrote:
>> What's the phone number of 8th street?  Please? or email address
>>
>>
>
>Everyone:  I understand the excitement.  I'm eager too, but could I ask that
>you hold off buying until we have a commitment from a store for a group
>purchase?  Legion <legion@voicenet.com> and I have been investigating
>various options and are working to get the best deal.
>
>Of course you're free to do what you like.  I'm just considering the benefit
>the group gains as a "retail force" of sorts.  Who knows, it might benefit
>us when the next batch of EDP's are released.
>
>thanks,
>Greg
>
>

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From: "Lee Fletcher" <lee@waterleat.screaming.net>
To: "Kevin Cheli-Colando" <kevin@minds-eye.org>,
        <Loopers-Delight@annihilist.com>
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> I was thinking about maybe adding a little drum machine into my studio and
> I was curious if anyone here had any recommendations as to make, model,
> etc.  Somewhere in the $200 range is probably where I''m at (used is fine
> also).

I use a Boss (Roland) DR-660. I don't have all the spec' to hand, but this
funky unit has served me well for over six years.

Key features:-

* 4 x Audio Outputs
* MIDI
* Tons of (editable) Drum / Percussion voices
* Touch Sensitive Pads

Production stopped only this year and there are still 'clearance bargains'
to be found if you shop around. The '660 can also be purchased for well
under 200 (UK) Pounds on the second-hand market.

Regards,

Lee Fletcher
www : http://www.waterleat.demon.co.uk

From Loopers-Delight-request@annihilist.com  Thu Dec  2 17:40:05 1999
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From: "G716" <g716@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Cc: "ALTO MUSIC" <u1010403@warwick.net>
Subject: >>>> Line6 DL4 Group Buy Final Details <<<<
Date: Thu, 2 Dec 1999 14:20:41 -0800
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Everyone:  the work has paid off.  Jon at Alto Music has come through =
again.  They have DL4's in stock and can ship right away.

Line6 DL4: $200
Line6 Adapter: $18=20
(note - this is not a wall wart, but rather a "pregnant" extension cord. =
 i.e. it'll only take up one space on your power strip)

How to order:
Go to http://www.altomusic.com=20
On the left side of the web page click "contact us".
Fill out the form and say you are from the "loopers list".
My browser did not indicate that the web page is using secure =
encryption, so if you're concerned about putting in a credit card =
number, I've asked Jon to provide a phone number that we can call.

Thanks to Legion <legion@voicenet.com> for all his efforts researching =
options as well.

Off to order my own shortly...
Greg

p.s. If you get 2 copies of this it's because I BCC'd everyone who =
specifically requested an update.

------=_NextPart_000_0239_01BF3CD0.69906C80
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Everyone:&nbsp; the work has paid =
off.&nbsp; Jon at=20
Alto Music has come through again.&nbsp; They have DL4's in stock and =
can ship=20
right away.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Line6 DL4: $200</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Line6 Adapter: $18 </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>(note - this is not a wall wart, but =
rather a=20
"pregnant" extension cord.&nbsp; i.e. it'll only take up one space on =
your power=20
strip)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>How to order:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Go to <A=20
href=3D"http://www.altomusic.com">http://www.altomusic.com</A>&nbsp;</FON=
T></DIV>
<DIV><FONT face=3DArial size=3D2>On the left side of the web page click =
"contact=20
us".</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Fill out the form and say you are from =
the "loopers=20
list".</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>My browser did not indicate that =
the&nbsp;web=20
page&nbsp;is using secure encryption, so if you're concerned about =
putting in a=20
credit card number, I've asked Jon to provide a phone number that we can =

call.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks to&nbsp;Legion &lt;<A=20
href=3D"mailto:legion@voicenet.com">legion@voicenet.com</A>&gt; for all =
his=20
efforts researching options as well.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Off to order my own =
shortly...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Greg</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>p.s. If you get 2 copies of this it's =
because I=20
BCC'd everyone who specifically requested an =
update.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0239_01BF3CD0.69906C80--

From Loopers-Delight-request@annihilist.com  Thu Dec  2 18:29:50 1999
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References: <199911031100.GAA30269@rosy.yourwebhost.com>
 <v04205518b46b6a97adb5@[207.38.245.79]>
Date: Thu, 2 Dec 1999 18:06:28 -0500
To: Loopers-Delight@annihilist.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Line6 DL4 only loops 2.5 seconds???
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I wrote:

>Searching my DL4 info, I came across:
>
>"Drew Skyfyre" <skyfyre_dys@yahoo.com> wrote:
>
>>Line6 has the manuals for the modeller pedals up at :
>>
>>http://www.line6.com/support/library.htm
>>
>>If u just want to know about the DL4, get :
>>http://www.line6.com/pdf/DelayModelerDetails.pdf
>>
>>Nicely done manual. But, I don't know if y'all knew this, but when they say,
>>"Programmable Delay & 14 Second Loop Sampler", they mean it.
>>
>>Only the sampler does 14 seconds. The delays have a max. of 2.5 seconds.
>>Dang. With all the thought they've obviously put into this product, you'd
>>think they'd know to stick atleast 8 MB of RAM in there. Or even allow the
>>memory to be expanded.
>
>now that some people actually have this unit "in hand", is this
>evaluation from the manual actually accurate?  Is the looping
>and delay just 2.5s??
>
>that would mean a BIG deal to me!

No responses on this (unless I missed them).

The manual's pretty unclear though I'd tend to conclude that
you CAN in fact delay the whole 14s.  There are a couple of
specific simulations that are limited to 2.5s and they are
clearly noted in the manual.

BUT one of you loverly loopers must be listening to a long
loop DL4 as I write this?!?

	/t

From Loopers-Delight-request@annihilist.com  Thu Dec  2 18:26:38 1999
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Date: Thu, 02 Dec 1999 17:07:59 -0600
Subject: Re: >>>> Line6 DL4 Group Buy Final Details <<<<
From: Travis Hartnett <hartne.t@apple.com>
To: <Loopers-Delight@annihilist.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3026999279_1799577_MIME_Part
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And, did they mention a shipping cost?

TH

From: G716 <g716@hotmail.com>
Reply-To: Loopers-Delight@annihilist.com
Date: Thu, 02 Dec 1999 14:20:41 -0800
To: Loopers-Delight@annihilist.com
Cc: ALTO MUSIC <u1010403@warwick.net>
Subject: >>>> Line6 DL4 Group Buy Final Details <<<<
Resent-From: Loopers-Delight@annihilist.com
Resent-Date: Thu, 02 Dec 1999 17:23:39 -0500


Everyone:  the work has paid off.  Jon at Alto Music has come through again.
They have DL4's in stock and can ship right away.
 
Line6 DL4: $200
Line6 Adapter: $18 
(note - this is not a wall wart, but rather a "pregnant" extension cord.
i.e. it'll only take up one space on your power strip)
 
How to order:
Go to http://www.altomusic.com
On the left side of the web page click "contact us".
Fill out the form and say you are from the "loopers list".
My browser did not indicate that the web page is using secure encryption, so
if you're concerned about putting in a credit card number, I've asked Jon to
provide a phone number that we can call.
 
Thanks to Legion <legion@voicenet.com> for all his efforts researching
options as well.
 
Off to order my own shortly...
Greg
 
p.s. If you get 2 copies of this it's because I BCC'd everyone who
specifically requested an update.




--MS_Mac_OE_3026999279_1799577_MIME_Part
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: &gt;&gt;&gt;&gt; Line6 DL4 Group Buy Final Details &lt;&lt;&lt;&=
lt;</TITLE>
</HEAD>
<BODY>
And, did they mention a shipping cost?<BR>
<BR>
TH<BR>
<BLOCKQUOTE><BR>
<B>From: </B>G716 &lt;g716@hotmail.com&gt;<BR>
<B>Reply-To: </B>Loopers-Delight@annihilist.com<BR>
<B>Date: </B>Thu, 02 Dec 1999 14:20:41 -0800<BR>
<B>To: </B>Loopers-Delight@annihilist.com<BR>
<B>Cc: </B>ALTO MUSIC &lt;u1010403@warwick.net&gt;<BR>
<B>Subject: </B>&gt;&gt;&gt;&gt; Line6 DL4 Group Buy Final Details &lt;&lt;=
&lt;&lt;<BR>
<B>Resent-From: </B>Loopers-Delight@annihilist.com<BR>
<B>Resent-Date: </B>Thu, 02 Dec 1999 17:23:39 -0500<BR>
<BR>
</BLOCKQUOTE><BR>
<BLOCKQUOTE><FONT SIZE=3D"2"><FONT FACE=3D"Arial">Everyone: &nbsp;the work has =
paid off. &nbsp;Jon at Alto Music has come through again. &nbsp;They have DL=
4's in stock and can ship right away.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Line6 DL4: $200<BR>
Line6 Adapter: $18 <BR>
(note - this is not a wall wart, but rather a &quot;pregnant&quot; extensio=
n cord. &nbsp;i.e. it'll only take up one space on your power strip)<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">How to order:<BR>
Go to http://www.altomusic.com <BR>
On the left side of the web page click &quot;contact us&quot;.<BR>
Fill out the form and say you are from the &quot;loopers list&quot;.<BR>
My browser did not indicate that the web page is using secure encryption, s=
o if you're concerned about putting in a credit card number, I've asked Jon =
to provide a phone number that we can call.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Thanks to Legion &lt;legion@voicenet.com&=
gt; for all his efforts researching options as well.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Off to order my own shortly...<BR>
Greg<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">p.s. If you get 2 copies of this it's bec=
ause I BCC'd everyone who specifically requested an update.<BR>
</FONT></FONT><BR>
</BLOCKQUOTE><BR>
</BODY>
</HTML>


--MS_Mac_OE_3026999279_1799577_MIME_Part--

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Subject: Fw: >>>> Line6 DL4 Group Buy Final Details <<<<
Date: Thu, 2 Dec 1999 15:18:06 -0800
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Quick update from John at Alto:
----- Original Message -----=20
From: ALTO MUSIC=20
To: G716=20
Sent: Thursday, December 02, 1999 10:09 AM
Subject: Re: >>>> Line6 DL4 Group Buy Final Details <<<<


PS-I won't have the plugs until next week.I hope this isn't an =
inconvenience.Thanks JH

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Transitional//EN">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Quick update from John at =
Alto:</FONT></DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
href=3D"mailto:u1010403@warwick.net" title=3Du1010403@warwick.net>ALTO =
MUSIC</A>=20
</DIV>
<DIV><B>To:</B> <A href=3D"mailto:g716@hotmail.com"=20
title=3Dg716@hotmail.com>G716</A> </DIV>
<DIV><B>Sent:</B> Thursday, December 02, 1999 10:09 AM</DIV>
<DIV><B>Subject:</B> Re: &gt;&gt;&gt;&gt; Line6 DL4 Group Buy Final =
Details=20
&lt;&lt;&lt;&lt;</DIV></DIV>
<DIV><BR></DIV>
<DIV><FONT color=3D#000000 size=3D2>PS-I won't have the plugs until next =
week.I hope=20
this isn't an inconvenience.Thanks JH</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Thu Dec  2 18:55:19 1999
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Date: Thu, 02 Dec 1999 15:44:14 -0800
To: Loopers-Delight@annihilist.com
From: Rich <rich@nuvision.com>
Subject: Re: Line6 DL4 only loops 2.5 seconds???
In-Reply-To: <v04205512b46cab4fbe63@[207.38.245.79]>
References: <v04205518b46b6a97adb5@[207.38.245.79]>
 <199911031100.GAA30269@rosy.yourwebhost.com>
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As far as I can tell, you can only delay for the 2.5 seconds.  You have to
switch into LOOP SAMPLER mode to have access the 14 seconds.  You can do a
long (read long) decay delay by keeping the Loop in Overdub mode, but you
will have no control over the decay rate as it flushes earlier stuff.


Later,

rich


At 06:06 PM 12/2/99 -0500, you wrote:
>I wrote:
>
>>Searching my DL4 info, I came across:
>>
>>"Drew Skyfyre" <skyfyre_dys@yahoo.com> wrote:
>>
>>>Line6 has the manuals for the modeller pedals up at :
>>>
>>>http://www.line6.com/support/library.htm
>>>
>>>If u just want to know about the DL4, get :
>>>http://www.line6.com/pdf/DelayModelerDetails.pdf
>>>
>>>Nicely done manual. But, I don't know if y'all knew this, but when they
say,
>>>"Programmable Delay & 14 Second Loop Sampler", they mean it.
>>>
>>>Only the sampler does 14 seconds. The delays have a max. of 2.5 seconds.
>>>Dang. With all the thought they've obviously put into this product, you'd
>>>think they'd know to stick atleast 8 MB of RAM in there. Or even allow the
>>>memory to be expanded.
>>
>>now that some people actually have this unit "in hand", is this
>>evaluation from the manual actually accurate?  Is the looping
>>and delay just 2.5s??
>>
>>that would mean a BIG deal to me!
>
>No responses on this (unless I missed them).
>
>The manual's pretty unclear though I'd tend to conclude that
>you CAN in fact delay the whole 14s.  There are a couple of
>specific simulations that are limited to 2.5s and they are
>clearly noted in the manual.
>
>BUT one of you loverly loopers must be listening to a long
>loop DL4 as I write this?!?
>
>	/t
>
>

From Loopers-Delight-request@annihilist.com  Thu Dec  2 18:56:17 1999
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Date: Thu, 02 Dec 1999 18:50:20 -0500
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: (was) Tack Piano (now) Theremania
In-Reply-To: <3.0.1.32.19991202095039.0095ed40@tamiu.edu>
References: <0.3c7bdad2.25772c67@aol.com>
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Yep, mine's a Paia Theremax. Bob Moog's company, Big Briar, also makes
several models.

Tim

At 09:50 AM 12/2/99 -0600, you wrote:
>At 08:59 PM 12/1/99 EST, you wrote:
>> The instrument with the two antennae sounds like a theremin.
                                          
>
>To quote Johnny Carson's sidekick, "You are correct Sir!"  I believe PAIA
>sells them (or at least their version of the theremin).  They have a web
>site, but I can't remember the address (Perhaps www.PAIA.com?)

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Subject: Re: >>>> Line6 DL4 Group Buy Final Details <<<<
Date: Thu, 2 Dec 1999 15:47:04 -0800
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Re: >>>> Line6 DL4 Group Buy Final Details <<<<Phone number if you need to
contact Alto Music: 914 692 6922

Clarification: you pay shipping.
My experience; shipping is usually cheaper than sales tax (8.6% in WA).

>----- Original Message -----
>From: Travis Hartnett
>And, did they mention a shipping cost?

From Loopers-Delight-request@annihilist.com  Thu Dec  2 18:54:16 1999
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Date: Thu, 02 Dec 1999 15:41:26 -0800
To: Loopers-Delight@annihilist.com
From: Rich <rich@nuvision.com>
Subject: Re: >>>> Line6 DL4 Group Buy Final Details <<<<
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I'm not a whiz on shipping costs re: weight/size and such, but Travis has a
point...This unit is Heavy (compared to a standard boss/dod stompbox design.)
It would kinda suck to have a hefty shipping bill to deflate everyone's
excitement.

later,

rich



At 05:07 PM 12/2/99 -0600, you wrote:
>   And, did they mention a shipping cost?
> 
> TH
> 
>
>> From: <>
>> Reply-To: Loopers-Delight@annihilist.com
>> Date: Thu, 02 Dec 1999 14:20:41 -0800
>> To: Loopers-Delight@annihilist.com
>> Cc: <>
>> Subject: >>>><<<<
>> Resent-From: Loopers-Delight@annihilist.com
>> Resent-Date: Thu, 02 Dec 1999 17:23:39 -0500
>> 
>> 
>
> 
>>   They have DL4's in stock and can ship right away.
>>  
>> Line6 DL4: $200
>> Line6 Adapter: $18 
>>"" i.e. it'll only take up one space on your power strip)
>>  
>> How to order:
>> Go to http://www.altomusic.com 
>>"".
>>"".
>> My browser did not indicate that the web page is using secure
>>encryption, so if you're concerned about putting in a credit card number,
>>I've asked Jon to provide a phone number that we can call.
>>  
>> <> for all his efforts researching options as well.
>>  
>> Off to order my own shortly...
>> Greg
>>  
>> p.s. If you get 2 copies of this it's because I BCC'd everyone who
>>specifically requested an update.
>> 
>> 
>
>    

From Loopers-Delight-request@annihilist.com  Thu Dec  2 19:15:27 1999
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Date: Thu, 02 Dec 1999 19:09:48 -0500
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: mars/found sounds
In-Reply-To: <003901bf3cfe$6c0fd580$de70d6d1@micronjenni>
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At 01:50 PM 12/2/99 -0600, you wrote:
>This sounds very cool. Can you give anymore information such as
>web-sites/contacts. I would love to follow something like this over the web.
>I suppose I could search for nasa...........very interesting indeed. I was
>wondering if scientists had yet attempted to record "alien"/"other"
>atmospheres.....

Last Saturday I had a loop jam with a drumming friend of mine (who's on the
list, but still in "lurk" mode; Hi Porp!) and throughout the whole thing,
many hours, he had a cable feed from the space shuttle cam going on a video
monitor. It went perfectly with the music!

>    Anybody else out there enjoy looping "found-sounds"?  I heard a drone on
>a passing bicycle today that sounded loop-worthy.

Check out <http://www.mp3.com/sourceproduct> and ask for Matt. Several list
members are on that project.

Tim

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To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: >>>> Line6 DL4 Group Buy Final Details <<<<
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This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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hey y'all,
 
 
gotta say. all of this snipping and bickering about whether or not to do a
group deal (not the actual attempt to do one, by the way) and whether or not
the price is really worth it, etc., makes me yearn for politics or
time/space or even guitar string threads.
 
if people wanna try a group buy can't we just let 'em do it and not
editorialize about it?? i dig the enthusiasm for copping the new stuff.
 
what a laugh, me attempting to be "a voice of reason" . . . :-)
 
 
stig
 
 


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=windows-1252">
<TITLE>Re: >>>> Line6 DL4 Group Buy Final Details <<<<</TITLE>

<META content="MSHTML 5.00.2314.1000" name=GENERATOR></HEAD>
<BODY>
<BLOCKQUOTE>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN class=869180500-03121999>hey 
  y'all,</SPAN></FONT></DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999>gotta say. all of this snipping and bickering about 
  whether or not to do a group deal (not the actual attempt to do one, by the 
  way) and whether or not the price is really worth it, etc.,&nbsp;makes me 
  yearn for politics or time/space or even guitar string 
  threads.</SPAN></FONT></DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN class=869180500-03121999>if 
  people wanna try a group buy can't we just let 'em do it and not editorialize 
  about it?? i dig the enthusiasm for copping the new stuff.</SPAN></FONT></DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN class=869180500-03121999>what 
  a laugh, me attempting to be "a voice of reason" . . . :-)</SPAN></FONT></DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999>stig</SPAN></FONT></DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT color=#0000ff face=Arial size=2><SPAN 
  class=869180500-03121999></SPAN></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------_=_NextPart_001_01BF3D21.F0DD314A--

From Loopers-Delight-request@annihilist.com  Thu Dec  2 19:32:41 1999
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Subject: Re: Slightly on topic/synth modules with looping?
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i've got the 1010 and it's a LOT of bang for the buck. mine came with
the emagic sounddiver software for editing patches, too - nice bonus.

the sounds are really good (makes the korg stuff sound pretty bland
imo), and you can screw around with more parameters than you'll have
time in your life for. either that, or your spouse will leave ya.

i haven't got an expansion board (yet), i'm still exploring all the
possiblities already there with the basic module.

ahhh, "looping"? you just put that in the title to get this on the list,
eh?

anyway, at that price, you can't go wrong - git it!

bye-ya,
rob

Ed and Jennifer Drake schrieb:
> 
> 
> Hello loopfolk,
>         I'm in the market for an inexpensive but decent synth/drum module
> to use with my sequencer and incorporate into my looping and I thought I
> would check and see if anyone knows anything about the Roland JV-1010 which
> is available for a little over $400. It has 64 voice polyphony and lots of
> drum and synth sounds and has room for one expansion board. If you know of
> any other modules that are inexpensive but good (bang for the buck is
> important!) that would be cool too. If this is too off topic please reply
> privately.
> Thanks in advance!
> Ed


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Subject: Re: Some samples of Vortex sounds...
References: <Pine.LNX.3.96.991202074736.19810D-100000@waste.org>
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ahhh, gimme a bit of that paranoid music mucho maas ... brought to you
live on KCUF!

REPORT ALL OBSCENE MAIL TO YOUR POTSMASTER!

i got a kick out of your sounds ... the url spoke "crying lots" to me 
;-)

a-and let's keep this away from the trystero

you know what i'm raving about,
rob

slothrop!

Todd Madson schrieb:
> 
> 
> 
> Geez, if I'd known....
> 
> There are lots of MP3 files I've made and they're on the net for
> download.
> 
> You can first of all check out:
> http://www.waste.org/~crash/asb.html
> -and-
> http://www.waste.org/~crash/loopage.html
> -and-
> http://webriffs.dhs.org/
> -and-
> http://www.waste.org/~crash/crash.html
> 
> The ASB site has, naturally, ASB music on it.
> Many of the sounds in the track "aliensporebomb" are vortexed to death..
> There's 6 stereo pairs of electric guitars playing in harmony and all are
> processed thru the vortex.  Then, the drum machine has drums and bass
> playing, but is also the source of the "synthesizer" in the background.
> 
> The synth pad is created by taking the other two bass guitar samples
> in the drum computer and tuning them up one and two octaves respectively
> and mapping key notes to the drum pads.  Then I "play" the pads for each
> rhythmic pattern.
> 
> I then take a line out from the drum machine and into the vortex running
> a custom patch I created.  The tap tempo was used to further give the
> illusion that you're hearing a big keyboard synth thru a swirling leslie
> like patch.
> 
> The drum machine allows you to send specific signals through any of its
> six outputs (stereo left, stereo right, then 1 2 3 and 4).  This allows
> processing of specific signals while leaving others unprocessed.  A very
> nice feature.
> 
> So essentially, you're hearing 1 guitar and 1 drum machine.  But due to
> the multiple outputs of the drum computer you can do a heck of a lot, and
> the Vortex has much mutational power.
> 
> Let's see, the stuff at webriffs....lots of that is vortexed to death
> too... Late nite has a clean guitar thru a choir patch with the tuned-up
> bass samples from the drum computer into the vortex using another custom
> patch.  There is no bass guitar or synth on this tune, just one guitar
> and one drum machine, the drum machine is playing internal samples to
> create the bass and "synth" parts (which are tuned up basses).  The
> higher pitched "synth" stuff is a fingerpicked bass up two octaves, the
> lower pitched (sounds a bit like rubato electric piano thru chorus and
> delay) is an acco contrabass sample up an octave or so.
> 
> "Dance of Life Part 2", guitar and Kawai K4 synth processed thru the
> vortex there.  The lead guitar is conventional until the fake B3
> (processed thru orbits) drops out and then you've got a guitar thru
> a mesa boogie studio preamp thru a mxr blue box thru a boss oc-2
> octave box into the vortex (on that dynaflanger patch, aerosol I
> think) direct to the board.  The drum programming is actually the
> drum machine into the vortex using a tap tempo delay to create some
> complex counter rhythms..
> 
> I could go on...am I crazy enough for you yet?
> 
> The looppage stuff at my site...the flanging on "unravelling" (short
> version) is vortex I believe, just 1 guitar and nothing else...
> 
> Oh....and the Vortex can rock too.  Check out my crash page to hear
> "The Velocity of Naught", crunching chunks of heavy metal madness...
> the song that could not be killed.  Nothing special in terms of weird
> panning but it sounds allright.
> 
> -t


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Date: Thu, 02 Dec 1999 18:13:30 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Thoughts on the Line6 DL4 
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Hi, all...

I just got done messing around with the DL-4 at the local store. While I'm
definitely impressed with the massive features and the great sound
quality--I want to inform some loopers about some weird things (especially
you Boomerang users). The DL-4 has no function for muting your live signal
like the THRU switch on the 'Rang. Even with the DL-4's useful mixing
controls, it will always spit out your live signal along with the loops.
For a two-amp setup (like I have), one might want to be able to defeat that
live signal in order to have that second looping amp coughing out only the
loops. For someone using only one amp for everything (which is exactly who
this pedal was made for, I would assume), there should be no problems.

Other functions of the looper mirror those of the 'Rang--with some
differences. You can switch to half-speed mode as you play (which is nice),
but getting into reverse mode while playing requires a double-click of the
half-speed button, which cycles you through the half-speed mode briefly.
This takes some getting used to, and is a little annoying. Also, loops
begin immediately--whether you hit RECORD/PLAY a second time or hit
PLAY/STOP to end the looping. There's no way (at least from what I can tell
from my exposure to the unit) to grab something on the fly and start the
loop later.

Anyway, these were some things that I thought were important while trying
it out. I spent about 45 minutes with it. I didn't even beging to fool
around with all the delay models! The 800 millisec. delay before the looper
is a fine, fine feature--and the expression pedal control is a great touch,
too. I think it's a fantastic pedal! I believe that it would really be more
beneficial to some users if it had some of the aforementioned extras.
Anyone else have any takes on this?

Sincerely,
Jeff McLeod
Montgomery, AL

__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

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Subject: Re: Thoughts on the Line6 DL4
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>>> Jeff & Vonda McLeod <subversive@mindspring.com> 12/02 4:33 PM >>>
> The DL-4 has no function for muting your live signal like the THRU
switch on the 'Rang. Even with the DL-4's useful mixing controls, it
will always spit out your live signal along with the loops.
For a two-amp setup (like I have), one might want to be able to
defeat that live signal in order to have that second looping amp
coughing out only the loops. For someone using only one amp for
everything (which is exactly who this pedal was made for, I would
assume), there should be no problems.

This bodes poorly for those of us who would like to put it on a mixer
aux send as well... Hmmm?! Typically you want only 100% wet stuff
coming back at you or you start getting into phase and doubling
problems.

> Other functions of the looper mirror those of the 'Rang--with some
differences. You can switch to half-speed mode as you play (which is
nice), but getting into reverse mode while playing requires a
double-click of the half-speed button, which cycles you through the
half-speed mode briefly. This takes some getting used to, and is a
little annoying. 

I've been thinking it would be nicer to have the reverse as a single
tap anyway. But I guess you gets what you pays for... Maybe this is
going to be my small rig box for running out the door with my GT-5. 

> Also, loops begin immediately--whether you hit RECORD/PLAY a second
time or hit PLAY/STOP to end the looping. There's no way (at least
from what I can tell from my exposure to the unit) to grab something
on the fly and start the loop later.

What about a quick double stomp on PLAY/STOP? Will that shut it off
quickly?

Thanks for the heads up Jeff!
-m

From Loopers-Delight-request@annihilist.com  Thu Dec  2 21:00:03 1999
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From: SoundFNR@aol.com
Message-ID: <0.842d7da2.25787ce9@aol.com>
Date: Thu, 2 Dec 1999 20:54:49 EST
Subject: Re: Vortex vs. MPX-100
To: Loopers-Delight@annihilist.com
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> One thing that spurred my interest in the MPX-100:  the SPDIF out.  For
>  those of us using a PC or Mac to record with sound cards such as the
>  SBLive -- which does have a SPDIF in -- could we use the MPX as a higher
>  quality AD converter that resides outside of the digitally noisy PC
>  environment?  For $250, a nice effects box plus AD converter is a pretty
>  good deal.  Would it work?

Yes, it works fine. You can even send a dry signal to SPDIF while hearing the 
the reverb on analogue OP. If your software can cope you get 20 bit.
(and the 44.1kHz sample rate is the best if your going CD)

 >I want to be able to
 > get some really freaked-out guitar tones
then you'd like the Vortex
 
> MPX-100 -
>   How flexible is this unit in its effects settings and
 > the routing of multiple effects? 
not very tweakable

> How good are the
 > delays for loop purposes?  Would I be able to, say,
 > set a short infinite delay (1-3 sec) to swirl
 > atmospherically behind a longer Headrush loop? 
there's a 2.5s looper,
there's a 5s delay (no feedback, so need a mixer for loops)

> Can  the Vortex's ability to set interesting polyrhythmic
>  echoes be duplicated? 
No, but there's some nice rhythmic echoes

> Could the unit be configured to
>  act as two independent mono processors for pre- AND post-loop 
>  messing-about?
yes, but limited, it has a number of dual mono settings 
 

Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

From Loopers-Delight-request@annihilist.com  Thu Dec  2 21:40:17 1999
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From: Echopark99@aol.com
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Date: Thu, 2 Dec 1999 21:32:54 EST
Subject: Re: Line6 DL4 price
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My kind dude at West L.A. Music let me out with their last one for $229, 
despite a slew of people waiting for more of them...

eric p
echo park

From Loopers-Delight-request@annihilist.com  Thu Dec  2 21:51:31 1999
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Message-ID: <00e001bf3d39$64db7f40$1d5bdfc8@doutor>
From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: <Loopers-Delight@annihilist.com>
References: <19991202165109.38484.qmail@hotmail.com>
Subject: Re: safe journey
Date: Fri, 3 Dec 1999 00:52:07 -0200
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Are you speaking about the film Latcho Drom? (LD it's safe journey in the
gipsy language romani.... sorry if it's not your topic. I been finding these
film for years here ( in the internet it's 70 u$s ) Thanks in advance.
julio
----- Original Message -----
From: David Potter <papadave55@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, December 02, 1999 2:51 PM
Subject: Re: safe journey


> I've checked several stores here in Santa Cruz for Safe Journey.  None
have
> it.  Do you have an exact address to order it?  :)
>
>
> >From: klowy <klowy@wrinklemuzik.com>
> >Reply-To: Loopers-Delight@annihilist.com
> >To: <Loopers-Delight@annihilist.com>, <Kriswv1@aol.com>
> >Subject: safe journey
> >Date: Thu, 02 Dec 1999 10:01:48 -0500
> >
> >any of the major on line stores should have it (amazon, CD NOW, etc). you
> >should also check out steve's first LP (on CD) called "yr". this is an
> >amazing record as well. when it was reviewed (by me, actually) in the
> >rolling stone record guide, we gave it 5 stars!
> >
> >klowy
> >
> >
> > >where can you get "safe journey" and how much is it???
> >
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>

From Loopers-Delight-request@annihilist.com  Thu Dec  2 22:14:47 1999
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From: Nemoguitt@aol.com
Message-ID: <0.5f23f931.25788e5b@aol.com>
Date: Thu, 2 Dec 1999 22:09:15 EST
Subject: Re: Tibbets in a Nutshell
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todd.......thanks for the great review........now i got to buy 
tibbets........yipes..........:).......michael

From Loopers-Delight-request@annihilist.com  Thu Dec  2 22:05:25 1999
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Date: Thu, 2 Dec 1999 22:57:18 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Delete Loop
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Wow....so many messages....so little time.....

delete ... delete... delete

my damn ccomputer keyboard is in loop mode...

Patrick
                     Fingerpaint's New Release:

                            IN THE LOOP

      ... an intelligent, stimulating mixture of mimimaist spacebeats and
           obscure samples layered upon a hypnotic illbient backdrop.

                       DIGITAL ARTIFACT # 12

                      http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Thu Dec  2 22:32:11 1999
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Date: Thu, 02 Dec 1999 22:35:29 -0800
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From: "Scott A. Martin" <scott@morriganrecords.com>
Subject: Re: Vortex vs. MPX-100
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Thanks to everybody who responded to this post so far.  Dave, could you
elaborate on the looping properties of the MPX-100?  I'm assuming that it's
an "infinite hold" delay line (with tap-tempo) rather than a sample-type
looper.  Can the feedback be controlled on the fly?  Is there an expression
pedal input, and can it be assigned to different parameters?

Andre - it'd be difficult to read all this stuff on the Vortex and not
figure out that it's out of production. =)  There seems, however, to be a
fairly steady traffic in used units, judging from recent listings on eBay
and the Harmony Central classifieds.

Thanks again, y'all!


Scott Martin
Morrigan Records
scott@morriganrecords.com
http://www.morriganrecords.com



From Loopers-Delight-request@annihilist.com  Thu Dec  2 23:00:52 1999
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From: "viridian" <viridian@ocean.com.au>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Drum Machines
Date: Tue, 2 Nov 1999 15:58:46 +1100
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This is a multi-part message in MIME format.

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The best drum boxes have to be the TR 909 and 808. They pump best =
through any amount of analog filter / distortion pedal.

------=_NextPart_000_021E_01BF254B.25326DA0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3511.1300"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"" size=3D3>The best drum boxes have to be the TR 909 =
and 808.=20
They pump best through any amount of analog filter / distortion=20
pedal.</FONT></DIV></BODY></HTML>

------=_NextPart_000_021E_01BF254B.25326DA0--

From Loopers-Delight-request@annihilist.com  Fri Dec  3 00:07:11 1999
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Date: Fri, 03 Dec 1999 12:02:14 -0400
Subject: Re: Vortex vs. MPX-100vs Quad 2
From: "Christopher White" <magicicada@mindspring.com>
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i still use my quadraverb 2 for looping and i am happy i feed it into my MPX
1 which is cool but expensive..the quad however is cheap!
love and kisses
c.white
----------
>From: David Myers <dmgraph@pulsewidth.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: Vortex vs. MPX-100
>Date: Fri, Dec 3, 1999, 12:56 AM
>

>>Thanks to everybody who responded to this post so far.  Dave, could you
>>elaborate on the looping properties of the MPX-100?  I'm assuming that it's
>>an "infinite hold" delay line (with tap-tempo) rather than a sample-type
>>looper.
>
>I was distinctly unimpressed by the long delay on the MPX-100.  The 5-sec
>patch has no feedback at all, and to try long-delay type looping I had to
>feed the unit back into itself via a mixer, a poor solution.  Someone
>correct me if I'm mistaken; I didn't own it for long.  Real nice piece for
>the price, though--maybe even an essential for the small studio.  IMO, you
>gotta have Lex reverb.
>
>I was searching for a good "front end" solution--as input to loops--and,
>having had a Boss ME-8 which I liked but wanted a tabletop or rack piece
>rather than break my back with a floor unit, was considering a used GX-700.
>Still haven't dug into it yet, but the Boss VF-1 is a great overall
>effector while being very nice for all-in-one guitar effecting as well.
>I'm not big on stuff like "cabinet simulation", and the preamp stages kick
>up too much noise for me, but comments from "real" guitar players I've seen
>have been very positive.  Now, a VF-1 at $360 or used Vortex plus MPX-100
>for maybe $400?  Different beasts, but the latter is sweet.  Really, I
>think all three would be spectacular.  Then you gotta loop, though....
>
>Things are pretty good.  You could get all three items mentioned plus a
>Headrush and DL4--and throw in a couple of Zoom 2100's and Mackie 1202--for
>less than the price of a PCM80!  Of course you could get a used car for
>that too, but I'm happy walking....
>
>David Myers
>
>

From Loopers-Delight-request@annihilist.com  Thu Dec  2 23:58:39 1999
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To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: Vortex vs. MPX-100
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>Thanks to everybody who responded to this post so far.  Dave, could you
>elaborate on the looping properties of the MPX-100?  I'm assuming that it's
>an "infinite hold" delay line (with tap-tempo) rather than a sample-type
>looper.

I was distinctly unimpressed by the long delay on the MPX-100.  The 5-sec
patch has no feedback at all, and to try long-delay type looping I had to
feed the unit back into itself via a mixer, a poor solution.  Someone
correct me if I'm mistaken; I didn't own it for long.  Real nice piece for
the price, though--maybe even an essential for the small studio.  IMO, you
gotta have Lex reverb.

I was searching for a good "front end" solution--as input to loops--and,
having had a Boss ME-8 which I liked but wanted a tabletop or rack piece
rather than break my back with a floor unit, was considering a used GX-700.
Still haven't dug into it yet, but the Boss VF-1 is a great overall
effector while being very nice for all-in-one guitar effecting as well.
I'm not big on stuff like "cabinet simulation", and the preamp stages kick
up too much noise for me, but comments from "real" guitar players I've seen
have been very positive.  Now, a VF-1 at $360 or used Vortex plus MPX-100
for maybe $400?  Different beasts, but the latter is sweet.  Really, I
think all three would be spectacular.  Then you gotta loop, though....

Things are pretty good.  You could get all three items mentioned plus a
Headrush and DL4--and throw in a couple of Zoom 2100's and Mackie 1202--for
less than the price of a PCM80!  Of course you could get a used car for
that too, but I'm happy walking....

David Myers


From Loopers-Delight-request@annihilist.com  Fri Dec  3 00:16:13 1999
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Hi

    The fact is 8th St. behaves like most other businesses with a little
more leeway.  If you are a regular customer, they will take very good
care of you.   Big job or little it makes no difference.as long as you
are buying something from time to time.  They act distracted and aloof
because they are busy and they are very grateful when you are patient.
Pick somebody you like there and deal with them.  I have found that they
are loyal and helpful and will help you with anything you bring them
even with things that they don't deal in.   Even if you are not a
regular their prices are usually $20 or more lower than most advertised
street prices.

    Not affiliated in any way the 8th St Music.

Fiveman




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ahh it is just sound no damage will be done! unless you want it to damage.
----------
>From: "sock s" <sop@n2mail.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: ...  Mixer Feedbackking
>Date: Fri, Dec 3, 1999, 12:58 AM
>

>about mixer feedbacking..
>
>Im wondering what it sounds like , and if it could be damaging to the mixer at all,
>or make it permanently more noisy somehow.
>Id like more info on how its done -  is anyone doing it with regular (not 
>specially-made) ?
>Id like to hear sound samples if any are available anywhere.
>
>
>I have a Yamaha "Recording Mixer" model RM602 
>that seems like it might work well for this feedback purpose.
>
>some specs:
>6 channels , 6 main ins, 4 tape outs , 4 tape ins / 2 phono ins  (all 
>channels switchable from main ins to tape/phono ins) , efx send , sterio 
>efx return , aux in , sterio insert, ,  two sets of sterio main outs , 
>separate pannable monitor mixer for each channel , and sterio monitor out(s)   
>..so maybe recording mixers are good for looking into for this purpose.. 
>
>
>
>What are you N2?  Choose from 150 free e-mail addresses.
>http://www.n2mail.com
>

From Loopers-Delight-request@annihilist.com  Fri Dec  3 00:07:23 1999
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about mixer feedbacking..

Im wondering what it sounds like , and if it could be damaging to the mixer at all,
or make it permanently more noisy somehow.
Id like more info on how its done -  is anyone doing it with regular (not specially-made) ?
Id like to hear sound samples if any are available anywhere.


I have a Yamaha "Recording Mixer" model RM602 
that seems like it might work well for this feedback purpose.

some specs:
6 channels , 6 main ins, 4 tape outs , 4 tape ins / 2 phono ins  (all channels switchable from main ins to tape/phono ins) , efx send , sterio efx return , aux in , sterio insert, ,  two sets of sterio main outs , separate pannable monitor mixer for each channel , and sterio monitor out(s)   
..so maybe recording mixers are good for looking into for this purpose.. 



What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Fri Dec  3 01:37:12 1999
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From: CrysCard@aol.com
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Date: Fri, 3 Dec 1999 01:22:29 EST
Subject: Re: EH-reissues
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+            *      <O>   +               *           +         ======+       
    *            +
The  EH MicroSynth is very cooool.....I played the old one in Chicago a few 
years ago...of-course they wanted $400 for it when there was no bottom to 
it--but was cool!
One of the sliders sounds like a cat grooowwl-----------very cool... but I 
unfortunately have have not had the chance to play the new one or the bass 
one......
   *                +                 *                  +                    
               *           
(((((((((((((((((((((((((((((((((((((((((((Crystalized))))))))))))))))))))))))
))))))))))))))))))))))))))))))))))))) 

From Loopers-Delight-request@annihilist.com  Fri Dec  3 01:34:20 1999
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Date: Fri, 3 Dec 1999 01:28:46 EST
Subject: Re: perhaps someone are using Atari Falcon here?
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+                  *                         +                
::::::::::::::::+               *               *
I like my ATARI too...but I like Defender the best.....hee hee   

((((((((((((((((((((((((((((((((((((((((((((((((Crystalized)))))))))))))))))))
)))))))))))))))))))))))))))))))))))))

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Subject: Re: OT: begin of millenium.
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+               *   +              +                             *            
+                         *
I like your ideas..........   ok save the guitar and bass  hee hee

((((((((((((((((((((((((((((((((((((((((((((Crystalized)))))))))))))))))))))))
))))))))))))))))))))))))))))))))))))
           +                         *                            +           
        *

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Subject: Re: begin of millenium
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+     *        <O>         +   *             +                                
    *                     +
I like math geeks.......................................

((((((((((((((((((((((((((((((((((((((((((((((((((((((((Crystalized)))))))))))
))))))))))))))))))))))))))))))))))

From Loopers-Delight-request@annihilist.com  Fri Dec  3 02:11:59 1999
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Date: Fri, 3 Dec 1999 01:35:32 EST
Subject: Re: re>group buy - read this one!!!!!!!
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::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::::::::::
Hey Scott,
Which GC do you work at? and what department?? I used to work for the one in 
Chicago-in drums and accessories (of course always playing over in keyboards 
too).  
All of my guys have been terminated from there...can I count on you for good 
deals????? (Just remember I know the system and cost--hee hee)   
(((((((((((((((((((((((((((((((((((((((((((((((Crystal))))))))))))))))))))))))
))))))))))))))))))))))))))))))))))))))))  

From Loopers-Delight-request@annihilist.com  Fri Dec  3 02:11:36 1999
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From: JohnFlem@aol.com
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Date: Fri, 3 Dec 1999 02:00:36 EST
Subject: Re: Slightly on topic/synth modules with looping?
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I am currently using the Korg Electribe, Drum Box and Synth Box 
(unfortunately run $399 each) but they are Analog Modeling, and sound nice 
and trashy.  I play for hours at a time synced up to my loopers...WWEEEEEEEE. 
 The Roland "Groove" series stuff is really cool, I just wanted the realtime 
analog controls (I love knobs).
John Painter

In a message dated 12/2/99 10:55:43 AM, ejmd@erols.com writes:

<< Hello loopfolk,
    I'm in the market for an inexpensive but decent synth/drum module
to use with my sequencer and incorporate into my looping and I thought I
would check and see if anyone knows anything about the Roland JV-1010 which
is available for a little over $400. >>

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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Line6 DL4 group buy - Putting it together.
Date: Thu, 2 Dec 1999 22:55:36 -0800
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If this thing happens within the next week, you can count me in.  If beyond
that, I'm sorry, but I'm itching to get this DL-4 myself.

  | -----Original Message-----
  | From: Legion [mailto:legion@voicenet.com]
  | Subject: Line6 DL4 group buy - Putting it together.

  | HOWEVER, I asked about a group buy and they said they will gladly do
  | something for us. I am going to go in talk to them this afternoon (and
  | try out a pedal :)). 8th st is a licensed dealer of Line6 and ships

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Date: Fri, 03 Dec 1999 01:44:34 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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thank you jeff. great review.

jimmy george

Jeff & Vonda McLeod wrote:

> Hi, all...
>
> I just got done messing around with the DL-4 at the local store. While I'm
> definitely impressed with the massive features and the great sound
> quality--I want to inform some loopers about some weird things (especially
> you Boomerang users). The DL-4 has no function for muting your live signal
> like the THRU switch on the 'Rang. Even with the DL-4's useful mixing
> controls, it will always spit out your live signal along with the loops.
> For a two-amp setup (like I have), one might want to be able to defeat that
> live signal in order to have that second looping amp coughing out only the
> loops. For someone using only one amp for everything (which is exactly who
> this pedal was made for, I would assume), there should be no problems.
>
> Other functions of the looper mirror those of the 'Rang--with some
> differences. You can switch to half-speed mode as you play (which is nice),
> but getting into reverse mode while playing requires a double-click of the
> half-speed button, which cycles you through the half-speed mode briefly.
> This takes some getting used to, and is a little annoying. Also, loops
> begin immediately--whether you hit RECORD/PLAY a second time or hit
> PLAY/STOP to end the looping. There's no way (at least from what I can tell
> from my exposure to the unit) to grab something on the fly and start the
> loop later.
>
> Anyway, these were some things that I thought were important while trying
> it out. I spent about 45 minutes with it. I didn't even beging to fool
> around with all the delay models! The 800 millisec. delay before the looper
> is a fine, fine feature--and the expression pedal control is a great touch,
> too. I think it's a fantastic pedal! I believe that it would really be more
> beneficial to some users if it had some of the aforementioned extras.
> Anyone else have any takes on this?
>
> Sincerely,
> Jeff McLeod
> Montgomery, AL
>
> __________________________________________
> This is not here--
> And now is almost over...
> http://members.xoom.com/Gezoleen/
> http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Fri Dec  3 04:20:13 1999
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Date: Fri, 3 Dec 1999 00:49:47 -0800 (PST)
From: Jeffery Hildebrand <jshildebrand@ucdavis.edu>
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Subject: question about synths
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	i'm getting ready to buy one, maybe two keybaords. i am so far in
favor of the triton, although the novelty has worn off about now, and i'm
also thinking about the yamaha S80 and EX5 or EX5R. i am truly impressed
with the acoustic modeling technology of the EX5, but that's really all
i'd want out of it. i also want a great piano action keyboard, and i don't
know if the S80 is for me because it doesn't have hammer action keys. what
are the most realistic piano-like boards out there? and if you have a
triton, is any of the expansion really necessary?

			thanks,
						scott

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Message-ID: <009801bf3dad$db6c2f00$caf44cc1@bruce>
From: "Bruce Comens" <bcomens@corelli.nexus.it>
To: <Loopers-Delight@annihilist.com>
References: <199912011649.LAA15191@home.HoundsOfHeaven.com> <000401bf3d16$14850520$f3f831d4@demon.co.uk>
Subject: R: Drum machines--other neophyte questions
Date: Fri, 3 Dec 1999 11:45:06 -0500
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> * Touch Sensitive Pads

Does this mean you can control volume by how hard you tap them?   And does
that
mean you can actually "play" the DR 660 (I've been thinking of the 770,
actually) in real (hah!) time?

I'd like to get a unit that allows both  programming and playing, preferably
with Indian/middle eastern sounds, but I thought you had to get something
like the Roland spd20 or Zendrum for that....

But I don't think you can program the spd20 like the Boss series??

Thanks,
Bruce Comens





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----- Original Message -----
From: David Potter <papadave55@hotmail.com>
To: <loopers-delight@annihilist.com>
Sent: Tuesday, November 30, 1999 2:32 PM
Subject: Space Echo RE 201 and "the Fantastic" Echoplex echo chamber


> These two items have been idle in my studio for some time.  I'm wondering
if
> there are replacement tape cartriges that could be found anywhere for
either
> or both of these dinosaurs.  They both work but need to be rigged with new
> tape.  Is there a museum?Any help would be appreciated.  Om and Out, Papa
> Dave
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>
> howdy  Dave.  I'm possitive roland still make the tapes. I dont need any
right now cause
> I still have 18 of the barstards.  Just  hunt them down . Every roland
distributer=get on their
> backs. I wish they'd make the machines again. the barstards. It shoud be
easier
> were ever you are,  cause I'm in Australia, you know, down under(ARSE END)
> and there's nothing here.  We just get the left over shit.   good luck!
cam.

From Loopers-Delight-request@annihilist.com  Fri Dec  3 06:27:34 1999
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Date: Fri, 03 Dec 1999 12:20:44 -0800
From: Claude Voit <c.voit@vtx.ch>
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Subject: Re: what I think is a cool idea for the EDP (unfortunately, I will 
 probably never own one)
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M T wrote:
> 
> Here's an idea for the edp rev. software:
> 
> If the edp could support loading digital audio loops via midi (probably not
> possible, I think) 

You can do it by midi sample dump but its soo slow 
http://www.annihilist.com/loop/tools/echoplex/FAQ2.html#dump

>or via another port, someone else could write a program to
> store audio loops in banks of 9 (not to exceed 198 seconds).  Then you could
> load the edp with a particular bank of samples in the memory you weren't going
> to use to loop. Or you could download loops you particularly liked into the
> bank software for later use.  It would make the edp twice as cool (the
> hard-core loopers might disagree).

This is a new generation of hardware 

every thing from there is possible....



> Of course, I'd be happy if I could get my hands on the old one.
> 
> MT
> 
Every body here thinks you'll get one

Claude

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the jv1010 is of course a different beast entirely from the korg
electribe stuff. when i said that the korg stuff pales in comparison
with the roland, i meant the korg n5xr and x5dr boxes. 

as john mentioned, the great thing about the electribes/ groove machines
is the real-time control waiting right there under your fingers. the
jv1010 is less freaky but offers a much wider palette of sounds.

fwiw,
rob

JohnFlem@aol.com schrieb:
> 
> 
> I am currently using the Korg Electribe, Drum Box and Synth Box
> (unfortunately run $399 each) but they are Analog Modeling, and sound nice
> and trashy.  I play for hours at a time synced up to my loopers...WWEEEEEEEE.
>  The Roland "Groove" series stuff is really cool, I just wanted the realtime
> analog controls (I love knobs).
> John Painter
> 
> In a message dated 12/2/99 10:55:43 AM, ejmd@erols.com writes:
> 
> << Hello loopfolk,
>     I'm in the market for an inexpensive but decent synth/drum module
> to use with my sequencer and incorporate into my looping and I thought I
> would check and see if anyone knows anything about the Roland JV-1010 which
> is available for a little over $400. >>


From Loopers-Delight-request@annihilist.com  Fri Dec  3 07:03:11 1999
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if you've only got one fx send, it'll be a bit difficult to do anything
very interesting ... but you can also route the monitor and tape outs
back into the mixer.

ALSO: the sound of the mixer alone feedbacking into itself is probably
going to get real boring real quick. 

AND you'll need some external fx!
examples: delays with hold, pitchshifters, modulation (flangers,
phasers), distortion, vocoders, autopanners ... you name it.

the idea is to put these into the feedback loops:
i.e. aux-send/mon-out/tape-out --> fx --> channel strip

you'll have to play around ... have fun!

rob

sock s schrieb:
> 
> 
> about mixer feedbacking..
> 
> Im wondering what it sounds like , and if it could be damaging to the mixer at all,
> or make it permanently more noisy somehow.
> Id like more info on how its done -  is anyone doing it with regular (not specially-made) ?
> Id like to hear sound samples if any are available anywhere.
> 
> I have a Yamaha "Recording Mixer" model RM602
> that seems like it might work well for this feedback purpose.
> 
> some specs:
> 6 channels , 6 main ins, 4 tape outs , 4 tape ins / 2 phono ins  (all channels switchable from main ins to tape/phono ins) , efx send , sterio efx return , aux in , sterio insert, ,  two sets of sterio main outs , separate pannable monitor mixer for each channel , and sterio monitor out(s)
> ..so maybe recording mixers are good for looking into for this purpose..
> 
> What are you N2?  Choose from 150 free e-mail addresses.
> http://www.n2mail.com


From Loopers-Delight-request@annihilist.com  Fri Dec  3 07:03:21 1999
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i dig these vintage boxes too but i'm not interested in paying vintage
prices for them ... 
next bets: rebirth for your computer or samples for your sampler

if anyone's interested, i've got akai samples (mpc2000) for umpteen
vintage drum machines - some of these are so bizarre, that i have a hard
time imagining there being accepted back in the dark ages, uhh i mean
70's.

later,
rob

> viridian schrieb:
> 
> The best drum boxes have to be the TR 909 and 808. They pump best
> through any amount of analog filter / distortion pedal.


From Loopers-Delight-request@annihilist.com  Fri Dec  3 08:05:26 1999
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From: Todd Madson <crash@waste.org>
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Subject: DL-4 is $249 at Guitar Center
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All:

I got a guitar center mailing that indicates the DL-4 is $249 @ Guitar
Center.  A group buy in the $200-220 range makes sense.  And if you can
get it for $185, so much the better.



From Loopers-Delight-request@annihilist.com  Fri Dec  3 08:52:09 1999
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From: Kriswv1@aol.com
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Date: Fri, 3 Dec 1999 08:45:11 EST
Subject: breakbeat/jazz project on cd
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volumes 1 and 2 $10 each plus shipping.  

From Loopers-Delight-request@annihilist.com  Fri Dec  3 09:06:05 1999
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From: Todd Madson <crash@waste.org>
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whoa...

 rt cummings said:

>  ahhh, gimme a bit of that paranoid music mucho maas ... brought to you
>  live on KCUF!

Uh yeah.

>  REPORT ALL OBSCENE MAIL TO YOUR POTSMASTER!

Thanks, I think.

> i got a kick out of your sounds ... the url spoke "crying lots" to me
> ;-)

Love the dolphins, she said.  Write by waste.

>  a-and let's keep this away from the trystero

To quote Mike Keneally: "Potato."

 you know what i'm raving about,

"All too well."

> rob

> slothrop!

You're gonna seriously confuse some people!
-Todd


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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Thoughts on the Line6 DL4 
Date: Fri, 3 Dec 1999 09:27:35 -0500 
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Hi,

	That's a really good post. I was wondering about details of dl-4. 

Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: Jeff & Vonda McLeod [mailto:subversive@mindspring.com]
Sent: Thursday, December 02, 1999 7:14 PM
To: Loopers-Delight@annihilist.com
Subject: Thoughts on the Line6 DL4 


From Loopers-Delight-request@annihilist.com  Fri Dec  3 09:37:29 1999
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From: Jprice01@aol.com
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Date: Fri, 3 Dec 1999 09:17:26 EST
Subject: Re: DL4 Buy - the TRUTH ???
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the truth is never quite out there when you deal with negotiable pricing. 

do you actually believe "everything" that salespeople tell you all the time ? 
you will always get the truth that is convenient for them to give you :)

as mentioned numerous times before, the 8th street guys are local and 
definitely work with the locals who buy from them but they also know when the 
opportunity is there to get better margins - each and every deal is different 
there according to the opportunities presented to them. 

& im not tryin to be petty cause this...well it is getting & sounding pretty 
petty and very un-needful at this point. 

i'm just amazed. theres no angle in it for me other than the possibility of 
getting better price breaks in the future from 8thstreet. 

and you actually spent over an hour talking with them and analyzing & 
sympathizing with them over their so called mistake ? wow. that is a heck of 
a lota time to spend with salespeople shootin the breeze. 

to each their own unique way. & at this point it looks like there are some 
better priced alternatives than 8thstreet which is unusual cause 8thstreet 
ususally cuts mad crazy deals. 

but luck, timing and pursistence are never accidents. its all comprehensive & 
related.

JP

From Loopers-Delight-request@annihilist.com  Fri Dec  3 10:00:47 1999
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Date: Fri, 03 Dec 1999 09:53:17 -0500
Subject: Subject: Re: Tibbets in a Nutshell
From: klowy <klowy@wrinklemuzik.com>
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>Tibbets ain't shit without Marc Anderson.

you obviously don't know what you're talking about. in order to have an
informed opinion you have to have listened to his music. i have, and i'm
sure quite a few others on this list have as well (from the responses i've
seen). steve is an excellent guitarist who's done some really good work,
some it without mr anderrson (who i think is quite good as well).


klowy
nyc

From Loopers-Delight-request@annihilist.com  Fri Dec  3 10:28:15 1999
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From: KRosser414@aol.com
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Subject: Re: DL-4
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In a message dated 12/2/99 9:30:59 PM Pacific Standard Time, 
Loopers-Delight-d-request@annihilist.com writes:

<< I think it's a fantastic pedal! I believe that it would really be more
 beneficial to some users if it had some of the aforementioned extras.
 Anyone else have any takes on this? >>

As you pointed out in an earlier part of your e-mail, this thing is 
definitely geared toward the guitar-to-stompbox-to-amp setup.  I don't use 
things like mixers, etc live so I can't speak for how they might work in that 
scenario.  And true, it does have certain limitations (doesn't everything, 
really, regardless of price....?).  I don't worry too much about what it 
doesn't do because what it does do it does so well.  I'm definitely still on 
my honeymoon with this thing...

I know that Line 6 has made upgrades available to Flextone owners (the 
modeling amp + effects - don't own one but have talked to folks who do about 
this), where for something like $75 they mail you the new chip and you 
install it yourself - maybe Line 6 was smart enough to lay out the DL-4 
workings so software upgrades somewhere down the line are possible with that 
as well?

Ken R


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Not that it's particularly on-topic or anything, but I believe in paying more
to buy at a local store, for the simple reason that it's very hard to test gear
at musician's friend. 

Anyway, to continue my off-topicness, does anyone know of good places to post
gear-for-sale in the NYC market. I have a rack/pedalboard unit that is taking
up way too much space in my apartment, and it's getting to the point that I'd
be happy to give it away to some kid in NY if I can't sell it. 

MT
__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Dec  3 09:58:41 1999
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From: SnarleyCo@aol.com
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Date: Fri, 3 Dec 1999 09:50:08 EST
Subject: Hello + Q; RE: Lex Jam Man info
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Hey list...new here

name = Carl Snow... Own 16 TR studio in Knoxville TN <Moss Hill REC>

Feel in love w/ loopin' many many many years ago when i first heard 
Eno/Fripp "No Pussyfooting" and "Evenining star" 
blah blah blah.........

NOW to the 64$ question....
been searching for a  L O N G  time for the manual for Lexicons Jam-Man ....
I sent the small black rack TO lexicon in order to add more RAM = seconds - 
delay/sample...
In the shipping and "repair?" instructions i indicated "hey a MANUAL would be 
nice"
___purchased sans Manual___

Help ....  please... The J-Man and i get along very well 
But our relashionship would improve w/ a .....you guessed it....Manual   !!!

Any suggestions......experiences....factiods  etc... would be very apreciated 

Thanks
Carl Snow
Moss Hill REC.

From Loopers-Delight-request@annihilist.com  Fri Dec  3 11:18:41 1999
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From: SnarleyCo@aol.com
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Date: Fri, 3 Dec 1999 11:12:02 EST
Subject: market forces
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In a message dated 12/3/99 10:57:59 AM Eastern Standard Time, 
ylpunk@yahoo.com writes:

<< 
 Not that it's particularly on-topic or anything, but I believe in paying more
 to buy at a local store, for the simple reason that it's very hard to test 
gear
 at musician's friend. 
  >>
I agree 100 %. I have been dealing with the same store for close to 25 years. 
A knowledge of the customer, his/her history likes/dis-likes etc...is 
irreplaceable.
in an age where customer service is at the bottom of the ladder. M-"friend" 
to me is "m-enemy"

Nothing better than having a demo in store of a product someone KNOWS you 
might like , servrd w/ coffee and the opportunity to "ahh take it home and 
mess w/ it a few days"
not to mention an "understood" IE: unspoken "agreement" that after a long 
cust/store relashionship there will be the token DISCOUNT.  :-)

"stores" like M-Friend (we have a dealership in knoxville) remind me of Best 
Buy:
Long on discount.....very very very short on KNOWLEDGE.

Carl Snow
Moss Hill REC>

From Loopers-Delight-request@annihilist.com  Fri Dec  3 11:18:50 1999
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Date: Fri, 03 Dec 1999 10:07:55 -0600
Subject: FS: JamMan $500 32 sec Harmony Central
From: Travis Hartnett <hartne.t@apple.com>
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Lexicon Jam Man

Asking Price: US$500
Condition: Excellent
Age: 35 years 
Description:

       x:no-archive-no
       Lexicon Jam Man w/32 sec upgrade for sale
       Works perfectly,with footswitch and the original box and manual. $500
firm 

Seller: Pete Dawson,
E-mail: sodacap@email.unc.edu (Profile)
Location: CHAPEL HILL, NC
Post Date: 12/2/99

From Loopers-Delight-request@annihilist.com  Fri Dec  3 10:55:06 1999
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Message-ID: <3847E699.9730AC6E@virtulink.com>
Date: Fri, 03 Dec 1999 10:49:45 -0500
From: David Beardsley <xouoxno@virtulink.com>
Organization: SSI
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KRosser414@aol.com wrote:

> I know that Line 6 has made upgrades available to Flextone owners (the
> modeling amp + effects - don't own one but have talked to folks who do about
> this), where for something like $75 they mail you the new chip and you
> install it yourself - maybe Line 6 was smart enough to lay out the DL-4
> workings so software upgrades somewhere down the line are possible with that
> as well?

Anybody with the know-how wanna open one of
these things up and look?


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@annihilist.com  Fri Dec  3 11:58:16 1999
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Subject: Re: Delete Loop
Date: Fri, 03 Dec 1999 08:51:46 PST
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many guys seem to be to post to see their name on the list rather than 
having anything significant to say...the same names keep showing up, over 
and over and over and over and over...I see some guys name and I know to 
delete with out even reading it...My delete button if faded...Would think 
before you type apply here? om and Out


>From: Patrick Smith <patrick@his.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Delete Loop
>Date: Thu, 2 Dec 1999 22:57:18 -0500
>
>Wow....so many messages....so little time.....
>
>delete ... delete... delete
>
>my damn ccomputer keyboard is in loop mode...
>
>Patrick
>                      Fingerpaint's New Release:
>
>                             IN THE LOOP
>
>       ... an intelligent, stimulating mixture of mimimaist spacebeats and
>            obscure samples layered upon a hypnotic illbient backdrop.
>
>                        DIGITAL ARTIFACT # 12
>
>                       http://www.fingerpaint.net
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Dec  3 11:49:56 1999
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Date: Fri, 03 Dec 1999 11:36:35 -0800
To: Loopers-Delight@annihilist.com
From: Thad Brown <thad.brown@yale.edu>
Subject: Re: market forces
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I buy pretty much all my CDs from one local store.  They treat me right, 
will order anything I ask, and I pay an extra buck or so per disc for that 
service.  However, having been lied to, insulted, and ripped off by every 
local music store in my home town, I buy most of my gear from Full Compass, 
where Michele consistently gives me fantastic and personalized service, 
honest answers, and very good prices.  I'm a capitalist, and my money goes 
to the person giving me the best combination of price and service.  I think 
it's silly to think that local music stores are somehow preferable simply 
because they are local.

TCB

At 07:50 AM 12/3/99 -0800, M T wrote:

>Not that it's particularly on-topic or anything, but I believe in paying more
>to buy at a local store, for the simple reason that it's very hard to test 
>gear
>at musician's friend.
>
>Anyway, to continue my off-topicness, does anyone know of good places to post
>gear-for-sale in the NYC market. I have a rack/pedalboard unit that is taking
>up way too much space in my apartment, and it's getting to the point that I'd
>be happy to give it away to some kid in NY if I can't sell it.
>
>MT
>__________________________________________________
>Do You Yahoo!?
>Thousands of Stores.  Millions of Products.  All in one place.
>Yahoo! Shopping: http://shopping.yahoo.com


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>>> <SnarleyCo@aol.com> 12/03 8:16 AM >>>
> Nothing better than having a demo in store of a product someone
KNOWS you might like , servrd w/ coffee and the opportunity to "ahh
take it home and mess w/ it a few days"...

I enjoy that relationship at a couple stores, but if the difference
is getting into the > $50 zone, I find it hard to bite the bullet and
pay the extra. I'm financially unable to. They can only match the
truly good deals as the exception. Even Guitar Center has refused to
match existing real prices on the Mackie SRM450 monitors...

But the real cruz of the problem locally-regionally for me is this.
Repair at "Authorized" service centers has amounted to them being
middle men who end up shipping it back to the manufacturer. I can
usually eliminate 2-6 days of them futzing about with it before they
send it to the manufacturer if I just call xyz and get a RA and ship
it myself.

> "stores" like M-Friend (we have a dealership in knoxville) remind
me of Best Buy: Long on discount.....very very very short on
KNOWLEDGE.

Sure some employees at the local shop might be experts about a
certain line or single favorite product... but I ask midi control
questions about a new box and usually get treated like I need to know
too much. I have rarely had them fire up the unit... and lead me to
params for source and destination. This is vital to the way I use real
time control and I've rarely gotten help on this. Meaning I've either
had to buy or download a manual to check it out. Now frequently
manuals never even list the parameters!? 

In all cases (for me so far) I've ended up buying the box or spending
a good amount of time at the store to discover these features. This
doesn't endear me to any of the stores I've attempted to pry the info
loose from. Usually they start asking me questions about "What are you
going to use it for?" and actually diverting me from my specific
detailed questions and being more general leaving me with NO INFO on
exactly that which makes it or breaks it for me. They also get
impatient and irritated with sifting through the details... It's just
easier to buy the cheapest one right off the bat and do the homework
myself. If it doesn't fit my needs I usually can get my money back out
of it.

Final impression is that I've been far more frustrated trying to deal
with ANY shops concerning important details about products. So for me
NOT having to talk to them is quite a relief... It's offensive to have
them grudgingly get a manual out for me to peruse... 

my .02 cents...
-miko

From Loopers-Delight-request@annihilist.com  Fri Dec  3 12:34:07 1999
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It has been really great with you guys, but time consuming. I take a 
break again.

As usual:
Whenever someone finds that my typing about some subject is needed, 
or that I should know about something, please, just cc the mail to me.




          ---> http://Matthias.Grob.org

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Date: Fri, 3 Dec 1999 15:24:15 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: what I think is a cool idea for the EDP
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>Here's an idea for the edp rev. software:
>
>If the edp could support loading digital audio loops via midi (probably not
>possible, I think) or via another port, someone else could write a program to
>store audio loops in banks of 9 (not to exceed 198 seconds).  Then you could
>load the edp with a particular bank of samples in the memory you weren't going
>to use to loop. Or you could download loops you particularly liked into the
>bank software for later use.  It would make the edp twice as cool (the
>hard-core loopers might disagree).

You can do it with the present version with MIDIdump, but it takes 
about 20 times the time of the sound (yes, MIDI is slow...).
We certainly want a faster port in the future, maybe even to connect 
a HD directly...

I personally dont like to go on stage with prerecorded material. 
While in the beginning, I was concerned to stamp my philosophy as 
much as possible onto products I developp, now I am happy if the 
things I find important are still there, and try to include as many 
features others may want.


          ---> http://Matthias.Grob.org

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Date: Fri, 3 Dec 1999 15:24:15 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: looper's missing delay presets -- why?
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>I find it very frustrating that usual looping devices (such as EDP, Zoom
>2100, etc.) do not include a possibility of delay length preset.  I like
>to use precise strange and long delay times for my looping compositions,
>and tapping is sometimes too inconvenient, especially when on stage.
>
>Any ideas why this feature is usually neglected?
>
>petr  (pepetr@yahoo.com)

There are few people wanting this. In the present EDP we have neither 
the non volatile memory capacity nor the dial pad to implement it. In 
a future hard ware we will.

So far, you can help yourself with a little sequencer that contains 
the Record commands to set the delay times and all other functions, 
so you do not have to operate anything for your compositions.


          ---> http://Matthias.Grob.org

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>a few months ago, i came across a wav. of the "our father" read in old
>english, of course i had to loop it.........this made me wonder, along the
>lines of "do androids dream of electric sheep"..........are electronic
>prayers valid and can we storm the gates of heaven with prayer
>loops..........or is all prayer just the asking that one plus one not equal
>two (i hope not)...........historically, loops were present in religious
>chantings and prayer services, both western and eastern........the seasons,
>the phases of the moon, all loops.........spin a prayer wheel, if this isnt a
>prayer loop, what is?...........just some thoughts during this wild and wacky
>time of year.........maybe i should get out more.......:)............michael

All I understood about praying is that it takes:
- concentration for the message to become strong
- release to really send it to the other dimension.
So it may not make sense:
- to repeat it without thinking of it (no accumulation)
- to think of it permanently (no sending).

But anything may work, and maybe a very long loop that reminds you 
after a while to go through the process again will help...

>Good question. I recall call a quote from M.J. Gandhi: "Every action can be
>a prayer". He used it in the context of everyday chores, saying that as long
>as the mind is contemplative of God as you do seemingly mundane actions,
>then you are praying.  Who's to say that when we are awash in mulitple loops
>and sonic bliss that we can't be in a spiritual state of mind. I may have
>killed a few brain cells in my youth, but, at times, I do feel much the same
>way when I loop with guitar in hand as I do when at church or in meditation.

Nice!
Often, right after playing, I am pretty unable even to talk to people...


          ---> http://Matthias.Grob.org

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We can provide you a copy of the manual for $10 to cover the cost of copy,
binding and mail

Dick Michaels
Rogue Music NYC
http://www.roguemusic.com

SnarleyCo@aol.com wrote:

> Hey list...new here
>
> name = Carl Snow... Own 16 TR studio in Knoxville TN <Moss Hill REC>
>
> Feel in love w/ loopin' many many many years ago when i first heard
> Eno/Fripp "No Pussyfooting" and "Evenining star"
> blah blah blah.........
>
> NOW to the 64$ question....
> been searching for a  L O N G  time for the manual for Lexicons Jam-Man ....
> I sent the small black rack TO lexicon in order to add more RAM = seconds -
> delay/sample...
> In the shipping and "repair?" instructions i indicated "hey a MANUAL would be
> nice"
> ___purchased sans Manual___
>
> Help ....  please... The J-Man and i get along very well
> But our relashionship would improve w/ a .....you guessed it....Manual   !!!
>
> Any suggestions......experiences....factiods  etc... would be very apreciated
>
> Thanks
> Carl Snow
> Moss Hill REC.



From Loopers-Delight-request@annihilist.com  Fri Dec  3 12:39:27 1999
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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: what I think is a cool idea for the EDP
Date: Fri, 3 Dec 1999 09:36:14 -0800
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I have an SP-808 to perform these functions, which I intend to synch an EDP
to, if I ever get my hands on one...

bIz

-----Original Message-----
From: Matthias Grob [mailto:matthias@grob.org]
Sent: Friday, December 03, 1999 9:24 AM
To: Loopers-Delight@annihilist.com
Subject: Re: what I think is a cool idea for the EDP


>Here's an idea for the edp rev. software:
>
>If the edp could support loading digital audio loops via midi (probably not
>possible, I think) or via another port, someone else could write a program
to
>store audio loops in banks of 9 (not to exceed 198 seconds).  Then you
could
>load the edp with a particular bank of samples in the memory you weren't
going
>to use to loop. Or you could download loops you particularly liked into the
>bank software for later use.  It would make the edp twice as cool (the
>hard-core loopers might disagree).

You can do it with the present version with MIDIdump, but it takes
about 20 times the time of the sound (yes, MIDI is slow...).
We certainly want a faster port in the future, maybe even to connect
a HD directly...

I personally dont like to go on stage with prerecorded material.
While in the beginning, I was concerned to stamp my philosophy as
much as possible onto products I developp, now I am happy if the
things I find important are still there, and try to include as many
features others may want.


          ---> http://Matthias.Grob.org


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 <19991202182725.35846.qmail@hotmail.com>
Date: Fri, 3 Dec 1999 15:24:15 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Vortex vs. MPX-100
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>One thing that spurred my interest in the MPX-100:  the SPDIF out.  For
>those of us using a PC or Mac to record with sound cards such as the
>SBLive -- which does have a SPDIF in -- could we use the MPX as a higher
>quality AD converter that resides outside of the digitally noisy PC
>environment?  For $250, a nice effects box plus AD converter is a pretty
>good deal.  Would it work?
>
I connect the PCM 80/90 to the Korg 1212 card with SPDIF. No problem.


          ---> http://Matthias.Grob.org

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From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP guts questions
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>
>2) What is unused main board multi-pin connector P1 for?

D-Bus and some adresses and enables and supply are on it.
I use it for developpment.
>
>3) What does jumper JP1 do?

just a developpment aid.
>
>4) What are the components at B1 and B2? Probably something obvious, but I'm
>not a hardware geek, just a software geek with a soldering station....



>5) Where are the non-volatile params stored? Don't see a battery anywhere....

U21 is a EEPROM

>7) Is there ANY way of reconfiguring/rewiring the back-panel Overdub jack to
>perform Insert or Reverse? I really want Insert and Reverse both on
>footswitches at the same time, and have never once in 5 years used the
>back-panel Overdub jack. Foot controller have-nots enjoy it no doubt, but for
>the rest of us it's really crying out for a useful job to perform.

That would be a change in the soft.
In the next version, you have MIDI commands for all those 
"insert-functions", so you can do it all from a MIDI foot controller.


          ---> http://Matthias.Grob.org

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From: "Curbie" <curbfeeler@transworld-lax.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: question about synths
Date: Fri, 3 Dec 1999 10:00:44 -0800
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Korg Triton is a great synth.

Touchview Graphics, the expandability of its Option Boards, RPPR to
build up patterns, easy to use Ocillators and Filters, PCM slots for
more sounds, easy to use sequencer, fantastic effects processor, good
sampler (although limited but easy to use)...
I could go on and on but you'll need to check one out thoroughly yourself
at a local music store.

For me, I want an easy to use Synth and Korg is very easy to use
in my opinion.

Building up "Loops" is really easy with Triton series also.
As you know there are the Triton Pro & ProX also which offer more goodies.

If you are used to playing a piano, I agree using a "weighed" keys
keyboard/synth is a good choice.  For this reason, Korg's already have
the solution. The fairly new Trinity V3 is an 88-weighed keyboard synth
with many similar features as the Triton.
I think the price is similar also.

Plus, gotta love that color !!

Check out: http://www.korgusa.com

If you want to just get a controller and add the synth modules, then
I recommend checking out "Roland A90" which has very nice piano actions.

Just a thought.

Curbie


-----Original Message-----
From: Jeffery Hildebrand [mailto:jshildebrand@ucdavis.edu]
Sent: Friday, December 03, 1999 12:50 AM
To: loopers-delight@annihilist.com
Subject: question about synths


	i'm getting ready to buy one, maybe two keybaords. i am so far in
favor of the triton, although the novelty has worn off about now, and i'm
also thinking about the yamaha S80 and EX5 or EX5R. i am truly impressed
with the acoustic modeling technology of the EX5, but that's really all
i'd want out of it. i also want a great piano action keyboard, and i don't
know if the S80 is for me because it doesn't have hammer action keys. what
are the most realistic piano-like boards out there? and if you have a
triton, is any of the expansion really necessary?

			thanks,
						scott


From Loopers-Delight-request@annihilist.com  Fri Dec  3 13:03:36 1999
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From: Todd Madson <crash@waste.org>
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Subject: Last Tibbets Commentary
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Just to continue - I saw Tibbets sit in with a local group, Eight Head 
about a year and a half ago.

Marc Anderson actually played trap drums and percussion and the band
had local legend Dean Magraw on guitar and Jim Anton on bass respectively.

It was an amazing show, and I was actualy able to hear some of the tunes
from the Tibbets CDs in a live setting (this was at the Cedar Cultural
Center).

As far as loop content goes, Tibbets had his Lexicon there and was able
to do some of the eerie stuff he does on record live.  It was an 
education.

His guitar rig was basically either a black strat into a Matchless
Lighting practice amp into a Marshall half stack and a bunch of
pedals, a mixing board and the Lexicon (the large 2 or 3 space
delay).  

He also had a 12 string and a 6 string acoustic and how he looped
was that he would swell notes in with a volume pedal or play chords
fading them in and use the mixer to increase the amount of delay he
wanted to hear.

Oh.  It was LOUD.

Sadly, Eight Head is no more and it's unlikely Tibbets will be sitting in
with a non-existent band these days.

-t


From Loopers-Delight-request@annihilist.com  Fri Dec  3 13:07:23 1999
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Date: Fri, 03 Dec 1999 13:01:32 -0500
From: Legion <legion@voicenet.com>
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To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Subject: Quick EDP Resistor Question...
References: <01BEBDE8.AC7DA3D0.mpeters@csi.com> <v03102809b3c32d4aae2d@[63.192.37.242]>
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I'm going to try the resistor swap for the input/output gain stages of
the EDP finally. I want to swap one part though and need to know if this
is OK (obviously I'm not a electronic wizard!)

The FAQ calls for the following: 

 Change R30 from 82.5 K to a 22.1 K 1% metal film resistor 
 Change R10 from 2.21 K to a 10.0 K 1% metal film resistor 

I have a 22K instead of the 22.1K. Will this make any noticble
difference or is there some reason I should hunt down the 22.1K one
instead? I have the 10.0 K one for the other stage but don't want to
open this thing up more than once.

Thanks for any help!
____________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Fri Dec  3 13:30:29 1999
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
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Subject: Re: Hello + Q; RE: Lex Jam Man info
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Here is the complete manual on the Looper's site- enjoy-

http://www.annihilist.com/loop/tools/jamman/jammanual/jamman_manual.html

Cliff

-----Original Message-----
From: SnarleyCo@aol.com <SnarleyCo@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, December 03, 1999 8:25 AM
Subject: Hello + Q; RE: Lex Jam Man info


>Hey list...new here
>
>name = Carl Snow... Own 16 TR studio in Knoxville TN <Moss Hill REC>
>
>Help ....  please... The J-Man and i get along very well
>But our relashionship would improve w/ a .....you guessed it....Manual
!!!
>
>Any suggestions......experiences....factiods  etc... would be very
apreciated
>
>Thanks
>Carl Snow
>Moss Hill REC.
>

From Loopers-Delight-request@annihilist.com  Fri Dec  3 13:57:40 1999
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Date: Fri, 3 Dec 1999 10:25:11 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: Re: Quick EDP Resistor Question...
To: Loopers-Delight@annihilist.com
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22k ohms should be fine.
bret

--- Legion <legion@voicenet.com> wrote:
> I'm going to try the resistor swap for the
> input/output gain stages of
> the EDP finally. I want to swap one part though and
> need to know if this
> is OK (obviously I'm not a electronic wizard!)
> 
> The FAQ calls for the following: 
> 
>  Change R30 from 82.5 K to a 22.1 K 1% metal film
> resistor 
>  Change R10 from 2.21 K to a 10.0 K 1% metal film
> resistor 
> 
> I have a 22K instead of the 22.1K. Will this make
> any noticble
> difference or is there some reason I should hunt
> down the 22.1K one
> instead? I have the 10.0 K one for the other stage
> but don't want to
> open this thing up more than once.
> 
> Thanks for any help!
>
____________________________________________________________________
>      HELP WANTED PRODUCTIONS -
> Http://www.voicenet.com/~legion
> "Bringing you the best in Organic Electronic music
> since we started..."
>      
> Home of the Unusual Instrument and Recording Gallery
> with pictures and
> info of Tube recorders, Omnichords, weird guitars,
> Casios, and more.
> 
> 

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

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Date: Fri, 3 Dec 1999 13:53:18 EST
Subject: Re: Hello + Q; RE: Lex Jam Man info
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In a message dated 12/3/99 1:29:31 PM Eastern Standard Time, 
bienappraisers@mindspring.com writes:

<< Here is the complete manual on the Looper's site- enjoy-
 
 http://www.annihilist.com/loop/tools/jamman/jammanual/jamman_manual.html
 
 Cliff
  >>
I'm THERE ! :-) thanx Cliff

--saved 10$---  No Offense Dick M

Carl Snow 
Moss Hill REC>

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Message-ID: <015301bf3dc1$ce06d540$cde831d4@demon.co.uk>
From: "Lee Fletcher" <lee@waterleat.screaming.net>
To: "Bruce Comens" <bcomens@corelli.nexus.it>,
        <Loopers-Delight@annihilist.com>
References: <009801bf3dad$db6c2f00$caf44cc1@bruce>
Subject: Re: Drum machines--other neophyte questions
Date: Fri, 3 Dec 1999 19:07:25 -0000
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> > * Touch Sensitive Pads
>
> Does this mean you can control volume by how hard you tap them?   And does
> that
> mean you can actually "play" the DR 660 (I've been thinking of the 770,
> actually) in real (hah!) time?


Yes, the pads respond to how hard you tap them.

Yes, you can "play" the '660.


> I'd like to get a unit that allows both  programming and playing,
preferably
> with Indian/middle eastern sounds...

There aren't many built-in 'ethnic' voices, but a little tweaking in the
editing department can deliver a host of crazy sounds. Editing features
include:- Level / Pitch (huge range) / Decay / Nuance (tone) / Pan /
Polyphonic, or Mono / Sensitivity Curve (for Pads.)

Oh, and by the way, all of the TR-808 / TR-909 sounds were thrown in by
Roland for good measure (without the price tag!)

Cheers,


Lee Fletcher
http://www.waterleat.demon.co.uk

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Date: Fri, 03 Dec 1999 11:19:22 -0800
Subject: Re: Thoughts on the Line6 DL4 
From: "Craig Zarkos" <drumzzz@earthlink.net>
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Hi all, just picked up the Dl4 through Guitar Center San Diego for 219.00.
Last one in stock and I really wanted to start diving in to the loop thing.
I'm a drummer and my plans were to primarily use the looping feature to set
up grooves from my "cajon" (box drum,afro-peruvian instrument) but got to
tell you that the really cool thing for me were the delay models,
ecspecially the "lo res delay" and "sweep " . Turned this drum in to a
percolating little machine. I was astounded to look up after plugging in for
the first time and see that i had been  grooving with my self for 2
hours.....I'm hooked. cool box although not being a guitar player I'm not
exactly sure what the implications are for you folks. I think i will still
invest in a Boomerang to take care of the looping,while utilizing the dl4
delay mods to feed the 'rang.

From Loopers-Delight-request@annihilist.com  Fri Dec  3 15:10:08 1999
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From: "Jenni Leeds" <jennil@bellsouth.net>
To: <Loopers-Delight@annihilist.com>
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Subject: New Gear!
Date: Fri, 3 Dec 1999 14:03:37 -0600
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 That new EMU sampler with time compression/expansion sounds like a possible
new edition to my looping rig....

http://www.harmonycentral.com/Newp/1999/ESI-2000.html


This new Yamaha FS1r tone module sounds really cool too! I'm new to the land
of MIDI and synth specs but this seems like a creative nebulous of
possiblities in a box!!
    It's reviewed in the new EM which I'm about to read....

also just wondering if anyone has any experience with Surround Sound Looping
!!!!!?
Could this be the next pioneering frontier of looping exploration!?
Just some thoughts...

Jamie Mash
{Exp Music
  Director
88.3 wmts}

From Loopers-Delight-request@annihilist.com  Fri Dec  3 15:28:23 1999
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From: Echopark99@aol.com
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Date: Fri, 3 Dec 1999 15:18:49 EST
Subject: Re: Drum machines--other neophyte questions
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> I'd like to get a unit that allows both  programming and playing, preferably
> with Indian/middle eastern sounds...

FWIW - I do this using the Ensoniq ASR-X sampler.  It has 13 pads that are 
big enough to bang on and also happen to be arranged like a piano keyboard 
for the occasional chord or melody.  But this happens to be a great sounding 
deluxe sampling drum machine with built in effects that can sync modulations 
or delays to tempo. I use it with the EXP-1 Real World card which has some 
great African, Mid-Eastern and Asian drums among many other "world" 
instruments.

It works for me because I don't use it for blistering tempo stuff like techno 
and other intense electronica. The processor on this machine really isn't 
fast enough to do everything that is promised in that regard. Therefore, a 
lot of disappointed kids are unloading these and moving on.  I got mine, very 
used, loaded with 34 MB of RAM (about 3-1/2 minutes of stereo sampling), the 
EXP-1 card, SCSI option, for $700! It's a great sounding sampler that behaves 
like a drum machine.

Of course, the ASR-X can LOOP the samples to keep them on-topic.

You can email me privately for more details.

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Date: Fri, 3 Dec 1999 12:23:32 -0800 (PST)
From: Randy Jones <ranjones@yahoo.com>
Subject: Re: Thoughts on the Line6 DL4 
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Hey Craig,
That sounds like a cool sound. Got any grooves or
loops, wavs, etc. we can listen to?

--- Craig Zarkos <drumzzz@earthlink.net> wrote:
> Hi all, just picked up the Dl4 through Guitar
> Center San Diego for 219.00.
> > I'm a drummer and my plans were to primarily
> use the looping feature to set
> up grooves from my "cajon" (box
> drum,afro-peruvian instrument) but got to
> tell you that the really cool thing for me were
> the delay models,
> ecspecially the "lo res delay" and "sweep " .
> Turned this drum in to a
> percolating little machine. I was astounded to
> look up after plugging in for
> the first time and see that i had been 
> grooving with my self for 2
> hours.....I'm hooked. 
__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

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From: Todd Madson <crash@waste.org>
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Re: DL-4 expandability:
George VanWagner of Line6 posts to the Harmony Central Guitar Forum
(go to http://www.harmonycentral.com and click on the links to the
guitar forum).

You might ask if the EEPROM in that thing is upgradeable.

It would seem to go with their corporate philosophy though.



From Loopers-Delight-request@annihilist.com  Fri Dec  3 18:00:19 1999
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----- Original Message -----
From: David Potter <papadave55@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, December 03, 1999 10:51 AM
Subject: Re: Delete Loop


> many guys seem to be to post to see their name on the list rather than
> having anything significant to say...the same names keep showing up, over
> and over and over and over and over...I see some guys name and I know to
> delete with out even reading it...My delete button if faded...Would think
> before you type apply here? om and Out


....and we needed to know this.......define significant.   How about we put
an automatic delete on all messages containing grammatical
errors..........toooo!

signed,
Jamie Mash Jamie Mash Jamie Mash Jamie Mash Jamie Mash Jamie Mash Jamie Mash
Jamie Mash Jamie Mash.............god what a beautiful name!!!!

From Loopers-Delight-request@annihilist.com  Fri Dec  3 20:03:49 1999
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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: New Gear!
Date: Fri, 3 Dec 1999 16:49:20 -0800
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BTW The 'beat munging' time compression isn't on the fly - it's an offline
process.

-----Original Message-----
From: Jenni Leeds [mailto:jennil@bellsouth.net]
Sent: Friday, December 03, 1999 12:04 PM
To: Loopers-Delight@annihilist.com
Subject: New Gear!


 That new EMU sampler with time compression/expansion sounds like a possible
new edition to my looping rig....

http://www.harmonycentral.com/Newp/1999/ESI-2000.html


This new Yamaha FS1r tone module sounds really cool too! I'm new to the land
of MIDI and synth specs but this seems like a creative nebulous of
possiblities in a box!!
    It's reviewed in the new EM which I'm about to read....

also just wondering if anyone has any experience with Surround Sound Looping
!!!!!?
Could this be the next pioneering frontier of looping exploration!?
Just some thoughts...

Jamie Mash
{Exp Music
  Director
88.3 wmts}


From Loopers-Delight-request@annihilist.com  Fri Dec  3 20:26:48 1999
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From: PJBMHB@aol.com
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Date: Fri, 3 Dec 1999 20:21:58 EST
Subject: Re: DL-4 is $249 at Guitar Center
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just got one of these puppies for $195 at banko's music in ct. i believe i 
was the 1st one and they have some left. the only downside is they don't have 
the power supplies yet. i am using the power supply to my drum machine right 
now. have a backwards loop going as i write this. fun, fun, fun!! =-) PJ

From Loopers-Delight-request@annihilist.com  Fri Dec  3 20:44:39 1999
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need I say more


>From: "Jenni Leeds" <jennil@bellsouth.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: Delete Loop
>Date: Fri, 3 Dec 1999 16:58:55 -0600
>
>
>----- Original Message -----
>From: David Potter <papadave55@hotmail.com>
>To: <Loopers-Delight@annihilist.com>
>Sent: Friday, December 03, 1999 10:51 AM
>Subject: Re: Delete Loop
>
>
> > many guys seem to be to post to see their name on the list rather than
> > having anything significant to say...the same names keep showing up, 
>over
> > and over and over and over and over...I see some guys name and I know to
> > delete with out even reading it...My delete button if faded...Would 
>think
> > before you type apply here? om and Out
>
>
>....and we needed to know this.......define significant.   How about we put
>an automatic delete on all messages containing grammatical
>errors..........toooo!
>
>signed,
>Jamie Mash Jamie Mash Jamie Mash Jamie Mash Jamie Mash Jamie Mash Jamie 
>Mash
>Jamie Mash Jamie Mash.............god what a beautiful name!!!!
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: Kriist@aol.com
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Date: Fri, 3 Dec 1999 21:02:33 EST
Subject: Re: ...  Mixer Feedbackking
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i have to say
i was , originally, attracted to the idea of feedbacking in a conceptual sort 
of way
but today at work i was getting worlds of sounds from a little guitar amp 
with the headphone output going into one of the inputs
just messing with the eq, the gain, and master volume i got intense sounds
not just screeching feedback(what i was expecting)

rodrigo

> very interesting ... but you can also route the monitor and tape outs
>  back into the mixer.
>  
>  ALSO: the sound of the mixer alone feedbacking into itself is probably
>  going to get real boring real quick. 
>  
>  AND you'll need some external fx!
>  examples: delays with hold, pitchshifters, modulation (flangers,
>  phasers), distortion, vocoders, autopanners ... you name it.
>  
>  the idea is to put these into the feedback loops:
>  i.e. aux-send/mon-out/tape-out --> fx --> channel strip

From Loopers-Delight-request@annihilist.com  Fri Dec  3 21:26:15 1999
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Reply-To: dj_devious_d@hotmail.com
From: "Devious D_MasterMixer" <dj_devious_d@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Roland MS-1 (Yup)
Date: Fri, 03 Dec 1999 18:20:49 PST
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I am a PROUD owner of this unit, with the 4MB flash card... wha cha wanna 
know ?


----Original Message Follows----
From: jpw77@together.net
Reply-To: Loopers-Delight@annihilist.com
To: Loopers-Delight@annihilist.com
Subject: Roland MS-1
Date: Thu, 02 Dec 1999 16:17:45 +0000

Does anyone have any experience using the Roland MS-1 sampler
with a Flashdisk memory card?

Jon Williams


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From Loopers-Delight-request@annihilist.com  Fri Dec  3 21:32:51 1999
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From: David Oleniacz <david@oleniacz.com>
To: "'loopers-delight@annihilist.com'" <loopers-delight@annihilist.com>
Subject: WTB: Digitech PMC-10 midi foot controller
Date: Fri, 3 Dec 1999 21:30:03 -0500
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Anyone have this unit or know where I can find one?

please email me with the condition and price.

thanks

David O

From Loopers-Delight-request@annihilist.com  Fri Dec  3 21:55:18 1999
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Message-ID: <384873DE.A7B54AF@columbia.edu>
Date: Fri, 03 Dec 1999 21:52:40 -0400
From: Morgan Hamilton Lang <mhl21@columbia.edu>
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Hi, all:

I seem to be acquiring more and more pre-PPC Macs as more and more of them are
thrown away by slap-happy consumers. I am hatching an evil plan to have them all
generate random MIDI commands to one another while I dance around them listening
to their cheap little speakers fart and burp.

I wonder: who among you has set up comparatively lo-tech real-time loops between
personal computers using MIDI data or audio? Tell me about your setup and give
me advice if you have a moment.

Best,

MHL



From Loopers-Delight-request@annihilist.com  Fri Dec  3 23:51:01 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: R: Drum machines--other neophyte questions
Date: Fri, 03 Dec 1999 20:43:33 PST
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>From: "Bruce Comens" <bcomens@corelli.nexus.it>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: R: Drum machines--other neophyte questions
>Date: Fri, 3 Dec 1999 11:45:06 -0500
>
> > * Touch Sensitive Pads
>
>Does this mean you can control volume by how hard you tap them?   And does
>that
>mean you can actually "play" the DR 660 (I've been thinking of the 770,
>actually) in real (hah!) time?
>
You can play it in real time. You can also program it in real time. I 
realize that a lot of drum machines do this, but it's a lot of fun to do. 
Another cool thing you can do in the DR660 is shut off the the error 
correction, so you can make really flawed, sloppy sounding drum patterns. 
Although a lot of folks like it, the DR660 is kind of a cheesy sounding drum 
machine. It takes a lot of effort to make it sound like anything you'd hear 
on a CD. I can imagine a lot of bands feeling slightly embarrassed about the 
obvious "drum machine bought for $300 at guitar center" sound. (Except for 
bands that go for that sound in particular.)

Mr. Tough
Mr. Tough

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From Loopers-Delight-request@annihilist.com  Fri Dec  3 23:56:46 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: market forces
Date: Fri, 03 Dec 1999 20:52:36 PST
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Does anyone know of any stores like that in SF? A new discovery for me, 
Black Market Music on Howard st is closing soon. Guitar Center sucks. The 
Haight Ashbury music center seems kind of good, but involves going through 
the Haight Ashbury area.



>From: SnarleyCo@aol.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: market forces
>Date: Fri, 3 Dec 1999 11:12:02 EST
>
>In a message dated 12/3/99 10:57:59 AM Eastern Standard Time,
>ylpunk@yahoo.com writes:
>
><<
>  Not that it's particularly on-topic or anything, but I believe in paying 
>more
>  to buy at a local store, for the simple reason that it's very hard to 
>test
>gear
>  at musician's friend.
>   >>
>I agree 100 %. I have been dealing with the same store for close to 25 
>years.
>A knowledge of the customer, his/her history likes/dis-likes etc...is
>irreplaceable.
>in an age where customer service is at the bottom of the ladder. M-"friend"
>to me is "m-enemy"
>
>Nothing better than having a demo in store of a product someone KNOWS you
>might like , servrd w/ coffee and the opportunity to "ahh take it home and
>mess w/ it a few days"
>not to mention an "understood" IE: unspoken "agreement" that after a long
>cust/store relashionship there will be the token DISCOUNT.  :-)
>
>"stores" like M-Friend (we have a dealership in knoxville) remind me of 
>Best
>Buy:
>Long on discount.....very very very short on KNOWLEDGE.
>
>Carl Snow
>Moss Hill REC>
>

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From Loopers-Delight-request@annihilist.com  Sat Dec  4 00:21:31 1999
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Subject: Re: Delete Loop
Date: Fri, 03 Dec 1999 21:15:54 PST
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In defense of Mr. Smith, I think it's valuable to have someone with his 
enthusiasm adding to this group. He isn't a guy who just posts worthless 
stuff. A lot of the stuff he has to say actually pertains to the site. 
Moreover, I believe he has his own website, and he seems to be active in 
collaborations with other artists on this site.



>From: "David Potter" <papadave55@hotmail.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Delete Loop
>Date: Fri, 03 Dec 1999 08:51:46 PST
>
>many guys seem to be to post to see their name on the list rather than
>having anything significant to say...the same names keep showing up, over
>and over and over and over and over...I see some guys name and I know to
>delete with out even reading it...My delete button if faded...Would think
>before you type apply here? om and Out
>
>
>>From: Patrick Smith <patrick@his.com>
>>Reply-To: Loopers-Delight@annihilist.com
>>To: Loopers-Delight@annihilist.com
>>Subject: Delete Loop
>>Date: Thu, 2 Dec 1999 22:57:18 -0500
>>
>>Wow....so many messages....so little time.....
>>
>>delete ... delete... delete
>>
>>my damn ccomputer keyboard is in loop mode...
>>
>>Patrick
>>                      Fingerpaint's New Release:
>>
>>                             IN THE LOOP
>>
>>       ... an intelligent, stimulating mixture of mimimaist spacebeats and
>>            obscure samples layered upon a hypnotic illbient backdrop.
>>
>>                        DIGITAL ARTIFACT # 12
>>
>>                       http://www.fingerpaint.net
>>
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>

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From Loopers-Delight-request@annihilist.com  Sat Dec  4 00:53:30 1999
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Hi,

    Those of you who wanted machines and have not sent me your address
please do so soon so I can put you in the shipping queue.

    I have not forgotten about who gets what. Anyone who wants to pick
up large items early  next week should email me soon to work it out.

    I will be giving stuff away as it becomes available in the future ,
better that than a skip.

Best

Fiveman



From Loopers-Delight-request@annihilist.com  Sat Dec  4 00:58:21 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Vortex sounds "bottled" when bypassed- ot?
Date: Fri, 3 Dec 1999 21:56:15 -0800
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Any Vortex users notice that when bypassed the signal sounds like it is in a
bottle? I have mine in stereo through my mixer aux send/return- when I have
the Vortex bypassed the sound is bottle like until I dial the Vortex out of
the channel completly-

PS- I was having trouble figuring out why it was not in stereo a few weeks
ago- I discovered that my stereo had been set to mono- duh- (my rig goes
through my stereo system at home)

Cliff

From Loopers-Delight-request@annihilist.com  Sat Dec  4 01:18:40 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: mp3 and Netscape partial soloution- 
Date: Fri, 3 Dec 1999 22:16:41 -0800
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This is a multi-part message in MIME format.

------=_NextPart_000_000A_01BF3DDC.1331E640
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	charset="iso-8859-1"
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I have had problems trying to download mp3s using Netscape- it used to work
fine but seems 4.7 does not- I have some of my own loop samples on my web
site and while searching for the answer to the problem found a "soloution"
It is a free standing.exe called "Uncook 95"- it fixes the files after you
do a "save as" in Netscape and get that "This is your mp3 on drugs" sounding
file- It is not the ideal soloution but it is small and does not requitre
installation- I will keep searching for the answer tho- I want to simply
click on the files and get a download prompt- IE works but that's not my
browser of choice-
This may be off topic but actually it has to do with sharing loops so there-
;)

Cliff

Link to "Uncook 95"
http://watson2.cs.binghamton.edu/~jtesorie/uncook/uncook.html

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2722.2800" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D50331006-04121999>I have =
had problems=20
trying to download mp3s using Netscape- it used to work fine but seems =
4.7 does=20
not- I have some of my own loop samples on my web site and while =
searching for=20
the answer to the problem found a "soloution"</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D50331006-04121999>It is a =
free=20
standing.exe called "Uncook 95"- it fixes the files after you do a "save =
as" in=20
Netscape and get that "This is your mp3 on drugs" sounding file- It is =
not the=20
ideal soloution but it is small and does not requitre installation- I =
will keep=20
searching for the answer tho- I want to simply click on the files and =
get a=20
download prompt- IE works but that's not my browser of choice-=20
</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D50331006-04121999>This =
may be off topic=20
but actually it has to do with sharing loops so there- =
;)</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D50331006-04121999></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D50331006-04121999>Cliff</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D50331006-04121999></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D50331006-04121999>Link to =
"Uncook=20
95"</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D50331006-04121999><A=20
href=3D"http://watson2.cs.binghamton.edu/~jtesorie/uncook/uncook.html">ht=
tp://watson2.cs.binghamton.edu/~jtesorie/uncook/uncook.html</A></SPAN></F=
ONT></DIV></BODY></HTML>

------=_NextPart_000_000A_01BF3DDC.1331E640--

From Loopers-Delight-request@annihilist.com  Sat Dec  4 01:23:38 1999
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Hi again,

    I think I am looking fo a small  tube amp with a post preamp fx
level out.

    I'm pushing tape echo through my tube amp with a load box that I
built so I can use my good tube amp without being thrown out by my wife.
I've always run a wet signal through a solid state amp for noise and
volume reasons , now that I can afford to use a good amp  I get a
problem with some of my delay settings . I am getting a weird
intermodulation effect that I haven't heard in years and I don't like
it.  I turn the amp down it goes away . it is not distortion because it
appears to be frequency specific.

    I figure that instead of getting an expensive custom
switching/routing system or a 16 buss board. a simple post pre line out
to the delay would be the smart way to do it.  Does anybody have a
smarter more elegant solution.

   Could the POD solve this problem ?

Thanks for any ideas.

Fiveman


Ancillary Rant::

    I think that a multi send splitter buffer would be a great DIY
project and a useful product. Has anybody seen the prices on the
standard pro gigging switching rigs ?  Insane considering the cost and
ubiquitousness of effects and nearly all of us would use stuff beyound
the top of the line for a normal night at the loop.

From Loopers-Delight-request@annihilist.com  Sat Dec  4 03:29:30 1999
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Message-ID: <3848CF21.F4B9B0C0@jimmygeorgearts.com>
Date: Sat, 04 Dec 1999 02:21:53 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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your sexy.

jimygeorgejimmygeorgejimmygeorgejimmygeorge.....metoo...jimmygeorge

David Potter wrote:

> need I say more
>
> >From: "Jenni Leeds" <jennil@bellsouth.net>
> >Reply-To: Loopers-Delight@annihilist.com
> >To: <Loopers-Delight@annihilist.com>
> >Subject: Re: Delete Loop
> >Date: Fri, 3 Dec 1999 16:58:55 -0600
> >
> >
> >----- Original Message -----
> >From: David Potter <papadave55@hotmail.com>
> >To: <Loopers-Delight@annihilist.com>
> >Sent: Friday, December 03, 1999 10:51 AM
> >Subject: Re: Delete Loop
> >
> >
> > > many guys seem to be to post to see their name on the list rather than
> > > having anything significant to say...the same names keep showing up,
> >over
> > > and over and over and over and over...I see some guys name and I know to
> > > delete with out even reading it...My delete button if faded...Would
> >think
> > > before you type apply here? om and Out
> >
> >
> >....and we needed to know this.......define significant.   How about we put
> >an automatic delete on all messages containing grammatical
> >errors..........toooo!
> >
> >signed,
> >Jamie Mash Jamie Mash Jamie Mash Jamie Mash Jamie Mash Jamie Mash Jamie
> >Mash
> >Jamie Mash Jamie Mash.............god what a beautiful name!!!!
> >
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Dec  4 03:56:42 1999
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Message-ID: <003201bf3e34$5df015a0$e984bc3e@default>
Reply-To: "Gareth Whittock" <whiteoak@dial.pipex.com>
From: "Gareth Whittock" <whiteoak@dial.pipex.com>
To: <Loopers-Delight@annihilist.com>, <Loopers-Delight-d@annihilist.com>
Subject: Re:Line6 features
Date: Sat, 4 Dec 1999 08:48:41 -0000
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I, like many of you am intrigued by the new line6 delay modeller.
Could someone who owns one tell me:-

a    Whether the looping section is true stereo, (ie stereo image is
maintained from input)

b    What the provision of an external expression pedal allows you to do.

c    If there is some sort of patch memory?

d    What sort of sound quality are we talking about?

Thank you


Marvellous, Gareth

From Loopers-Delight-request@annihilist.com  Sat Dec  4 05:23:37 1999
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c'mon david, lighten up!

i'm sorry if i'm one of the inflationary "posters" that's irritating you
and your ilk - it's just that i haven't been taking my medication lately
...

i do try to keep my threads looper-based, i apologize for the odd blurb
which should've sent privately (by W.A.S.T.E. of course) :-)

have a good one eh,
rob

David Potter schrieb:
> 
> need I say more
> 
etc.


From Loopers-Delight-request@annihilist.com  Sat Dec  4 07:46:36 1999
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From: SnarleyCo@aol.com
Message-ID: <0.3b4f4687.257a6587@aol.com>
Date: Sat, 4 Dec 1999 07:39:35 EST
Subject: Re: Vortex sounds "bottled" when bypassed- ot?
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In a message dated 12/4/99 12:57:57 AM Eastern Standard Time, 
clifsound@mediaone.net writes:

<< I have mine in stereo through my mixer aux send/return- when I have
 the Vortex bypassed the sound is bottle like until I dial the Vortex out of
 the channel completly-
  >>

What Mixer are U using ?

Carl Snow
Moss Hill REC>

From Loopers-Delight-request@annihilist.com  Sat Dec  4 10:04:31 1999
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From: jpw77@together.net
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Sounds like the Vortex is being put out of phase somewhere in your setup. Could be 
cables  (swap 'em and see),another device inline with the Vortex,or your mixer. If 
you're bringing it back into dedicated efx returns try two normal channels on the 
board-on some mixers efx returns are (inexplicably) out of phase ( maybe to 
counteract the fact that the outputs of some budget efx boxes are out of phase). This 
means your wet signal from the Vortex is out too, and should sound a lot better if you 
track this down.

Jon Williams

From Loopers-Delight-request@annihilist.com  Sat Dec  4 12:35:23 1999
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From: Nemoguitt@aol.com
Message-ID: <0.236dca37.257aa96a@aol.com>
Date: Sat, 4 Dec 1999 12:29:14 EST
Subject: fwiw dl4
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this was from a fellow at "sweetwater" music:

<<20 DL4Modeler's w/ power supplies and fed ex ground shipping- $4269.

- this is the cash deal If your paying with credit card then the total of 20
20 DL4Modeler's w/ power supplies and fed ex ground shipping is $4509.


I also found a expression pedal that Line 6 makes for this.

Expression pedal - $49 a piece. That's the price no matter how many are bought
but I won't charge extra for shipping if you buy the expression pedals with
the Pedals.>>

so as a cash deal. i.e. check or money order for 20 dl4's that comes out to 
$213.00 with power cord and shipping apiece........i have no interest in 
co-ordinating this.......i dont know if this is a good price or not.......if 
anyone wants to pursue this further, those are the numbers.......feel free to 
contact me for his name.........now back to my zoom 2100 expression 
pedal.........wanky!..............:)........... leahcim (looking at my name 
in a mirror)......why are we so on edge lately?.............m

From Loopers-Delight-request@annihilist.com  Sat Dec  4 13:08:37 1999
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Date: Sat, 04 Dec 1999 13:07:11 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Line 666 - the devil's Looper... dl4
Cc: lolorec@aol.com
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hey all...


i usually don't 1buy 'new' as in 'current' gear..but i've been carefully
monitoring the "2nd wave" type loo devices to select one..boomerang...dod,
digitech, the elusive headrush (NO ONE has em in stock it seems in all of
nj,ny and philly..)

having read a LOT of rave revues here and elsewhere - i tried out a line 6
DL4 at the evil comgolmerate (heh hehe) guitar center yesterday..

SOLD!!!!


great unit

- heavy duty construction (i agree - the knobs are a little weird,but
nicely recessed so it doesnt matter)
-simple, sturdy, quiet-click footswitches
- a plethora of warm, tubey and tapey sounding delays...they really do get
the space echo down!!
- great 50s delays, tube delays etc.
-funny - down to earth manual ,simply written  with a sense of humor
-three user definable presets of EACH delay program... and a tap tempo
switch..

and-- the part we're all wondering about....

- the looper is friigin great -- 14 sec.. with a touch you can 1/2 speed
the loop , another touch renders it 'backwards'

a REAL NICE touch is the fact that you have a 0-800ms delay BEFORE the loop
-so your looped signal can go in with a slightbit of wash if you want (i do
this a lot - so this is an unexpected, and unique buddha-send)



one thing,y'all - hmm.. the bulk rate for that many bought together is
pretty good - i got mine for $232 tax included (so i guess it waslike..$218
+ NJ .06 tax)

if that INCLUDES the power supply (as stated) then -- pretty good...

i did NOT get a power supply - which is the LAMEST thing a manufacturer
could do..what's the deal there.... 200 plus bucks SHOUDL get you a piece
of 'extra' gear that cost the manuf. a whole $3-4 to make....

otherwise.. stellar.can't wait to gig with it (next week)

see ya

OH YEAH - my duo JFK's LSD UFO has  finally released our first CD... it's
$12 pp..or a trade for a released CD from any of you loopers!!

hope to hear from ya -- i will be getting the sound bites up .. soon!

andre east
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Sat Dec  4 13:51:46 1999
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Message-ID: <009f01bf3e87$f3612400$9b32dacf@stepheng>
Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <199911102009.PAA06846@home.HoundsOfHeaven.com>
Subject: FootPedals / Switches
Date: Sat, 4 Dec 1999 10:46:59 -0800
Organization: EarthLight Productions
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I had to follow up on the Signal Chain thread we were all in on at one
point... Still figuring out how to use the Zoom 2100 without causing a delay
on my current productions - and the aspect of footswitches/pedals has come
up again of course.  I've always been a bit confused about them partially
because I've never implemented one, and would appreciate your input on this.

* I'd like to have a footpedal to open and close the loop on my DigiTech 7.6
Time Machine.

* I think I should get a kind of Y signal switcher, so I might route my aux
out to either delay on demand.  This would also require some merge point for
return to the signal path for BOTH.

Yeah, so we've all tried to do Fripp Emulation one time or another - but as
there's no denying the value of additional delays, let's talk about the
problems associated with Adding More Gear Without Adding Too Much Noise too.

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html


From Loopers-Delight-request@annihilist.com  Sat Dec  4 14:01:13 1999
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Date: Sat, 04 Dec 1999 12:52:08 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: More Line6 DL4 info
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Hi, all...

After trying out the DL-4 and seeing that I couldn't get my live/dry signal
defeated, I wrote their support team. There are a couple of hidden "bypass"
modes that are accomplished when powering up, so I thought that there might
be another that would allow a thru mode with on live signal. Here's the
answer I got after a couple of clarifying emails. I just thought I'd post
it here for anyone who was concerned about this sort of thing. 
Sincerely,
Jeff McLeod


Date: Fri, 03 Dec 1999 15:14:22 -0800
From: "Patrick Stefurak" <Patrick.Stefurak@line6.com>
To: <wakacreative@mindspring.com>
Subject: Re: DL-4 question

wakacreative;

You are correct about this operation. There is no way to get a 100% wet mix
of the looper.


patrick.stefurak@line6.com 
Customer Support

Have a rockin' day.

P.S.: Please leave all original messages at the end of your return e-mail.
I answer many e-mails every day. Leaving this "e-mail conversation" helps
me to recall which issues we are trying to resolve. Thank you. 


I noticed in reading the downloaded manual that some of the delay models
will allow the MIX control to fully give delayed or reversed signal when
fully clockwise. I tried this with the looper (which is the main thing I'm
interested in), but did not notice that the dry/live signal went away. It
only increased the looped signal in relation to the dry. Any ideas? I hope
this helps a little more in seeing if the unit will do this.
Thanks,
Jeff McLeod
subversive@mindspring.com 

>Date: Fri, 03 Dec 1999 16:28:30 -0600
>To: "Patrick Stefurak" <Patrick.Stefurak@line6.com>
>From: wakacreative@mindspring.com 
>Subject: Re: DL-4 question
>In-Reply-To: <s847b3fd.035@mail.line6.com>
>
>Hi, Patrick,
>
>Thanks for the reply. I tried that, but the dry signal is still
there--even with the mix control all the way to the right. I even reset the
pedal--still had the live signal. Is there something wrong with that one? I
couldn't find any way to get ONLY the loops to be output.
>Thanks again and I hope to hear from you soon,
>Jeff McLeod
>
>At 12:13 PM 12/3/1999 -0800, you wrote:
>> Jeff & Vonda McLeod 
>>I was checking out a DL-4 at a local dealer (Bailey Bros. Music) and loved
>>it. I'm a current Boomerang user, and I wanted to know if there was some
>>way to totally mute the live signal on the pedal--as one would using the
>>Boomerang's THRU/MUTE switch. This is probably the only thing keeping me
>>from getting the DL-4 and replacing my Boomerang. I use two amps, and it's
>>important that I only hear the delay or loops through my second amp. Any
>>hidden way to do this?
>>
>>
>>>You should be able to adjust the mix on the DL4 to ba 100% wet.
>>
>>patrick.stefurak@line6.com 
>>Customer Support

__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

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Date: Sat, 04 Dec 1999 13:04:06 -0700
Subject: Re: market forces
From: "Stan Card" <stanitarium@earthlink.net>
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C'mon man your name is 'Mr. Tough' and you don't want to get 'involved' in
going to the Haight/ Ashbury to get to one of the best music stores in Cali
?
I've been going there for 15 yrs for all my guitar/amp/loop equipment-got my
JAMMAN/VORTEX etc. there.Never had anything but good times over that way-so
be brave...goin'loopy...STANNER

----------
>From: "Mr. Tough" <electricfriends@hotmail.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: market forces
>Date: Fri, Dec 3, 1999, 9:52 PM
>

> Does anyone know of any stores like that in SF? A new discovery for me,
> Black Market Music on Howard st is closing soon. Guitar Center sucks. The
> Haight Ashbury music center seems kind of good, but involves going through
> the Haight Ashbury area.
>
>
>
>>From: SnarleyCo@aol.com
>>Reply-To: Loopers-Delight@annihilist.com
>>To: Loopers-Delight@annihilist.com
>>Subject: market forces
>>Date: Fri, 3 Dec 1999 11:12:02 EST
>>
>>In a message dated 12/3/99 10:57:59 AM Eastern Standard Time,
>>ylpunk@yahoo.com writes:
>>
>><<
>>  Not that it's particularly on-topic or anything, but I believe in paying
>>more
>>  to buy at a local store, for the simple reason that it's very hard to
>>test
>>gear
>>  at musician's friend.
>>   >>
>>I agree 100 %. I have been dealing with the same store for close to 25
>>years.
>>A knowledge of the customer, his/her history likes/dis-likes etc...is
>>irreplaceable.
>>in an age where customer service is at the bottom of the ladder. M-"friend"
>>to me is "m-enemy"
>>
>>Nothing better than having a demo in store of a product someone KNOWS you
>>might like , servrd w/ coffee and the opportunity to "ahh take it home and
>>mess w/ it a few days"
>>not to mention an "understood" IE: unspoken "agreement" that after a long
>>cust/store relashionship there will be the token DISCOUNT.  :-)
>>
>>"stores" like M-Friend (we have a dealership in knoxville) remind me of
>>Best
>>Buy:
>>Long on discount.....very very very short on KNOWLEDGE.
>>
>>Carl Snow
>>Moss Hill REC>
>>
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>
> 

From Loopers-Delight-request@annihilist.com  Sat Dec  4 16:36:21 1999
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Date: Sat, 04 Dec 1999 16:32:15 -0500
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: DL4 question
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As I understand it, the DL4 can operate either on the "pregnant extension
cord" power supply or with 4 C batteries.

I'm also under the impression that the user programmable settings survive
power down (ie, they're not volatile)...

Here's my question for one of you who're already honeymooning with yours:
Do the user settings remain after power down if you DON'T have the 4 C
batteries installed, or while changing them?

Also, what's the sampling rate?

Tim

From Loopers-Delight-request@annihilist.com  Sat Dec  4 16:32:44 1999
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From: PMimlitsch@aol.com
Message-ID: <0.a7019013.257ae147@aol.com>
Date: Sat, 4 Dec 1999 16:27:35 EST
Subject: Jman for sale
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Lexicon Jamman (8 sec. delay/loop time) for sale.  This has been sitting in 
my music room rack, doing nothing for quite a while - my back up unit - and 
needs to be put to use.  Make an offer (don't be scared - not looking to do 
any Harmony/eBay inflated price rip-offs).  May also consider trade (+cash) 
for Digitech rds8000 for those looking to "upgrade". -Paul
PS: please reply off list so as not to clog the "e-waves".

From Loopers-Delight-request@annihilist.com  Sat Dec  4 16:33:03 1999
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Date: Sat, 04 Dec 1999 16:27:50 -0500
From: Kevin <kevin@minds-eye.org>
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CC: Loopers-Delight@annihilist.com
Subject: Jamman FS
References: <199912011649.LAA15191@home.HoundsOfHeaven.com> <000401bf3d16$14850520$f3f831d4@demon.co.uk>
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--------------859EB2E6B62D9119C0481BAC
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

>
> FS: Lexicon Jam Man
>
> Asking Price: US$450
> Condition: Good
> Age: N/A
> Description:
>
>      Lexicon Jam Man Good condition $450 OBO + Shipping
>
> Seller: Anthony DeVito,
> E-mail: devito1@aol.com (Profile)
> Location: HOWELL, NJ
> Post Date: 12/3/99

--------------859EB2E6B62D9119C0481BAC
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>

<blockquote TYPE=CITE><a href="http://www.waterleat.demon.co.uk"></a>&nbsp;
<br><a href="http://www.waterleat.demon.co.uk">FS: Lexicon Jam Man</a><a href="http://www.waterleat.demon.co.uk"></a>
<p><a href="http://www.waterleat.demon.co.uk">Asking Price: US$450</a>
<br><a href="http://www.waterleat.demon.co.uk">Condition: Good</a>
<br><a href="http://www.waterleat.demon.co.uk">Age: N/A</a>
<br><a href="http://www.waterleat.demon.co.uk">Description:</a><a href="http://www.waterleat.demon.co.uk"></a>
<p><a href="http://www.waterleat.demon.co.uk">&nbsp;&nbsp;&nbsp;&nbsp;
Lexicon Jam Man Good condition $450 OBO + Shipping</a><a href="http://www.waterleat.demon.co.uk"></a>
<p><a href="http://www.waterleat.demon.co.uk">Seller: Anthony DeVito,</a>
<br><a href="http://www.waterleat.demon.co.uk">E-mail: devito1@aol.com
(Profile)</a>
<br><a href="http://www.waterleat.demon.co.uk">Location: HOWELL, NJ</a>
<br><a href="http://www.waterleat.demon.co.uk">Post Date: 12/3/99</a></blockquote>
</html>

--------------859EB2E6B62D9119C0481BAC--

From Loopers-Delight-request@annihilist.com  Sat Dec  4 17:36:09 1999
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Date: Sat, 04 Dec 1999 17:28:22 -0500
From: George McConnell <gcm22@drexel.edu>
Subject: Re: Line6 DL4 group buy
To: Loopers-Delight@annihilist.com
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Could I as a 1st time buyer get a DL4 this cheap?

----- Original Message -----
From: <Jprice01@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, December 02, 1999 1:39 AM
Subject: Re: Line6 DL4 group buy


> I just returned my headrush and picked up a DL4. This thing is insane for
its
> price. BTW, got the DL4 for $185 at 8th street music in center city philly
> 215.923.5040 phone.
>
> Ask for Andre or Scott. These guys deal all the time.
>
> JP
>

From Loopers-Delight-request@annihilist.com  Sat Dec  4 17:34:35 1999
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From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: fwiw dl4   OT
Date: Sat, 4 Dec 1999 16:31:41 -0600
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Nemoguitt et. loopers

all the newsgroups I currently subscribe to have at least two hierarchies of
sniping and personal attacks going on right now . . .

sunspots . ..  geomagnetic anomalies . . . vortices . . . the market
perturbations . . .  or just BIG clangorous LOOPS

lurk and process . . . .


drone on~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~





>.....wanky!..............:)........... leahcim (looking at my name
>in a mirror)......why are we so on edge lately?.............m
>
>



Tom Lambrecht
hideo@concentric.net

From Loopers-Delight-request@annihilist.com  Sat Dec  4 20:51:13 1999
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Date: Sat, 04 Dec 1999 19:48:34 -0600
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
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CC: Pod Tech Support/Okena Hodges <okena.hodges@line6.com>
Subject: Line 6 Pod - OT KInda
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howdy all -

i have a line 6 pod & find it to be unusably noisy in the clean
settings. not a treble/presence hiss as much as a midrange whoosh.

this is even with guitar/bass straight into pod, pod tip-ring-sleeve
balanced out straight into mic input of a 1604 vlz.

as i play clean most of the time i find this to be quite a little
bummer. the distortion settings are nice...

when the nice fella from tech support called me back, he made sure i had
the channel volume all the way up & treated me kinda like i was a big
dummy instead of the experienced guitar tech geek that i really am (he
was nice about it though).

anyone else have a problem with this or (better) a solution?

bobdog

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Date: Sun, 5 Dec 1999 00:57:33 -0800 (PST)
From: Jeffery Hildebrand <jshildebrand@ucdavis.edu>
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	 i just really want to know.

From Loopers-Delight-request@annihilist.com  Sun Dec  5 08:03:07 1999
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Date: Sun, 05 Dec 1999 18:28:42 +0530
Subject: Indian/middle eastern sounds, microtonality
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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> I'd like to get a unit that allows both  programming and playing, preferably
> with Indian/middle eastern sounds,

> Yamaha FS1r
Yamaha seriously screwed up by not including ANY microtuning capabilities.
This thing is supposedly capatible with DX7 patches. The DX & TX & SY & VL
series ALL include some form of microtuning tables. As do most of their XG
thingies, even the PSR 530 & above. What a waste of a great machine. AFAIK
Kawai made the same goof with their K5000, and only Waldorf's insane :) Wave
has tuning tables in their product line.

Personally I consider any synth/sampler with no microtuning to be absolute
rubbish, though there are wayz to work around the limitation.

Ensoniq's ASR-X Pro is one of the best choices available, with full 128 note
tuning tables, & over 30 preset temperments, not to mention various
available key tracking settings. E-mu's new budget ESI2000 is also a great
buy, with a really good microtuning capabilities. The E5000 has the neato
"Beat Munging" tool, more power, but lower microtuning resolution (1/64th of
a semitone v/s the ESI's 1/100th of a semiton), and is double the ESI's
price.

If you're really interested in Indian/Middle Eastern sounds, then do not
stop at Oud or Sitar samples. They have to be played/sequenced in an
appropriate tuning to sound remotely authentic.

A Middle Eastern sound is easily achievable :
In the key of C try tuning your D, E, A, and B notes a quarter tone
(-49 cents) flat.

You folks should really get into microtonality if you're really looking for
new sounds, a bottomless well of ideas, & an endless source of new
tonalities. Looping and microtonality holds gargantuan potential.
David Beardsley's on this list (Hey David howzzit goin ?), he's really into
microtonality. David, makin any nice noizez wizzat DL4 ?

Try :
John Starrett's microtonal links site :
http://www-math.cudenver.edu/~jstarret/microtone.html

Graham Breed's site :
http://www.microtonal.co.uk/

or my own :
Xenharmonic Engines (lot's of guitar related info, some outdated links, &
I'm working on revamp):
http://microtonal.lookscool.com

And join the Tuning list over at Onelist. http://www.onelist.com

- Drew

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

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Date: Sun, 05 Dec 1999 18:29:24 +0530
Subject: Lexicon MPXG2, SU700, Korg OasysPCI
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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random thoughts...ran..dom.tho..ugh..ts...ra.n..do...m.th..oug.ht...s :

Lexicon MPX G2 :
Why not save your bucks & get one of these 20 second delay/looping babies
instead of blowing $$$ on a bevy of devices that would be quite an
undertaking to use collectively in the studio, never mind live.
@US$1200 for the rack unit itself + @$400 for the huge MPX R1 pedal board.
It's possible to use it without the MPX R1; the brochure says :
    Control Interface ->
    MIDI: 7-pin DIN connector for MIDI IN/powered bidirectional remote;
          5-pin DIN connectors for MIDI THRU and OUT
    Footswitch: 1/4² TRS phone jack for 3 independent footswitches
    Foot pedal: 1/4² TRS phone jack (10k‡ min, 100k‡ max impedance)


The Yamaha SU700 has a user group at Yahoo clubs. I lost the URL (& my
entire bookmarks file) when Outlook Express did weird thingz to my hard
drive the other day. It would appear that the SU700 & DJRND2 work with a
similar agenda. Seems the SU700 has some stability issues though, and the
keyboard review of it sez the time compression/expansion is not much use.
Otherwise it's a neat idea for a studio looping tool. If they make a next
generation device, they may get it right. Maybe some emails to them
regarding real time looping capabilities (& mucho RAM : 256MB ?, faster
SCSI/ Firewire, better sequencer with step sequencing) would be a good idea.
U could also try http://www.teklab.com for more Yamaha user groups.

Korg's upcoming Oasys PCI card could be a good thing. Other than the stock
upto 160 second delay line, 3rd party software can be written & loaded into
it, so there's a plan for some enterprising person. Perhaps a super 160
second Echoplex on acid could be coded for it, with full MIDI control.

Anyone here actually own an Eventide GTR4000 with the sampling board ? Just
curious & looking for additions to my people-to-envy list :-)

-drew

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

From Loopers-Delight-request@annihilist.com  Sun Dec  5 15:31:37 1999
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Dear loopers!
Can you explain, what is PMC-10 and where can I get information about it
(.pdf manual or homepage or...).
Thanks

Tiit Kikas
tkikas@yahoo.com

From Loopers-Delight-request@annihilist.com  Sun Dec  5 16:03:23 1999
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Gareth Whittock wrote:
> I, like many of you am intrigued by the new line6 delay modeller.

I just picked one up!

> Could someone who owns one tell me:-
> a    Whether the looping section is true stereo, (ie stereo image is  maintained from input)

Yes it is. It is also true bypass. Nice feature that.
> b    What the provision of an external expression pedal allows you to do.

You can "morph" (for lack of a better word) between two different
settings on the same Delay type. 

IE: If you are using the Boss analog delay emulation you can set it up
so the closed (heel position) delay time is 10 MS and the full open (toe
position) setting is the full 2.5 seconds.  

You can basically go between any two settings in one preset so you can
tweak the unit to "morph" from any one preset into another (in the same
mode.  IE: Analog delay (Boss Delay Emulation) or Modulation Analog
Delay (EH Deluxe Memory Man Emulation)

> c    Is there is some sort of patch memory?

Yes. You can save three patches (A, B, C) in each delay type. The looper
is a different creature I believe as the A,B,C "preset" switches then
turn into Overdub, Play, and  One Shot switches respectively.

> d    What sort of sound quality are we talking about?

Well it's a 24 Bit  unit with a "digital modeler" that supposedly can
emulate the old analog delays and dowh to 6 bit digital delays. I'm not
ready to review it but certainly it has a wide range of "quality" IMO.

At this point I'm wondering if there is a new user list growing for the
new LINE6 products. Anyone know if this is happening or want to make
one?

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Sun Dec  5 17:00:18 1999
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Date: Sun, 05 Dec 1999 13:53:33 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: PMC-10
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At 12:23 PM -0800 12/5/99, Tiit Kikas wrote:
>Dear loopers!
>Can you explain, what is PMC-10 and where can I get information about it
>(.pdf manual or homepage or...).
>Thanks
>

It's a midi controller footpedal, with a very complete midi implementation.
Made by Digitech. Here's a good review of it:
http://members.aol.com/jefman13/articles/pmc.html

It's been out of production for years, naturally.

kim



______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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From: David Beardsley <xouoxno@virtulink.com>
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Subject: Re: Indian/middle eastern sounds, microtonality
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Drew Skyfyre wrote:

> If you're really interested in Indian/Middle Eastern sounds, then do not
> stop at Oud or Sitar samples. They have to be played/sequenced in an
> appropriate tuning to sound remotely authentic.

It's more fun to play the real thing. I had a couple
of jams with an oud player recently so I played it a bit.
Whatta blast.
 
> A Middle Eastern sound is easily achievable :
> In the key of C try tuning your D, E, A, and B notes a quarter tone
> (-49 cents) flat.
> 
> You folks should really get into microtonality if you're really looking for
> new sounds, a bottomless well of ideas, & an endless source of new
> tonalities. Looping and microtonality holds gargantuan potential.
> David Beardsley's on this list (Hey David howzzit goin ?), he's really into
> microtonality. David, makin any nice noizez wizzat DL4 ?

Oh yeah. With the DL4 I also use a H&K Redbox to run the
signal into my board and then into the Digitech 7.6 sec Time Machine
for that stereo A-Rainbow-in-Curved-Air effect.

Maybe I'm ready for dat tonight. 

By the way, curious folks might want to check out my
microtonal guitar. 65 frets, 63 notes to the octave. 

http://www.organicdesign.org/peterson/customers/catler_ji.html

BTW: Jon Catler [he designed the fretboard] is also a looper. Boomerang.


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@annihilist.com  Sun Dec  5 20:53:09 1999
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I will pay 300 for x911 with three foot controllers.
thanks Jeremiah

>From: Legion <legion@voicenet.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: AH <analogue@hyperreal.org>,        "Loopers-Delight@annihilist.com" 
><Loopers-Delight@annihilist.com>
>Subject: FS: Korg X911 Guitar Synth, NOS Zvex pedals...
>Date: Tue, 30 Nov 1999 13:46:32 -0500
>
>I've posted these for my friend before but many a deal has fallen
>through. Prices are lowered for a quick no BS sale to the first person
>to confirm the sale via phone. PLEASE serious inquiries only. These are
>excellent prices for these items (Search around) and all items
>(including the X911) are in *excellent* shape.
>
>
>FS: Korg X911  - Mint shape original. Original box, manual, unit.  -
>$350
>Analog synth/effects processor. VCF,VCO,autowah,distortion circuit,
>CV/Gate in and outs, Filter sweep, etc etc etc. Full info on this
>amazing machine can be found at:
>http://www.i2.i-2000.com/~kbrunner/effects/x-911.htm
>
>
>Zvex New Old stock handmade effects boxes - Each is mint shape with
>Zachary's original "wrapping" and paint jobs. These are basically new
>pedals (never used) much cheaper than anywhere on the net. He was a
>dealer and is now moving and closing up business.
>
>Octane - 11/27/97. Octave Fuzz, Pedal out of Production. $250
>Octane - 10/29/97. Octave Fuzz, Pedal out of Production. $250
>
>Super Hard On - 6/7/97 Preamp pedal. $125
>
>He also has two Fuzz factorys (early 98) - $175/each
>
>
>Call him direct at: (215) 627-8165 and ask for Bob. Also you can email
>me your Phone # if you want and yr *seriously* interetsed and I'll pass
>it on.
>
>Thanks!
>
>____________________________________________________________________
>      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
>"Bringing you the best in Organic Electronic music since we started..."
>
>Home of the Unusual Instrument and Recording Gallery with pictures and
>info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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a-ha, yes! ... nice description ...

rob

David Beardsley schrieb:
> 
> A-Rainbow-in-Curved-Air effect.


From Loopers-Delight-request@annihilist.com  Sun Dec  5 23:54:15 1999
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From: Ppaulpadam@aol.com
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Date: Sun, 5 Dec 1999 23:49:47 EST
Subject: looking for looper
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I'm looking for a loop machine.  Anybody have leads??
Echoplex
Boomerang
Jamman?

I've heard there is a  Zoom  that has 32 sec of delay time??

many Thanks

Paul Adams

From Loopers-Delight-request@annihilist.com  Mon Dec  6 00:02:14 1999
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From: "Greg S." <g716@hotmail.com>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Old Rex50 Multi-effects unit
Date: Sun, 5 Dec 1999 21:00:04 -0800
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This is a multi-part message in MIME format.

------=_NextPart_000_002C_01BF3F63.B3EF9B80
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	charset="iso-8859-1"
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Is anyone interested in an old Yamaha Rex50 multi-effects unit VERY =
cheap?  Some of the buttons on the main panel no longer work, but =
everything can be done through midi.  The effects work fine.

I figured someone on this list might be into odd or old effects -- and =
have the midi know-how to make the box usable.

I found a picture of it on the net...

http://home.swbell.net/ampjunky/studio.htm

$15 and it's yours.  I'd feel bad about throwing it away.

Greg

------=_NextPart_000_002C_01BF3F63.B3EF9B80
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Is anyone interested in an old Yamaha =
Rex50=20
multi-effects unit VERY cheap?&nbsp; Some of the buttons on the main =
panel no=20
longer work, but everything can be done through midi.&nbsp; The effects =
work=20
fine.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I figured someone on this list might be =
into odd or=20
old effects -- and have the midi know-how to make the box =
usable.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I found a picture of it on the =
net...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://home.swbell.net/ampjunky/studio.htm">http://home.swbell.ne=
t/ampjunky/studio.htm</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>$15 and it's yours.&nbsp; I'd feel bad =
about=20
throwing it away.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Greg</FONT></DIV></BODY></HTML>

------=_NextPart_000_002C_01BF3F63.B3EF9B80--

From Loopers-Delight-request@annihilist.com  Sun Dec  5 23:52:58 1999
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I'm looking for a loop machine. Lets see,  Echoplex, Boomerang, Jamman.  

I've head one of the little Zooms has 32 sec of delay time?!?

Many thanks

Paul

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Has anybody tried out the Toneworks AX 1000 ?  It supposedly has a loop
function built in and it looks easy to work.

Fiveguy

From Loopers-Delight-request@annihilist.com  Mon Dec  6 00:43:52 1999
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Date: Mon, 06 Dec 1999 00:30:15 -0500
From: George McConnell <gcm22@drexel.edu>
Subject: Tim Reynolds
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I was wondering if there are any Tim Reynolds fans out there.  Tim was the
reason for my interest in looping in the first place.  I recently purchased
his live acoustic album Gossip of the Neurons.  Phenomenal.  Anyone hear any
of his other CDs, or better yet, know what kind of gear he uses?

George

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From: Kriist@aol.com
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Date: Mon, 6 Dec 1999 00:59:18 EST
Subject: mixer schematics
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can anybody point me to a simple mixer schematic on the web?
i have the anderton book that has an 8-1 mixer
but no auxs
im looking for 5-1(with 5 aux)for feedbackgin

rodrigo

From Loopers-Delight-request@annihilist.com  Mon Dec  6 01:09:15 1999
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From: Gamine70@aol.com
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Date: Mon, 6 Dec 1999 01:05:11 EST
Subject: Re: Tim Reynolds
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Is this the guy who plays with dave matthews? I think he tours with dave for acoustic duet shows and plays second guitar on all of the reg DMB release. If this is the same one yr right this guy is wonderful. Unfortunately the only context I've heard him in is with dave and I'm not a dave fan. However ther is one song on the doulbe disc set of a dave and tim duet show which tim wrote and plays alone on. He ends up playing over a loop on his acoustic. It's very inspired I think by herbie hancock's maiden voyage. Is the live acoustic album you speak of solo or does he have a band. When I get money I may search him out. On another note are there any nels cline fans out there. Now that I think about it he was the guy that inspired me to get my first looper. 

matt

> I was wondering if there are any Tim Reynolds fans out there.  Tim was the
> reason for my interest in looping in the first place.  I recently purchased
> his live acoustic album Gossip of the Neurons.  Phenomenal.  Anyone hear any
> of his other CDs, or better yet, know what kind of gear he uses?
> 
> George


From Loopers-Delight-request@annihilist.com  Mon Dec  6 01:16:01 1999
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From: Cornhilio2@aol.com
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Date: Mon, 6 Dec 1999 01:10:47 EST
Subject: SCHALTWERK
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hey everyone i was looking to buy a SCHALTWERK to controll my airbase99 
and iwas wondering if anyone knew where i can get one and or if the SCHALTWERK
 would be a good drum sequencer for my airbase99 and drumstation

From Loopers-Delight-request@annihilist.com  Mon Dec  6 01:50:27 1999
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Date: Sun, 5 Dec 1999 22:46:29 -0800 (PST)
From: Jeffery Hildebrand <jshildebrand@ucdavis.edu>
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Subject: RE: tim reynolds
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	tim uses a DD-5 by Boss (Roland). well at least when he's on tour
with dave. i don't know if he uses other stuff on his own cds. oh yeah,
i'm a HUGE fan.

			scott

From Loopers-Delight-request@annihilist.com  Mon Dec  6 01:56:03 1999
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
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Matt,
	I'm one. Nels Cline is a fine, fine guitarist. The Interstellar Space
Revisited CD that he just did with Gregg Bendian is insane. What sort of
looping setup does he have? Having never seen him live, I'm curious. I love
his work with The Geraldine Fibbers and his trio. Have you heard any of the
Interzone stuff?
Sincerely,
Jeff McLeod

At 01:05 AM 12/6/1999 EST, you wrote:
 On another note are there any nels cline fans out there. Now that I think
about it he was the guy that inspired me to get my first looper. 
>
>matt

__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Mon Dec  6 02:56:49 1999
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Message-ID: <003b01bf3fb7$7a319ca0$0316a5ce@stepheng>
Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <0.b35a8a48.257caab6@aol.com>
Subject: Re: mixer schematics
Date: Sun, 5 Dec 1999 22:59:39 -0800
Organization: EarthLight Productions
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I concur!  My crappy lil' Yamaha has finally developed a buzz in the effects
loop.  Ba-ad Juju!  So besides the blessed periods when I can somehow filter
it out (I just found the frigging thing today), it's time for a replacement.
I don't have the cash for something Good, but I DO know how to solder as
long as the plans work.

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html

> can anybody point me to a simple mixer schematic on the web?
> i have the anderton book that has an 8-1 mixer
> but no auxs
> im looking for 5-1(with 5 aux)for feedbackgin
>
> rodrigo
>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 03:06:56 1999
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Message-ID: <384B6D43.95E6E81B@jimmygeorgearts.com>
Date: Mon, 06 Dec 1999 02:01:07 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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To: "Loopers-Delight-request@annihilist.com" 
 <Loopers-Delight-request@annihilist.com>,
        "johnson-amp@homer.harman-dod.com" <johnson-amp@homer.harman-dod.com>,
        "2101@homer.harman-dod.com" <2101@homer.harman-dod.com>,
        chris downey <thedowneys@earthlink.net>,
        Loopers Delight <Loopers-Delight@annihilist.com>,
        Shawn Kelly <shawnkelly@webtv.net>, dlh <dlh@whoweare.net>,
        Jim George <n3bb@mindspring.com>
Subject: Advice needed on buying a CD burner
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i am ready to buy the perfect CD burner. my main purpose is to use it
for selling one -offs. it must be able to read the CD-PQ codes from
master disks and burn exactly. it must also have superior sound quality
void of pops and clicks.  i know very little about the transfer of
digital medium. my interest is not to learn how or why a burner works.
my interest lies solely in getting your expert advice as a community of
well informed audiophiles. i've been monitoring this mailing list for
months now and respect allot of your knowledge that comes through here.

any advice would be gratefully appreciated. thanks in advance!

jimmy george

From Loopers-Delight-request@annihilist.com  Mon Dec  6 02:58:44 1999
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Subject: Re: Loopers-Delight-d Digest V99 #490
Date: Sun, 5 Dec 1999 23:02:22 -0800
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I noticed that the Zoom 2100 is not in the current Musician's Friend
catalog, but it WAS on the "closeouts" page on the OTHER Christmas catalog
that arrived two weeks ago.  Yipes!  I don't anticipate being able to get
the second one I wanted to get, especially at their price of $99!  I don't
think anyone on this list who bought one has a complaint, either.

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html

Ppaulpadam@aol.com opined:


> I'm looking for a loop machine. Lets see,  Echoplex, Boomerang, Jamman.
>
> I've head one of the little Zooms has 32 sec of delay time?!?
>
> Many thanks
>
> Paul
>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 03:08:05 1999
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From: Gamine70@aol.com
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Date: Mon, 6 Dec 1999 02:28:58 EST
Subject: Re: Tim Reynolds
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I agree, Interstellar space is a great release. I also have greg bendians interzone and it's truly wonderful. It was writen with some prog rock band in mind by the name of gentle giant. This isn't prog rock though in the sense of yes and rush. It's highly recomended. About his looper I saw him live when he came to nashville with watt in 98 and he had it and used it some. It's an old 14 second delay unit and the name escapes me right now. Interestingly enough Bill frisell supposedly turned him onto it when they were both a memeber of julius hemphill's band in the 80's. For some reason he had it ontop of his amp instead of with his other many effects on the floor and there was no foot pedal for it. Whenever he would use it he would activate it with his hand though I don't know if uses it like this all of the time. He mentioned before the show that it was giving him problems so maybe he was protecting it from his massive black military boot. by the way he is an incredibaly nice g!
uy. I approached him with two of my friends before the show and he genorously posed for several pictures and signed some autographs. Then to my shock he invited all of us backstage and we hung for awhile and he allowed me to played his guitar! I was totally nervous and felt like such a dork but I got over it. The show was amazing, if anyone has a chance to see him in any context check him out. Talk to you later jeff and everyone else. It's two o clock in the morning down here in knoxville and I have to start studying for my french exam tomorrow, shit.

matt

> Matt,
>     I'm one. Nels Cline is a fine, fine guitarist. The Interstellar Space
> Revisited CD that he just did with Gregg Bendian is insane. What sort of
> looping setup does he have? Having never seen him live, I'm curious. I love
> his work with The Geraldine Fibbers and his trio. Have you heard any of the
> Interzone stuff?
> Sincerely,
> Jeff McLeod
> 

From Loopers-Delight-request@annihilist.com  Mon Dec  6 03:58:04 1999
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Message-ID: <384B7A11.57C5C89C@texas.net>
Date: Mon, 06 Dec 1999 02:55:51 -0600
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
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wow - what a crazy guitar. i tend to pull the frets out of mine alot
lately but this looks fun!

another cool thing i want that (no doubt) costs a big pile of money.

golly.

bobdog

From Loopers-Delight-request@annihilist.com  Mon Dec  6 05:04:17 1999
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Date: Mon, 06 Dec 1999 11:03:05 +0100
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Subject: Re: Vortex sounds "bottled" when bypassed- ot?
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I think I have this problem too, when I plug directly in to the vortex, No Probs...however
it appears "out of phase" when on the AUX sends.

...so how do I make it "In Phase?"...please?


MArk Red

jpw77@together.net wrote:

> Sounds like the Vortex is being put out of phase somewhere in your setup. Could be
> cables  (swap 'em and see),another device inline with the Vortex,or your mixer. If
> you're bringing it back into dedicated efx returns try two normal channels on the
> board-on some mixers efx returns are (inexplicably) out of phase ( maybe to
> counteract the fact that the outputs of some budget efx boxes are out of phase). This
> means your wet signal from the Vortex is out too, and should sound a lot better if you
> track this down.
>
> Jon Williams

--
"In vodka Veritas"


From Loopers-Delight-request@annihilist.com  Mon Dec  6 06:33:36 1999
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From: PJBMHB@aol.com
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Date: Mon, 6 Dec 1999 06:18:34 EST
Subject: Re: nels' loops
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nels uses an eh 16 sec. delay for looping and sound effects. he is awesome! 
saw him with mike watt last year in nyc. great concert. =-) PJ

From Loopers-Delight-request@annihilist.com  Mon Dec  6 07:14:07 1999
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On 12/5/99 Cornhilio wrote:

>hey everyone i was looking to buy a SCHALTWERK to controll my airbase99
>and iwas wondering if anyone knew where i can get one and or if the SCHALTWERK
> would be a good drum sequencer for my airbase99 and drumstation

Is this made by Doepfer? Somehow I believe it is. If so do a search for
Enport. They are in Omaha Nebraska and were importing and stocking products
form Doepfer. If you can not find the site let me know I may have a phone
number somewhere.


Patrick
                     Fingerpaint's New Release:

                            IN THE LOOP

      ... an intelligent, stimulating mixture of mimimaist spacebeats and
           obscure samples layered upon a hypnotic illbient backdrop.

                       DIGITAL ARTIFACT # 12

                      http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Mon Dec  6 08:46:40 1999
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Date: Mon, 06 Dec 1999 08:26:37 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: nels cline..cd
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At 12:50 AM 12/6/99 -0600, you wrote:
>Matt,
>	I'm one. Nels Cline is a fine, fine guitarist. The Interstellar Space
>Revisited CD that he just did with Gregg Bendian is insane. What sort of
>looping setup does he have? Having never seen him live, I'm curious. I love
>his work with The Geraldine Fibbers and his trio. Have you heard any of the
>Interzone stuff?
>Sincerely,
>Jeff McLeod


hey -- can anyone point to a Nelswebsite or where i can getthis cd..?? is
it general release ?? & whatlabel

I too was blown away by Nels - saw half a Mike Watt show last year-- he
rips,he loops, he raps willingly about his technique/gear after the gig

please help me help him pay a phone bill

andre'
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Mon Dec  6 09:44:38 1999
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www.littlebrotherrecords.com sell quite a few nels releases. I think you can get the final three trio discs he put out there. At the links page at littlebrother records his full catalog from 79 to 98 is posted. I believe the laabels are listed. Happy hunting!
matt


> hey -- can anyone point to a Nelswebsite or where i can getthis cd..?? is
> it general release ?? & whatlabel
> 
> I too was blown away by Nels - saw half a Mike Watt show last year-- he
> rips,he loops, he raps willingly about his technique/gear after the gig
> 
> please help me help him pay a phone bill
> 
> andre'
> *NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...
> 
> Jfk's Lsd Ufo site          Project Object/Zappa tribute
> http://www.ufomusic.com         http://www.projectobject.com


From Loopers-Delight-request@annihilist.com  Mon Dec  6 09:52:03 1999
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From: "ken griffith" <kenard@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: nels cline.. linls
Date: Mon, 6 Dec 1999 06:37:10 -0800
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There are a Couple Nels sites listed  under the artists on this "New Music"
link....
The nels cline appreciation society & discography.... Enjoy.

http://www.gslis.utexas.edu/~jeffs/music.html

Also had a question ... had seen reference on the site to a bill frisell
video... does anybody have any more info ??? thanks....


hey -- can anyone point to a Nelswebsite or where i can getthis cd..?? is
it general release ?? & whatlabel

I too was blown away by Nels - saw half a Mike Watt show last year-- he
rips,he loops, he raps willingly about his technique/gear after the gig



From Loopers-Delight-request@annihilist.com  Mon Dec  6 09:57:10 1999
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Date: Mon, 06 Dec 1999 09:34:39 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Re: nels cline..cd
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At 09:11 AM 12/6/99 EST, you wrote:
>www.littlebrotherrecords.com sell quite a few nels releases. I think you
can get the final three trio discs he put out there. At the links page at
littlebrother records his full catalog from 79 to 98 is posted. I believe
the laabels are listed. Happy hunting!
>matt


cool. thanx for the prompt info.love the net for that.

altho - i hope (and i bet Nels does) - that those are not the FINAL trio
discs he does !!! heh hehe

andre'


*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Mon Dec  6 09:59:03 1999
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Date: Mon, 06 Dec 1999 09:36:57 -0500
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From: andre <andre@monmouth.com>
Subject: DL 4 question
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ahh...here we go...a weird wuestion on figuring out the dl4


has anyone noticed that some of the regular delay patches (tube/tape/maybe
digital dynamic, etc) has PATCH "C"set to REVERSE echo -- in other words-
is anyone else seeing the reverse setting preset into any other sound
BESIDES "REVERSE" ???


i am able to change it - just wondering..??

thanx

andre'
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Mon Dec  6 10:16:59 1999
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From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Line 6 Delay RealAudio samples
Date: Mon, 6 Dec 1999 08:58:28 -0600
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this  is on the Gaspedal site and the samples are not awe-inspiring
contentwise, but they'll give you some idea bout the functions of the piece
. . .

http://www.gaspedal.com/line6.htm

drone on~~~~~~~~~~~~~~~~~~

Tom Lambrecht
hideo@concentric.net




From Loopers-Delight-request@annihilist.com  Mon Dec  6 10:32:23 1999
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Subject: Re: Mysticism in Sound and Music group buy . . . 
Date: Mon, 6 Dec 1999 09:11:13 -0600
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 . . . or you can buy it on your own as I did and save a few bucks--same
price which is basically, free freight

"Mysticism . . ." by Sufi musician Hazrat Inaya Khan, was recommended by
someone here, along with "No Sound Is Innocent" --THANKS for the word,
whoever it was.

both are not really technique books, but really nice philosophy/concept
readings . . .

anyway, an independent bookseller named Dan Pope is where I got my copy for
$13 shipped promptly by Priority Mail

e-mail for Dan is  danpope@home.com

drone on~~~~~~~~~~~~~~~~
Tom Lambrecht
hideo@concentric.net


>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 10:35:23 1999
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To: Loopers-Delight@annihilist.com
Subject: Re: nels cline..cd
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Another Nels fan here.  FYI Nels will be in concert this Friday with his current
project Scarnella at Ventura City Hall. 8:00 pm.
(Ventrua, California)

Check out

http://www.smellslikerecords.com/artists/scarnella/links.html

joe

andre wrote:

> hey -- can anyone point to a Nelswebsite or where i can getthis cd..?? is
> it general release ?? & whatlabel
>
> andre'

From Loopers-Delight-request@annihilist.com  Mon Dec  6 10:54:16 1999
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yeah no problem, I read the other response by some nice person whose name i forget and he or she(sorry) had a link with a quick time clip of the trio! Damn thanks whoever you are. Check it out it's totally neat!

matt
> cool. thanx for the prompt info.love the net for that.
> 
> altho - i hope (and i bet Nels does) - that those are not the FINAL trio
> discs he does !!! heh hehe
> 
> andre'
> 
> 
> *NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...
> 
> Jfk's Lsd Ufo site          Project Object/Zappa tribute
> http://www.ufomusic.com         http://www.projectobject.com


From Loopers-Delight-request@annihilist.com  Mon Dec  6 11:22:56 1999
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Date: Mon, 06 Dec 1999 10:44:12 -0500
From: George McConnell <gcm22@drexel.edu>
Subject: Re: Tim Reynolds
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Yea, Stream is the name of the solo tune on the double disk "Live at Luther
College".  The acoustic album is just him and his acoustic guitar at a bar
in Charlottesville, VA.  But, he also has a trio, that he does Hendrix-esque
electric guitar.

----- Original Message -----
From: <Gamine70@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, December 06, 1999 1:05 AM
Subject: Re: Tim Reynolds


> Is this the guy who plays with dave matthews? I think he tours with dave
for acoustic duet shows and plays second guitar on all of the reg DMB
release. If this is the same one yr right this guy is wonderful.
Unfortunately the only context I've heard him in is with dave and I'm not a
dave fan. However ther is one song on the doulbe disc set of a dave and tim
duet show which tim wrote and plays alone on. He ends up playing over a loop
on his acoustic. It's very inspired I think by herbie hancock's maiden
voyage. Is the live acoustic album you speak of solo or does he have a band.
When I get money I may search him out. On another note are there any nels
cline fans out there. Now that I think about it he was the guy that inspired
me to get my first looper.
>
> matt
>
> > I was wondering if there are any Tim Reynolds fans out there.  Tim was
the
> > reason for my interest in looping in the first place.  I recently
purchased
> > his live acoustic album Gossip of the Neurons.  Phenomenal.  Anyone hear
any
> > of his other CDs, or better yet, know what kind of gear he uses?
> >
> > George
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 11:25:47 1999
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From: Nemoguitt@aol.com
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Date: Mon, 6 Dec 1999 11:11:30 EST
Subject: zoom 2100 and non-midi group play
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last nite i was experimenting with the 2100 sound on sound feature (i think 
you need the expression pedal to access this function).......play a loop (5 
or 6 sec) push the pedal up and play along with the loop, no-overdub, step on 
the pedal input new data into loop, lift up jam along.........as the loop 
faded, a very long time by the way, the earlier loop begins to fade and the 
most recent input stays present.........anyhow, i made a loop on the 2100 and 
sent it to the rang and extended it for about 2 min..........then i made some 
new loops on the 2100 and layered them also into the rang........it seems to 
me that if you have, lets say a 5 sec loop, anything you add from another 5 
sec loop source will sync up with the original loop.......so if you can 
preset the loop length and you have two people playing will they then be in 
sync without midi?........michael

From Loopers-Delight-request@annihilist.com  Mon Dec  6 11:33:12 1999
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From: George McConnell <gcm22@drexel.edu>
Subject: Re: tim reynolds
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References: <Pine.GSO.4.10.9912052244440.13933-100000@sandman.ucdavis.edu>
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With DD-5, does he use the 2-second Hold to do his "loops", or does he have
a looper, set aside for that?
 I guess the backwards effect is where he gets that weird sound from.
----- Original Message -----
From: Jeffery Hildebrand <jshildebrand@ucdavis.edu>
To: <loopers-delight@annihilist.com>
Sent: Monday, December 06, 1999 1:46 AM
Subject: RE: tim reynolds


> tim uses a DD-5 by Boss (Roland). well at least when he's on tour
> with dave. i don't know if he uses other stuff on his own cds. oh yeah,
> i'm a HUGE fan.
>
> scott
>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 11:43:24 1999
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Date: Mon, 06 Dec 1999 11:18:11 -0500
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From: Kevin Cheli-Colando <kevin@minds-eye.org>
Subject: Re: zoom 2100 
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You can access the SOS feature with the little pressure pad quite easily,
but I have yet to find a way to open the loop and letting it decay without
totally annhilating the loop (its either on or off).  I haven't used an
expression pedal for this though either, so maybe this is part of the
solution.  Then again, I haven't experimented with this as much as I could
have, many new pieces of gear have arrived int he same time frame and all
are langushing from lack of deep experimentation to some degree.  when you
say it takes a long time to decay, how long do you mean (seconds, minutes,
hours...)?


Kevin

 At 11:11 AM 12/06/1999 -0500, you wrote:
>last nite i was experimenting with the 2100 sound on sound feature (i think 
>you need the expression pedal to access this function).......

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Date: Mon, 06 Dec 1999 08:32:46 -0800
From: "Mike Biffle" <mbiffle@svg.com>
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Subject: Re: Tim Reynolds
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I'm a big Nels Cline fan as well... 

Nels uses an EH 16 second delay. It sits on top of his amp and he
uses his hands for all his tweaking. It's quite amazing and sometimes
funny to watch cause he's whacking at it and making guitar sounds and
whipping out egg whisks all at the same time! Looks sort of like he's
getting electro-shock therapy... (Which might be what started it all
in the first place...) I have a couple of his trio cd's (Ground, Sad)
and can't wait to grab the rest... truly amazing stuff. 

Nels also plays with fellow LD list member Steuart Liebig (6 string
bass) in STINKBUG which includes GE Stinson also on guitar 'n loops,
and Scott Amendola on drums... Stig is also an EH 16 sec delay user
and has an Akai Headrush as well as nearly every freakin' big Lovetone
Pedal out there.

-Miko

>>> Jeff & Vonda McLeod <subversive@mindspring.com> 12/05 10:54 PM
>>>
Matt,
	I'm one. Nels Cline is a fine, fine guitarist. The
Interstellar Space
Revisited CD that he just did with Gregg Bendian is insane. What sort
of
looping setup does he have? Having never seen him live, I'm curious.
I love
his work with The Geraldine Fibbers and his trio. Have you heard any
of the
Interzone stuff?
Sincerely,
Jeff McLeod

At 01:05 AM 12/6/1999 EST, you wrote:
 On another note are there any nels cline fans out there. Now that I
think
about it he was the guy that inspired me to get my first looper. 
>
>matt

__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/ 
http://members.xoom.com/edkempertrio/ 

From Loopers-Delight-request@annihilist.com  Mon Dec  6 11:56:16 1999
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Date: Mon, 06 Dec 1999 08:41:14 -0800
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From: Rich <rich@nuvision.com>
Subject: Digitech Delays FS
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Hi Loopers,

I have three pedals that I am going to be selling.  I have a strange
feeling I might regret selling these (like the stories of my dad and all
those 57 chevy's he had as a kid and never should have sold).  But anyway,
time to move on.  Please drop me a line off site.

Digitech PDS 8000 Echo Plus
8-second Delay/Sampler with infinite repeat switch
Fair/good cosmetic condition with some scratches, but is in good working
order.

Price: $160 US OBO + shipping.


(2) Digitech PDS 1002
2-second delay with infinite repeat switch
Fair/good cosmetic condition with some scratches, but is in good working
order. One of the units is missing the original battery cover (has a
makeshift cover) and other unit needs a new 9v battery clip wired in (works
fine off of adapter power).

Price: $80 US (each) plus shipping


Later,

rich

From Loopers-Delight-request@annihilist.com  Mon Dec  6 12:05:48 1999
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Subject: Re: Vortex sounds "bottled" when bypassed- ot?
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I've noticed the mention of putting the unit in bypass... If it's on
an aux send it's doubling your signal if it's in bypass. To kill the
Vortex and avoid the doubling you'll have to turn either the Vortex
return channel down or the aux send it's on. Bypass won't help you
here. You can get great full stereo use of a Vortex on the Alt 3/4
buss included on most Mackie mixers. That way you can just punch the
button and send it off to the Vortex. If you return the Vortex to a
channel strip you can then use aux buss processing to further mess
with it or loop it.

-Miko

>>> mark <mark@grape.no> 12/06 2:00 AM >>>
I think I have this problem too, when I plug directly in to the
vortex, No Probs...however
it appears "out of phase" when on the AUX sends.

...so how do I make it "In Phase?"...please?


MArk Red

jpw77@together.net wrote:

> Sounds like the Vortex is being put out of phase somewhere in your
setup. Could be
> cables  (swap 'em and see),another device inline with the Vortex,or
your mixer. If
> you're bringing it back into dedicated efx returns try two normal
channels on the
> board-on some mixers efx returns are (inexplicably) out of phase (
maybe to
> counteract the fact that the outputs of some budget efx boxes are
out of phase). This
> means your wet signal from the Vortex is out too, and should sound
a lot better if you
> track this down.
>
> Jon Williams

--
"In vodka Veritas"


From Loopers-Delight-request@annihilist.com  Mon Dec  6 12:32:43 1999
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From: Nemoguitt@aol.com
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Date: Mon, 6 Dec 1999 12:11:21 EST
Subject: Re: zoom 2100 
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In a message dated 12/6/99 2:41:00 PM Mid-Atlantic Standard Time, 
kevin@minds-eye.org writes:

<<  when you
 say it takes a long time to decay, how long do you mean (seconds, minutes,
 hours...)? >

just tried it.........on the sound on sound setting.......6 sec 
delay.......the input went for apx 4 min.....the volume began to fade about 
2-2.5 min but was still there for the entire 4+ min. although very much in 
the background........a long decay imho.......michael

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Date: Mon, 6 Dec 1999 12:34:49 EST
Subject: zoom 2100
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on the sound on sound with a 1 sec delay you get about 1 min of decay time, 
so it seems the longer the delay the longer the decay........i just tried the 
6 sec delay again, hit one note and its well over 6 min and the silly thing 
doesnt seem to be decaying at all......7 min........10 min and still going 
strong........please diregard everything ive written about this, i have no 
idea whats going on with this machine, but i love 
it.........:)........michael      12 min.......yipes! still going............

From Loopers-Delight-request@annihilist.com  Mon Dec  6 12:46:29 1999
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In a message dated 12/5/99 11:52:21 PM Eastern Standard Time, 
Ppaulpadam@aol.com writes:

<< I've head one of the little Zooms has 32 sec of delay time?! >>
as does the JamMan w/ a Mem Up grade

From Loopers-Delight-request@annihilist.com  Mon Dec  6 12:49:51 1999
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
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Subject: Re: Vortex sounds "bottled" when bypassed- ot?
Date: Mon, 6 Dec 1999 09:42:58 -0800
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I think you may have hit the nail there- so when it is in bypass it sends
signal through but with no effect- so you hear the channel signal plus the
dry signal from the aux- grrr- my old ass Yamaha mixer has these little
dials everywhere- not a push button in sight- even if there were though I'd
have to reach over and push it- man- its like I need a mixer BEFORE I even
get to my rack and then one after the rack- jeeze- I was looking at
Behringer mixers too- lots of bang for the buck there-
http://www.behringer.de/eng/default.htm

Cliff

PS- ot- any pc users who have seen the error "Windows Protection Error" on
boot please msg me off list- I removed a partition and now I can't boot reg-
safe mode works but I have tried everything- no autoexec, no config,
complete scan, sys file check- I read the boot log but saw nothing
suspicious-

thx-
-----Original Message-----
From: Mike Biffle <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>;
mark@grape.no <mark@grape.no>
Date: Monday, December 06, 1999 9:27 AM
Subject: Re: Vortex sounds "bottled" when bypassed- ot?


>I've noticed the mention of putting the unit in bypass... If it's on
>an aux send it's doubling your signal if it's in bypass. To kill the
>Vortex and avoid the doubling you'll have to turn either the Vortex
>return channel down or the aux send it's on. Bypass won't help you
>here. You can get great full stereo use of a Vortex on the Alt 3/4
>buss included on most Mackie mixers. That way you can just punch the
>button and send it off to the Vortex. If you return the Vortex to a
>channel strip you can then use aux buss processing to further mess
>with it or loop it.
>
>-Miko
>
>>>> mark <mark@grape.no> 12/06 2:00 AM >>>
>I think I have this problem too, when I plug directly in to the
>vortex, No Probs...however
>it appears "out of phase" when on the AUX sends.
>
>...so how do I make it "In Phase?"...please?
>
>
>MArk Red
>
>jpw77@together.net wrote:
>
>> Sounds like the Vortex is being put out of phase somewhere in your
>setup. Could be
>> cables  (swap 'em and see),another device inline with the Vortex,or
>your mixer. If
>> you're bringing it back into dedicated efx returns try two normal
>channels on the
>> board-on some mixers efx returns are (inexplicably) out of phase (
>maybe to
>> counteract the fact that the outputs of some budget efx boxes are
>out of phase). This
>> means your wet signal from the Vortex is out too, and should sound
>a lot better if you
>> track this down.
>>
>> Jon Williams
>
>--
>"In vodka Veritas"
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 13:06:20 1999
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Interestingly enough Bill frisell supposedly turned him onto it when they
were both a memeber of julius hemphill's band in the 80's. 

** true

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Hey all,

Great to see all the talk about Nels... Yea, he is one amazing musician
and I've also been fortunate to see him live many a time...

However, I went to see Chris Cornell on Friday at the Wiltern in Los
Angeles, and aside from being impressed with his guitarist Alain
Johannes' work done on the album, I was even more impressed to see his
set-up live!  I was too far away to really see all what he was using,
but about 2/3 into the set everyone went off the stage except him, and
then he just UNLEASHED with this amazing feedback/loop/solo that he had
going on for a few minutes on his own.  I was totally blown away-- it
was very full and lush and beautiful!  And he was just attacking his
guitar...  The pedal down there that may have been his looper (among
many), was a black pedalboard/multieffects looking thing that had two
expression pedals built into it...  One of which he was using as an
octaver while playing (similar to the Digitech Whammy...)  Seemed he was
using that at the beginning and end of his solo extraviganza!  Not being
versed in what's out there, I don't know what that could be, but it sure
as hell was looping...

Also, he had three Line 6 amps up there on stage creating his tone,
which was quite impressive (and I am very much a tone purist who
normally shy's away from anything digital in my guitar chain)...  I
don't know what models they were-- if they were pure tube amps or the
modelling amps I've seen at the store-- but they really sounded great...

Anyway, check his stuff out with Chris (great sounds...), and hopefully
we'll be seeing more of him in the future!!!  And more solo work!

-M

From Loopers-Delight-request@annihilist.com  Mon Dec  6 13:04:57 1999
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From: "Curbie" <curbfeeler@transworld-lax.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: nels cline / hidden treasures
Date: Mon, 6 Dec 1999 09:49:42 -0800
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Nels Cline is a fantastic musician.  We used to go see him
just about every Monday nights at a small club called
Alligator Lounge in Santa Monica, California.

He had more stomp boxes than anyone I've seen and he refuses
to replace them with any rackmount effects processors.
He must have had about 20 stompboxes.  (Imagine all the batteries
and power adapters he had to maintain :-)

Personally, he is a very gentle, warm, and humble guy and
I'm glad he is getting known.
I really like his "Frisell + Holdsworth + Punk rock" style
as well as his texture/ambient compositions.

For those who seek more less known but brilliant works,
check out:

	Hard Drive (movie soundtrack, circa 1993)
	Welcome, Said the Angel (also a movie soundtrack, French)


I think they are both available in your local video store.

Curbie


From Loopers-Delight-request@annihilist.com  Mon Dec  6 13:11:01 1999
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To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: DL4 expression pedals
Date: Mon, 6 Dec 1999 12:01:09 -0600
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I have a couple of silly questions folks.  I'm awaiting the arival of my
DL4, but the Line 6 expression pedal was not available at the time of my
purchase.  I'm aware that a Roland EV5 pedal will also work with the DL4.
Is there anybody out there who could compare the Line 6 pedal to the EV5 in
terms of its use with the DL4 (that was way too many model numbers wasn't
it?)??  The pic of the Line 6 expression pedal on their newly redesigned
website does not look like it allows very much travel.  Price is not a big
concern as I've located some reasonably priced used EV5s.  Not a huge
difference in price either way I go.  Also (and this is VERY nit-picky), how
long is the cable that is supplied with the Line 6 pedal???  If at all
possible I would prefer not to have yards of unused, unecessary cable
length.  Thanks everyone.

MicahH
I tried asking Line 6 about that last one but I can never get through on the
phone, and their tech support email address is no longer on the website


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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Tim Reynolds
Date: Mon, 6 Dec 1999 12:54:55 -0500 
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	I'm one. Nels Cline is a fine, fine guitarist. The Interstellar
Space
Revisited CD that he just did with Gregg Bendian is insane. What sort of
looping setup does he have? Having never seen him live, I'm curious. I love
his work with The Geraldine Fibbers and his trio. Have you heard any of the
Interzone stuff?

** nels uses a electro harmonix 16-second delay.

interzone first cd is good. gregg bendian on vibes (also composer), mark
dresser (the incredible) on acoustic bass, alex cline on drumset. very nice
album. kinda prog/jazz. on eremite.

interzone 2 is out on atavistic, street date in april 2000. same band,
except bass player changes . . . it's me this time.


nels fans should also check out scarnella, which is his duo with carla from
the fibbers. he's also on two tracks on g.e. stinson's new cd, "vapor," on
ecstatic peace . . . also with me on all the tracks . . . 

stig

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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: nels cline..cd
Date: Mon, 6 Dec 1999 13:18:08 -0500 
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altho - i hope (and i bet Nels does) - that those are not the FINAL trio
discs he does !!! heh hehe

** i think that they are - - at least that version of the trio. he has a
band with at least two other guitarists, bass, drums, some sampler stuff.
it's called destroy all nels cline. i think that he's trying to figure out
how to get it recorded . . . 

stig

p.s. miko said that i have all the lovetone pedals ever made - - not true!!
(just a lot of 'em)

From Loopers-Delight-request@annihilist.com  Mon Dec  6 13:34:40 1999
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Subject: Re: Tim Reynolds
Date: Mon, 6 Dec 1999 12:23:26 -0600
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I can confirm that Tim's main toy is a Boss DD-5.  He came into town with
his trio about a month ago.  LOTS of looping.  He also stepped on a
volume/wah pedal, some Marshal fuzz pedal, and a couple of those new Moog
pedals (one of which I think was just for the keyboard which he was also
playing).  In the acoustic/Dave setting I believe he mainly sticks to the
volume/wah and the DD-5.  Someone metioned the looping in Tim's "showcase"
piece on the Dave and Tim release.  I would like to add that that recording
was made in '96, and I think it really only scratches the surface of what he
can do with that little Boss pedal.  I've got a boot that I made in '97, and
Tim takes that DD5 to the far reaches.  Even more so than he did last month.
I have wondered though, was the DD5 even on the market at the time that
"Luther College" was recorded.  Or was the DD3 the only thing available??
That might explain some of growth in his looping :-)))

MicahH


From Loopers-Delight-request@annihilist.com  Mon Dec  6 13:46:17 1999
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Date: Mon, 06 Dec 1999 12:22:00 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: DL4 expression pedals
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Micah,

The Line 6 pedal is plastic. It's relatively sturdy, but I wouldn't trust
it for heavy road use. The cable isn't too long at all. I've seen the pedal
for around $49 locally.

Jeff McLeod

At 12:01 PM 12/6/1999 -0600, you wrote:
>compare the Line 6 pedal to the EV5 in
>terms of its use with the DL4 (that was way too many model numbers wasn't
>it?)?? 
>Also (and this is VERY nit-picky), how
>long is the cable that is supplied with the Line 6 pedal???  
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Mon Dec  6 13:33:06 1999
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> has anyone noticed that some of the regular delay patches (tube/tape/maybe
> digital dynamic, etc) has PATCH "C"set to REVERSE echo -- in other words-
> is anyone else seeing the reverse setting preset into any other sound
> BESIDES "REVERSE" ???

YES! I wrote Line6 this weekend about this and will post what I find
out. in fact it appears the factory presets do not correspond to the
actual delay type in any of "B" and "C" presets.

I've noticed the Tweak and Tweeze knobs add modulation on delay types
where they are supposed to be treble and bass controls on "B" and there
is a 100% wet reverse sound on all "C" presets.

> i am able to change it - just wondering..??

As far as I can tell you need to overwrite these sound in each delay
type with the "A" preset because they are clearly not the correct delay
type. The drag is if you ever need to do a factory reset these wrong
settings will be back there. 

I don't like this at all because I'm not sure I'm even calling up the
correct delay setting in preset "A". I hope I hear from LINE6 about a
work around for this...

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Mon Dec  6 13:39:00 1999
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Alain Johannes...
Date: Mon, 6 Dec 1999 13:28:48 -0500 
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However, I went to see Chris Cornell on Friday at the Wiltern in Los
Angeles, and aside from being impressed with his guitarist Alain
Johannes' 

** alain johannes is a great guitar player (and singer). he's been around
l.a. for along time. used to do double bills with "his" band called what is
this (flea left to join fear), which will be the answer to the trivia
question of "which band did the red hot chili peppers come out of?" alain
took me to their second gig . . . now look. first what is this album/ep
(squeezed?) was very cool. after that it was walk the moon and eleven, now
cornell's band. alain used to do a duo with drummer joe berardi here in
town. he did some looping in that. one gig he set up a loop before they
started, came back and someone had pulled the power - - volia no loop! and a
very unhappy alain. band was called the dwindle brothers (rhythm plague - -
me, nels, wayne peet on keys, and me and wayne did beatboxes - - used to do
double bills with them).

l.a. music history over now, back to gear talk . . . 


stig

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Date: Mon, 06 Dec 1999 10:36:01 -0800
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, bienappraisers@mindspring.com
Subject: Re: Vortex sounds "bottled" when bypassed- ot?
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Ahh... this is where you get out the mono volume pedal and patch the
aux to it and send volume to the vortex whenever your foot gets the
urge...

-Miko

>>> "Clifford@BienAppraisers" <bienappraisers@mindspring.com> 12/06
9:45 AM >>>
I think you may have hit the nail there- so when it is in bypass it
sends
signal through but with no effect- so you hear the channel signal
plus the
dry signal from the aux- grrr- my old ass Yamaha mixer has these
little
dials everywhere- not a push button in sight- even if there were
though I'd
have to reach over and push it- man- its like I need a mixer BEFORE I
even
get to my rack and then one after the rack- jeeze- I was looking at
Behringer mixers too- lots of bang for the buck there-
http://www.behringer.de/eng/default.htm 

Cliff

PS- ot- any pc users who have seen the error "Windows Protection
Error" on
boot please msg me off list- I removed a partition and now I can't
boot reg-
safe mode works but I have tried everything- no autoexec, no config,
complete scan, sys file check- I read the boot log but saw nothing
suspicious-

thx-
-----Original Message-----
From: Mike Biffle <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>;
mark@grape.no <mark@grape.no>
Date: Monday, December 06, 1999 9:27 AM
Subject: Re: Vortex sounds "bottled" when bypassed- ot?


>I've noticed the mention of putting the unit in bypass... If it's
on
>an aux send it's doubling your signal if it's in bypass. To kill
the
>Vortex and avoid the doubling you'll have to turn either the Vortex
>return channel down or the aux send it's on. Bypass won't help you
>here. You can get great full stereo use of a Vortex on the Alt 3/4
>buss included on most Mackie mixers. That way you can just punch
the
>button and send it off to the Vortex. If you return the Vortex to a
>channel strip you can then use aux buss processing to further mess
>with it or loop it.
>
>-Miko
>
>>>> mark <mark@grape.no> 12/06 2:00 AM >>>
>I think I have this problem too, when I plug directly in to the
>vortex, No Probs...however
>it appears "out of phase" when on the AUX sends.
>
>...so how do I make it "In Phase?"...please?
>
>
>MArk Red
>
>jpw77@together.net wrote:
>
>> Sounds like the Vortex is being put out of phase somewhere in
your
>setup. Could be
>> cables  (swap 'em and see),another device inline with the
Vortex,or
>your mixer. If
>> you're bringing it back into dedicated efx returns try two normal
>channels on the
>> board-on some mixers efx returns are (inexplicably) out of phase
(
>maybe to
>> counteract the fact that the outputs of some budget efx boxes are
>out of phase). This
>> means your wet signal from the Vortex is out too, and should
sound
>a lot better if you
>> track this down.
>>
>> Jon Williams
>
>--
>"In vodka Veritas"
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 13:57:28 1999
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http://www.doepfer.de/

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What's your mixer and where are you returning the Vortex signal? Like I said it's most 
likely the returns are flipped or a cable/cables wired wrong, so try changing those 
things first and locate where the problem is. 

Jon Williams


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Date: Mon, 06 Dec 1999 13:38:27 +0000
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I take it all back-realised I've never put my Vortex in bypass, so I did and got the same 
thing. So it's the unit itself putting the dry signal out of phase. Why, I don't know. Could 
be delaying the signal slightly. Not a problem if you return it 100% wet or use it 
inline(instrument-Vortex-amp). Mike's right-you just have to turn it down instead of 
bypassing it.

Jon Williams

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Date: Mon, 06 Dec 1999 10:48:52 -0800
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, jpw77@together.net
Subject: Re: Vortex sounds "bottled" /phase/oops
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>>> <jpw77@together.net> 12/06 10:38 AM >>>
> I take it all back-realised I've never put my Vortex in bypass, so
I did and got the same thing. So it's the unit itself putting the dry
signal out of phase. Why, I don't know. Could be delaying the signal
slightly. 

Make sure the mix setting on the Vortex is 100 wet. Many of the
Vortex supposedly 100% wet setting include at least some undelayed
signal which WILL result in some sort of phasing interaction... this
might be good or bad depending on what you're really after. Vortex for
the most part likes to be serially patched instead of parallel
patched... although I did both with two vortexes. I usually made
specific patches designed for parallel use when using aux buss
applications and stuck to them.

-Miko

From Loopers-Delight-request@annihilist.com  Mon Dec  6 13:59:16 1999
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Message-ID: <384C0130.5B5C59D5@hcis.net>
Date: Mon, 06 Dec 1999 12:32:19 -0600
From: James Devillez <groundfloor@hcis.net>
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Sitting around fooling with the loop sampler right now on it. I put down
something simple in the standard mode for the 2.5 sec. or whatever, then
went to the half speed mode, and layered some more 12 string guitar on
it for some time..this was playing on top of the first pattern that was
now at 1/2 speed..Then I went back to the original setting , which now
made the second layer faster than the 1st..almost bell and chime
sounding..and then I put that into the EDP where it is happily swirling
around at present,while I try to figure out how to take the abrupt
ending off of it (tried something different on the Line 6 and ended up
losing the original pattern) and then eventually recording that to a
hard drive. confused? yea,,,me too
scott devillez

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From: Gamine70@aol.com
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Date: Mon, 6 Dec 1999 14:13:21 EST
Subject: RE: Tim Reynolds
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Are there any recordings out there with julius hemphill, nels and bill and are there any recordings with nels as a member of charlie haden's liberation orchestra? (label released or bootleg)

matt
> Interestingly enough Bill frisell supposedly turned him onto it when they
> were both a memeber of julius hemphill's band in the 80's. 
> 
> ** true


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From: Gamine70@aol.com
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Date: Mon, 6 Dec 1999 14:09:23 EST
Subject: RE: nels cline / hidden treasures
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Could you tell me what the music sounds like on these releases I guess this is actually a rather vague request. What's the instrumentation like and how do the pieces compare to his other compositions. Were these soundtracks ever released as cds or vinyl? I'm very curious as to  how nels dealt with scoring a movie.
any info would be great.

matt 
> For those who seek more less known but brilliant works,
> check out:
> 
>     Hard Drive (movie soundtrack, circa 1993)
>     Welcome, Said the Angel (also a movie soundtrack, French)
> 
> 
> I think they are both available in your local video store.
> 
> Curbie


From Loopers-Delight-request@annihilist.com  Mon Dec  6 14:39:16 1999
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Vortex sounds "bottled" /phase/oops
Date: Mon, 6 Dec 1999 14:29:49 -0500 
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hello,

	Or maybe your mixing the dry signal with the wet signal already at
the mixer aux's.

DT

-----Original Message-----
From: jpw77@together.net [mailto:jpw77@together.net]
Sent: Monday, December 06, 1999 8:38 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Vortex sounds "bottled" /phase/oops


I take it all back-realised I've never put my Vortex in bypass, so I did and
got the same 
thing. So it's the unit itself putting the dry signal out of phase. Why, I
don't know. Could 
be delaying the signal slightly. Not a problem if you return it 100% wet or
use it 
inline(instrument-Vortex-amp). Mike's right-you just have to turn it down
instead of 
bypassing it.

Jon Williams

From Loopers-Delight-request@annihilist.com  Mon Dec  6 14:57:53 1999
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Vortex sounds "bottled" when bypassed- ot?
Date: Mon, 6 Dec 1999 14:46:00 -0500 
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Yes,

	when I got my mixer, I was surprised to find a whole bunch of
modifications and rewires that could be done to it in the owner's manual?! 

Denis

Denis taaffe
denis_aliengtr@geocities.com
http:/www.dtguitar.com

 Like I said it's most 
likely the returns are flipped or a cable/cables wired wrong,

From Loopers-Delight-request@annihilist.com  Mon Dec  6 14:56:10 1999
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
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Subject: cline/frisell/hemphill
Date: Mon, 6 Dec 1999 14:43:51 -0500 
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no commercial releases with the julius hemphill j.a.h band with frisell and
cline, oh yeah and alex cline and me too. i have a very funky
audience-recorded cassette tape that we did in yugoslavia for a tv/jazz
festival. i'm sure that the civil war meant the demise of any real tapes of
that event.

there was a commercial recording of the j.a.h. band without frisell. it was
a live recording from the willsau festival in 1984 (if i remember the year).
didn't have all of the better stuff from the gig, mix problems. the lp (yep)
was on minor music. i have a complete tape of the gig somewhere. the really
great gig of that tour was latter at sallfelden, it was put on radio, but
i've never heard of any tapes of it (damn!). i kinda wish that tim berne
would find a live tape of either one of those tours and reiissue on his
label (like he did with hemphill's blue boye).

the hemphill gigs were pre-looping for nels. no recordings that i know of
with haden. nels played mostly acoustic if i remember well.


stig


Are there any recordings out there with julius hemphill, nels and bill and
are there any recordings with nels as a member of charlie haden's liberation
orchestra? (label released or bootleg)

From Loopers-Delight-request@annihilist.com  Mon Dec  6 15:11:24 1999
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Date: Mon, 06 Dec 1999 12:02:54 -0800
To: Loopers-Delight@annihilist.com
From: Rich <rich@nuvision.com>
Subject: Re: DL 4 question - Presets?
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I'm not sure what you folks are talking about.  The "presets" that you are
referring to, are these the first three switches that you can hit to access
the delay types?  If so, why is there any problem?  Just dial in the delay
type you want, and save it to whichever "preset" switch you want.  Am I
missing something? Or are you expecting 3 "patches" per delay type?  

As far as I can tell, the 3 switches will only save 3 delay presets.  So if
you have your model switch set to Lo-res delay, for example, and you hit
switch 3, which yesterday you saved a cool Analog delay sound to, it will
recall the Analog delay, even though your model switch is still on Lo-res. 

later,

rich


 At 12:55 PM 12/6/99 -0500, you wrote:
>> has anyone noticed that some of the regular delay patches (tube/tape/maybe
>> digital dynamic, etc) has PATCH "C"set to REVERSE echo -- in other words-
>> is anyone else seeing the reverse setting preset into any other sound
>> BESIDES "REVERSE" ???
>
>YES! I wrote Line6 this weekend about this and will post what I find
>out. in fact it appears the factory presets do not correspond to the
>actual delay type in any of "B" and "C" presets.
>
>I've noticed the Tweak and Tweeze knobs add modulation on delay types
>where they are supposed to be treble and bass controls on "B" and there
>is a 100% wet reverse sound on all "C" presets.
>
>> i am able to change it - just wondering..??
>
>As far as I can tell you need to overwrite these sound in each delay
>type with the "A" preset because they are clearly not the correct delay
>type. The drag is if you ever need to do a factory reset these wrong
>settings will be back there. 
>
>I don't like this at all because I'm not sure I'm even calling up the
>correct delay setting in preset "A". I hope I hear from LINE6 about a
>work around for this...
>
>-----------------------------------------------------------------------
>     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
>"Bringing you the best in Organic Electronic music since we started..."
>     
>Home of the Unusual Instrument and Recording Gallery with pictures and
>info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 15:12:17 1999
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From: "Laurent" <la.forge@worldonline.be>
To: <Loopers-Delight@annihilist.com>
Subject: roland s550
Date: Mon, 6 Dec 1999 20:58:40 +0100
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Hello,

Does someone uses the S550 to loop?  Any s550 user welcome for questions...
I need help.

Laurent

From Loopers-Delight-request@annihilist.com  Mon Dec  6 16:39:35 1999
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Date: Mon, 06 Dec 1999 16:13:21 -0500
From: George McConnell <gcm22@drexel.edu>
Subject: Re: Tim Reynolds
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Which bootleg is it?  I'd love to check it out!
Tim plays with his fingers just as well as he plays with his pick; very
versatile.

George

----- Original Message -----
From: X-ray <ew37@bellsouth.net>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, December 06, 1999 1:23 PM
Subject: Re: Tim Reynolds


> I can confirm that Tim's main toy is a Boss DD-5.  He came into town with
> his trio about a month ago.  LOTS of looping.  He also stepped on a
> volume/wah pedal, some Marshal fuzz pedal, and a couple of those new Moog
> pedals (one of which I think was just for the keyboard which he was also
> playing).  In the acoustic/Dave setting I believe he mainly sticks to the
> volume/wah and the DD-5.  Someone metioned the looping in Tim's "showcase"
> piece on the Dave and Tim release.  I would like to add that that
recording
> was made in '96, and I think it really only scratches the surface of what
he
> can do with that little Boss pedal.  I've got a boot that I made in '97,
and
> Tim takes that DD5 to the far reaches.  Even more so than he did last
month.
> I have wondered though, was the DD5 even on the market at the time that
> "Luther College" was recorded.  Or was the DD3 the only thing available??
> That might explain some of growth in his looping :-)))
>
> MicahH
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 18:30:41 1999
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I just went through the same dilema about a month ago, if you have a SCSI 
port buy the Yamaha 6416.  I did a lot of research and this seems to be the 
right choice, burner CD-R's @ 6X (that's about 11 minutes a disc), CD-RW's 
at 4x, and reads at 16X.  It has a 2 meg Cache and can be found bundled with 
Toast for under $300.  It's won awards and all that BS.  I've been using it 
for a month and I've only made one coaster and that was my fault.  As I said 
before I looked high and low and this seems to be the right choice.
Best of luck, Sean

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Mon Dec  6 20:24:49 1999
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Date: Mon, 06 Dec 1999 17:16:42 -0800
To: Loopers-Delight@annihilist.com
From: Joseph Long <joelong@cisco.com>
Subject: Re: Looking for Looper
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I've been trying to decide the same thing. Some things I've learned:

Price.
It looks like you could spend up to $1200 or more depending on how crazy
you want to get. Pick a budget,..then try and see whats in your range.

Features.
What do you need it to do? Effects? Just loop? Midi? Rack Mounted? Once you
decide on the needs it will be easier to decide.

Read.
I've been reading (and listening) like crazy for the last 3 weeks or so and
it's helped me enormously. Look at availability. Features. Feedback.
Support. Durability. All factors when spending your hard earned money. 

For me,..Its going to be between the Boomerang and the new DL4. My needs
are for something relatively inexpensive (comparatively speaking) and
mainly to loop acoustic guitar for live applications. The all in one units
seem to be easier to use than say the Echoplex or JamMan. And I don't need
it to do any more than loop somewhat long patches and have the capability
to layer on top of it. 

Hope this helps,

-Joe


At 11:49 PM 12/5/99 -0500, you wrote:
>I'm looking for a loop machine.  Anybody have leads??
>Echoplex
>Boomerang
>Jamman?
>
>I've heard there is a  Zoom  that has 32 sec of delay time??
>
>many Thanks
>
>Paul Adams
>
>

                   ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
                            CHECK OUT BOSTONS PREMIERE FUNK AND DANCE BAND
                                         www.funky-town.com

                                ****************************************
                          

                                       "GET DOWN WITH FUNKYTOWN"    
                   ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

From Loopers-Delight-request@annihilist.com  Mon Dec  6 22:03:18 1999
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Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
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References: <19991206232430.99838.qmail@hotmail.com>
Subject: Re: CD Burner
Date: Mon, 6 Dec 1999 18:55:36 -0800
Organization: EarthLight Productions
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I concur with the Yamaha drives.  I've got a 4416s, which at 4x4x16 (Gee, I
think they've got a naming convention going!  When's the 8840 coming out,
eh?), but no complaints whatsoever.

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html

----- Original Message -----
From: "Sean Witters" <seanwitters@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, December 06, 1999 15:24
Subject: Re: CD Burner


> I just went through the same dilema about a month ago, if you have a SCSI
> port buy the Yamaha 6416.  I did a lot of research and this seems to be
the
> right choice, burner CD-R's @ 6X (that's about 11 minutes a disc), CD-RW's
> at 4x, and reads at 16X.  It has a 2 meg Cache and can be found bundled
with
> Toast for under $300.  It's won awards and all that BS.  I've been using
it
> for a month and I've only made one coaster and that was my fault.  As I
said
> before I looked high and low and this seems to be the right choice.
> Best of luck, Sean
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>

From Loopers-Delight-request@annihilist.com  Mon Dec  6 22:34:28 1999
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Date: Mon, 06 Dec 1999 22:36:58 -0800
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From: "Scott A. Martin" <scott@morriganrecords.com>
Subject: Digitech RDS questions
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Having seen a fair number of the Digitech RDS units available for sale, I
have a few questions:

1. Apart from the max delay time, what is the difference (if any) between
the various RDS/Time Machine units?  I've so far seen the RDS1900, the
RDS3.6, the RDS6400, the RDS7.6, and the RDS8000.  I understand that the
7.6 has a sample feature (apart from infinite repeat/hold delay) that the
others might not.  Are there other significant differences for looping?

2. What effect does diddling with the Width or Time Delay controls have on
a loop in progress?  I understand that these units will pitch-shift loops
if you tweak the proper controls, but I'm not sure what the interaction is.
 The online manual says that "in longer delay times...the LFO will make
sounds that are not normally useful in music," so I know y'all must have
tried it. =)

3.  Some PDS owners have previously complained of a problem with pitch
drift when their delays are set for infinite repeat.  Is there a similar
problem with the RDS delays?

On a more recent note, I got my Headrush today, and got to spend a fair
amount of time dinking around with it before my fiancee went to bed (even
the unamp'ed electric strings will keep her awake).  Whee!  My life as a
looper begins in earnest!  Now I just need a couple of rackmount units and
some volume/expression pedals... =)


Scott Martin
Morrigan Records
scott@morriganrecords.com
http://www.morriganrecords.com



From Loopers-Delight-request@annihilist.com  Mon Dec  6 22:40:38 1999
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Message-ID: <384C7F6E.266AD8CC@minds-eye.org>
Date: Mon, 06 Dec 1999 22:30:54 -0500
From: Kevin <kevin@minds-eye.org>
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Subject: Installing new chips
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I thought I'd run this by the list,

I tried to install an upgrade chip in a Digitech 2112 (to a 2120) and am now facing a unit that has no output.  The meters show an input signal, but no sound emerges.  I've installed chips
successfully in other Digitech gear so I expected this would be no problem.  Guess not.

Anyone know anything about this upgrade or perhaps universal upgrade techniques that may be applicable?

Thanks for any help

Kevin (feeling very much the blunderer)

From Loopers-Delight-request@annihilist.com  Mon Dec  6 23:00:42 1999
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Date: Mon, 06 Dec 1999 20:54:14 -0700
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From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: Re: Digitech RDS questions
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At 10:36 PM 12/6/99 -0800, Scott A. Martin wrote:

>1. Apart from the max delay time, what is the difference (if any) between
>the various RDS/Time Machine units?  I've so far seen the RDS1900, the
>RDS3.6, the RDS6400, the RDS7.6, and the RDS8000.

I've personally owned a RDS 1900 and currently own a RDS 3.6; the main
difference between the two is the max delay time.  The LFO filters sound
very similar, the hold function handles identically, and both have about
the same sound quality, which is substantially better than the DOD/Digitech
pedals I've used (and returned promptly) but not up to par with the
Boss/Roland experience.

>  I understand that the
>7.6 has a sample feature (apart from infinite repeat/hold delay) that the
>others might not.  Are there other significant differences for looping?

That's the big difference; the 7.6 has a sample feature according to the
manual.  That said, I've gotten very good loops with my 3.6 and did when I
had the 1900.

>2. What effect does diddling with the Width or Time Delay controls have on
>a loop in progress?  I understand that these units will pitch-shift loops
>if you tweak the proper controls, but I'm not sure what the interaction is.

At least on the 1900 and 3.6 (and I assume the 7.6 as well given the
similarities in internals, not sure about the 8000), the tweaking of delay
time, width, et al, are non-destructive.  It's my favorite of the 80s
rackmount units because of this; while my Boss DE-200 has vastly superior
sound quality on the delay(go figure), the LFO isn't nearly as good and it
isn't non-destructive, nor can I switch delay times mid-stroke without
destroying what's in memory.

> The online manual says that "in longer delay times...the LFO will make
>sounds that are not normally useful in music," so I know y'all must have
>tried it. =)

Yes, quite frequently.  I can provide sound samples if you'd like; they
range anywhere from "oooh, I'm on nitrous" to "who thought that was a good
idea" to "exactly what did you do that signal path', particularly if you
run a couple delay units with that era LFO together.  

>3.  Some PDS owners have previously complained of a problem with pitch
>drift when their delays are set for infinite repeat.  Is there a similar
>problem with the RDS delays?

I haven't ever had that problem; I understand that on some units the memory
chips are not quite up to part or have gotten nasty as they get old.  I
speak from 5+ years of owning various RDS series delays in that I"ve never
had a problem, and my units have been beat, thrown around, carried to gigs,
dropped out of taxis, et cetera.

>Now I just need a couple of rackmount units and
>some volume/expression pedals... =)

Yeah, I need a 0-5v voltage control pedal for my 3.6; then I can enter the
realm of the sickly in modifying times on the fly.
==
the Reverend Rob      ICQ: 1280871          Yahoo: theReverendRob
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.realm-of-shade.com/music : feedback and echo MP3s

From Loopers-Delight-request@annihilist.com  Mon Dec  6 23:42:40 1999
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Date: Mon, 6 Dec 1999 23:23:19 EST
Subject: Re: Digitech RDS questions
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In a message dated 12/7/99 1:33:10 AM Mid-Atlantic Standard Time, 
scott@morriganrecords.com writes:

<< Whee!  My life as a
 looper begins in earnest!  >>

beware of what you wish for............:).............michael

From Loopers-Delight-request@annihilist.com  Mon Dec  6 23:46:48 1999
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From: David Myers <dmgraph@pulsewidth.com>
Subject: JFK LSD UFO
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Andre:  Wanted to hear your audio but the links went 404.  Just wanted you
to know, if you don't....

David Myers

>*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...
>
>Jfk's Lsd Ufo site			Project Object/Zappa tribute
>http://www.ufomusic.com			http://www.projectobject.com



From Loopers-Delight-request@annihilist.com  Tue Dec  7 02:09:52 1999
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From: andre <andre@monmouth.com>
Subject: Re: DL 4 question - Presets?
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OK

line 6 called me AND emailed me back..prompt service....

the deal is - you have a TOTAL of 3 presets in the DL4 - i thought it was 3
PER digital delay type - for a total of 48..no go

i guess three is amazing enuf - for a non midi, stompbox type device...

so - no matter what 'model'echo you are in - the threee presets - A B and C
- will remain whatever they are - they don't change with every turn of knob
#1 (echo type)

of course - you can change all 3 settings and save the new sounds.

all is cool.


"what need have i for this, what need have i for that- i am dancing with my
feet on the DL4 - all is bliss, all is bliss"

andre'

*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Tue Dec  7 01:59:19 1999
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Subject: Re: Alain Johannes...
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>However, I went to see Chris Cornell on Friday at the Wiltern in Los
>Angeles, and aside from being impressed with his guitarist Alain
>Johannes' work done on the album, I was even more impressed to see his
>set-up live!  I was too far away to really see all what he was using,

>Anyway, check his stuff out with Chris (great sounds...), and hopefully
>we'll be seeing more of him in the future!!!  And more solo work!
>
>-M
>


DITTO on all that - i was similarly surprised when an otherwise excellent
show got even better with a BIG chunk of looping in front on 1200-1500
people in NYC!!!


Good article/interview with Cornell and Johannes in the oct 99 guitar one
ragazine...

www.guitaronemag.com

L8R

andre'
>
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

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At 12:01 PM 12/6/99 -0600, you wrote:
>I have a couple of silly questions folks.  I'm awaiting the arival of my
>DL4, but the Line 6 expression pedal was not available at the time of my
>purchase.  I'm aware that a Roland EV5 pedal will also work with the DL4.

will it??? i was told today by a LIne 6 tech support dude that the Roland
pedal would NOT work -- wrong polarity etc...

he said that any volume pedal with a 10K pot would though--- i assume - you
only need  get a cord that has a stereo plug  on one end and the other end
splits into 2 mono phone plugs..(for the input and output jack on the 
vol pedal.



>phone, and their tech support email address is no longer on the website


i believe it's support@line6.com

andre'
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

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Date: Mon, 06 Dec 1999 22:33:02 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: PMC-10
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grab 'em while you can:

>From: JHKNICKS@aol.com
>Date: Mon, 6 Dec 1999 21:43:16 EST
>Subject: PMC-10
>To: kflint@annihilist.com
>MIME-Version: 1.0
>
>Hi this is Jon from Alto Music.I may have a couple of the PMC-10's kickin'
>around.Brand new in a box I believe.Let me know if anyone needs
>one.Email-alto@warwick.net
>Thanks
>

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Tue Dec  7 02:14:35 1999
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Date: Tue, 07 Dec 1999 02:13:40 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Re: Vortex sounds "bottled" /phase/oops
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At 01:38 PM 12/6/99 +0000, you wrote:
>I take it all back-realised I've never put my Vortex in bypass, so I did
and got the same 
>thing. So it's the unit itself putting the dry signal out of phase. Why, I
don't know. Could 
>be delaying the signal slightly. Not a problem if you return it 100% wet
or use it 
>inline(instrument-Vortex-amp). Mike's right-you just have to turn it down
instead of 
>bypassing it.
>
>Jon Williams
>


.. yeah - the one complaint i have about the vortex is the  'volume suck'
when you put it into bypass..a small drop in the dynamic level... and a
pretty good jump in volume the other direction - when you kick it in.

intreedting to hear other 'complaints'- hope i;m using it right...

andre'
>
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Tue Dec  7 02:21:13 1999
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Date: Tue, 07 Dec 1999 02:20:32 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Re: DL 4 question - Presets?
In-Reply-To: <3.0.6.32.19991206120254.00815100@pop3.argotech.net>
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thanx rich

you are spot-on.that's exactly as the tech support explained it to me.

yes- i daftly assumed that you could get 3 patches PER model..

see ya

ac

At 12:02 PM 12/6/99 -0800, you wrote:
>I'm not sure what you folks are talking about.  The "presets" that you are
>referring to, are these the first three switches that you can hit to access
>the delay types?  If so, why is there any problem?  Just dial in the delay
>type you want, and save it to whichever "preset" switch you want.  Am I
>missing something? Or are you expecting 3 "patches" per delay type?  
>
>As far as I can tell, the 3 switches will only save 3 delay presets.  So if
>you have your model switch set to Lo-res delay, for example, and you hit
>switch 3, which yesterday you saved a cool Analog delay sound to, it will
>recall the Analog delay, even though your model switch is still on Lo-res. 
>
>later,
>
>rich
>
>
> At 12:55 PM 12/6/99 -0500, you wrote:
>>> has anyone noticed that some of the regular delay patches (tube/tape/maybe
>>> digital dynamic, etc) has PATCH "C"set to REVERSE echo -- in other words-
>>> is anyone else seeing the reverse setting preset into any other sound
>>> BESIDES "REVERSE" ???
>>
>>YES! I wrote Line6 this weekend about this and will post what I find
>>out. in fact it appears the factory presets do not correspond to the
>>actual delay type in any of "B" and "C" presets.
>>
>>I've noticed the Tweak and Tweeze knobs add modulation on delay types
>>where they are supposed to be treble and bass controls on "B" and there
>>is a 100% wet reverse sound on all "C" presets.
>>
>>> i am able to change it - just wondering..??
>>
>>As far as I can tell you need to overwrite these sound in each delay
>>type with the "A" preset because they are clearly not the correct delay
>>type. The drag is if you ever need to do a factory reset these wrong
>>settings will be back there. 
>>
>>I don't like this at all because I'm not sure I'm even calling up the
>>correct delay setting in preset "A". I hope I hear from LINE6 about a
>>work around for this...
>>
>>-----------------------------------------------------------------------
>>     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
>>"Bringing you the best in Organic Electronic music since we started..."
>>     
>>Home of the Unusual Instrument and Recording Gallery with pictures and
>>info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>>
>>
>
>
>
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Tue Dec  7 02:43:22 1999
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Date: Tue, 07 Dec 1999 02:41:11 -0500
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From: andre <andre@monmouth.com>
Subject: Re: JFK LSD UFO
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hey david

yes-- i am switching servers -like.. this week - and the transition will
mean - way better sound access etc - and some video as well...


stay tuned- i'll announce here . thnks for asking

andre'

*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Tue Dec  7 02:30:32 1999
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Date: Mon, 6 Dec 1999 23:27:20 -0800
To: Loopers-Delight@annihilist.com
From: improv@peak.org (Dave Trenkel)
Subject: DL 4 
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I just picked one of these up Sat ($239 @ Portland Music, plus they threw
in a free (non-standard but works fine) power supply). I haven't had a lot
of time to play with it as yet, but I am really digging it thus far.

The Sweep Echo patch is especially cool: a tape echo simulation with an
LFO-driven filter on the repeats, just spent about an hour playing rhodes
through this patch. While I don't have access to a Space Echo, and haven't
compared it directly to my Deluxe Memory Man, the simulations sound *very*
believable, twiddling the delay knob on the tape echo sims actually sounds
like tape speeding up. Gets great feedback too, I'm glad that line6 opted
to emulate the way analog delays *really* work instead of the way they were
*supposed* to work. In fact, at extreme feedback settings, this thing can
produce some really hairy sounds.

There's a couple of very cool design elements in the box, plus a few that
are kind of annoying. On the cool side, the Tap LED changes tempo whether
you enter the time by the switch or the Delay knob. Also, it stores the
delay time as part of each user preset. On the annoying side: the switches
that recall the 3 user presets also act as the only bypass switches. If you
recall a preset, tweak it while playing, then bypass the patch without
storing, when you step on the bypass switch again, the unit recalls the
stored patch, not the edited patch. And, for such a preset-dependant
machine, having only 3 slots is pretty slim, though to be honest, I can't
see how Line6 could have implemented any more patches without making the
unit way more complex. Also, an infinite hold switch, like on the Digitech
pedals, would be cool, several times I've come across textures that I'd
really like to hang on to, but even with the repeat knob full on, the
delays still die away. This is more like the way real analog delays work
anyway, and I intend to keep my Boomerang in my pedalboard along with the
DL-4 to loop the output of the DL-4. Another thing: there's no input level
attenuator. I've run it on bass, rhodes, and on a line-level Aux mixer
send, and none seemed to overdrive the DL-4, so maybe this isn't an issue.

The Looping patch acts almost exactly like the Boomerang, except with only
14 seconds, which frankly is plenty for most simple looping, and the speed
change and reverse functions sharing one footswitch. It does record at slow
speed and playback at double-speed, which is pretty important for me as a
bassist, one thing I do a lot with the Boomerang is grab a loop at slow
speed, speed it up and reverse it, making it fill a different space than
the bass.

Alkl inall, it's an exceptionally cool pedal, it sounds great and costs
less than you'd pay for any *one* of the analog delays it emulates. The
tape delay patches in particular sound totally right to my ears.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


From Loopers-Delight-request@annihilist.com  Tue Dec  7 02:49:18 1999
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Date: Tue, 07 Dec 1999 02:13:37 -0500
From: George McConnell <gcm22@drexel.edu>
Subject: Re: Tim Reynolds
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I'm having trouble grasping that Tim does all his looping with a 2-second
hold.  Is that all he uses?

George

----- Original Message -----
From: X-ray <ew37@bellsouth.net>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, December 06, 1999 1:23 PM
Subject: Re: Tim Reynolds


> I can confirm that Tim's main toy is a Boss DD-5.  He came into town with
> his trio about a month ago.  LOTS of looping.  He also stepped on a
> volume/wah pedal, some Marshal fuzz pedal, and a couple of those new Moog
> pedals (one of which I think was just for the keyboard which he was also
> playing).  In the acoustic/Dave setting I believe he mainly sticks to the
> volume/wah and the DD-5.  Someone metioned the looping in Tim's "showcase"
> piece on the Dave and Tim release.  I would like to add that that
recording
> was made in '96, and I think it really only scratches the surface of what
he
> can do with that little Boss pedal.  I've got a boot that I made in '97,
and
> Tim takes that DD5 to the far reaches.  Even more so than he did last
month.
> I have wondered though, was the DD5 even on the market at the time that
> "Luther College" was recorded.  Or was the DD3 the only thing available??
> That might explain some of growth in his looping :-)))
>
> MicahH
>
>

From Loopers-Delight-request@annihilist.com  Tue Dec  7 02:50:20 1999
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>
>On a more recent note, I got my Headrush today, and got to spend a fair
>amount of time dinking around with it before my fiancee went to bed (even
>the unamp'ed electric strings will keep her awake).

>Scott Martin



hmmm. sounds like a re-think is in order...she's gotta know THE DEAL before
you take the big PLunge....


ha ha hehe hehe

andre'
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Tue Dec  7 03:18:27 1999
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From: andre <andre@monmouth.com>
Subject: Re: PMC-10
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doesn't this thing use the evil (and useless) .MIDI itself....???


hmmm.

andre'


At 10:33 PM 12/6/99 -0800, you wrote:
>grab 'em while you can:
>
>>From: JHKNICKS@aol.com
>>Date: Mon, 6 Dec 1999 21:43:16 EST
>>Subject: PMC-10
>>To: kflint@annihilist.com
>>MIME-Version: 1.0
>>
>>Hi this is Jon from Alto Music.I may have a couple of the PMC-10's kickin'
>>around.Brand new in a box I believe.Let me know if anyone needs
>>one.Email-alto@warwick.net
>>Thanks
>>
>
>______________________________________________________________________
>Kim Flint                   | Looper's Delight
>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>http://www.annihilist.com/  | 
>
>
>
>
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Tue Dec  7 03:35:25 1999
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From: KRosser414@aol.com
Message-ID: <0.34388cd9.257e1ef8@aol.com>
Date: Tue, 7 Dec 1999 03:27:36 EST
Subject: Re: nels cline
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I've known Nels since about the time I moved to L.A. in 1986.  After hearing 
a lot about him, I saw him play solo opening for Bill Frisell and Henry 
Kaiser at McCabe's in Santa Monica.  I was immediately very impressed - he 
did a solo version of "War Orphans" by Ornette Coleman which I still have a 
pretty vivid recollection of, which is REALLY saying something.  After 
seeking out a few other gigs I got to know him a bit and he acted as a bit of 
a mentor to me (totally unintentionally, I'm sure), introducing me to lots of 
players and throwing a few gigs my way he was unable or unwilling to do.   
He's really a phenomenal player, very imaginative and unique.  One other 
thing that's always impressed me about him is I've never seen him play where 
anything was glib or "phoned-in", it's always totally focused and present (at 
least that's how it sounds to me).  I'd highly recommmend any of the trio 
CD's, they're really great, plus I know he'll be touring sometime coming up 
(if hasn't left already) with Mark Isham's Miles Davis tribute thang.  

Ken R

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Laurent wrote:
> 
> Hello,
> 
> Does someone uses the S550 to loop?  Any s550 user welcome for questions...
> I need help.
> 
> Laurent

I have used an S330 (that's an S550 with half the RAM) extensively in
the past, but not for live looping as such...

-- 
Os
os@scee.sony.co.uk
os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@annihilist.com  Tue Dec  7 04:40:30 1999
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Date: Tue, 07 Dec 1999 01:34:35 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: PMC-10
In-reply-to: <3.0.6.32.19991207031610.00940270@mail.monmouth.com>
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yep, it's absolutely diabolical. Completely infested with the dread midi
scourge. Not useless tho.

kim
(funny, "The Thing that Should Not Be" is playing as I write. >:-)


>doesn't this thing use the evil (and useless) .MIDI itself....???
>
>
>hmmm.
>
>andre'
>
>
>At 10:33 PM 12/6/99 -0800, you wrote:
>>grab 'em while you can:
>>
>>>From: JHKNICKS@aol.com
>>>Date: Mon, 6 Dec 1999 21:43:16 EST
>>>Subject: PMC-10
>>>To: kflint@annihilist.com
>>>MIME-Version: 1.0
>>>
>>>Hi this is Jon from Alto Music.I may have a couple of the PMC-10's kickin'
>>>around.Brand new in a box I believe.Let me know if anyone needs
>>>one.Email-alto@warwick.net
>>>Thanks
>>>
>>
>>______________________________________________________________________
>>Kim Flint                   | Looper's Delight
>>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>>http://www.annihilist.com/  |
>>
>>
>>
>>
>*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...
>
>Jfk's Lsd Ufo site			Project Object/Zappa tribute
>http://www.ufomusic.com			http://www.projectobject.com


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Tue Dec  7 06:25:56 1999
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From: PJBMHB@aol.com
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Date: Tue, 7 Dec 1999 06:20:31 EST
Subject: Re: DL 4 question - Presets?
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actually 3 presets is the least impressive part of the dl4 in my opinion. i 
really love it and really only use it to loop, so i am not complaining, but 3 
presets isn't much. i would like to see line6 come out with a little brother 
version of this unit that just included the looper and a big brother version 
that came with more than 3 presets and maybe some midi mayhem of some sort. 
=-) PJ

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> i have no 
>  idea whats going on with this machine, but i love 
>  it.........:)........michael      12 min.......yipes! still 
going............
> 
Does it (maybe ) decay while the overdub is on , but not when its off?

From Loopers-Delight-request@annihilist.com  Tue Dec  7 09:29:59 1999
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Date: Tue, 7 Dec 1999 09:17:21 EST
Subject: Re: sp202 yet again: HELP!
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Man, 
i got a DR - S a yr or so ago ....finally shelved it...it seems to dislike 
work !
Good luck...
I'll see if i can track down my Owners Man and scan it for Ya'

Carl Snow
Moss Hill REC>

From Loopers-Delight-request@annihilist.com  Tue Dec  7 10:15:20 1999
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In a message dated 12/7/99 9:22:39 AM Mid-Atlantic Standard Time, 
SoundFNR@aol.com writes:

<< Does it (maybe ) decay while the overdub is on , but not when its off? >>

good question.........i will investigate this........thanks for the 
pointer.......michael

From Loopers-Delight-request@annihilist.com  Tue Dec  7 11:47:39 1999
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From: Echopark99@aol.com
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Date: Tue, 7 Dec 1999 11:36:04 EST
Subject: Re: DL4 expression pedals
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I plugged in my EV5 last night and it works, though I'm not yet convinced 
that it covers the full range of a given setting. Seems I couldn't go from 
minimum rate to absolute maximum rate of sweep on the swept filter delay 
mode. It would cover a rather broad range, but not the total. DOn't know if 
it's cause of the EV5 or the DL4. I didn't spend much time trying. Suffice to 
say I was happy with the result on several modes with the EV5.

eric p
echo park
In a message dated 12/7/99 12:03:08 AM, andre@monmouth.com writes:

>> I'm aware that a Roland EV5 pedal will also work with the DL4.
>
>will it??? i was told today by a LIne 6 tech support dude that the Roland
>pedal would NOT work -- wrong polarity etc...
>

From Loopers-Delight-request@annihilist.com  Tue Dec  7 12:25:54 1999
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Subject: Re: PMC-10
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>>> andre <andre@monmouth.com> 12/07 12:15 AM >>>
doesn't this thing use the evil (and useless) .MIDI itself....???
hmmm. andre'

Ummm... would you like the possibility of using one pedal to increase
your feedback while lowering your output level to keep things
balanced? How about a single pedal move to fade in a reverb, remove a
delay and increase the distortion of patches on three different dsp's?
Or maybe send note on/note off info for a huge chord on a synth
module? Or assigning one button to change patches on three different
dsp's, start a drum machine, play a bass note AND start your EDP
recording? All this and more can be done via midi... now if you just
plain don't like the WORD midi that's entirely another quandry... 

-Miko

Kim so kindly led us to PMC-10's (I've got two so they're all
yours...) 
>>Hi this is Jon from Alto Music.I may have a couple of the PMC-10's
kickin'
>>around.Brand new in a box I believe.Let me know if anyone needs
>>one.Email-alto@warwick.net 
>>Thanks

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Subject: Re: Vortex sounds "bottled" /phase/oops
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> .. yeah - the one complaint i have about the vortex is the  'volume
suck' when you put it into bypass..a small drop in the dynamic
level... and a pretty good jump in volume the other direction - when
you kick it in.

Store your own balanced patches in the user registers... You can
always lower the output level and store 'em wherever you like the
level. Because of all the possibilities of radical regeneration in
that box, it's anyone's guess where the balance could lie... You'll
have to get critical and adjust the output of each register to
taste...

-Miko

From Loopers-Delight-request@annihilist.com  Tue Dec  7 13:07:03 1999
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From: Alex Stahl <alex@pixar.com>
Subject: Re: anyone looping 2 or more personal computers?
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At 6:52 PM -0700 12/3/99, Morgan Hamilton Lang wrote:
>Hi, all:
>
>I seem to be acquiring more and more pre-PPC Macs as more and more of them are
>thrown away by slap-happy consumers.
>
>I am hatching an evil plan to have them all
>generate random MIDI commands to one another while I dance around them
>listening
>to their cheap little speakers fart and burp.
>
>I wonder: who among you has set up comparatively lo-tech real-time loops
>between
>personal computers using MIDI data or audio? Tell me about your setup and give
>me advice if you have a moment.

There used to be a shareware called (I think) Parrot, which recorded
snippets from a Mac's mic input
and then played them back at random through the internal speaker. I used to
have a dozen old
Macs and considered setting up installation using them all running this
program, within earshot of each other.

Sort of like the classic "I am sitting in a room" effect, but interactive
and crudely digital. Also, it
occured to me that if you left 100 machines running this long enough you
might eventually get a recital of Hamlet, or something.

-Alex S.


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In a message dated 12/3/99 8:54:19 AM, xouoxno@virtulink.com writes:

>>software upgrades somewhere down the line are possible with that
>> as well?

>Anybody with the know-how wanna open one of
>these things up and look?

That didn't take long.  Leave it to this list to want more out of this box 
already (myself included - though I've rarely been so gear-sated for $230)! 

eric p
echo park

From Loopers-Delight-request@annihilist.com  Tue Dec  7 14:02:08 1999
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Date: Tue, 7 Dec 1999 12:40:39 -0600
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>Which bootleg is it?  I'd love to check it out!
>Tim plays with his fingers just as well as he plays with his pick; very
>versatile.


This is a boot that I made personally during the '97 tour.  It's not out
there on the market.  I would guess that any boot from the '97 acoustic tour
to the recent '99 tour would have great examples throughout.

MicahH


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>There used to be a shareware called (I think) Parrot, which recorded
>snippets from a Mac's mic input
>and then played them back at random through the internal speaker. I used to
>have a dozen old
>Macs and considered setting up installation using them all running this
>program, within earshot of each other.

the thought of this makes my day.  does anyone here have the know-how on how 
create such a program together for PC?

matt



The price I pay for free, private email is the following commercial 
message...

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Get Your Private, Free Email at http://www.hotmail.com

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> wow - what a crazy guitar. i tend to pull the frets out of mine alot
> lately but this looks fun!
>
Glen Peterson is one awesome luthier. This has to be the most incredible
fretting EVER done. Unbelievable ! Well, y'all know whom to call if you need
some excellent guitar work done.

And it ain't just fun, this instrument has potential that puts a regular
guitar to shame.

> another cool thing i want that (no doubt) costs a big pile of money.
It ain't necessarily so ! This particular instrument is a regular G&L strat
style,. They can be prdered fretless, which makes it easier & cheaper to
custom fret for non 12-tET. At the most u could have just the neck custom
built by a luthier or ordered form Warmoth or whoever. The fretting costs
will depend on the fretting scheme. For 31-tET for example, there are about
3 times as many frets as in a vanilla guitar, plus it's more tedious work.

I'm planning on a 41-tET soon as I have the dinero.

With re. to looping, one piece of gear that fascinates me & I can't see
myself owning anytime in the near future is Eventide's GTR4000. The
combination of the elaborate delays & harmonizing schemes should make for
some amazing possiblities.


> golly.
indeed.

> bobdog
bow wow,
drew

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
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From Loopers-Delight-request@annihilist.com  Tue Dec  7 14:16:54 1999
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> wow - what a crazy guitar. i tend to pull the frets out of mine alot
> lately but this looks fun!
>
Glen Peterson is one awesome luthier. This has to be the most incredible
fretting EVER done. Unbelievable ! Well, y'all know whom to call if you need
some excellent guitar work done.

> another cool thing i want that (no doubt) costs a big pile of money.
It ain't necessarily so ! This particular instrument is a regular G&L strat
style,. They can be prdered fretless, which makes it easier & cheaper to
custom fret for non 12-tET. At the most u could have just the neck custom
built by a luthier or ordered form Warmoth or whoever. The fretting costs
will depend on the fretting scheme. For 31-tET for example, there are about
3 times as many frets as in a vanilla guitar, plus it's more tedious work.

I'm planning on a 41-tET soon as I have the dinero.

With re. to looping, one piece of gear that fascinates me & I can't see
myself owning anytime in the near future is Eventide's GTR4000. The
combination of the elaborate delays & harmonizing schemes should make for
some amazing possiblities.


> golly.
indeed.

> bobdog
bow wow,
drew

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

From Loopers-Delight-request@annihilist.com  Tue Dec  7 15:14:30 1999
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Date: Tue, 07 Dec 1999 11:20:08 -0800
To: Loopers-Delight@annihilist.com
From: Rich <rich@nuvision.com>
Subject: Re: DL-4  future
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I agree, it didn't take long for the wishlist to appear.  However, this is
not new to Line6 products.  The conversation threads and wishlists for
their POD preamp and amplifiers is a ongoing process.  Check out the patch
request on their website (actually, I posted a mail suggesting that they
take a look at the LD mailing list to see what we were saying about their
new pedal).  

To make gear that everybody LOVES, but is inspiring to make us all want
more is one of the cool things about Line6 stuff.  I think their gear is
gonna be collectible one of these days, like EH stuff was before the
reissues hit.

I actually opened up my DL4, hoping to see an upgradeable eprom with easy
access, like the POD.  No such luck, just the back of a circuitboard.  To
get a look at the chips, you are going to have to disassemble it.  I gave
up, it wasn't worth voiding the warranty on a product i had for four days!

later,

rich


At 01:07 PM 12/7/99 EST, you wrote:
>
>In a message dated 12/3/99 8:54:19 AM, xouoxno@virtulink.com writes:
>
>>>software upgrades somewhere down the line are possible with that
>>> as well?
>
>>Anybody with the know-how wanna open one of
>>these things up and look?
>
>That didn't take long.  Leave it to this list to want more out of this box 
>already (myself included - though I've rarely been so gear-sated for $230)! 
>
>eric p
>echo park
>
>

From Loopers-Delight-request@annihilist.com  Tue Dec  7 16:47:05 1999
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Date: Tue, 07 Dec 1999 16:03:13 -0400
From: Morgan Hamilton Lang <mhl21@columbia.edu>
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Thanks, Alex. Parrot can be gotten from

ftp://mirrors.aol.com/pub/mac/sound/soundutil/parrot1.0b1.cpt.hqx

It's perfect for ol' junky macs because it only monitors the "mic" input. It won't
work on my PPC, but, still,  not bad for only 37k. I'm going to try it out on the
68000s.

MHL

At 6:52 PM -0700 12/3/99, Morgan Hamilton Lang wrote:
>Hi, all:
>
>I seem to be acquiring more and more pre-PPC Macs as more and more of them are
>thrown away by slap-happy consumers.
>
>I am hatching an evil plan to have them all
>generate random MIDI commands to one another while I dance around them
>listening
>to their cheap little speakers fart and burp.
>
>I wonder: who among you has set up comparatively lo-tech real-time loops
>between
>personal computers using MIDI data or audio? Tell me about your setup and give
>me advice if you have a moment.

There used to be a shareware called (I think) Parrot, which recorded
snippets from a Mac's mic input
and then played them back at random through the internal speaker. I used to
have a dozen old
Macs and considered setting up installation using them all running this
program, within earshot of each other.

Sort of like the classic "I am sitting in a room" effect, but interactive
and crudely digital. Also, it
occured to me that if you left 100 machines running this long enough you
might eventually get a recital of Hamlet, or something.

-Alex S.



From Loopers-Delight-request@annihilist.com  Tue Dec  7 17:35:55 1999
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Date: Tue, 07 Dec 1999 13:50:03 -0800
To: Loopers-Delight@annihilist.com
From: Joseph Long <joelong@cisco.com>
Subject: 4-track to PC Question..
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O.k. so I have a simple 4 track setup and I'd like to start to slowly make
the transition to using a PC for recording sound, etc. But heres my first
basic question:

What do I need (software and hardware) to dump mixed songs to my computer.
Is it as simple as a robust sound card? 
                   ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
                            CHECK OUT BOSTONS PREMIERE FUNK AND DANCE BAND
                                         www.funky-town.com

                                ****************************************
                          

                                       "GET DOWN WITH FUNKYTOWN"    
                   ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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> > wow - what a crazy guitar. i tend to pull the frets out of mine alot
> > lately but this looks fun!
> >
> Glen Peterson is one awesome luthier. This has to be the most incredible
> fretting EVER done. Unbelievable ! Well, y'all know whom to call if you
need
> some excellent guitar work done.


Hi Drew,
What guitar are you talking about? could you send me some links or the
adress from this guitar builder it sounds interesting!
Thanks
L.A.


From Loopers-Delight-request@annihilist.com  Tue Dec  7 19:00:03 1999
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Alex Stahl wrote:

> Sort of like the classic "I am sitting in a room" effect, but interactive
> and crudely digital. Also, it
> occured to me that if you left 100 machines running this long enough you
> might eventually get a recital of Hamlet, or something.
>
> -Alex S.

or the "checkers speech", for that matter.

lance g.


ps i really like this idea (having a few old macs sitting around...)

From Loopers-Delight-request@annihilist.com  Tue Dec  7 19:36:33 1999
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From: David Oleniacz <david@oleniacz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Alto Music doesn't have any PMC-10's - I'm still looking for one
Date: Tue, 7 Dec 1999 18:48:54 -0500
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I talked with Jon from Alto Music today, he doesn't have any PMC-10's.

anyone else got one they're willing to part with?

David

On Tuesday, December 07, 1999 4:35 AM, Kim Flint [SMTP:kflint@annihilist.com] wrote:
> yep, it's absolutely diabolical. Completely infested with the dread midi
> scourge. Not useless tho.
> 
> kim
> (funny, "The Thing that Should Not Be" is playing as I write. >:-)
> 
> 
> >doesn't this thing use the evil (and useless) .MIDI itself....???
> >
> >
> >hmmm.
> >
> >andre'
> >
> >
> >At 10:33 PM 12/6/99 -0800, you wrote:
> >>grab 'em while you can:
> >>
> >>>From: JHKNICKS@aol.com
> >>>Date: Mon, 6 Dec 1999 21:43:16 EST
> >>>Subject: PMC-10
> >>>To: kflint@annihilist.com
> >>>MIME-Version: 1.0
> >>>
> >>>Hi this is Jon from Alto Music.I may have a couple of the PMC-10's kickin'
> >>>around.Brand new in a box I believe.Let me know if anyone needs
> >>>one.Email-alto@warwick.net
> >>>Thanks
> >>>
> >>
> >>______________________________________________________________________
> >>Kim Flint                   | Looper's Delight
> >>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> >>http://www.annihilist.com/  |
> >>
> >>
> >>
> >>
> >*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...
> >
> >Jfk's Lsd Ufo site			Project Object/Zappa tribute
> >http://www.ufomusic.com			http://www.projectobject.com
> 
> 
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | 
> 

From Loopers-Delight-request@annihilist.com  Tue Dec  7 20:04:07 1999
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From: "X-ray" <ew37@bellsouth.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Tim Reynolds
Date: Tue, 7 Dec 1999 17:59:17 -0600
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>>I'm having trouble grasping that Tim does all his looping with a
2->>second hold.  Is that all he uses?


I'm as amazed as you, but yeah that's it.

MH


From Loopers-Delight-request@annihilist.com  Tue Dec  7 20:26:50 1999
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Subject: Re: DL4 expression pedals
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>he said that any volume pedal with a 10K pot would though--- i assume >you
only need  get a cord that has a stereo plug  on one end and the >other end
splits into 2 mono phone plugs..(for the input and output jack >on the vol
pedal.


So which volume pedals out there use a 10K pot???

MH


From Loopers-Delight-request@annihilist.com  Tue Dec  7 20:29:33 1999
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From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: horter looping times [was Re: Tim Reynolds]
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At 05:59 PM 12/7/99 -0600, X-ray wrote:
>>>I'm having trouble grasping that Tim does all his looping with a
>2->>second hold.  Is that all he uses?
>
>
>I'm as amazed as you, but yeah that's it.

All I use is a Digitech 3.6 and a Boss DE-200 (1200 ms hold max), hooked
generally in serial.  It's amazing what can be done with just the minimal
functions, if you're dedicated to making it work.  Even when I had my 30s
tape loop in a RE-301, I used the 1900ms hold on my old RDS-1900 more often
(and more effectively) than the tape.


==
the Reverend Rob      ICQ: 1280871          Yahoo: theReverendRob
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.realm-of-shade.com/music : feedback and echo MP3s

From Loopers-Delight-request@annihilist.com  Tue Dec  7 20:42:00 1999
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Only 2 secs but mint! There is a "Talker" as well- sounds very =
interesting-=20

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=3D211582547

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=3D215568101

Cliff

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3612.1706"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Only 2 secs but mint! There is a=20
&quot;Talker&quot; as well- sounds very interesting- </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2><A=20
href=3D"http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=3D21158254=
7">http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&amp;item=3D211582547=
</A></FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2><A=20
href=3D"http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=3D21556810=
1">http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&amp;item=3D215568101=
</A></FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Cliff</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Tue Dec  7 20:53:13 1999
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Date: Tue, 07 Dec 1999 20:05:59 -0800
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From: "Scott A. Martin" <scott@morriganrecords.com>
Subject: Re: Digitech RDS questions
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>> The online manual says that "in longer delay times...the LFO will make
>>sounds that are not normally useful in music," so I know y'all must have
>>tried it. =)
>
>Yes, quite frequently.  I can provide sound samples if you'd like; they
>range anywhere from "oooh, I'm on nitrous" to "who thought that was a good
>idea" to "exactly what did you do that signal path', particularly if you
>run a couple delay units with that era LFO together. 

Great!  Please put 'em up!

I'm quite intrigued by the samples on your music page, BTW.  More pagan music!
 



Scott Martin
Morrigan Records
scott@morriganrecords.com
http://www.morriganrecords.com



From Loopers-Delight-request@annihilist.com  Tue Dec  7 21:21:01 1999
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Date: Tue, 07 Dec 1999 20:50:53 -0800
To: Loopers-Delight@annihilist.com
From: Rik Myers <zanga@mindspring.com>
Subject: Line6 DL4 $200
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I don't wish to be an enabler to any but thems that musts, but:

http://www.samash.com/shopping.htm

$199.99

I reckon that's about the best listed price out there, for now...BTW, thems
thats gots PODs can use the POD adapter. I noticed that Slam Ass didn't
have one listed at their site, and this thing eats batteries.

Hasta -> Rico
********************************************************
* Earth is an asylum for angels with amnesia - Emerson *
********************************************************

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From: David Beardsley <xouoxno@virtulink.com>
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Subject: Re: Indian/middle eastern sounds, microtonality
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Drew Skyfyre wrote:
> 
> > wow - what a crazy guitar. i tend to pull the frets out of mine alot
> > lately but this looks fun!
> >
> Glen Peterson is one awesome luthier. This has to be the most incredible
> fretting EVER done. Unbelievable ! Well, y'all know whom to call if you need
> some excellent guitar work done.

His fret work is the best I've ever seen. And I've 
checked out most every microtonal guitar that's been in the
NYC area in the past 6 years. Damm - it's just great 
work period and I've seen a lot of guitars in the past 
25 years.


> And it ain't just fun, this instrument has potential that puts a regular
> guitar to shame.

After posting on Sunday, I did do some recording and
now know my direction is minimalism. Actually it has been
but I didn't know that my music on this guitar would 
continue in the tradition. There's some thing about 
sustained chords on this guitar that the world needs to hear!
The DL-4 helps a with this vision a lot by building
such an incredible wall of sustain. I think I'm going to 
listen to the dat tape now and check it out.


> > another cool thing i want that (no doubt) costs a big pile of money.
> It ain't necessarily so ! This particular instrument is a regular G&L strat
> style,. They can be prdered fretless, which makes it easier & cheaper to
> custom fret for non 12-tET. At the most u could have just the neck custom
> built by a luthier or ordered form Warmoth or whoever. The fretting costs
> will depend on the fretting scheme. For 31-tET for example, there are about
> 3 times as many frets as in a vanilla guitar, plus it's more tedious work.
> 
> I'm planning on a 41-tET soon as I have the dinero.

Email me privately and explain - why 41 tet????

 
> With re. to looping, one piece of gear that fascinates me & I can't see
> myself owning anytime in the near future is Eventide's GTR4000. The
> combination of the elaborate delays & harmonizing schemes should make for
> some amazing possiblities.

Yeah, but they harmonize in ji???



-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@annihilist.com  Tue Dec  7 21:37:45 1999
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Date: Tue, 7 Dec 1999 21:16:31 EST
Subject: Re: Line6 DL4 $200
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still can get some at banko's in ct for less than this price and you won't be 
supporting satan. give them a call. good people and great prices. support the 
little guy once in a while. =-) PJ

From Loopers-Delight-request@annihilist.com  Tue Dec  7 21:56:14 1999
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Date: Tue, 07 Dec 1999 21:00:25 -0500
From: George McConnell <gcm22@drexel.edu>
Subject: Re: horter looping times [was Re: Tim Reynolds]
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What is the advantage?  It doesn't fade away?  I'm sure an obvious
disadvantage is that you can't overdub on top of an already existing loop.

    Would I be better going with a looper or a delay with a hold function?
I was considering getting the DL4, but if I can do all that Tim does with a
little Boss pedal, now I'm reconsidering.

George

----- Original Message -----
From: the Reverend Rob <reverendrob@realm-of-shade.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, December 07, 1999 7:34 PM
Subject: horter looping times [was Re: Tim Reynolds]


> At 05:59 PM 12/7/99 -0600, X-ray wrote:
> >>>I'm having trouble grasping that Tim does all his looping with a
> >2->>second hold.  Is that all he uses?
> >
> >
> >I'm as amazed as you, but yeah that's it.
>
> All I use is a Digitech 3.6 and a Boss DE-200 (1200 ms hold max), hooked
> generally in serial.  It's amazing what can be done with just the minimal
> functions, if you're dedicated to making it work.  Even when I had my 30s
> tape loop in a RE-301, I used the 1900ms hold on my old RDS-1900 more
often
> (and more effectively) than the tape.
>
>
> ==
> the Reverend Rob      ICQ: 1280871          Yahoo: theReverendRob
> http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
> =================================================================
> "I prefer not to kill people, but I'd like to destroy as much
>  property as possible." - Grace Slick, from the Airplane FBI file
> =================================================================
> http://www.realm-of-shade.com/music : feedback and echo MP3s
>

From Loopers-Delight-request@annihilist.com  Tue Dec  7 22:04:48 1999
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Date: Tue, 07 Dec 1999 21:44:06 -0500
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: shorter looping times [was Re: Tim Reynolds]
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I find my Korg SDD-1000 (2048 ms max) quite useful for short loops in my
mixer's aux 2, with footswitches for hold and bypass. (Aux 1 is the Headrush).
 
One thing I like to do with the Korg when it's got a good loop going is to
send it to the other looper to overdub onto a longer loop, freeing up the
SDD-1000 for a new short loop or for duty as a non-looping delay. This is
nothing new to EDP users with your Multiply function, and there's a lot
less control my way, but it does the trick. It generally works better when
one of the loopers is handling a more rhythmic part and the other is a
texture-type thing, since they're non-synchronous. Using the two
independently is a little more forgiving in lieu of a genuine UNDO. (OK,
I'll admit it! I wish I had a maxed EDP!)

I also have a DD-3 on the floor, but find it a lot more appropriate to use
it as a regular delay than trying to do the one-footed tap dance to hold.
What I used to do with the DD-3 involved an L-screw (I'm not sure what it's
really called; it looks like an allen wrench with a threaded
point...)screwed down into my pedalboard next to the DD-3. While holding
the pedal down, a quarter turn of the L-screw latches the DD-3 into hold
mode so you don't have to keep your foot on it. The downside is you've got
to unlatch it to make it stop. The Korg's a lot easier.

Anyone else using short loopers either by themselves or in conjunction with
longer ones?

Tim (not that one...)

At 05:34 PM 12/7/99 -0700, you wrote:
>At 05:59 PM 12/7/99 -0600, X-ray wrote:
>>>>I'm having trouble grasping that Tim does all his looping with a
>>2->>second hold.  Is that all he uses?
>>
>>I'm as amazed as you, but yeah that's it.
>
>All I use is a Digitech 3.6 and a Boss DE-200 (1200 ms hold max), hooked
>generally in serial.  

From Loopers-Delight-request@annihilist.com  Tue Dec  7 22:15:16 1999
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Date: Tue, 07 Dec 1999 21:52:49 -0500
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: DIY literature/schematics, etc.
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Besides the Craig Anderton stuff, can anyone recommend any good books about
construction of simple, useful circuits (yer basic mixers, splitters,
preamps, impedance matchers, A/B's, power supplies, etc.)?

Tim

From Loopers-Delight-request@annihilist.com  Tue Dec  7 23:19:13 1999
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Message-ID: <000701bf4130$b356a960$be22dacf@stepheng>
Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Kriist@aol.com>
Cc: <Loopers-Delight@annihilist.com>
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Subject: Re: mixer schematics
Date: Tue, 7 Dec 1999 19:59:58 -0800
Organization: EarthLight Productions
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I wonder if someone on the list or even Kim might know how to tie all of the
below together...

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html

----- Original Message -----
From: <Kriist@aol.com>
To: <sgoodman@earthlight.net>
Sent: Tuesday, December 07, 1999 19:32
Subject: Re: mixer schematics


> looks good
> but no aux
> ive found tons of DYI mixers
> but ive yet to come across one with aux
>
> thanks
>
> rodrigo
>
> > I've found something simple at
> >  http://hem.fyristorg.com/effects/mixer_r.gif - it's a single-channel to
L/R
> >  that purports to be able to be added to other duplicate units.  I'm
curious
> >  as to what kind of SN ratio this would have...!
> >
> >  Stephen Goodman       * It's the free Loop Of The Week!
> >  EarthLight Productions * http://www.earthlight.net/Studios.html
> >
> >  > can anybody point me to a simple mixer schematic on the web?
> >  > i have the anderton book that has an 8-1 mixer
> >  > but no auxs
> >  > im looking for 5-1(with 5 aux)for feedbackgin
> >  >
>

From Loopers-Delight-request@annihilist.com  Tue Dec  7 23:35:20 1999
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Message-ID: <012601bf4133$30a7bce0$7d5bdfc8@doutor>
From: "Julio Moreno" <juliomoreno@bahianet.com.br>
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Subject: Re: DIY literature/schematics, etc.
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http://www.eden.com/~keen/newschems.htm
 Try here... good luck!
julio

----- Original Message -----
From: Tim Nelson <tcn62@ici.net>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, December 08, 1999 12:52 AM
Subject: DIY literature/schematics, etc.


> Besides the Craig Anderton stuff, can anyone recommend any good books
about
> construction of simple, useful circuits (yer basic mixers, splitters,
> preamps, impedance matchers, A/B's, power supplies, etc.)?
>
> Tim
>

From Loopers-Delight-request@annihilist.com  Tue Dec  7 23:40:11 1999
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From: andre <andre@monmouth.com>
Subject: Shakti..."loopy" tablas...
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At 03:56 AM 12/7/99 -0600, you wrote:
>"what need have i for this, what need have i for that- i am dancing with my
>feet on the DL4 - all is bliss, all is bliss"
>
>have you heard about the up-coming shakti tour?
>
>jimmy george


no!!! very cool...please enlighten us  with a link or other info!!! i saw
them in may?? inNYC - transcendent show.. amazing

with live "looping"on the tablas....

thanx,andre'
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

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At 01:34 AM 12/7/99 -0800, you wrote:
>yep, it's absolutely diabolical. Completely infested with the dread midi
>scourge. Not useless tho.
>
>kim
>(funny, "The Thing that Should Not Be" is playing as I write. >:-)


ha heh he


cool.. would that be the Primus version...if ya havent heard it - it's very
cool...>


and - to add to the weirdness.. i listend to the entire master of puppets
YESTERDAY.. for the first time in YEARS....

weird..very weird...
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Tue Dec  7 23:51:02 1999
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Date: Tue, 7 Dec 1999 23:34:17 -0500
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From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: mixer schematics
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I've finally put together a feedback matrix mixer schematic and sent it to
our list friend rodrigo, a 6X6 mono job.  In time it will get onto my
website, but if anyone else is interested I'll email them the jpeg, which
is not small (325k) but prints nicely to laser....

David Myers

>I wonder if someone on the list or even Kim might know how to tie all of the
>below together...
>
>Stephen Goodman       * It's the free Loop Of The Week!
>EarthLight Productions * http://www.earthlight.net/Studios.html
>
>----- Original Message -----
>From: <Kriist@aol.com>
>To: <sgoodman@earthlight.net>
>Sent: Tuesday, December 07, 1999 19:32
>Subject: Re: mixer schematics
>
>
>> looks good
>> but no aux
>> ive found tons of DYI mixers
>> but ive yet to come across one with aux
>>
>> thanks
>>
>> rodrigo
>>
>> > I've found something simple at
>> >  http://hem.fyristorg.com/effects/mixer_r.gif - it's a single-channel to
>L/R
>> >  that purports to be able to be added to other duplicate units.  I'm
>curious
>> >  as to what kind of SN ratio this would have...!
>> >
>> >  Stephen Goodman       * It's the free Loop Of The Week!
>> >  EarthLight Productions * http://www.earthlight.net/Studios.html
>> >
>> >  > can anybody point me to a simple mixer schematic on the web?
>> >  > i have the anderton book that has an 8-1 mixer
>> >  > but no auxs
>> >  > im looking for 5-1(with 5 aux)for feedbackgin
>> >  >
>>



From Loopers-Delight-request@annihilist.com  Wed Dec  8 00:51:57 1999
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Date: Tue, 07 Dec 1999 23:33:17 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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Subject: Re: shorter looping times [was Re: Tim Reynolds]
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i've used a PDS 2700 double play pedal since 1993 or so. it is a 1 sec hold +
chorus. hence the name double play! this little green stomp box has been
wonderful. i use it in conjunction with my 2101 processor and it's various looping
function with the boomerang and johnson M- 150 amp. manually twisting the delay
time knob on the greeny makes for some wicked little sounds. to hit the hold
button captures these weird little moments and can then be moved over to the rang.
i am also excited to purchase the new DL4. i am currently looking for the 2 sec.
model also by digitech. it is in a blue housing. there is something innately
romantic in using these early pioneer loop / hold pedals. almost sold my greeny
once but glad i kept it.

peace
jimmy george

Tim Nelson wrote:

> I find my Korg SDD-1000 (2048 ms max) quite useful for short loops in my
> mixer's aux 2, with footswitches for hold and bypass. (Aux 1 is the Headrush).
>
> One thing I like to do with the Korg when it's got a good loop going is to
> send it to the other looper to overdub onto a longer loop, freeing up the
> SDD-1000 for a new short loop or for duty as a non-looping delay. This is
> nothing new to EDP users with your Multiply function, and there's a lot
> less control my way, but it does the trick. It generally works better when
> one of the loopers is handling a more rhythmic part and the other is a
> texture-type thing, since they're non-synchronous. Using the two
> independently is a little more forgiving in lieu of a genuine UNDO. (OK,
> I'll admit it! I wish I had a maxed EDP!)
>
> I also have a DD-3 on the floor, but find it a lot more appropriate to use
> it as a regular delay than trying to do the one-footed tap dance to hold.
> What I used to do with the DD-3 involved an L-screw (I'm not sure what it's
> really called; it looks like an allen wrench with a threaded
> point...)screwed down into my pedalboard next to the DD-3. While holding
> the pedal down, a quarter turn of the L-screw latches the DD-3 into hold
> mode so you don't have to keep your foot on it. The downside is you've got
> to unlatch it to make it stop. The Korg's a lot easier.
>
> Anyone else using short loopers either by themselves or in conjunction with
> longer ones?
>
> Tim (not that one...)
>
> At 05:34 PM 12/7/99 -0700, you wrote:
> >At 05:59 PM 12/7/99 -0600, X-ray wrote:
> >>>>I'm having trouble grasping that Tim does all his looping with a
> >>2->>second hold.  Is that all he uses?
> >>
> >>I'm as amazed as you, but yeah that's it.
> >
> >All I use is a Digitech 3.6 and a Boss DE-200 (1200 ms hold max), hooked
> >generally in serial.

From Loopers-Delight-request@annihilist.com  Wed Dec  8 00:39:03 1999
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Date: Tue, 07 Dec 1999 23:14:52 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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ernie ball baby.

jimmy george

X-ray wrote:

> >he said that any volume pedal with a 10K pot would though--- i assume >you
> only need  get a cord that has a stereo plug  on one end and the >other end
> splits into 2 mono phone plugs..(for the input and output jack >on the vol
> pedal.
>
> So which volume pedals out there use a 10K pot???
>
> MH

From Loopers-Delight-request@annihilist.com  Wed Dec  8 01:02:50 1999
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Subject: Re: Shakti..."loopy" tablas...
References: <3.0.6.32.19991206093657.009282f0@mail.monmouth.com>
	 <3.0.6.32.19991207020933.00931220@mail.monmouth.com> <3.0.6.32.19991207232617.009418f0@mail.monmouth.com>
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i recently heard through a friend that john m. was restablish the original
shakti. word is they are currently doing some shows. where? i am not sure, but
that it's potential is to do a whole international tour. i saw a glimpse of j's
guitar in an article briefly stating that they were reuniting. it was one of his
electric hollow body's. i am sure his harp guitar from the original days will go
with him on tour as well. it is some of my favourite stuff which he plays on.  i
will continue to find info. please let me know if you come across specifics as
well.

i will have my DL4 before x-mas

i am dancing at the feet of my boomerang for now, all is bliss all is bliss

peace
jimmy george

andre wrote:

> At 03:56 AM 12/7/99 -0600, you wrote:
> >"what need have i for this, what need have i for that- i am dancing with my
> >feet on the DL4 - all is bliss, all is bliss"
> >
> >have you heard about the up-coming shakti tour?
> >
> >jimmy george
>
> no!!! very cool...please enlighten us  with a link or other info!!! i saw
> them in may?? inNYC - transcendent show.. amazing
>
> with live "looping"on the tablas....
>
> thanx,andre'
> *NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...
>
> Jfk's Lsd Ufo site                      Project Object/Zappa tribute
> http://www.ufomusic.com                 http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Wed Dec  8 01:33:14 1999
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From: CrysCard@aol.com
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Date: Wed, 8 Dec 1999 01:15:18 EST
Subject: Echoplex dilemma
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OK so I purchased my Echoplex brand spankin' new in Aug 98. Everything has 
been going great until the other day when I went to play my guitar and my 
whole sound was low--so I isolated my echoplex--when I played through it my 
signal was low and had a whispy distortion sound, yet when I recorded a 
loop-it was clean as a whistle!  Even if I turn both the in/out knob all the 
way up (which I never used to or else my fender would blow me away) it still 
was not loud =(   My warrantee is up and I really do not want to ship it to 
CA for 4-5 weeks....and no it is not the cord! And it has not been moved for 
about 1 year....
Any suggestions oh loop gods?????????????????
(((((((((((((((((((((((((((((((((((((((((((((Crystalized))))))))))))))))))))))
)))))))))))))))))))))))))))))))))))

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From: Hawkeye255@aol.com
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Subject: Re: DIY literature/schematics, etc.
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<< can anyone recommend any good books about construction of simple, useful 
circuits (yer basic mixers, splitters, preamps, impedance matchers, A/B's, 
power supplies, etc.)? >>

        "Sound Reinforcement Handbook" 
    written for Yamaha by Gary Davis & Ralph Jones
        by Hal Leonard Publishing
        ISBN #:  0-88188-900-8    (a partial loop in that number, yeah? ;-) )
my sound bible,
              Bill 'hawkeye' Reiter 
btw:  I have the 2nd edition

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Date: Tue, 7 Dec 1999 23:14:36 -0800
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: Shakti..."loopy" tablas...
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wow!  is zakir hussain playing with them?  do you know their tour schedule?

- chris


>i recently heard through a friend that john m. was restablish the original
>shakti. word is they are currently doing some shows. where? i am not sure, but
>that it's potential is to do a whole international tour. i saw a glimpse
>of j's
>guitar in an article briefly stating that they were reuniting. it was one
>of his
>electric hollow body's. i am sure his harp guitar from the original days
>will go
>with him on tour as well. it is some of my favourite stuff which he plays
>on.  i
>will continue to find info. please let me know if you come across specifics as
>well.
>
>i will have my DL4 before x-mas
>
>i am dancing at the feet of my boomerang for now, all is bliss all is bliss
>
>peace
>jimmy george
>
>andre wrote:
>
>> At 03:56 AM 12/7/99 -0600, you wrote:
>> >"what need have i for this, what need have i for that- i am dancing with my
>> >feet on the DL4 - all is bliss, all is bliss"
>> >
>> >have you heard about the up-coming shakti tour?
>> >
>> >jimmy george
>>
>> no!!! very cool...please enlighten us  with a link or other info!!! i saw
>> them in may?? inNYC - transcendent show.. amazing
>>
>> with live "looping"on the tablas....
>>
>> thanx,andre'
>> *NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...
>>
>> Jfk's Lsd Ufo site                      Project Object/Zappa tribute
>> http://www.ufomusic.com                 http://www.projectobject.com

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>OK so I purchased my Echoplex brand spankin' new in Aug 98. Everything has
>been going great until the other day when I went to play my guitar and my
>whole sound was low--so I isolated my echoplex--when I played through it my
>signal was low and had a whispy distortion sound, yet when I recorded a
>loop-it was clean as a whistle!  Even if I turn both the in/out knob all the
>way up (which I never used to or else my fender would blow me away) it still
>was not loud =(   My warrantee is up and I really do not want to ship it to
>CA for 4-5 weeks....and no it is not the cord! And it has not been moved for
>about 1 year....
>Any suggestions oh loop gods?????????????????

about the only thing it could be is the Mix pot. Probably a solder joint
got cracked or something. Seems like it would be a simple repair.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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Date: Tue, 7 Dec 1999 23:25:15 -0800
To: Loopers-Delight@annihilist.com
From: Mark Hamburg <mhamburg@Adobe.COM>
Subject: Roland SP808?
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I seek advice...

I'm looking for a good device to which to download loops from my EDP. I
find that I'm frequently in loop making mode rather than song building
mode, and I'd like a good way to save the loops as useful future raw
material.

I've been eyeing the Roland SP808 Groovesampler.

Does anyone have anything particularly positive or negative to say about
it? Has anyone successfully download loops from their EDP to the SP808
(where downloading could include simply recording)? How easy was it to do
so?

And since they have one of the best prices I've seen, does anyone have any
experience with American Musical Supply?

Thank you much.
Mark


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> And since they have one of the best prices I've seen, does anyone have any
> experience with American Musical Supply?

I've only dealt with them briefly to buy an expression pedal, but I must say
they were fantastic.  Quick, efficient, and they even 2-day shipped the
merchandise!

stavros

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Date: Wed, 08 Dec 1999 03:45:03 -0600
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
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seems to me that you could insert a series of 10k pots as aux's after the 1st
gain stage (right after either the 22uf cap or the 1k resistor)& voila - aux
send city.

each aux send (& maybe return) would need some more gain stages, but you could
copy the post fader gain stages from the l & r from this schematic.

the question remains - what kinda s/n ratio arer you gonna get from a whole
pile of tl5532 op amps?

bobdog

>
> > > I've found something simple at
> > >  http://hem.fyristorg.com/effects/mixer_r.gif - it's a single-channel to
> L/R
> > >  that purports to be able to be added to other duplicate units.  I'm
> curious
> > >  as to what kind of SN ratio this would have...!
> --------------------------------------------------------------
> > >  > can anybody point me to a simple mixer schematic on the web?
> > >  > i have the anderton book that has an 8-1 mixer
> > >  > but no auxs
> > >  > im looking for 5-1(with 5 aux)for feedbackgin
> > >  >
> >

From Loopers-Delight-request@annihilist.com  Wed Dec  8 07:48:41 1999
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Date: Wed, 08 Dec 1999 07:47:23 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: JFK's LSD UFO...LIVE Looping on the WEB..tonite - with the
  Dl4..
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hey all

this is VERY loop related....

my duo JFK's LSD UFO is performing tonite in central NJ...Red Bank to be
exact...

But!! - We will be broadcast live on the web- with a video feed - at
http://www.icafenj.com

the show is 9pm eastern time...

AND- it MAY BE the WORLD PREMIERE of the DL4 "LIVE" on the WEB..i know
someone else has some RA posts (which were great by the way...but this will
be live)

so...

hope to 'see' ya at the show.

JFK's LSD UFO

Wed Dec 8 AND Wed Dec 15
9pm-10:45pm ET!

The Internet Cafe
1 W. Front St, Red Bank NJ
http://www.icafenj.com
732-842-4503

what do we do..?? Largely improvised guitar, percussion real and
virtual,evil guitar-synth,occ.vocals and chants,also looped. Influences are
endless, but prominent are Eno,Tangerine Dream, Derek Bailey, Torn, Yes,
Micheal Brook, Sonny Sharrock,Bon Lozaga, Hillage/Gong, Crimson/Fripp....

MP3s soon....

thanx for reading so far!!!

peace,andre'
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

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From: andre <andre@monmouth.com>
Subject: Re: Shakti..."loopy" tablas...
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At 11:44 PM 12/7/99 -0600, you wrote:
>i recently heard through a friend that john m. was restablish the original
>shakti. word is they are currently doing some shows. where? i am not sure,
but
>that it's potential is to do a whole international tour. i saw a glimpse
of j's
>guitar in an article briefly stating that they were reuniting. it was one
of his


hmm..actually this is kinda old news... humbly,i'll submit  what i know
about it:

-they (SHAKTI) have been reunited since 1997 or so..,maybe longer..
-there is a GREAT 1999 double CD out- live from shows from the UK tour 1997..
-a couple things have,or soon will be re-mastered,re-released etc from the
70s.. (handful,shakti,etc)

the lineup>>> JM-ELECTRIC guitar,Zakir Hussain-tabla, T.H.Vikku
Vinayakram-ghatam, Hariprasad Chaurasia-bansuri

they toured a bit in the US in april-june?? i saw the one NYC show..

that's all i know.sorry if the loop-free post has bored anyone.

andre'




*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Wed Dec  8 08:23:33 1999
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Subject: Re: Shakti..tour info???
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At 11:14 PM 12/7/99 -0800, you wrote:
>wow!  is zakir hussain playing with them?  do you know their tour schedule?
>
>- chris
www.pollstar.com,always a good starting point for any tour info - small or
large.

andre east

don'tworry folks.. this topic is officialy itself a LOOP...
*NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Wed Dec  8 08:34:47 1999
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Joseph Long schrieb:
> 
> O.k. so I have a simple 4 track setup and I'd like to start to slowly make
> the transition to using a PC for recording sound, etc. But heres my first
> basic question:
> 
> What do I need (software and hardware) to dump mixed songs to my computer.
> Is it as simple as a robust sound card?

yes, and some basic audio editor like cooledit or soundforge (pc) will
do.

better yet is an audiocard like the terratec ews88 with external
converters and digital/analog i/o matrix. the advantage to external
converters is that you eliminate the possibility of having
electromagnetic junk from your computer contaminate your audio signal.

later,
rob

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From: Dpcoffin@aol.com
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Date: Wed, 8 Dec 1999 09:10:03 EST
Subject: Re:  Re: Roland SP808?
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Don' t have an EDP. but DID have an 808, which is a fantastic 
recording/playback/post-processing device, so long as you aren't trying to 
make it work with foot pedals. It's very easy to dump stereo loops, or 
whatever, trim them, divvy 'em up by BPMs, layer 'em, mix 'em down....a very 
innovative product.


<<> And since they have one of the best prices I've seen, does anyone have any

> experience with American Musical Supply?


AMS and J&S Music are my favorite m-o suppliers. Recently got a defective box 
from AMS, and they shipped me a replacement BEFORE requiring it to be 
returned...in fact, they mailed me a prepaid UPS  will-call ticket at the 
same time as they UPS'd my replacement!
David

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From: "Bruce Comens" <bcomens@corelli.nexus.it>
To: <Loopers-Delight@annihilist.com>
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Subject: R: Indian/middle eastern sounds, microtonality
Date: Wed, 8 Dec 1999 15:09:05 -0500
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Love the way this thread has moved on to that wonderful Peterson guitar
neck--but I wanted to thank you all for feedback  re my original question
about percussion boxes; it was all very useful.  In the end I checked out
the
ASR-X Pro and
ordered one--everything I wanted and so much more that I hadn't imagined I
wanted....

And thanks, Drew, for pointing me to your website--great source of links and
info!

But to pick up the thread now--I've been thinking of going fretless guitar
or adding an oud (my local oud store has a nice little model i've been
eyeing...) for some time, as I'm always trying to work with inbetween notes.

2 questions i've been wondering about:

Do you guitarists/oudists generally adapt guitar tunings and right hand
techniques to the oud, or do you go the oud purist route?

On a fretless guitar, what happens to tone and sustain when the string is
between wood and flesh instead of against metal?   Can you make one by
simply defretting the guitar and filling the slots with some plasticky
material?  Any web sources on this?

Thanks again,
Bruce



From Loopers-Delight-request@annihilist.com  Wed Dec  8 09:43:51 1999
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Date: Wed, 8 Dec 1999 09:33:40 EST
Subject: Re: R: Indian/middle eastern sounds, microtonality
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I opted for the "oud purist" route---altho there's a couple different 
"standard" oud tunings (depending on what part of the world you're using as a 
reference point), 
if you wanna really learn the instrument and be able to command it and get 
the full flavor out of it, you should learn to play it according to its' 
tradition, I believe.
Deviate later, after you know the instrument intimately enough to know what 
you're deviating from. Like anything else, it's an investment of resources, 
since "there ain't no free lunch".
Also, I found it imperative to use a the eagle feather-derived "risha" 
(nowadays made out of plastic) as opposed to a guitar pick, as the sound 
difference is notable.

I'm all for pushing the envelope and experimentation, but I'm wary of 
diletantes, as that ends up being self-indulgent all too often, it seems.

David Burk

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I have an sp-808n and i love it..usually i record to my 4 track and than dump it down to my sp-808 and chop it up..it is a fantastic underated device that will be much more apperciated in the future...despite it's stigma as being a beat orientated machine. ( which is totally false i use it for experimental soundwaves and the like) i also have used it in conjuction with my waterphone..i sampled and layered the sounds of the phone to each pad..while i bow i allow the bow to pass thru the d-beam which triggers of loops and the like..a cool device that has many uses..I SAY!
\c.white
Loopers-Delight@annihilist.com wrote:
> Don' t have an EDP. but DID have an 808, which is a fantastic recording/playback/post-processing device, so long as you aren't trying to 
make it work with foot pedals. It's very easy to dump stereo loops, or 
whatever, trim them, divvy 'em up by BPMs, layer 'em, mix 'em down....a very 
innovative product.


 And since they have one of the best prices I've seen, does anyone have any

> experience with American Musical Supply?


AMS and J&S Music are my favorite m-o suppliers. Recently got a defective box 
from AMS, and they shipped me a replacement BEFORE requiring it to be 
returned...in fact, they mailed me a prepaid UPS  will-call ticket at the 
same time as they UPS'd my replacement!
David


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> i KNEW this would happen.....yes miko - i pretty much love MIDI... and use it all the time. I was having a friendly tweaking of Kim..since we have argued re: midi in the past.....all in good fun...

> suffice to say - you were had by my "sarcastic wit!!!"

Aaaaaaarrrrrrrrghhhh! Dot! Foiled again Batman...

Bestest!
-Miko

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From: Randy Jones <ranjones@yahoo.com>
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Hello,

SBlive platinum, www.buy.com $153.00, comes with
adequate versions of soundforge and cakewalk. Has
breakout box that mounts in a drive bay. Has
digital i/o, 1/4 input w/ gain control. Believe
it also has mp3 conversion software. Pretty
decent pkg. My untrained ears are happy w/ the
sound quality. I run my guitar through a mxp100
digital out to the platinum. 

Randy Jones
--- Cummings <r_t_cummings@compuserve.com> wrote:
> Joseph Long schrieb:
> > 
> > O.k. so I have a simple 4 track setup and I'd
> like to start to slowly make
> > the transition to using a PC for recording
> sound, etc. But heres my first
> > basic question:
> > 
> > What do I need (software and hardware) to
> dump mixed songs to my computer.
> > Is it as simple as a robust sound card?
> 
> yes, and some basic audio editor like cooledit
> or soundforge (pc) will
> do.
> 
> better yet is an audiocard like the terratec
> ews88 with external
> converters and digital/analog i/o matrix. the
> advantage to external
> converters is that you eliminate the
> possibility of having
> electromagnetic junk from your computer
> contaminate your audio signal.
> 
> later,
> rob
> 
> 

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

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Subject: Re: mixer schematics
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Hi David... I'd love to have a copy of it. Thanks for making it
available!

Best,
-Miko

>>> David Myers <dmgraph@pulsewidth.com> 12/07 8:48 PM >>>
I've finally put together a feedback matrix mixer schematic and sent
it to
our list friend rodrigo, a 6X6 mono job.  In time it will get onto
my
website, but if anyone else is interested I'll email them the jpeg,
which
is not small (325k) but prints nicely to laser....

David Myers

>I wonder if someone on the list or even Kim might know how to tie
all of the
>below together...
>
>Stephen Goodman       * It's the free Loop Of The Week!
>EarthLight Productions * http://www.earthlight.net/Studios.html 
>
>----- Original Message -----
>From: <Kriist@aol.com>
>To: <sgoodman@earthlight.net>
>Sent: Tuesday, December 07, 1999 19:32
>Subject: Re: mixer schematics
>
>
>> looks good
>> but no aux
>> ive found tons of DYI mixers
>> but ive yet to come across one with aux
>>
>> thanks
>>
>> rodrigo
>>
>> > I've found something simple at
>> >  http://hem.fyristorg.com/effects/mixer_r.gif - it's a
single-channel to
>L/R
>> >  that purports to be able to be added to other duplicate units. 
I'm
>curious
>> >  as to what kind of SN ratio this would have...!
>> >
>> >  Stephen Goodman       * It's the free Loop Of The Week!
>> >  EarthLight Productions * http://www.earthlight.net/Studios.html

>> >
>> >  > can anybody point me to a simple mixer schematic on the web?
>> >  > i have the anderton book that has an 8-1 mixer
>> >  > but no auxs
>> >  > im looking for 5-1(with 5 aux)for feedbackgin
>> >  >
>>



From Loopers-Delight-request@annihilist.com  Wed Dec  8 13:12:16 1999
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From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, jimmyg@jimmygeorgearts.com
Subject: Re: Shakti..."loopy" tablas...
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>>> Jimmy George <jimmyg@jimmygeorgearts.com> 12/07 10:00 PM >>>
i recently heard through a friend that john m. was restablish the
original
shakti. 

The Anil Prasad "Innerviews" site has recent Shakti and Zakir Hussein
interviews listed. 

http://www.innerviews.org/

-Miko

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Subject: Re: shorter looping times [oscillations?]
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Tim Nelson wrote:

> Anyone else using short loopers either by themselves or in conjunction with
> longer ones?

well, i use both a dd3 and dd5 (among other things) into an edp; what i typically
use the boss units for is delay rather than looping (although i used them
extensively for looping before i got the edp); but this thread brings to mind an
interesting quality with these more *primitive* devices. namely, the ability to
self-oscillate at certain feedback settings. i recently had the dd3 (which is
stupidly easy to make oscillate) running into the dd5; settings thus:

dd3

level:          max
f.back:       1 o'clock  or? (just into self-oscillation but held back so as to
remain controlled)
d.time:       variable
mode:        variable

dd5

level:          max
f.back:       max
d.time:        variable (this is the basic controlling variable; if feedback gets
too intense, shift the frequencies elsewhere)
mode:         1


this was actually the first time i've gotten the dd5 to self-oscillate (it's
always seemed a more tailored box in my experience); i merely plucked a string on
my guitar to get a signal into the dd3, then put the guitar down and basically
fiddled with the delay times for 2 hours (all the while layering on the edp).
scared myself silly!

lance g.


minor caveat: be cautious at first, as extreme feedback frequencies are
speaker-melting at volume (and volume can jump quite dramatically!)




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Date: Wed, 8 Dec 1999 14:57:05 EST
Subject: Re: Shakti..."loopy" tablas...
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Actually, when I saw them here in St.Louis, Hariprasad Chaurasia was not with 
them.  Instead U. Srivinas was playing mandolin with them.  Unreal show.  In 
fact, I think that while most people came to see John M., he was the one 
working hardest to keep up.  Zakir Hussain is a god.  Not only can he play at 
ridiculous levels of virtuosity, he is very laid back and approachable, and 
tries his best to entertain his audience.

Later!
Joe

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what do you mean by "self-oscillate"????      postaldave@qx.net



", the ability toself-oscillate at certain feedback settings. i recently had
the dd3 (which is
stupidly easy to make oscillate) running into the dd5; settings thus:

dd3

level:          max
f.back:       1 o'clock  or? (just into self-oscillation but held back so as
to
remain controlled)
d.time:       variable
mode:        variable"



From Loopers-Delight-request@annihilist.com  Wed Dec  8 16:51:15 1999
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From: "Curbie" <curbfeeler@transworld-lax.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: nels cline / hidden treasures
Date: Wed, 8 Dec 1999 13:32:39 -0800
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The 2 Movie soundtracks were "landscapes ambience" in
most parts but there were structured songs with jazz-punk
colors also.
I don't think they are available in CD's or that I don't know
of any releases in just the movie soundtracks themselves,
as "Hard Drive" was direct to Video and Welcome, Said the Angel
was a foreign film (French).

Check out your local Blockbuster or Video rental.
I'm confident you'll find both without difficulty.
I'm sorry I can't describe in more details but it will be worth
the rental just to hear how he scores the "incidental" music
through out the movies.

Curbie

-----Original Message-----
From: Gamine70@aol.com [mailto:Gamine70@aol.com]
Sent: Monday, December 06, 1999 11:09 AM
To: Loopers-Delight@annihilist.com
Subject: RE: nels cline / hidden treasures


Could you tell me what the music sounds like on these releases I guess this
is actually a rather vague request. What's the instrumentation like and how
do the pieces compare to his other compositions. Were these soundtracks ever
released as cds or vinyl? I'm very curious as to  how nels dealt with
scoring a movie.
any info would be great.

matt
> For those who seek more less known but brilliant works,
> check out:
>
>     Hard Drive (movie soundtrack, circa 1993)
>     Welcome, Said the Angel (also a movie soundtrack, French)
>
>
> I think they are both available in your local video store.
>
> Curbie



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From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: Re: shorter looping times [oscillations?]
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At 04:29 PM 12/8/99 -0500, postaldave wrote:
>what do you mean by "self-oscillate"????      postaldave@qx.net

It's what occurs when the delay unit starts feeding back on itself,
generating new patterns of sound.


==
the Reverend Rob      ICQ: 1280871          Yahoo: theReverendRob
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.realm-of-shade.com/music : feedback and echo MP3s

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At 08:05 PM 12/7/99 -0800, Scott A. Martin wrote:

>>Yes, quite frequently.  I can provide sound samples if you'd like; they
>>range anywhere from "oooh, I'm on nitrous" to "who thought that was a good
>>idea" to "exactly what did you do that signal path', particularly if you
>>run a couple delay units with that era LFO together. 
>
>Great!  Please put 'em up!

Will do after the weekend; I'll record a few samples specifically to
highlight the RDS's functions.

>I'm quite intrigued by the samples on your music page, BTW.  More pagan music!

Glad to see you survived the experience. :)
 
==
the Reverend Rob      ICQ: 1280871          Yahoo: theReverendRob
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.realm-of-shade.com/music : feedback and echo MP3s

From Loopers-Delight-request@annihilist.com  Wed Dec  8 18:03:06 1999
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Date: Wed, 08 Dec 1999 23:42:50 +0100
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yeah I know a thing you should'nt do:
experimenting with all sorts of flashcards.

I WAS a proud owner of 1 for 2 weeks.
Then I found someone on the internet with flahsram.
Visited the man: ms-1 replies: wrong card.
"-Wait" said the man: "have some more of these".
fiddled some with these thingies -"oops a modem", "wait, here this one
probably", etc.-
and suddenly: MS-1 dead. 
Could'nt even get it into boot mode.
Diagnosis from serviceman: replacement of rom-bios necessary, which is
equivalent to replacement of the litlle mainboard inside.
costs: more then I paid for the little piece of gear (2nd hand).

just a warning ;-).

beret.


> ----Original Message Follows----
> From: jpw77@together.net
> Reply-To: Loopers-Delight@annihilist.com
> To: Loopers-Delight@annihilist.com
> Subject: Roland MS-1
> Date: Thu, 02 Dec 1999 16:17:45 +0000
> 
> Does anyone have any experience using the Roland MS-1 sampler
> with a Flashdisk memory card?
> 
> Jon Williams
> 
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com



Devious D_MasterMixer wrote:
> 
> I am a PROUD owner of this unit, with the 4MB flash card... wha cha wanna
> know ?
>

From Loopers-Delight-request@annihilist.com  Wed Dec  8 17:58:57 1999
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Subject: Re: Loopers-Delight-d Digest V99 #495
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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Hi Luis, you'll find Glen's site here :

http://www.organicdesign.org/peterson/homepage.html

The guitar in question is at :
http://www.organicdesign.org/peterson/customers/catler_ji.html

You could poke around my site & find some interesting info :
http://microtonal.lookscool.com

- drew

>> Glen Peterson is one awesome luthier. This has to be the most incredible
>> fretting EVER done. Unbelievable ! Well, y'all know whom to call if you
>> need some excellent guitar work done.
>
>
> Hi Drew,
> What guitar are you talking about? could you send me some links or the
> adress from this guitar builder it sounds interesting!
> Thanks
> L.A.


__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Dec  8 18:16:55 1999
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Subject: Re: Line6 DL4 $200
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O.k. I just took the plunge and  bought one online from Sam Ash. @ $199.99 
I'm fired up and can't wait to get it,........


At 08:50 PM 12/7/99 -0800, you wrote:
>I don't wish to be an enabler to any but thems that musts, but:
>
>http://www.samash.com/shopping.htm
>
>$199.99
>
>I reckon that's about the best listed price out there, for now...BTW, thems
>thats gots PODs can use the POD adapter. I noticed that Slam Ass didn't
>have one listed at their site, and this thing eats batteries.
>
>Hasta -> Rico
>********************************************************
>* Earth is an asylum for angels with amnesia - Emerson *
>********************************************************
>

                    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
                             CHECK OUT BOSTONS PREMIERE FUNK AND DANCE BAND
                                          www.funky-town.com

                                 **************************************** 

 

From Loopers-Delight-request@annihilist.com  Wed Dec  8 18:07:49 1999
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Date: Wed, 08 Dec 1999 14:52:57 +0100
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SoundRaider chews up yer *.wav files and spits them out in random order.
an idea could be to put the same set of files on all of the computers
...

a more complicated solution could be the midi programming environment
"keykit" (pc). i've used this software a little bit and it's quite,
let's say, unique. it can also be a little frustrating though.

keykit download site: 
<http://209.233.20.72/keykit/index.html>

this reminds of a canadian composer whose written a work for networked
computers and dot matrix computers. i've forgotten his name but a review
of a live performance in austria (?) in the wire was positive.

later,
rob

Matt Rowe schrieb:
> 
> 
> 
> >There used to be a shareware called (I think) Parrot, which recorded
> >snippets from a Mac's mic input
> >and then played them back at random through the internal speaker. I used to
> >have a dozen old
> >Macs and considered setting up installation using them all running this
> >program, within earshot of each other.
> 
> the thought of this makes my day.  does anyone here have the know-how on how
> create such a program together for PC?
> 
> matt


From Loopers-Delight-request@annihilist.com  Wed Dec  8 18:28:37 1999
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Date: Wed, 08 Dec 1999 15:22:39 -0800
To: Loopers-Delight@annihilist.com
From: Joseph Long <joelong@cisco.com>
Subject: Re: Roland SP808?
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I've purchased many things from AMS. I think there prices are good and Iv'e 
never had any problems with them. All orders have come in a timely manner, 
well packaged, itemized receipts (for tax purposes), and they usually have 
the items in stock. They are open like 7x24 or something too. All in 
all,..I find them a convenient resource to get things when I *know* I want.

-Joe

At 11:25 PM 12/7/99 -0800, you wrote:
>I seek advice...
>
>I'm looking for a good device to which to download loops from my EDP. I
>find that I'm frequently in loop making mode rather than song building
>mode, and I'd like a good way to save the loops as useful future raw
>material.
>
>I've been eyeing the Roland SP808 Groovesampler.
>
>Does anyone have anything particularly positive or negative to say about
>it? Has anyone successfully download loops from their EDP to the SP808
>(where downloading could include simply recording)? How easy was it to do
>so?
>
>And since they have one of the best prices I've seen, does anyone have any
>experience with American Musical Supply?
>
>Thank you much.
>Mark
>
>

                    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
                             CHECK OUT BOSTONS PREMIERE FUNK AND DANCE BAND
                                          www.funky-town.com

                                 **************************************** 

 

From Loopers-Delight-request@annihilist.com  Wed Dec  8 22:47:10 1999
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From: Kriist@aol.com
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Date: Wed, 8 Dec 1999 21:20:10 EST
Subject: EH random tone generator?  
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does anybody know where i could find a schematic for this hard to find item(i 
cant even find a pic of it on the net)
or at least, what sort of technology it uses to create random tones(in fact, 
how random is it?)

thanks

rodrigo

From Loopers-Delight-request@annihilist.com  Wed Dec  8 23:35:17 1999
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"Javier Miranda V." wrote:
> 
> <body>
> <non-looping content>
> 
> Did everybody agree to use "it's" and "its" wrong almost everytime?
> 
> Come on, people, if you cannot substitute "it is" for "it's," then the
> apostrophe doesn't belong there.
> 
> For example:
> 
>         despite it's stigma as being a beat orientated machine..
> 
> Would it sound right to say:
> 
>         despite it is stigma as being a beat orientated machine..
> 
> Apparently not.
> 
> Further, this should be written thus:
> 
>         despite its stigma as being a beat-oriented machine...
> 
> </non-looping content>
> </body>
> 
> Thank you.  I just had to say something about it.

I wish I had a $100 for every time I got email
like this from the net...


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@annihilist.com  Wed Dec  8 23:24:22 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: It's and Its
Date: Wed, 8 Dec 1999 19:01:48 -0800
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<body>
<non-looping content>

Did everybody agree to use "it's" and "its" wrong almost everytime?

Come on, people, if you cannot substitute "it is" for "it's," then the
apostrophe doesn't belong there.

For example:

	despite it's stigma as being a beat orientated machine..

Would it sound right to say:

	despite it is stigma as being a beat orientated machine..

Apparently not.

Further, this should be written thus:

	despite its stigma as being a beat-oriented machine...

</non-looping content>
</body>

Thank you.  I just had to say something about it.

From Loopers-Delight-request@annihilist.com  Wed Dec  8 23:29:32 1999
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Bruce Comens wrote:

> But to pick up the thread now--I've been thinking of going fretless guitar
> or adding an oud (my local oud store has a nice little model i've been
> eyeing...) for some time, as I'm always trying to work with inbetween notes.
> 
> 2 questions i've been wondering about:
> 
> Do you guitarists/oudists generally adapt guitar tunings and right hand
> techniques to the oud, or do you go the oud purist route?

The guy I play with travels the purist route. When I
tried it, I used my guitar technique. I have no other
and it's a little strange holding my hand at a 90 degree angle.
If I actually owned an oud, I might change.

When I was looping in my pre-microtonal knowledgeable
days, I was heavily into the in-between notes. I would
sustain a note on the guitar and after a couple of 
repeats, I would bend the note a bit, maybe behind
the nut if it was an open string. I used to call it
real time chorusing. Little I did know there was a science to it...


> On a fretless guitar, what happens to tone and sustain when the string is
> between wood and flesh instead of against metal?   Can you make one by
> simply defretting the guitar and filling the slots with some plasticky
> material?  Any web sources on this?

I'll tell you about my friend Jon's guitars and maybe 
shed a little light on your questions.

His old microtonal guitar had interchangeable fretboards.
In the middle of a performance he would swap out the microtonal
fretboard [different than the one we use now] and slide
in the fretless one. Turn around and yo! new guitar!
He had to use his fretting hand fingernail to
play the high strings to get sustain. Indian musicans do 
this on the sarangi. This is typically
the problem with fretless guitars - lack of sustain.
This guitar has a stainless steel fretboard like a sarod.
He has other interchangeable fret boards like a quarter
tone - 24 frets to the octave.

On his newer G&L, I guess he got it about 2 years ago,
the luther (let's call him Satan. he hung on to my guitar
for 13 months, didn't return phone calls, and didn't even do the work!
we eventually found Glen Peterson with in weeks of getting
our guitars back from Satan in June)
used a product called 3 Ton Epoxy on the fretboard. It looks
like a plastic fretboard and sustains real fine. I played it once
before I could really play a fretless instrument and the 
tone was real nice. Jon doesn't have to use the fingernail
with this guitar.

In fact, unless things have changed, than
Pat Metheny and I are the only ones to play that guitar
other than Jon (ex-student, ran into ex-teacher at rehearsal
studio in NYC). Pat won a Grammy for his fretless classical
guitar solo on Imaginary Day. I never met the guy
although I admire his work greatly.

Jaco used boat epoxy on his bass. I tried an early Fender
Custom Shop model at the local Sam Yak and the epoxy was
nowhere as thick as the epoxy on Jon's guitar. I guess you could 
just pull frets and fill in the empty space with plastic
wood but the epoxy finished fretboard makes a hell of lot of 
difference.

Jon's web site:

http://home.earthlink.net/~freenote/

BTW: besides having his own recordings, he played
on bassist Hansford Rowe's (ex-Gong) new recording No Other.
And of course him and his brother played on
*Father-of-Minimalism* La Monte Youngs out of print Forever
Bad Blues Band - Just Stompin' (Gramavision)


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

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From: MyWarNerve@aol.com
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Date: Wed, 8 Dec 1999 22:54:35 EST
Subject: Re: EH random tone generator?  
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 <A HREF="http://members.rotfl.com/3ms/">...3ms pedals...</A>  try this.
A

From Loopers-Delight-request@annihilist.com  Wed Dec  8 23:46:28 1999
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Date: Thu, 09 Dec 1999 11:43:49 -0400
Subject: Re: It's and Its
From: "Christopher White" <magicicada@mindspring.com>
To: Loopers-Delight@annihilist.com
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Javier,

    I am sorry that was me typing with my child in one arm and not being to
careful in my placement of apostrophes. I supppose I find it a bit scary
that you actually took the time to point out my mistake in grammar on my
email. I bow to your massive english powers! Anoint me with your silver
tongue and your typing fingers of gold! I have sinned...SINNED!... and its
it's it is so bad.
c.white
----------
>From: "Javier Miranda V." <gnominus@earthling.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: It's and Its
>Date: Wed, Dec 8, 1999, 11:01 PM
>

><body>
><non-looping content>
>
>Did everybody agree to use "it's" and "its" wrong almost everytime?
>
>Come on, people, if you cannot substitute "it is" for "it's," then the
>apostrophe doesn't belong there.
>
>For example:
>
> despite it's stigma as being a beat orientated machine..
>
>Would it sound right to say:
>
> despite it is stigma as being a beat orientated machine..
>
>Apparently not.
>
>Further, this should be written thus:
>
> despite its stigma as being a beat-oriented machine...
>
></non-looping content>
></body>
>
>Thank you.  I just had to say something about it.
>

From Loopers-Delight-request@annihilist.com  Wed Dec  8 21:27:52 1999
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Date: Wed, 8 Dec 1999 21:02:55 -0500
To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: mixer schematics
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--============_-1267417517==_============
Content-Type: text/plain; charset="us-ascii"

Here you go, Miko...

>Hi David... I'd love to have a copy of it. Thanks for making it
>available!
>
>Best,
>-Miko

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--============_-1267417517==_============--

From Loopers-Delight-request@annihilist.com  Thu Dec  9 00:00:32 1999
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From: Hawkeye255@aol.com
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Date: Wed, 8 Dec 1999 23:54:22 EST
Subject: Re: It's and Its
To: Loopers-Delight@annihilist.com
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it's an anal retentive thing, methinks.... ;-)

Bill 'hawkeye'

From Loopers-Delight-request@annihilist.com  Wed Dec  8 23:37:58 1999
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Date: Wed, 8 Dec 1999 23:32:54 EST
Subject: Re: EH random tone generator?  
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i love their stuff
im building one of them now(the soundshimmer series twiwave picogenerator)
and im hvaing one from the collective build me a noiseswash pedal
outrageous stuff
but not quite random

rodrigo

>  <A HREF="http://members.rotfl.com/3ms/">...3ms pedals...</A>  try this.
>  A

From Loopers-Delight-request@annihilist.com  Thu Dec  9 00:49:02 1999
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From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: <Loopers-Delight@annihilist.com>
References: <199912090442.XAA31702@fb00.eng00.mindspring.net>
Subject: Re: It's and Its
Date: Thu, 9 Dec 1999 03:48:33 -0200
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Neurosis?  :  )
julio

----- Original Message -----
From: Christopher White <magicicada@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, December 09, 1999 1:43 PM
Subject: Re: It's and Its


> Javier,
>
>     I am sorry that was me typing with my child in one arm and not being
to
> careful in my placement of apostrophes. I supppose I find it a bit scary
> that you actually took the time to point out my mistake in grammar on my
> email. I bow to your massive english powers! Anoint me with your silver
> tongue and your typing fingers of gold! I have sinned...SINNED!... and its
> it's it is so bad.
> c.white
> ----------
> >From: "Javier Miranda V." <gnominus@earthling.net>
> >To: <Loopers-Delight@annihilist.com>
> >Subject: It's and Its
> >Date: Wed, Dec 8, 1999, 11:01 PM
> >
>
> ><body>
> ><non-looping content>
> >
> >Did everybody agree to use "it's" and "its" wrong almost everytime?
> >
> >Come on, people, if you cannot substitute "it is" for "it's," then the
> >apostrophe doesn't belong there.
> >
> >For example:
> >
> > despite it's stigma as being a beat orientated machine..
> >
> >Would it sound right to say:
> >
> > despite it is stigma as being a beat orientated machine..
> >
> >Apparently not.
> >
> >Further, this should be written thus:
> >
> > despite its stigma as being a beat-oriented machine...
> >
> ></non-looping content>
> ></body>
> >
> >Thank you.  I just had to say something about it.
> >
>

From Loopers-Delight-request@annihilist.com  Thu Dec  9 02:12:31 1999
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Message-ID: <384F5444.4482D8B9@jimmygeorgearts.com>
Date: Thu, 09 Dec 1999 01:03:32 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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To: Loopers-Delight@annihilist.com
Subject: Re: It's and Its
References: <199912090442.XAA31702@fb00.eng00.mindspring.net>
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I am sorry that was me that you actually bow to. I supppose one arm actually
took
your massive fingers of gold and I supppose I find it a bit scary. I have
sinned with
your silver tongue and your typing fingers of apostrophes. SINNED!
c.white

Christopher White wrote:

> Javier,
>
>     I am sorry that was me typing with my child in one arm and not being to
> careful in my placement of apostrophes. I supppose I find it a bit scary
> that you actually took the time to point out my mistake in grammar on my
> email. I bow to your massive english powers! Anoint me with your silver
> tongue and your typing fingers of gold! I have sinned...SINNED!... and its
> it's it is so bad.
> c.white
> ----------
> >From: "Javier Miranda V." <gnominus@earthling.net>
> >To: <Loopers-Delight@annihilist.com>
> >Subject: It's and Its
> >Date: Wed, Dec 8, 1999, 11:01 PM
> >
>
> ><body>
> ><non-looping content>
> >
> >Did everybody agree to use "it's" and "its" wrong almost everytime?
> >
> >Come on, people, if you cannot substitute "it is" for "it's," then the
> >apostrophe doesn't belong there.
> >
> >For example:
> >
> > despite it's stigma as being a beat orientated machine..
> >
> >Would it sound right to say:
> >
> > despite it is stigma as being a beat orientated machine..
> >
> >Apparently not.
> >
> >Further, this should be written thus:
> >
> > despite its stigma as being a beat-oriented machine...
> >
> ></non-looping content>
> ></body>
> >
> >Thank you.  I just had to say something about it.
> >

From Loopers-Delight-request@annihilist.com  Thu Dec  9 02:00:14 1999
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Message-ID: <384F514A.E99D2D02@jimmygeorgearts.com>
Date: Thu, 09 Dec 1999 00:50:51 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

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itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit

itsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsitsit



hehehe

jimmy george
"Javier Miranda V." wrote:

> <body>
> <non-looping content>
>
> Did everybody agree to use "it's" and "its" wrong almost everytime?
>
> Come on, people, if you cannot substitute "it is" for "it's," then the
> apostrophe doesn't belong there.
>
> For example:
>
>         despite it's stigma as being a beat orientated machine..
>
> Would it sound right to say:
>
>         despite it is stigma as being a beat orientated machine..
>
> Apparently not.
>
> Further, this should be written thus:
>
>         despite its stigma as being a beat-oriented machine...
>
> </non-looping content>
> </body>
>
> Thank you.  I just had to say something about it.

From Loopers-Delight-request@annihilist.com  Thu Dec  9 02:50:10 1999
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References: <LOBBJCEICBFKLACEKDADGEPGCCAA.gnominus@earthling.net>
Date: Thu, 9 Dec 1999 00:35:57 -0700
To: Loopers-Delight@annihilist.com
From: Doug Wyatt <doug@sonosphere.com>
Subject: Re: It's and Its
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I like the way Dave Barry put it: an apostrophe does not mean, "Look 
out, here comes an S!!!"

Doug

-- 
Doug Wyatt                             doug@sonosphere.com
http://www.sonosphere.com/

From Loopers-Delight-request@annihilist.com  Thu Dec  9 04:44:01 1999
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Message-ID: <19991209082150.12642.qmail@web111.yahoomail.com>
Date: Thu, 9 Dec 1999 00:21:50 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: It's and Its
To: Loopers-Delight@annihilist.com
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Thiz cud awl bee avioded iv peeple wud uze they're
spel chekerz!

jhon

--- "Javier Miranda V." <gnominus@earthling.net>
wrote:
> <body>
> <non-looping content>
> 
> Did everybody agree to use "it's" and "its" wrong
> almost everytime?
> 
> Come on, people, if you cannot substitute "it is"
> for "it's," then the
> apostrophe doesn't belong there.
> 
> For example:
> 
> 	despite it's stigma as being a beat orientated
> machine..
> 
> Would it sound right to say:
> 
> 	despite it is stigma as being a beat orientated
> machine..
> 
> Apparently not.
> 
> Further, this should be written thus:
> 
> 	despite its stigma as being a beat-oriented
> machine...
> 
> </non-looping content>
> </body>
> 
> Thank you.  I just had to say something about it.
> 
> 


=====
John Tidwell



__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Dec  9 07:05:25 1999
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Date: Thu, 09 Dec 1999 06:42:36 -0500
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: It's and Its
In-Reply-To: <384F514A.E99D2D02@jimmygeorgearts.com>
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Well, there's a nice 12K for the digest...

At 12:50 AM 12/9/99 -0600, you wrote:
>itsitsits.... etc

From Loopers-Delight-request@annihilist.com  Thu Dec  9 07:08:49 1999
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Date: Thu, 09 Dec 1999 19:05:42 -0400
Subject: Re: It's and Its
From: "Christopher White" <magicicada@mindspring.com>
To: Loopers-Delight@annihilist.com
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haahha now we are silly for sure!
----------
>From: Jimmy George <jimmyg@jimmygeorgearts.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: It's and Its
>Date: Thu, Dec 9, 1999, 3:03 AM
>

>I am sorry that was me that you actually bow to. I supppose one arm actually
>took
>your massive fingers of gold and I supppose I find it a bit scary. I have
>sinned with
>your silver tongue and your typing fingers of apostrophes. SINNED!
>c.white
>
>Christopher White wrote:
>
>> Javier,
>>
>>     I am sorry that was me typing with my child in one arm and not being to
>> careful in my placement of apostrophes. I supppose I find it a bit scary
>> that you actually took the time to point out my mistake in grammar on my
>> email. I bow to your massive english powers! Anoint me with your silver
>> tongue and your typing fingers of gold! I have sinned...SINNED!... and its
>> it's it is so bad.
>> c.white
>> ----------
>> >From: "Javier Miranda V." <gnominus@earthling.net>
>> >To: <Loopers-Delight@annihilist.com>
>> >Subject: It's and Its
>> >Date: Wed, Dec 8, 1999, 11:01 PM
>> >
>>
>> ><body>
>> ><non-looping content>
>> >
>> >Did everybody agree to use "it's" and "its" wrong almost everytime?
>> >
>> >Come on, people, if you cannot substitute "it is" for "it's," then the
>> >apostrophe doesn't belong there.
>> >
>> >For example:
>> >
>> > despite it's stigma as being a beat orientated machine..
>> >
>> >Would it sound right to say:
>> >
>> > despite it is stigma as being a beat orientated machine..
>> >
>> >Apparently not.
>> >
>> >Further, this should be written thus:
>> >
>> > despite its stigma as being a beat-oriented machine...
>> >
>> ></non-looping content>
>> ></body>
>> >
>> >Thank you.  I just had to say something about it.
>> >
>

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From: Tim Nelson <tcn62@ici.net>
Subject: Re: R: Indian/middle eastern sounds, microtonality
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At 11:15 PM 12/8/99 -0500, you wrote:
>> Do you guitarists/oudists generally adapt guitar tunings and right hand
>> techniques to the oud, or do you go the oud purist route?

Some of you into the oud/microtonal guitar thing might be interested in the
cumbus (pronounced "joombush").

It's ("its", Javier) an unusual Turkish instrument that combines an oud, a
banjo, a 12-string guitar, a formica countertop (the fretless fingerboard),
and an aluminum cooking pan (the body) into one strange package.

In the early part of the century, the cumbus all but replaced the oud in
certain settings in Turkish music (mostly in noisier places like bars and
chai gardens; the oud remained the instrument of choice for more
traditional settings...) due to the advantages in volume and projection,
and also to its ("it's", Javier) more durable construction.

My cumbus is pretty beat up, having lost a couple of its ("it's", Javier)
tuners, but it's ("its", Javier) still fun to play. The instrument is still
made, and is available in models simulating the scale length, string
configuration fretted/fretlessness and tuning of several instruments
including saz, oud, guitar and (I think) mandolin.

Oh, and you can loop it...

Tim

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Message-ID: <384FAE01.55C3E910@jimmygeorgearts.com>
Date: Thu, 09 Dec 1999 07:26:25 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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yes we are ...



Christopher White wrote:

> haahha now we are silly for sure!
> ----------
> >From: Jimmy George <jimmyg@jimmygeorgearts.com>
> >To: Loopers-Delight@annihilist.com
> >Subject: Re: It's and Its
> >Date: Thu, Dec 9, 1999, 3:03 AM
> >
>
> >I am sorry that was me that you actually bow to. I supppose one arm actually
> >took
> >your massive fingers of gold and I supppose I find it a bit scary. I have
> >sinned with
> >your silver tongue and your typing fingers of apostrophes. SINNED!
> >c.white
> >
> >Christopher White wrote:
> >
> >> Javier,
> >>
> >>     I am sorry that was me typing with my child in one arm and not being to
> >> careful in my placement of apostrophes. I supppose I find it a bit scary
> >> that you actually took the time to point out my mistake in grammar on my
> >> email. I bow to your massive english powers! Anoint me with your silver
> >> tongue and your typing fingers of gold! I have sinned...SINNED!... and its
> >> it's it is so bad.
> >> c.white
> >> ----------
> >> >From: "Javier Miranda V." <gnominus@earthling.net>
> >> >To: <Loopers-Delight@annihilist.com>
> >> >Subject: It's and Its
> >> >Date: Wed, Dec 8, 1999, 11:01 PM
> >> >
> >>
> >> ><body>
> >> ><non-looping content>
> >> >
> >> >Did everybody agree to use "it's" and "its" wrong almost everytime?
> >> >
> >> >Come on, people, if you cannot substitute "it is" for "it's," then the
> >> >apostrophe doesn't belong there.
> >> >
> >> >For example:
> >> >
> >> > despite it's stigma as being a beat orientated machine..
> >> >
> >> >Would it sound right to say:
> >> >
> >> > despite it is stigma as being a beat orientated machine..
> >> >
> >> >Apparently not.
> >> >
> >> >Further, this should be written thus:
> >> >
> >> > despite its stigma as being a beat-oriented machine...
> >> >
> >> ></non-looping content>
> >> ></body>
> >> >
> >> >Thank you.  I just had to say something about it.
> >> >
> >

From Loopers-Delight-request@annihilist.com  Thu Dec  9 08:36:44 1999
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Date: Thu, 09 Dec 1999 07:23:18 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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a bit new at the game here. please inform me on what the 'digest'  is.
got a letter from kim as well. he was pissed. i thought i was being
funny. can't imagine little ol' me bringing  your 'digest' to a halt.
please inform me of the rules here so i don't repeat this mistake
elsewhere. when you all were scrapping earlier this month as to what was
appropriate and what was not appropriate about subject matter ect. i
almost wittily posted my newest play, 'Benny's God' in long form. me
thinking that would be funny apparently would have melted the empire
down. glad i chose not to. i don't respond too often, mostly i watch and
read. i've asked occasional questions and have sent a few, hopefully,
helpful notes back on topic. i am a career working musician of 14 years.
i'll be 33 dec. 13th. still learning all the time. again, please send me
the rules and also explain the 'digest'. excuse my not knowing these
things if you will. no hard feelings.

peace my looper fiends, peace ...
jimmy george

if you want here is one of my new little url's.
http://ww3.bigjam.com/home.htm   after the front page loads in, hit
'bands' on the left. move your mouse to the middle and as the names load
in hit, jimmy george. on my page at the bottom hit odysseys in black.
you will hear this composition which has some of my triggered looping on
guitar. they might have a web cast of mine archived from this page as
well. this may personalize me a bit more to you. my main site,
www.jimmygeorgearts.com is currently having problems, once up again you
may hear my whole album, 'my favourite animal, if you wish. also i have
a new full length disk, 'more words that make it hard to sleep', a
double live disk, 'live from lizard central' and three live performance
videos we filmed on dvd opening for; santana at the dallas starplex aug.
1, tom petty also at the dallas starplex sept. 16th, and the 'nixons' at
lucy's retired surfers bar oct. 22, that will all be released and
available by late january.

loop on fiends, loop on ...

jimmy george

Tim Nelson wrote:

> Well, there's a nice 12K for the digest...
>
> At 12:50 AM 12/9/99 -0600, you wrote:
> >itsitsits.... etc

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Date: Thu, 09 Dec 1999 07:01:54 -0700
To: Loopers-Delight@annihilist.com
From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: RDS samples [was Re: Digitech RDS questions]
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On or around 08:05 PM 12/7/99 -0800, Scott A. Martin said:
>>> The online manual says that "in longer delay times...the LFO will make
>>>sounds that are not normally useful in music," so I know y'all must have
>>>tried it. =)
>>
>>Yes, quite frequently.  I can provide sound samples if you'd like; they
>>range anywhere from "oooh, I'm on nitrous" to "who thought that was a good
>>idea" to "exactly what did you do that signal path', particularly if you
>>run a couple delay units with that era LFO together. 
>
>Great!  Please put 'em up!

Here's two examples.

The first is relatively boring; I threw a quick nasty loop into my RDS 3.6
and hit hold.  I walk through the various non-destructive permutations of
the LFO (there are quite a few sounds; I just go for "representative") in
relation to the loop.

Sound file: http://www.realm-of-shade.com/temp/rds-36-sample-lfo-loop.mp3
(2.1 mb)

The second is what you can do with other 80s el-cheapo rack units in
conjunction with one of the RDS delays.  For this example, I used my trusty
ebow into my Fender Deluxe 112's distortion channel, with a Boss DE-200
rack delay running serial into an RDS 3.6 and out again.  At times, I loop
both units and layer on top with the ebow, and with a little effort, some
amusing live sounds can be gotten for a very low price.

Sound file:
http://www.realm-of-shade.com/temp/rds36-de-200-ebow-distortion.mp3 (3.5 mb)

Hope that helps you out.

==
the Reverend Rob    ICQ: 1280871
http://www.realm-of-shade.com/music

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Subject: Oh Jeez
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Cripes, sorry everyone.  In my haste I thought I was sending the jpeg to
Miko only.  I know it's a real no-no and will be more careful in the
future....


From Loopers-Delight-request@annihilist.com  Thu Dec  9 10:09:29 1999
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<<a bit new at the game here. please inform me on what the 'digest'  <<is.
<<got a letter from kim as well. he was pissed. i thought i was being
<<funny. can't imagine little ol' me bringing  your 'digest' to a halt.oops
<<. . . done that before

bandwidth, jimmy .  . . precious, precious bandwidth (I'm probably furrowing
kim's brow right now with this)

I've gotten digests from the Analogue Heaven newsgroup which consisted of
ONE off-topic post accompanied by a huge ascii file . . .

we in the states take it for granted, but many abroad have to pay by the
byte for downloads . . . when we send a huge file it may clog their older
modems and browsers for an hour, only to yield something which is off-topic
. . . they also have to puzzle thru our English posts only to find that
we're gnoshing about smoking pot and looping (DON'T START) or something
bearing little relation to our common interest

it's also a question of manners--I'm a slacker and usually have the luxury
of wading thru lots of questionable posts, but most do not--nor do they
appreciate reading the entire text of the original message AND the one
before that AND the one before that . . .  SNIP, SNIP

you and Jimmy can both sit in the corner for a awhile and listen to Back
Street Boys loops for awhile . . .

and Christopher, too who started it--new babies are no excuse  %^) (still
want that Marantz, C.?--e-me)

drone on~~~~~~~~~~~~~~~~~~~
Tom Lambrecht
hideo@concentric.net

-----Original Message-----
From: David Myers <dmgraph@pulsewidth.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, December 09, 1999 8:20 AM
Subject: Oh Jeez


>Cripes, sorry everyone.  In my haste I thought I was sending the jpeg to
>Miko only.


yipes--accidentally posted to the whole list--can't imagine doing that
;)


From Loopers-Delight-request@annihilist.com  Thu Dec  9 10:18:00 1999
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Jon Grant, are you there?  The e-mail address I have for you
 tianmus@aracnet.net ) is out-dated.  Please reply.

Dennis Leas
-----------------------------
dennis@mdbs.com


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Date: Thu, 09 Dec 1999 15:45:23 +0100
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Organization: Ruhr Universität Bochum
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Hi all,

I recently purchased an old tape-based Echoplex, judging from the info
I´ve gathered so far it´s the EP-3 type with Sound-on-Sound (the unit
Jimmy Page has been using until recently). One thing that puzzled me a
bit was the fact that it wasn´t labelled as a MAESTRO product but
there´s a metal badge on the box that just says "Echoplex", and inside
the lid (and on the box of the spare cartridge) they refer to a firm
called Market Electronics, located somewhere in Illinois. 
Can anybody tell me why this Echoplex is not a Maestro EP-3, but an
entirely different product altogether? Oh, and by the way, it´s a 220V
AC model which has been imported to Germany officially, it´s not an
American 110V DC unit that needs a line voltage converter. Can anybody
on this list help me out with some further info? Thanks in advance,
regards,

Stephen.

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The rules are simple, don't play the game. Let them be self righteouse in 
their electronic worlds. Let them discuss scotch and pitbulls. But don't you 
dare have a sense of humor about anything, because that most of all, would be 
off-topic. 
A

From Loopers-Delight-request@annihilist.com  Thu Dec  9 10:47:56 1999
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Date: Thu, 9 Dec 1999 10:32:53 -0500
From: Bill Monk <72267.2124@compuserve.com>
Subject: Block large files
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Hey Kim - 

Isn't there some way to set this list to reject large files, as in digest #498?

That would be a fantastic benefit, IMO. 

From Loopers-Delight-request@annihilist.com  Thu Dec  9 10:49:27 1999
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From: Bizurko@aol.com
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Date: Thu, 9 Dec 1999 10:38:02 EST
Subject: Re: R: Indian/middle eastern sounds, microtonality
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Yeah, Tim, that's right on, and they're relatively cheap.  Lark in the 
Morning sells them for $175.00.  I recently bought one elsewhere(in fact, I 
have a gig tonight w/ a traditional Persian group where I'll use it),  and so 
far have keep it tuned like I tune my oud  (C-G-A-D-G-C) so I don't have to 
think about more fingering positions (I also play saz and guitar on the gig). 
They're indeed bloody loud and cut right thru any other clatter. And they're 
fun to record w/ as well ---

David Burk

From Loopers-Delight-request@annihilist.com  Thu Dec  9 11:17:49 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: It's and Its
Date: Thu, 9 Dec 1999 07:52:46 -0800
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Hey, that was good, dude.  Kind of stream-of-consciousness reconstruction.
I bet you write some mean poetry.

  | -----Original Message-----
  | From: Jimmy George [mailto:jimmyg@jimmygeorgearts.com]
  | Sent: Wednesday 08 December 1999 11:04 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: It's and Its
  |
  |
  | I am sorry that was me that you actually bow to. I supppose one
  | arm actually
  | took
  | your massive fingers of gold and I supppose I find it a bit
  | scary. I have
  | sinned with
  | your silver tongue and your typing fingers of apostrophes. SINNED!
  | c.white
  |
  | Christopher White wrote:
  |
  | > Javier,
  | >
  | >     I am sorry that was me typing with my child in one arm
  | and not being to...

From Loopers-Delight-request@annihilist.com  Thu Dec  9 11:33:36 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: EH random tone generator?  
Date: Thu, 9 Dec 1999 07:52:34 -0800
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It's a little box the size of a Small Stone.  It features only one knob for
the speed of the random tones.  This is a true looping device, now that you
mention it, because the tones are not random at all.  They consist of a long
sequence of apparently keyless tones which repeats over and over again.
After a while I found it rather boring.  It's cool in the background, low
volume, with lots of echo, maybe a flanger, maybe fade it in and out.

  | -----Original Message-----
  | From: Kriist@aol.com [mailto:Kriist@aol.com]
  | Sent: Wednesday 08 December 1999 6:20 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: EH random tone generator?
  |
  |
  | does anybody know where i could find a schematic for this hard
  | to find item(i
  | cant even find a pic of it on the net)
  | or at least, what sort of technology it uses to create random
  | tones(in fact,
  | how random is it?)
  |
  | thanks
  |
  | rodrigo
  |
  |

From Loopers-Delight-request@annihilist.com  Thu Dec  9 12:47:17 1999
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Subject: Re: It's and Its
Date: Thu, 9 Dec 1999 10:27:35 -0700
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How come phoenetic isn't spelled like it sounds????

From Loopers-Delight-request@annihilist.com  Thu Dec  9 12:48:47 1999
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
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Subject: Re: R: Indian/middle eastern sounds, microtonality
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Are you speaking of a Tanpura?

cliff

-----Original Message-----
From: Bizurko@aol.com <Bizurko@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, December 09, 1999 8:35 AM
Subject: Re: R: Indian/middle eastern sounds, microtonality


>Yeah, Tim, that's right on, and they're relatively cheap.  Lark in the
>Morning sells them for $175.00.  I recently bought one elsewhere(in fact, I
>have a gig tonight w/ a traditional Persian group where I'll use it),  and
so
>far have keep it tuned like I tune my oud  (C-G-A-D-G-C) so I don't have to
>think about more fingering positions (I also play saz and guitar on the
gig).
>They're indeed bloody loud and cut right thru any other clatter. And
they're
>fun to record w/ as well ---
>
>David Burk
>

From Loopers-Delight-request@annihilist.com  Thu Dec  9 13:22:37 1999
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From: "James Ko" <Kojaque@email.msn.com>
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Subject: Sitar Sounds out of a Guitar
Date: Thu, 9 Dec 1999 12:53:33 -0500
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Hi all.

I was wondering if anyone out there knows a way to get a sitar-like sound
out of a regular electric guitar.  Is there a pedal or combinations of
pedals that would do it?  I'd like a way to quickly switch back and forth
from "sitar sound" to "guitar sound" so sticking bent paperclips or such in
the bridge area won't do it for me and I don't want to go find a Cort Sitar
either.  I'm sure a bunch of you must have already tried something like this
in the past.

Thanks a lot

Jim Ko



From Loopers-Delight-request@annihilist.com  Thu Dec  9 13:28:17 1999
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From: improv@peak.org (Dave Trenkel)
Subject: Re: Oh Jeez
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At 8:56 AM 12/9/99, David Myers wrote:
>Cripes, sorry everyone.  In my haste I thought I was sending the jpeg to
>Miko only.  I know it's a real no-no and will be more careful in the
>future....

Actually, in this case, I don't mind it, I've been looking around for a
simple mixer to build for my modular, and this looks like it's not beyond
my meager skills. Thanks!

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


From Loopers-Delight-request@annihilist.com  Thu Dec  9 13:28:15 1999
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Date: Thu, 09 Dec 1999 13:11:34 -0500
To: Loopers-Delight@annihilist.com
From: Kevin Cheli-Colando <kevin@minds-eye.org>
Subject: Re: Sitar Sounds out of a Guitar
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Well, I have an effects patch that sounds 'sort of' like a sitar when
played with low intensity.  I'll look at the specs later tonight (its on a
Korg AX300G).  Caveat  it sounds like a sitar like 12 string emulation
sounds like a real 12 string (which is to say, not quite).  However, in a
pinch you might be able to use it effectively to good effect.

Let me know if you'd like to see it and I'll get the settings.

Kevin


>Hi all.
>
>I was wondering if anyone out there knows a way to get a sitar-like sound
>out of a regular electric guitar.  Is there a pedal or combinations of
>pedals that would do it?  I'd like a way to quickly switch back and forth
>from "sitar sound" to "guitar sound" so sticking bent paperclips or such in
>the bridge area won't do it for me and I don't want to go find a Cort Sitar
>either.  I'm sure a bunch of you must have already tried something like this
>in the past.
>
>Thanks a lot
>
>Jim Ko
> 

From Loopers-Delight-request@annihilist.com  Thu Dec  9 13:29:20 1999
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From: Echopark99@aol.com
Message-ID: <0.cd17870b.25814cc6@aol.com>
Date: Thu, 9 Dec 1999 13:19:50 EST
Subject: Lovetone Meatball assistance?
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Somebody lavished me with a Meatball on my birthday!
...and I thought I'd never find one since they've gone belly-up. What a cool 
gift!

It's used and didn't come with any docs. I *think* I understand all the 
controls, but how do I get the CV thing going? An EV-5 doesn't seem to do 
anything. 

What are the two CV jacks supposed to control?

Also  - any new ideas for the effects LOOP (am I more on-topic now?) other 
than the usual fuzz?  I jacked a heavy flange inthere to interesting effect.

>p.s. miko said that i have all the lovetone pedals ever made - - not true!!
>(just a lot of 'em)
    
who said that? it came to me quoted from the list, but I missed the author. I 
would sure love a copy of the instructions for this beast! Could somebody do 
that for me? It was my birthday, after all, and I didn't hear from a single 
one of you!

From Loopers-Delight-request@annihilist.com  Thu Dec  9 13:20:01 1999
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From: Bizurko@aol.com
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Date: Thu, 9 Dec 1999 13:03:59 EST
Subject: Re: R: Indian/middle eastern sounds, microtonality
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no, no that would be the joombush Tim wrote about earlier--Tanpuras, I 
believe only have four (courses) of strings.

From Loopers-Delight-request@annihilist.com  Thu Dec  9 14:25:50 1999
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From: "Russell" <russell@mamasutra.com>
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Subject: studio looping example
Date: Thu, 9 Dec 1999 11:59:22 -0700
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I've been on this list a while and rarely write because I haven't gotten a
serious live looping tool just yet. I did get a Boomerang a while back but
took it back because I thought I was going to score an EDP on EBay... which
was the first one that went over $1000.00 ... just before that other one
went over $3000.000 . I loop in the studio a lot with cakewalk and Acid, but
I'm jonesing to do it live.

  Now, to the point.
  My band has recorded some music that uses looping for the bass, guitar and
drums, and I thought you guys (and gals) would like to hear it, and possibly
help out a fellow looping enthusiast. You can hear our song, "So Good" at
http://voting.bestband.com/BestBand/Scripts/Vote_index.cfm   We're mamaSutra
and we're under the R&B category, for lack of a better category like...
"funky grooves with a badass female bass player / vocalist and some funky
horn guy with killer effects." Anyway, The whole thing was done with loops
on Cakewalk. Anyone who wants to cast a vote for us would also be much
appreciated, but mainly I just want you to hear the tune. Any critiques or
reviews are also appreciated.

  PS. Does anyone know if the new Boomerang will be Stereo? The mono thing
is what's holding me back because I run stereo live on both my guitar and
Sax. The DL-4 is stereo, but I want more than 14 seconds. Arrrggghhh!!!!!

Peace
Russell



From Loopers-Delight-request@annihilist.com  Thu Dec  9 14:27:28 1999
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Date: Thu, 09 Dec 1999 11:21:14 -0800
From: lance glover <baumhaus@earthlink.net>
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To: Loopers-Delight@annihilist.com
Subject: Re: shorter looping times [oscillations?]
References: <00d101bf410f$150c3660$1dc4d6d1@oemcomputer>
	 <3.0.5.32.19991207214406.007b44d0@pop.ici.net>
	 <384EB33A.706AD3A8@earthlink.net> <4.1.19991208154125.00a36e10@realm-of-shade.com>
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the Reverend Rob wrote:

> At 04:29 PM 12/8/99 -0500, postaldave wrote:
> >what do you mean by "self-oscillate"????      postaldave@qx.net
>
> It's what occurs when the delay unit starts feeding back on itself,
> generating new patterns of sound.
>
> ==
> the Reverend Rob      ICQ: 1280871          Yahoo: theReverendRob
> http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
> =================================================================
> "I prefer not to kill people, but I'd like to destroy as much
>  property as possible." - Grace Slick, from the Airplane FBI file
> =================================================================
> http://www.realm-of-shade.com/music : feedback and echo MP3s

well, the good reverend sort of explained it (and grace gave it her
blessing). i'm sure there's a more technical description for what goes
on, tho. i'm also quite sure there's someone more qualified than i on
this list who could give such a description. anyone?

lance g.

ps has anyone explored this phenomenon on the edp?

From Loopers-Delight-request@annihilist.com  Thu Dec  9 15:08:39 1999
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Date: Thu, 09 Dec 1999 14:54:51 -0500
From: Daniel Goodwin <clubswami@clubhouseinc.com>
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The DL4 Line 6 box is not stereo in loop mode....I just got one
yesterday, and was very disappointed that as with the JAMMAN, the
advertising led you to believe that it loops in stereo.

It does have stereo through while looping, but sums the left and right
channels to mono....

WHEN IS SOMEBODY GOING TO MAKE A TRUE STEREO LOOPER?????

The DL4 is a great box for the money though......

DJG

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Date: Thu, 9 Dec 1999 14:44:40 EST
Subject: Re: studio looping example
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If it's any consolation you can slow down the loop and get 28 second loops, tho the sound quality will diminish a bit.
have a good day

matt

> Sax. The DL-4 is stereo, but I want more than 14 seconds. Arrrggghhh!!!!!
> 
> Peace
> Russell


From Loopers-Delight-request@annihilist.com  Thu Dec  9 15:55:01 1999
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You guys on the it's and its thread,PLEASE send your chit chat privately.  
please


>From: "Russell" <russell@mamasutra.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: It's and Its
>Date: Thu, 9 Dec 1999 10:27:35 -0700
>
>How come phoenetic isn't spelled like it sounds????
>

______________________________________________________
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From Loopers-Delight-request@annihilist.com  Thu Dec  9 16:12:12 1999
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Subject: Re: It's and Its
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I don't know if you realize it Narendra, but you've just become part
of the thread!

Hope all's going well...

-Miko

>>> "David Potter" <papadave55@hotmail.com> 12/09 11:59 AM >>>
You guys on the it's and its thread,PLEASE send your chit chat
privately.  
please


>From: "Russell" <russell@mamasutra.com>
>Reply-To: Loopers-Delight@annihilist.com 
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: It's and Its
>Date: Thu, 9 Dec 1999 10:27:35 -0700
>
>How come phoenetic isn't spelled like it sounds????
>

______________________________________________________
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From Loopers-Delight-request@annihilist.com  Thu Dec  9 16:07:50 1999
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I agree.....

From Loopers-Delight-request@annihilist.com  Thu Dec  9 16:09:57 1999
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Date: Thu, 09 Dec 1999 15:02:33 +0000
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Subject: Re: Roland MS-1 (Yup)
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bert wrote:
> 
> yeah I know a thing you should'nt do:
> experimenting with all sorts of flashcards.


Well, yeah, you need to use a type II ATA  flash card. I got  10mb Sundisk card and get 
'wrong card' messages. I discovered that Sundisk changed their cards at one point 
and Roland issued a software upgrade for the MS-1 that maintains compatibility. I've 
downloaded the upgrade from Roland's site, but having no sequencer (can anyone 
direct me to a shareware Mac sequencer?) have yet to install it. This may or may not 
be the answer. 

I'm also looking for an online manual for the Korg SDD-2000 delay. This is a nice DDL 
capable of long delay times (just over 4 seconds) that hasn't been mentioned much 
here. It's a great box, easy to use except for the sampling/triggering section which I 
can't quite figure out.

The endless threads of completely off-topic posts followed by off-topic one line replies 
lately has been a drag. It is unfortunate when the impulse to communicate everything 
blurs the focus of a list like this. 

Jon Williams

From Loopers-Delight-request@annihilist.com  Thu Dec  9 15:44:00 1999
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From: Echopark99@aol.com
Message-ID: <0.169d7c30.25816b82@aol.com>
Date: Thu, 9 Dec 1999 15:30:58 EST
Subject: Re: Sitar Sounds out of a Guitar
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In a message dated 12/9/99 11:20:40 AM, Kojaque@email.msn.com writes:

>I was wondering if anyone out there knows a way to get a sitar-like sound
>out of a regular electric guitar.  Is there a pedal or combinations of
>pedals that would do it?

I'd start with a compressor pedal, a particularly squishy one (Boss) Set 
Attack low and compression a bit high, tone towards high end. Then next plug 
into a Flanger with a subtle, shifting thing going. If you can put an EQ in 
between the pedals you might dial out the mids. 

Send this to a 3 second loop and set your drone with an open string, let it 
layer the same note at least twice. The flange should give you that slight 
overtone shift that the Tamboura produces. Then pick away for your Sitar.

eric p
echo park

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From: "Matt Rowe" <mattrowe@hotmail.com>
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Date: Thu, 09 Dec 1999 12:22:01 PST
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>Well, yeah, you need to use a type II ATA  flash card. I got  10mb Sundisk 
>card and get
>'wrong card' messages.


can anyone provide a pointer towards a source cheap flash cards that are 
reliable in the ms-1?

thanks,
matt




The price I pay for free, private email is the following commercial 
message...

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From Loopers-Delight-request@annihilist.com  Thu Dec  9 16:42:30 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Line6 DL4 $200 - Sam Ash website says 249.00
Date: Thu, 9 Dec 1999 11:48:33 -0600 
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The Samash site indicates a price for $249 not $199. 

G. Weideman

> ----------
> From: 	Rik Myers[SMTP:zanga@mindspring.com]
> Reply To: 	Loopers-Delight@annihilist.com
> Sent: 	Tuesday, December 07, 1999 10:50 PM
> To: 	Loopers-Delight@annihilist.com
> Subject: 	Line6 DL4 $200
> 
> I don't wish to be an enabler to any but thems that musts, but:
> 
> http://www.samash.com/shopping.htm
> 
> $199.99
> 
> I reckon that's about the best listed price out there, for now...BTW,
> thems
> thats gots PODs can use the POD adapter. I noticed that Slam Ass didn't
> have one listed at their site, and this thing eats batteries.
> 
> Hasta -> Rico
> ********************************************************
> * Earth is an asylum for angels with amnesia - Emerson *
> ********************************************************
> 

From Loopers-Delight-request@annihilist.com  Thu Dec  9 16:52:25 1999
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From: "Future Perfect" <artmusic@gte.net>
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Subject: RE: Sitar Sounds out of a Guitar
Date: Thu, 9 Dec 1999 16:33:24 -0500
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The Korg AX1g has an effect called 'drone' with sorta sounds like a sitar
played inside of a steel drum. Pretty cool actually. Also, this $130 unit
has a cool 2 second looper and an expression pedal built in to contol the
looped sample's speed and direction.

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave





> >I was wondering if anyone out there knows a way to get a sitar-like sound
> >out of a regular electric guitar.
>

From Loopers-Delight-request@annihilist.com  Thu Dec  9 17:14:33 1999
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Subject:  EDP on ebay
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http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=217387256



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Subject: I would like to change
From: Sebastian Woscoboinik <sdw@satlink.com>
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Hi Folks, I would like to change the  FC7 of my EDP. Do you know How can I
get a good FC (other company) or if I can built one, which foot switch
(model and company) I have to buy.

thanks


From Loopers-Delight-request@annihilist.com  Thu Dec  9 17:56:04 1999
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Date: Thu, 09 Dec 1999 14:09:46 -0800
To: Loopers-Delight@annihilist.com
From: Rich <rich@nuvision.com>
Subject: Re: Sitar Sounds out of a Guitar
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There is also a studio trick that I read about some time ago and tried with
some success.

Take an acoustic guitar and lay it flat on the ground, soundhole up.  set
an E-bow on the A or D string, but detune the string so it is fairly slack,
and buzzes slightly as the e-bow vibrates the string.  then retune/detune
the other strings in sypathetic tune with the string being vibrated by the
e-bow.  You can move the e-bow back and forth to get the right amount of
buzz.  Add a bit of flange....

It was kindof a cheezy trick and a one-trick pony, but provided some
interesting textures.


later,

rich



At 03:30 PM 12/9/99 EST, you wrote:
>
>In a message dated 12/9/99 11:20:40 AM, Kojaque@email.msn.com writes:
>
>>I was wondering if anyone out there knows a way to get a sitar-like sound
>>out of a regular electric guitar.  Is there a pedal or combinations of
>>pedals that would do it?
>
>I'd start with a compressor pedal, a particularly squishy one (Boss) Set 
>Attack low and compression a bit high, tone towards high end. Then next plug 
>into a Flanger with a subtle, shifting thing going. If you can put an EQ in 
>between the pedals you might dial out the mids. 
>
>Send this to a 3 second loop and set your drone with an open string, let it 
>layer the same note at least twice. The flange should give you that slight 
>overtone shift that the Tamboura produces. Then pick away for your Sitar.
>
>eric p
>echo park
>
>

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From: Joseph Long <joelong@cisco.com>
Subject: DL4's on Backorder @ Sam Ash
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Just a heads up. Although they are selling @ $199.99,..they're not in 
stock. (AAARRGGHH) So much for using it this weekend. Any body else have 
any tips on where I can get one quickly? (on-line preferably) Now I'm just 
determined to get this damned thing. I'm in California right now but will 
be flying into Boston tomorrow. Any tips would be greatly appreciated.

-Joe
                    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
                             CHECK OUT BOSTONS PREMIERE FUNK AND DANCE BAND
                                          www.funky-town.com

                                 **************************************** 

 

From Loopers-Delight-request@annihilist.com  Thu Dec  9 17:55:45 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: EH random tone generator?  
Date: Thu, 9 Dec 1999 17:41:00 -0500
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That's true, Javier, there's nothing *random* about that device.  I was
intrigued by the idea back in 1979 or '80 when I first heard about it so I
ordered one by mail.  When it came I was very disappointed since as you say,
it was just a long repeated string of tones.  Through some sort of error a
second RTG arrived in the mail about two weeks later.  Using the two
together, starting at different points, was definitely more interesting than
listening to the single unit.  Running them through other devices also
helped vary things, but in general it got tired really quickly, whereas a
truly "random" device would probably sustain one's interest for a longer
time.

James Pokorny

-----Original Message-----
From: Javier Miranda V. <gnominus@earthling.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, December 09, 1999 12:03 PM
Subject: RE: EH random tone generator?


>It's a little box the size of a Small Stone.  It features only one knob for
>the speed of the random tones.  This is a true looping device, now that you
>mention it, because the tones are not random at all.  They consist of a
long
>sequence of apparently keyless tones which repeats over and over again.
>After a while I found it rather boring.  It's cool in the background, low
>volume, with lots of echo, maybe a flanger, maybe fade it in and out.
>
>  | -----Original Message-----
>  | From: Kriist@aol.com [mailto:Kriist@aol.com]
>  | Sent: Wednesday 08 December 1999 6:20 PM
>  | To: Loopers-Delight@annihilist.com
>  | Subject: EH random tone generator?
>  |
>  |
>  | does anybody know where i could find a schematic for this hard
>  | to find item(i
>  | cant even find a pic of it on the net)
>  | or at least, what sort of technology it uses to create random
>  | tones(in fact,
>  | how random is it?)
>  |
>  | thanks
>  |
>  | rodrigo
>  |
>  |
>

From Loopers-Delight-request@annihilist.com  Thu Dec  9 17:53:52 1999
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Date: Thu, 09 Dec 1999 14:34:39 -0800
To: Loopers-Delight@annihilist.com
From: Joseph Long <joelong@cisco.com>
Subject: RE: Line6 DL4 $200 - Sam Ash website says 249.00
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They must have just changed it then,..cuase I actually bought one for $199 
yesterday. 'Course,..there on back order ; )

At 11:48 AM 12/9/99 -0600, Weideman, Gary L (Gary) wrote:
>The Samash site indicates a price for $249 not $199.
>
>G. Weideman
>
> > ----------
> > From:         Rik Myers[SMTP:zanga@mindspring.com]
> > Reply To:     Loopers-Delight@annihilist.com
> > Sent:         Tuesday, December 07, 1999 10:50 PM
> > To:   Loopers-Delight@annihilist.com
> > Subject:      Line6 DL4 $200
> >
> > I don't wish to be an enabler to any but thems that musts, but:
> >
> > http://www.samash.com/shopping.htm
> >
> > $199.99
> >
> > I reckon that's about the best listed price out there, for now...BTW,
> > thems
> > thats gots PODs can use the POD adapter. I noticed that Slam Ass didn't
> > have one listed at their site, and this thing eats batteries.
> >
> > Hasta -> Rico
> > ********************************************************
> > * Earth is an asylum for angels with amnesia - Emerson *
> > ********************************************************
> >
>

From Loopers-Delight-request@annihilist.com  Thu Dec  9 18:31:37 1999
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Date: Thu, 9 Dec 1999 16:16:39 -0700
To: Loopers-Delight@annihilist.com
From: Alex Stahl <alex@pixar.com>
Subject: Re: Sitar Sounds out of a Guitar
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>In a message dated 12/9/99 11:20:40 AM, Kojaque@email.msn.com writes:
>
>>I was wondering if anyone out there knows a way to get a sitar-like sound
>>out of a regular electric guitar.  Is there a pedal or combinations of
>>pedals that would do it?

I use a compressor to really squash the signal for maximum sustain,
followed by heavy tube distortion to get plenty of harmonics, then into a
volume pedal so I can fade in each note a little, followed by a parametric
eq and finally the String Resonator patch in an Eventide H3000, to get the
sympathetic resonance effect. I change the resonator notes from a MIDI
keyboard or sequencer. The right combination of resonators and playing
makes decent timbre for Indian-influenced slow melodies, imho.

Oh, I forgot to mention I don't play guitar ;-)... I use this on an upright
bass, but it would probably work better on guitar. Unfortunately, sitars
are still quite a bit cheaper than H3000's, last time I checked...

-Alex S.


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From: Rik Myers <zanga@mindspring.com>
Subject: RE: Line6 DL4 $200 - Sam Ash website says 249.00
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Well I guess you snooze you lose...it looked like a very good price, and I
know a few that ordered it at that price. I reckon they saw they had
valuable commodity!


>The Samash site indicates a price for $249 not $199. 
>
>G. Weideman
>
>> ----------
>> From: 	Rik Myers[SMTP:zanga@mindspring.com]
>> Reply To: 	Loopers-Delight@annihilist.com
>> Sent: 	Tuesday, December 07, 1999 10:50 PM
>> To: 	Loopers-Delight@annihilist.com
>> Subject: 	Line6 DL4 $200
>> 
>> I don't wish to be an enabler to any but thems that musts, but:
>> 
>> http://www.samash.com/shopping.htm
>> 
>> $199.99
>> 
>> I reckon that's about the best listed price out there, for now...BTW,
>> thems
>> thats gots PODs can use the POD adapter. I noticed that Slam Ass didn't
>> have one listed at their site, and this thing eats batteries.
>> 
>> Hasta -> Rico
>> ********************************************************
>> * Earth is an asylum for angels with amnesia - Emerson *
>> ********************************************************
>> 
>
>
********************************************************
* Earth is an asylum for angels with amnesia - Emerson *
********************************************************

From Loopers-Delight-request@annihilist.com  Thu Dec  9 19:30:13 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
To: <Loopers-Delight@annihilist.com>
Subject: Cumbus link / microtonality / sitar sounds
Date: Thu, 9 Dec 1999 19:13:40 -0500
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For those interested in the Cumbus, here's a link for Lark in the Morning:

http://www.mhs.mendocino.k12.ca.us/MenComNet/Business/Retail/Larknet/MiddleE
asternStrings

I've dealt with LITM in the past and they tend to be very reliable and quick
with shipping, but they're expensive.

I too own a cumbus, and though I like the sound very much, it's my
least-played instrument.  I think this is probably since I have no guitar
background, and the stringing arrangement (double courses of 6 strings) and
fairly short neck (compared to my long-necked lutes) seem to favor an oud,
or guitar technique.

But it's a great instrument and would probably be a very natural step from
standard guitar into the world of microtonality.

Also check out the Yayli Tanbur -- it's generally tuned DD - AA - DD like a
dulcimer, but has an extremely long neck (over two octaves from the open
string) with 50 + frets.  If that isn't enough, the frets are also moveable
and slide easily into place for additional microtones.  Reminds me a little
of David's guitar . . .  :-)

David Beardsley wrote:

>When I was looping in my pre-microtonal knowledgeable
>days, I was heavily into the in-between notes. I would
>sustain a note on the guitar and after a couple of
>repeats, I would bend the note a bit, maybe behind
>the nut if it was an open string. I used to call it
>real time chorusing. Little I did know there was a science to it...

Hello David!  Nice to see you on the LD list.

Many Middle-Eastern and Eastern string instruments like the oud, cumbus,
yayli tanbur, saz, tar, etc. besides being fretless (or having microtonal
frets) also have double (or even triple) courses of strings (similar to the
doubled strings on a 12-string guitar).  I suspect this originally served to
amplify the sound of the instrument.  However, with the minute differences
in tuning between the two strings (nearly unavoidable in practice)
acoustical "beating" takes place, which really opens up the sound, causing
the same "real time chorusing" that you mention.

As far as sitar sounds on a guitar -- that's a tough one.  The sitar is my
primary instrument, and I'll explain a bit about the way that typical
twanginess is produced.  The bridge on a sitar is about an inch wide.  It's
made from deer horn (or ivory, in the past) and has a very gradual slope
across the surface.  Generally this slope is high in the middle and tapers
down unevenly at each end.  There's a very small amount of space between the
string and the end of the bridge, and when the string is plucked it vibrates
repeatedly against the bridge, causing that overtone-rich twanging.  This
can be controlled to some degree.  Some sitarists (Ravi Shankar, for
example) like to have an extremely twangy sound.  This is good for rapid
playing since the initial attack sounds great.  However, there's little to
no sustain.  Other players (for example Vilayat Khan) favor a more closed
sound, with far less twanginess.  This lends a much longer sustain to the
instrument, allowing greater note-bending possibilities.

You might be able to find a sitar bridge and adapt it to your guitar.  This
could be problematic, since the sitar bridge is raised far above the neck
and would drastically alter the string action.  You might try experimenting
by using a wooden dowel that would be about the same height as the guitar
bridge, then try filing it to recreate the slope of the sitar bridge.

Hope this helps.

James Pokorny


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Date: Thu, 9 Dec 1999 19:38:04 EST
Subject: Re: EH random tone generator?  
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how long is the string of notes?(at the center setting)
does it always start on the same pitch?(or does it start on diff places of 
the string)
is it a sine wave?

rodrigo

> That's true, Javier, there's nothing *random* about that device.  I was
>  intrigued by the idea back in 1979 or '80 when I first heard about it so I
>  ordered one by mail.  When it came I was very disappointed since as you 
say,
>  it was just a long repeated string of tones.  Through some sort of error a
>  second RTG arrived in the mail about two weeks later.  Using the two
>  together, starting at different points, was definitely more interesting 
than
>  listening to the single unit.  Running them through other devices also
>  helped vary things, but in general it got tired really quickly, whereas a
>  truly "random" device would probably sustain one's interest for a longer
>  time.
>  
>  James Pokorny

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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Sitar Sounds out of a Guitar
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Hi Jim,

If you've got a beater electric you wouldn't mind turning into a project
guitar, you could go the Coral route and fashion yourself a buzzing
bridge... The idea is the opposite of a regular guitar bridge where you'd
normally want to minimize buzz and maximize intonation by having the string
contact the saddle at the smallest point possible; to make a sitar-sounding
bridge you want to maximize the string's point of contact with the bridge
by sanding a block of wood into a curve something like the cross-section of
an airplane's wing, so the string will continue to buzz without muting out
as you play up the neck. You'll have to play around a bit with the scale
length to get an approximation of intonation, so a separate stop tailpiece
really helps... I built a Coral copy many years ago (which I foolishly
sold) that used this sort of bridge, and it worked very well. I've been
building another one (teardrop-shaped; actually traced around my smaller
oud!) with sympathetic strings and a deeply scalloped fingerboard, but have
been too busy to finish it.

As far as quickly switching between the sitar sound and a regular guitar
sound, you could do the prog guy thing and mount one of these on a mic
stand; play your twangy/shruti part into your looper of choice, then step
back and let 'er rip on your normal instrument.

The compression/delay advice the others have given works particularly well
with such a bridge, and it really sounds good in modal tunings. 

Tim

At 12:53 PM 12/9/99 -0500, you wrote:
>Hi all.
>
>I was wondering if anyone out there knows a way to get a sitar-like sound
>out of a regular electric guitar. 

From Loopers-Delight-request@annihilist.com  Thu Dec  9 20:42:59 1999
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From: Ppaulpadam@aol.com
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Date: Thu, 9 Dec 1999 20:11:44 EST
Subject: Re:  Loopers-Delight-d Digest V99 #500
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In a message dated 12/9/99 11:47:34 PM, you wrote:

<<I was wondering if anyone out there knows a way to get a sitar-like sound
>out of a regular electric guitar.  Is there a pedal or combinations of
>pedals that would do it?>>

1. Find an old electric guitar 2. Build a sitar bridge for it and play. Copy 
from old danelectro.  I built an el sitar and sounds good. the bridge is a 
tad tricky
paul adams

From Loopers-Delight-request@annihilist.com  Thu Dec  9 22:44:28 1999
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From: MyWarNerve@aol.com
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Date: Thu, 9 Dec 1999 22:09:20 EST
Subject: Re: Loopers-Delight-d Digest V99 #500
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There is also an old trick of attaching a paper clip to the bridge, and 
bending so that it almost touches the 1st,2nd, qnd 3rd strings which are 
tuned alternatley-dgab I think. You attach the paper clip so that it goes 
over the 4th, 5th and 6th strings. The clip will produce a sound that is 
almost a combination of your strings fretting out, and nad natural harmonics. 
While kind of hasselsome and rather tricky, it's(pronounced its) a lot 
cheaper than buying a new piece of digital gear that will clog your signal 
path. try it, and if it doesn't work, you haven't lost any money.
A

From Loopers-Delight-request@annihilist.com  Thu Dec  9 23:48:15 1999
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From: MyWarNerve@aol.com
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Date: Thu, 9 Dec 1999 23:23:02 EST
Subject: Re: Loopers-Delight-d Digest V99 #500
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Before anyone criticizes my spelling on my previouse post, Iwant it made 
clear that I've had a few too many to drink this evening, in other words 
don't be hypocrites, again.
A

From Loopers-Delight-request@annihilist.com  Fri Dec 10 00:29:46 1999
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Message-ID: <38508D97.71AF0E04@jimmygeorgearts.com>
Date: Thu, 09 Dec 1999 23:20:23 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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--------------CDCE2F585698AD66A21344D7
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

                         noodle salad = good times
                                jimmy george

MyWarNerve@aol.com wrote:

> Before anyone criticizes my spelling on my previouse post, Iwant it made
> clear that I've had a few too many to drink this evening, in other words
> don't be hypocrites, again.
> A

--------------CDCE2F585698AD66A21344D7
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>

<center>noodle salad = good times
<br>jimmy george</center>

<p>MyWarNerve@aol.com wrote:
<blockquote TYPE=CITE>Before anyone criticizes my spelling on my previouse
post, Iwant it made
<br>clear that I've had a few too many to drink this evening, in other
words
<br>don't be hypocrites, again.
<br>A</blockquote>
</html>

--------------CDCE2F585698AD66A21344D7--

From Loopers-Delight-request@annihilist.com  Fri Dec 10 00:33:06 1999
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From: Jax1723@aol.com
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Date: Fri, 10 Dec 1999 00:24:17 EST
Subject: sync-ing non-midi loopers/ cheap stereo loopers???
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I was wondering:
Say you had two non-midi loopers (headrush A and headrush B).   Would it be 
possible to open them up, disconnect the footswitches in A; then hook up the 
footswitches in B to both units (i.e., one set of footswitches for two 
units)?  The $64000 question is: Since both loops are starting/ending at the 
same time, would they stay in sync or IS THERE SOMETHING INTERNAL THAT WOULD 
CAUSE THE LOOPS TO FLUCTUATE?  I have no idea what makes a looper loop 
(magic?) so I'm hoping one of the list's more tech orientated-types (Kim?) 
would perhaps be able to offer some insight.  If in fact there weren't any 
fluctuations between the two (or three, ten, etc.) you could then sync up 
non-midi loopers or, (maybe even better ) go out of a stereo processor into 
the duo(left-A; right-B).  Of course you'd have two god-damned wall warts to 
contend with but what do you want for about $300?  (please do not clog up the 
list with answers to that question) :-)
just wondering
jack    

 

From Loopers-Delight-request@annihilist.com  Fri Dec 10 01:28:12 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: It's and Its
Date: Thu, 09 Dec 1999 22:16:06 PST
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He's the guy that I told you about. See? Never a kind word from Javier.
By the way, the link to SoundRaider is http://195.92.248.101:802/raider/
That's the audio program that makes music from all of your .wav files.

What was that other webpage that was experimental music discussion? I'd like 
to see that one.

thanks,

matt

>From: "Christopher White" <magicicada@mindspring.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: It's and Its
>Date: Thu, 09 Dec 1999 11:43:49 -0400
>
>Javier,
>
>     I am sorry that was me typing with my child in one arm and not being 
>to
>careful in my placement of apostrophes. I supppose I find it a bit scary
>that you actually took the time to point out my mistake in grammar on my
>email. I bow to your massive english powers! Anoint me with your silver
>tongue and your typing fingers of gold! I have sinned...SINNED!... and its
>it's it is so bad.
>c.white
>----------
> >From: "Javier Miranda V." <gnominus@earthling.net>
> >To: <Loopers-Delight@annihilist.com>
> >Subject: It's and Its
> >Date: Wed, Dec 8, 1999, 11:01 PM
> >
>
> ><body>
> ><non-looping content>
> >
> >Did everybody agree to use "it's" and "its" wrong almost everytime?
> >
> >Come on, people, if you cannot substitute "it is" for "it's," then the
> >apostrophe doesn't belong there.
> >
> >For example:
> >
> > despite it's stigma as being a beat orientated machine..
> >
> >Would it sound right to say:
> >
> > despite it is stigma as being a beat orientated machine..
> >
> >Apparently not.
> >
> >Further, this should be written thus:
> >
> > despite its stigma as being a beat-oriented machine...
> >
> ></non-looping content>
> ></body>
> >
> >Thank you.  I just had to say something about it.
> >
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Date: Thu, 9 Dec 1999 21:17:17 -0800 (PST)
From: dan sumner <permadan@yahoo.com>
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Anyone use a adatm20 connected to an o1v?
It's a setup I'm considering buying and I could use
some feedback.


__________________________________________________
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From Loopers-Delight-request@annihilist.com  Fri Dec 10 02:52:28 1999
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Date: Thu, 09 Dec 1999 23:54:55 -0800
From: lance glover <baumhaus@earthlink.net>
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Subject: Re: Sitar Sounds out of a Guitar
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Alex Stahl wrote:

> >In a message dated 12/9/99 11:20:40 AM, Kojaque@email.msn.com writes:
> >
> >>I was wondering if anyone out there knows a way to get a sitar-like sound
> >>out of a regular electric guitar.  Is there a pedal or combinations of
> >>pedals that would do it?
>
> I use a compressor to really squash the signal for maximum sustain,
> followed by heavy tube distortion to get plenty of harmonics, then into a
> volume pedal so I can fade in each note a little, followed by a parametric
> eq and finally the String Resonator patch in an Eventide H3000, to get the
> sympathetic resonance effect. I change the resonator notes from a MIDI
> keyboard or sequencer. The right combination of resonators and playing
> makes decent timbre for Indian-influenced slow melodies, imho.
>
> Oh, I forgot to mention I don't play guitar ;-)... I use this on an upright
> bass, but it would probably work better on guitar. Unfortunately, sitars
> are still quite a bit cheaper than H3000's, last time I checked...
>
> -Alex S.

cheaper still was the low-tech solution of my youth (albeit on a
nylon-stringed guitar):
aluminum exacto blade handle #14 (i think), the thicker one, not the #11 which
is more common, taped to the string-side of the saddle. just enough clearance
(at least on my cheapo axe) to avoid damping strings while producing at the
same time a somewhat hindi buzz. cost: about $3.50 US., no wall warts
required.

lance g.



From Loopers-Delight-request@annihilist.com  Fri Dec 10 03:59:39 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: It's and Its
Date: Fri, 10 Dec 1999 00:46:16 -0800
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OK, I'll start being more loving and tender from now on...

  | -----Original Message-----
  | From: Mr. Tough [mailto:electricfriends@hotmail.com]
  | Sent: Thursday 09 December 1999 10:16 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: It's and Its
  |
  |
  | He's the guy that I told you about. See? Never a kind word from Javier.
  | By the way, the link to SoundRaider is http://195.92.248.101:802/raider/
  | That's the audio program that makes music from all of your .wav files.

From Loopers-Delight-request@annihilist.com  Fri Dec 10 04:50:13 1999
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Message-ID: <3850CC02.B4E842C0@texas.net>
Date: Fri, 10 Dec 1999 03:47:51 -0600
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
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To: Loopers-Delight@annihilist.com
Subject: Re: DL4's in stock at Alto (on Backorder @ Sam Ash)
References: <4.2.0.58.19991209122847.00a7ea90@pilgrim.cisco.com>
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alto music will sell dl4's to looper's delight folks for $200 (thanks to
legion & greg). i ordered mine yesterday and they had 'em in stock.

http://www.altomusic.com

go man go,

bobdog

From Loopers-Delight-request@annihilist.com  Fri Dec 10 06:55:59 1999
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Message-ID: <3850E947.897586BB@jimmygeorgearts.com>
Date: Fri, 10 Dec 1999 05:51:35 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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To: Loopers-Delight@annihilist.com, jimmyg@jimmygeorgearts.com
Subject: CD Factory ...
References: <LOBBJCEICBFKLACEKDADGEPGCCAA.gnominus@earthling.net> <3.0.5.32.19991209064236.007a8100@pop.ici.net> <384FAD46.75AEA438@jimmygeorgearts.com>
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thank you for all your guidance on buying the best CD burner / software
program. your input was succesfully helpful. my current question would
require a click from you to the sonic foundry's site. please crirueqe this
CD Factory package for better or worse. i found a registard used version of
this combo plus a current version of Acid Pro 2. for the grand total of 475.
it seems a great find. please let me know what you think. thank you in
advance for your time.

http://www.sonicfoundry.com/PRODUCTS/ShowProduct.asp?PID=19

peace
jimmy george

From Loopers-Delight-request@annihilist.com  Fri Dec 10 07:56:22 1999
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From: Hawkeye255@aol.com
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Date: Fri, 10 Dec 1999 07:51:00 EST
Subject: Re: 01v
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<< Anyone use a adatm20 connected to an o1v? >>

I can't answer your question precisely, but for what it's worth, I use the 
older Yamaha Promix 01 with a Korg D-8 and love that combination.  My mixer 
is really another extremely useful instrument now.  I really love watchin' 
those busy little sliders working all by themselves!!


'hawkeye'

From Loopers-Delight-request@annihilist.com  Fri Dec 10 08:38:09 1999
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To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: sync-ing non-midi loopers???/Quiet switches for Headrush!
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Just yesterday I also replaced the switches on my Headrush, with Radio
Shack "soft feel" push on-push off switches (part no. 275-1565).  These
aren't tough ones either, but no more "ka CHUNK!", which was a problem in
my tabletop layout.  Unfortunately they are SPST and cannot do the trick
originally asked for by Jack....

David Myers

>jack,
>    Good Idea!  They should stay perfectly in sync.  And the switches inside
>the Headrush are DPDT (push/push) so you even have extra lugs on each switch
>to do it.  Aaaaand one wall wart is plenty, just make up a pig-tailed Y-plug
>for one of them.  I use this all the time.  For instance, I have had two Korg
>X5DR's running off one wall wart for two years now and both my Headrushes are
>on another, etc.  Works fine.
>    I use my Headrushes differently than you suggest however.  One's 'mix
>out' goes to the other's 'input'.  That ultimately gives me a 23 second loop
>with many, many, many layers, if I so choose.
>    Btw: I have found much quieter switches for the Headrush too, if you do a
>lot of vocal or acoustic instrument looping in a very quiet room where the
>click of the switches is picked up by your mic(s).  Alcoswitch Part#
>MPG-106D.  SPDT.  They are not the 'combat strength' switches the originals
>are however.  I remounted the original switches on mine with rubber washers
>and that helped soften the click sufficiently for me.
>
>good luck,
>    'hawkeye'



From Loopers-Delight-request@annihilist.com  Fri Dec 10 09:00:06 1999
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From: Hawkeye255@aol.com
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Date: Fri, 10 Dec 1999 08:54:07 EST
Subject: Re: sync-ing non-midi loopers???/Quiet switches for Headrush!
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<< Unfortunately they are SPST and cannot do the trick originally asked for 
by Jack.... >>

They can I believe, if he just doubles up the leads on the lugs.  Not as 
neat, but will work.

hawkeye

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From: "Michael LaMeyer" <mlameyer@hotmail.com>
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Subject: Oberheim Echoplex Digital Pro - new news?
Date: Fri, 10 Dec 1999 09:36:01 EST
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I had a hard time tracking down news of this, so for any who don't already 
know . . .

-----------------------------

Michael,
Trace Elliot will be manufacturing this product in the near future, probably 
around late Spring, or Summer of 2000.  Thanks for the inquiry.

Alan Crowe
Gibson Customer Support

-----Original Message-----
From: Michael LaMeyer [mailto:mlameyer@HOTMAIL.COM]
Sent: Thursday, December 09, 1999 4:51 PM
To: relations@gibson.com
Subject: RE: Oberheim Echoplex Digital Pro


Any idea what's to become of this product?  It's the best thing out there 
and lots of people are dying to have it.

Thanks


>From: Customer Relations <relations@gibson.com>
>To: "'mlameyer@HOTMAIL.COM '" <mlameyer@HOTMAIL.COM>
>Subject: RE: Oberheim Echoplex Digital Pro
>Date: Thu, 9 Dec 1999 15:13:48 -0600
>
>  Not at the present time.
>-----Original Message-----
>From: mlameyer@HOTMAIL.COM
>To: relations@gibson.com
>Sent: 12/9/99 12:13 PM
>Subject: Oberheim Echoplex Digital Pro
>
>From:     Michael LaMeyer
>Email:    mlameyer@hotmail.com
>
>Is this product still in production?
>
>Thanks
>
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Dec 10 10:30:07 1999
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From: KRosser414@aol.com
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Date: Fri, 10 Dec 1999 10:21:46 EST
Subject: Re: Cumbus
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Could the person who wrote yesterday about doing a gig on the cumbus please 
contact me off list (krosser414@aol.com)?

Thanks,
Ken

From Loopers-Delight-request@annihilist.com  Fri Dec 10 11:03:35 1999
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Date: Fri, 10 Dec 1999 09:55:02 -0600
Subject: Re: Oberheim Echoplex Digital Pro - new news?
From: Travis Hartnett <hartne.t@apple.com>
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Well, gosh.  "Fall of 99" turned to "beginning of January", which has turned
to "sometime in the next seven months".  A cynical man might begin to doubt
the word of Gibson.  I wonder what the eBay prices of EDPs will reach before
this is over?



TH


> 
> I had a hard time tracking down news of this, so for any who don't already
> know . . .
> 
> -----------------------------
> 
> Michael,
> Trace Elliot will be manufacturing this product in the near future, probably
> around late Spring, or Summer of 2000.  Thanks for the inquiry.
> 

From Loopers-Delight-request@annihilist.com  Fri Dec 10 11:03:41 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: I would like to change
Date: Fri, 10 Dec 1999 10:55:43 -0500
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It's easy to build your own.  Check out
http://www.annihilist.com/loop/tools/echoplex/echopedals.html .

Dennis Leas
-----------------------------
dennis@mdbs.com


-----Original Message-----
From: Sebastian Woscoboinik <sdw@satlink.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, December 09, 1999 5:54 PM
Subject: I would like to change


>Hi Folks, I would like to change the  FC7 of my EDP. Do you know How can I
>get a good FC (other company) or if I can built one, which foot switch
>(model and company) I have to buy.
>
>thanks
>
>

From Loopers-Delight-request@annihilist.com  Fri Dec 10 12:46:45 1999
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Subject: Re: DL4's on Backorder @ Sam Ash
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Buy a DL4 at American Music Supply.......it's all in stock for
$249.......sure it's fifty bucks more, but at least you don't have to
wait!

DJG

From Loopers-Delight-request@annihilist.com  Fri Dec 10 13:00:24 1999
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Date: Fri, 10 Dec 1999 09:19:32 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: sync-ing non-midi loopers/ cheap stereo loopers???
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At 9:24 PM -0800 12/9/99, Jax1723@aol.com wrote:
>I was wondering:
>Say you had two non-midi loopers (headrush A and headrush B).   Would it be
>possible to open them up, disconnect the footswitches in A; then hook up the
>footswitches in B to both units (i.e., one set of footswitches for two
>units)?  The $64000 question is: Since both loops are starting/ending at the
>same time, would they stay in sync or IS THERE SOMETHING INTERNAL THAT WOULD
>CAUSE THE LOOPS TO FLUCTUATE?

no, they won't stay in sync. You have some crystal oscillator clocking the
system logic of your headrushes. It is pretty much impossible for two clock
oscillators to have exactly the same frequency. They will be within some
tolerance, so they will be close, but not exact. Clock oscillator
frequencies will also drift a bit with temperature, age, and the tolerance
of the load caps on the crystal. If you have no feedback mechanism to keep
the clocks synchronized with each other, they will drift from each other.

This means, you'll record two loops that will start off together. As they
loop, the slight differences will cause the loops to slowly drift apart,
causing phase problems, then flamming, then just odd rhythms. Sometimes
this can be obvious very quickly, sometimes slow. Just depends on the
natural random variance between the clocks on the two headrushes.

This is the whole point of why midi sync exists. Pretty much any device
that is expected to continue running and staying together with other
devices uses it. (jamman and echoplex are two loopers that do.) Before midi
there were similar control voltage methods that did the same thing on older
synth/sequencers. Midi sync has limited precision, so on the Echoplex we
took this idea a step farther with BrotherSync. This actually synchronizes
the sample clocks of two or more echoplexes together, so they stay
perfectly in sync. It uses a sort of pll-like feedback system that can
change the frequencies of the clocks in each unit by small amount,
correcting for any error difference between them. Once they find
equilibrium, they stay there. So two echoplexes can stay locked together
very well. I think you can do this in a more limited fashion with midi sync
on a jamman, although then one unit will have to be slave to the other.

If this is what you wanted to do, you got the wrong product. Headrush
doesn't have any sync features, it's just a simple pedal not intended for
such use.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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Subject: DL4 Review and Group Discount Price via Alto Music
Date: Fri, 10 Dec 1999 09:25:09 -0800
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This is a multi-part message in MIME format.

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First: for those ordering back ordered units from Sam Ash -- why?  We =
(I) arranged a group discount together with Alto Music.  Didn't you see =
those posts from last week?  Granted, a heavy posting week.  Alto has =
them for $200 to members of this list and they're in stock.  Plus, Alto =
has supported the LD list before with an EDP special discount.  It'd be =
nice to keep that relationship going.

For more on this discount see:
http://www.annihilist.com/loop/LDarchive/199912/msg00153.html

And now for my review.....

I just received my DL4 (from Alto via the LD Group Buy -- $200) and got =
the
expression pedal -- I recommend the pedal (or an equivalent one) for the
morphing tricks it does.

The write-up:
http://www.annihilist.com/loop/tools/line6/DL4_Review.html
by Jeff Seltzer is very thorough and useful, so I won't repeat him.  I =
will
add a few things:

1) the looper is not stereo.  I was really hoping it would be.  The =
delays
are true stereo, but I'm guessing they opted to maximize loop time by =
going
mono.  A sensible compromise for a $200 unit.

2) you can't alter loop time once a loop has started, but you can alter
delay time, regen., mix, of the delay that's *prior* to the looper.  =
That
is, when in loop mode, you still have a basic "delay" unit with =
changable
settings.  Imagine a basic old Boss delay pedal infront of the simplest =
of
echoplexes.  (kind of a clarification to Jeff's posting)

3) you can't set the looper's feedback/regen.  It's always at 100% and =
will
only drop sound as new sound is added.

#1 and #3 are the only negatives I found with this pedal.  Given the =
price and the other capabilities, I can easily live with it.  I bought =
this for it's looping capabilities, but am falling in love with it for =
it's delays and morphing tricks.  For me this delay, with the expression =
pedal, is what I hoped the Vortex would be.  While not as dramatic with =
all of Vortex's filters and just plain old wacky stuff (that's a =
technical term), the DL4 spurs my creativity immensely.  Within seconds =
I was comfortably controlling and morphing the sounds.

Greg out.

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.3800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>First: for those ordering back ordered =
units from=20
Sam Ash -- why?&nbsp; We (I) arranged a group discount =
together&nbsp;with Alto=20
Music.&nbsp; Didn't you see those posts from last week?&nbsp; Granted, a =
heavy=20
posting week.&nbsp; Alto has them for $200 to members of this list and =
they're=20
in stock.&nbsp; Plus, Alto has supported the LD list before with an EDP =
special=20
discount.&nbsp; It'd be nice to keep that relationship =
going.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>For more on this =
discount&nbsp;see:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.annihilist.com/loop/LDarchive/199912/msg00153.html">ht=
tp://www.annihilist.com/loop/LDarchive/199912/msg00153.html</A></FONT></D=
IV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>And now for my review.....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><BR>I just received my DL4 (from Alto =
via the LD=20
Group Buy -- $200) and got the<BR>expression pedal -- I recommend the =
pedal (or=20
an equivalent one) for the<BR>morphing tricks it does.<BR><BR>The=20
write-up:<BR><A=20
href=3D"http://www.annihilist.com/loop/tools/line6/DL4_Review.html">http:=
//www.annihilist.com/loop/tools/line6/DL4_Review.html</A><BR>by=20
Jeff Seltzer is very thorough and useful, so I won't repeat him.&nbsp; I =

will<BR>add a few things:<BR><BR>1) the looper is not stereo.&nbsp; I =
was really=20
hoping it would be.&nbsp; The delays<BR>are true stereo, but I'm =
guessing they=20
opted to maximize loop time by going<BR>mono.&nbsp; A sensible =
compromise for a=20
$200 unit.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><BR>2) you can't alter loop time once a =
loop has=20
started, but you can alter<BR>delay time, regen., mix, of the delay =
that's=20
*prior* to the looper.&nbsp; That<BR>is, when in loop mode, you still =
have a=20
basic "delay" unit with changable<BR>settings.&nbsp; Imagine a basic old =
Boss=20
delay pedal infront of the simplest of<BR>echoplexes.&nbsp; (kind of a=20
clarification to Jeff's posting)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;</DIV></FONT>
<DIV><FONT face=3DArial size=3D2>3) you can't set the looper's =
feedback/regen.&nbsp;=20
It's always at 100% and will<BR>only drop sound as new sound is =
added.<BR><BR>#1=20
and #3 are the only negatives I found with this pedal.&nbsp; Given the =
price and=20
the other capabilities, I can easily live with it.&nbsp; I bought this =
for it's=20
looping </FONT><FONT face=3DArial size=3D2>capabilities, but am falling =
in love with=20
it for it's delays and morphing tricks.&nbsp; </FONT><FONT face=3DArial =
size=3D2>For=20
me this delay, with the expression pedal, is what I hoped the Vortex =
would=20
be.&nbsp; While not as dramatic with all of Vortex's filters and just =
plain old=20
wacky stuff (that's a technical term), the DL4 spurs my creativity=20
immensely.&nbsp; Within seconds I was comfortably controlling and =
morphing the=20
sounds.<BR><BR>Greg out.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0034_01BF42F0.73C52F30--

From Loopers-Delight-request@annihilist.com  Fri Dec 10 15:14:28 1999
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Date: 10 Dec 1999 14:44:05 EST
From: Joseph.Nagraj.98@Alum.Dartmouth.ORG (Joseph Nagraj 98)
Reply-To: Joseph.Nagraj.98@Alum.Dartmouth.ORG (Luke Bruce Muchly)
Subject: 10% off Musician's Friend with ebates
To: Loopers-Delight@annihilist.com
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I thought I'd let those who haven't heard know about ebates.com, which can
help save some money. Essentially, they've become an affiliate at many
stores on the web, but instead of keeping the money, they return it to the
buyer who linked through ebates when making the purchase. The rebate is
saved in your account, and checks are mailed out four times a year.

You can get 10% off any and all purchases at Musician's Friend (though that
still doesn't make MF attractive for loopers: DL4 sells for $270 there,
which isn't too attractive, even with an additional 10% discount, and I
couldn't find the boomerang on their site. The headrush goes for $200
(pre-discount). I'm not sure how that price compares.)

I'm also fond of the 7% off of CDnow, 10% off of Reel.com (for DVDs), 5% at
outpost.com (which saved me big on my new G4). I'll stop blabbering now, for
fear of sounding too much like a sales pitch, though I suspect I've already
crossed that line. If you shop online at all, this is at least worth a quick
look, I think, as it's a good deal for those who were planning on buying
things at these sites anyway....

To sign up, their web address is simply www.ebates.com, though if you want
to use me as a referral (which costs nothing to you, but does help me out a
bit), use this link:

http://www.ebates.com/index.jhtml?referrer=jngr

As far as my own (quite limited) looping gear: I've been playing around with
the "sound on sound" patch in my digitech RP12 for a while, before stumbling
upon this list this past summer. I will be upgrading my looping gear
sometime soon, and I thank all of you for the great discussion I've seen in
the last months. you've given me muh to think about.

From Loopers-Delight-request@annihilist.com  Fri Dec 10 15:45:10 1999
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Date: Fri, 10 Dec 1999 15:36:44 -0500
To: Loopers-Delight@annihilist.com
From: murkie <murkie@panther.middlebury.edu>
Subject: ot: expression pedal for vortex
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i know this has been covered in the past (mea culpa!) but i can't seem to
get that search engine at the l.d. archives to tell me...

recomended expression pedal for the vortex?

off-list replies welcomed.

thanks.  

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

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Vortex Schematics available anywhere online yet ???


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Fri Dec 10 17:58:21 1999
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Date: Fri, 10 Dec 1999 18:46:24 -0500
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From: Patrick Smith <patrick@his.com>
Subject: SCHALTWERK @ Rogue
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This unit came up a week or so ago. I just got a newsletter from Rogue
Music in New York. They have them new for 1375. OUCH!... No idea if this is
a good price or not.

Patrick
                     Fingerpaint's New Release:

                            IN THE LOOP

      ... an intelligent, stimulating mixture of mimimaist spacebeats and
           obscure samples layered upon a hypnotic illbient backdrop.

                       DIGITAL ARTIFACT # 12

                      http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Fri Dec 10 17:53:28 1999
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From: "James Ko" <Kojaque@email.msn.com>
To: <Loopers-Delight@annihilist.com>
References: <v03130316b475e5a9fdc2@[138.72.25.187]>
Subject: Re: Sitar Sounds out of a Guitar
Date: Fri, 10 Dec 1999 17:42:31 -0500
Organization: Microsoft Corporation
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Thanks all for all the suggestions.  I'll try them out when I'm not
bedridden anymore (caught a nasty flu).

Also, are there any books out there that publish rudimenary ragas in tab
form?  My note reading skills are wholly inadequate.  I'm not looking for a
complex text on Indian music theory or anything,  just something to
familiarize myself to the tonality.

Thanks again.  This list is a great resource!

Jim Ko



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Subject: Re: Sitar Sounds out of a Guitar
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Guitar Grimoire, book II.
A

From Loopers-Delight-request@annihilist.com  Fri Dec 10 17:56:36 1999
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Date: Fri, 10 Dec 1999 16:48:40 -0600
Subject: FS: FX-94  $90 (harmony central)
From: Travis Hartnett <hartne.t@apple.com>
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DOD DFX-94 Sampler/Delay Scholz Power Soak trade?

Asking Price: US$N/A
Condition: Excellent
Age: N/A
Description:

       DOD DFX-94 Digital Delay/sampler pedal
       up to 4 sec. Sample/delay time
       Controls for level, repeat, delay and range/mode (including
sample/trigger/infinite repeat)
       Excellent condition, works perfectly
       $90/shipped

       Tom Scholz Power Soak
       Terrific for cranking an amp and keeping the volume at sane levels oe
using headphones
       Excellent condition, works perfectly
       $100 shipped

       or both for $180/shipped

       Will trade for/towards:

       Any Sovtek or Redbear amp
       Marshall/Marshall type amps
       any PA cabs or powered mixers (at least 100 watts rms)
       Boss RV-3/Any interesting/weird effects pedals
       Guitar synth

Seller: jordan malken,
E-mail: meanreds@earthlink.net (Profile)
Location: PROVIDENCE, RI
Post Date: 12/10/99

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Subject: FS: PDS 8000 $250 (harmony central)
From: Travis Hartnett <hartne.t@apple.com>
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FS: Digitech PDS-8000 eight second delay

Asking Price: US$N/A
Condition: Excellent
Age: N/A
Description:

       For Sale:

       Digitech PDS-8000 eight second delay
       -8 seconds of delay
       -infinite repeat/loop ("hold")
       -trigger in (+5v; sync to 606.808 etc)
       VG cond.
       $250 + shipping

       contact me at:

       super_pingouin@hotmail.com

       thanks,
       -robert

Seller: Robert Verberkmoes,
E-mail: super_pingouin@hotmail.com (Profile)
Post Date: 12/10/99

From Loopers-Delight-request@annihilist.com  Fri Dec 10 19:34:14 1999
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Date: Sat, 11 Dec 1999 07:30:28 -0400
Subject: Sp-808 pro for sale and Mpx-1 lexicon processor as well
From: "Christopher White" <magicicada@mindspring.com>
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both items are in great shape!
i will be willing to do a trade with the mpx-1 maybe for a eps 16+ or an
akai rackmount unit?
let me know
c.white

ps the lexicon is a wonderful programmable efxs unit.

From Loopers-Delight-request@annihilist.com  Fri Dec 10 19:48:32 1999
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Date: Fri, 10 Dec 1999 16:48:19 -0700
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> Somebody lavished me with a Meatball on my birthday!
> ...and I thought I'd never find one since they've gone belly-up.

Fast breaking news... I just got a call from mark at lovetone... reports
of their demise are premature and they are busy trying to revamp.
They're quite friendly, but I forgot to ask how to contact them. The
website is no longer up; you could try mail:
Lovetone 
Box 102, Henley-on-Thames,
Oxfordshire, England RG9 1XX 
+44-1491-571411 phone/fax

> I *think* I understand all the 
> controls, but how do I get the CV thing going?

My manual (I believe it was a xeroxed sheet) is long gone. However I
seem to remember that the pedal inputs are not CV controls and the
manual explicitly warning against sending any voltage into them. Pedal 1
controls the attack and I think pedal 2 controls the "intens" knob
(which should more accurately be called freq). A really fun if quirky
pedal, happy birthday

From Loopers-Delight-request@annihilist.com  Fri Dec 10 22:45:09 1999
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Date: Fri, 10 Dec 1999 22:41:20 -0500
To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: sync-ing non-midi loopers???/Quiet switches for Headrush!
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><< Unfortunately they are SPST and cannot do the trick originally asked for
>by Jack.... >>
>
>They can I believe, if he just doubles up the leads on the lugs.  Not as
>neat, but will work.
>
>hawkeye

I really would not recommend doing this.  You'd be crossing the two
circuits in an unpredictable way which could damage the units.  Please
don't, unless you have some intimate knowledge of the circuitry that no one
here has yet claimed to have.

David Myers


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Date: Fri, 10 Dec 1999 22:41:38 -0500
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From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: sync-ing non-midi loopers/ cheap stereo loopers???
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>At 9:24 PM -0800 12/9/99, Jax1723@aol.com wrote:
>>I was wondering:
>>Say you had two non-midi loopers (headrush A and headrush B).   Would it be
>>possible to open them up, disconnect the footswitches in A; then hook up the
>>footswitches in B to both units (i.e., one set of footswitches for two
>>units)?  The $64000 question is: Since both loops are starting/ending at the
>>same time, would they stay in sync or IS THERE SOMETHING INTERNAL THAT WOULD
>>CAUSE THE LOOPS TO FLUCTUATE?
>
>no, they won't stay in sync. You have some crystal oscillator clocking the
>system logic of your headrushes. It is pretty much impossible for two clock
>oscillators to have exactly the same frequency. They will be within some
>tolerance, so they will be close, but not exact. Clock oscillator
>frequencies will also drift a bit with temperature, age, and the tolerance
>of the load caps on the crystal. If you have no feedback mechanism to keep
>the clocks synchronized with each other, they will drift from each other.

Absolutely true, but might there be some way for the two units to share one
crystal/clock?

>This means, you'll record two loops that will start off together. As they
>loop, the slight differences will cause the loops to slowly drift apart,
>causing phase problems, then flamming, then just odd rhythms. Sometimes
>this can be obvious very quickly, sometimes slow. Just depends on the
>natural random variance between the clocks on the two headrushes.

Cool!  This is just the way I'd want it, myself....

>This is the whole point of why midi sync exists. Pretty much any device
>that is expected to continue running and staying together with other
>devices uses it. (jamman and echoplex are two loopers that do.) Before midi
>there were similar control voltage methods that did the same thing on older
>synth/sequencers. Midi sync has limited precision, so on the Echoplex we
>took this idea a step farther with BrotherSync. This actually synchronizes
>the sample clocks of two or more echoplexes together, so they stay
>perfectly in sync. It uses a sort of pll-like feedback system that can
>change the frequencies of the clocks in each unit by small amount,
>correcting for any error difference between them. Once they find
>equilibrium, they stay there. So two echoplexes can stay locked together
>very well. I think you can do this in a more limited fashion with midi sync
>on a jamman, although then one unit will have to be slave to the other.
>
>If this is what you wanted to do, you got the wrong product. Headrush
>doesn't have any sync features, it's just a simple pedal not intended for
>such use.
>
>kim

No doubt, the wrong product.  Personally though, I think I'm actually
happier with a Headrush and a couple of Zoom 2100's getting weird against
each other than I was with the elaborate EDP.  But maybe that's just my
problem....

David Myers


From Loopers-Delight-request@annihilist.com  Sat Dec 11 00:35:28 1999
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From: JohnFlem@aol.com
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Date: Sat, 11 Dec 1999 00:24:27 EST
Subject: Re: 01v
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I haven't used the 01V with ADAT...BUT  I have owned the original ProMix, 
then got the 01V (which is GREAT) actually alot of improvements over the 
original.  Then I got an 02R with 4 ADATS, and that setup is perfect.  I have 
never used the Dig cards on the 01V though.

In a message dated 12/10/99 12:45:29 AM, permadan@yahoo.com writes:

<< Anyone use a adatm20 connected to an o1v?
It's a setup I'm considering buying and I could use
some feedback.
 >>

From Loopers-Delight-request@annihilist.com  Sat Dec 11 00:39:35 1999
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From: Hawkeye255@aol.com
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Date: Sat, 11 Dec 1999 00:34:43 EST
Subject: Re: sync-ing non-midi loopers/ cheap stereo loopers???
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<< Personally though, I think I'm actually happier with a Headrush and a 
couple of Zoom 2100's getting weird against each other than I was with the 
elaborate EDP.  But maybe that's just my problem....   David Myers >>

Well, there are at least two of us with the same problem, David.  ;-)  And 
guess what is even worse about our being so enamored of these little Akai 
units... if I wanted to add a third looper to my 2-Headrush setup, I would 
have to go through the agony of  walking down to my local, neighborhood music 
store and picking one up for $160-$170.  Not wait indefinitely for one to 
come down the pipe again.  (Is the term 'Vaporware' familiar to anyone?)  
Which I probably won't need to do, since all the possibilities I could ever 
want to try with looping on the gear I now have will take me a thousand years 
or so to realize.  Or perhaps I'm just unimaginative.  
    Like you, I setup (or allow) my loops to work away from each other on the 
two units.  Gives an interesting, life-like growth > decay into chaos > new 
growth morphing into some new undulating wave of sound again, ad infinitum.  
Great for background textures & 'soundscapes'.  I've got a lot of midi gear, 
if I want things in perfect sync.  It's the more organic feeling, imperfectly 
synced loops that interest me.  Just finished a CD, with looping on two of 
the cuts, btw.  When I get time, the orders for more or rollng in everyday, 
I'll throw some mp3's up on the web.
    hawkeye

From Loopers-Delight-request@annihilist.com  Sat Dec 11 05:56:18 1999
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Message-ID: <3851E592.D8B04DE1@gis.net>
Date: Sat, 11 Dec 1999 06:48:09 +0100
From: Paul Sullivan <paulsull@gis.net>
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I am selling an Oberheim Echoplex Digital Pro with the latest version 5
software, loaded with a full 16 megs of memory giving it 198 seconds of
looping capability.  It is in perfect working order and almost mint
condition. The rack unit  is very clean,with no scratches even on the
ears.The footswitch, which controls
all of the functions, has  one scratch, 1" long, above the Oberheim
logo, plus a couple of small smudges, but works perfectly. I have the
original box and manual for the rack unit, but not for the footswitch
(which I had to buy seperately).

It's an amazing and enrapturing piece of equipment, but I just haven't
had the time to play with it and take advantage of all of its functions.

I'm sending this email first to people who might be interested, and if
no one responds I'll list it with ebay in a few days, with a reserve
price of $800 plus shipping (which is what I paid for it a few months
ago). Feel free to contact me with any questions. I have internet
references.

Thanks,

Paul S.


From Loopers-Delight-request@annihilist.com  Sat Dec 11 07:22:53 1999
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From: andre <andre@monmouth.com>
Subject: Re: ot: expression pedal for vortex
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hey murkie
At 03:36 PM 12/10/99 -0500, you wrote:
>i know this has been covered in the past (mea culpa!) but i can't seem to
>get that search engine at the l.d. archives to tell me...
>
>recomended expression pedal for the vortex?


mine responds well to the Boss expression pedal (the old one,not the one
with the cortd attached, though i will try that one later today)

also- howsa bout a vol.pedal - thru a split stero caord. the vortex needs
to see a stereo jack in there.

later, andre'
http://www.conservativessuck.com

From Loopers-Delight-request@annihilist.com  Sat Dec 11 14:42:05 1999
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From: "Cliff Cable" <clifsound@mediaone.net>
To: "Loopers List" <loopers-delight@annihilist.com>
Subject: PDS-8000
Date: Sat, 11 Dec 1999 11:36:52 -0800
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Hi all-

Just bought a Digitech PDS-8000 and had a question- I tried searching the
mailing list archives even for just "Digitech" and got 0 results- strange-
Kim? Am I vegging out or is all ok with the archives?
Anyway- anyone have the manual for this pedal? i would also like to try the
trigger input- I tried a mono momentary and a mono on/off type with no luck-

Cliff

From Loopers-Delight-request@annihilist.com  Sat Dec 11 16:59:38 1999
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Subject: RE: PDS-8000
Date: Sat, 11 Dec 1999 14:04:46 -0800
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Hi...  I  found my PDS 8000 manual  and RE: the trigger input  jack....it
needs a 5v pulse...any device capable of producing a 5v pulse can be used to
trigger the delay....triggering occurs on the positive edge of the pulse....
ken

 -----Original Message-----
From: 	Loopers-Delight-request@annihilist.com
[mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff Cable
Sent:	Saturday, December 11, 1999 11:37 AM
To:	Loopers List
Subject:	PDS-8000


Hi all-

Just bought a Digitech PDS-8000 and had a question- I tried searching the
mailing list archives even for just "Digitech" and got 0 results- strange-
Kim? Am I vegging out or is all ok with the archives?
Anyway- anyone have the manual for this pedal? i would also like to try the
trigger input- I tried a mono momentary and a mono on/off type with no luck-

Cliff

From Loopers-Delight-request@annihilist.com  Sat Dec 11 18:05:15 1999
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From: "Judson Crane" <jcrane@mindspring.com>
To: <Loopers-Delight@annihilist.com>
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Subject: Re: PDS-8000
Date: Thu, 9 Dec 1999 17:54:46 -0500
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Had the same problem with the search engine...
I used the string 'Echoplex' and got 0 results.

I'm in search of a looper--what kind of features does the PDS-8000 have and
are they difficult to find?  Does Frisell use one these days?

Thanks,
Jud

----- Original Message -----
From: Cliff Cable <clifsound@mediaone.net>
To: Loopers List <loopers-delight@annihilist.com>
Sent: Saturday, December 11, 1999 2:36 PM
Subject: PDS-8000


> Hi all-
>
> Just bought a Digitech PDS-8000 and had a question- I tried searching the
> mailing list archives even for just "Digitech" and got 0 results- strange-
> Kim? Am I vegging out or is all ok with the archives?
> Anyway- anyone have the manual for this pedal? i would also like to try
the
> trigger input- I tried a mono momentary and a mono on/off type with no
luck-
>
> Cliff
>

From Loopers-Delight-request@annihilist.com  Sat Dec 11 19:10:32 1999
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To: <Loopers-Delight@annihilist.com>
References: <NDBBKENADLEPPLGIHJAMKEAMCCAA.kenard@compuserve.com>
Subject: Re: PDS-8000
Date: Sat, 11 Dec 1999 16:06:07 -0800
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Ok- Thanks for the help Ken
Here comes the obvious-
Anyone know how to make a pedal do this? I even have an extra Boss CH-1 that
is toast I could use or cheapo intermittent ones too- I guess it would need
a battery- I don't really know why I would need to trigger it remotely- do
they give a reason why they included this feature?

Thanks-
----- Original Message -----
From: "ken griffith" <kenard@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, December 11, 1999 2:04 PM
Subject: RE: PDS-8000


> Hi...  I  found my PDS 8000 manual  and RE: the trigger input  jack....it
> needs a 5v pulse...any device capable of producing a 5v pulse can be used
to
> trigger the delay....triggering occurs on the positive edge of the
pulse....
> ken
>
>  -----Original Message-----
> From: Loopers-Delight-request@annihilist.com
> [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff Cable
> Sent: Saturday, December 11, 1999 11:37 AM
> To: Loopers List
> Subject: PDS-8000
>
>
> Hi all-
>
> Just bought a Digitech PDS-8000 and had a question- I tried searching the
> mailing list archives even for just "Digitech" and got 0 results- strange-
> Kim? Am I vegging out or is all ok with the archives?
> Anyway- anyone have the manual for this pedal? i would also like to try
the
> trigger input- I tried a mono momentary and a mono on/off type with no
luck-
>
> Cliff
>

From Loopers-Delight-request@annihilist.com  Sat Dec 11 19:35:00 1999
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Subject: Re: PDS-8000
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It has the following-
   Mode switch= 3 Modes- 8sec, 2sec, 500msec
   Delay Time- Knob, Regeneration- Knob, Mix- Knob
   Mode switch= Normal, Trigger, Sample
   Output knob
   Input knob
   2 footswitches- 1) Repeat- Trigger/Sample
                           2) Bypass
   2 LED indicators- 1) Infinite repeat
                               2) Effect
Has standard 1/4" i/o and a "Trigger" input for a remote switch to trigger
your sample in sample mode- switch needs to send a 5v signal to the unit to
work.

Thats all I know- don't know who uses them- yes you can find them fairly
easily- I got mine from our fellow friendly list member Rich today!

Cliff
----- Original Message -----
From: "Judson Crane" <jcrane@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, December 09, 1999 2:54 PM
Subject: Re: PDS-8000


> Had the same problem with the search engine...
> I used the string 'Echoplex' and got 0 results.
>
> I'm in search of a looper--what kind of features does the PDS-8000 have
and
> are they difficult to find?  Does Frisell use one these days?
>
> Thanks,
> Jud
>
> ----- Original Message -----
> From: Cliff Cable <clifsound@mediaone.net>
> To: Loopers List <loopers-delight@annihilist.com>
> Sent: Saturday, December 11, 1999 2:36 PM
> Subject: PDS-8000
>
>
> > Hi all-
> >
> > Just bought a Digitech PDS-8000 and had a question- I tried searching
the
> > mailing list archives even for just "Digitech" and got 0 results-
strange-
> > Kim? Am I vegging out or is all ok with the archives?
> > Anyway- anyone have the manual for this pedal? i would also like to try
> the
> > trigger input- I tried a mono momentary and a mono on/off type with no
> luck-
> >
> > Cliff
> >
>

From Loopers-Delight-request@annihilist.com  Sat Dec 11 20:00:22 1999
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From: PMimlitsch@aol.com
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Date: Sat, 11 Dec 1999 19:52:23 EST
Subject: GT5/GT3 questions
To: taptalk@progrock.net, Sticknews@aol.com, STICKWIRE-L@home.ease.lsoft.com,
        Loopers-Delight@annihilist.com
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Questions:
1) re: the send/return loop on the Roland/Boss GT5 - can it be inserted 
anywhere in the effects chain or are you "stuck" with it being between the 
preamp and the effects algorithms?
2) Does the gt3 have a send/return loop? If so is it positionable w/in the 
effects chain?
2) is the send/return loop by-passable via an on board footswitch?

-paul

From Loopers-Delight-request@annihilist.com  Sat Dec 11 20:20:09 1999
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From: "ken griffith" <kenard@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: PDS-8000 (manual)
Date: Sat, 11 Dec 1999 17:24:47 -0800
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The manual says.... In the TRIGGER mode: a touch of the "infinite repeat"
footswitch or a Positive pulse from a drum machine will repeat the delay
exactly once...  and in the Trigger mode the LED is always on indicating a
signal is locked into the memory...I don't see much else about the trigger
Mode but assume you don't really need to use an additional trigger pedal....
The jack Looks like it's really to be used with some drum machine
functions...if you think the manual would be of use to yourself or others,
guess I could scan it...for posting.... ... good luck...

 -----Original Message-----
From: 	Loopers-Delight-request@annihilist.com
[mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff Cable
Sent:	Saturday, December 11, 1999 4:06 PM
To:	Loopers-Delight@annihilist.com
Subject:	Re: PDS-8000


Ok- Thanks for the help Ken
Here comes the obvious-
Anyone know how to make a pedal do this? I even have an extra Boss CH-1 that
is toast I could use or cheapo intermittent ones too- I guess it would need
a battery- I don't really know why I would need to trigger it remotely- do
they give a reason why they included this feature?

Thanks-
----- Original Message -----
From: "ken griffith" <kenard@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, December 11, 1999 2:04 PM
Subject: RE: PDS-8000


> Hi...  I  found my PDS 8000 manual  and RE: the trigger input  jack....it
> needs a 5v pulse...any device capable of producing a 5v pulse can be used
to
> trigger the delay....triggering occurs on the positive edge of the
pulse....
> ken
>
>  -----Original Message-----
> From: Loopers-Delight-request@annihilist.com
> [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff Cable
> Sent: Saturday, December 11, 1999 11:37 AM
> To: Loopers List
> Subject: PDS-8000
>
>
> Hi all-
>
> Just bought a Digitech PDS-8000 and had a question- I tried searching the
> mailing list archives even for just "Digitech" and got 0 results- strange-
> Kim? Am I vegging out or is all ok with the archives?
> Anyway- anyone have the manual for this pedal? i would also like to try
the
> trigger input- I tried a mono momentary and a mono on/off type with no
luck-
>
> Cliff
>

From Loopers-Delight-request@annihilist.com  Sat Dec 11 20:31:59 1999
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Date: Sat, 11 Dec 1999 17:27:43 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: PDS-8000 / archives
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>Just bought a Digitech PDS-8000 and had a question- I tried searching the
>mailing list archives even for just "Digitech" and got 0 results- strange-
>Kim? Am I vegging out or is all ok with the archives?

There's nothing wrong with the archive itself. If you scroll down the main
archive page you'll see where you can look through every post ever made,
indexed by date, thread, or author. It's all divided up by month to make it
relatively manageable. You can even download a mailbox file of each month
which can be opened in most mail programs and read/searched that way on
your own computer.

It's the search engine part that keeps getting broken, so searches don't
work very well. Eventually it will get fixed, but not today. You might try
some of the major search engines, since the site is mostly indexed by all
of them. with the right keywords you should be able to pull up pages from
the LD archive. It's a little hit and miss that way though, since there are
such a huge number of pages in the list archive and the big search engines
seem a little bit lazy about actually indexing that many things.

For those that don't know, the mailing list archive is here:
http://www.annihilist.com/cgi-bin/wilma/LDarchive


kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Sat Dec 11 21:07:37 1999
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From: "Cliff Cable" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
References: <NDBBKENADLEPPLGIHJAMGEAOCCAA.kenard@compuserve.com>
Subject: Re: PDS-8000 (manual)
Date: Sat, 11 Dec 1999 17:59:48 -0800
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Thanks Ken- If you scan the manual Kim might be able to add it to the new
PDS page- most people post to the list first though before seaching the site
:) I also just found out that the dalay signals become distorted as the
battery becomes weak- weee.
I am finding it quite nice to have a decent delay before my Jam Man- more
possibilities- sounds nice!

Cliff
----- Original Message -----
From: "ken griffith" <kenard@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, December 11, 1999 5:24 PM
Subject: RE: PDS-8000 (manual)


> The manual says.... In the TRIGGER mode: a touch of the "infinite repeat"
> footswitch or a Positive pulse from a drum machine will repeat the delay
> exactly once...  and in the Trigger mode the LED is always on indicating a
> signal is locked into the memory...I don't see much else about the trigger
> Mode but assume you don't really need to use an additional trigger
pedal....
> The jack Looks like it's really to be used with some drum machine
> functions...if you think the manual would be of use to yourself or others,
> guess I could scan it...for posting.... ... good luck...
>
>  -----Original Message-----
> From: Loopers-Delight-request@annihilist.com
> [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff Cable
> Sent: Saturday, December 11, 1999 4:06 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: PDS-8000
>
>
> Ok- Thanks for the help Ken
> Here comes the obvious-
> Anyone know how to make a pedal do this? I even have an extra Boss CH-1
that
> is toast I could use or cheapo intermittent ones too- I guess it would
need
> a battery- I don't really know why I would need to trigger it remotely- do
> they give a reason why they included this feature?
>
> Thanks-
> ----- Original Message -----
> From: "ken griffith" <kenard@compuserve.com>
> To: <Loopers-Delight@annihilist.com>
> Sent: Saturday, December 11, 1999 2:04 PM
> Subject: RE: PDS-8000
>
>
> > Hi...  I  found my PDS 8000 manual  and RE: the trigger input
jack....it
> > needs a 5v pulse...any device capable of producing a 5v pulse can be
used
> to
> > trigger the delay....triggering occurs on the positive edge of the
> pulse....
> > ken
> >
> >  -----Original Message-----
> > From: Loopers-Delight-request@annihilist.com
> > [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff
Cable
> > Sent: Saturday, December 11, 1999 11:37 AM
> > To: Loopers List
> > Subject: PDS-8000
> >
> >
> > Hi all-
> >
> > Just bought a Digitech PDS-8000 and had a question- I tried searching
the
> > mailing list archives even for just "Digitech" and got 0 results-
strange-
> > Kim? Am I vegging out or is all ok with the archives?
> > Anyway- anyone have the manual for this pedal? i would also like to try
> the
> > trigger input- I tried a mono momentary and a mono on/off type with no
> luck-
> >
> > Cliff
> >
>

From Loopers-Delight-request@annihilist.com  Sat Dec 11 21:39:32 1999
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Date: Sat, 11 Dec 1999 18:31:48 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: sync-ing non-midi loopers/ cheap stereo loopers???
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At 7:41 PM -0800 12/10/99, David Myers wrote:
>>At 9:24 PM -0800 12/9/99, Jax1723@aol.com wrote:
>>>I was wondering:
>>>Say you had two non-midi loopers (headrush A and headrush B).   Would it be
>>>possible to open them up, disconnect the footswitches in A; then hook up the
>>>footswitches in B to both units (i.e., one set of footswitches for two
>>>units)?  The $64000 question is: Since both loops are starting/ending at the
>>>same time, would they stay in sync or IS THERE SOMETHING INTERNAL THAT WOULD
>>>CAUSE THE LOOPS TO FLUCTUATE?
>>
>>no, they won't stay in sync. You have some crystal oscillator clocking the
>>system logic of your headrushes. It is pretty much impossible for two clock
>>oscillators to have exactly the same frequency. They will be within some
>>tolerance, so they will be close, but not exact. Clock oscillator
>>frequencies will also drift a bit with temperature, age, and the tolerance
>>of the load caps on the crystal. If you have no feedback mechanism to keep
>>the clocks synchronized with each other, they will drift from each other.
>
>Absolutely true, but might there be some way for the two units to share one
>crystal/clock?

Not easily. Most convertors have their own crystal oscillator, so you would
have to add a buffer chip to tap off the crystal input on one and drive it
to the other. This clock will be either 16.934Mhz or 24.576MHz, high enough
that sending it over a wire to some other unit will cause it to have a lot
of reflection and ringing problems, certainly causing it to fail miserably.
If you know what you are doing, you could choose a proper buffer IC,
terminate properly, use the right kind of cable, and make this work, but
then you are way outside the realm of amateur electronics
hacking.....Consultants who know how to do this charge about $150/hr and
up.....


>>This means, you'll record two loops that will start off together. As they
>>loop, the slight differences will cause the loops to slowly drift apart,
>>causing phase problems, then flamming, then just odd rhythms. Sometimes
>>this can be obvious very quickly, sometimes slow. Just depends on the
>>natural random variance between the clocks on the two headrushes.
>
>Cool!  This is just the way I'd want it, myself....

I'm guessing if he wanted to do that, he wouldn't have asked the question. :-)


>>If this is what you wanted to do, you got the wrong product. Headrush
>>doesn't have any sync features, it's just a simple pedal not intended for
>>such use.
>>
>>kim
>
>No doubt, the wrong product.  Personally though, I think I'm actually
>happier with a Headrush and a couple of Zoom 2100's getting weird against
>each other than I was with the elaborate EDP.  But maybe that's just my
>problem....

to each his own of course.....I find I can do far more useful as well as
far more crazy stuff with a couple of echoplexes than you could ever hope
to do with headrushes and zooms, and the echoplex is simpler to use too,
but then I'm totally biased. :-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Sat Dec 11 21:43:47 1999
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thought there used to be a picture of the PMC-10 on Loopers D , now I cant find it  :(


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Sat Dec 11 22:19:24 1999
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Subject: Re: PDS-8000 / archives
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At 05:27 PM 12/11/99 -0800, you wrote:
> You might try
>some of the major search engines, since the site is mostly indexed by all
>of them. with the right keywords you should be able to pull up pages from
>the LD archive. It's a little hit and miss that way though, since there are
>such a huge number of pages in the list archive and the big search engines
>seem a little bit lazy about actually indexing that many things.
>

I just tried an unscientific experiment with Dogpile by typing in Looper's
+ a search subject. AltaVista won hands down for the largest number of
matches.

Tim

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To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: sync-ing non-midi loopers/ cheap stereo loopers???
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At 06:31 PM 12/11/99 -0800, you wrote:
>.....I find I can do far more useful as well as
>far more crazy stuff with a couple of echoplexes than you could ever hope
>to do with headrushes and zooms, and the echoplex is simpler to use too,
>but then I'm totally biased. :-)

Although if we only consider units manufactured and shipped in the past
year, it's a safe bet headrushes and zooms have not only been more useful
and crazy, they've also been AVAILABLE! Sure, we'd all love to be using a
couple Echoplexi but ya cain't use what ya cain't git. (Anyone from Gibson
listening? :^}  or the SPCA, as I flog that dead horse... Trace Elliot to
the rescue...)

Tim

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Date: Sat, 11 Dec 1999 20:58:03 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: ot: expression pedal for vortex
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> >recomended expression pedal for the vortex?

I use a Roland EV-5 with mine. It comes with an
attached cable. I've also tried the volume pedal
w/ insert cable method. It was a DOD VC-C1. This was
not as good as the Roland because it does not have
a linear pot.

John

=====
John Tidwell



__________________________________________________
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References: <3.0.6.32.19991211072124.00839600@mail.monmouth.com>
Subject: Re: ot: expression pedal for vortex
Date: Sat, 11 Dec 1999 22:14:42 -0800
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I've used a BOSS FV-L (line level, not guitar level) and a stereo insert
cable with the Vortex and had perfect results.  Vortex responds to the full
range of the pedal.

> mine responds well to the Boss expression pedal (the old one,not the one
> with the cortd attached, though i will try that one later today)
>
> also- howsa bout a vol.pedal - thru a split stero caord. the vortex needs
> to see a stereo jack in there.
>
> later, andre'
> http://www.conservativessuck.com
>
>

From Loopers-Delight-request@annihilist.com  Sun Dec 12 02:26:39 1999
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From: Kriist@aol.com
Message-ID: <0.50b8023d.25849c9c@aol.com>
Date: Sun, 12 Dec 1999 01:37:16 EST
Subject: randomART/ObjectSubject
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for those that are interested
ive created 2 mailing lists
please take a look to see if its of any interest

http://www.onelist.com/community/randomART

and

http://www.onelist.com/community/ObjectSubject

rodrigo

From Loopers-Delight-request@annihilist.com  Sun Dec 12 03:33:59 1999
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Message-ID: <385353F4.E62EC411@jimmygeorgearts.com>
Date: Sun, 12 Dec 1999 01:51:16 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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To: "rp@homer.harman-dod.com" <rp@homer.harman-dod.com>,
        "Loopers-Delight-request@annihilist.com" 
 <Loopers-Delight-request@annihilist.com>,
        Loopers Delight <Loopers-Delight@annihilist.com>,
        "johnson-amp@homer.harman-dod.com" <johnson-amp@homer.harman-dod.com>
Subject: Advice Needed on CD Burners
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thank you for all your guidance on buying the best CD burner / software
program. your input was succesfully helpful. my current question would
require a click from you to the sonic foundry's site. please crirueqe
this
CD Factory package for better or worse. i found a registard used version
of
this combo plus a current version of Acid Pro 2. for the grand total of
475.
it seems a great find. please let me know what you think. thank you in
advance for your time.

http://www.sonicfoundry.com/PRODUCTS/ShowProduct.asp?PID=19

peace
jimmy george





From Loopers-Delight-request@annihilist.com  Sun Dec 12 04:04:57 1999
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Date: Sun, 12 Dec 1999 01:03:31 -0700
Subject: Re: PDS-8000 (manual)
From: "Stan Card" <stanitarium@earthlink.net>
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Yes Please scan and post for us guys who have picked up one of these badboys
over the years w/ no paperwork included-I'd love to know what this unit
really does(or doesn't do,as the case may be!),thanx...STANNER

----------
>From: "ken griffith" <kenard@compuserve.com>
>To: <Loopers-Delight@annihilist.com>
>Subject: RE: PDS-8000 (manual)
>Date: Sat, Dec 11, 1999, 6:24 PM
>

> The manual says.... In the TRIGGER mode: a touch of the "infinite repeat"
> footswitch or a Positive pulse from a drum machine will repeat the delay
> exactly once...  and in the Trigger mode the LED is always on indicating a
> signal is locked into the memory...I don't see much else about the trigger
> Mode but assume you don't really need to use an additional trigger pedal....
> The jack Looks like it's really to be used with some drum machine
> functions...if you think the manual would be of use to yourself or others,
> guess I could scan it...for posting.... ... good luck...
>
>  -----Original Message-----
> From:  Loopers-Delight-request@annihilist.com
> [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff Cable
> Sent: Saturday, December 11, 1999 4:06 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: PDS-8000
>
>
> Ok- Thanks for the help Ken
> Here comes the obvious-
> Anyone know how to make a pedal do this? I even have an extra Boss CH-1 that
> is toast I could use or cheapo intermittent ones too- I guess it would need
> a battery- I don't really know why I would need to trigger it remotely- do
> they give a reason why they included this feature?
>
> Thanks-
> ----- Original Message -----
> From: "ken griffith" <kenard@compuserve.com>
> To: <Loopers-Delight@annihilist.com>
> Sent: Saturday, December 11, 1999 2:04 PM
> Subject: RE: PDS-8000
>
>
>> Hi...  I  found my PDS 8000 manual  and RE: the trigger input  jack....it
>> needs a 5v pulse...any device capable of producing a 5v pulse can be used
> to
>> trigger the delay....triggering occurs on the positive edge of the
> pulse....
>> ken
>>
>>  -----Original Message-----
>> From: Loopers-Delight-request@annihilist.com
>> [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff Cable
>> Sent: Saturday, December 11, 1999 11:37 AM
>> To: Loopers List
>> Subject: PDS-8000
>>
>>
>> Hi all-
>>
>> Just bought a Digitech PDS-8000 and had a question- I tried searching the
>> mailing list archives even for just "Digitech" and got 0 results- strange-
>> Kim? Am I vegging out or is all ok with the archives?
>> Anyway- anyone have the manual for this pedal? i would also like to try
> the
>> trigger input- I tried a mono momentary and a mono on/off type with no
> luck-
>>
>> Cliff
>>
>
> 

From Loopers-Delight-request@annihilist.com  Sun Dec 12 12:53:04 1999
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Date: Sun, 12 Dec 1999 11:48:27 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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Subject: Re: sync-ing non-midi loopers???/Quiet switches for Headrush!
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thank you H.Eye. very informative.

jimmy george

Hawkeye255@aol.com wrote:

> jack,
>     Good Idea!  They should stay perfectly in sync.  And the switches inside
> the Headrush are DPDT (push/push) so you even have extra lugs on each switch
> to do it.  Aaaaand one wall wart is plenty, just make up a pig-tailed Y-plug
> for one of them.  I use this all the time.  For instance, I have had two Korg
> X5DR's running off one wall wart for two years now and both my Headrushes are
> on another, etc.  Works fine.
>     I use my Headrushes differently than you suggest however.  One's 'mix
> out' goes to the other's 'input'.  That ultimately gives me a 23 second loop
> with many, many, many layers, if I so choose.
>     Btw: I have found much quieter switches for the Headrush too, if you do a
> lot of vocal or acoustic instrument looping in a very quiet room where the
> click of the switches is picked up by your mic(s).  Alcoswitch Part#
> MPG-106D.  SPDT.  They are not the 'combat strength' switches the originals
> are however.  I remounted the original switches on mine with rubber washers
> and that helped soften the click sufficiently for me.
>
> good luck,
>     'hawkeye'

From Loopers-Delight-request@annihilist.com  Sun Dec 12 13:46:02 1999
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From: "Cliff Cable" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
References: <v03102800b478a72b0654@[63.192.37.242]>
Subject: Re: PDS-8000 / archives
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I downloaded the raw archive which is a txt file- not a mail file-  how do
you open it in a mail program? I use Outlook express or Navigator- neither
will import txt file-

Thanks

Cliff

Kim wrote-

>You can even download a mailbox file of each month
> which can be opened in most mail programs and read/searched that way on
> your own computer.
>


From Loopers-Delight-request@annihilist.com  Sun Dec 12 13:34:50 1999
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Date: Sun, 12 Dec 1999 19:32:48 +0100
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John Tidwell wrote:

> I started out by using the DL-4 in the effects loop of
> my Digitech 2120. This was OK, but the effects loop is
> mono so I was missing a lot. I then tried running the
> stereo outputs of the 2120 to the stereo inputs of the
> DL-4. This was much better.
>

Hi John.
What I still don't know: is the *looper* on the DL-4 true
stereo? And another question: when you're not doing
any overdubs and just play the loop, will it loop forever
or is the sound slowly decaying?

Thanks,
Robert

From Loopers-Delight-request@annihilist.com  Sun Dec 12 14:42:31 1999
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The DL4 does not loop in stereo......it sums the loop to mono, while it
has stereo through for the non  loor part......Also, the sound slowly
decays over about five minutes......

Not  a very good feature


DJG

From Loopers-Delight-request@annihilist.com  Sun Dec 12 14:56:48 1999
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Date: Sun, 12 Dec 99 11:51:37 -0800
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From: George Van Wagner <vanwag@earthlink.net>
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>Hi John.
>What I still don't know: is the *looper* on the DL-4 true
>stereo? And another question: when you're not doing
>any overdubs and just play the loop, will it loop forever
>or is the sound slowly decaying?
>
>Thanks,
>Robert
>
The output of the recorded loop is summed to mono, the input remains true 
stereo (ie. you feed a stereo signal into the DL4, the L/R channels 
remain separate, however, anything recorded in the loop is summed to 
mono, while through signals remain stereo)

When not in overdub mode, there is no generational decay in the loop 
recording, so as long as that overdub LED is not lit, it will loop 
forever.

George Van Wagner

From Loopers-Delight-request@annihilist.com  Sun Dec 12 15:00:31 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: FYI:  The December Full Moon
Date: Sun, 12 Dec 1999 11:46:32 -0800
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I think everybody will want to know this.  I didn't waste Loopers' bandwidth
so posted it to the Web.  I got this in the e-mail this morning:

http://www.gnominus.org/misc/moon_22Dec1999.htm

How about gathering the gear and going outside to loop all night then?  Too
cold perhaps...

From Loopers-Delight-request@annihilist.com  Sun Dec 12 15:46:39 1999
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Subject: Re: Indian/middle eastern sounds, microtonality
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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Sorry I'm a bit late responding. My ISP turned to shit for a couple of 
weeks.

>> With re. to looping, one piece of gear that fascinates me & I can't see
>> myself owning anytime in the near future is Eventide's GTR4000. The
>> combination of the elaborate delays & harmonizing schemes should make for
>> some amazing possiblities.
>
> Yeah, but they harmonize in ji???

I'm not certain about actually harmonizing in JI, however it does do pitch
shifts with resolution in cents (+/- 4 octaves) in cents. Since Eventide
doesn't have manuals online, we'd have to find someone who has one & see if
the harmonizations can be fine-tuned in cents. Or possibly by download the
Mac or Win editor & looking at the parameters. The possiblities from the
pitch shifted multi-tap delays alone are intriguing. JI should be possible
with a 1 cent resolution.

The price for the GTR4000 with the sampling board starts close to $5000, I
think. Is the price justifiable ? Probably.

Far as I can tell it's the only step up from Lexicon's MPX-G2. And in a
totally different class.

http://www.eventide.com

Salut,
- Drew

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
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GFX-8 Guitar Multi-Effects Console from Zoom

"25 second phrase sampler /12 second JAM PLAY feature.
 You can Alter the speed of your samples withoutchanging the pitch."

http://www.harmonycentral.com/Newp/1999/GFX-8.html

http://www.samsontech.com/zoom/multiconsoles.html

- Drew

__________________________________________________
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From Loopers-Delight-request@annihilist.com  Sun Dec 12 17:30:27 1999
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In a message dated 12/12/99 9:54:12 PM, skyfyre_dys@yahoo.com writes:

<< "25 second phrase sampler /12 second JAM PLAY feature. >>

Yes, but as far as I can tell from the manual (PDF download) you can't 
overdub in either of these two modes.  For overdub looping it looks like 
you're limited to using the six sec. (that's max) delay mode, then, to put 
the delays in "non fade" mode, program the cc pedal to crank the delay 
feedback to max - not sure if there's an assignable "hold" button.  

From Loopers-Delight-request@annihilist.com  Sun Dec 12 18:03:12 1999
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Date: Sun, 12 Dec 1999 14:54:50 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: PDS-8000 / archives
In-reply-to: <006c01bf44d0$a47858a0$e0368218@we.mediaone.net>
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Cliff said:
>I downloaded the raw archive which is a txt file- not a mail file-  how do
>you open it in a mail program? I use Outlook express or Navigator- neither
>will import txt file-

>Kim wrote-
>
>>You can even download a mailbox file of each month
>> which can be opened in most mail programs and read/searched that way on
>> your own computer.

It's a standard UUCP mailbox format, which basically is a text file
formatted in a particular way. This is the way mail servers generally store
mail, and the way most mail clients deal with mail since it's a
long-established standard. Netscape and Microsoft have a long tradition of
ignoring standards, so there's no telling what they do. I'd be very
surprised if there is not way to open such a file in those programs, but I
don't use them so I don't know what it would be. They have to support the
UUCP mailbox format in some fashion, or they wouldn't be able to download
mail from the vast majority of mail servers in the world. I know with
eudora, you can simply open these files like any mailbox, since eudora uses
the same UUCP format for its own mail files. I think most mail programs
work that way. If Navigator and Outlook express can't do this, then you've
got yet one more argument to add to the thousands already available for not
using those programs for email. :-)

kim



______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Sun Dec 12 19:00:48 1999
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From: "postaldave" <postaldave@qx.net>
To: "Loopers" <Loopers-Delight@annihilist.com>
Subject: chord generator
Date: Sun, 12 Dec 1999 18:48:47 -0500
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http://www.wans.net/~oiadd/guitar_chords_site/index1.htm

hit the tuning you want at the top of the page, then the chord you want at
the top. have fun.

this isn't my page, just ran into it one day.

postaldave@qx.net


From Loopers-Delight-request@annihilist.com  Sun Dec 12 20:26:49 1999
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From: Jax1723@aol.com
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Date: Sun, 12 Dec 1999 20:19:16 EST
Subject: sync-ing non-midi loopers/ cheap stereo loopers???
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In a message dated 12/12/1999 1:15:17 PM Eastern Standard Time, 
Loopers-Delight-d-request@annihilist.com writes:

> >>This means, you'll record two loops that will start off together. As they
>  >>loop, the slight differences will cause the loops to slowly drift apart,
>  >>causing phase problems, then flamming, then just odd rhythms. Sometimes
>  >>this can be obvious very quickly, sometimes slow. Just depends on the
>  >>natural random variance between the clocks on the two headrushes.
>  >
>  >Cool!  This is just the way I'd want it, myself....
>  
>  I'm guessing if he wanted to do that, he wouldn't have asked the question. 
:-)


Actually, I only own one headrush and have no intention of doing any mods to 
it.  I was just putting some food for thought out there -- just wondering if 
it was possible.
I too really enjoy the chaos of two unsynced loopers (if you allow me to call 
a pds pedal a looper).
cheers
jack

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Subject: Re: Indian/middle eastern sounds, microtonality
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At 02:03 AM 12/13/99 +0000, you wrote:
>Sorry I'm a bit late responding. My ISP turned to shit for a couple of 
>weeks.
>
>>> With re. to looping, one piece of gear that fascinates me & I can't see
>>> myself owning anytime in the near future is Eventide's GTR4000. The
>>> combination of the elaborate delays & harmonizing schemes should make for
>>> some amazing possiblities.
>>
>> Yeah, but they harmonize in ji???
>
>I'm not certain about actually harmonizing in JI, however it does do pitch
>shifts with resolution in cents (+/- 4 octaves) in cents. Since Eventide
>doesn't have manuals online, we'd have to find someone who has one & see if
>the harmonizations can be fine-tuned in cents. Or possibly by download the
>Mac or Win editor & looking at the parameters. The possiblities from the
>pitch shifted multi-tap delays alone are intriguing. JI should be possible
>with a 1 cent resolution.

Somebody (might have been someone on this very list) directed me to the
Trey Gunn website, in which Gunn relates how he used his GTR4000 as a
solution to the problem of playing with a performer (I recall somebody who
had studied Indian classical singing) who does not play in equal
temperament.  Apparently, the GTR4000 has a pitch correction feature that
gives the user some flexibility - it allowed Trey to set up his GTR4000 to
"correct" the pitches of his 12ET Warr Guitar to the non-equal-tempered
scale the singer was using.  Its in his road diary at http://www.treygunn.com.

Paolo

From Loopers-Delight-request@annihilist.com  Mon Dec 13 03:09:16 1999
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Date: Sun, 12 Dec 1999 23:36:07 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: DL4 Review
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Sorry I was not around to answer the questions raised
by my posting, but there's probably no one better to
answer questions than George Van Wagner. He's part of
the brain trust at Line 6. He's even mentioned in the
manual!

I going to risk incurring the wrath of GVW,(something
I made the mistake of doing over on Guitar Forum about
a year ago), by saying that you can loop in stereo on
the DL-4. You just can't do it using the Looper mode.

If you're one of those folks who are into short loops
(2.5 sec & under), you can do the following:

1) set the bypass to "thru delay" rather than "true
   bypass"
2) dial up a stereo delay model
3) set delay time. You're pretty much doing this by
   ear, as there are no numbers to indicate time, just
   hash marks.
4) set feedback to just under max.
5) play some stuff
6) move feedback to max
7) hit the bypass switch

You have now captured the loop & can play over it
without adding to it. Of course, there are
limitations.
Once you've hit the bypass switch, you can't add
overdubs. Hitting the bypass switch again kills the
loop & returns you to the delay model.

I'm not sure if the loop goes on infinitely using this
method. I did spend 5 or 10 minutes playing over one
of these short loops & did not notice any decay.

I hope I've not come across as nit-picky. I just find
that it's yet another neat feature of this device.

John



--- George Van Wagner <vanwag@earthlink.net> wrote:
> The output of the recorded loop is summed to mono,
> the input remains true 
> stereo (ie. you feed a stereo signal into the DL4,
> the L/R channels 
> remain separate, however, anything recorded in the
> loop is summed to 
> mono, while through signals remain stereo)
> 
> When not in overdub mode, there is no generational
> decay in the loop 
> recording, so as long as that overdub LED is not
> lit, it will loop 
> forever.
> 
> George Van Wagner
> 
> 





=====
John Tidwell



__________________________________________________
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From Loopers-Delight-request@annihilist.com  Mon Dec 13 05:58:47 1999
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From: "Clifford Bosephius Alexander" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
References: <NDBBKENADLEPPLGIHJAMGEAOCCAA.kenard@compuserve.com>
Subject: PDS-8000 Trigger Port
Date: Mon, 13 Dec 1999 02:53:00 -0800
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I think I know why there is a separate trigger input on this PDS 8000 aside
from the drum machine operation listed below- If the unit is in sample mode
you can only record samples with the Repeat- Trigger/Sample footswitch-
unless you reach down and move the switch out of Sample mode and into
Trigger mode- so the extra switch probably allows you to record samples and
trigger them all with footswitches on the fly- neat! Its fun to play with
the trigger in sample mode- can anyone say L-l-l-l-l-looper? Weee...

Cliff

PS- Anyone know a drum machine that puts out a 5v pulse?

----- Original Message -----
From: "ken griffith" <kenard@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, December 11, 1999 5:24 PM
Subject: RE: PDS-8000 (manual)


> The manual says.... In the TRIGGER mode: a touch of the "infinite repeat"
> footswitch or a Positive pulse from a drum machine will repeat the delay
> exactly once...  and in the Trigger mode the LED is always on indicating a
> signal is locked into the memory...I don't see much else about the trigger
> Mode but assume you don't really need to use an additional trigger
pedal....
> The jack Looks like it's really to be used with some drum machine
> functions...if you think the manual would be of use to yourself or others,
> guess I could scan it...for posting.... ... good luck...
>
>  -----Original Message-----
> From: Loopers-Delight-request@annihilist.com
> [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff Cable
> Sent: Saturday, December 11, 1999 4:06 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: PDS-8000
>
>
> Ok- Thanks for the help Ken
> Here comes the obvious-
> Anyone know how to make a pedal do this? I even have an extra Boss CH-1
that
> is toast I could use or cheapo intermittent ones too- I guess it would
need
> a battery- I don't really know why I would need to trigger it remotely- do
> they give a reason why they included this feature?
>
> Thanks-
> ----- Original Message -----
> From: "ken griffith" <kenard@compuserve.com>
> To: <Loopers-Delight@annihilist.com>
> Sent: Saturday, December 11, 1999 2:04 PM
> Subject: RE: PDS-8000
>
>
> > Hi...  I  found my PDS 8000 manual  and RE: the trigger input
jack....it
> > needs a 5v pulse...any device capable of producing a 5v pulse can be
used
> to
> > trigger the delay....triggering occurs on the positive edge of the
> pulse....
> > ken
> >
> >  -----Original Message-----
> > From: Loopers-Delight-request@annihilist.com
> > [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff
Cable
> > Sent: Saturday, December 11, 1999 11:37 AM
> > To: Loopers List
> > Subject: PDS-8000
> >
> >
> > Hi all-
> >
> > Just bought a Digitech PDS-8000 and had a question- I tried searching
the
> > mailing list archives even for just "Digitech" and got 0 results-
strange-
> > Kim? Am I vegging out or is all ok with the archives?
> > Anyway- anyone have the manual for this pedal? i would also like to try
> the
> > trigger input- I tried a mono momentary and a mono on/off type with no
> luck-
> >
> > Cliff
> >
>

From Loopers-Delight-request@annihilist.com  Mon Dec 13 09:22:06 1999
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From: "David Potter" <papadave55@hotmail.com>
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Subject: Re: Indian/middle eastern sounds, microtonality
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The Roland GR 30 has soome great sitar sounds.  Does anyone know how to get 
the drums off to just have the sitar sound?  Happy Hollidays


>From: pvallad1@tampabay.rr.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Indian/middle eastern sounds, microtonality
>Date: Mon, 13 Dec 1999 00:04:39 -0500
>
>At 02:03 AM 12/13/99 +0000, you wrote:
> >Sorry I'm a bit late responding. My ISP turned to shit for a couple of
> >weeks.
> >
> >>> With re. to looping, one piece of gear that fascinates me & I can't 
>see
> >>> myself owning anytime in the near future is Eventide's GTR4000. The
> >>> combination of the elaborate delays & harmonizing schemes should make 
>for
> >>> some amazing possiblities.
> >>
> >> Yeah, but they harmonize in ji???
> >
> >I'm not certain about actually harmonizing in JI, however it does do 
>pitch
> >shifts with resolution in cents (+/- 4 octaves) in cents. Since Eventide
> >doesn't have manuals online, we'd have to find someone who has one & see 
>if
> >the harmonizations can be fine-tuned in cents. Or possibly by download 
>the
> >Mac or Win editor & looking at the parameters. The possiblities from the
> >pitch shifted multi-tap delays alone are intriguing. JI should be 
>possible
> >with a 1 cent resolution.
>
>Somebody (might have been someone on this very list) directed me to the
>Trey Gunn website, in which Gunn relates how he used his GTR4000 as a
>solution to the problem of playing with a performer (I recall somebody who
>had studied Indian classical singing) who does not play in equal
>temperament.  Apparently, the GTR4000 has a pitch correction feature that
>gives the user some flexibility - it allowed Trey to set up his GTR4000 to
>"correct" the pitches of his 12ET Warr Guitar to the non-equal-tempered
>scale the singer was using.  Its in his road diary at 
>http://www.treygunn.com.
>
>Paolo
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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-----Original Message-----
From: JohnFlem@aol.com [mailto:JohnFlem@aol.com]
Sent: Saturday, December 11, 1999 12:24 AM
To: Loopers-Delight@annihilist.com
Subject: Re: 01v


I haven't used the 01V with ADAT...BUT  I have owned the original ProMix,
then got the 01V (which is GREAT) actually alot of improvements over the
original.  Then I got an 02R with 4 ADATS, and that setup is perfect.  I
have
never used the Dig cards on the 01V though.

In a message dated 12/10/99 12:45:29 AM, permadan@yahoo.com writes:

<< Anyone use a adatm20 connected to an o1v?
It's a setup I'm considering buying and I could use
some feedback.
 >>


From Loopers-Delight-request@annihilist.com  Mon Dec 13 10:22:00 1999
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Subject: Re: DL4 Review
Date: Mon, 13 Dec 99 07:14:17 -0800
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From: George Van Wagner <vanwag@earthlink.net>
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Wow! I didn't even know that I had wrath!

You're absolutely right, John, if a 2.5 second loop will do ya (and I for 
one love using the Sweep Echo for something like that), that's a way to 
keep a true stereo loop. If you've got the feedback set high enough, you 
shouldn't get any appreciable decay. Personally, I prefer the alternate 
bypass mode, anyway, since it doesn't cut off my delay tails.

George

>Sorry I was not around to answer the questions raised
>by my posting, but there's probably no one better to
>answer questions than George Van Wagner. He's part of
>the brain trust at Line 6. He's even mentioned in the
>manual!
>
>I going to risk incurring the wrath of GVW,(something
>I made the mistake of doing over on Guitar Forum about
>a year ago), by saying that you can loop in stereo on
>the DL-4. You just can't do it using the Looper mode.
>
>If you're one of those folks who are into short loops
>(2.5 sec & under), you can do the following:
>
>1) set the bypass to "thru delay" rather than "true
>   bypass"
>2) dial up a stereo delay model
>3) set delay time. You're pretty much doing this by
>   ear, as there are no numbers to indicate time, just
>   hash marks.
>4) set feedback to just under max.
>5) play some stuff
>6) move feedback to max
>7) hit the bypass switch
>
>You have now captured the loop & can play over it
>without adding to it. Of course, there are
>limitations.
>Once you've hit the bypass switch, you can't add
>overdubs. Hitting the bypass switch again kills the
>loop & returns you to the delay model.
>
>I'm not sure if the loop goes on infinitely using this
>method. I did spend 5 or 10 minutes playing over one
>of these short loops & did not notice any decay.
>
>I hope I've not come across as nit-picky. I just find
>that it's yet another neat feature of this device.
>
>John
>
>
>
>--- George Van Wagner <vanwag@earthlink.net> wrote:
>> The output of the recorded loop is summed to mono,
>> the input remains true 
>> stereo (ie. you feed a stereo signal into the DL4,
>> the L/R channels 
>> remain separate, however, anything recorded in the
>> loop is summed to 
>> mono, while through signals remain stereo)
>> 
>> When not in overdub mode, there is no generational
>> decay in the loop 
>> recording, so as long as that overdub LED is not
>> lit, it will loop 
>> forever.
>> 
>> George Van Wagner
>> 
>> 
>
>
>
>
>
>=====
>John Tidwell
>
>
>
>__________________________________________________
>Do You Yahoo!?
>Thousands of Stores.  Millions of Products.  All in one place.
>Yahoo! Shopping: http://shopping.yahoo.com
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec 13 10:22:24 1999
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Subject: remove
Date: Mon, 13 Dec 1999 10:00:22 -0500
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remove

-----Original Message-----
From: David Potter [mailto:papadave55@hotmail.com]
Sent: Monday, December 13, 1999 9:13 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Indian/middle eastern sounds, microtonality


The Roland GR 30 has soome great sitar sounds.  Does anyone know how to get
the drums off to just have the sitar sound?  Happy Hollidays


>From: pvallad1@tampabay.rr.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Indian/middle eastern sounds, microtonality
>Date: Mon, 13 Dec 1999 00:04:39 -0500
>
>At 02:03 AM 12/13/99 +0000, you wrote:
> >Sorry I'm a bit late responding. My ISP turned to shit for a couple of
> >weeks.
> >
> >>> With re. to looping, one piece of gear that fascinates me & I can't
>see
> >>> myself owning anytime in the near future is Eventide's GTR4000. The
> >>> combination of the elaborate delays & harmonizing schemes should make
>for
> >>> some amazing possiblities.
> >>
> >> Yeah, but they harmonize in ji???
> >
> >I'm not certain about actually harmonizing in JI, however it does do
>pitch
> >shifts with resolution in cents (+/- 4 octaves) in cents. Since Eventide
> >doesn't have manuals online, we'd have to find someone who has one & see
>if
> >the harmonizations can be fine-tuned in cents. Or possibly by download
>the
> >Mac or Win editor & looking at the parameters. The possiblities from the
> >pitch shifted multi-tap delays alone are intriguing. JI should be
>possible
> >with a 1 cent resolution.
>
>Somebody (might have been someone on this very list) directed me to the
>Trey Gunn website, in which Gunn relates how he used his GTR4000 as a
>solution to the problem of playing with a performer (I recall somebody who
>had studied Indian classical singing) who does not play in equal
>temperament.  Apparently, the GTR4000 has a pitch correction feature that
>gives the user some flexibility - it allowed Trey to set up his GTR4000 to
>"correct" the pitches of his 12ET Warr Guitar to the non-equal-tempered
>scale the singer was using.  Its in his road diary at
>http://www.treygunn.com.
>
>Paolo
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com


From Loopers-Delight-request@annihilist.com  Mon Dec 13 11:31:37 1999
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Message-ID: <7BAC931E644ED211A90C00805F65CB640282DAC8@georgia.exchange.indiana.edu>
From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: tap/delay pedal
Date: Mon, 13 Dec 1999 11:23:02 -0500
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Hello,

	I am using a pedal for tap delay things, but should I be using a
momentary type switch for this? It just seems I am wearing out this
particular pedal/switch. Instead of tap/delay it's more liek stomp delay.
any suggestions?

Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com 

-

From Loopers-Delight-request@annihilist.com  Mon Dec 13 12:09:29 1999
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From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, PMimlitsch@aol.com, Sticknews@aol.com,
        STICKWIRE-L@home.ease.lsoft.com, taptalk@progrock.net
Subject: Re: GT5/GT3 questions
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>>> <PMimlitsch@aol.com> 12/11 4:57 PM >>>
> Questions:
> 1) re: the send/return loop on the Roland/Boss GT5 - can it be
inserted anywhere in the effects chain or are you "stuck" with it
being between the preamp and the effects algorithms?

Anywhere you want...

> 2) Does the gt3 have a send/return loop? If so is it positionable
w/in the effects chain?
> 2) is the send/return loop by-passable via an on board footswitch?

Not entirely sure, but get the impression it does, and you can assign
a footswitch to perform the bypass function. The GT-5 does all of the
above and is still the preferable product of the two IMO. The midi on
the GT-5 is about the best I've seen on any dsp, although it's still
not that great at controlling external devices with it's midi out. But
for internal stuff to the GT-5? AWESOME!

-Miko

From Loopers-Delight-request@annihilist.com  Mon Dec 13 12:12:28 1999
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Date: Mon, 13 Dec 1999 08:51:45 -0800
To: Loopers-Delight@annihilist.com
From: Rich <rich@nuvision.com>
Subject: Welcome GVW
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Hey Loopers,

I just wanted to welcome George Van Wagner from Line6 to the mailing list.
He has been very informative at the Line6 forum for me and alot of other
folks.  Hi George!  Did you show off the DL-4 at the LA L6 users group?

Thanks for a great pedal...and a cool manual to boot!

I know you guys have had alot of POD version 2 requests.  So here goes my
Dl-4 version 2 request.  Hell, this thing hasn't been out a month and we're
trying to revise...

Make the pedal a bit larger to accommodate a 5th switch.  Make it a
dedicated reverse switch in LOOP mode.  (that double click thing is a bit
too tricky for me, especially live).  In delay mode, could it be used for
INFINITE REPEAT?  That, in conjunction with a bit more delay time...(4-12
second range?)  would combine to make an unbeatable pedal IMO.  

It's still an awesome piece for the money.

seeya!

rich  

From Loopers-Delight-request@annihilist.com  Mon Dec 13 12:33:17 1999
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> What I still don't know: is the *looper* on the DL-4 true stereo?
And another question: when you're not doing any overdubs and just play
the loop, will it loop forever or is the sound slowly decaying?

Most of the delays are mono, a couple have stereo effects, but the
DL4 DOES pass a stereo signal.  But the looper is mono and so is the
delay preceding it. 

For instance... if you loop square wave panning, (which I do a bit of
on my Boss GT-5) when the first repetition begins, the panning
disappears and sounds like a smooth note again (for the most part)
stereo image GONE... Also chorus/flange stuff just doesn't retain it's
pizazz when the reps start and they repeat in mono. This is why I
stereoize my EDP (and previously my JamMan)... and why I ultimately
want a second EDP. I'm getting sick of losing my original stereo image
and having to poorly recreate it with a secondary stereoizer.

While it seems that the majority of the DL4 delay models can be 100%
wet and work well on an aux send, they've left this off the looper.
This seems to be a strange compromise considering they've provided it
elsewhere in all the other models. There's always going to be dry
signal present and this will cause phase problems. 

Repeats appear to regenerate indefinitely when not overdubbing. Even
when overdubbing, they still hang in there for a LONG time. I put it
on overdub and input nothing to test how quickly the level reduces,
and it's a long wait for any appreciable reduction in level. You CAN
just reach down to the mix control and balance things which is quite
nice. It's very responsive and not overly sensitive... very user
friendly.

It's also cool that you can turn the mix down completely for loading
a ton of information into the box for later use by turning up the mix
knob...

And... I was using the C batteries and still going strong after 2
hours...

-Miko

From Loopers-Delight-request@annihilist.com  Mon Dec 13 13:29:53 1999
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I have another revision.............true stereo loops...........

I am most likely going to return the DL4 because of this......


DJG

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>I just wanted to welcome George Van Wagner from Line6 to the mailing list.

Seconded, glad to see a new company producing quality, groundbreaking
products, especially looping ones!

>I know you guys have had alot of POD version 2 requests.  So here goes my
>Dl-4 version 2 request.  Hell, this thing hasn't been out a month and we're
>trying to revise...
>
>Make the pedal a bit larger to accommodate a 5th switch.  Make it a
>dedicated reverse switch in LOOP mode.  (that double click thing is a bit
>too tricky for me, especially live).  In delay mode, could it be used for
>INFINITE REPEAT?  That, in conjunction with a bit more delay time...(4-12
>second range?)  would combine to make an unbeatable pedal IMO.

In addition George, please, 100% wet output from the looper so we can use
it off a mixer send!

As far as the extra switch, how about just allowing a choice in software of
using that single trigger switch for reverse? I suspect the single trigger
switch isn't as useful to loopers as the other functions.

Best-

Mark


From Loopers-Delight-request@annihilist.com  Mon Dec 13 13:52:35 1999
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Thanks for the welcome, Rich.

Yup, showed the DL-4 and gave a sneak preview of the MM-4 (modulation
modeler) at the LAUG meeting. 

As always, we try and listen to user feedback, but I can't make any
promises (especially if they entail changing the physical chassis, which
means retooling completely). I've been using the pedal since early
October, at this point, and have adapted to using the control functions
in the loop mode pretty well. In an optimistic spin on Murphy's Law,
I'll say that there's always room for improvement, though, and we
certainly take all input under consideration.

George

Rich wrote:
> 
> Hey Loopers,
> 
> I just wanted to welcome George Van Wagner from Line6 to the mailing list.
> He has been very informative at the Line6 forum for me and alot of other
> folks.  Hi George!  Did you show off the DL-4 at the LA L6 users group?
> 
> Thanks for a great pedal...and a cool manual to boot!
> 
> I know you guys have had alot of POD version 2 requests.  So here goes my
> Dl-4 version 2 request.  Hell, this thing hasn't been out a month and we're
> trying to revise...
> 
> Make the pedal a bit larger to accommodate a 5th switch.  Make it a
> dedicated reverse switch in LOOP mode.  (that double click thing is a bit
> too tricky for me, especially live).  In delay mode, could it be used for
> INFINITE REPEAT?  That, in conjunction with a bit more delay time...(4-12
> second range?)  would combine to make an unbeatable pedal IMO.
> 
> It's still an awesome piece for the money.
> 
> seeya!
> 
> rich

From Loopers-Delight-request@annihilist.com  Mon Dec 13 14:00:58 1999
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Hi George and welcome!

This is probably something you've heard on the list from others as well as me... Mix on all delay models is 100% dry to 100% wet... why wasn't this done on the Loop Sampler just for the sake of consistency? it goes from 100% dry to around ~ 40% dry-60% wet. Phase problems occur on an aux send with this sort of mix.

Is it true that disengaging bypass reinitializes the delay model and you dump your delays as well as return to the model's default settings unless they've been stored? If so... this is another nit. Bypass shouldn't flush the buffer and your delays should just keep on truckin' so you can input  more material, bypass and play over, then disengage and add again and again etc.... (Gotta test this one and find out for myself.)

>> Mark Landman also adds... 
>> As far as the extra switch, how about just allowing a choice in software of using that single trigger switch for reverse? I suspect the single trigger switch isn't as useful to loopers as the other functions.

I second this... maybe this could be another secret mode when plugging in like the delay spillover.

Best,
-Miko



From Loopers-Delight-request@annihilist.com  Mon Dec 13 14:19:31 1999
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Date: Mon, 13 Dec 1999 12:59:12 -0600
Subject: tc D Two manual posted online
From: Travis Hartnett <hartne.t@apple.com>
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http://www.tcelectronic.com/download/manuals/index.htm

TH

From Loopers-Delight-request@annihilist.com  Mon Dec 13 15:16:14 1999
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Date: Mon, 13 Dec 1999 15:48:20 +0000
Subject: VST effects for your PowerMac
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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I don't know if y'all know about Eloy Anzola's xVst00.04

xVst is a small app that will loop an Audio
File trough a VST plug-in, and save the result
as an AIFF file.

xVst is freeware.
It needs a Mac PowerPC to run.

It was made using the MAX/MSP tools.

SuperSonicGroovyMilkShakes
http://home.earthlink.net/~leaddaet/

Download form :
http://home.earthlink.net/~leaddaet/max/xvst.sit

I don't remember how I got hold of it.

Anyway, it works & is great fun. I've run :

Steinberg's neato freeware Karlette, a 4-head tape delay effect, max delay
time for me is 2 seconds. I don't know why it has this limit or whether this
is not a limit & I just don't know how to work it.

ftp.steinberg.net/dist/product_support/mac/vst_plugins/Karlette.sea.hqx
------
Also : KwikKomp a freeware compressor
http://members.xoom.com/_XMCM/synchromesh/bin/KwikKompMac.sit.hqx

------
I also got the GrooveDelay XT 1.3.4 demo, but it doesn't seem to work.
http://www.neurosonic-systems.de/GDelay-XT-Demo.hqx

- Drew

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From Loopers-Delight-request@annihilist.com  Mon Dec 13 15:10:42 1999
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Date: Tue, 14 Dec 1999 01:29:38 +0000
Subject: Re: Sitar Sounds out of a Guitar - H3000
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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Alex, 

When you specify a user scale for harmonisation in the H3000, can you fine
tune each note in the scale in cents, or is it just standard choices form
the chromatic scale, with no fine tuning ?

Paolo,

Thanks for that info on the GTR4000 ! You can do stuff like this (intonation
correction/alteration)using Antares AutoTune. http://www.antares.com
And possibly using TC Electronics' Intonator, though I think this one is
onley for voice.
http://www.tcelectronic.com

-drew

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From Loopers-Delight-request@annihilist.com  Mon Dec 13 16:14:41 1999
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my 2 cents, the GT-3 has a loop but it only replaces the
overdrive/distortsion and is not movable. This is why I now have the GT- 5
among other reasons. The Gt-5 has a great loop insert that you can put
anywhere in the chain. Its great IMHO.
jd

Mike Biffle wrote:

> >>> <PMimlitsch@aol.com> 12/11 4:57 PM >>>
> > Questions:
> > 1) re: the send/return loop on the Roland/Boss GT5 - can it be
> inserted anywhere in the effects chain or are you "stuck" with it
> being between the preamp and the effects algorithms?
>
> Anywhere you want...
>
> > 2) Does the gt3 have a send/return loop? If so is it positionable
> w/in the effects chain?
> > 2) is the send/return loop by-passable via an on board footswitch?
>
> Not entirely sure, but get the impression it does, and you can assign
> a footswitch to perform the bypass function. The GT-5 does all of the
> above and is still the preferable product of the two IMO. The midi on
> the GT-5 is about the best I've seen on any dsp, although it's still
> not that great at controlling external devices with it's midi out. But
> for internal stuff to the GT-5? AWESOME!
>
> -Miko

From Loopers-Delight-request@annihilist.com  Mon Dec 13 16:38:33 1999
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Date: Mon, 13 Dec 1999 01:34:42 -0800
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From: Chris Chovit <cho@newdream.net>
Subject: DL4 question
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Couldn't find this in the on-line manual, so could someone please drop me
answer...

What power does the DL-4 use? AC or DC, how many volts, how much current
does it draw (or at least, what is the Power Supply rated for?)

Thanks,
Chris

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Subject: Re: PDS-8000 Trigger Port
References: <NDBBKENADLEPPLGIHJAMGEAOCCAA.kenard@compuserve.com> <000b01bf4558$39525980$e0368218@we.mediaone.net>
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Yes, I use an ancient Roland TR-626 Rhythm composer,it accepts and sends midi
but it also allows a +5v pulse at whatever point in the pattern. I use it to
sync my 7.6 Time Machine into the midi realm. it has a CVpulse output jack on
the back.
jd

Clifford Bosephius Alexander wrote:

> PS- Anyone know a drum machine that puts out a 5v pulse?
>
> ----- Original Message -----
> From: "ken griffith" <kenard@compuserve.com>
> To: <Loopers-Delight@annihilist.com>
> Sent: Saturday, December 11, 1999 5:24 PM
> Subject: RE: PDS-8000 (manual)
>
> > The manual says.... In the TRIGGER mode: a touch of the "infinite repeat"
> > footswitch or a Positive pulse from a drum machine will repeat the delay
> > exactly once...  and in the Trigger mode the LED is always on indicating a
> > signal is locked into the memory...I don't see much else about the trigger
> > Mode but assume you don't really need to use an additional trigger
> pedal....
> > The jack Looks like it's really to be used with some drum machine
> > functions...if you think the manual would be of use to yourself or others,
> > guess I could scan it...for posting.... ... good luck...
> >
> >  -----Original Message-----
> > From: Loopers-Delight-request@annihilist.com
> > [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff Cable
> > Sent: Saturday, December 11, 1999 4:06 PM
> > To: Loopers-Delight@annihilist.com
> > Subject: Re: PDS-8000
> >
> >
> > Ok- Thanks for the help Ken
> > Here comes the obvious-
> > Anyone know how to make a pedal do this? I even have an extra Boss CH-1
> that
> > is toast I could use or cheapo intermittent ones too- I guess it would
> need
> > a battery- I don't really know why I would need to trigger it remotely- do
> > they give a reason why they included this feature?
> >
> > Thanks-
> > ----- Original Message -----
> > From: "ken griffith" <kenard@compuserve.com>
> > To: <Loopers-Delight@annihilist.com>
> > Sent: Saturday, December 11, 1999 2:04 PM
> > Subject: RE: PDS-8000
> >
> >
> > > Hi...  I  found my PDS 8000 manual  and RE: the trigger input
> jack....it
> > > needs a 5v pulse...any device capable of producing a 5v pulse can be
> used
> > to
> > > trigger the delay....triggering occurs on the positive edge of the
> > pulse....
> > > ken
> > >
> > >  -----Original Message-----
> > > From: Loopers-Delight-request@annihilist.com
> > > [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff
> Cable
> > > Sent: Saturday, December 11, 1999 11:37 AM
> > > To: Loopers List
> > > Subject: PDS-8000
> > >
> > >
> > > Hi all-
> > >
> > > Just bought a Digitech PDS-8000 and had a question- I tried searching
> the
> > > mailing list archives even for just "Digitech" and got 0 results-
> strange-
> > > Kim? Am I vegging out or is all ok with the archives?
> > > Anyway- anyone have the manual for this pedal? i would also like to try
> > the
> > > trigger input- I tried a mono momentary and a mono on/off type with no
> > luck-
> > >
> > > Cliff
> > >
> >

From Loopers-Delight-request@annihilist.com  Mon Dec 13 17:22:07 1999
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From: Echopark99@aol.com
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Date: Mon, 13 Dec 1999 17:13:11 EST
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I just set myself up yesterday, as there were no Line 6 power supplies 
available from the stores.  It's the same PS as the POD.  On the back of the 
DL-4 at the power input jack it reads:

9 VAC
1200 mA minimum

>From my local electronics shop I found a 9VAC wall wart rated at 1500mA. It 
works great BUT if you go get one make sure it has the slightly LARGER 
diameter opening on the plug that goes into the pedal. I had to replace the 
one on what I bought with that larger (2.55mm I believe?) size, only after 
bringing it home and finding out that it didn't fit. There are only two 
sizesof that type, and it's the larger one.  The PS was $8.50 and the 
additional plug was 62 cents. You might want to keep in mind that the POD/DL4 
power supply is not so much a wall wart but has the transformer mid-cable 
between ends. This is usually helpful but in my live rig it would be an extra 
lumpy thing to put somewhere when setting up. In this case I actually prefer 
wall warts, I have a power strip that they all fit onto nicely.

My Boomerang PS also works fine with the DL4, but only in a pinch as I like 
the Rang as looper and DL4 as 'traditional' delay/tone shaper working 
together.

eric p
echo park 


In a message dated 12/13/99 2:38:09 PM, cho@newdream.net writes:

>What power does the DL-4 use? AC or DC, how many volts, how much current
>does it draw (or at least, what is the Power Supply rated for?)
>

From Loopers-Delight-request@annihilist.com  Mon Dec 13 17:44:37 1999
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> Couldn't find this in the on-line manual, so could someone please drop me an answer...
> What power does the DL-4 use? AC or DC, how many volts, how much current
> does it draw (or at least, what is the Power Supply rated for?)

9VT 1200mA (or greater). The Line6 unit has a standard female connector
on the pedal end, a lump in the middle of the cord and then a two prong
plug that goes into the outlet (thus avoiuding a wall wart situation).
It also runs on 4 "C" batteries for approximately 20-30 (according to
the manual anyway).

Most stores sell sthe actual PS for $18-20. I bought one and haven't
even opened the box yet, I'm  running it off of the included batteries.


____________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Mon Dec 13 17:43:15 1999
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From: George Van Wagner <vanwag@earthlink.net>
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The power supply for the DL-4 is 9vac, 1200ma. The 1200ma rating is
substantially more than the pedals actually need, but we wanted to keep
the same power supply for POD and all the different pedals. 

I was talking with Josh Fiden at Digital Music/Voodoo Labs this morning,
and we're trying to figure out if there's a scheme we can use with the
Pedal Power that will work. I'll keep everybody posted.

George

Chris Chovit wrote:
> 
> Couldn't find this in the on-line manual, so could someone please drop me
> answer...
> 
> What power does the DL-4 use? AC or DC, how many volts, how much current
> does it draw (or at least, what is the Power Supply rated for?)
> 
> Thanks,
> Chris

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Subject: Re: PDS-8000 Trigger Port
References: <NDBBKENADLEPPLGIHJAMGEAOCCAA.kenard@compuserve.com> <000b01bf4558$39525980$e0368218@we.mediaone.net> <38556C76.85D6009A@bellsouth.net>
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> Yes, I use an ancient Roland TR-626 Rhythm composer,it accepts and sends midi
> but it also allows a +5v pulse at whatever point in the pattern. I use it to
> sync my 7.6 Time Machine into the midi realm. it has a CVpulse output jack on
> the back.

Good timing :)

FS: Roland TR626 drum machine. Individual outputs for sounds, midi
in/out, trigger out, LCD step/realtime grid programming etc, etc. Any
questions? Email below.

Excellent condition with original manual. $150 OBO.

Email: Legion@voicenet.com

____________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Mon Dec 13 17:54:47 1999
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Reply-To: "Ken M" <wgold@mecasw.com>
From: "Ken Melms" <wgold@mecasw.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Sitar Sounds out of a Guitar - H3000
Date: Mon, 13 Dec 1999 17:48:12 -0500
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>When you specify a user scale for harmonisation in the H3000, can you fine
>tune each note in the scale in cents, or is it just standard choices form
>the chromatic scale, with no fine tuning ?
>

I have a GTR4000 - the answer is that you can alter the pitch in 
cents, not standard choices.  You CAN choose a "Standard" pitch
to set as the "lowest" pitch producable, but it will sample the pitch
being produced, and offset exactly at the desired cents. 
(FYI: 1200 cents = 1 octave .. I didn't know this until I got around 
to playing with this option.)


Ken


From Loopers-Delight-request@annihilist.com  Mon Dec 13 18:02:40 1999
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From: PJBMHB@aol.com
Message-ID: <0.3173fa36.2586d229@aol.com>
Date: Mon, 13 Dec 1999 17:50:17 EST
Subject: Re: PDS-8000 Trigger Port
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i used to use an ancient "dr. rhythm" with my old digitech delay. did some 
whacky things that i was never able to fully comprehend. weird arpeggios 
going all over the place. =-) PJ

From Loopers-Delight-request@annihilist.com  Mon Dec 13 17:55:28 1999
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From: "Zachary West" <zetor11@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Su700 question & an other.......
Date: Mon, 13 Dec 1999 14:47:15 PST
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I just brought the Yamaha Su700, and even though I am waiting for     Fed - 
X to deliever it, i thought I would ask you guys if you had an suggestions 
to play with, or to get started with.  I just joined Loopers-Delight, and 
alot of the emails that have been sent to me kinda of go over my head.  So, 
I was also wondering if you guys/gals had any sample lists, or tech lists of 
the instrutments that you use, or are using, along with the scamatics.  I 
would really appreciate it. @I want to understand@!!!  Looping is defitinly 
an un-explored realm of the subconsious mind; under certain conditions I 
believe that it is possible to generate infinite amounts of 
information/energy in a hypnotic signal that would be tuned to the brain, 
and the body, creating an new type of communication.  ALienisticly 
speaking..... this could be used agaisnt us or for us, it is just us that 
have to decided whether we ingnore the possibilties, or if we are stunted by 
an opposing force.  Yes, this got way of topic, I just wanted to show that I 
am truly interested in this, and would appreciate any help that anyone could 
give me..... Thank you, .... Z.West
(Zachary)


>From: Echopark99@aol.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: DL4 question
>Date: Mon, 13 Dec 1999 17:13:11 EST
>
>I just set myself up yesterday, as there were no Line 6 power supplies
>available from the stores.  It's the same PS as the POD.  On the back of 
>the
>DL-4 at the power input jack it reads:
>
>9 VAC
>1200 mA minimum
>
>From my local electronics shop I found a 9VAC wall wart rated at 1500mA. It
>works great BUT if you go get one make sure it has the slightly LARGER
>diameter opening on the plug that goes into the pedal. I had to replace the
>one on what I bought with that larger (2.55mm I believe?) size, only after
>bringing it home and finding out that it didn't fit. There are only two
>sizesof that type, and it's the larger one.  The PS was $8.50 and the
>additional plug was 62 cents. You might want to keep in mind that the 
>POD/DL4
>power supply is not so much a wall wart but has the transformer mid-cable
>between ends. This is usually helpful but in my live rig it would be an 
>extra
>lumpy thing to put somewhere when setting up. In this case I actually 
>prefer
>wall warts, I have a power strip that they all fit onto nicely.
>
>My Boomerang PS also works fine with the DL4, but only in a pinch as I like
>the Rang as looper and DL4 as 'traditional' delay/tone shaper working
>together.
>
>eric p
>echo park
>
>
>In a message dated 12/13/99 2:38:09 PM, cho@newdream.net writes:
>
> >What power does the DL-4 use? AC or DC, how many volts, how much current
> >does it draw (or at least, what is the Power Supply rated for?)
> >
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Mon Dec 13 18:59:21 1999
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From: "Future Perfect" <artmusic@gte.net>
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Subject: RE: DL4 question - Power Supply
Date: Mon, 13 Dec 1999 18:55:48 -0500
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> It also runs on 4 "C" batteries for approximately 20-30 (according to
> the manual anyway).
>
> 

20-30? Days? Weeks? Hours? Can the Headrush use batteries too?


Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave

'Future Perfect' - art music 
http://home1.gte.net/artmusic/

From Loopers-Delight-request@annihilist.com  Mon Dec 13 19:02:45 1999
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: PDS-8000 Trigger Port
Date: Mon, 13 Dec 1999 15:56:47 -0800
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anyone know if the even more ancient TR-505 has this ability?

Cliff
-----Original Message-----
From: Jeff Duke <jmar@bellsouth.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, December 13, 1999 2:29 PM
Subject: Re: PDS-8000 Trigger Port


>Yes, I use an ancient Roland TR-626 Rhythm composer,it accepts and sends
midi
>but it also allows a +5v pulse at whatever point in the pattern. I use it
to
>sync my 7.6 Time Machine into the midi realm. it has a CVpulse output jack
on
>the back.
>jd
>
>Clifford Bosephius Alexander wrote:
>
>> PS- Anyone know a drum machine that puts out a 5v pulse?
>>
>> ----- Original Message -----
>> From: "ken griffith" <kenard@compuserve.com>
>> To: <Loopers-Delight@annihilist.com>
>> Sent: Saturday, December 11, 1999 5:24 PM
>> Subject: RE: PDS-8000 (manual)
>>
>> > The manual says.... In the TRIGGER mode: a touch of the "infinite
repeat"
>> > footswitch or a Positive pulse from a drum machine will repeat the
delay
>> > exactly once...  and in the Trigger mode the LED is always on
indicating a
>> > signal is locked into the memory...I don't see much else about the
trigger
>> > Mode but assume you don't really need to use an additional trigger
>> pedal....
>> > The jack Looks like it's really to be used with some drum machine
>> > functions...if you think the manual would be of use to yourself or
others,
>> > guess I could scan it...for posting.... ... good luck...
>> >
>> >  -----Original Message-----
>> > From: Loopers-Delight-request@annihilist.com
>> > [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff
Cable
>> > Sent: Saturday, December 11, 1999 4:06 PM
>> > To: Loopers-Delight@annihilist.com
>> > Subject: Re: PDS-8000
>> >
>> >
>> > Ok- Thanks for the help Ken
>> > Here comes the obvious-
>> > Anyone know how to make a pedal do this? I even have an extra Boss CH-1
>> that
>> > is toast I could use or cheapo intermittent ones too- I guess it would
>> need
>> > a battery- I don't really know why I would need to trigger it remotely-
do
>> > they give a reason why they included this feature?
>> >
>> > Thanks-
>> > ----- Original Message -----
>> > From: "ken griffith" <kenard@compuserve.com>
>> > To: <Loopers-Delight@annihilist.com>
>> > Sent: Saturday, December 11, 1999 2:04 PM
>> > Subject: RE: PDS-8000
>> >
>> >
>> > > Hi...  I  found my PDS 8000 manual  and RE: the trigger input
>> jack....it
>> > > needs a 5v pulse...any device capable of producing a 5v pulse can be
>> used
>> > to
>> > > trigger the delay....triggering occurs on the positive edge of the
>> > pulse....
>> > > ken
>> > >
>> > >  -----Original Message-----
>> > > From: Loopers-Delight-request@annihilist.com
>> > > [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff
>> Cable
>> > > Sent: Saturday, December 11, 1999 11:37 AM
>> > > To: Loopers List
>> > > Subject: PDS-8000
>> > >
>> > >
>> > > Hi all-
>> > >
>> > > Just bought a Digitech PDS-8000 and had a question- I tried searching
>> the
>> > > mailing list archives even for just "Digitech" and got 0 results-
>> strange-
>> > > Kim? Am I vegging out or is all ok with the archives?
>> > > Anyway- anyone have the manual for this pedal? i would also like to
try
>> > the
>> > > trigger input- I tried a mono momentary and a mono on/off type with
no
>> > luck-
>> > >
>> > > Cliff
>> > >
>> >
>

From Loopers-Delight-request@annihilist.com  Mon Dec 13 18:56:01 1999
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From: "[o]" <ohm@upnaway.com>
To: <Loopers-Delight@annihilist.com>
References: <NDBBKENADLEPPLGIHJAMGEAOCCAA.kenard@compuserve.com> <000b01bf4558$39525980$e0368218@we.mediaone.net>
Subject: Re: PDS-8000 Trigger Port
Date: Tue, 14 Dec 1999 07:52:59 +0800
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>
> PS- Anyone know a drum machine that puts out a 5v pulse?
>
the very analog roland compurhythm series.  cr 78, cr 8000 et al.  pretty
sure they do it.

if you can get one that is...

[o]mjn

From Loopers-Delight-request@annihilist.com  Mon Dec 13 19:38:43 1999
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: PDS-8000 Trigger Port
Date: Mon, 13 Dec 1999 16:32:51 -0800
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Woops, the PDS has a 5v INPUT to trigger the sample- not output- I just
noticed that- oh well.

Cliff
-----Original Message-----
From: Clifford@BienAppraisers <bienappraisers@mindspring.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, December 13, 1999 4:25 PM
Subject: Re: PDS-8000 Trigger Port


>anyone know if the even more ancient TR-505 has this ability?
>
>Cliff
>-----Original Message-----
>From: Jeff Duke <jmar@bellsouth.net>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Monday, December 13, 1999 2:29 PM
>Subject: Re: PDS-8000 Trigger Port
>
>
>>Yes, I use an ancient Roland TR-626 Rhythm composer,it accepts and sends
>midi
>>but it also allows a +5v pulse at whatever point in the pattern. I use it
>to
>>sync my 7.6 Time Machine into the midi realm. it has a CVpulse output jack
>on
>>the back.
>>jd
>>
>>Clifford Bosephius Alexander wrote:
>>
>>> PS- Anyone know a drum machine that puts out a 5v pulse?
>>>
>>> ----- Original Message -----
>>> From: "ken griffith" <kenard@compuserve.com>
>>> To: <Loopers-Delight@annihilist.com>
>>> Sent: Saturday, December 11, 1999 5:24 PM
>>> Subject: RE: PDS-8000 (manual)
>>>
>>> > The manual says.... In the TRIGGER mode: a touch of the "infinite
>repeat"
>>> > footswitch or a Positive pulse from a drum machine will repeat the
>delay
>>> > exactly once...  and in the Trigger mode the LED is always on
>indicating a
>>> > signal is locked into the memory...I don't see much else about the
>trigger
>>> > Mode but assume you don't really need to use an additional trigger
>>> pedal....
>>> > The jack Looks like it's really to be used with some drum machine
>>> > functions...if you think the manual would be of use to yourself or
>others,
>>> > guess I could scan it...for posting.... ... good luck...
>>> >
>>> >  -----Original Message-----
>>> > From: Loopers-Delight-request@annihilist.com
>>> > [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff
>Cable
>>> > Sent: Saturday, December 11, 1999 4:06 PM
>>> > To: Loopers-Delight@annihilist.com
>>> > Subject: Re: PDS-8000
>>> >
>>> >
>>> > Ok- Thanks for the help Ken
>>> > Here comes the obvious-
>>> > Anyone know how to make a pedal do this? I even have an extra Boss
CH-1
>>> that
>>> > is toast I could use or cheapo intermittent ones too- I guess it would
>>> need
>>> > a battery- I don't really know why I would need to trigger it
remotely-
>do
>>> > they give a reason why they included this feature?
>>> >
>>> > Thanks-
>>> > ----- Original Message -----
>>> > From: "ken griffith" <kenard@compuserve.com>
>>> > To: <Loopers-Delight@annihilist.com>
>>> > Sent: Saturday, December 11, 1999 2:04 PM
>>> > Subject: RE: PDS-8000
>>> >
>>> >
>>> > > Hi...  I  found my PDS 8000 manual  and RE: the trigger input
>>> jack....it
>>> > > needs a 5v pulse...any device capable of producing a 5v pulse can be
>>> used
>>> > to
>>> > > trigger the delay....triggering occurs on the positive edge of the
>>> > pulse....
>>> > > ken
>>> > >
>>> > >  -----Original Message-----
>>> > > From: Loopers-Delight-request@annihilist.com
>>> > > [mailto:Loopers-Delight-request@annihilist.com]  On Behalf Of Cliff
>>> Cable
>>> > > Sent: Saturday, December 11, 1999 11:37 AM
>>> > > To: Loopers List
>>> > > Subject: PDS-8000
>>> > >
>>> > >
>>> > > Hi all-
>>> > >
>>> > > Just bought a Digitech PDS-8000 and had a question- I tried
searching
>>> the
>>> > > mailing list archives even for just "Digitech" and got 0 results-
>>> strange-
>>> > > Kim? Am I vegging out or is all ok with the archives?
>>> > > Anyway- anyone have the manual for this pedal? i would also like to
>try
>>> > the
>>> > > trigger input- I tried a mono momentary and a mono on/off type with
>no
>>> > luck-
>>> > >
>>> > > Cliff
>>> > >
>>> >
>>
>

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This is a multi-part message in MIME format.

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Is this only 2 seconds?

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=3D215595674

Cliff

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<DIV><FONT color=3D#000000 size=3D2>Is this only 2 seconds?</FONT></DIV>
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From Loopers-Delight-request@annihilist.com  Mon Dec 13 20:09:52 1999
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Date: Mon, 13 Dec 1999 05:06:44 -0800
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: DL4 question
Cc: anton.chovit@mayfieldsenior.org
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Thanks for the quick responses.

I was wondering:  since the unit CAN use batteries, does it actually need
an AC power supply?  That seems strange....

Also, do you know approximately what the pedal ACTUALLY draws, in terms of
current?

Thanks,
Chris


>The power supply for the DL-4 is 9vac, 1200ma. The 1200ma rating is
>substantially more than the pedals actually need, but we wanted to keep
>the same power supply for POD and all the different pedals.
>
>I was talking with Josh Fiden at Digital Music/Voodoo Labs this morning,
>and we're trying to figure out if there's a scheme we can use with the
>Pedal Power that will work. I'll keep everybody posted.
>
>George
>
>Chris Chovit wrote:
>>
>> Couldn't find this in the on-line manual, so could someone please drop me
>> answer...
>>
>> What power does the DL-4 use? AC or DC, how many volts, how much current
>> does it draw (or at least, what is the Power Supply rated for?)
>>
>> Thanks,
>> Chris

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Date: Mon, 13 Dec 1999 05:07:42 -0800
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: RE: DL4 question - Power Supply
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No, the headrush is powered using a P/S only....


>> It also runs on 4 "C" batteries for approximately 20-30 (according to
>> the manual anyway).
>>
>>
>
>20-30? Days? Weeks? Hours? Can the Headrush use batteries too?
>
>
>Dave Eichenberger- guitars.loops.devices
>http://home1.gte.net/artmusic/dave
>
>'Future Perfect' - art music
>http://home1.gte.net/artmusic/

From Loopers-Delight-request@annihilist.com  Mon Dec 13 21:40:05 1999
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Date: Mon, 13 Dec 1999 21:34:12 -0500
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From: Tim Nelson <tcn62@ici.net>
Subject: Nels Cline
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I was driving home a few minutes ago, had the radio on, heard the most
amazing stuff I've heard in a while. Nels Cline is a %$#&ing MONSTER! (It
was Coltrane's "Saturn", I think...)

A few of you were talking about him a couple of weeks ago, but I hadn't
heard him until tonight. Anyone else who deleted without checking this guy
out owes it to themselves to give him a listen.

Tim


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From: Echopark99@aol.com
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Date: Tue, 14 Dec 1999 02:30:27 EST
Subject: Re: RE: DL4 question - Power Supply,
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In a message dated 12/13/99 6:22:25 PM, cho@newdream.net writes:

>No, the headrush is powered using a P/S only....

...which is a shame cause the P/S is spec'd at 9 VDC, 500 mA  so it seems 
like it could do OK on battery supply and it feels like there's plenty of 
room in that lightweight but sizable package. I'm glad Line 6 considered the 
plight of FX-happy giggers. On a short notice jam I'd be more inclined to 
grab the DL4 and not fuss with the AC. On a gig I've got the MicroSynth and 
Memory Man (which the DL4 comes close to anyway) which need AC anyway, so 
I've got a spot on my strip for the DL4 too. But if I wasn't addicted to the 
MS and Rang I'd do away with AC cables from the pedalboard.

Glad too see, George, you are working with Josh at Voodoo - super guy and how 
about this San Fernando Valley for guitar FX creations!! Makes me proud 
(former NoHo resident).
Now, speaking of exactly that, you're not the George of Way Huge are you? I 
think that's actually Jorge, yes?  I miss the Way Huge stuff but if the 
Modulation modeler is as good as the Delay, it will all be so worthwhile. 
Congrats - great start on the DL4!  Sure I've got a couple gripes but I'll 
get into that later. For now is but to enjoy the fruits of all your 
(collective) work and my $225.

eric p
echo park

From Loopers-Delight-request@annihilist.com  Tue Dec 14 08:44:06 1999
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Subject: DL4 comments
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my vote is -- i'm fine with the single switch being used for reverse/half
speed.

ditto on the 100% wet output though.

the unit rules otherwise.

Looks like i have convinced the guitarist inmonster magnet to try on e- his
space echo died on the road this fall.

andre'


At 10:32 AM 12/13/99 -0800, you wrote:
>
>>I just wanted to welcome George Van Wagner from Line6 to the mailing list.
>
>Seconded, glad to see a new company producing quality, groundbreaking
>products, especially looping ones!
>
>>I know you guys have had alot of POD version 2 requests.  So here goes my
>>Dl-4 version 2 request.  Hell, this thing hasn't been out a month and we're
>>trying to revise...
>>
>>Make the pedal a bit larger to accommodate a 5th switch.  Make it a
>>dedicated reverse switch in LOOP mode.  (that double click thing is a bit
>>too tricky for me, especially live).  In delay mode, could it be used for
>>INFINITE REPEAT?  That, in conjunction with a bit more delay time...(4-12
>>second range?)  would combine to make an unbeatable pedal IMO.
>
>In addition George, please, 100% wet output from the looper so we can use
>it off a mixer send!
>
>As far as the extra switch, how about just allowing a choice in software of
>using that single trigger switch for reverse? I suspect the single trigger
>switch isn't as useful to loopers as the other functions.
>
>Best-
>
>Mark
>
>
>
>
*NEW* CD out - Alien Concepts by Jfk's Lsd Ufo	http://www.ufomusic.com
my site http://www.monmouth.com/~andre

From Loopers-Delight-request@annihilist.com  Tue Dec 14 09:59:21 1999
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Not being a software engineer I really have no idea, but just how involved
would it be to write in user-determined wet/dry mix variability parameters
to something like the DL4? Is it a software thing, or would it require
actually wiring in a circuit?

On a related note, you guys who're using a Headrush in a mixer's Aux send:
which output are you using, Mix or Head 1 (wet)? I've been trying it both
ways, and each has its pros and cons. I think I actually prefer the sound
using Mix, but the volume change when punching out is kind of annoying and
makes the drummer whine "The loop dropped out! I can't hear it anymore!"

Tim

At 08:40 AM 12/14/99 -0500, you wrote:
>ditto on the 100% wet output though.
>
>the unit rules otherwise.

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Subject: Re: RE: DL4 question - Power Supply,
Date: Tue, 14 Dec 99 06:52:59 -0800
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Nah, Mr. Huge is Jeorge Tripps, who is the guy behind the modeling 
pedals. So far, the Modulation pedal has been a lot of fun to test, and 
we expect it to be shipping very soon. 

George

>
>In a message dated 12/13/99 6:22:25 PM, cho@newdream.net writes:
>
>>No, the headrush is powered using a P/S only....
>
>...which is a shame cause the P/S is spec'd at 9 VDC, 500 mA  so it seems 
>like it could do OK on battery supply and it feels like there's plenty of 
>room in that lightweight but sizable package. I'm glad Line 6 considered the 
>plight of FX-happy giggers. On a short notice jam I'd be more inclined to 
>grab the DL4 and not fuss with the AC. On a gig I've got the MicroSynth and 
>Memory Man (which the DL4 comes close to anyway) which need AC anyway, so 
>I've got a spot on my strip for the DL4 too. But if I wasn't addicted to the 
>MS and Rang I'd do away with AC cables from the pedalboard.
>
>Glad too see, George, you are working with Josh at Voodoo - super guy and 
>how 
>about this San Fernando Valley for guitar FX creations!! Makes me proud 
>(former NoHo resident).
>Now, speaking of exactly that, you're not the George of Way Huge are you? I 
>think that's actually Jorge, yes?  I miss the Way Huge stuff but if the 
>Modulation modeler is as good as the Delay, it will all be so worthwhile. 
>Congrats - great start on the DL4!  Sure I've got a couple gripes but I'll 
>get into that later. For now is but to enjoy the fruits of all your 
>(collective) work and my $225.
>
>eric p
>echo park
>
>

From Loopers-Delight-request@annihilist.com  Tue Dec 14 10:43:16 1999
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Date: Tue, 14 Dec 1999 07:36:36 -0800
From: "mark givens" <markeg@ivillage.com>
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 how about the k2000 series synths, do they have microtuning
--

On Sun, 05 Dec 1999 18:28:42   Drew Skyfyre wrote:
>> I'd like to get a unit that allows both  programming and playing, preferably
>> with Indian/middle eastern sounds,
>
>> Yamaha FS1r
>Yamaha seriously screwed up by not including ANY microtuning capabilities.
>This thing is supposedly capatible with DX7 patches. The DX & TX & SY & VL
>series ALL include some form of microtuning tables. As do most of their XG
>thingies, even the PSR 530 & above. What a waste of a great machine. AFAIK
>Kawai made the same goof with their K5000, and only Waldorf's insane :) Wave
>has tuning tables in their product line.
>
>Personally I consider any synth/sampler with no microtuning to be absolute
>rubbish, though there are wayz to work around the limitation.
>
>Ensoniq's ASR-X Pro is one of the best choices available, with full 128 note
>tuning tables, & over 30 preset temperments, not to mention various
>available key tracking settings. E-mu's new budget ESI2000 is also a great
>buy, with a really good microtuning capabilities. The E5000 has the neato
>"Beat Munging" tool, more power, but lower microtuning resolution (1/64th of
>a semitone v/s the ESI's 1/100th of a semiton), and is double the ESI's
>price.
>
>If you're really interested in Indian/Middle Eastern sounds, then do not
>stop at Oud or Sitar samples. They have to be played/sequenced in an
>appropriate tuning to sound remotely authentic.
>
>A Middle Eastern sound is easily achievable :
>In the key of C try tuning your D, E, A, and B notes a quarter tone
>(-49 cents) flat.
>
>You folks should really get into microtonality if you're really looking for
>new sounds, a bottomless well of ideas, & an endless source of new
>tonalities. Looping and microtonality holds gargantuan potential.
>David Beardsley's on this list (Hey David howzzit goin ?), he's really into
>microtonality. David, makin any nice noizez wizzat DL4 ?
>
>Try :
>John Starrett's microtonal links site :
>http://www-math.cudenver.edu/~jstarret/microtone.html
>
>Graham Breed's site :
>http://www.microtonal.co.uk/
>
>or my own :
>Xenharmonic Engines (lot's of guitar related info, some outdated links, &
>I'm working on revamp):
>http://microtonal.lookscool.com
>
>And join the Tuning list over at Onelist. http://www.onelist.com
>
>- Drew
>
>__________________________________________________
>Do You Yahoo!?
>Thousands of Stores.  Millions of Products.  All in one place.
>Yahoo! Shopping: http://shopping.yahoo.com
>
>


--
Join the most exciting community of women on the web!
iVillage.com's FREE membership gets you private email,
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I understand some of the issues loopers have with the wet/dry mix, but I
would think feedback regeneration is a more critical function.  At least it
is for me.  When in Loop/Sample mode, the Tweak (or is it Tweeze?) knobs
function as modulation for the pre-loop echo.  I'd much rather see this
converted to a feedback control for the sample.  Sometimes I like to have my
loops fade rather quickly so I can constantly change their content.  With
the DL4's current setup, I have to live with the 95% or so regeneration
setting when in Overdub mode.  I'd prefer to use the Tweeze and dial in
0-100% regen. wether in Play or Overdub.

Wet/Dry suggestion:  I'm using the expression pedal to control the Mix.
With this I can create loops that nobody hears until I turn the pedal up --
of course, they do hear the source as I play it.  Even if it doesn't solve
most of your wet/dry issues, it might be a technique you can leverage for
something else.

Interesting studio re-arrangement yesterday:

Pre DL4 setup:
==========
Strat1/Strat2 ->
    Gr-30 -> Mackie 1202
    Gr-30 -> volume pedal -> Boss Gx-700 Loop out -> POD -> Boss Gx-700 Loop
in
    Gr-30 -> Korg workstation -> Mackie
    Mackie Aux 1 -> EDP -> Mackie Aux 1 return -> Amp/PC
Also: cables, expression pedals, midi pedal board, and power cords strewn
about the place

Current Setup:
=========
Strat1/Strat2 -> Volume Pedal -> POD -> DL4 -> Amp.
2 power cords, 4 guitar cords, 1 expression pedal.

All of a sudden I feel I can turn around without tripping over something!
My looping hasn't suffered at all.  Yes, I'm missing a few sounds and some
flexibility, but I'll leave it this way for awhile.  I feel suprisingly
free.  This might harken back to the discussion on technology as a
restricting or expanding force in terms of creativity.

Nice change of pace.

From Loopers-Delight-request@annihilist.com  Tue Dec 14 11:10:30 1999
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To: Loopers-Delight@annihilist.com
Subject: DL4 comments - How does it switch on?????
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OK this may be a stupid question but I'm confused on the most basic
funstion of the DL4 delay.

We all now know that there are three preset switches A, B, and C. These
store memory locations of preset delay settings and can be from any of
the delay types.

Check this out:

So let's say I have a analog delay in A, a digial lo res delay in B, and
a reverse echo in C.

I want to play a lick, turn on the unit to the tube echo, and turn it
off again. I set the delay type to tube echo and plug in all the cables
and start playing. The solo comes up and I press ...

What??

If I press A, B, or C to turn on the unit it calls up one of the presets
none of which are tube echo.

Is it possible for me to turn on the pedal and turn it off again without
calling up one of the presets???

With all the delay types in there I am going to want to do this often.  

Also, what happens when you call a preset up and then adjust the
settings? My understadning is this then turns the preset into the delay
type that is dialed in. While this is a nice feature I don't often have
the chance to use my hands with a stompbox or get down on the floor
while playing guitar. Is there a way to bypass the presets entirely and
have the unit play what it's dialed up to do?



____________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Tue Dec 14 15:56:05 1999
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Message-ID: <3856AD18.11B75DBB@engin.umich.edu>
Date: Tue, 14 Dec 1999 15:48:49 -0500
From: Darcy Clark <darcyc@engin.umich.edu>
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Jim,

I'm curious as to whether you sold your Kyma on eBAy ? I bid for it, but
chickened out..... but I am still thinking about selling a bunch of
stuff (kurzweil, Jamman etc...) to see whether I could scrape enough
together for a Kyma.....

cheers,

Darcy

Jim Coker wrote:
> 
> Yes, after several years of looping w/ Kyma, I've decided to
> sell my system.  The primary reason is that changes in my job
> are requring lots of travel. The Capybara is just a bit too
> heavy to drag along on every trip, so I've moved my looping
> efforts to Supercollider running on a powerbook (a non-trivial,
> and some what limiting task).
> 
> I think Kyma is an ideal looper's box. Consider this:
> - Just over 9 minutes of sample time in the base unit;
> max single-delay time 3 min: there's 24MB of RAM for 24-bit
> samples for each of 3 DSP's (the 4th is used for housekeeping).
> (expandable to 24 chips, or 69 minutes of total looping)
> - Four channels of 24-bit Analog or AES/EBU/SPDIF (selectable)
> in and out, at rates up to 96Khz (ok, that reduces both
> delay time and processing).
> (expandable to 8 channels)
> - Direct recording to disk.
> - SMPTE sync (and others)
> - Zillions of processing algorithms for munging loops.
> 
> Want long stereo loops? Quad loops? Extra processing?
> FX in the feedback path? Backward loops? Variable speed
> loop playback?  All that can be done, and relatively
> easily --especially since I'll provide the buyer with
> a copy of my looping sounds (and other Kyma sounds).
> Oh, it's also pretty good at some non-looping tasks :)
> 
> The listing is at ebay:
> http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=208656576
> 
> Also, if the buyer signs the software liscence agreement,
> they get the same level of support offered to new buyers:
> Top-notch phone and email support, upgrades, etc. Highly
> recommended-- it's like buying a new system w/ a hefty
> chunk off the entry fee. Also note that the system I'm
> selling offers both PCI inteface cards (for desktops)
> and the PC-card for laptops.  Since Kyma does all its work
> in hardware, it consumes very little computer power. One
> could get Kyma + a decent laptop for the price of a 4000
> series Eventide, or a top-level sampler, and neither is
> as flexible (other than not requiring a computer).
> 
> Feel free to email me directly w/ questions.
> 
> Jim

-- 
---------------------------------------------------
Ph: (734) 764 3377 
Email: darcyc@engin.umich.edu
URL: http://www-personal.engin.umich.edu/~darcyc/
---------------------------------------------------
'If you're not part of the solution, you're part of the precipitate'
..... Steven Wright

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Does anyone have the Vortex Schematics?

thanks


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Tue Dec 14 18:26:45 1999
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From: improv@peak.org (Dave Trenkel)
Subject: Re: DL4 comments - How does it switch on?????
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>OK this may be a stupid question but I'm confused on the most basic
>funstion of the DL4 delay.
>
>We all now know that there are three preset switches A, B, and C. These
>store memory locations of preset delay settings and can be from any of
>the delay types.
>
>Check this out:
>
>So let's say I have a analog delay in A, a digial lo res delay in B, and
>a reverse echo in C.
>
>I want to play a lick, turn on the unit to the tube echo, and turn it
>off again. I set the delay type to tube echo and plug in all the cables
>and start playing. The solo comes up and I press ...
>
>What??
>
>If I press A, B, or C to turn on the unit it calls up one of the presets
>none of which are tube echo.
>
>Is it possible for me to turn on the pedal and turn it off again without
>calling up one of the presets???

There isn't a manual front panel mode. What you need to do is program a
preset with the type of echo you want. You program a preset by setting the
front panel knobs to the sound you want, then press and hold one of the 3
preset footswitches for about 5 seconds, until the LED flashes.
>
>With all the delay types in there I am going to want to do this often.
>
>Also, what happens when you call a preset up and then adjust the
>settings? My understadning is this then turns the preset into the delay
>type that is dialed in. While this is a nice feature I don't often have
>the chance to use my hands with a stompbox or get down on the floor
>while playing guitar. Is there a way to bypass the presets entirely and
>have the unit play what it's dialed up to do?

Nope. If you call up a preset, mess with the knobs, then bypass that
preset, the next time you press the footswitch for that preset you will
recall the stored preset, not the editied. This is one frustration I have
with the DL-4, I find the unit a bit too preset-dependant. I have a Korg
multieffects pedal that uses a similar scheme, but it lets you recall
edited presets from bypass until you recall another preset. Is this
something that could be programmed into the software? I'm sure I'm not the
only one that this bothers. On the other hand, it is very easy to program
on the fly, I could see reprogramming the presets during a gig as not being
out of the question.

Another thing I'd like to be able to do is to tap in tempos while the delay
is bypassed.

Otherwise, I totally dig the unit, the sound is nothing short of
astounding. A friend is bringing over his space echo in a few days to
blindfold test against the DL-4, should be interesting...

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Non Loop- MD optical to computer?
Date: Tue, 14 Dec 1999 16:22:18 -0800
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This is a multi-part message in MIME format.

------=_NextPart_000_0083_01BF464F.642D14E0
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Anyone here have a sound card with optical in? I have optical out on my =
Sharp MD-MS702- it would be nice to dump direct- my LOOPs that is- ;)

Cliff

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3612.1706"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Anyone here have a sound card with =
optical in? I=20
have optical out on my Sharp MD-MS702- it would be nice to dump direct- =
my LOOPs=20
that is- ;)</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Cliff</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Tue Dec 14 20:06:07 1999
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From: "Tiit Kikas" <tkikas@yahoo.com>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Eps 16+ for sale!
Date: Wed, 15 Dec 1999 02:56:16 +0200
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An Eps 16+ with memory expander, original manual & 54 floppydiscs with the
copies of the original sound-discs for sale! Waiting for price offers!

Tiit Kikas
tkikas@yahoo.com

From Loopers-Delight-request@annihilist.com  Tue Dec 14 20:05:49 1999
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From: "Tiit Kikas" <tkikas@yahoo.com>
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Subject: Atari Falcon
Date: Wed, 15 Dec 1999 02:56:13 +0200
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An Atari Falcon-MKX(2GB HD) included Cubase Audio, original CAB(internet
browser) and some more music programs for Atari for sale. In excellent
condition. Waiting for price offers.

Tiit Kikas
tkikas@yahoo.com

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     Check out all the info and the archives over the LD page! welcome and
have fun looping! 


Andy





   

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Thank you, i did... i realized that after I sent out the email.... thankyou 
for the response.. i have some catching up to do on the equipment and 
dialog... but trust me... I'll catch up... i just have to figure out the 
components.....


>From: Andy Soto <smaug@servidor.unam.mx>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Su700 question & an other.......
>Date: Tue, 14 Dec 1999 19:23:53 -0600 (CST)
>
>
>      Check out all the info and the archives over the LD page! welcome and
>have fun looping!
>
>
>Andy
>
>
>
>
>
>
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: "Mr. Tough" <electricfriends@hotmail.com>
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Sorry about the off-topic-ness, but if you're an independent musician, this 
important. In short, Sony blatantly ripped off some independent techno 
musicians by releasing a version of their song without their permission. For 
a more familiar issue, Island records (the ones who sued Negativland for 
thier U2 cover) released some unaltered Tape-Beatles work on an Orb album in 
1993. It works both ways!

Anyway, here's the forward:

I know some of you my or may not have read about Sony Germany bootlegging an
Underground Resistance track called 'Knights Of The Jaguar'.  Please help
support UR in their fight for justice!

If you run an independent label, buy and support independent labels
(whatever style), let this be a warning to you.

Following is an explanation of what happened by Cornelius Harris (Member of
UR)....
-------
...Recently, UR (Underground Resistance) has enjoyed the success of the 
track,
"Knights of the Jaguar" by DJ Rolando.  Recognizing that UR (Mad Mike, in
particular) would be unwilling to license the track, Sony bypassed even
making a request and has decided to release a "cover" version titled
"Jaguar."  Unconfirmed reports even indicate that promotional information on
the records imply that it is a UR release.  Cover versions traditionally
have been done by fans of the original track as an homage to the original.
In this case, it is being done as a method of undercutting the sales of the
original.

While this is an unethical and unprincipled act in and of itself, it is also
a very dangerous act.  In doing this, a major label, Sony, has determined
that it has the right to stomp all over an independent label in its pursuit
of profits.  With this as a precedent, the question that should concern any
and everybody in the music community is who will be next?  It is imperative
that Sony be held accountable for its actions.  We are currently looking
into whatever legal options we have as well as any other means to put an end
to this.  We urge all concerned individuals to flood Sony's offices
worldwide with calls, emails, and faxes expressing those concerns.  This
kind of crap has to stop and it has to stop now.

Anyone with any ideas, comments, addresses, or suggestions, please let me
know.  Some basic info follows.  Any media folks, contact me privately.  If
anything could get Mad Mike out in the open, well...contact me.

Peace,
Cornelius Harris
Underground Resistance
------

Now, read the following email sent to UR from Dirk Dreyer, A&R Manager @
Sony Germany, justifing his actions...
------

Please forward this message to DJ Rolando and Mad Mike

Hello Rolando & Mike,

sorry for not contacting you on this way earlier but I did not realise the
relationship between Submerge and UR. I have found this adress on the
Submerge webside. My only contact to you so far is __________ but I prefer
the direct contact.

As you sure know, our promo release of the cover version of your track from
the 'Knights Of The Underground' EP is currently talk of the techno
community. Let me explain the history of the idea and our point of view.

I bought the 12" six months ago and enjoyed hearing the Jaguar whole summer.
The feedback to the track is amazing, I have never seen people - no matter
if house,techno and even trance fans - enjoying one tune like this one. It
seems to be the first genre - crossover track for years since the split of
'techno house'from the early 90's to different styles and fanbases. In my
way of 'industry thinking' it is a track worth to be available for lot of
people, much more than just people going to yinyl shops.

The philosophy of Underground Resistance not to cooperate with the industry
is well known Your title names like 'message to the majors' and the liner
notes on your records are not misunderstandable. I understand that you don't
want to have any relationship with companies like Sony. Nevertheless we have
tried to license the track for a compilation via our vinyl partner
Discomania but we did not get a response.

As we don't want to be seen as guys who rip off or bootleg a well known
track, we have chosen the way of rerecording the track tone by tone. Indeed
the new version has lost some of the typical Detroit flavour, what makes me
still prefer the original. On the CD will be the original writer and
publishing credits that you get the publishing money that you deserve.

I know that you, Rolando, have met our promoter _________ aka ___________
when you played at Stammheim / Kassel. Please let me know your thoughts
about the story. All I get so far is rumours.

Kind regards

Dirk Dreyer
A&R Manager Sony
------

Have a listen for yourselves, the orginal track by DJ Rolando (UR) is at:
http://www.submerge.com/real_audio/UR-049.ram
and the Sony Bootleg is at:
http://209.207.190.80/MP3/SF4147.MP3

Obviously Sony think that they can take anyones music, without permission,
and re-release it without credit. I for one, don't want this to happen with
music that I release on my label, and i'm sure most other producers
wouldn't want a major helping themselves to your music.

If you would like to support UR and in general, independent labels, please
take the time to email/phone Sony Germany & Australia and let them know
what you think. The contact details are below.

Sony Music Entertainment (Germany) GmbH
New Media/Business Affairs
Att: Dirk Dreyer
Stephanstr. 15
60313 Frankfurt
Telefon: (069) 13888-0
dirk_dreyer@de.sonymusic.com

Sony Music Entertainment (Australia) Limited
Att: John Ferris
11 Hargrave St,
East Sydney NSW
2010
Ph: (02) 9383-6200
dance_au@sonymusic.com

Thanks for your time.

Peace,
Patrick HAF.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Dec 14 21:55:41 1999
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From: Stew Benedict <stewb@earthlink.net>
To: Loopers Delight <Loopers-Delight@annihilist.com>
Subject: Re: Non Loop- MD optical to computer?
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I just put a Hoontech 4D wave on my box.  Nice card, used a trident
chipset, you can get it with a SPDIF optical out and an addon for the
input.  Cheap too, I paid $47 with the SPDIF out (no in, maybe later).

Stew

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Date: Tue, 14 Dec 1999 22:55:14 EST
Subject: Re: Lovetone Meatball assistance?
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<< 
 Fast breaking news... I just got a call from mark at lovetone... reports
 of their demise are premature and they are busy trying to revamp.
 They're quite friendly, but I forgot to ask how to contact them.

Yes indeed  - I found this email for Lovetone:

lovetone@ndirect.co.uk


 >> My manual (I believe it was a xeroxed sheet) is long gone. However I
 seem to remember that the pedal inputs are not CV controls and the
 manual explicitly warning against sending any voltage into them.

True and thanks for the warning!  Stig sent me some lovetone stuff which 
specifies a passive volume pedal.

>>A really fun if quirky
 pedal, happy birthday
  >>
Hey!!  I just realized who you are!  Hi Peter!  I remember trying to work 
your Meatball in that wonderful studio that's attatched to your living space! 
I had a lot of fun that night - you and Glenda and Cynthia and I.  Now I 
remember you told me you were lurking on the LD list... Hey is my ragged 
sweater still there? Look fwd. to another SF visit...Beware!!!

eric potter
echo park




From Loopers-Delight-request@annihilist.com  Tue Dec 14 23:36:12 1999
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From: Echopark99@aol.com
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Date: Tue, 14 Dec 1999 23:20:47 EST
Subject: Re: DL4 comments - How does it switch on  - Hear, Hear  Line 6!
To: Loopers-Delight@annihilist.com
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In a message dated 99-12-14 18:13:26 EST, you write:
<< 
 Nope. If you call up a preset, mess with the knobs, then bypass that
 preset, the next time you press the footswitch for that preset you will
 recall the stored preset, not the editied. This is one frustration I have
 with the DL-4, I find the unit a bit too preset-dependant.

I will chime in here, this is one thing that needs to be addressed. If the 
idea of the pedal is for it to behave like the classic delays, there should 
be the simple (perhaps most important?) option of dialing up a sound and 
switching in and out of it.  The lack of this "manual default" is even more 
noticable when limited to three presets total.

Earlier there was the mistaken impression that you could select a mode and 
then have A, B and C memories for each model selected. It seems 
implementable, actually, but the trade off would be instant stomp-switching 
from one mode to another.

But I'd be happy if your temp settings were retained in and out of bypass on 
what ever preset you happen to be on, until powering down. Then when you 
power back up, your originally stored settings would come up as usual. That 
way you could tweak a few things or change modes completely during sound 
check or between songs and go (I often find delay mix levels need tweaking 
depending on the room you're in). This seems like a very workable  solution. 
Am I making sense?

>> On the other hand, it is very easy to program
 on the fly, I could see reprogramming the presets during a gig as not being
 out of the question.

It works. But I still forget to "Save" things after rehearsals. It's not a 
very pedal-like thing to save your settings. And this is an otherwise very 
pedal-like unit so it's easy to forget.
 
 >>Another thing I'd like to be able to do is to tap in tempos while the delay
 is bypassed.

Why not... that's sounds do-able. (Like I'm some kind of EE -Ha!)
 
 >>Otherwise, I totally dig the unit, the sound is nothing short of
 astounding.

Agreed. Still excited to fire it up for so many applications.

>> A friend is bringing over his space echo in a few days to
 blindfold test against the DL-4, should be interesting...
  >>
Do tell!!

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From: "ken griffith" <kenard@compuserve.com>
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Subject: RE: PDS-8000 manual... temp post
Date: Tue, 14 Dec 1999 20:22:33 -0800
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Hi...just in case anybody still needs this info....
I've temporarily posted the Digitech PDS8000...(pds1000/pds2000) Manual for
anyone to read or download...at....

http://www.idrive.com/kenard

You're automatically logged in as guest...soo
Just open the Digitech_pds8000 folder and you'll see the 6 pages / files....
To view them just double click.....or use the download button...
..the files are pretty big so you might want to download only a couple files
at a time....

Kim has copy's and they will eventually be posted to the
loopers-delight...site

Hope this helps ......loop-on.... ken

From Loopers-Delight-request@annihilist.com  Tue Dec 14 23:55:29 1999
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Date: Tue, 14 Dec 1999 20:51:47 -0800
To: Loopers-Delight@annihilist.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: DL4 comments - How does it switch on  - Hear, Hear  Line 6!
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>In a message dated 99-12-14 18:13:26 EST, you write:
>
>But I'd be happy if your temp settings were retained in and out of bypass on
>what ever preset you happen to be on, until powering down. Then when you
>power back up, your originally stored settings would come up as usual. That
>way you could tweak a few things or change modes completely during sound
>check or between songs and go (I often find delay mix levels need tweaking
>depending on the room you're in). This seems like a very workable  solution.
>Am I making sense?

This makes total sense, and it's the way my Korg G-5 works, so it would
seem doable.
>
>>> On the other hand, it is very easy to program
> on the fly, I could see reprogramming the presets during a gig as not being
> out of the question.
>
>It works. But I still forget to "Save" things after rehearsals. It's not a
>very pedal-like thing to save your settings. And this is an otherwise very
>pedal-like unit so it's easy to forget.
>
> >>Another thing I'd like to be able to do is to tap in tempos while the delay
> is bypassed.
>
>Why not... that's sounds do-able. (Like I'm some kind of EE -Ha!)

Yeah. George, you listening? :-)

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


From Loopers-Delight-request@annihilist.com  Wed Dec 15 01:32:21 1999
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Message-ID: <001801bf46c3$ce071180$e0368218@we.mediaone.net>
From: "Clifford Bosephius Alexander" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
References: <NDBBKENADLEPPLGIHJAMCECDCCAA.kenard@compuserve.com>
Subject: Re: PDS-8000 manual... temp post
Date: Tue, 14 Dec 1999 22:15:37 -0800
Organization: Fat Cat Productions
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Thanks Ken!

Cliff

----- Original Message -----
From: "ken griffith" <kenard@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, December 14, 1999 8:22 PM
Subject: RE: PDS-8000 manual... temp post


>
> Hi...just in case anybody still needs this info....
> I've temporarily posted the Digitech PDS8000...(pds1000/pds2000) Manual
for
> anyone to read or download...at....
>
> http://www.idrive.com/kenard
>
> You're automatically logged in as guest...soo
> Just open the Digitech_pds8000 folder and you'll see the 6 pages /
files....
> To view them just double click.....or use the download button...
> ..the files are pretty big so you might want to download only a couple
files
> at a time....
>
> Kim has copy's and they will eventually be posted to the
> loopers-delight...site
>
> Hope this helps ......loop-on.... ken
>

From Loopers-Delight-request@annihilist.com  Wed Dec 15 02:19:56 1999
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Message-ID: <38573F96.E1CC2639@jimmygeorgearts.com>
Date: Wed, 15 Dec 1999 01:13:27 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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To: chris downey <thedowneys@earthlink.net>,
        "johnson-amp@homer.harman-dod.com" <johnson-amp@homer.harman-dod.com>,
        Loopers Delight <Loopers-Delight@annihilist.com>,
        "rp@homer.harman-dod.com" <rp@homer.harman-dod.com>,
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Subject: Can you Burn data other than 'audio' onto a CD-R?
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We have purchased the cd burner that we inquired about last week. Thanks
for the input. Now we are attempting to use it to burn some graphics
files for the new cd cover. Unfortunately, all of our manuals seem to
refer only to audio files. Does anyone out there know how to burn a file
from Microsoft Word or Photoshop onto a cd? HELP!!

FYI. We are using a bundle called Sonic Foundry's Professional Remix
Factory with the Microboards Playwrite 4080 CD Burner, Architect 4.0 and
Sound Forge XP.

Shouldn't we be able to put any information onto cd with that? If not,
what else do we need?

Thanks - Melody Taylor, Jimmy George Arts

From Loopers-Delight-request@annihilist.com  Wed Dec 15 05:06:27 1999
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In a message dated 12/15/99 7:19:57 AM, jimmyg@jimmygeorgearts.com writes:

<< Shouldn't we be able to put any information onto cd with that? If not,
what else do we need? >>

Not familiar with the programs you mentioned but on my Mac I use Adaptec's 
"Toast" (Mac o PC-comes bundled with most burners) for data and non red book 
audio and Adaptec's "Jam" (Mac - not sure of the PC equivalent) for red book 
audio. - Paul

From Loopers-Delight-request@annihilist.com  Wed Dec 15 06:16:52 1999
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Date: Wed, 15 Dec 1999 11:06:14 +0000
Subject: Re: Non Loop- MD optical to computer?
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Hi all,

I'm new to the list, so "greetings" and ..

[Cliff:]
> Anyone here have a sound card with optical in?

I just got a Creative Labs SoundBlaster Live Platinum, which comes with 3 parts:

* the usual PCI sound card
* a digital out link to digital spearkers
* a front unit that mounts in a drive bay, and has optical in & out, S/PDIF in &
out, MIDI in & out, a 1/4" guitar jack in, and headphone out with independent
volume control

my plan is to use the optical and S/PDIF in to record from loopers and
minidiscs, but I have yet to set this up .. I think I need a more powerful
computer !
The only problem with Creative Labs is that they made their name with PC
hardware, and they have no plans to go Mac.

Rgds,
John


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To: <Loopers-Delight@annihilist.com>
Subject: Re: Non Loop- MD optical to computer?
Date: Wed, 15 Dec 1999 08:23:48 -0500
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Hi, Cliff!

I've got a Sharp MD-MS702 also.  When I got it, I thought it had an =
optical out but I was mistaken.  It has only an optical in.  Check the =
minidisc page http://www.minidisc.org/ and especially the portable =
recorder comparison page at =
http://members.xoom.com/md_data/Recorder_table1.htm .  Best I can tell, =
nobody makes a portable recorder with a digital out.  Of course there's =
lots of MD decks with optical outs.

Dennis Leas
-----------------------------
dennis@mdbs.com


    -----Original Message-----
    From: Clifford@BienAppraisers <bienappraisers@mindspring.com>
    To: Loopers Delight <Loopers-Delight@annihilist.com>
    Date: Tuesday, December 14, 1999 7:32 PM
    Subject: Non Loop- MD optical to computer?
   =20
   =20
    Anyone here have a sound card with optical in? I have optical out on =
my Sharp MD-MS702- it would be nice to dump direct- my LOOPs that is- ;)
    =20
    Cliff

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 =
HTML//EN">
<META content=3D'"MSHTML 4.72.3612.1700"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Hi, Cliff!</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I've got a Sharp MD-MS702 also.&nbsp; When I got it, =
I thought=20
it had an optical out but I was mistaken.&nbsp; It has only an optical =
in.&nbsp;=20
Check the minidisc page <A=20
href=3D"http://www.minidisc.org/">http://www.minidisc.org/</A> and =
especially the=20
portable recorder comparison page at <A=20
href=3D"http://members.xoom.com/md_data/Recorder_table1.htm">http://membe=
rs.xoom.com/md_data/Recorder_table1.htm</A>=20
.&nbsp; Best I can tell, nobody makes a portable recorder with a digital =

out.&nbsp; Of course there's lots of MD decks with optical =
outs.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Dennis=20
Leas<BR>-----------------------------<BR><A=20
href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
    </B>Clifford@BienAppraisers &lt;<A=20
    =
href=3D"mailto:bienappraisers@mindspring.com">bienappraisers@mindspring.c=
om</A>&gt;<BR><B>To:=20
    </B>Loopers Delight &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>&gt;<BR><B>Date:=20
    </B>Tuesday, December 14, 1999 7:32 PM<BR><B>Subject: </B>Non Loop- =
MD=20
    optical to computer?<BR><BR></DIV></FONT>
    <DIV><FONT color=3D#000000 size=3D2>Anyone here have a sound card =
with optical=20
    in? I have optical out on my Sharp MD-MS702- it would be nice to =
dump=20
    direct- my LOOPs that is- ;)</FONT></DIV>
    <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#000000 =
size=3D2>Cliff</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Wed Dec 15 12:38:05 1999
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From: Legion <legion@voicenet.com>
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To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Subject: DL4 delay - HOW IT SWITCHES ON...
References: <s8575677.028@mail.line6.com>
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Fresh from Tech Support at Line 6 here is the full scoop on how the DL4
pedal works regarding presets and switching on:

=======		-=------------------------------
"You can't turn on the pedal without calling up a preset.  When you call
up a preset, all controls, including the model selector, are bypassed
until you adjust them.

If you save (to preset A, for example) a particular delay (like reverse)
with all knobs at 9:00, and swith the selector to Tube Echo, you will
hear the Tube Echo model - with all the knobs at 9:00.  If you then go
to another preset, or bypass, and return to A, you'll get the reverse
delay you originally saved.  Unless, of course, you saved the Tube Echo
model before you switched to something else.

So live - unless you like bending down and twiddling knobs - you are
limited to the three presets, though these are more flexible if you have
the expression pedal."
=======		-=------------------------------

So the bottom line is this does not act like a "normal" pedal but
instead a preset system with a total of three settings. You can fully
alter the presets or overwrite them but you cannot get anything else
"live" by turning it on or off. If you want to go from one setting to
another you'll need to  either pre-arrange your prests to cover your
choices or do a lot of knob twiddling each time you turn the pedal on. 

Regarding this and other "changes" people have been mentioning. (warning
OPINION follows :))

The pedal is less than a month on the market.

Only the indivdual user can decide if things like this are a minor
inconvenience or a terminal issue. I assume Line6 decided the current
design was the best way to maximize the flexiblity of the pedal so I
highly doubt  particular features can or will be changed. For each
person who hates something (ie: the on/off preset only feature)  I can
easily see another who likes it this way.

I for one bought the pedal and was puzzled about it's preset issues. The
system it uses is not that useful to me live and I'd gladly give up one
of the preset to have a turn on/off feature. I don't expect to be paying
for an upgrade or buying another pedal to resolve this. I'll just decide
if this is a serious enough reason to warrent me dumping this one and
leave it at that. 

There is a lot to reccomend this box. The delays sound great and the
work around for the on/off issue isn't that horrible although it does
alter what I thought the pedal could actually do and in my case cripples
it for live use as I envisioned it. As a studio box where I can fiddle
all I want or as a simple looper it's still great. Anyone interested in
buying this or any of the other boxes should simply know this (and the
other mentioned) issues upfront and then decide for themselves if it's
worth their money one way or another. While it's nice to have an ear to
bounce things off of (Line6 Support has been pretty quick responding to
email IMO) I wouldn't look to them for any changes in this box unless
they volunteer them first.

Just my $200.00...

____________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

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dear list: im looking to recreate the sound of Revolver by the beatles. Thy got the sound by var-speeding the tape  and by using a leslie . How can i home recorder with a pc  for "tape" do this electroncally. I have a whamm pedal from digitech , a roktek vibrator(so called tremolo pedal), and an mxr phase 100.  I also have the pitch wheeel on my sampler. i would rather do it with effects than by the picth whhell because it is more repeatable (settings and all) . I have done some things with a turntable (while getting sample)and the pitch wheel on my tascam 4 track. but again i want to "automate the process" to the extent possible.


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From: "Curbie" <curbfeeler@transworld-lax.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Can you Burn data other than 'audio' onto a CD-R?
Date: Wed, 15 Dec 1999 09:50:27 -0800
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SD's CD Architect should have an option to burn 'data' or audio
but if you are looking for a very easy and efficient CD burning
program for "PC", check out Adaptec's Easy CD Creator program,
which usually comes with many of the CDR packages.

Curbie

-----Original Message-----
From: Jimmy George [mailto:jimmyg@jimmygeorgearts.com]
Sent: Tuesday, December 14, 1999 11:13 PM
To: chris downey; johnson-amp@homer.harman-dod.com; Loopers Delight;
rp@homer.harman-dod.com; Karla Manzur; T & K van der Brook
Subject: Can you Burn data other than 'audio' onto a CD-R?


We have purchased the cd burner that we inquired about last week. Thanks
for the input. Now we are attempting to use it to burn some graphics
files for the new cd cover. Unfortunately, all of our manuals seem to
refer only to audio files. Does anyone out there know how to burn a file
from Microsoft Word or Photoshop onto a cd? HELP!!

FYI. We are using a bundle called Sonic Foundry's Professional Remix
Factory with the Microboards Playwrite 4080 CD Burner, Architect 4.0 and
Sound Forge XP.

Shouldn't we be able to put any information onto cd with that? If not,
what else do we need?

Thanks - Melody Taylor, Jimmy George Arts


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Date: Wed, 15 Dec 1999 12:51:08 EST
Subject: Re: Rvolver
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In a message dated 12/15/1999 11:50:40 AM Central Standard Time, 
markeg@ivillage.com writes:

<< dear list: im looking to recreate the sound of Revolver by the beatles. >>

Be sure to take acid.

k

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From: "G716 - Greg S." <g716@hotmail.com>
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Subject: Michael Brook Recorded Live
Date: Wed, 15 Dec 1999 10:09:06 -0800
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If you didn't catch Michael Brook & Djivan Gasparyan this summer, =
there's a nice interview/live studio performance at:
http://www.musicsojourn.com/Playlists/Echoes/v21-40/v31/EO-31-1.htm
They're on the 2nd 1/2 hour performing with a few other musicians, one =
of which is Richard Evans -- don't quote me on this, but I *think* that =
might be the same as Dik Evans who is the Edge's older brother and =
Virgin Prunes musician.  Can anyone confirm or deny?

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>If you didn't catch Michael Brook &amp; =
Djivan=20
Gasparyan this summer, there's a nice interview/live studio performance=20
at:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.musicsojourn.com/Playlists/Echoes/v21-40/v31/EO-31-1.h=
tm">http://www.musicsojourn.com/Playlists/Echoes/v21-40/v31/EO-31-1.htm</=
A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>They're&nbsp;on the 2nd 1/2 hour =
performing with a=20
few other musicians, one of which is Richard Evans -- don't quote me on =
this,=20
but I *think* that might be the same as Dik Evans who is the Edge's =
older=20
brother and Virgin Prunes musician.&nbsp; Can anyone confirm or=20
deny?</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Wed Dec 15 14:30:13 1999
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Message-ID: <3857E8F1.6FF@club-internet.fr>
Date: Wed, 15 Dec 1999 20:19:00 +0100
From: PERILLE <perille@club-internet.fr>
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To: Loopers-Delight@annihilist.com
Subject: CANETON
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CANETON, the mocking duckling, is now trumpeting at
http://web.club-internet.fr/perille

Emmanuel

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Message-ID: <7BAC931E644ED211A90C00805F65CB640282DAE7@georgia.exchange.indiana.edu>
From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Rvolver
Date: Wed, 15 Dec 1999 14:13:54 -0500
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Hey,

	Use the boomerang pedalboard in 1/2 speed and in reverse mode.

Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

<< dear list: im looking to recreate the sound of Revolver by the beatles.
>>

From Loopers-Delight-request@annihilist.com  Wed Dec 15 14:45:13 1999
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Date: Wed, 15 Dec 1999 14:25:23 -0800
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Circus Lupus:

Know you from Zoom's latest floor-console FX unit, the GFX-8?
Amplification modeling, reverb emulation, sample-and-hold (!!) -- you
know the drill. But, sample-and-hold this: it's tricked out with a 25
second phrase sampler and their 12 second "JAM PLAY" mode. In this mode,
you can play back a two-second (boo!) loop in "scratch" mode, using a
modulation pedal to control the speed either 100% forwards or 100%
backwards of said loop, in proportional degrees of each. I'd been just
about dying to have this as a regular feature on a hardware looper for
time out of mind (this is standard-issue loop mangling using MAX/MSP,
don't you know...), so starting at 2 seconds is, well, a start. $495
MSRP. Go on, have a looksee:

http://www.samsontech.com/zoom/multiconsoles.html

_________________________________________________________________

   ~      > --- James Keepnews --- <  "Don't quote anybody, Sir!"
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_________________________________________________________________

From Loopers-Delight-request@annihilist.com  Wed Dec 15 15:23:34 1999
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Date: Wed, 15 Dec 1999 11:34:06 -0800
To: Loopers-Delight@annihilist.com
From: Rich <rich@nuvision.com>
Subject: Re: Michael Brook Recorded Live
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Wow, this is the first time I have heard Michael Brook's name mentioned!
And with Gasparyian!  Thanks so much for the tip.  I will definitely check
this out.  Does anyone know where I can get a CD copy of Michael Brook
'Live at the Aquarium'?  I think it was given away as some sort of
promotion, and i just have a cassette copy.

Also, if there are any Brook fans who know what his setup is, I would
definitely be interested.  Live at the Aquarium stumps me....is he doing
ALL of that himself?  If he does have a band, they are all locked to the
loops in a most tasteful manner...

later,

rich

From Loopers-Delight-request@annihilist.com  Wed Dec 15 15:51:03 1999
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Rich wrote:

>  Does anyone know where I can get a CD copy of Michael Brook
> 'Live at the Aquarium'?

Amazon.com has it.  I ordered it from them a few weeks ago.  It is being
packaged in a 2 CD set with "Cobalt Blue."

Alec


From Loopers-Delight-request@annihilist.com  Wed Dec 15 18:07:29 1999
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From: "Peter Shindler" <shindler@mediaone.net>
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Subject: Re: Michael Brook Recorded Live
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"Live at the Aquarium" is indeed just him, playing guitar and triggering
lots of samples.  It's available in a 2-CD package along with "Cobalt Blue."
Highly recommended.

There's a website called "Breakdown" that's dedicated to him and I'm sure
you'll find a detailed equipment list there somewhere.


Peter

----- Original Message -----
From: Rich <rich@nuvision.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, December 15, 1999 2:34 PM
Subject: Re: Michael Brook Recorded Live


> Wow, this is the first time I have heard Michael Brook's name mentioned!
> And with Gasparyian!  Thanks so much for the tip.  I will definitely check
> this out.  Does anyone know where I can get a CD copy of Michael Brook
> 'Live at the Aquarium'?  I think it was given away as some sort of
> promotion, and i just have a cassette copy.
>
> Also, if there are any Brook fans who know what his setup is, I would
> definitely be interested.  Live at the Aquarium stumps me....is he doing
> ALL of that himself?  If he does have a band, they are all locked to the
> loops in a most tasteful manner...
>
> later,
>
> rich
>

From Loopers-Delight-request@annihilist.com  Wed Dec 15 19:34:59 1999
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Subject: Re: Michael Brook Recorded Live
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> There's a website called "Breakdown" that's dedicated to him and I'm sure
> you'll find a detailed equipment list there somewhere.

This looks close...
http://www.fringedigital.com/brook/instrumentation/

From Loopers-Delight-request@annihilist.com  Wed Dec 15 22:36:18 1999
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Date: Wed, 15 Dec 1999 22:29:58 -0500
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Rvolver
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At 09:44 AM 12/15/99 -0800, you wrote:
>dear list: im looking to recreate the sound of Revolver by the beatles...

Any specific instrument/part, or just the feel of the album in general?

An excellent resource is Mark Lewisohn's "The Beatles Recording Sessions"
(Harmony Books, 1988). It's the studio session notes covering everything
the Beatles ever recorded at Abbey Road from 1962 to 1970, and it goes into
minutia about effects & equipment used, the order the overdubs were put on
& instrument combinations sharing tracks, alternate takes, anecdotes, mic
techniques, et cetera. It's a good read even if you're not a Beatles fan as
long as you're at all interested in the process of getting music onto tape
(or hard disc, as the case may be...)

It won't tell you how to make a PC record varispeed or backwards, and the
only thing of loop-interest apart from "Tomorrow Never Knows" is some stuff
about piecing together snippets from the studio's sound effects library,
but it's a great look at some innovative use of the rudimentary
multitracking technology available at the time.

Hint: They were using ADT on almost ALL of Lennon's vocals in 1966...

Tim

From Loopers-Delight-request@annihilist.com  Wed Dec 15 22:51:07 1999
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From: LAWYA-G@webtv.net (FRANTZ CYPRIEN)
Date: Wed, 15 Dec 1999 22:44:19 -0500 (EST)
To: Loopers-Delight@annihilist.com
Subject: Need some info on Yamaha SU700
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I'm new to the sampling and looping scene, and I was thinking about
picking up a Yamaha SU700 to complement my studio.  Does anyone out
there know anything about this machine.....pros and cons....any info
will be most useful.  Thanx.

From Loopers-Delight-request@annihilist.com  Wed Dec 15 23:12:53 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: book "No Sound Is Innocent" (Prevost?)
Date: Wed, 15 Dec 1999 22:09:57 -0600
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hey, anyone have a copy of this they've exhausted???

 . . . the interlibrary loan ran out on the copy I had

I'll buy or swap for it

drone on~~~~~~~~~~~~~~~~

Tom Lambrecht
hideo@concentric.net
-----Original Message-----
From: Alec Robinson <arobins@ti.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, December 15, 1999 2:57 PM
Subject: Re: Michael Brook Recorded Live


>
>
>Rich wrote:
>
>>  Does anyone know where I can get a CD copy of Michael Brook
>> 'Live at the Aquarium'?
>
>Amazon.com has it.  I ordered it from them a few weeks ago.  It is being
>packaged in a 2 CD set with "Cobalt Blue."
>
>Alec
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Dec 15 23:45:00 1999
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Date: Wed, 15 Dec 1999 20:40:04 -0800
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: Rvolver
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Wow! thanks for the info.  Sorry, for my ignorance though, but what is an ADT?

- Chris


>At 09:44 AM 12/15/99 -0800, you wrote:
>>dear list: im looking to recreate the sound of Revolver by the beatles...
>
>Any specific instrument/part, or just the feel of the album in general?
>
>An excellent resource is Mark Lewisohn's "The Beatles Recording Sessions"
>(Harmony Books, 1988). It's the studio session notes covering everything
>the Beatles ever recorded at Abbey Road from 1962 to 1970, and it goes into
>minutia about effects & equipment used, the order the overdubs were put on
>& instrument combinations sharing tracks, alternate takes, anecdotes, mic
>techniques, et cetera. It's a good read even if you're not a Beatles fan as
>long as you're at all interested in the process of getting music onto tape
>(or hard disc, as the case may be...)
>
>It won't tell you how to make a PC record varispeed or backwards, and the
>only thing of loop-interest apart from "Tomorrow Never Knows" is some stuff
>about piecing together snippets from the studio's sound effects library,
>but it's a great look at some innovative use of the rudimentary
>multitracking technology available at the time.
>
>Hint: They were using ADT on almost ALL of Lennon's vocals in 1966...
>
>Tim

From Loopers-Delight-request@annihilist.com  Thu Dec 16 00:02:28 1999
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Date: Wed, 15 Dec 1999 20:56:58 -0800 (PST)
From: petr dolak <pepetr@yahoo.com>
Subject: Non Loop- MD optical to computer?
To: Loopers-Delight@annihilist.com
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Midiman just came out with a new soundcard DIO 2448 which has what
you need, for about $105.  I did some research about it, and this
soundcard seems to me the best deal.  I use it in the same way like
you intend, except I do not have MD.  Look for it at this website:

http://www.midi-classics.com/catalog.htm

___________________________________________________
Date:
        Tue, 14 Dec 1999 16:22:18 -0800
  From:
        "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
     To:
        "Loopers Delight" <Loopers-Delight@annihilist.com>
 Subject:
        Non Loop- MD optical to computer?


Anyone here have a sound card with optical in? I have optical out on
my Sharp MD-MS702- it would be
nice to dump direct- my LOOPs that is- ;)
 
Cliff


=====






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.
__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Dec 16 00:46:07 1999
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Have looked alot lately and cant find any pics , would like to see what it looks like.

thanks


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Thu Dec 16 02:20:03 1999
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From: "Clifford Bosephius Alexander" <clifsound@mediaone.net>
To: "Loopers List" <loopers-delight@annihilist.com>
Subject: Torn Site
Date: Wed, 15 Dec 1999 23:10:40 -0800
Organization: Fat Cat Productions
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I was told of this on the J McLaughlin list-

http://www.gaalore.com/davidtorn.nsf

By the way - my local store can't seem to get me any D Torn- anyone
reccomend a good source please-

Cliff

From Loopers-Delight-request@annihilist.com  Thu Dec 16 07:01:04 1999
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Rvolver
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ADT stands for Artificial Double Tracking; it's flanging, really, but
before there were commercially available flangers. Abbey Road engineers had
just come up with a technique to simulate an overdubbed doubling of a track
to fill out the sound. Prior to ADT, it was standard practice to
double-track the vocals on Beatles recordings, but the Beatles
(particularly Lennon) didn't care for the drudgery of the time-consuming
process, so Abbey Road's Ken Townsend came up with the ADT technique. You
can do it pretty easily now with a short digital delay and flange, but
since they didn't have these things back then, what they did was to run the
signal from the playback head of a tape machine into another recorder with
a variable oscillator, then re-combine the signal with the original,
thereby widening it. It's a lot easier nowadays!

Tim

At 08:40 PM 12/15/99 -0800, you wrote:
> Sorry, for my ignorance though, but what is an ADT?
>>At 09:44 AM 12/15/99 -0800, you wrote:
>>>dear list: im looking to recreate the sound of Revolver by the beatles...
>>Hint: They were using ADT on almost ALL of Lennon's vocals in 1966...

From Loopers-Delight-request@annihilist.com  Thu Dec 16 07:09:50 1999
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Date: Thu, 16 Dec 1999 07:09:33 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: DL4 comments - How does it switch on?????
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i agree with dave trenkel's statments on this..the DL4 has astounding
sound... and can easily be programmed at a gig.... in seconds-- andvery
intuitively - without menu scrollingor remembering command strings (and i
love  doing all that too...)	


hmmm.. will there EVER be the perfect looper -- it seems every single
device people on this list use - there are several of us who have a wish
list...

for me - i just played one of my most enjoyable gigs ever as a looper -
1/2of the reason was stripping down - possible with my new GR1- incredible
unit...

but the other 1/2 was the gig -friendly dl4 -- the tap tempo rules, the
sound is superb, and you can tweak over to a sound you want in seconds.

Ya gotta realize that , yeah - Line6 or anyone COULD have ALL these
additional features, etc

but then the unit would be

- BIGGER - to fit all the extra wished for switches...

- midi - which many people hate

- and .. TA DAAA - WAY MORE EXPENSIVE......

i think for around $200 - let's make music with the thing...!! until volume
II comes along or -- some designer  in another company studies it and
eclipses it...

sometimes ya gotta be FLEXIBLE with new gear-- and mold your techniques to
the unit... doing the opposite -- you'll just wake up on day and be shocked
at the percentage of  actual MUSIC vs GEAR hassles.

Let it flow.
*NEW* CD out - Alien Concepts by Jfk's Lsd Ufo	http://www.ufomusic.com
my site http://www.monmouth.com/~andre

From Loopers-Delight-request@annihilist.com  Thu Dec 16 09:08:15 1999
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Date: Thu, 16 Dec 1999 09:04:42 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Re: forward: a protest against sony
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i despise the behavior of the majors as well as anyone,,and i buy 99% of my
music USED... or direct from discipline mobile global (fripp/crimson
empire,etc....)


but didn t thesony rep say....

"....>still prefer the original. On the CD will be the original writer and
>publishing credits that you get the publishing money that you deserve."

yet you say later..

">Obviously Sony think that they can take anyones music, without permission,
>and re-release it without credit....."


again - don't spam/rag on me as a corporate supporter, etc - i think THEY
SUCK-- but i'm confused as to the facts here.....


i thought ANYONE could cover a tune - as long as they credited it's authors
andpaidthe mechanicals, adhering to publishing laws, etc,.

pls fill me in here

see ya
*NEW* CD out - Alien Concepts by Jfk's Lsd Ufo	http://www.ufomusic.com
my site http://www.monmouth.com/~andre

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Date: Thu, 16 Dec 1999 06:22:35 -0500 (EST)
From: Stew Benedict <stewb@earthlink.net>
To: Loopers List <Loopers-Delight@annihilist.com>
Subject: Re: Torn Site
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Bought all mine from the Artist's Shop - Torn and Mick Karn.

Stew

On Wed, 15 Dec 1999, Clifford Bosephius Alexander wrote:

> I was told of this on the J McLaughlin list-
> 
> http://www.gaalore.com/davidtorn.nsf
> 
> By the way - my local store can't seem to get me any D Torn- anyone
> reccomend a good source please-
> 
> Cliff
> 
> 

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Hi all,

[Cliff wrote]
> I was told of this on the J McLaughlin list-
> http://www.gaalore.com/davidtorn.nsf

Good that word is getting around !

I put the David Torn site on-line last week, so it's still in the early stages.
I put in links to "Loopers Delight" and "The Artist Shop" (who have pages for
CMP, PapaBear and LoLo .. they say they'll have Materali Sonori soon).  Brandon
T. from the John McLaughlin list said he was still able to order "What Means
Solid, Traveller?" from here recently.

I added a "Discography" section where you can add details of albums you have,
and add comments on the albums listed. I added a few to start, and DT himself
kindly added the details of "cloud about mercury", and sent in his CV, which I
have added to the "Information" section. I hope to get a guestbook going soon.

There is even some vague talk of getting the door-X mailing list back on-line ..
Pete Cole is looking into it.

So if you have a few spare browsin' minutes, check it out.

Thanks,
John


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>
>By the way - my local store can't seem to get me any D Torn- anyone
>reccomend a good source please-

Cliff and others on the search for Torn,

   I just picked up 'What Means Solid Traveller' and 'Tripping over God' from
   the Artist Shop, after being told the same thing from my Local sources...
   Reasonable prices and they got there quickly.
  
     http://www.artist-shop.com

   Those 2 CD's are sooo fantastic... I have played them almost everyday since I
   got em 3 weeks ago.

Later
-jas
   

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 actually i have that book. I basically know they used varispeding and Leslies . I just need to know how to do it digitally.Btw which is th best leslie in a obx . should i get a phaser(got one the mxr) or a chorus? I want the timbers and tones overall I guess. I guess I want a swimmy sound like on "crimson and clover" by tommy james. That may be an even better example.
--

On Wed, 15 Dec 1999 20:40:04   Chris Chovit wrote:
>Wow! thanks for the info.  Sorry, for my ignorance though, but what is an ADT?
>
>- Chris
>
>
>>At 09:44 AM 12/15/99 -0800, you wrote:
>>>dear list: im looking to recreate the sound of Revolver by the beatles...
>>
>>Any specific instrument/part, or just the feel of the album in general?
>>
>>An excellent resource is Mark Lewisohn's "The Beatles Recording Sessions"
>>(Harmony Books, 1988). It's the studio session notes covering everything
>>the Beatles ever recorded at Abbey Road from 1962 to 1970, and it goes into
>>minutia about effects & equipment used, the order the overdubs were put on
>>& instrument combinations sharing tracks, alternate takes, anecdotes, mic
>>techniques, et cetera. It's a good read even if you're not a Beatles fan as
>>long as you're at all interested in the process of getting music onto tape
>>(or hard disc, as the case may be...)
>>
>>It won't tell you how to make a PC record varispeed or backwards, and the
>>only thing of loop-interest apart from "Tomorrow Never Knows" is some stuff
>>about piecing together snippets from the studio's sound effects library,
>>but it's a great look at some innovative use of the rudimentary
>>multitracking technology available at the time.
>>
>>Hint: They were using ADT on almost ALL of Lennon's vocals in 1966...
>>
>>Tim
>
>


--
Join the most exciting community of women on the web!
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From Loopers-Delight-request@annihilist.com  Thu Dec 16 11:05:21 1999
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From Loopers-Delight-request@annihilist.com  Thu Dec 16 11:41:06 1999
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Subject: Re: Anyone have a pic of the PMC-10 ?
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It looks very much like a Ground Control... about the same footpriint.
Slightly different foot switches. The same as the RP12 or whatever. No
built in expression pedal. 2 inputs for ExPeds, a relay switch jack
and the usual midi i/o.

-m

>>> "sock s" <sop@n2mail.com> 12/15 9:43 PM >>>
Have looked alot lately and cant find any pics , would like to see
what it looks like.

thanks


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com 

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LOL


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From Loopers-Delight-request@annihilist.com  Thu Dec 16 15:50:13 1999
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From: Echopark99@aol.com
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Date: Thu, 16 Dec 1999 15:37:01 EST
Subject: Re: DL4 comments - How does it switch on?????
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In a message dated 12/16/99 5:09:48 AM, andre@monmouth.com writes:

>sometimes ya gotta be FLEXIBLE with new gear-- and mold your techniques
>to
>the unit... doing the opposite -- you'll just wake up on day and be shocked
>at the percentage of  actual MUSIC vs GEAR hassles.
>
>Let it flow.

Right on - and I am very grateful for the DL4 as it stands.  But I *do* think 
my "retain settings until power down" idea is an improvement worth pursuing 
and is very much in the tweak-a-knob spirit of the classic delays that the 
DL4 was created to emulate. Shouldn't require any hardware changes. If it 
does, forget about it - you're quite right; it's not worth it. But the 
flexibility of software-driven devices is part of what makes these new pedals 
more than just an imitaion of the old stuff. If the DL4 can evolve without 
straying from the strong vision of it's creator, I'd like to help!  I admit, 
at times I have been gear-centric to the point of missing the music, but I 
have also asked gear makers to consider my approach to making the music, and 
the best have responded with a simple mod or two that actually meets my 
intuition on the live stage, freeing my mind from "How do i do this?", and 
allowing music to flow.

But yes, Andre, I will heed your words and stop talking about gear for a 
little while.
It's such a fine day outside, I'm actually gonna grab my old bamboo flute and 
go for a walk in the hills.

Bye!

eric p
echo park

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On Wed, 15 Dec 1999, Clifford Bosephius Alexander wrote:

> By the way - my local store can't seem to get me any D Torn- anyone
> reccomend a good source please-

The Artist Shop @ http://www.artist-shop.com/
Wayside Music/Cuneiform @ http://www.cuneiformrecords.com/

Hey, and why not save on shipping by buying some Dark Aether Project CDs
from these folks too! 8)

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/


From Loopers-Delight-request@annihilist.com  Thu Dec 16 16:54:28 1999
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Subject: Re: Su700 question & an other.......
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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Zachary, hello. I think there's an SU700 user group at Yahoo Clubs.

Re: the other - I have enough of a time dealing with my conscious mind to be
concerned with my subconcious. One day at a time, looking for love in all
the wrong places, etc., etc. ;-)

- Drew

__________________________________________________
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
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Subject: Re: DL4 comments - How does it switch on?????
Date: Thu, 16 Dec 1999 13:41:38 -0800
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This kind of thing is so important- communing with the outdoors- taking in
the air and space- listening to nature's own loops- birds- wind- trees
swaying- gets you grounded and recharged/ inspired for more creation with
the tols at home/studio- just wanted to comment because I relate-

Cliff

PS- I'm still gonna bring my MD and binaurals on MY next outing- :)

-----Original Message-----
From: Echopark99@aol.com <Echopark99@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, December 16, 1999 1:07 PM
Subject: Re: DL4 comments - How does it switch on?????


>It's such a fine day outside, I'm actually gonna grab my old bamboo flute
and
>go for a walk in the hills.
>
>Bye!
>
>eric p
>echo park
>

From Loopers-Delight-request@annihilist.com  Thu Dec 16 16:56:54 1999
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Date: Fri, 17 Dec 1999 03:18:55 +0000
Subject: Re: Sitar Sounds out of a Guitar - H3000
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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>>When you specify a user scale for harmonisation in the H3000, can you fine
>>tune each note in the scale in cents, or is it just standard choices form
>>the chromatic scale, with no fine tuning ?
>>
>
> I have a GTR4000 - the answer is that you can alter the pitch in
> cents, not standard choices.  You CAN choose a "Standard" pitch
> to set as the "lowest" pitch producable, but it will sample the pitch
> being produced, and offset exactly at the desired cents.
> (FYI: 1200 cents = 1 octave .. I didn't know this until I got around
> to playing with this option.)
>
>
> Ken

Ken ! Thanks for the info. This is good stuff. Well, David B., Just
Intonation capable it is ! Implications boggle the mind, my little one
anyway...

- Drew
(waiting for my 15 minutes of fame so I can join the GTR4000 owners club)

__________________________________________________
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Thousands of Stores.  Millions of Products.  All in one place.
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Subject: Re: microtonality (k2000)
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>  how about the k2000 series synths, do they have microtuning

Oh yeah ! There's info on Kurzweil's site itself.

For info on microtonal synths check John Loffink's site
http://home.att.net/~microtonal/index.html

- Drew

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Dec 16 17:24:55 1999
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Date: Thu, 16 Dec 1999 18:08:08 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Jam Man @ E-bay
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There's a jam man for auction over at ebay.


http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=220557632

patrick
                     Fingerpaint's New Release:

                            IN THE LOOP

      ... an intelligent, stimulating mixture of mimimaist spacebeats and
           obscure samples layered upon a hypnotic illbient backdrop.

                       DIGITAL ARTIFACT # 12

                      http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Thu Dec 16 20:08:15 1999
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Thanks for all the help and insight...I'm travelling too much at the moment 
to keep up though.
see you around,
John Mark Painter
johnflem@aol.com

From Loopers-Delight-request@annihilist.com  Thu Dec 16 21:22:45 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: forward: a protest against sony
Date: Thu, 16 Dec 1999 18:16:32 PST
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All my other posts in this matter will be private, since I know it's not 
really on topic. :

>yet you say later..
>
>">Obviously Sony think that they can take anyones music, without 
>permission,
> >and re-release it without credit....."

Actually, I only wrote the paragraph at the very top. It would be a good 
idea if we took the rest with a grain of salt, as with all accusations of 
this nature. I also noticed that Sony's letter wasn't in German and had 
several spelling errors. Some meaning can be lost or gained in translation. 
Even if it was originally in English, the text wasn't copied exactly, since 
there were so many errors. However I do believe the general meaning of the 
e-mail (that Sony blatantly infringed on someone's rights to their 
composition--something that major labels would sue a band out of existence 
for.)


>i thought ANYONE could cover a tune - as long as they credited it's authors
>andpaidthe mechanicals, adhering to publishing laws, etc,.
>
>pls fill me in here

According to American copyright law, you need the author's (or copyright 
holder's if they're signed) permission to legally release a cover tune. With 
the permission, the author usually requires original credit and payment. I 
would imagine that German copyright law would be similar in this aspect, as 
this is the specific purpose that copyright was created for. While Sony was 
offering payment and publishing credit, they specifically avoided speaking 
to the original artists until the records were already on the shelves. The A 
& R rep did this because he knew the band was 'anti-corporate' and would not 
grant them permission.

You can legally reproduce (or cover) a song if the purpose is for "Criticism 
& Comment" (where copyright law meets the 1st amendment), or education 
(under "Fair Use"). The former includes song parodies. Once again, this is 
American copyright law.

You can often 'get away' with covering a song if:
1) It does not interfere with the sale of the original.
2) You're not famous and it's not your biggest song.
3) The copyright owner (often a record label) never finds out about it.

I believe it's technically illegal to cover a song in a live show, but big 
famous bands do that all the time and never seem to suffer from it.

I betchya that Sony tried to copyright that techno song for themselves. I 
don't know for sure, but the majors are crazy about securing copyrights for 
everything. They even copyright sound effects CD's!

Mr. Tough

p.s. thanks for reading this far!
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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If you type "UNSUBSCRIBE" in 18 pint size font, and make it bold and dark 
red, it sometimes works!

Mr. Tough


>From: "hwind" <windholz@earthlink.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: UNSUBSCRIBE
>Date: Thu, 16 Dec 1999 08:58:42 -0800
>
>UNSUBSCRIBE
>

______________________________________________________
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Date: Thu, 16 Dec 1999 23:04:56 -0500
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From: peter koniuto <taghairm@mindspring.com>
Subject: --richard evans--
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In case no one answered this yet:

> They're on the 2nd 1/2 hour performing with a few other musicians, one =
> of which is Richard Evans -- don't quote me on this, but I *think* that =
> might be the same as Dik Evans who is the Edge's older brother and =
> Virgin Prunes musician.  Can anyone confirm or deny?

The Richard Evans in question is definitely not
the Edge's older brother.  He is quite a brilliant
young engineer (OK, the youth part is relative) for
Real World.  Met him at the Brook/Gasparyan concert
in Boston this past August--very nice chap.  Very
patiently answered a few questions i had about some
of Brook's production techniques.

peter koniuto



________________________________________________________
TAGHAIRM 

(Old Irish) noise, echo, a mode of divination by 
listening to the noise of water cascades...


from: 

MacBain's Etymological Dictionary of the Gaelic Language
Gairm Publications, 1982
________________________________________________________

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"If you type "UNSUBSCRIBE" in 18 pint size font, and make it bold and dark
red, it sometimes works!"

have you tried pig latin???????  oink oink oink oink oink oink oink oink
oink oink oink
oink oink oink oink oink oink oink oink oink oink oink oink oink oink oink
oink oink oink
oink oink oink oink oink oink oink oink oink oink oink oink oink oink oink
oink oink oink
oink oink oink oink oink oink oink oink oink oink oink oink oink oink oink
oink oink oink
oink oink oink oink oink oink oink oink oink oink oink oink oink oink oink
oink oink oink
oink oink oink oink oink oink oink oink oink oink oink oink oink oink oink
oink oink oink
oink oink oink oink oink oink oink oink oink oink oink oink oink oink oink
oink oink oink
oink oink oink oink oink oink oink oink oink oink oink oink oink oink oink
oink oink oink
oink oink oink oink oink oink oink oink oink oink oink oink oink oink oink
oink oink oink

From Loopers-Delight-request@annihilist.com  Thu Dec 16 23:08:29 1999
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Message-ID: <3859B2F6.EE273F0A@jimmygeorgearts.com>
Date: Thu, 16 Dec 1999 21:50:14 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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To: "rp@homer.harman-dod.com" <rp@homer.harman-dod.com>,
        Loopers Delight <Loopers-Delight@annihilist.com>,
        "johnson-amp@homer.harman-dod.com" <johnson-amp@homer.harman-dod.com>
Subject: DL-4 = Bliss?
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just had my first experience with the DL-4. ran my kinscherff acoustic
with sunrise pickup through the DL-4 then to my boomerang then to my
blues deluxe spring reverb tube amp. wow. i am primarily a j-150 user
but this simple looper set up is the s#$t! the DL-4 has a much better
sound then the boomerang but inconjunction with the rang makes for a
nice variety of sample rates / sounds. the interface is familiar. so
much has been reviewed on this pedal in the last few months that any
technical input from me would be redundant. i really like the options of
echo allot. the whole pedal rocks! although i've only sat with it a
short time, 1 hour or so, i would give it 5 stars. for the buck and bang
this is the pedal of the decade. not a boomerang replacer but another
fine addition. rang will have to work a bit harder in his design to
compete. i would probably direct a new looper in the direction of the
DL-4 if they had to choose one first. i'm still quite the romantic
ranger though and will be for a while to come.

sonically my rig here makes it all a little better ...

peace and loopon
jimmy george

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To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: FS: Akai Headrush(es)
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Selling my headrush(es):

2 available. 4 months old.  functionally perfect.  cosmetically 9.5 out of
10 ( a few very small scratches).  w/ power adapter(s).

$125 each, includes shipping to cont. US.

Thanks,
Chris

From Loopers-Delight-request@annihilist.com  Fri Dec 17 07:04:13 1999
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this site may be of interest:

<http://www.optigan.com>

the optigan is/was a bizarre keyboard made by mattel in the 70's that
has now acheived cult status ... you know how such things happen.

anyway, does anybody out there have one of these?

rob

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<http://www.sat.qc.ca/the_user/>

i mentioned this a while back - i just found this link in the latest
issue of "the wire". the composers are a canadian group called
"the_user".

have fun,
rob

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From: Crossedout@aol.com
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Date: Fri, 17 Dec 1999 08:20:16 EST
Subject: [CT] location of 75 sec tape. 
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Hey all - 

I recieved the tapes yesterday (thanks Minneapolis postal employees! only 
THREE days late this time!) and will be mailing them out tomorrow, Saturday 
the 18th of December, to whoever is next on the list. 

- Bill Henson 

From Loopers-Delight-request@annihilist.com  Fri Dec 17 10:27:09 1999
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Date: Fri, 17 Dec 1999 21:46:07 -0400
Subject: Re: FS: Akai Headrush(es)
From: "Christopher White" <magicicada@mindspring.com>
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would you take a dd3 delay for one of yoour akai's?
thanks
c.white
----------
>From: Chris Chovit <cho@newdream.net>
>To: Loopers-Delight@annihilist.com
>Subject: FS: Akai Headrush(es)
>Date: Fri, Dec 17, 1999, 2:46 AM
>

>Selling my headrush(es):
>
>2 available. 4 months old.  functionally perfect.  cosmetically 9.5 out of
>10 ( a few very small scratches).  w/ power adapter(s).
>
>$125 each, includes shipping to cont. US.
>
>Thanks,
>Chris
>

From Loopers-Delight-request@annihilist.com  Fri Dec 17 10:52:34 1999
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 boy i got the digitecj whammy pedal and by is is light on documentation . actually most of what you need is on the back of the unit.1) How do I use the detune setting .actually what is "detune"? its a naive question i guess but im more a dj than player. im running samples through it. I get great things out of it must say. I paid double  over what the marshall vibratrem cost for extra features. I may still get that later.2) what setting is  best for a pedal steel guitar sound on a guitar sampl.
--

On Fri, 3 Dec 1999 08:45:11    Kriswv1 wrote:
>volumes 1 and 2 $10 each plus shipping.  
>
>


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From Loopers-Delight-request@annihilist.com  Fri Dec 17 11:06:05 1999
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De-tune is just modulation that varies with the sweep of the treadle, kind of 
like a chorus effect, the sound gets "looser" as you sweep the pedal from 
back to front. 2nd to 3rd, I've found to be the best preset for "lapsteel". 
Watch that pesky level pot, it can take a little adjustment to keep line hiss 
out of your amp.
A

From Loopers-Delight-request@annihilist.com  Fri Dec 17 11:14:54 1999
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The only restriction on recording a cover of somebody else's song is
'first use'. The writer, once the song has been recorded, cannot stop
somebody from recording it under a 'compulsory license'. Royalty rates
paid under a compulsory license are higher than the normal ones, so it
rarely pops up. Probably the best know case is when the Circle Jerks
wanted to record Paul Simon's 'Red Rubber Ball'. Simon hated the idea,
tried to stop them, but ended up just having to settle for the higher
royalty rate (poor baby!). The only instance in which this is not the
case is when the song has not previously been recorded, in which case
the writer has a legal leg to stand on in refusing to allow somebody the
use of their tune.

Royalties for live performances are the responsibility of the venue, not
the artist. Most clubs, concert halls, etc... make regular payments to
BMI and ASCAP to cover royalties on music played in their venue. There
are some places (mostly coffeehouses, it seems) that will only allow
original music, so they can avoid having to make payments to performing
rights organizations.

Suggested reading: This Business of Music. You'll learn more than you
ever wanted to know about publishing, contracts, and how to make sure
that you don't get screwed.

Hope this helps,

George

"Mr. Tough" wrote:
> 
> All my other posts in this matter will be private, since I know it's not
> really on topic. :
> 
> >yet you say later..
> >
> >">Obviously Sony think that they can take anyones music, without
> >permission,
> > >and re-release it without credit....."
> 
> Actually, I only wrote the paragraph at the very top. It would be a good
> idea if we took the rest with a grain of salt, as with all accusations of
> this nature. I also noticed that Sony's letter wasn't in German and had
> several spelling errors. Some meaning can be lost or gained in translation.
> Even if it was originally in English, the text wasn't copied exactly, since
> there were so many errors. However I do believe the general meaning of the
> e-mail (that Sony blatantly infringed on someone's rights to their
> composition--something that major labels would sue a band out of existence
> for.)
> 
> >i thought ANYONE could cover a tune - as long as they credited it's authors
> >andpaidthe mechanicals, adhering to publishing laws, etc,.
> >
> >pls fill me in here
> 
> According to American copyright law, you need the author's (or copyright
> holder's if they're signed) permission to legally release a cover tune. With
> the permission, the author usually requires original credit and payment. I
> would imagine that German copyright law would be similar in this aspect, as
> this is the specific purpose that copyright was created for. While Sony was
> offering payment and publishing credit, they specifically avoided speaking
> to the original artists until the records were already on the shelves. The A
> & R rep did this because he knew the band was 'anti-corporate' and would not
> grant them permission.
> 
> You can legally reproduce (or cover) a song if the purpose is for "Criticism
> & Comment" (where copyright law meets the 1st amendment), or education
> (under "Fair Use"). The former includes song parodies. Once again, this is
> American copyright law.
> 
> You can often 'get away' with covering a song if:
> 1) It does not interfere with the sale of the original.
> 2) You're not famous and it's not your biggest song.
> 3) The copyright owner (often a record label) never finds out about it.
> 
> I believe it's technically illegal to cover a song in a live show, but big
> famous bands do that all the time and never seem to suffer from it.
> 
> I betchya that Sony tried to copyright that techno song for themselves. I
> don't know for sure, but the majors are crazy about securing copyrights for
> everything. They even copyright sound effects CD's!
> 
> Mr. Tough
> 
> p.s. thanks for reading this far!
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Dec 17 14:14:43 1999
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Date: Fri, 17 Dec 1999 14:08:05 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Korg AM8000 question
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I've been trying to get my Korg AM8000 to work with my EV5 expression
pedals and haven't had much luck.  the best I've been able to do is by
switching polarity on the effect getting it to instantly from one end of
the range to the other, but I have to change the polarity again to change
it back.  I've also tried my Moogerfooger expression pedal with no luck.
Am I going to have to buy Korg pedals to make this work?

Any help greatly appreciated....

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

From Loopers-Delight-request@annihilist.com  Fri Dec 17 14:50:45 1999
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From: Echopark99@aol.com
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Date: Fri, 17 Dec 1999 14:44:25 EST
Subject: The great outdoors.
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In a message dated 12/16/99 2:50:10 PM, bienappraisers@mindspring.com writes:

>This kind of thing is so important- communing with the outdoors- taking in
>the air and space- listening to nature's own loops- birds- wind- trees
>swaying- gets you grounded and recharged/ inspired for more creation with
>the tols at home/studio- just wanted to comment because I relate-

It's really true!  I did as promised yesterday and went out in the park for a 
couple hours with the wood flute (I can't really "play" the flute, just 
practice breathing tones through it - good general relaxation/feedback 
technique). I found a new corner  in the park, believe it or not I've lived 
here 2 years and Elysian Park is so huge I haven't seen it all.

Later last night I actually felt capable of dealing with MIDI!!  I felt 
inspired to make   live drum loops on the ASR-X and have the sequencer (great 
sampler but lousy sequencer,) slave the JamMan. I could play bass into the 
Jammie synced to my real drum loops.  It was this whole theoretical idea that 
I knew I could do but for months my mind didn't want to deal with hooking it 
up.  Of course, it was practically a no-brainer. Plus, somehow, I'm back 
on-topic!

Bottom line: a cool new groove - a foundation for a new song. Guess what? 
It's 11:47am, another super-clear day in Los Angeles. I'm going out there 
again!

eric p
echo park
>
>
>
>Cliff

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dear list: whats the best pedal for creating the shimmering sound of "Whats the FREQUENCY KENneth "off of REM 's Monster lp.  As you can see im buying a lot of fx.  I likeddidcated pedals instead of all in one deals becaose i like knobs. I like my whammy though but one is enough . Im looking at the Ibanez chorus flange modulator next($69 at musiciansfriend.com. Any reviews?


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From Loopers-Delight-request@annihilist.com  Fri Dec 17 15:32:46 1999
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Subject: Re: Korg AM8000 question
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I've not tried the EV-5 with mine after hearing David Coffin describe
his proceedings... he tried and ended up having to use the Korg pedal.
Midi works great though, so that's another option possibly. 

-Miko

>>> Unit Circle Media <unitcirc@unitcircle.com> 12/17 11:12 AM >>>
I've been trying to get my Korg AM8000 to work with my EV5
expression
pedals and haven't had much luck.  the best I've been able to do is
by
switching polarity on the effect getting it to instantly from one end
of
the range to the other, but I have to change the polarity again to
change
it back.  I've also tried my Moogerfooger expression pedal with no
luck.
Am I going to have to buy Korg pedals to make this work?

Any help greatly appreciated....

	Kevin


Kevin Goldsmith				kevin@unitcircle.com 
Unit Circle Media			http://www.unitcircle.com/ 

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Date: Fri, 17 Dec 1999 18:55:47 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Vortex at Harmony Central
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Here's a nice little stocking stuffer....

Don't email me, I'm keeping mine......however I do have a jam man over at
ebay....

Patrick

FS: Lexicon Vortex

Asking Price: US$N/A
Condition: Excellent
Age: N/A
Description:

       Lexicon Vortex one-space rackmount morphing effects unit. With
pedal, manual and original box. Where else could you
       process audio via "aerosol" or "bleen"? $205.

Seller: Jay Kirk,
E-mail: cap_title@bigfoot.com (Profile)
Post Date: 12/17/99
                     Fingerpaint's New Release:

                            IN THE LOOP

      ... an intelligent, stimulating mixture of mimimaist spacebeats and
           obscure samples layered upon a hypnotic illbient backdrop.

                       DIGITAL ARTIFACT # 12

                      http://www.fingerpaint.net

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From: "EVOL" <evol@inspire.net.nz>
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Subject: Re: Whats the frequency
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It's a tremelo effect. The best one I'ver used is built into a Yamaha
amplifier from the 70's. Don't know the name or model number, but it had two
input channels, tremelo and reverb. The amp unit powered a seperate cabinet
loaded with square speakers made of some kind og plastic.

From Loopers-Delight-request@annihilist.com  Fri Dec 17 21:22:51 1999
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From: "EVOL" <evol@inspire.net.nz>
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Subject: roland CR8000
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Does any one have or know where I can find a manual for the Roland Compu
Rythm CR8000

From Loopers-Delight-request@annihilist.com  Fri Dec 17 22:55:44 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
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Subject: Re: optigan lovers
Date: Fri, 17 Dec 1999 19:50:10 PST
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On another note, Optiganally Yours also did a cover of Steve Reich's "4 
Organs", all on optigans!!


>From: Cummings <r_t_cummings@compuserve.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers Delight <Loopers-Delight@annihilist.com>
>Subject: optigan lovers
>Date: Fri, 17 Dec 1999 12:53:00 +0100
>
>this site may be of interest:
>
><http://www.optigan.com>
>
>the optigan is/was a bizarre keyboard made by mattel in the 70's that
>has now acheived cult status ... you know how such things happen.
>
>anyway, does anybody out there have one of these?
>
>rob
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Dec 17 23:10:18 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
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Subject: Sony Rip-Off issue resolved!!!
Date: Fri, 17 Dec 1999 19:32:43 PST
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In all fairness I should post this, even though I said I wouldn't post on 
this issue anymore. Anyway it turns out the the record label guy sent a 
letter to the 300+ of us that protested. He apologized and said he wasn't 
going to make the CD's anymore, so if you were going to write him hate mail, 
it's not necessary anymore!

Anyway, there doesn't seem to be a lot of interest on LD in this issue so 
this is definitely the last post about it.

sorry,
Mr. Tough
"TAKING YOUR MEAT AND STEALING YOUR FIRE SINCE 1897!"



Mike & Rolando,

unfortunately  you were not able to get back to me personally. Some direct 
words
from  you  to us could have avoided a lot of misunderstandings, wrong 
suspicions
and excitement causing damage to both sides.

Obviously  you  think, that it is our aim to make UR customers buy Sony 
records.
Kind  of  paradoxical. We don?t share your point of view that a cover 
version of
Jaguar  makes  you  sell  less  records. The people interested in  your 
original
vinyl  are  way different to Sony buyers. People who have bought UR records 
will
still buy UR records.

In  the past days we have received a lot of feedback from the underground to 
our
cover.  Apart from some people just abusing Sony Music with 4-letter words, 
many
people express their feelings in a detailed and reasonable style.

We understand that you generally disagree with the whole major company 
business.
In this case Sony can be reproached for picking up someone elses idea for 
profit
reasons  without  taking  care of the attitude of the inventor. We realize, 
that
even  that we are save on the legal side and the reactions from the 
?overground?
to  our version are euphoric, its commercial release would cause a damage to 
the
relationship  of  the industry to the underground that could not be 
compensated.
We see ourselves as a company supporting and benefitting from inventive 
artists.

Instead  of  trying to benefit from the huge buzz that has been created, we 
have
decided  to  respect your attitude and declare that we will not work any 
further
on  the  Jaguar cover. Sony Music will not commercially release the track 
rather
on CD maxi or compilations. We are quite sure, that a different company will 
use
the idea and milk the cashcow.

We  are  sorry  that  we have hurt your feelings. Finally at least the UR 
record
will  benefit  from the story. We wish you good luck and a lot of sales for 
this
classic piece of music.

Regards





Dirk Dreyer
A&R Manager Sony Music Dance Divsion
______________________________________________________
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From Loopers-Delight-request@annihilist.com  Fri Dec 17 23:22:16 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
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Subject: Re: optigan lovers
Date: Fri, 17 Dec 1999 19:49:19 PST
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Oh yeah, I know a band in San Diego named Optiganally Yours that plays only 
Optigans! their web site is...oh wait they moved! This is their new website! 
(They used to be on 3 Mile Pilot's.) Optiganally Yours features Rob Crow, 
who's been in a ton of punk-like bands and is at his best when it's just him 
and a 4-track.

Do you guys remember the Mellotron? That's often called 'the first sample 
keyboard' since it came from the late 60's. It had a seperate tape loop for 
each key and was made to imitate flute and orchestra sounds for folks who 
didn't have flute or orchestras. That's one in the beginning of 'Strawberry 
Fields Forever' and they also are present in numerous 70's prog-rock albums 
(like Yes).

Well, supposedly, the optigan is even older, and shines light through marked 
discs to obtain previously sampled sounds. The discs are clear and plastic 
with black markings. They sound really innaccurate, but you're right Rob, 
they certainly have their cult status.

Optigannally,
Mr. Tough
(Who'd rather have a mellotron)


>From: Cummings <r_t_cummings@compuserve.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers Delight <Loopers-Delight@annihilist.com>
>Subject: optigan lovers
>Date: Fri, 17 Dec 1999 12:53:00 +0100
>
>this site may be of interest:
>
><http://www.optigan.com>
>
>the optigan is/was a bizarre keyboard made by mattel in the 70's that
>has now acheived cult status ... you know how such things happen.
>
>anyway, does anybody out there have one of these?
>
>rob
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Dec 18 06:18:26 1999
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From: L.Angulo@t-online.de (Luis Angulo)
To: <Loopers-Delight@annihilist.com>
References: <Pine.LNX.4.04.9912171406100.18548-100000@keys.com>
Subject: Re: Korg AM8000 question
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Hello there,
I have been trying to find a Korg AM8000 but haven´t found one here in
Europe. Anyway i wanted to ask you if you are satisfied with the unit,
drawbacks, sounds etc... is it suitable for guitar or is it more a studio
piece?
Thanks!
Luis





From Loopers-Delight-request@annihilist.com  Sat Dec 18 07:44:08 1999
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Date: Sat, 18 Dec 1999 12:21:17 +1423
To: Loopers-Delight@annihilist.com
From: Coil <john@loci.demon.co.uk>
Subject: Re: optigan lovers
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Im John Balance of the band COIL .

We have a well loved Optigan and used it on our last album Musick To Play
In The Dark Vol 1. We have since gathered a whole load more of the discs
and will be laying away of the holiday period recording the follow-up. We
take the Optigan loops, treat them and then reprogramme them in Pro-tools
etc. The Optigan is a hell of a lot less trouble to upkeep than a Mellotron.

regards

John


From Loopers-Delight-request@annihilist.com  Sat Dec 18 10:04:11 1999
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Date: Sat, 18 Dec 1999 10:03:29 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Re: DL-4 = Bliss?
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At 09:50 PM 12/16/99 -0600, you wrote:
>just had my first experience with the DL-4. ran my kinscherff acoustic
>with sunrise pickup through the DL-4 then to my boomerang then to my
.......>echo allot. the whole pedal rocks! although i've only sat with it a
>short time, 1 hour or so, i would give it 5 stars. for the buck and bang
>this is the pedal of the decade. 


i too have recently hit it with an coustic..then thru the Digitech 8 sec
looper - then two amps...

sheer joy... soloing over two clean acoustic loops...

i think you're right - the bottomline, as it always is -- is the COST vs
what ya get..to tink that a bunch of you will be able to getthis thing for
under 200.... amazing

ac



*NEW* CD out - Alien Concepts by Jfk's Lsd Ufo	http://www.ufomusic.com
my site http://www.monmouth.com/~andre

From Loopers-Delight-request@annihilist.com  Sat Dec 18 09:57:16 1999
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Date: Sat, 18 Dec 1999 09:52:46 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Re: DL4 comments - How does it switch on?????
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But the  flexibility of software-driven devices is part of what makes these
new pedals 
>more than just an imitaion of the old stuff. If the DL4 can evolve without 
>straying from the strong vision of it's creator, I'd like to help!  

i agree with all ya said... i toowish for a coupleof these
coolsuggestions.. my only fear is-- $50-$75 worth of extraparts means $200
extra or something like thaton the retail price.....

let's play on!!!

andre'

*NEW* CD out - Alien Concepts by Jfk's Lsd Ufo	http://www.ufomusic.com
my site http://www.monmouth.com/~andre

From Loopers-Delight-request@annihilist.com  Sat Dec 18 10:33:56 1999
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Subject: Re: optigan lovers
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please put up some audio samples!

thanks, jd

Coil wrote:

> Im John Balance of the band COIL .
>
> We have a well loved Optigan and used it on our last album Musick To Play
> In The Dark Vol 1. We have since gathered a whole load more of the discs
> and will be laying away of the holiday period recording the follow-up. We
> take the Optigan loops, treat them and then reprogramme them in Pro-tools
> etc. The Optigan is a hell of a lot less trouble to upkeep than a Mellotron.
>
> regards
>
> John

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 dear sir: what is the email aadress of the guy at sony. id like to send demos. i feel you on your thing but i could use a little major label licinsing $$$ as long as its on a song by song basis. I agreee that longterm you want to own your shit but sometime you gotta get capital to press your stuff in quantity and on time
--

On Fri, 17 Dec 1999 19:50:10   Mr. Tough wrote:
>On another note, Optiganally Yours also did a cover of Steve Reich's "4 
>Organs", all on optigans!!
>
>
>>From: Cummings <r_t_cummings@compuserve.com>
>>Reply-To: Loopers-Delight@annihilist.com
>>To: Loopers Delight <Loopers-Delight@annihilist.com>
>>Subject: optigan lovers
>>Date: Fri, 17 Dec 1999 12:53:00 +0100
>>
>>this site may be of interest:
>>
>><http://www.optigan.com>
>>
>>the optigan is/was a bizarre keyboard made by mattel in the 70's that
>>has now acheived cult status ... you know how such things happen.
>>
>>anyway, does anybody out there have one of these?
>>
>>rob
>>
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>
>


--
Join the most exciting community of women on the web!
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From Loopers-Delight-request@annihilist.com  Sat Dec 18 10:58:43 1999
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From: SoundFNR@aol.com
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Date: Sat, 18 Dec 1999 10:53:22 EST
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> dear list: im looking to recreate the sound of Revolver by the beatles. Thy 
> got the sound by var-speeding the tape  and by using a leslie . How can i 
> home recorder with a pc  for "tape" do this electroncally.

var speed
   1) record at a different sample rate to that which you are using to 
playback
       , your software should have the abilty to 'adjust sample rate'
    2) Use 'convert sample type'  to change from your original sample freq,
        then 'adjust sample rate' back to the original.
        your software (if not Cool Edit Pro) may use different terms, but the 
idea 
        is that you can change sample rate by recalculating samples for a 
different
         rate, leaving the pitch the same. then you can change the sample rate
         leaving all the samples the same, hence varispeed.
 
Leslie sim>>>>Lexicon MPX100

OR record with microphone whirling round



Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

From Loopers-Delight-request@annihilist.com  Sat Dec 18 11:32:36 1999
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Date: Sat, 18 Dec 1999 11:28:22 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Korg AM8000 question
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I've only had it for a short while.  For the kind of music I do, I can
definitely use it live, if I can get the pedals to work.  I would classify
it as a pretty good multi-effects box that would be for the studio except
that you've got a lot of tweakable parameters real-time that make it work
fine for live situations.  It has stuff a guitarist would use, but it's
more of an all-around box than a guitarist's box.

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Sat, 18 Dec 1999, Luis Angulo wrote:

> Hello there,
> I have been trying to find a Korg AM8000 but haven´t found one here in
> Europe. Anyway i wanted to ask you if you are satisfied with the unit,
> drawbacks, sounds etc... is it suitable for guitar or is it more a studio
> piece?
> Thanks!
> Luis
> 
> 
> 
> 
> 

From Loopers-Delight-request@annihilist.com  Sat Dec 18 13:43:19 1999
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All in all a good deal at the lower prices you can find them for now.

Very nice pitch shifting with 700 ms of delay and high freq. rolloff
filtering included, dual ring modulators, decent multi-mode filters with
either lfo or envelope follower control, and good phase shifters with up to
16 stages. The reverb isn't Lexicon quality, but certainly usable.

I had hoped for LFO's like he Prophecy or Z1 has, and unfortunately these
aren't quite there.

There's no master LFO. Most, but not all, of the algorithms have a LFO that
has sine, exponential or logo waveshapes, much like on the Digitech GSP
2101.

Then you can "sample" the LFO at a variable rate, and optionally "smooth"
the change, to get faux sample and hold effects, random clicks, etc. This
feature is similar to the LFO on the Ensoniq ASR-10.

I'd recommend it for a looping guitarist, as you can create some great
ambient processing, as well as the more basic stuff.

Mark



>Hello there,
>I have been trying to find a Korg AM8000 but haven´t found one here in
>Europe. Anyway i wanted to ask you if you are satisfied with the unit,
>drawbacks, sounds etc... is it suitable for guitar or is it more a studio
>piece?
>Thanks!
>Luis


From Loopers-Delight-request@annihilist.com  Sat Dec 18 17:47:24 1999
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Date: Sat, 18 Dec 1999 17:43:46 -0500
From: David Beardsley <xouoxno@virtulink.com>
Organization: SSI
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Drew Skyfyre wrote:

> Ken ! Thanks for the info. This is good stuff. Well, David B., Just
> Intonation capable it is ! Implications boggle the mind, my little one
> anyway...

Arn't those things a bit pricey? Wouldn't it
be cheaper to just get a guitar built?  ;)


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@annihilist.com  Sat Dec 18 22:05:22 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
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Subject: Re: sony
Date: Sat, 18 Dec 1999 18:59:39 PST
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Mark,

Sure, the address is:

dirk_dreyer@de.sonymusic.com

Good luck in getting your stuff out. He may just be an A & R rep for 
Germany, I don't know.  I'd also advise that you do some reading on record 
contracts before dealing with a record label with such legal clout. A good 
book is "This Business of Music". Someone suggested it to me, but I already 
have it.

regards,

Mr. Tough

>From: "mark givens" <markeg@ivillage.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: sony
>Date: Sat, 18 Dec 1999 07:22:22 -0800
>
>  dear sir: what is the email aadress of the guy at sony. id like to send 
>demos. i feel you on your thing but i could use a little major label 
>licinsing $$$ as long as its on a song by song basis. I agreee that 
>longterm you want to own your shit but sometime you gotta get capital to 
>press your stuff in quantity and on time
>--
>
>On Fri, 17 Dec 1999 19:50:10   Mr. Tough wrote:
> >On another note, Optiganally Yours also did a cover of Steve Reich's "4
> >Organs", all on optigans!!
> >
> >
> >>From: Cummings <r_t_cummings@compuserve.com>
> >>Reply-To: Loopers-Delight@annihilist.com
> >>To: Loopers Delight <Loopers-Delight@annihilist.com>
> >>Subject: optigan lovers
> >>Date: Fri, 17 Dec 1999 12:53:00 +0100
> >>
> >>this site may be of interest:
> >>
> >><http://www.optigan.com>
> >>
> >>the optigan is/was a bizarre keyboard made by mattel in the 70's that
> >>has now acheived cult status ... you know how such things happen.
> >>
> >>anyway, does anybody out there have one of these?
> >>
> >>rob
> >>
> >
> >______________________________________________________
> >Get Your Private, Free Email at http://www.hotmail.com
> >
> >
>
>
>--
>Join the most exciting community of women on the web!
>iVillage.com's FREE membership gets you private email,
>your own home page, special discounts and sweepstakes,
>and dozens of problem-solving tools.
>http://www.ivillage.com/frame/join_email.html
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Dec 18 22:05:52 1999
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Crap! I meant to just send that to mark. Sorry.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Dec 18 23:50:40 1999
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Date: Sat, 18 Dec 1999 22:46:35 -0600
Subject: Acoustic guitar looping and feedback problems
From: "Tiktok World HQ" <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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I've been pl`ying out with `n `mplified `coustic recently, `nd I'm runninginto feedb`ck problems once I get ` loop built up.  I've tried eq, ph`serevers`l `nd ch`nging my spe`ker pl`cement, but it's still ` problem.Anyone h`ve `ny experience with the S`bine or Beringer feedb`ckextermin`tors, or h`ve `ny other suggestions?TH

From Loopers-Delight-request@annihilist.com  Sun Dec 19 05:19:28 1999
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Date: Sun, 19 Dec 1999 02:18:07 -0700
Subject: Re: Acoustic guitar looping and feedback problems
From: "Stan Card" <stanitarium@earthlink.net>
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Well good luck exterminatin' that feedback,but for me 
glorious,noisy,feedback of any kind can some how be used in some kind of
musical sense. It is a gift to be cherished AND abused-rotsaruck...STANNER.

----------
>From: "Tiktok World HQ" <tiktok@sprintmail.com>
>To: "Looper's Delight" <Loopers-Delight@annihilist.com>
>Subject: Acoustic guitar looping and feedback problems
>Date: Sat, Dec 18, 1999, 9:46 PM
>

> I've been pl`ying out with `n `mplified `coustic recently, `nd I'm
> runninginto feedb`ck problems once I get ` loop built up.  I've tried eq,
> ph`serevers`l `nd ch`nging my spe`ker pl`cement, but it's still `
> problem.Anyone h`ve `ny experience with the S`bine or Beringer
> feedb`ckextermin`tors, or h`ve `ny other suggestions?TH
>
> 

From Loopers-Delight-request@annihilist.com  Sun Dec 19 08:49:44 1999
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From: MyWarNerve@aol.com
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Subject: Re: Acoustic guitar looping and feedback problems
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If your guitar has a built in pickup, turn your level down while using your 
eq to boost your signal. If it's mic'ed, good luck as this has plagued 
musicians for a long time. Acoustic guitar feedback can be delt with, you 
just have to realize the volume aspect. Try turning it down. And as Stan 
pointed out, use it for all it's worth.
A

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great to see ya here john. now i'm definitely gonna go out and git me a
copy of Musick To Play In The Dark V1 - is the follow-up V2?

to all the others - be sure to check out COIL at:
<http://www.brainwashed.com/coil/>

later,
rob

Jeff Duke schrieb:
> 
> 
> please put up some audio samples!
> 
> thanks, jd
> 
> Coil wrote:
> 
> > Im John Balance of the band COIL .
> >
> > We have a well loved Optigan and used it on our last album Musick To Play
> > In The Dark Vol 1. We have since gathered a whole load more of the discs
> > and will be laying away of the holiday period recording the follow-up. We
> > take the Optigan loops, treat them and then reprogramme them in Pro-tools
> > etc. The Optigan is a hell of a lot less trouble to upkeep than a Mellotron.
> >
> > regards
> >
> > John

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Tiktok

find a way to to close the hole (sorry I forgot the right word)
its a sort of plastic disc that closes the hole with a spring system
there are several companies that do that Ovation and Yamaha (your local
dealer or a newsgroup can help)

As I play a real beaten up Ovation I just use two or three layers of
gaffer tape 

It will improve the feedback limit a lot but you'll easily understand
there might be a limit

Claude

Tiktok World HQ wrote:
> 
> I've been pl`ying out with `n `mplified `coustic recently, `nd I'm runninginto feedb`ck problems once I get ` loop built up.  I've tried eq, ph`serevers`l `nd ch`nging my spe`ker pl`cement, but it's still ` problem.Anyone h`ve `ny experience with the S`bine or Beringer feedb`ckextermin`tors, or h`ve `ny other suggestions?TH

From Loopers-Delight-request@annihilist.com  Sun Dec 19 10:47:30 1999
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From: Wjguitar@aol.com
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Date: Sun, 19 Dec 1999 10:40:17 EST
Subject: Re: Acoustic guitar looping and feedback problems
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I have used the Behringer feedback destroyer and it works very well.   In the 
mean time you might want to also check out the new Ultrasound 
amplifiers....read about the UltraSound amp in Bresh's website.  <A 
HREF="http://bresh.com/main.html">Click here: THOM BRESH WEB WORLD</A>

Regards, Wayne 

From Loopers-Delight-request@annihilist.com  Sun Dec 19 11:10:33 1999
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Acoustic guitar looping and feedback problems
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This reminds me of a beat-up, warped acoustic I once had set up to play
like a lap steel a la Weissenborn (sp?).

I cut a hole in a CD, mounted a P-90ish pickup in it and duct-taped it over
the soundhole. It had a somewhat unusual tone, but helped cut down some on
the runaway feedback. At REALLY high volumes, though, the whole thing would
shake and oscillate; it was great to use as a drone, with EQ changes
accenting different overtones, especially in open tunings with a ton of
delay and a volume pedal to keep it just this side of chaos! 

Tim

At 03:39 PM 12/19/99 -0800, you wrote:
>find a way to to close the hole (sorry I forgot the right word)
>its a sort of plastic disc that closes the hole with a spring system
>there are several companies that do that Ovation and Yamaha (your local
>dealer or a newsgroup can help)
>
>As I play a real beaten up Ovation I just use two or three layers of
>gaffer tape 

From Loopers-Delight-request@annihilist.com  Sun Dec 19 11:36:50 1999
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From: "hypatie d'Alexandrie" <banalogique@multimania.com>
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Date: Sun, 19 Dec 1999 18:31:31 +0100
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Subject: Need help with Boss RSD-10 sampling delay.
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Hi,
I have an old Boss RSD-10 sampling delay (half rack series).
I have no manual, and I cannot figure out how the 4 sampling modes
work. 

Question: Is this of any good for some (primitive, one second) looping?
Can anybody give me some explanations about this unit in general 
and the "overdub" knob in particular?

Emmanuel.

______________________________________________________
E-mail gratuit - MultiMania - http://www.multimania.fr

From Loopers-Delight-request@annihilist.com  Sun Dec 19 12:16:03 1999
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X-Originating-IP: [209.152.169.81]
From: "David Potter" <papadave55@hotmail.com>
To: lmandres@earthlink.net, marlew@pc-intouch.com, Tinkurbelle@hotmail.com,
        jeremypot@yahoo.com, Circle@Circle-of-Light.com,
        chaskapotter@yahoo.com, cstarkes@compuserve.com, ckyman@nextlink.net,
        pottercorey@hotmail.com, dal42@inreach.com, davemnz@yahoo.com,
        Gaptahoe@aol.com, KitchyK@aol.com, thieles@pacbell.net,
        potter@cruzio.com, gbutterrr@aol.com, mhull@aptoshs.pv.k12.ca.us,
        jeffreypotter@hotmail.com, giannaitaly@yahoo.com,
        worldtree@earthlink.net, antarjyoti@earthlink.net, ragtop@got.net,
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        mbiffle@svg.com, oskyjane@aol.com, Ratna@garlic.com, global@cruzio.com,
        kachuck@earthlink.net, serenapotter@hotmail.com, pottertree@aol.com,
        vaughnpotter@hotmail.com, zev@sasquatch.com
Subject: Merry Christmas,Happy Hollidays
Date: Sun, 19 Dec 1999 09:12:27 PST
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If we place Spirit at a distance, it is but that distance that we honor.  If 
indeed God be far away, then who else is it that is creating this world?  If 
we think that God is not here...then we wander further and further away and 
seek in vain with tears.  Where God is far off, God is unattainable.  Where 
God is near, it is Bliss.
Kabir says,"Lest the student should suffer pain, the Divine pervades him 
through and through." Know yourself then Oh Kabir, For God is in You from 
head to foot.  Sing with Gladness and keep your seat unmoved within your 
heart.

                      Happy Days and God Bless
                                Uncle-Brother-Papa Dave

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sun Dec 19 15:56:39 1999
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From: "Zachary West" <zetor11@hotmail.com>
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Subject: Re: Need some info on Yamaha SU700
Date: Sun, 19 Dec 1999 12:34:59 PST
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hey there, I just brought the Su700, I have it about 5 days, and I already 
love it.  Even though I am still working my way through the 300 page intro 
book, it seems like it was put together to well.  Sure there are a few 
things that I have noticed that I would like to be able to do with the 
machine, but there also alot of things that I haven't even read about, or 
figured out that will probably make up for it in the end.  If you want to 
talk more about email me.  I'd like someone to discuss it with.  I'll even 
fax you a few sample pages on the intro book if youd like.  JUst let me 
know.  Talk to you soon.  Zachary West


>From: LAWYA-G@webtv.net (FRANTZ CYPRIEN)
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Need some info on Yamaha SU700
>Date: Wed, 15 Dec 1999 22:44:19 -0500 (EST)
>
>I'm new to the sampling and looping scene, and I was thinking about
>picking up a Yamaha SU700 to complement my studio.  Does anyone out
>there know anything about this machine.....pros and cons....any info
>will be most useful.  Thanx.
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sun Dec 19 16:10:10 1999
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From: Hawkeye255@aol.com
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Date: Sun, 19 Dec 1999 15:52:45 EST
Subject: Re: Merry Christmas,Happy Hollidays
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        A favorite of mine for 30 years, from Lawrence Ferlinghetti
                (a 'beat' poet of the late 50's/early 60's)

                    Christ Climbed Down

    Christ climbed down
    from His bare Tree
    this year
    and ran away to where
    there were no rootless Christmas trees
    hung with candycanes and breakable stars
    
    Christ climbed down
    from His bare Tree
    this year
    and ran away to where
    there were no gilded Christmas trees
    and no tinsel Christmas trees
    and no tinfoil Christmas trees
    and no pink plastic Christmas trees
    and no gold Christmas trees
    and no black Christmas trees
    and no powderblue Christmas trees
    hung with electric candles
    and encircled by tin electric trains
    and clever cornball relatives

    Christ climbed down
    from His bare Tree
    this year
    and ran away to where
    no intrepid Bible salesmen
    covered the territory
    in two-tone cadillacs
    and where no Sears Roebuck creches
    complete with plastic babe in manger
    arrived by parcel post
    the babe by special delivery
    and where no televised Wise Men
    praised the Lord Calvert Whiskey

    Christ climbed down
    from His bare Tree
    this year
    and ran away to where
    no fat handshaking stranger
    in a red flannel suit
    and a fake white beard
    went around passing himself off
    as some sort of North Pole saint
    crossing the desert to Bethlehem
    Pennsylvania
    in a Volkswagon sled
    drawn by rollicking Adirondack reindeer
    with German names
    and bearing sacks of Humble Gifts
    from Saks Fifth Avenue
    for everybody's imagined Christ child

    Christ climbed down
    from His bare Tree
    this year
    and ran away to where
    no Bing Crosby carollers
    groaned of a tight Christmas
    and where no Radio City angels
    iceskated wingless
    thru a winter wonderland
    into a jinglebell heaven
    daily at 8:30
    with Midnight Mass matinees

    Christ climbed down
    from His bare Tree
    this year
    and softly stole away into
    some anonymous Mary's womb again
    where in the darkest night
    of everybody's anonymous soul
    He awaits again
    an unimaginable
    and impossibly
    Immaculate Reconception
    the very craziest 
    of Second Comings

        from "A Coney Island of the Mind"  copyright 1958 by Lawrence 
Ferlinghetti

    
    

From Loopers-Delight-request@annihilist.com  Sun Dec 19 16:32:06 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Acoustic guitar looping and feedback problems
Date: Sun, 19 Dec 1999 13:19:54 PST
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Some friends and I were making a 'live' recording a while ago. Two of us 
were wired directly in but we also had a flutist looping herself via DOD DFX 
94. She was using both contact and regular mics. As you can imagine, we had 
similar feedback problem.

With lack of funds and technological expertise, we just put her in the back 
corner of the room and set up a bunch of cardboard boxes around her to help 
keep amplifier sound from getting back into the mic. After some adapting and 
fussing with all the before and after volume controls, we were able to get a 
decent recording. Of course, this would not have worked as well 
aesthetically if we were playing to an audience.




>From: "Tiktok World HQ" <tiktok@sprintmail.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: "Looper's Delight" <Loopers-Delight@annihilist.com>
>Subject: Acoustic guitar looping and feedback problems
>Date: Sat, 18 Dec 1999 22:46:35 -0600
>
>I've been pl`ying out with `n `mplified `coustic recently, `nd I'm 
>runninginto feedb`ck problems once I get ` loop built up.  I've tried eq, 
>ph`serevers`l `nd ch`nging my spe`ker pl`cement, but it's still ` 
>problem.Anyone h`ve `ny experience with the S`bine or Beringer 
>feedb`ckextermin`tors, or h`ve `ny other suggestions?TH
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sun Dec 19 19:25:29 1999
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Message-ID: <385D766B.4DA24119@jimmygeorgearts.com>
Date: Sun, 19 Dec 1999 18:20:59 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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i have been processing acoustic guitars with effect and the like for many years
now. the best pickup to use for doing such sonic endeavours is the sunrise
sound hole pick up by james kaufman,  http://www.sunrisepickups.com/ . it is a
magnetically wound pick up tailored for the acoustic guitar. i cut a sound hole
cover in half and let the pick up sit in the middle allowing just a bit of air
to circulate inside the guitar body. this has allowed me to use distortions and
many other high frequency effects on the acoustic guitar with limited /
controllable feedback. ted nuggent used to stuff foam and shirts inside his
birdland hollow body. i like a bit of air to move around for feedback control.
between this pick up and various gate settings you can get away with most the
luxuries that an electric player has to their sonic advantage. feel free to e
mail me directly if you have any questions on amplifying the acoustic in a non
traditional way. i've got lots of info.

peace
jimmy george
http://www.jimmygeorgearts.com


MyWarNerve@aol.com wrote:

> If your guitar has a built in pickup, turn your level down while using your
> eq to boost your signal. If it's mic'ed, good luck as this has plagued
> musicians for a long time. Acoustic guitar feedback can be delt with, you
> just have to realize the volume aspect. Try turning it down. And as Stan
> pointed out, use it for all it's worth.
> A

From Loopers-Delight-request@annihilist.com  Sun Dec 19 20:13:13 1999
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From: Wjguitar@aol.com
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Date: Sun, 19 Dec 1999 20:07:43 EST
Subject: Re: Acoustic guitar looping and feedback problems
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As regards, pickups....those of you that haven't tried the RMC's might be in 
for a surprise.  Very Natural sounding the individual string saddles have 
phase cancelling between strings to cut down on the feedback issues. Many are 
using this pickup which happens to be stock on Multiacs by Godin.  I have 
them on my flamenco guitars as well as my Martin OM-45...they sound great, 
and feedback is never a problem with these. An added bonus...they drive the 
Roland VG-8, GR series synthesizers, too!  

Also, check out the new B Band pickups, too!  <A 
HREF="http://www.b-band.com/">Click here: EMF Acoustics Oy Ltd</A> 
 
For info on RMC Pickups...<A HREF="http://www.rmcpickup.com/">Click here: RMC 
Pickups</A>

Regards, Wayne

From Loopers-Delight-request@annihilist.com  Mon Dec 20 05:43:07 1999
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From: "Future Perfect" <artmusic@gte.net>
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Subject: Echoplex noise
Date: Mon, 20 Dec 1999 05:40:39 -0500
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I remember reading about a similar problem...and I am searching the list as
I type...
My Plex just started acting funny after I switched it's position in a
6-space rack. Basically, at my 'normal' input level (with the input knob
only a quarter up), the resulting loop is quite distorted, with added white
noise and loss of bass, almost as if the sound is cutting in and out at
times. There are no power amps in my rack, although it is next to a synth
module that seems to get a little warm. It certainly sounds like it *could*
be heat related, I just want to know which of you had a similar problem and
how you solved it. And I don't know if this has anything to do with it, but
when this happens and I switch it back on, for just a moment, a '666'
flashes on the LEDs...how weird is that? hehe


Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave

'Future Perfect' - art music
http://home1.gte.net/artmusic/

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Please unsubscribe me , enjoyed all the mail but haven't got time to read it
all
thanxs muchly and hope all your holiday periods are chilled and peaceful
(why not ,not get pissed do something original)


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From Loopers-Delight-request@annihilist.com  Mon Dec 20 11:44:05 1999
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This is a forwarded review of the DL4 with some questions written by
Haible Juergen on the Analog Heaven mailing list. if anyone can help him
please follow up to his address at: jhaible@debitel.net 


---------------------------------

> I got my DL4 Delay Modeller last weekend. This
> thing needs some modifications.
> 
> Does anybody on the list have the dedicated
> expression pedal ? I need the pinout of the connection
> (pot wiper on ring or on tip of the plug ?), and the resistance
> value of the potentiometer.
> What to do with that ? First, use one the pedals I already have,
> second, use a CV from the Modular to morph between the
> DL4's parameters.
> 
> Next thing might be a dedicated switch for backwards mode.
> Something that produces the required double click from
> an extra switch and a little oscillator.
> 
> What I wanted to do most of all, sadly might not be possible.
> I wanted to add a negative feedback loop around the whole device
> to get an adjustable fade out of the loop contents in Overdoub
> mode. But apparently there is also some considerable delay
> of the external (analogue, negative) loop compared to the internal,
> digital loop, so you get a weird flanging instead of partial cancellation.
> Would have been too nice (;->).
> 
> How do I like it, btw ?
> I got a mixed impression. I do not regret I have bought it: I wanted a
> loooong loop sampler, and I got one for DM 650,-. That's what
> I was ready to spend for this function, so the other modes are
> just an extra bonus for me. I was curious about the quality of
> the "vintage" FX emulations, of course. Some I did like better, some
> I didn't like at all.
> 
> My favorites are the "low res digital delay" and the "digital delay with
> modulation". The decrease of quality with every reflection sounds
> very similar to many digital delays I've heard. It's nicely emulated
> (but then I think it should be easy to emulate, shouldn't it ?). The
> modulated delay sounds like a slow vibrato in the feedback loop.
> I haven't heard the original Electro Harmonix box, so I cannot really
> compare, but I like the sound. It's as good as on the other digital delays
> with LFO that I own.
> 
> The "tape echoes" are some funny programs. I own a real Roland
> RE-201 (the reverb-less model RE-101 is emulated as "multi head
> echo"), but none of the other two emulated tape devices
> (called "tube echo" and "tape echo"), so my opinion is restricted to this
> background.
> "Tube echo": Wow and flutter of tape emulation: Not bad. Better than
> I had expected. Tube drive & Tape saturation emulation: What, only
> one knob for both parameters ? I did not like the sound of this distortion
> at all. (see below)
> "Tape echo": Treble and Bass, but no more tweakable tape saturation?
> Hmm ...
> "Multi Head Echo". Ok, this is where I can really compare with the original.
> There is some tape distortion and wow & flutter, but it's not adjustable.
> And it's way too much "dirt". I do not doubt that there are worn and run
> down Space Echoes out there that sound like this, but I'd rather have
> a simulation of a *good* one. I mean, my RE-201 has that nice chorussing
> tape speed fluctuations, but it doesn't sound bad or "low fi". It *can*
> be overdriven, and sound quite nasty, but it also can sound very clean
> even after multiple echo repetitions. The DL4 sounds nothing like that.
> It probably shows how "dirty" a RE-201 *can* sound, which is a tiny
> fraction of the original's possiblities. The adjustable parameters
> of the "tube echo" model are much better, but the distortion is still
> not as nice as on my (non tube!) RE-201.
> "Analogue echo": This is funny. They have implemented some artefacts
> that that occur when a BBD delay's delay time is tweaked in real time.
> The artefacts are impressive, but they are somewhat different from what
> I've expected. I have played with the delay knob of many BBD delays
> and got a similar effect on all of them, but quite different to the effect
> the DL4 produces. I cannot tell about the particulat Boss delay they
> emulated, because I don't have the original. So I may be wrong here.
> 
> Bottom line: As I said, I bought this box because of the Loop Sampler.
> I like it very much. it's my first "real" Loop device, and it's so intuitive
> that I recorded a song with it on the first day. I wished it had a knob
> for "feedback" that works in the overdoub mode. Sometimes you don't
> want to build and build and build up, but you want to gradually erease
> your previous stuff and build up a new loop in real time. I'd rather
> have this than the extra delay function that is built into the Loop Sampler.
> 
> The other models are nice. A nice addition, and some of them really
> pleasant. Just don't expect they can replace an original tape echo.
> 
> I guess this mini-review part was a little off topic. But don't forget to
> give me feedback on the expression pedal.
> Ist there a special mailing list for these boxes ?
> 
> JH.

-- 

____________________________________________________________________
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Mon Dec 20 12:11:23 1999
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From: "Mike Biffle" <mbiffle@svg.com>
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I love it for guitar... I also think it's a pretty high quality
device. Reverbs are probably the weakest  of the algorythyms, but
they're a LOT better than my GT-5 verbs. I'd say they would pass for
general use. Many of the other effects are really nice and have a very
studio like quality... For the price, I don't think there's anything
else out there quite like it. ($300.00 US).

Best regards,
-Miko

>>> Luis Angulo <L.Angulo@t-online.de> 12/18 3:16 AM >>>
Hello there,
I have been trying to find a Korg AM8000 but haven*t found one here
in
Europe. Anyway i wanted to ask you if you are satisfied with the
unit,
drawbacks, sounds etc... is it suitable for guitar or is it more a
studio
piece?
Thanks!
Luis





From Loopers-Delight-request@annihilist.com  Mon Dec 20 13:30:35 1999
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Subject: DL4 and high level signal...
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Well... I've decided to return my Line6 DL4 for the following reason.

I tend to run my GT-5 fairly hot to my Mackie 1202VLZ mixer... Usually around +3 - +6 db. I inititially tested the DL4 in the GT-5 mono fx loop which apparently doesn't run at that level. The loop seems to work well with stomp boxes. So I did that for about a week, listening with delight to my new delay modeller wonder box... no distortion.

This weekend, I decided to check out the stereo capabilities POST GT-5 into my mixer (and into my Korg AM8000r as well as the EDP) and found that I had to lower the output level of the GT-5 quite a lot to eliminate digital distortion in the DL4. This might have been ok to a certain degree, but the level is in the -4 and below range which makes mixing a bit of a hassle. I end up boosting things everywhere and generate more noise throughout my system. So as much as I actually love the box, I'm making the hard decision to let go of it. Ouch...

Just wanted to see if any of you are trying your DL4's in these sort of applications and getting similar results?

Best,
-Miko

From Loopers-Delight-request@annihilist.com  Mon Dec 20 15:06:22 1999
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Subject: Re: DL4 and high level signal...
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Miko,

My experience with the DL4, and also Line6's POD is that they are designed
to work with a signal coming from a guitar.  As soon as they get a line
level signal, they clip pretty easily.  I tried using my pod as a insert on
guitar tracks on a recent recording and we had to mess around a bit to pad
the signal coming into the pod.  I imagine the DL4 is similar in that it
has no input level control (again, like the POD).

I have been running my bass preamp (tech21 bass driver) after the dl-4, and
was planning to experiment and place it before after i get the holidays
over with.  I will post the results if anything weird comes up.  

Is there any sort of clip indicator on the DL4, or are you just hearing the
distortion?

later,

rich


At 11:09 AM 12/20/99 -0800, you wrote:
>Well... I've decided to return my Line6 DL4 for the following reason.
>
>I tend to run my GT-5 fairly hot to my Mackie 1202VLZ mixer... Usually
around +3 - +6 db. I inititially tested the DL4 in the GT-5 mono fx loop
which apparently doesn't run at that level. The loop seems to work well
with stomp boxes. So I did that for about a week, listening with delight to
my new delay modeller wonder box... no distortion.
>
>This weekend, I decided to check out the stereo capabilities POST GT-5
into my mixer (and into my Korg AM8000r as well as the EDP) and found that
I had to lower the output level of the GT-5 quite a lot to eliminate
digital distortion in the DL4. This might have been ok to a certain degree,
but the level is in the -4 and below range which makes mixing a bit of a
hassle. I end up boosting things everywhere and generate more noise
throughout my system. So as much as I actually love the box, I'm making the
hard decision to let go of it. Ouch...
>
>Just wanted to see if any of you are trying your DL4's in these sort of
applications and getting similar results?
>
>Best,
>-Miko
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec 20 15:45:35 1999
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mark givens wrote:

> dear list: whats the best pedal for creating the shimmering sound of "Whats the FREQUENCY KENneth "off of REM 's Monster lp.  As you can see im buying a lot of fx.  I likeddidcated pedals instead of all in one deals becaose i like knobs. I like my whammy though but one is enough . Im looking at the Ibanez chorus flange modulator next($69 at musiciansfriend.com. Any reviews?

as was previously noted, this is a tremelo effect. most likely (since i recall from the video of this song) it's the built-in circuit from a vox AC30 combo amp. my AC15 has a similar (if not identical) circuit and i can easily dial up that sound. the deal is, though, that the vox effect is quite a different beast from, say a fender blackface trem circuit (original or reissue)
in that the amplitude modulation in the vox circuit is so extreme that is virtually cuts the signal to zero in the deepest setting. what you get is that very on/off wobbly sound (which btw was used in combination with a noise gate by johnny marr to get his trademark stutter). i have a demeter tremulator pedal in addition to a de-cbs'ed super twin w/ a blackface trem circuit,
and neither of these trems do the stutter like the vox. i don't know what's out there in tremelo-modelling land these days, but i would think someone would have taken the time to digitally cop this classic effect by now.


lance g.

From Loopers-Delight-request@annihilist.com  Mon Dec 20 16:55:11 1999
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From: "Tiit Kikas" <tkikas@yahoo.com>
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Subject: PMC-10 picture?
Date: Mon, 20 Dec 1999 23:05:38 +0200
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How does PMC-10 look like? Is there any picture of it anywhere?

Tiit Kikas
tkikas@yahoo.com

From Loopers-Delight-request@annihilist.com  Mon Dec 20 16:58:16 1999
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in that the amplitude modulation in the vox circuit is so extreme that is
virtually cuts the signal to zero in the deepest setting. what you get is
that very on/off wobbly sound (which btw was used in combination with a
noise gate by johnny marr to get his trademark stutter). i have a demeter
tremulator pedal in addition to a de-cbs'ed super twin w/ a blackface trem
circuit,
and neither of these trems do the stutter like the vox. i don't know what's
out there in tremelo-modelling land these days, but i would think someone
would have taken the time to digitally cop this classic effect by now.


** you could check out the fulltone supatrem. it has both hard and soft
waves (i guess square and saw?). the hard gets a pretty cool gating sound .
. . and you can mix the effect versus straight signal. 

the (allegedly) soon-to-be-released mm4 from line6 is supposed to have a
trem based on the vox trems . . . 

i don't know the sound that's being discussed, so i don't know if the
supatrem would do - - it may be worth investigating tho', it is akiller
trem.

stig

From Loopers-Delight-request@annihilist.com  Mon Dec 20 16:56:28 1999
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Date: Mon, 20 Dec 1999 13:18:55 -0800
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, rich@nuvision.com
Subject: Re: DL4 and high level signal...
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> Is there any sort of clip indicator on the DL4, or are you just
hearing the distortion? rich

No clip indicator... I'm hearing the nasty crackling sound! Back off
the GT-5 output and all is well... except the level is now very low
requiring more crank than is healthy for my signal to noise ratio.

-Miko

Miko wrote...
>>I tend to run my GT-5 fairly hot to my Mackie 1202VLZ mixer...
Usually around +3 - +6 db. I inititially tested the DL4 in the GT-5
mono fx loop which apparently doesn't run at that level. The loop
seems to work well with stomp boxes. So I did that for about a week,
listening with delight to my new delay modeller wonder box... no
distortion.

>>This weekend, I decided to check out the stereo capabilities POST
GT-5 into my mixer (and into my Korg AM8000r as well as the EDP) and
found that I had to lower the output level of the GT-5 quite a lot to
eliminate digital distortion in the DL4. This might have been ok to a
certain degree, but the level is in the -4 and below range which makes
mixing a bit of a hassle. I end up boosting things everywhere and
generate more noise throughout my system. So as much as I actually
love the box, I'm making the hard decision to let go of it. Ouch...

From Loopers-Delight-request@annihilist.com  Mon Dec 20 17:45:16 1999
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Message-ID: <385EB181.58D7DB01@earthlink.net>
Date: Mon, 20 Dec 1999 14:45:48 -0800
From: lance glover <baumhaus@earthlink.net>
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Subject: Re: sony (*i feel you on your thing*) OT
References: <GJOOAEFNCMCDLAAA@ivillage.com>
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mark givens wrote:

>  dear sir: what is the email aadress of the guy at sony. id like to send demos. i feel you on your thing but i could use a little major label licinsing $$$ as long as its on a song by song basis. I agreee that longterm you want to own your shit but sometime you gotta get capital to press your stuff in quantity and on time

i'm glad someone out there understood this!

:-)

lance g.

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From: "Curbie" <curbfeeler@transworld-lax.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Merry Christmas,Happy Hollidays
Date: Mon, 20 Dec 1999 17:25:13 -0800
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Thanks David.  Merry Christmas everyone!

-----Original Message-----
From: David Potter [mailto:papadave55@hotmail.com]
Sent: Sunday, December 19, 1999 9:12 AM
To: lmandres@earthlink.net; marlew@pc-intouch.com;
Tinkurbelle@hotmail.com; jeremypot@yahoo.com;
Circle@Circle-of-Light.com; chaskapotter@yahoo.com;
cstarkes@compuserve.com; ckyman@nextlink.net; pottercorey@hotmail.com;
dal42@inreach.com; davemnz@yahoo.com; Gaptahoe@aol.com; KitchyK@aol.com;
thieles@pacbell.net; potter@cruzio.com; gbutterrr@aol.com;
mhull@aptoshs.pv.k12.ca.us; jeffreypotter@hotmail.com;
giannaitaly@yahoo.com; worldtree@earthlink.net;
antarjyoti@earthlink.net; ragtop@got.net;
loopers-delight@annihilist.com; mcarpenter@sccs@santacruz.k12.ca.us;
mbiffle@svg.com; oskyjane@aol.com; Ratna@garlic.com; global@cruzio.com;
kachuck@earthlink.net; serenapotter@hotmail.com; pottertree@aol.com;
vaughnpotter@hotmail.com; zev@sasquatch.com
Subject: Merry Christmas,Happy Hollidays


If we place Spirit at a distance, it is but that distance that we honor.  If
indeed God be far away, then who else is it that is creating this world?  If
we think that God is not here...then we wander further and further away and
seek in vain with tears.  Where God is far off, God is unattainable.  Where
God is near, it is Bliss.
Kabir says,"Lest the student should suffer pain, the Divine pervades him
through and through." Know yourself then Oh Kabir, For God is in You from
head to foot.  Sing with Gladness and keep your seat unmoved within your
heart.

                      Happy Days and God Bless
                                Uncle-Brother-Papa Dave

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From Loopers-Delight-request@annihilist.com  Mon Dec 20 21:13:54 1999
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From: Echopark99@aol.com
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Date: Mon, 20 Dec 1999 21:08:51 EST
Subject: Re: whats the effect, kenneth? (OT)
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In a message dated 99-12-20 16:58:00 EST, you write:

<< 
 ** you could check out the fulltone supatrem. it has both hard and soft
 waves (i guess square and saw?). the hard gets a pretty cool gating sound .
 . . and you can mix the effect versus straight signal. 
  >>
The Fulltone does get that sound. I use a Dunlop Tremolo, it has a knob to 
adjust from soft to hard wave shape. I had to tweak an internal trim pot or 
two to bunp the effects output a bit, though, as it had a slight dip in 
signal. The Fulltone actually uses a 1 dB boost when engaged and it really 
helps cut through.

When I saw Peter Buck a couple of years ago he was using the Diaz Tremodillo 
pedal, sometimes using a pretty hard chop. It's possible that is also what he 
used in that recording. 

I found the used Dunlop for $70, so after making the tweak I was very happy. 
I think people dump them because they are to quiet when engaged. But some 
careful tweaking will make it better than most others. Gets a full off-on 
chop if you want. Also does stereo panning and will pass a stereo signal 
through bypass or effect with or without pan. Versatile yet simple to use.

eric p
echo park

From Loopers-Delight-request@annihilist.com  Mon Dec 20 23:38:32 1999
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Subject: Re: whats the effect, kenneth? (OT)
From: "Stan Card" <stanitarium@earthlink.net>
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Wow good info-for my own 2 cents worth,I use the TREMELO/PAN PN2 by Boss-it
does the panning etc but for my buck the tremelo depth is the bomb-it goes
dead off between pulses and its almost scary. Boss has a new Tremelo, the
TR2 and it sucks-very weak trem-has the same pot as the pn2, you can go from
saw to square .you can still find used PN2s . ......have a loopy holiday
all.....STANNER

----------
>From: Echopark99@aol.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: whats the effect, kenneth? (OT)
>Date: Mon, Dec 20, 1999, 7:08 PM
>

> In a message dated 99-12-20 16:58:00 EST, you write:
>
> <<
>  ** you could check out the fulltone supatrem. it has both hard and soft
>  waves (i guess square and saw?). the hard gets a pretty cool gating sound .
>  . . and you can mix the effect versus straight signal.
>   >>
> The Fulltone does get that sound. I use a Dunlop Tremolo, it has a knob to
> adjust from soft to hard wave shape. I had to tweak an internal trim pot or
> two to bunp the effects output a bit, though, as it had a slight dip in
> signal. The Fulltone actually uses a 1 dB boost when engaged and it really
> helps cut through.
>
> When I saw Peter Buck a couple of years ago he was using the Diaz Tremodillo
> pedal, sometimes using a pretty hard chop. It's possible that is also what he
> used in that recording.
>
> I found the used Dunlop for $70, so after making the tweak I was very happy.
> I think people dump them because they are to quiet when engaged. But some
> careful tweaking will make it better than most others. Gets a full off-on
> chop if you want. Also does stereo panning and will pass a stereo signal
> through bypass or effect with or without pan. Versatile yet simple to use.
>
> eric p
> echo park
>
> 

From Loopers-Delight-request@annihilist.com  Tue Dec 21 00:16:10 1999
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>From: "althorn" <althorn@supanet.com>
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>
>
>----- Original Message -----
>From: <McMorrough_James/londres_sistemas@sinvest.es>
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>Sent: Monday, December 20, 1999 12:26 PM
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>
>
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From Loopers-Delight-request@annihilist.com  Tue Dec 21 11:40:10 1999
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Date: Tue, 21 Dec 1999 08:25:32 -0800
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From: Rich <rich@nuvision.com>
Subject: Re: whats the effect, kenneth? (OT)
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Hey loopers,

They are a bit hard to find, but the Boss PN-2 Tremelo/Pan gets a strong
on/off sound as well, with variable depth and speed control.(it can go
reaaaaaally sloooow)  I have had mine for about 8 years now and i'm
dreading when it's just gonna get up and die.  Although the Modulation
Modeler coming from Line6 is supposed to have a modeled tremelo in it...We
shall see...

later,

rich

At 09:08 PM 12/20/99 EST, you wrote:
>In a message dated 99-12-20 16:58:00 EST, you write:
>
><< 
> ** you could check out the fulltone supatrem. it has both hard and soft
> waves (i guess square and saw?). the hard gets a pretty cool gating sound .
> . . and you can mix the effect versus straight signal. 
>  >>
>The Fulltone does get that sound. I use a Dunlop Tremolo, it has a knob to 
>adjust from soft to hard wave shape. I had to tweak an internal trim pot or 
>two to bunp the effects output a bit, though, as it had a slight dip in 
>signal. The Fulltone actually uses a 1 dB boost when engaged and it really 
>helps cut through.
>
>When I saw Peter Buck a couple of years ago he was using the Diaz Tremodillo 
>pedal, sometimes using a pretty hard chop. It's possible that is also what
he 
>used in that recording. 
>
>I found the used Dunlop for $70, so after making the tweak I was very happy. 
>I think people dump them because they are to quiet when engaged. But some 
>careful tweaking will make it better than most others. Gets a full off-on 
>chop if you want. Also does stereo panning and will pass a stereo signal 
>through bypass or effect with or without pan. Versatile yet simple to use.
>
>eric p
>echo park
>
>

From Loopers-Delight-request@annihilist.com  Tue Dec 21 11:47:41 1999
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Date: Tue, 21 Dec 1999 10:08:11 -0600
Subject: fs: tc 2290 with sampling option $1825 (harmony central)
From: Travis Hartnett <hartne.t@apple.com>
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FS: TC Electronic 2290 w/30 sec. sample option

Asking Price: US$1825
Condition: Mint
Age: N/A
Description:

       TC 2290 Dynamic Digital Delay and effects controller with 30 sec.
sample and fast trigger options installed. The 2290 has 5 seperate effects
loops,
       sample-on-sample, looping, and modulation, among its many features.
See the reviews in the Harmony Central effects section. Unit is in mint
condition with
       original manual and binder. References available upon request.

Seller: Jonah Whale,
E-mail: jwhale_sea@yahoo.com (Profile)
Post Date: 12/20/99

From Loopers-Delight-request@annihilist.com  Tue Dec 21 12:24:46 1999
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Date: Tue, 21 Dec 1999 08:59:34 -0800
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 thanx! I m glad you brought up Juhnny marr. That was another "Tremolo "classic.
--

On Mon, 20 Dec 1999 16:49:35   Liebig, Steuart A. wrote:
>in that the amplitude modulation in the vox circuit is so extreme that is
>virtually cuts the signal to zero in the deepest setting. what you get is
>that very on/off wobbly sound (which btw was used in combination with a
>noise gate by johnny marr to get his trademark stutter). i have a demeter
>tremulator pedal in addition to a de-cbs'ed super twin w/ a blackface trem
>circuit,
>and neither of these trems do the stutter like the vox. i don't know what's
>out there in tremelo-modelling land these days, but i would think someone
>would have taken the time to digitally cop this classic effect by now.
>
>
>** you could check out the fulltone supatrem. it has both hard and soft
>waves (i guess square and saw?). the hard gets a pretty cool gating sound .
>. . and you can mix the effect versus straight signal. 
>
>the (allegedly) soon-to-be-released mm4 from line6 is supposed to have a
>trem based on the vox trems . . . 
>
>i don't know the sound that's being discussed, so i don't know if the
>supatrem would do - - it may be worth investigating tho', it is akiller
>trem.
>
>stig
>
>


--
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From Loopers-Delight-request@annihilist.com  Tue Dec 21 15:10:40 1999
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Subject: RE: whats the effect, kenneth? (OT)
Date: Tue, 21 Dec 1999 11:36:14 -0800
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Perhaps you meant "get *down* and die."  

Happy christmas to all.

  | -----Original Message-----
  | From: Rich [mailto:rich@nuvision.com]
and i'm
  | dreading when it's just gonna get up and die.

From Loopers-Delight-request@annihilist.com  Tue Dec 21 15:11:59 1999
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Date: Tue, 21 Dec 1999 16:54:11 -0700
Subject: Wich type?
From: Sebastian Woscoboinik <sdw@satlink.com>
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I'll build my own ECHPLEX Foot COntroller. But I need to know which type of
Fott Switch i need.

(7 Seven)    BOSS FS-5U  (Unlatch) or The BOSS FS-5L  (Latch)?


thanking you in advance.




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Subject: Re: how soon is now(was what the
From: "Martin Shellard" <martins@pwdu.demon.co.uk>
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A friend of mine worked with Johnny Marr a while ago and said that Marr was
showing off his (then) new VG-8 by demonstrating how easy it was to get the
"How Soon..." intro sound.

Martin Shellard


----------
>From: "mark givens" <markeg@ivillage.com>
>To: Loopers-Delight@annihilist.com
>Subject: RE: how soon is now(was what the
>Date: Tue, Dec 21, 1999, 4:59 pm
>

>  thanx! I m glad you brought up Juhnny marr. That was another "Tremolo
"classic.
> --
>
> On Mon, 20 Dec 1999 16:49:35   Liebig, Steuart A. wrote:

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Subject: maybe someone can help..........no outright loop content
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anyone know were i might be able to order a couple 8 channel 1/4 to 1/4 inch 
balance snakes for me computor so i might throw some of me LOOPIN to it?
tanks!!!!!
brian

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Date: Tue, 21 Dec 1999 13:38:06 -0800 (PST)
From: Bret <echoplex@yahoo.com>
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Sebastian,
You need to use momentary contact, normally open
switches to make a footswitch for the echoplex digital
pro.  For details see:

http://www.annihilist.com/loop/tools/echoplex/echopedals.html#custom

bret

--- Sebastian Woscoboinik <sdw@satlink.com> wrote:
> I'll build my own ECHPLEX Foot COntroller. But I
> need to know which type of
> Fott Switch i need.
> 
> (7 Seven)    BOSS FS-5U  (Unlatch) or The BOSS FS-5L
>  (Latch)?
> 
> 
> thanking you in advance.
> 
> 
> 
> 
> 

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

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 how easy was it. What was your friend doing with johnny anyway?
--

On Tue, 21 Dec 1999 19:13:14   Martin Shellard wrote:
>A friend of mine worked with Johnny Marr a while ago and said that Marr was
>showing off his (then) new VG-8 by demonstrating how easy it was to get the
>"How Soon..." intro sound.
>
>Martin Shellard
>
>
>----------
>>From: "mark givens" <markeg@ivillage.com>
>>To: Loopers-Delight@annihilist.com
>>Subject: RE: how soon is now(was what the
>>Date: Tue, Dec 21, 1999, 4:59 pm
>>
>
>>  thanx! I m glad you brought up Juhnny marr. That was another "Tremolo
>"classic.
>> --
>>
>> On Mon, 20 Dec 1999 16:49:35   Liebig, Steuart A. wrote:
>
>


--
Join the most exciting community of women on the web!
iVillage.com's FREE membership gets you private email,
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From Loopers-Delight-request@annihilist.com  Tue Dec 21 18:11:35 1999
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From: Echopark99@aol.com
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Date: Tue, 21 Dec 1999 18:05:41 EST
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No matter what you use, it should be pretty easy.  That song is actually one 
of the few covers I've done with someone, I did it with a heavy trem (using a 
softer wave shape) and a medium-speed Uni-vibe (Micro-Vibe) set before the 
trem. I used a compressor pedal in front of that, too, but it's not 
necessary. Adjust the speed of the two pedals so that the trem is going fast 
and the Vibe (a standard phaser might work) set to a slower sweep than the 
trem, maybe half. You'll find it by ear. It's a cool sound...

...that I use sometimes to texturize in my LOOPS (this is the LD list, 
right?).

eric p
echo park


In a message dated 12/21/99 2:39:07 PM, markeg@ivillage.com writes:

>how easy was it. What was your friend doing with johnny anyway?
>--
>
>On Tue, 21 Dec 1999 19:13:14   Martin Shellard wrote:
>>A friend of mine worked with Johnny Marr a while ago and said that Marr
>was
>>showing off his (then) new VG-8 by demonstrating how easy it was to get
>the
>>"How Soon..." intro sound.
>>

From Loopers-Delight-request@annihilist.com  Tue Dec 21 18:16:17 1999
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Subject: Re: DL4 and high level signal...
From: klowy <klowy@wrinklemuzik.com>
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i'm running my DL4 through a switchblade. i have a bunch of different
settings for it. one setting is gtr to DL4, another is gtr to ART SGX2000 to
H3000 harmonizer to DL4 to echoplex to amp (in stereo). and another is gtr
to H3000 to DL4 to amp. no distortion at all.

thought you'd like to know.


klowy



> Is there any sort of clip indicator on the DL4, or are you just
>hearing the distortion? rich

No clip indicator... I'm hearing the nasty crackling sound! Back off
the GT-5 output and all is well... except the level is now very low
requiring more crank than is healthy for my signal to noise ratio.

-Miko

Miko wrote...
>>I tend to run my GT-5 fairly hot to my Mackie 1202VLZ mixer...
Usually around +3 - +6 db. I inititially tested the DL4 in the GT-5
mono fx loop which apparently doesn't run at that level. The loop
seems to work well with stomp boxes. So I did that for about a week,
listening with delight to my new delay modeller wonder box... no
distortion.

>>This weekend, I decided to check out the stereo capabilities POST
GT-5 into my mixer (and into my Korg AM8000r as well as the EDP) and
found that I had to lower the output level of the GT-5 quite a lot to
eliminate digital distortion in the DL4. This might have been ok to a
certain degree, but the level is in the -4 and below range which makes
mixing a bit of a hassle. I end up boosting things everywhere and
generate more noise throughout my system. So as much as I actually
love the box, I'm making the hard decision to let go of it. Ouch...

From Loopers-Delight-request@annihilist.com  Tue Dec 21 18:21:27 1999
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Subject: Re: DL4 and high level signal...
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I DO tend to run things pretty hot, but have been backing them all
down slightly. I probably could have accomodated the DL4 after some
work, but I'm just too snowed with other aspects of my system to deal
with it now. I may end up with one later... admittedly it's a super
box!

I'm green with envy that you're a switchblade owner... someday!

-Miko

>>> klowy <klowy@wrinklemuzik.com> 12/21 2:48 PM >>>
> i'm running my DL4 through a switchblade. i have a bunch of
different settings for it. one setting is gtr to DL4, another is gtr
to ART SGX2000 to H3000 harmonizer to DL4 to echoplex to amp (in
stereo). and another is gtr to H3000 to DL4 to amp. no distortion at
all. thought you'd like to know.

Miko...
>> No clip indicator... I'm hearing the nasty crackling sound! Back
off the GT-5 output and all is well... except the level is now very
low requiring more crank than is healthy for my signal to noise
ratio.



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Sorry everybody that was meant to go to Brian directly.  I could blame AOL 
but it was my fault.

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Just about any recording/studio store should have them.

I've gotten some at Sam Ash (locally) but if you have no stores nearby, I 
think they have a mail order division. 

If you're on the cheap you can get the Hosa brand (not sure if they make 
balanced 1/4", though) - pay no more than $40 or so for this brand. I use 
that on my live loop-sample rig because it's not a pristine studio situation.

In the studio you might step up to a better quality. I have balanced 1/4" 8 
ch. snake, pro quality. I think it goes for $120 but got it used for $60 - 
also at Sam Ash. You might do a web search on "Recording supplies" if you 
can't go to a store.

good luck
eric p
echo park


In a message dated 12/21/99 2:45:58 PM, ENAT21213@aol.com writes:

>anyone know were i might be able to order a couple 8 channel 1/4 to 1/4
>inch 
>balance snakes for me computor so i might throw some of me LOOPIN to it?
>tanks!!!!!
>brian
>

From Loopers-Delight-request@annihilist.com  Tue Dec 21 19:02:55 1999
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I've experienced clipping too, so I keep the input in check.  I haven't
experienced it to the point where I need to compensate at the mixer so much
it introduces unbearable noise.

I use the DL4 in variety of places:
-an aux send on my Mackie 1202
-from the outputs of my POD (yeah, stereo!)
-between my Ovation and amp (or home stereo if I practice upstairs)

I would say it tends to break up at the same levels (or a little lower) as
my EDP.  Of course the EDP does have UNDO or an adjustable feedback to
quickly rid the loop of the infringing overload.  With the DL4 your stuck
with the static until it fades over a few minutes, you manually fade out via
the mix, or you stop the loop.

-Greg

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>>> "G716 - Greg S." <g716@hotmail.com> 12/21 3:34 PM >>>
> I've experienced clipping too, so I keep the input in check.  I
haven't experienced it to the point where I need to compensate at the
mixer so much it introduces unbearable noise.

I'm not willing to use it on an aux send due to phasing and volume
problems... Maybe the Alt 3/4 on the Mackie... although my original
intent with this box was as a small rig (no rack or mixer) setup.

I've got a friend who uses his after his guitar amp/Holdsworth
Harness/EQ setup and he also has to compensate to the point that he
then has to jack his mixer and induce more hiss as well. He has no
other looper so he's pretty dedicated to making it work. 

The box is so much fun... This is definitely what all the Boomerang
users were raving about. Fun user interface...

-Miko

From Loopers-Delight-request@annihilist.com  Tue Dec 21 20:20:58 1999
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Subject: Re: Wich type?
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That route will cost you a bundle and be unweildy.  Check out the Looper's
Delight website for the simple switches and resistors you'll need to build
an EDP foot controller.  It's easy; I made one in a 4" X 2" aluminum
channel about 18" long.

David Myers

>I'll build my own ECHPLEX Foot COntroller. But I need to know which type of
>Fott Switch i need.
>
>(7 Seven)    BOSS FS-5U  (Unlatch) or The BOSS FS-5L  (Latch)?
>
>
>thanking you in advance.



From Loopers-Delight-request@annihilist.com  Wed Dec 22 06:29:09 1999
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Subject: David Torn Guestbook
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Hi all,

Just to let you know I've added a guestbook to the David Torn site .. you can
get to it through the "DT" logo on the index page. Or go straight there with
this URL:

     http://www.gaalore.com/davidtorn.nsf/Guests

- all the best,
John


From Loopers-Delight-request@annihilist.com  Wed Dec 22 07:30:50 1999
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Merry looping Xmas to you all

Emmanuel

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From: "Jean or Colin Jenkinson" <jeancolin@earthlink.net>
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let  Xmas = Xmas

Colin|niloC

-----Original Message-----
From: PERILLE <perille@club-internet.fr>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, December 22, 1999 4:46 AM
Subject: Xmas


>Merry looping Xmas to you all
>
>Emmanuel
>
>

From Loopers-Delight-request@annihilist.com  Wed Dec 22 14:14:14 1999
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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: "lance glover" <baumhaus@earthlink.net>, <Loopers-Delight@annihilist.com>
Subject: Re: whats the effect, kenneth? (OT)
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>mark givens wrote:
>
>> dear list: whats the best pedal for creating the shimmering sound of
"Whats the FREQUENCY KENneth "off of REM 's Monster lp.  As you can see im
buying a lot of fx.  I likeddidcated pedals instead of all in one deals
becaose i like knobs. I like my whammy though but one is enough . Im looking
at the Ibanez chorus flange modulator next($69 at musiciansfriend.com. Any
reviews?

>and lance glover replied:
>as was previously noted, this is a tremelo effect. (snip)
>...i don't know what's out there in tremelo-modelling land these days, but
i would think someone would have taken the time to digitally cop this
classic effect by now.


..and I add, still off-topic:
    1) The Roger Mayers high-priced trem box (sorry, I forgot the name) will
do multiple trems with a variety of wave shapes. The secret ingredient is to
access a square wave - that's the shape of your volume going on-off-on-off.
    2) Another great amp with a wicked good "hard on-off" trem is the old
Ampeg guitar amp line; the Gemini I , II and VI were staples of the sixties
garage band scene here on Lawn Guyland New Yawk.
    3) The Roland GT-3 effects processor (besides being so stupidly good I
get nothing done these days besides plug in, tweak and loop) has a powerful
multi-rhythm trem-like effect in it called "Slicer". If it comes out in a
seperate pedal, it could fit Mark's bill.
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us


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    1) The Roger Mayers high-priced trem box (sorry, I forgot the name) will
do multiple trems with a variety of wave shapes. The secret ingredient is to
access a square wave - that's the shape of your volume going on-off-on-off.

** are you sure that it's not the lovetone wobulator that you're thinking
of?? two different trem oscillators, two different wave shapes (square and
saw) for each. four different combinations.

stig

From Loopers-Delight-request@annihilist.com  Wed Dec 22 21:08:57 1999
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From: improv@peak.org (Dave Trenkel)
Subject: Re: whats the effect, kenneth? (OT)
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>>mark givens wrote:
>>
>>> dear list: whats the best pedal for creating the shimmering sound of
>"Whats the FREQUENCY KENneth "off of REM 's Monster lp.  As you can see im
>buying a lot of fx.  I likeddidcated pedals instead of all in one deals
>becaose i like knobs. I like my whammy though but one is enough . Im looking
>at the Ibanez chorus flange modulator next($69 at musiciansfriend.com. Any
>reviews?
>
>>and lance glover replied:
>>as was previously noted, this is a tremelo effect. (snip)
>>...i don't know what's out there in tremelo-modelling land these days, but
>i would think someone would have taken the time to digitally cop this
>classic effect by now.
>
>
>..and I add, still off-topic:
>    1) The Roger Mayers high-priced trem box (sorry, I forgot the name) will
>do multiple trems with a variety of wave shapes. The secret ingredient is to
>access a square wave - that's the shape of your volume going on-off-on-off.
>    2) Another great amp with a wicked good "hard on-off" trem is the old
>Ampeg guitar amp line; the Gemini I , II and VI were staples of the sixties
>garage band scene here on Lawn Guyland New Yawk.
>    3) The Roland GT-3 effects processor (besides being so stupidly good I
>get nothing done these days besides plug in, tweak and loop) has a powerful
>multi-rhythm trem-like effect in it called "Slicer". If it comes out in a
>seperate pedal, it could fit Mark's bill.

I think the best tremelo effect I've gotten is through my modular synth:
split the signal, patch into 2 VCA's, patch an LFO into one, patch the same
inverted into the other, viola!

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


From Loopers-Delight-request@annihilist.com  Thu Dec 23 08:33:28 1999
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Dave Trenkel wrote:

> 
> I think the best tremelo effect I've gotten is through my modular synth:
> split the signal, patch into 2 VCA's, patch an LFO into one, patch the same
> inverted into the other, viola!
> 

The waldorf 4 pole is a wonderful tremolo if you ask him to do so

another great and less expensive toy is the the nobels TR-X tremolo
stomp box 

sinus and square lfo in two width range , eff lev, tone(bite of the
effect ?), speed and intensity

at a very low price the whole line of stomp boxes are a gift for the ear

Claude

http://www.harmony-central.com/Effects/Data/Nobels/
http://www.nobels.com/english.htm

From Loopers-Delight-request@annihilist.com  Thu Dec 23 12:10:32 1999
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From: "David Potter" <papadave55@hotmail.com>
To: loopers-delight@annihilist.com
Subject:  Xmas Full Moon Looping and DJRND2 experience and demo
Date: Thu, 23 Dec 1999 08:58:00 PST
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Hi Emmanuel, Thanks for writing back.  Just keep in touch.  I will contact 
loopers delight and several local loopers to see how many would want to 
come.  Would you be flying here just for that or do you have other plans as 
well?  I would love to hear what you do with the DJRND2 if you would send me 
a demo tape at the same address as the letter below.  Let me know when you 
are coming so I can set a date so others can make plans.  I would also 
contact varius music stores if you would want to take it to show them how it 
works.  San Francisco is 100 miles away but there are a few music stores 
that have DJ stuff.  I still am puzzled as to how it works.  Do you plug in 
a mike  or CD player or sounds from the room?  Can you put in a guitar 
signal or keyboard signal?  Do you use it with hands only?  I love to sound 
effects and looping weird ways.  I have 2 jamman and EDP and a  Akai 
headrush and boomerang.  I use 2 vortex to twist the sounds.  I use a midi 
guitar thru a GT 5 (guitar effects processor) and a GR 30 guitar synth to 
get great sounds.  I have heard alot about your looper and think it might be 
a fun tool for looping.  Need to hear and see how it works.  Thanks for 
writing.  Papa Dave    Happy Millinium  Great Full Moon last night.


>From: PERILLE <perille@club-internet.fr>
>Reply-To: perille@club-internet.fr
>To: papadave55@hotmail.com
>Subject: Re : Xmas
>Date: Thu, 23 Dec 1999 02:07:26 +0100
>
> > Hi Emmanuel,  What ever happened to the looper?  I thought you were 
>going to
> > send it to Calif.?????  I am still interested.  Are you??
> > I have a group of loopers that will meet for several sessions to check 
>it
> > out.  Happy Hollidays, Papa Dave Potter  345 Avocado Road
> >                            Corralitos,California 95076  USA
> >                             phone #  831 7249194
> >
>
>Hi Papa Dave
>
>The best I think would be I come so you can exactly realise how it
>works. Must plan it. Wanted to do it this month but too short. So maybe
>on January, but I would like to end a task before, which is not over
>yet.
>
>How many people do you think you could invite for demos, and how long
>should it take ?
>
>DJRND2 is not very much for professional musicians, but rather for
>people who are just fond of homelooping different materials in order to
>mix them all together to make a LOOP MARMELADE. Maybe more interesting
>for people who makes mixtapes than playing musical instruments.
>
>Btw, I can prepare another demo tape if you want (exclusively made for
>you, cause I am not able to CD carve it yet), demo made with different
>passages of my DJRND2 looping delights. You can also ask Michael
>(Nemoguitt@aol.com) who has already listened to different looping
>remixes I have made. He says of my music I am nuts but loves it.
>
>Otherwise, I suppose I will probably stay several days in CA before
>flying back home. Should also look for accomodatings.
>
>Anyway it is stil in my mind.
>
>See you soon on 2000, Papa Dave, and enjoy your hollidays
>
>Emmanuel
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: nitesh patel <tesh@gte.net>
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buy a sp808 groove box it has the best drum sets and it has old school analog
dials to make the sounds they hear

Mr. Tough wrote:

> >From: "Bruce Comens" <bcomens@corelli.nexus.it>
> >Reply-To: Loopers-Delight@annihilist.com
> >To: <Loopers-Delight@annihilist.com>
> >Subject: R: Drum machines--other neophyte questions
> >Date: Fri, 3 Dec 1999 11:45:06 -0500
> >
> > > * Touch Sensitive Pads
> >
> >Does this mean you can control volume by how hard you tap them?   And does
> >that
> >mean you can actually "play" the DR 660 (I've been thinking of the 770,
> >actually) in real (hah!) time?
> >
> You can play it in real time. You can also program it in real time. I
> realize that a lot of drum machines do this, but it's a lot of fun to do.
> Another cool thing you can do in the DR660 is shut off the the error
> correction, so you can make really flawed, sloppy sounding drum patterns.
> Although a lot of folks like it, the DR660 is kind of a cheesy sounding drum
> machine. It takes a lot of effort to make it sound like anything you'd hear
> on a CD. I can imagine a lot of bands feeling slightly embarrassed about the
> obvious "drum machine bought for $300 at guitar center" sound. (Except for
> bands that go for that sound in particular.)
>
> Mr. Tough
> Mr. Tough
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com



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Subject: RE: R: Drum machines--other neophyte questions
Date: Thu, 23 Dec 1999 10:40:06 -0800
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The sp808 doesn't have any drum sets. It just plays back samples you record.

-----Original Message-----
From: nitesh patel [mailto:tesh@gte.net]
Sent: Thursday, December 23, 1999 12:34 PM
To: Loopers-Delight@annihilist.com
Subject: Re: R: Drum machines--other neophyte questions


buy a sp808 groove box it has the best drum sets and it has old school
analog
dials to make the sounds they hear

Mr. Tough wrote:

> >From: "Bruce Comens" <bcomens@corelli.nexus.it>
> >Reply-To: Loopers-Delight@annihilist.com
> >To: <Loopers-Delight@annihilist.com>
> >Subject: R: Drum machines--other neophyte questions
> >Date: Fri, 3 Dec 1999 11:45:06 -0500
> >
> > > * Touch Sensitive Pads
> >
> >Does this mean you can control volume by how hard you tap them?   And
does
> >that
> >mean you can actually "play" the DR 660 (I've been thinking of the 770,
> >actually) in real (hah!) time?
> >
> You can play it in real time. You can also program it in real time. I
> realize that a lot of drum machines do this, but it's a lot of fun to do.
> Another cool thing you can do in the DR660 is shut off the the error
> correction, so you can make really flawed, sloppy sounding drum patterns.
> Although a lot of folks like it, the DR660 is kind of a cheesy sounding
drum
> machine. It takes a lot of effort to make it sound like anything you'd
hear
> on a CD. I can imagine a lot of bands feeling slightly embarrassed about
the
> obvious "drum machine bought for $300 at guitar center" sound. (Except for
> bands that go for that sound in particular.)
>
> Mr. Tough
> Mr. Tough
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com




From Loopers-Delight-request@annihilist.com  Thu Dec 23 14:12:47 1999
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From: "tony moore" <moorelab@hotmail.com>
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Subject: arleta, ca? (minimal bass-loop content)
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(warning - minimal musical content :-)

hey folks,

i may be relocating to (near) arleta, ca from cincinnati, oh. being a 
midwest native, i am absolutely clueless about ca. anyone know anything 
about the area? decent area to live w/family? (fwiw, i have a wife and two 
adopted guatemalan daughters) places for live music? etc? any info at all 
greatly appreciated! thanks and happy holidays!

tony
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Dec 23 14:50:29 1999
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From: "David Potter" <papadave55@hotmail.com>
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Never heard or Arleta Ca.  I'm Papa Dave in Santa Cruz Ca. This is very cool 
here.  Mountains, ocean, liberal people, several loopers and a Spiritual 
Community.  Good luck in Arleta???? papa dave


>From: "tony moore" <moorelab@hotmail.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: bass@magpie.com, Loopers-Delight@annihilist.com
>Subject: arleta, ca? (minimal bass-loop content)
>Date: Thu, 23 Dec 1999 14:06:38 EST
>
>(warning - minimal musical content :-)
>
>hey folks,
>
>i may be relocating to (near) arleta, ca from cincinnati, oh. being a
>midwest native, i am absolutely clueless about ca. anyone know anything
>about the area? decent area to live w/family? (fwiw, i have a wife and two
>adopted guatemalan daughters) places for live music? etc? any info at all
>greatly appreciated! thanks and happy holidays!
>
>tony
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Dec 23 18:06:37 1999
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=====

Robert Kolosowski
Kolosoro@Yahoo.com

_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Dec 23 18:14:49 1999
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From: Echopark99@aol.com
Message-ID: <0.a54ec22d.2594044f@aol.com>
Date: Thu, 23 Dec 1999 18:03:43 EST
Subject: Re: Merry Christmas,Happy Hollidays
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Thanks Papa Narendra!!

My girlfriend and I are off to the Grand Canyon, down to the bottom on 
Christmas Day for a little peace and contemplation and plenty of SINGING!

God Bless!

eric p 
echo park

> ...Sing with Gladness and keep your seat unmoved within your
>heart.
>
>                      Happy Days and God Bless
>                                Uncle-Brother-Papa Dave
>

From Loopers-Delight-request@annihilist.com  Thu Dec 23 18:16:31 1999
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From: Echopark99@aol.com
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Date: Thu, 23 Dec 1999 17:51:29 EST
Subject: Re: arleta, ca?   L.A. looping scene
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Arleta is down here in So. Cal. It's in the San Fernando Valley and I believe 
that technically it is officially part of the city of Los Angeles, though it 
is perhaps 20-25 minutes from downtown L.A.  It's not nearly as beautiful as 
Papa Dave's neck o' the woods but California in general is  fantastic - I'm 
originally from PA.  Don't know much about the Arleta neighborhood in 
particular but the Valley is very family-oriented and your Guatemalan 
daughters should have little if no trouble assimilating  into the 
multi-cultutral social make-up. The area is mostly Latino and there are 
plenty of folks here from So. America including children. One downside is 
this confluence of cultures can produce a non-typical-American aesthetic - 
litter, less orderly appearance of homes and yards and cars, etc. - basically 
more like life in poorer Southern Hemisphere countries. But all that is 
merely appearances.

There's quite a few of us L.A. loopers here on the list, and it seems that 
we're gaining some new clubs that encourage experimental and/or ambient 
and/or improvised live music. Most notably the famed Knitting Factory (from 
NYC) is setting up shop in Hollywood (about 15 min from Arleta) and should be 
up and running this Spring. Also a few smaller clubs and some coffee joints 
where you can just show up with a loop rig and do your thing.  I became a 
performing musician only after coming to L.A. 12 years ago (started playing 
in '92) and this is due to the kind, wonderful, capable players who I met and 
learned from and were encouraged by. 

There is plenty of lousy stuff being made and displayed in L.A. (so many want 
to be something they're not), and it can be hard to avoid, but after maybe 
two years you learn to filter or not be bothered with that stuff, and you can 
dig very deep into the interesting things that are happening - and there's 
just about something for everyone, and if there isn't there seems to be the 
resources to start something.

It just takes discipline to drive past these cool music shops without pulling 
over and busting out the credit card...

OK that's enough for the list... Please email me privately and we can talk 
some more. Good luck and maybe we'll see you soon?  I'll be in the grand 
canyon until the 28th so no email for a while...

eric p
echo park

In a message dated 12/23/99 12:12:46 PM, moorelab@hotmail.com writes:

>i may be relocating to (near) arleta, ca from cincinnati, oh. being a 
>midwest native, i am absolutely clueless about ca. anyone know anything
>about the area? decent area to live w/family? (fwiw, i have a wife and two 
>adopted guatemalan daughters) places for live music? etc? any info at all
>greatly appreciated! thanks and happy holidays!
>tony

From Loopers-Delight-request@annihilist.com  Fri Dec 24 01:32:25 1999
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Date: Thu, 23 Dec 1999 22:14:22 -0800 (PST)
From: Haitch Cee <hcee@vcn.bc.ca>
To: Loopers-Delight@annihilist.com
Subject: plutonian nights radio show tonight
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heya folks

tonights show will be a 100% loop based (tape/a-b) improv composition .
thought some on here may be interested, more info on the website, press
release located at:

http://sine.ranch.org/pluto/pressrelease.html

merry xmas =)
rich

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
haitch c soundcraft   /   sinesite:  http://sine.ranch.org
s i n u s o i d a l   \   email:            sine@ranch.org
records / bc.canada   /   artists. mp3s. realaudio. forums.
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
plutonian nights radio show -+- http://sine.ranch.org/pluto

From Loopers-Delight-request@annihilist.com  Fri Dec 24 05:00:56 1999
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To: "nitesh patel" <tesh@gte.net>, <Loopers-Delight@annihilist.com>
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Subject: Re: R: Drum machines--other neophyte questions
Date: Fri, 24 Dec 1999 10:43:54 +0100
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Another option is a drum loop software.
An excellent software, realy worthwhile looking at is FruityLoops
(www.FruityLoops.com). This soft started off as a drum loop creation tool,
but in the mean while it has evolved to a full sequencer software (including
SoftSynth).
It easy of use combined with its powerfull features makes it worthwhile to
look at.

By the way, I use this software as my personal guitar accompaignon. I just
load some rythem loops and there we go ...

fvb@eatthis.com


----- Original Message -----
From: "nitesh patel" <tesh@gte.net>
To: <Loopers-Delight@annihilist.com>
Sent: donderdag 23 december 1999 21:33
Subject: Re: R: Drum machines--other neophyte questions


> buy a sp808 groove box it has the best drum sets and it has old school
analog
> dials to make the sounds they hear
>
> Mr. Tough wrote:
>
> > >From: "Bruce Comens" <bcomens@corelli.nexus.it>
> > >Reply-To: Loopers-Delight@annihilist.com
> > >To: <Loopers-Delight@annihilist.com>
> > >Subject: R: Drum machines--other neophyte questions
> > >Date: Fri, 3 Dec 1999 11:45:06 -0500
> > >
> > > > * Touch Sensitive Pads
> > >
> > >Does this mean you can control volume by how hard you tap them?   And
does
> > >that
> > >mean you can actually "play" the DR 660 (I've been thinking of the 770,
> > >actually) in real (hah!) time?
> > >
> > You can play it in real time. You can also program it in real time. I
> > realize that a lot of drum machines do this, but it's a lot of fun to
do.
> > Another cool thing you can do in the DR660 is shut off the the error
> > correction, so you can make really flawed, sloppy sounding drum
patterns.
> > Although a lot of folks like it, the DR660 is kind of a cheesy sounding
drum
> > machine. It takes a lot of effort to make it sound like anything you'd
hear
> > on a CD. I can imagine a lot of bands feeling slightly embarrassed about
the
> > obvious "drum machine bought for $300 at guitar center" sound. (Except
for
> > bands that go for that sound in particular.)
> >
> > Mr. Tough
> > Mr. Tough
> >
> > ______________________________________________________
> > Get Your Private, Free Email at http://www.hotmail.com
>

From Loopers-Delight-request@annihilist.com  Sat Dec 25 08:36:14 1999
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Hi guys,

Did anyone try the new Boss VF-1? I had some fun with the Roland
GP-100 with 4.8 secs of delay. I'd like to know if the VF-1 (which could
be seen as the next step in COSM/digital fx units) has the same delay
time.

Robert

From Loopers-Delight-request@annihilist.com  Sat Dec 25 10:19:42 1999
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Subject: Re: Anyone tried the Boss VF-1?
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Robert-

I haven't had time to dig into my VF-1 too deeply for a real review.  I can
tell you that the maximum delay time is 2.8 seconds.  The box will do a
hell of a lot and the sound is very good indeed.  For my purpose--general
guitar effector as input to loops--it serves quite well.  But as someone on
the list has mentioned, it would be nice to be able to go more over the top
with the stranger effects.  There are a large number of algorithms (36) and
the order of effects within each can be changed, etc., but I prefer a
system which will allow all effects possible for the box to be used at
once.  I believe the Alesis Quadraverb and Digitech 256 are set up this
way, as is the Boss ME-8 which I owned before the VF-1.  I was hoping that
the VF-1 had a similar arrangement.  But so far I'm getting great results
with the box and have no intention of letting it go.  All the usual effects
are there, and guitarists (I mean real guitarists, not me) will probably
love the amp simulations and so forth.  For me, they add too much noise;
I've never even owned a guitar amp.  Oh, and the reverbs are so-so, as you
might expect from Boss.  End of non-review....

David Myers

>Did anyone try the new Boss VF-1? I had some fun with the Roland
>GP-100 with 4.8 secs of delay. I'd like to know if the VF-1 (which could
>be seen as the next step in COSM/digital fx units) has the same delay
>time.
>
>Robert



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Merry Christmas everyone!

Hey, a while back there was a thread on modifying a small-bodied
Steinberger to contain additional electronics; since the archive's still
not working correctly, does anyone remember when this was? (This would be
the one with the reference to the Steiny's small area as "real estate", not
the one with the pics of the white Steiny with EDP switches mounted on the
side...)

Tim

From Loopers-Delight-request@annihilist.com  Sat Dec 25 17:05:28 1999
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From: ANET@aol.com
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Date: Sat, 25 Dec 1999 16:59:50 EST
Subject: Re: Acoustic guitar looping and feedback problems
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Old Thread I know, but I am only an Acoustic Player and wanted to join in 
conversation.

Martin thinline Piezoelectric installed in the bridge does the trick.  No 
need for soundhole covers, and feedback is virtually eliminated even at loud 
volumes.

Ok, so the argument goes, the piezo sound is not natural acoustic sound.  
While this maybe true from a recording studio perspective, I have never once 
had anyone tell
me in a live performance that the sound was crappy. Quite the contrary, many 
have
complemented me on the sound.

Yes, the piezo seems to magnify the higher ends.  Agreed!  This effect is 
completely 
compensated for with a good pre-amp.  What preamp?  Crate Acoustic amps are 
unmatched for production line acoustic amps and they make a great rack mount 
preamp as well.  With the Crate amps (in particular the 125-D or rack mount 
equivalent), you can go from extreme bass to extreme treble.  It has three 
preamp
filters (bass, mid, and treble) with a 10 band eq for output.  The line out 
allows for 
direct connection into the house PA, which will allow you to crank your sound 
to 
any drum-level necessary.  

So, forget the sound hole covers, buy a piezo - $90 - $120 (Martin thinline). 
 Then get a good preamp.  Say good bye to feedback forever.  

From Loopers-Delight-request@annihilist.com  Sat Dec 25 18:48:05 1999
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From: "Robert van der Kamp" <robnet@wxs.nl>
To: <Loopers-Delight@annihilist.com>
Subject: Anyone tried the Lexicon MPX-1?
Date: Sat, 25 Dec 1999 23:34:22 +0100
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Hi all,

Just read that the MPX-1 has a looper effect built in.
Did anyone try it?

Thanks,
Robert

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Subject: Re: Anyone tried the Lexicon MPX-1?
From: "Christopher White" <magicicada@mindspring.com>
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yes sir!
i have_ i love it_it loves me
i use it in conjuction witha  quad 2 a dd3 and my sp808_ i record live to
minidisc_
the mpx-1 is awesome the efxs are rich and i can use a multitufe of other
efxs in conjcution with the loops_ highly recommended_if this is not
offensive i will say 
merry christmas.qwanza.hanukkah.pagan love fest.satanworship
regard
c.white
>From: "Robert van der Kamp" <robnet@wxs.nl>
>To: <Loopers-Delight@annihilist.com>
>Subject: Anyone tried the Lexicon MPX-1?
>Date: Sat, Dec 25, 1999, 6:34 PM
>

>Hi all,
>
>Just read that the MPX-1 has a looper effect built in.
>Did anyone try it?
>
>Thanks,
>Robert
>

From Loopers-Delight-request@annihilist.com  Sun Dec 26 00:51:57 1999
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In a message dated 12/26/99 4:10:16 AM, magicicada@mindspring.com writes:

>>Hi all,
>>
>>Just read that the MPX-1 has a looper effect built in.
>>Did anyone try it?
>>
Agree, it's a great device, but the looper,  while hip, is very short...2 
sec. only. Better get a G2 for looping, since it's got 20-sec mono delay (or 
10 sec. stereo),  and a stripped-down version of the Jamman...or even better, 
find yourself a used PCM-80 and  max the RAM for 42 sec stereo/84 sec mono 
delay, plus an OS that will let you build very cool loopers, a la the Vortex, 
with level-sensitive  triggering, etc.
dpc

From Loopers-Delight-request@annihilist.com  Sun Dec 26 08:20:14 1999
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Hi,

What do I need to get a true stereo looper setup?
Of coarse, the 2 plexes are a good but costly solution.
I wonder, are there any stereo loopers out there?
Someone mentioned an old Lexicon unit (forgot the name).

Robert

From Loopers-Delight-request@annihilist.com  Sun Dec 26 08:23:02 1999
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Subject: Anyone know the looper in the Lexicon MPX G2?
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Hi all,

still looking for the (nearly) perfect looper. Someone mentioned
the G2 as a looper. Can someone tell me how the looper works?
For example, is it true stereo, does it have the backward option,
2 speeds? And the G2 in general, is it a good device?

Thanks,
Robert

From Loopers-Delight-request@annihilist.com  Sun Dec 26 17:13:47 1999
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Date: Sun, 26 Dec 1999 14:05:38 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Anyone know the looper in the Lexicon MPX G2?
In-reply-to: <386614FB.6C7FC207@wxs.nl>
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>Hi all,
>
>still looking for the (nearly) perfect looper. Someone mentioned
>the G2 as a looper. Can someone tell me how the looper works?
>For example, is it true stereo, does it have the backward option,
>2 speeds? And the G2 in general, is it a good device?
>
>Thanks,
>Robert

I recently received a great review of the looping section of the Lex
MPX-G2. That should be on the Looper's Delight site soon. Sort of a
stripped down jamman. It doesn't have speed or reverse, but it does have
feedback control and replace, two other functions necessary for your
perfect looper, imo.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Sun Dec 26 18:17:08 1999
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Date: Sun, 26 Dec 1999 15:01:34 -0800
From: "Rev. Doubt-Goat" <dgoat@quik.com>
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93

ANET@aol.com wrote:
> Martin thinline Piezoelectric installed in the bridge does the trick.  No
> need for soundhole covers, and feedback is virtually eliminated even at loud
> volumes.

Specifically, Martin Thinline Gold. That's the high-end. Don't forget
that the Martin is actually made by Fishman. I've also heard good things
about Highlander, and B-Band.
 
> Yes, the piezo seems to magnify the higher ends.  Agreed!  This effect is
> completely
> compensated for with a good pre-amp.  What preamp?

SansAmp Acoustic DI is my favored.

> So, forget the sound hole covers, buy a piezo - $90 - $120 (Martin thinline).
>  Then get a good preamp.  Say good bye to feedback forever.

Heh. Forever is a looong time ;-) Any instrument with a sound chamber is
going to feedback at sufficient volume levels. The bigger the air
chamber and the louder the volume, the more likelihood of feedback. Now
most modern A/E guitars are relatively feedback resistant, but there is
no such thing as feedback proof.

Personally, I'd imagine that a strat with a power bridge would be the
ultimate way to go volume and flexibility-wise.

93
Rev. Doubt-Goat


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93

Robert van der Kamp wrote:

> What do I need to get a true stereo looper setup?
> Of coarse, the 2 plexes are a good but costly solution.
> I wonder, are there any stereo loopers out there?
> Someone mentioned an old Lexicon unit (forgot the name).

The JamMan is NOT a stereo looper. I don't think there *is* a dedicated
stereo looper. Course, one of those Eventides or Lexicons might,
*might*, have stereo looping, but by then you're way over the cost of 2
plexes.

93
Fr. Doubt-Goat

                         +++ +++++ +++
                  Sekhet-Maat Oasis, O.T.O.
                  http://www.sekhetmaat.com
                         +++ +++++ +++

From Loopers-Delight-request@annihilist.com  Sun Dec 26 19:22:35 1999
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Message-ID: <3866B010.F468DEDE@jimmygeorgearts.com>
Date: Sun, 26 Dec 1999 18:17:20 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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 i have found the sunrise pickup to offer the flexibility's i need for
performance. i run my acoustics through the j-150 amp from the sunrise with no
pre amp between the amp and guitar. the level is lower this way going in allowing
what i feel to be a more earthy tone. i use many 'electric' effects and tweak the
gates from room to room just enough to hold down the fort of feedback. even in a
true form, no fx's, the sunrise works well to increase volume with limited
feedback problems. the magnetically wound sunrise gives me the less brassy more
versatile application that i need and can't find in piezo pickups. i used to run
my sunrise in stereo with a highlander piezo via the pendulum sps pre amp but
ended up dialling in more and more of the sunrise until i all but used the
highlander. i have choosen to cut in half the feedback cover and place beside the
sunrise in the middle. i do not fill my guitars insides with anything. i like the
air to move some. the sound of pickups can be very subjective. find what works
for you as best from go and then work from there. even if i did not process
sounds like i currently do and took a more pure approach i'd still opt the
sunrise over any piezo pick up on market. as for end pin jacks, !@@#!#!!!#@! they
don't make em like i need em! i found a jack that takes abuse and needs no
constant tightening show to show, the al parts gold screw in switch craft with no
washers. from al parts. part number, ep 4602, it screws right in very tight with
a quarter or screwdriver from the outside and seems to hold a very solid
connection. time will tell if it lasts or for how long. i have also used the sans
amp acoustic direct box and like it plenty. i use it when i go into most other
sources of pa ect. to give me a bit more control. with the johnson it is
unnecessary. i have gone back and forth with many different pre amps and will
solicit more advise if you request. as for combos you will sound like they sound.
if you find one you really like then you have scored. they can make for a nice
moniter addition for your ears on stage. i have owned a few traces and played
stints on almost all other models available, crate, ca blonde, roland,  marshall,
fender sonic, ect. before my johnson amp i had about 400 pounds of separate
components creating my sound. ultimately from the haffler power amps to the bag
end speakers. this has been replaced with 72 pounds of millennium. i am very
pleased with the johnson and do not understand why they don't market it more as
an acoustic / electric amp. the vintage 30 12's inside are more guitar oriented
speakers than the bag ends allowing more punch per note.

i like anet's optimism below. piezo's are not for me today.

good luck and happy holidays

jimmy george
www.jimmygeorgearts.com


ANET@aol.com wrote:

> Old Thread I know, but I am only an Acoustic Player and wanted to join in
> conversation.
>
> Martin thinline Piezoelectric installed in the bridge does the trick.  No
> need for soundhole covers, and feedback is virtually eliminated even at loud
> volumes.
>
> Ok, so the argument goes, the piezo sound is not natural acoustic sound.
> While this maybe true from a recording studio perspective, I have never once
> had anyone tell
> me in a live performance that the sound was crappy. Quite the contrary, many
> have
> complemented me on the sound.
>
> Yes, the piezo seems to magnify the higher ends.  Agreed!  This effect is
> completely
> compensated for with a good pre-amp.  What preamp?  Crate Acoustic amps are
> unmatched for production line acoustic amps and they make a great rack mount
> preamp as well.  With the Crate amps (in particular the 125-D or rack mount
> equivalent), you can go from extreme bass to extreme treble.  It has three
> preamp
> filters (bass, mid, and treble) with a 10 band eq for output.  The line out
> allows for
> direct connection into the house PA, which will allow you to crank your sound
> to
> any drum-level necessary.
>
> So, forget the sound hole covers, buy a piezo - $90 - $120 (Martin thinline).
>  Then get a good preamp.  Say good bye to feedback forever.

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 i have found the sunrise pickup to offer the flexibility's i need for
performance. i run my acoustics through the j-150 amp from the sunrise with no
pre amp between the amp and guitar. the level is lower this way going in allowing
what i feel to be a more earthy tone. i use many 'electric' effects and tweak the
gates from room to room just enough to hold down the fort of feedback. even in a
true form, no fx's, the sunrise works well to increase volume with limited
feedback problems. the magnetically wound sunrise gives me the less brassy more
versatile application that i need and can't find in piezo pickups. i used to run
my sunrise in stereo with a highlander piezo via the pendulum sps pre amp but
ended up dialling in more and more of the sunrise until i all but used the
highlander. i have chosen to cut in half the feedback cover and place beside the
sunrise in the middle. i do not fill my guitars insides with anything. i like the
air to move some. the sound of pickups can be very subjective. find what works
for you as best from go and then work from there. even if i did not process
sounds like i currently do and took a more pure approach i'd still opt the
sunrise over any piezo pick up on market. as for end pin jacks, !@@#!#!!!#@! they
don't make em like i need em! i found a jack that takes abuse and needs no
constant tightening show to show, the al parts gold screw in switch craft with no
washers. from al parts. part number, ep 4602, it screws right in very tight with
a quarter or screwdriver from the outside and seems to hold a very solid
connection. time will tell if it lasts or for how long. i have also used the sans
amp acoustic direct box and like it plenty. i use it when i go into most other
sources of pa ect. to give me a bit more control. with the johnson it is
unnecessary. i have gone back and forth with many different pre amps and will
solicit more advise if you request. as for combos you will sound like they sound.
if you find one you really like then you have scored. they can make for a nice
monitor addition for your ears on stage. i have owned a few traces and played
stints on almost all other models available, crate, ca blonde, roland,  marshall,
fender sonic, ect. before my johnson amp i had about 400 pounds of separate
components creating my sound. ultimately from the haffler power amps to the bag
end speakers. this has been replaced with 72 pounds of millennium. i am very
pleased with the johnson and do not understand why they don't market it more as
an acoustic / electric amp. the vintage 30 12's inside are more guitar oriented
speakers than the bag ends allowing more punch per note.

i like anet's optimism below. piezo's are not for me today.

good luck and happy holidays

jimmy george
www.jimmygeorgearts.com


ANET@aol.com wrote:

> Old Thread I know, but I am only an Acoustic Player and wanted to join in
> conversation.
>
> Martin thinline Piezoelectric installed in the bridge does the trick.  No
> need for soundhole covers, and feedback is virtually eliminated even at loud
> volumes.
>
> Ok, so the argument goes, the piezo sound is not natural acoustic sound.
> While this maybe true from a recording studio perspective, I have never once
> had anyone tell
> me in a live performance that the sound was crappy. Quite the contrary, many
> have
> complemented me on the sound.
>
> Yes, the piezo seems to magnify the higher ends.  Agreed!  This effect is
> completely
> compensated for with a good pre-amp.  What preamp?  Crate Acoustic amps are
> unmatched for production line acoustic amps and they make a great rack mount
> preamp as well.  With the Crate amps (in particular the 125-D or rack mount
> equivalent), you can go from extreme bass to extreme treble.  It has three
> preamp
> filters (bass, mid, and treble) with a 10 band eq for output.  The line out
> allows for
> direct connection into the house PA, which will allow you to crank your sound
> to
> any drum-level necessary.
>
> So, forget the sound hole covers, buy a piezo - $90 - $120 (Martin thinline).
>  Then get a good preamp.  Say good bye to feedback forever.

From Loopers-Delight-request@annihilist.com  Sun Dec 26 20:58:03 1999
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In a message dated 12/26/99 6:17:39 PM, dgoat@quik.com writes:

<< Course, one of those Eventides or Lexicons might,
*might*, have stereo looping, but by then you're way over the cost of 2
plexes. >>

A needless doubt, fr. goat...4000-series Eventides and the pcm-80/81 most 
definitely do stereo looping. pcm-80s can be upgraded (takes a single 4meg 
SIMMS) to do 42 sec. in stereo, and they're selling used for between $1000 
and $1400...altho not nec. expanded. 81's do 20 sec. stereo outta the box; 
don't know if that can be expanded.
dpc

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From: "Robert van der Kamp" <robnet@wxs.nl>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Anyone know the looper in the Lexicon MPX G2?
Date: Mon, 27 Dec 1999 03:17:20 +0100
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> -----Oorspronkelijk bericht-----
> Van: Kim Flint [mailto:kflint@annihilist.com]
> Verzonden: zondag 26 december 1999 23:06
> Aan: Loopers-Delight@annihilist.com
> Onderwerp: Re: Anyone know the looper in the Lexicon MPX G2?
> 
> 
> >Hi all,
> >
> >still looking for the (nearly) perfect looper. Someone mentioned
> >the G2 as a looper. Can someone tell me how the looper works?
> >For example, is it true stereo, does it have the backward option,
> >2 speeds? And the G2 in general, is it a good device?
> >
> >Thanks,
> >Robert
> 
> I recently received a great review of the looping section of the Lex
> MPX-G2. That should be on the Looper's Delight site soon. Sort of a
> stripped down jamman. It doesn't have speed or reverse, but it does have
> feedback control and replace, two other functions necessary for your
> perfect looper, imo.
> 
> kim

Great! Can't wait to read it.
Do you know if it does true stereo looping?

Robert

From Loopers-Delight-request@annihilist.com  Sun Dec 26 22:59:26 1999
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From: "kameleyon" <kameleyon@hotmail.com>
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Subject: broken Echoplex footpedal
Date: Sun, 26 Dec 1999 19:53:32 PST
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Hello fellow loopers, been a while since I last posted...

Anyway, the _second_ Oberheim Echoplex footpedal that I have owned has broke 
like the first one...it just died and quit sending any signal to the rack 
unit. Have there been many other reports of the Echoplex footpedal dying 
like this? What can I do/buy/yell at so that I can get a working, dependable 
footpedal for my 'plex? Thanks guys!

_________________________________
Joshua D. Pickenpaugh
Bassist, Composer, Teacher
http://www.chameleonsound.net

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Date: Mon, 27 Dec 1999 02:02:45 -0600
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Pure Granulated Sound Compilation Status
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Hi, everyone...

I don't know if anyone here remembers a compilation that I sent some info
to the list about called Pure Granulated Sound. I and some of my musical
friends submitted our songs and $25 quite some time ago--and we've heard
nothing back from the guy at the label (Colin Wales at Interfear
Recordings). I was wondering if anyone else on the lists submitted to this
compilation, and what you might have heard or what you might know about the
status. We have repeatedly emailed the guy, and have received NO replies.
Here is his contact info, in case any other participants want to give it a
shot:

http://members.xoom.com/stophim/interfear/granular.htm

stophim@muscanet.com

I'm suggesting to everyone that I know who is "participating" in the lame
project to demand their submissions and money back with January of the new
year.

If anyone on this list is involved in this flop, please drop me a line
privately so that we can get our music and money back!

Thanks,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Mon Dec 27 09:40:36 1999
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that guy sounds like a scam artist the way he presents his pitch like a
hyped up car salesman..
what a a jerk
c
----------
>From: Jeff & Vonda McLeod <subversive@mindspring.com>
>To: Loopers-Delight@annihilist.com
>Subject: Pure Granulated Sound Compilation Status
>Date: Mon, Dec 27, 1999, 4:02 AM
>

>Hi, everyone...
>
>I don't know if anyone here remembers a compilation that I sent some info
>to the list about called Pure Granulated Sound. I and some of my musical
>friends submitted our songs and $25 quite some time ago--and we've heard
>nothing back from the guy at the label (Colin Wales at Interfear
>Recordings). I was wondering if anyone else on the lists submitted to this
>compilation, and what you might have heard or what you might know about the
>status. We have repeatedly emailed the guy, and have received NO replies.
>Here is his contact info, in case any other participants want to give it a
>shot:
>
>http://members.xoom.com/stophim/interfear/granular.htm
>
>stophim@muscanet.com
>
>I'm suggesting to everyone that I know who is "participating" in the lame
>project to demand their submissions and money back with January of the new
>year.
>
>If anyone on this list is involved in this flop, please drop me a line
>privately so that we can get our music and money back!
>
>Thanks,
>Jeff McLeod
>__________________________________________
>This is not here--
>And now is almost over... 
>http://members.xoom.com/Gezoleen/
>http://members.xoom.com/edkempertrio/
>

From Loopers-Delight-request@annihilist.com  Mon Dec 27 10:00:56 1999
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From: "tony moore" <moorelab@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: mac looping software (ie acid)?
Date: Mon, 27 Dec 1999 09:55:12 EST
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hey folks,

hope everyone had a good holiday. i'm a recent mac daw convert. with my old 
pc daw, i used acid to compose loops and drum programs. it's a great tool, 
but it won't work on a mac. you can almost run it using pc emulation 
software, but then you can't run any mac recording software at the same 
time, which defeats the purpose and the utility of acid. is anyone aware of 
similar looping software for mac? i found a rough work around by using acid 
on a laptop and going out of the opcode usb box and into my digi001/mac. it 
makes for rough composing, but i lose all synch and have to play everything 
in real time to acid. i guess i could record my instrument loops as .wav 
files, import them into acid, and then... but geez, what a non-musical 
hassle!

thanks for all the great replies on my arleta, ca query! we're looking into 
other areas to live and then commute to arleta for the day gig. i'll be 
going out for a week or so to visit in march. anyone willing to give a 
midwestern neophyte a tour? i'll buy dinner :-)

have a happy new year!

tony
http://monkmusic.com
http://bluejordan.com
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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In a message dated 12/27/99 10:00:16 AM, moorelab@hotmail.com writes:

<< i used acid to compose loops and drum programs. it's a great tool, 
but it won't work on a mac. >>

Check out Mixman Studio....they've got a Mac version out now.
Let us know what you discover!
dpc

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Subject: Re: RE: Anyone know the looper in the Lexicon MPX G2?
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In a message dated 12/26/99 10:39:34 PM, robnet@wxs.nl writes:

<< Great! Can't wait to read it.

Do you know if it does true stereo looping? >>

I had one for a while and noted these problems:
First, the "Jamman" algo was mono, with no half-speed or reverse functions;
The delay time can be set to 10 sec stereo or 20 mono in regular delay algos, 
which can be user-configured to be loopers by arranging volume modules in 
front and/or behind, and by assigning MIDI foot controllers to these, plus 
the feedback parameter. Unfortunately there's an acknowledged bug, which Lex 
apparently has no plans to fix(!), that switches any stereo delay set over 
about 5.5sec. to a ping-pong delay, no longer a stereo one.
Worse, I found that the loopers I designed this way (but not the built-in 
"Jamman") would quickly overload as new layers were added, which I could 
never figure out how to solve...which is why I sold it, along with the fact 
that I found the pre-amp uninteresting for direct recording, compared to 
PODs, GT-5s, etc. I loved the basic MPX-1 sounds, and really miss the added 
delay times, even if they were sorta crippled as I described, but decided to 
revert to an MPX- 1.  An used, upgraded  PCM-80 would seem to be the best 
currently available stereo looper for the $$, but you'll need to add a lot of 
MIDI foot control to it.
dpc

From Loopers-Delight-request@annihilist.com  Mon Dec 27 13:56:17 1999
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From: L.Angulo@t-online.de (Luis Angulo)
To: "Loopers delight" <loopers-delight@annihilist.com>
References: <19991227035332.42496.qmail@hotmail.com>
Subject: Re: broken Echoplex footpedal
Date: Mon, 27 Dec 1999 17:08:35 +0100
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Hi there,
I just repared my EDP Foot switcher. Is actually simple; Just buy a couple
of the same Chinese or better switches and weld them. They are relatively
inexpensive. Its ashame that Oberheim built such a Powerful unit like the
EDP with such cheap components,it gives it a bad reputation!

Luis




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Hey does anyone know the full potential of the DL4 foot pedal? Can it be 
used as a volume pedal when in loop mode? Any other features while in Loop 
Mode? 

From Loopers-Delight-request@annihilist.com  Mon Dec 27 19:28:59 1999
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Subject: Re: DL4 Expression Pedal in Loop Mode
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It can control the mix of the loop vs. pre-loop signal.  So you can
essentially turn off the loop by setting the pedal heel position to 0% mix,
but you're straight signal will still go come through.  You're loop will
continue to run however, it'll just be inaudible.

Does that help?


----- Original Message -----
From: Joseph Long <joelong@cisco.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, December 27, 1999 11:04 AM
Subject: DL4 Expression Pedal in Loop Mode


> Hey does anyone know the full potential of the DL4 foot pedal? Can it be
> used as a volume pedal when in loop mode? Any other features while in Loop
> Mode?
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec 27 22:12:33 1999
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Date: Mon, 27 Dec 1999 19:00:47 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: broken Echoplex footpedal
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At 7:53 PM -0800 12/26/99, kameleyon wrote:
>Hello fellow loopers, been a while since I last posted...
>
>Anyway, the _second_ Oberheim Echoplex footpedal that I have owned has broke
>like the first one...it just died and quit sending any signal to the rack
>unit. Have there been many other reports of the Echoplex footpedal dying
>like this? What can I do/buy/yell at so that I can get a working, dependable
>footpedal for my 'plex? Thanks guys!
>

Hi-

the echoplex footpedal is an extremely simple device. We designed it that
way on purpose so  users would be able to fix it very easily themselves
should anything ever go wrong. (you sort of expect a footpedal will take a
lot of abuse....). Also, so users could make their own custom
pedals/controllers if they like, which many people have done.

If you know how to use a screwdriver, you can probably fix half the things
that might go wrong with the echoplex pedal. Beginner level soldering
skills would take care of anything else. There's really not much to it.
You'll find more info about the pedal in the echoplex pedal tutorial at the
looper's delight site:

http://www.annihilist.com/loop/tools/echoplex/echopedals.html

You'll also find info there about how to make your own pedal, which would
also be useful in fixing one.

Since you are saying the pedal is not sending anything to the rack, that
pretty much rules out a failure of one of the switches. I'm assuming the
buttons on the front panel of the rack unit still work fine? That would
mean the switch circuitry in the rack is fine, since the same stuff is used
to read the front panel and the footpedal. That just leaves the connection
between pedal and rack. My guess is it is some simple problem with the
cable you are using, or maybe the jack on the pedal or rack.

First, make sure you are using the right kind of cable. Should be a very
ordinary patch cord, mono, 1/4" jack type. Don't use one of those idiotic
cables with the shields disconnected on one end, they won't work either.
Just your basic, cheap-o cable is all it needs. If that's ok, you might try
swapping in a different cable to see if that fixes anything.

If that doesn't help, check the jacks on either end. Make sure the contacts
haven't gotten bent or anything. You might try using some contact cleaner
in case they are just dirty.

hope this helps,
kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Mon Dec 27 22:37:08 1999
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At 8:08 AM -0800 12/27/99, Luis Angulo wrote:
>Hi there,
>I just repared my EDP Foot switcher. Is actually simple; Just buy a couple
>of the same Chinese or better switches and weld them. They are relatively
>inexpensive. Its ashame that Oberheim built such a Powerful unit like the
>EDP with such cheap components,it gives it a bad reputation!
>
>Luis

The echoplex pedal switches were not just chosen for price. They also are
mechanically quiet, and have a reasonably good feel so you can tap
accurately. Accuracy and feel is very important for looping controls,
otherwise you will have a lot of problems tapping the switches in rhythm
and getting the loop length right. I tried a lot of switches when we
designed it, and ended up liking these cheaper ones best, believe it or
not. Most of the heavy-duty expensive ones make loud clunking sounds when
they contact, which is completely unacceptable for a music device. They
also tend to be harder to press, which makes them hard to tap accurately.
Your loops will always end up a little bit off.

Oh yeah, and those heavy-duty switches cost $3-5 each in volume (vs $0.25),
which would have more than doubled the price of the control pedal, which
I'm sure would not have pleased many people. :-)  We figured if anybody
really wanted those, they could go buy them and replace it themselves since
it was so simple to do.

When people have trouble with the switches breaking, it is often because
they are tapping them way too hard. They won't last if you stomp on them
with your motorcycle boots a lot. You have to realize that with a looping
device, you are probably tapping the buttons far more often than with your
average pedal. So they have to endure a lot anyway. Treat them nice, they
last just fine. (Mine has worked fine for over 5 years, never even had to
open it up....)  And really, there is no reason to stomp like that anyway.
You will find that a light touch will give you much more control and
accuracy for tapping in rhythm. The natural inclination seems to be to
stomp hard to be more accurate, when the opposite is more true!

But, if you really do need to stomp, spend $5 and get a dozen replacement
switches from mouser.com. Then don't worry about it and replace it when you
need to. Easy to do and cheaper than guitar strings, drum sticks, sax
reeds, turntable needles, batteries, etc. :-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Tue Dec 28 00:32:46 1999
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Date: Mon, 27 Dec 1999 21:27:29 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
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http://www.annihilist.com/loop/LDarchive/199903/msg00465.html

Tim-

The above link will take you to a thread about
installing a Roland GK-2A pickup. If this isn't the
one you want, try doing a search with Alta Vista.
Just type the following into the search window....
 +"loopers delight" +steinberger

John


--- Tim Nelson <tcn62@ici.net> wrote:
> Merry Christmas everyone!
> 
> Hey, a while back there was a thread on modifying a
> small-bodied
> Steinberger to contain additional electronics; since
> the archive's still
> not working correctly, does anyone remember when
> this was? (This would be
> the one with the reference to the Steiny's small
> area as "real estate", not
> the one with the pics of the white Steiny with EDP
> switches mounted on the
> side...)
> 
> Tim
> 
> 






=====
John Tidwell



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From Loopers-Delight-request@annihilist.com  Tue Dec 28 01:22:43 1999
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    looks like a typical musical financial-scam-pyramid to me...

From Loopers-Delight-request@annihilist.com  Tue Dec 28 02:25:41 1999
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From: Kim Flint <kflint@annihilist.com>
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Just added a few things to the Looper's Delight site:

We now have a site for the Lexicon MPX G2. It has a very nice review by
Rick Roberts of the "JamMan" module in the MPX G2. I've also added recent
and old comments from David Coffin that he has posted to the list. Thanks
Rick and David! You can find that here:

http://www.annihilist.com/loop/tools/MPX-G2/MPX-G2.html



Also, the manual for the the old Digitech PDS2000/8000 was scanned for us
by Ken Griffith. Thanks Ken!  That is now available on the site here:

http://www.annihilist.com/loop/tools/digitechPDS/digi_pds.html



And as always, the Looper's Delight site is really a collective effort. If
it was only me doing it, it would suck. The more people contribute, the
better it gets! If you think you've got something to add, by all means,
send it in to me.

I put things up as fast as I'm able (which is not all that fast, but I try
:-), but if you can manage to format whatever you want to submit as
something reasonbly like the site formatting, it's a big help.

thanks!
kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Tue Dec 28 06:41:24 1999
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From: L.Angulo@t-online.de (Luis Angulo)
To: "Loopers delight" <loopers-delight@annihilist.com>
Subject: Foot Controllers
Date: Tue, 28 Dec 1999 12:40:02 +0100
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Hi there,
I just got the Ground Control FC to find out that this thing doesn´t even
send Continuous Controllers. Why is this thing advertised as a foot
controller? Definetly the PMC 10 is the most complete FC is just too bad
that it isn´t road worthy and so fragile! Does anybody have any information
on the new Yamaha MFC 10 Foot Controller? Still looking for a good FC any
info. is welcomed.
Thanks!

From Loopers-Delight-request@annihilist.com  Tue Dec 28 09:36:49 1999
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In a message dated 12/28/99 6:41:18 AM, L.Angulo@t-online.de writes:

> Still looking for a good FC any
>
>info. is welcomed.
I'm quite pleased with my Roland FC-200. It's not as comprehensive, I assume, 
as the Digitech whatever-10, but I haven't found anything I wanted it to do 
that it couldn't. I especially like that it has 6 CV/FS jacks, and that it 
can send MIDI notes. What do you need it to do? I'll ask it...
dpc

From Loopers-Delight-request@annihilist.com  Tue Dec 28 10:44:17 1999
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Date: Tue, 28 Dec 1999 10:22:07 -0500
To: Loopers-Delight@annihilist.com, <Loopers-Delight@annihilist.com>
From: Joseph Long <joelong@cisco.com>
Subject: Re: DL4 Expression Pedal in Loop Mode
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Yes. I wasn't sure if there was some added functionality to it. Whats the 
average cost of the pedal?

At 04:25 PM 12/27/99 -0800, Greg S wrote:
>It can control the mix of the loop vs. pre-loop signal.  So you can
>essentially turn off the loop by setting the pedal heel position to 0% mix,
>but you're straight signal will still go come through.  You're loop will
>continue to run however, it'll just be inaudible.
>
>Does that help?
>
>
>----- Original Message -----
>From: Joseph Long <joelong@cisco.com>
>To: <Loopers-Delight@annihilist.com>
>Sent: Monday, December 27, 1999 11:04 AM
>Subject: DL4 Expression Pedal in Loop Mode
>
>
> > Hey does anyone know the full potential of the DL4 foot pedal? Can it be
> > used as a volume pedal when in loop mode? Any other features while in Loop
> > Mode?
> >
> >
>

From Loopers-Delight-request@annihilist.com  Tue Dec 28 11:19:44 1999
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I haven't used it, but isn't Polar (part of MOTU performer) a viable option. 
I'm pretty sure it does something similar. 

MT
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I don't have the Ground Control, but believe it DOES send continuous
controllers. I swear I helped a friend set his up to do this about a
year or so ago. Take a deep breath and look through the manual for
expression pedal information. This area will help you get it set up
and running.

That said, I still LOVE my PMC-10!

-Miko

>>> Luis Angulo <L.Angulo@t-online.de> 12/28 3:39 AM >>>
Hi there,
I just got the Ground Control FC to find out that this thing doesn*t
even
send Continuous Controllers. Why is this thing advertised as a foot
controller? Definetly the PMC 10 is the most complete FC is just too
bad
that it isn*t road worthy and so fragile! Does anybody have any
information
on the new Yamaha MFC 10 Foot Controller? Still looking for a good FC
any
info. is welcomed.
Thanks!

From Loopers-Delight-request@annihilist.com  Tue Dec 28 17:11:11 1999
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Dpcoffin@aol.com wrote:

> In a message dated 12/28/99 6:41:18 AM, L.Angulo@t-online.de writes:
>
> > Still looking for a good FC any
> >
> >info. is welcomed.
> I'm quite pleased with my Roland FC-200. It's not as comprehensive, I assume,
> as the Digitech whatever-10, but I haven't found anything I wanted it to do
> that it couldn't. I especially like that it has 6 CV/FS jacks, and that it
> can send MIDI notes. What do you need it to do? I'll ask it...
> dpc

Can the FC-200 send MIDI controller messages, e.g. to control a lexicon
unit? I mean, can one or more of the pedals be programmed with a controller
message?

Robert


From Loopers-Delight-request@annihilist.com  Tue Dec 28 17:24:59 1999
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From: L.Angulo@t-online.de (Luis Angulo)
To: "Loopers delight" <loopers-delight@annihilist.com>
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Subject: Re: Foot Controllers
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Hello there,
I need to be able to send midi messages to different midi chanels and to do
tap tempo delays as well as start stop samplers etc... Does the Roland FC200
do this?
Thank you
Luis


From Loopers-Delight-request@annihilist.com  Tue Dec 28 17:34:58 1999
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Subject: Re: Foot Controllers
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Hello Mike,
What i mean is can you set it up to send Cc´s to do for example Tap tempo
delays?  Were you pleased with it?


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Hi Luis...

I'm wondering if you're addressing me though or possibly David Coffin
about the Roland FC 200. The FC 200 has 6 separate ExPed inputs which
all have assigned cc numbers. This is a MAJOR attraction to using that
pedal for people with a big pile of dsp's who want dedicated pedals
for many parameters. Beyond that though I don't know much about the
programmability of the unit. I'd love to know more as well...

I personally have a Digitech PMC-10 which allows you to program two
midi strings per patch... 

In either midi string a or midi string b, on any channel, you can
send the following: pgm chg, ctl chg, note on, note off... what the
hell else... I know there's other things it can send including sysex
which you can record from an external device or input manually. I've
only used it for control change's and program changes. I'm going to
attempt recording the sysex on/off message for my drum machine to see
how that works someday... Right not I use my Boss GT-5 for that.

The footswitches can be setup any number of ways... 

momentary mode, where midi string a is sent when the button is
depressed and midi string b is sent when you release for triggering
notes on synth modules... 

toggle mode where it sends sting a when pressed and released, then
sends string b when pressed and released again. 

And finally... if you pick a different switch and tap it a second
time it will recall the previous switch data even if it's in a
different bank.

It has two expression pedal inputs and the pedals can send up to
three different controllers with scalable values on different (or the
same) channels. They can also be setup as global pedals or local. If
you don't input *different* values and turn off the global expression
pedal mode in a patch it reverts to global mode (meaning you don't
have to program how the pedals will behave...) when you have a
specific need for different information to come from the pedal you can
input whatever you want for that patch only.

It can be used to filter and merge midi input as well. It's as deep
as they come... You could certainly put cc values in there and tap
rythymically to send tempo information to a dsp.

Best regards,
-Miko Biffle

>>> Luis Angulo <L.Angulo@t-online.de> 12/28 2:23 PM >>>
Hello Mike,
What i mean is can you set it up to send Cc*s to do for example Tap
tempo
delays?  Were you pleased with it?


From Loopers-Delight-request@annihilist.com  Tue Dec 28 18:14:35 1999
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Subject: Re: broken Echoplex footpedal
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> THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand
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I don't use the EDP footpedal w/ my Echoplex(too flimsy)-I use momentarys by
Boss-but my question is on the 2nd page of that D.TORN article there is a
picture of his footpedal and it looks like the buttons have been replaced w/
metal or something-it looks much sturdier and if I could find out what that
is I would start using mine!!...STANNER

----------
>From: Kim Flint <kflint@annihilist.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: broken Echoplex footpedal
>Date: Mon, Dec 27, 1999, 7:29 PM
>

> At 8:08 AM -0800 12/27/99, Luis Angulo wrote:
>>Hi there,
>>I just repared my EDP Foot switcher. Is actually simple; Just buy a couple
>>of the same Chinese or better switches and weld them. They are relatively
>>inexpensive. Its ashame that Oberheim built such a Powerful unit like the
>>EDP with such cheap components,it gives it a bad reputation!
>>
>>Luis
>
> The echoplex pedal switches were not just chosen for price. They also are
> mechanically quiet, and have a reasonably good feel so you can tap
> accurately. Accuracy and feel is very important for looping controls,
> otherwise you will have a lot of problems tapping the switches in rhythm
> and getting the loop length right. I tried a lot of switches when we
> designed it, and ended up liking these cheaper ones best, believe it or
> not. Most of the heavy-duty expensive ones make loud clunking sounds when
> they contact, which is completely unacceptable for a music device. They
> also tend to be harder to press, which makes them hard to tap accurately.
> Your loops will always end up a little bit off.
>
> Oh yeah, and those heavy-duty switches cost $3-5 each in volume (vs $0.25),
> which would have more than doubled the price of the control pedal, which
> I'm sure would not have pleased many people. :-)  We figured if anybody
> really wanted those, they could go buy them and replace it themselves since
> it was so simple to do.
>
> When people have trouble with the switches breaking, it is often because
> they are tapping them way too hard. They won't last if you stomp on them
> with your motorcycle boots a lot. You have to realize that with a looping
> device, you are probably tapping the buttons far more often than with your
> average pedal. So they have to endure a lot anyway. Treat them nice, they
> last just fine. (Mine has worked fine for over 5 years, never even had to
> open it up....)  And really, there is no reason to stomp like that anyway.
> You will find that a light touch will give you much more control and
> accuracy for tapping in rhythm. The natural inclination seems to be to
> stomp hard to be more accurate, when the opposite is more true!
>
> But, if you really do need to stomp, spend $5 and get a dozen replacement
> switches from mouser.com. Then don't worry about it and replace it when you
> need to. Easy to do and cheaper than guitar strings, drum sticks, sax
> reeds, turntable needles, batteries, etc. :-)
>
> kim
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  |
>
>
> 

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W0ludGVybmV0U2hvcnRjdXRdDQpVUkw9aHR0cDovL3d3dy5hbm5paGlsaXN0LmNvbS9sb29w
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From Loopers-Delight-request@annihilist.com  Tue Dec 28 22:31:47 1999
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From: Dpcoffin@aol.com
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Date: Tue, 28 Dec 1999 22:17:45 EST
Subject: Some FC-200 answers...
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<<Can the FC-200 send MIDI controller messages, e.g. to control a lexicon
unit? I mean, can one or more of the pedals be programmed with a controller
message?
>>

<<I need to be able to send midi messages to different midi chanels and to do

tap tempo delays as well as start stop samplers etc... Does the Roland FC200

do this?>>

well, I'm not a MIDI expert, but here's what I can tell you about the FC-200 
(if I'm missing something obvious to any experts, please pipe up!):
It can only send on one channel at a time...I use it to control multiple 
boxes with cc messages, using a different pedal/switch for each message #. 
Each unit is on a MIDI thru chain, set to the same channel, and when I set up 
controller assignments while patch editing, I've determined in advance which 
pedals and which switches are dedicated to that unit, and use those CC#s. Of 
course, if I wanted two or more units to respond to the same message, I'd set 
up the patches that way.
The FC has 4 modes: Program Change, CC, MIDI note...and also Sysex. There's a 
dedicated mode-change footswitch jack that will cycle thru 'em. It can be set 
to ignore one or more modes. I never use program changes, since I prefer to 
design patches that have multiple sweet spots via parameter modulation and 
use CC controllers to access 'em.
I used the FC successfully to access every option on the MPX-G2, with perhaps 
an extra press required in some instances (I think the A/B switch worked this 
way) with a new patch to initialize values. 
When you're in program-change mode, the 6 extra CV jacks are still in CC mode.
So, I guess it's nowhere near as complex as the Digi pedal, or a Peavey 1600, 
but I prefer to keep the MDID tech as simple as possible. Somehow I can deal 
with complex audio patching, but MIDI starts to spoil the fun for me 
quickly...
I bought the manual for the FC from Roland Customer service (maybe $10?) 
before I sprang for the unit. I'll be glad to answer basic queries on it, but 
if you've got complex questions, I suggest you do the same....but then, I'm a 
manual-readin' kinda guy.
dpc

From Loopers-Delight-request@annihilist.com  Tue Dec 28 23:04:57 1999
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M T wrote:
> 
> I haven't used it, but isn't Polar (part of MOTU performer) a viable option.
> I'm pretty sure it does something similar.
> 
> MT

I've never used ACID, and I doubt you'll find anything
closely comparable on the mac, but I do know that Digital Performer
has some excellent tempo-matching functions.  It's non-realtime
pitch and time shifting features are very high quality.

Jim

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Hello One and All-

I am switching email accounts.

josephbuck@yahoo.com

be well,


Buck
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Dec 29 00:50:53 1999
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--- Dpcoffin@aol.com wrote:

> The FC has 4 modes: Program Change, CC, MIDI
> note...and also Sysex.

David-

Do each of the 4 modes have a user program slot as
well as factory preset? If so, how do you program the
unit? Do you need an external device such as a midi
keyboard or fx processor to send programming info to
the FC-200?

Thanks

John


=====
John Tidwell



__________________________________________________
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From Loopers-Delight-request@annihilist.com  Wed Dec 29 01:45:27 1999
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In a message dated 12/29/99 12:50:46 AM, wedgehed@yahoo.com writes:

>Do each of the 4 modes have a user program slot as
>well as factory preset? If so, how do you program the
>unit? Do you need an external device such as a midi
>keyboard or fx processor to send programming info to
>the FC-200?
 You can easily program the FC by itself, even tho it's just got a 2-digit 
led screen. It's really not cryptic. Program-change mode can be set to send 
bank select messages or not, but the pedal/number  relationship seems fixed 
(this is not my mode, remember...). CC#s can be changed for all controllers, 
footswitches can be set to latch or momentary, octave range but not note 
assignments can be switched in note mode using a pedal in one of the 6 jacks, 
and MIDI Machine Control and Realtime messages can be sent  instead of CC#'s 
by any footswitch, and there's a limited amount of function overlap, so you 
can have a bit of everything in program change mode. Sysex mode seems to be 
only for storage and swapping between other FC-200s.
Hope that helps.
dpc

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Date: Wed, 29 Dec 1999 05:23:26 -0500 (EST)
From: "Brian Thomson, Dublin IE" <bnt@email.com>
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Subject: MOTU POLAR loop software
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Hi, folks...

Do any of you guys use MOTU Digital Perfomer on the Macintosh? The new versions (2.6 or later) have a built-in audio looping tool called POLAR. More information is at http://www.motu.com/english/software/dp/dp26/index.html

It certainly looks like it could be used live, with DP's remote control facilities. I don't even use a Mac, never mind Digital Performer, but this makes me hope they'll port it to the PC...


Brian Thomson
Dublin, IE
bnt@email.com
Brian Thomson, Dublin IE
bnt@email.com

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From: "George Washington" <jeremiah266@hotmail.com>
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Subject: Wanted korg ms 20, sq10, X911 with foot controllers$1000 for package
Date: Wed, 29 Dec 1999 05:15:52 CST
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Hello I would really like these synths so if you have them or see them in 
your travels drop me a line.
Thanks
Jeremiah


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From Loopers-Delight-request@annihilist.com  Wed Dec 29 06:18:35 1999
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hello,
My name is Jeremiah i am 17 and my only looping device  is the edp. I like 
reel to reel players and was wondering if frippertronics is still 
viable(might it be super bad ass if used with Edp?) On the fripp eno album 
"No pussyfooting" one side says "2 modified revox a77" and only one mod a77 
was used on the other yet there is still quite a bit of looping. Why was was 
the a77 used? What were the
modifications? My understanding is that the revi used on this album were 
stereo two tracks, could 4,8,... track reel to reels be used for
insane density?



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From Loopers-Delight-request@annihilist.com  Wed Dec 29 06:26:50 1999
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From: "George Washington" <jeremiah266@hotmail.com>
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Subject: Simms up grade for EDp?
Date: Wed, 29 Dec 1999 05:22:10 CST
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I saw some chips on ebay really cheap, like under $16 for (4)4mb is this 
right. I know the manual says any chips will do , but it was written a while 
ago any new info? Also I read thr interview with david torn on the LD site 
and he said his unit was had upgraded software and are there updates still 
avialable? Has the shipdate for the new EDPs been found out yet? Can I still 
get in on the group buy.


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From Loopers-Delight-request@annihilist.com  Wed Dec 29 06:51:58 1999
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From: "George Washington" <jeremiah266@hotmail.com>
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Subject: Any one using doepfer modular,paia, or MOTM to process audio?
Date: Wed, 29 Dec 1999 05:44:09 CST
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I saw a post here with a link to the doepfer site any one using there stuff? 
Anyone using a modular system for anything? I have a hagstrom patch200 in 
the mail and I an wonder what the possibilities for guitar are in the 
modular world and what system to use to inter face this world. The hag is 
wired to produce cv\gate so I can control modulars but there now is yamaha g 
50 axon technology, pitch to midi converter , which coupled with a midi to 
cv, puts you in the game. The G50 is also cool because you can assign a 
guitar string to each Midi channel to a cv out put(via kenton) an controll 
six mono synths(imagine six mini moogs with all controls synced to a master 
moog{and then a switch to give each mini its own string}insert evil mad 
scientist laugh here___) but the only reasonably priced g50(forget the 
mini's) I have seen was the total system for 1000 bucks and after I spent 
that much money the'd find a better interface before I could afford a 
modular. I think my beloved korg systemwhich cabe controlled by the hag's 
pitch as well a cv(not to mention the swede is an awsome guitar in its own 
right)  is the best way to go for guitarish type stuff I want. Any thoughts 
and comments from you sagely seasoned music types? I appreciate you fellas 
for lettin us over-postin minors in. Hope you all had a happy holidays.
Jeremiah
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From Loopers-Delight-request@annihilist.com  Wed Dec 29 09:00:01 1999
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Date: Wed, 29 Dec 1999 08:58:04 -0500
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Foot Controllers- Look for MIDIGATOR
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anyone ever see the Lake Butler Midi MIdigator????

it's a great midid controller--- sends ALL midid messages, incl cont.control. 

since it letes you also program in HEX - even newer midid messages, since
it came out, are possible.

it can be used as a bass pedal too -- you can store notes and CHORDS in
patches etc

1024 patches,each with a huge 'command string' possible...any midid
commands can be strung together on EACH patch...program change, note
on/off, sequence start/stop, controllers, blah blah b;lah

you can save the patches in three "sets" -- so you have a 'discrete' FC for
each project or type of music that you do!!

incredible unit-- but not made anymore. i do see em from time to time-- and
they are in use by some of the busiest out there..vernon reid has his
onstage once inna while... belew seems to use his at least at home.
tm stevens triggers samples and program changes with his...

yet - they never really were a huge unit - but they are totally
comprehensive. I've had mine, like ten years and the only downtime was
getting a new battery installed.

see the inside photos of his "music for solo guitar vol I - Orchestral" -- CD

look around some used stores.. and ebay ..digibid.com.... auctionsoup.com...

 i know there's one out there..

-andre'
At 12:40 PM 12/28/1999 +0100, you wrote:
>Hi there,
>I just got the Ground Control FC to find out that this thing doesn´t even
>send Continuous Controllers. Why is this thing advertised as a foot
>controller? Definetly the PMC 10 is the most complete FC is just too bad

*NEW* CD out - Alien Concepts by Jfk's Lsd Ufo	http://www.ufomusic.com
my site http://www.monmouth.com/~andre

From Loopers-Delight-request@annihilist.com  Wed Dec 29 09:20:48 1999
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Date: Wed, 29 Dec 1999 09:15:13 -0500
To: Loopers-Delight@annihilist.com
From: Floyd Miller <floyd@voicenet.com>
Subject: Re: Simms up grade for EDp?
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I think $15 to $20 is the going rate for 30-pin 4MB Simms.
You can get them for $15.29 if you order on line at
http://www.crucial.com/search/index.asp

I've been pleased with the service and prices from Crucial.



****************
   ********** Floyd Miller
     ****** floyd@voicenet.com
      **** http://www.voicenet.com/~floyd
       ** http://www.studiodust.com  palace://studiodust.com:9996

From Loopers-Delight-request@annihilist.com  Wed Dec 29 13:00:05 1999
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
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Date: Wed, 29 Dec 1999 12:01:01 -0500
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Hello,

	I use the rfc-1 midi mitgator as well. They are great. Never had a
problem with mine. but what will I do when it misbehaves?! That is a shame
that they don't make them anymore. It was a nice and simpe solution. I only
wish I had bougt 2 or maybe 3 of them at the time. They used to be about
$200 or so dollars. I am looking fr a couple as backups. They also had this
cool pedalboard of 4-5 standalone continuous controllers .very nice.

Denis

Densi Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: andre [mailto:andre@monmouth.com]
Sent: Wednesday, December 29, 1999 8:58 AM
To: Loopers-Delight@annihilist.com
Subject: Foot Controllers- Look for MIDIGATOR


anyone ever see the Lake Butler Midi MIdigator????

it

From Loopers-Delight-request@annihilist.com  Wed Dec 29 13:54:43 1999
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Hi all,

I have been building looping patches in my 2120 ( an excellent tool for
building experimental sounds and loop)

So, a lot of my patches involve overloading the DSP, internally, so that
digital clipping occurs. This creates something like a distorted resonant
filter squeal. Is this bad for the unit? I would assume that, since the
clipping is happening in the digital domain, nothing is really getting
overloaded.

Comments? I guess the reason I am worried is that I intend to do this a
>lot< with the unit. It's a nice sound.

bIz

From Loopers-Delight-request@annihilist.com  Wed Dec 29 14:57:19 1999
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Date: Wed, 29 Dec 1999 14:50:53 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Pure Granulated Sound Compilation Status
In-Reply-To: <3.0.6.32.19991227020245.007ca100@pop.mindspring.com>
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A good rule of thumb is that you should never pay to appear on someone
else's compilation.  If you really think that you should appear on a
pay-for-play compilation, only work with someone who has a history and
track record.

Speaking as someone who has learned this costly lesson through his own
experience,

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Mon, 27 Dec 1999, Jeff & Vonda McLeod wrote:

> Hi, everyone...
> 
> I don't know if anyone here remembers a compilation that I sent some info
> to the list about called Pure Granulated Sound. I and some of my musical
> friends submitted our songs and $25 quite some time ago--and we've heard
> nothing back from the guy at the label (Colin Wales at Interfear
> Recordings). I was wondering if anyone else on the lists submitted to this
> compilation, and what you might have heard or what you might know about the
> status. We have repeatedly emailed the guy, and have received NO replies.
> Here is his contact info, in case any other participants want to give it a
> shot:
> 
> http://members.xoom.com/stophim/interfear/granular.htm
> 
> stophim@muscanet.com
> 
> I'm suggesting to everyone that I know who is "participating" in the lame
> project to demand their submissions and money back with January of the new
> year.
> 
> If anyone on this list is involved in this flop, please drop me a line
> privately so that we can get our music and money back!
> 
> Thanks,
> Jeff McLeod
> __________________________________________
> This is not here--
> And now is almost over... 
> http://members.xoom.com/Gezoleen/
> http://members.xoom.com/edkempertrio/
> 

From Loopers-Delight-request@annihilist.com  Wed Dec 29 15:45:57 1999
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From: "renaldo mckim" <renaldo@renaldo.freeserve.co.uk>
To: "loopers-delight" <loopers-delight@annihilist.com>
Subject: power supply for line 6 delay
Date: Wed, 29 Dec 1999 20:23:48 -0000
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does anyone know how the power supply for the DL4 is wired ?
is the centre pin positive (+) or negative (-) ?
i have seen the power supply for the pod which is the same one as the dl4
but it has no clues written on it.

thanks
Renaldo


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From: PJBMHB@aol.com
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Date: Wed, 29 Dec 1999 15:47:05 EST
Subject: Re: power supply for line 6 delay
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all i know is that you can use the power supply for an alesis drum machine 
for it. hope this helps, =-) PJ

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Subject: Re: power supply for line 6 delay
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In a message dated 12/29/99 1:45:55 PM, renaldo@renaldo.freeserve.co.uk 
writes:

>does anyone know how the power supply for the DL4 is wired ?
>is the centre pin positive (+) or negative (-) ?

Polarity is not an issue because it supplies AC, not the more common DC, 
which needs a specific polarity.  That's why it simply says 9VAC 1200 mA 
minimum.
I found one at an electronics store for $8.50. Just make sure it's AC *and* 
make sure it has the larger sized  barrel-type plug at the end. It is a size 
larger than the typical effects pedal power plug. The smaller more common 
size is 2.1mm, I'm not sure but I think the correct size for the DL4 is 
2.5mm.  Best to bring the pedal with you...

eric p
echo park

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The official power supply is AC, not DC, so polarity isn't an issue. 

George

renaldo mckim wrote:
> 
> does anyone know how the power supply for the DL4 is wired ?
> is the centre pin positive (+) or negative (-) ?
> i have seen the power supply for the pod which is the same one as the dl4
> but it has no clues written on it.
> 
> thanks
> Renaldo

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Hi,
 I'm offering my Lexicon Vortex plus Roland ev-5 expresson pedal for
sale. It's in excellent condition. Comes with the manual and footswich.
Expression pedal is essential for getting the most out of the unit(e.g.
morphing) I'm entertaining bids over $250 + S/H. 
 Also up for sale is an Emu Morpheus sound module. Excellent condition.
I bought it new one year ago. Willing to let it go for $350 + s/h. Comes
with thick manual. Also comes with handy tutorial video from Emu.
 Please e-mail me privately at hungn@cnetix.com about the sales. Also
willing to trade for Power Mac system with Cubase and possibly older
version of Pro Tools. Thanks, Hung.

From Loopers-Delight-request@annihilist.com  Wed Dec 29 22:50:12 1999
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Date: Wed, 29 Dec 1999 19:30:05 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Simms up grade for EDp?
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In general, most questions like these are answered in the echoplex FAQ,
make sure to check it out:

http://www.annihilist.com/loop/tools/echoplex/FAQ.html

At 3:22 AM -0800 12/29/99, George Washington wrote:
>I saw some chips on ebay really cheap, like under $16 for (4)4mb is this
>right. I know the manual says any chips will do , but it was written a while
>ago any new info?

If they meet the requirements they should be fine. That is, 30 pin simms,
4MB. They can be parity/non-parity, mac/pc, doesn't matter. They need to be
120ns or faster, but it is very unlikely that you will ever find any that
slow anyhow. (usually they are 60-80ns, I think 150ns were only available
before you were born. :-). Pretty much any 30pin 4MB simm is gonna work.
Takes four of them for the full upgrade to 198 seconds.

(there haven't been any of innovations in 4MB 30 pin simms in years, I
wouldn't expect any changes there. The PC industry moved on from those
quite a while ago....;-)

>Also I read thr interview with david torn on the LD site
>and he said his unit was had upgraded software and are there updates still
>avialable?

He has the LoopIIIv5.0 upgrade. That's explained in the FAQ too. That
software has been shipping in new echoplexes for a couple of years now. If
you see 'Loop 3' scroll by, followed by '5.0' when you turn the power on,
you have it. If you don't have it, you can buy it from Aurisis, send mail
to upgrade@aurisis.com.

>Has the shipdate for the new EDPs been found out yet?

They tell me new units are coming off the new production line in january.
All systems go!

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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please take me off the mail list   wootown977 @aol.com

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Date: Wed, 1 Dec 1999 13:22:02 -0200
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>The fact that the mbira thread and the signal splitting thread are running
>almost simultaneously presents quite a contrast. While we talk a lot about
>signal degradation, sampling rates, noise reduction, etc., a funny thing
>about the mbira as it's used in western Africa is that they''ll hammer
>bottlecaps flat and nail 'em onto their mbiras so the caps'll rattle and
>buzz, giving the sound "character". In this light, I guess even technical
>standards and specs are a cultural thing! (Think of the Jamaican dub
>producers who were prizing their old analog delays for their lo-fi
>character while the rest of the world was telling them they were obsolete.
>Context is everything!)

with a piezo under the flat nail you can join both worlds.
You get an amazing bass out of the Kalimba.

>Tim
>
>(That 60Hz buzz coming outa my rack is annoying, but do you think if I
>preface my playing by saying it's intentional I'll fool anyone?)

if you tune the other instruments to it...


          ---> http://Matthias.Grob.org

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>
>4) What are the components at B1 and B2? Probably something obvious, but I'm
>not a hardware geek, just a software geek with a soldering station....

Small inductors, dont care...


          ---> http://Matthias.Grob.org

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Subject: Re: New Line6 Delay/Looper Questions
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>>> Todd Madson <crash@waste.org> 12/01 10:02 AM >>>
> (1) does it actually loop for more than a few seconds?  I'd heard
rumors it only looped for short amounts of time and that the 14 second
mode was for a sampler (i.e. non looper).  dispell please!

We've already heard right here that in half speed mode you get 28
secs... normal speed is the advertised 14. It was also stated that the
sound was good and responded well to oversaturation... Anyone want to
review this quality a little more in depth? 

> (2) stereo?  really?

Yep...

> (3) audio specs please?

URL attached... it's not listed in their product directory... it's
under Support.

> (4) your impressions.

None yet... but the people already raving about them have given me
enough bait! I've been looking at the PDF file for the DL4 for some
time now and can't believe how many features are inside this puppy.
You can even attach an expression pedal and have it control more than
one parameter. Sounds semi-Vortex like in it's capabilities AND it
loops like the Boomerang which it's modelled after. Only question is
audio quality of the looper... Anyone?

Steve Tibbets URL is attached as well...

Best Regards,
Miko Biffle, mbiffle@svg.com
"Running scared from all the usual distractions..."

begin 644 Line 6 Support Reference Library.url
M6T1%1D%53%1=#0I"05-%55),/6AT='`Z+R]W=W<N;&EN938N8V]M+W-U<'!O
M<G0O;&EB<F%R>2YH=&T-"@T*6TEN=&5R;F5T4VAO<G1C=71=#0I54DP]:'1T
M<#HO+W=W=RYL:6YE-BYC;VTO<W5P<&]R="]L:6)R87)Y+FAT;0T*36]D:69I
7960]13`Q-$,S0C8Y-#-"0D8P,49##0HZ
`
end

begin 644 Steve Tibbetts.url
M6TEN=&5R;F5T4VAO<G1C=71=#0I54DP]:'1T<#HO+W=W=RYF<F%M;6ES+F-O
$;2\-"F5R
`
end

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>
> > (2) stereo?  really?
>
> Yep...

Nope!  Well, sort of.  Yes, a stereo signal will pass through the DL4, and
there are stereo delays.  When in sampler (i.e. looper) mode however, your
loops will be summed up in mono.  The source stereo signal will pass through
in stereo, but the loop is recorded and played back in mono.

For example:
You plug your instrument into a stereo chorus unit with stereo outs.  Those
stereo outs feed the DL4.  As you play you'll hear the stereo chorus, but if
you record a loop the stereo nature will be gone when you play it back.  If
you solo over the now mono loop, you'll hear your solo with the stereo
chorus.  So you could call it "stereo pass through" with "mono sampling".
Does that make sense?

> Only question is
> audio quality of the looper... Anyone?

I hear no audible difference between the DL4 and my EDP.  Mind you I don't
have a super high-fi system (Strats -> various FX -> DL4 -> Mackie 1202 w/
EDP on Aux Send -> PC, home stereo, or keyboard amp), but I've been very
pleased with the simplicity and apparent durability of the DL4.

From Loopers-Delight-request@annihilist.com  Thu Dec 30 15:38:19 1999
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From: "renaldo mckim" <renaldo@renaldo.freeserve.co.uk>
To: "loopers-delight" <loopers-delight@annihilist.com>
Subject: power supply for line 6 delay
Date: Thu, 30 Dec 1999 20:26:13 -0000
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thanks for the answers guys

all the best  for the new year/century/millennium to everyone on the list
cheers
Renaldo

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Date: Wed, 1 Dec 1999 18:30:02 -0500
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David Beardsley <xouoxno@virtulink.com> wrote:

>I got mine this afternoon for $235 including the AC adaptor.

and where was that?

	/t

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Date: Mon,  6 Dec 1999 23:35:29 PST
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Hello,

I just picked up an sp-202 (DR. S) at a pawnshop CHEAP! It even came with the media card.

Anyway, I was wondering if anyone knew if there was a url with the manual. I didn't get that with it, unfortunately.

Also, is there anyway to copy the samples from the memory card to the main memory? It seems you cannot play multiple samples from the card. And that is what I intended to do with it.

thanks,

dan




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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Vortex sounds "bottled" when bypassed- ot?
Date: Sat, 4 Dec 1999 12:50:59 -0800
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Older Yamaha KM802-

Cliff

-----Original Message-----
From: SnarleyCo@aol.com [mailto:SnarleyCo@aol.com]
Sent: Saturday, December 04, 1999 4:40 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Vortex sounds "bottled" when bypassed- ot?


In a message dated 12/4/99 12:57:57 AM Eastern Standard Time,
clifsound@mediaone.net writes:

<< I have mine in stereo through my mixer aux send/return- when I have
 the Vortex bypassed the sound is bottle like until I dial the Vortex out of
 the channel completly-
  >>

What Mixer are U using ?

Carl Snow
Moss Hill REC>

From Loopers-Delight-request@annihilist.com  Thu Dec 30 17:59:06 1999
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Message-ID: <384CD9B3.FA496B64@jimmygeorgearts.com>
Date: Tue, 07 Dec 1999 03:56:04 -0600
From: Jimmy George <jimmyg@jimmygeorgearts.com>
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To: Loopers-Delight@annihilist.com
Subject: Re: DL 4 question - Presets?
References: <3.0.6.32.19991206093657.009282f0@mail.monmouth.com> <3.0.6.32.19991207020933.00931220@mail.monmouth.com>
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"what need have i for this, what need have i for that- i am dancing with my
feet on the DL4 - all is bliss, all is bliss"

have you heard about the up-coming shakti tour?

jimmy george

andre wrote:

> OK
>
> line 6 called me AND emailed me back..prompt service....
>
> the deal is - you have a TOTAL of 3 presets in the DL4 - i thought it was 3
> PER digital delay type - for a total of 48..no go
>
> i guess three is amazing enuf - for a non midi, stompbox type device...
>
> so - no matter what 'model'echo you are in - the threee presets - A B and C
> - will remain whatever they are - they don't change with every turn of knob
> #1 (echo type)
>
> of course - you can change all 3 settings and save the new sounds.
>
> all is cool.
>
> "what need have i for this, what need have i for that- i am dancing with my
> feet on the DL4 - all is bliss, all is bliss"
>
> andre'
>
> *NEW* Jfk's Lsd Ufo CD "Alien Concepts" available now...
>
> Jfk's Lsd Ufo site                      Project Object/Zappa tribute
> http://www.ufomusic.com                 http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Thu Dec 30 18:01:07 1999
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Reply-To: "lava" <lovevolv@dti.net>
From: "lava" <lovevolv@dti.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: It's and Its
Date: Thu, 9 Dec 1999 12:33:15 -0000
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they even did it in the Time Magazine piece on Hip Hop...
third line from end of first page of article.
cb
former pro proofer
-----Original Message-----
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, December 09, 1999 12:35 PM
Subject: Re: It's and Its


>Well, there's a nice 12K for the digest...
>
>At 12:50 AM 12/9/99 -0600, you wrote:
>>itsitsits.... etc
>
>

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From: Hawkeye255@aol.com
Message-ID: <0.d39b4e33.25824fef@aol.com>
Date: Fri, 10 Dec 1999 07:45:35 EST
Subject: Re: sync-ing non-midi loopers???/Quiet switches for Headrush!
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jack,
    Good Idea!  They should stay perfectly in sync.  And the switches inside 
the Headrush are DPDT (push/push) so you even have extra lugs on each switch 
to do it.  Aaaaand one wall wart is plenty, just make up a pig-tailed Y-plug 
for one of them.  I use this all the time.  For instance, I have had two Korg 
X5DR's running off one wall wart for two years now and both my Headrushes are 
on another, etc.  Works fine.
    I use my Headrushes differently than you suggest however.  One's 'mix 
out' goes to the other's 'input'.  That ultimately gives me a 23 second loop 
with many, many, many layers, if I so choose.
    Btw: I have found much quieter switches for the Headrush too, if you do a 
lot of vocal or acoustic instrument looping in a very quiet room where the 
click of the switches is picked up by your mic(s).  Alcoswitch Part# 
MPG-106D.  SPDT.  They are not the 'combat strength' switches the originals 
are however.  I remounted the original switches on mine with rubber washers 
and that helped soften the click sufficiently for me.

good luck,
    'hawkeye'  


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Date: Thu, 9 Dec 1999 08:05:55 -0800 (PST)
From: James Pearce <jamesrp@statenet.com>
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y'know, you're the only one that still feels some how "violated" by that
off-topic "war" that happened a month back or so enough to keep commenting on
it. give it up.

i swear in comparison to the other mailing lists i'm on, this one has the
highest "whine" factor.



On Thu, 9 Dec 1999 MyWarNerve@aol.com wrote:

|The rules are simple, don't play the game. Let them be self righteouse in 
|their electronic worlds. Let them discuss scotch and pitbulls. But don't you 
|dare have a sense of humor about anything, because that most of all, would be 
|off-topic. 
|A
|
|

   _______________________________________________________________________
						    	   James R. Pearce
						      jamesrp@statenet.com

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Date: Fri, 03 Dec 1999 11:40:59 -0600
Subject: Re: Hello + Q; RE: Lex Jam Man info
From: Travis Hartnett <hartne.t@apple.com>
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The manual is onlilne at
http://www.annihilist.com/loop/tools/jamman/jammanual/jamman_manual.html

It's in jpeg format, scanned in from the original.

TH



> 
> We can provide you a copy of the manual for $10 to cover the cost of copy,
> binding and mail
> 
> Dick Michaels
> Rogue Music NYC
> http://www.roguemusic.com
> 
> SnarleyCo@aol.com wrote:
> 
>> Hey list...new here
>> 
>> name = Carl Snow... Own 16 TR studio in Knoxville TN <Moss Hill REC>
>> 
>> Feel in love w/ loopin' many many many years ago when i first heard
>> Eno/Fripp "No Pussyfooting" and "Evenining star"
>> blah blah blah.........
>> 
>> NOW to the 64$ question....
>> been searching for a  L O N G  time for the manual for Lexicons Jam-Man ....
>> I sent the small black rack TO lexicon in order to add more RAM = seconds -
>> delay/sample...
>> In the shipping and "repair?" instructions i indicated "hey a MANUAL would be
>> nice"
>> ___purchased sans Manual___
>> 
>> Help ....  please... The J-Man and i get along very well
>> But our relashionship would improve w/ a .....you guessed it....Manual   !!!
>> 
>> Any suggestions......experiences....factiods  etc... would be very apreciated
>> 
>> Thanks
>> Carl Snow
>> Moss Hill REC.
> 
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Dec 30 18:05:26 1999
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Date: Sun, 12 Dec 1999 03:50:35 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: DL4 Review and Group Discount Price via Alto Music
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I just want to chime in on Greg's review....

I ordered my DL-4 from Alto on Tues. & received it on
Thurs. All total w/shipping $232.88. They were out of
power supplies at the time, but said they would send
one along ASAP. They sent batteries to get me started.

I already own an EV-5 exp. pedal & it works just fine
with the DL-4.

I would like to give a hearty second to something Greg
said. The DL-4 is not only like a "little brother"
Echoplex, but it also shares some DNA with the Vortex.

I started out by using the DL-4 in the effects loop of
my Digitech 2120. This was OK, but the effects loop is
mono so I was missing a lot. I then tried running the
stereo outputs of the 2120 to the stereo inputs of the
DL-4. This was much better.

As far as looping goes, I find the sound quality at
half speed (28 secs) well within my tolerance. I like
the feel of the footswitches. I have big feet, but a
light foot, and I haven't missed a start/stop point
on a loop yet.

As far as the authenticity of the modeling, I'll have
to defer to the experts. I can say that they are
distinct from each other & IMO represent an incredible
value in their own right. You can even use them as
loopers,(within the confines of their delay times).

Most recently, I ran the output of my EDP into the
DL-4 & just sat for an hour or so with the DL-4 in
my lap, moving from model to model & spinning knobs.
Welcome to Vortex Country! Five minutes of this will
have you pining for one of those knob turning gizmos
like Neil Young uses on his guitar amp. I mean it. I
would appreciate any advice on how to accomplish
footpedal control of ALL the knobs.

I hope Line 6 sells enough of these puppies to
encourage further looper development.

John


=====
John Tidwell



__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one place.
Yahoo! Shopping: http://shopping.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Dec 30 18:49:10 1999
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Reply-To: "Gareth Whittock" <whiteoak@dial.pipex.com>
From: "Gareth Whittock" <whiteoak@dial.pipex.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re:mulchers delight
Date: Tue, 30 Nov 1999 23:37:38 -0000
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Just thought i'd pass this on
http://www.multimania.com/scdevelop/indexa.htm
has some new and improved vst plugins with relevance to Audio mulch looping
activities
check out the new 10sec sampler - its very good
this guy has a whole load of vst plugins for $40  VFM indeed!

Gareth

Oh and a happy new thousand year loop to all

From Loopers-Delight-request@annihilist.com  Thu Dec 30 18:47:54 1999
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Date: Thu, 30 Dec 1999 15:33:12 -0800
From: Allan Hoeltje <ahoeltje@best.com>
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I've been lurking around here for about eight months now, reading some
great postings and waiting for the second coming... of the EDP, of
course.  :-)  In lieu of a proper looping device I finally got the
courage to combine my GT-5 and GT-3 together with a Macky 1202 mixer and
fiddle with aux sends, 1.8 seconds of delay, and feedback.  The results
are very interesting but I guess I was expecting nothing less than
astounding Fripponian Soudscapes.

Some general questions:

My first notion is that looping and soundscapes are not really the same
thing; that looping is more phrase sampling with playback and
soundscapes is controlled feedback/regeneration.  Is this correct?

How much delay time is necessary to do soundscape-like effects?

How many delay units are needed to do decent soundscapes?

Is the EDP suited more for looping than soundscaping?

Can one come close to that Fripp sound without buying lots of TC
electronics and Harmonizers?

About three months ago someone here posted their Macky 1202 and FX
signal path.  I have found it very useful and even though none of my FX
match at least it indicated what one can do with a 1202.  I would really
like to see more examples of soundscape signal paths and think that
there ought to be a place for such things on the LD web page.

Allan


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From: "cameron" <c.ja.s@adlink.com.au>
To: <Loopers-Delight@annihilist.com>
Subject: Akia HeadRush
Date: Fri, 31 Dec 1999 09:16:26 -0800
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This is a multi-part message in MIME format.

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   "Akia HeadRush" Has anyone noticed the background noise(hiss).
   It's the only thing that lets these things down. I use 2 of them ,
   1 to loop, the other to tap in a delay. Using 2, I have two times the
   hiss. Can anyone suggest a peice of gear, or something apart from
   a noise gate and not using them.  After seeing Doug Wimbish several
   times. Using a shit load of gear and having silent rig. I'm jealous.=20
   It must be his T.C Electronics stuff. Living in Australia, there's =
not
   a hellava lot of gear to try locally. Remember we've only have =
kangaroos
   and shit jumping around here.  Also, I think I'ts about time there
   was an official Doug Wimbish site.

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#50a8b0>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;"Akia HeadRush" Has anyone noticed =
the=20
background noise(hiss).</FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;It's the only thing that lets =
these things=20
down. I use 2 of them ,</FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp; 1 to loop, the other to tap in a delay. =
Using 2,=20
I have two times the</FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp; hiss. Can anyone suggest a peice of =
gear, or=20
something apart from</FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;a noise gate and not using =
them.</FONT><FONT=20
size=3D2> &nbsp;After seeing Doug Wimbish several</FONT></DIV>
<DIV><FONT size=3D2>&nbsp; &nbsp;times. Using a shit load of =
gear</FONT><FONT=20
size=3D2>&nbsp;and having silent rig. I'm jealous. </FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp; It must be his T.C Electronics =
stuff.</FONT><FONT=20
size=3D2> Living in Australia, there's not</FONT></DIV>
<DIV><FONT size=3D2>&nbsp; &nbsp;a hellava lot of gear to try =
locally.</FONT><FONT=20
size=3D2>&nbsp;Remember we've only have kangaroos</FONT></DIV>
<DIV><FONT size=3D2>&nbsp; &nbsp;and shit jumping around =
here.</FONT><FONT size=3D2>=20
&nbsp;Also, I think I'ts about time there</FONT></DIV>
<DIV><FONT size=3D2>&nbsp; &nbsp;was an official Doug Wimbish=20
site.</FONT></DIV></BODY></HTML>

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Date: Thu, 30 Dec 1999 19:26:23 EST
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get a line six dl-4

From Loopers-Delight-request@annihilist.com  Thu Dec 30 19:57:42 1999
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>
>
> They tell me new units are coming off the new production line in january.
> All systems go!
>
> kim
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
>

YEEAAAAAAAAAAAAAAA......!!!!!!!!!!!!! :::-}}}
and here one of my new years resoulutions was i wasn't going to spend every cent I had on Musical equipment..oh well...

From Loopers-Delight-request@annihilist.com  Thu Dec 30 20:13:40 1999
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Message-ID: <030001bf532a$48963a80$c02f7ad4@lenclud>
From: "Laurent" <la.forge@worldonline.be>
To: <Loopers-Delight@annihilist.com>
Subject: atari sequencing loopers should contact me personally!
Date: Fri, 31 Dec 1999 01:47:33 +0100
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Hello,

I'm constructing a site dedicated to atari sequencing.  Please help me to
build my link page and get in touch privately @:

atarirevolution@technologist.com

CU, Laurent

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From: "Ronda Turner" <gturner@tstar.net>
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References: <000001bf53b3$17772980$f18909d2@mpx.com.au>
Subject: Re: Akia HeadRush
Date: Thu, 30 Dec 1999 18:54:47 -0600
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This is a multi-part message in MIME format.

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Clearly you're going to have to find a way to make a looper out of a =
Kangaroo.
And while your at it you might as well genetically engineer them to be =
large enough that a 250 pound man could climb into its pouch and hop =
away.
I would suggest to R&D that in the future all Kangaroo loopers should be =
able to generate coffee and bark ribald French phrases when stared at =
for more than three seconds.
Get Paul Hogan on it.
  Living in Australia, there's not
     a hellava lot of gear to try locally. Remember we've only have =
kangaroos
     and shit jumping around here.

------=_NextPart_000_0006_01BF52F7.57C82F00
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2722.2800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#50a8b0>
<DIV><FONT size=3D2>Clearly you're going to have to find a way to make a =
looper=20
out of a Kangaroo.</FONT></DIV>
<DIV><FONT size=3D2>And while your at it you might as well genetically =
engineer=20
them to be large enough that a 250 pound man could climb into its pouch =
and hop=20
away.</FONT></DIV>
<DIV><FONT size=3D2>I would suggest to R&amp;D that in the future all =
Kangaroo=20
loopers should be able to&nbsp;generate coffee and bark ribald French =
phrases=20
when stared at for more than three seconds.</FONT></DIV>
<DIV><FONT size=3D2>Get Paul Hogan on it.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV><FONT size=3D2>Living in Australia, there's not</FONT></DIV>
  <DIV><FONT size=3D2>&nbsp; &nbsp;a hellava lot of gear to try=20
  locally.</FONT><FONT size=3D2>&nbsp;Remember we've only have=20
  kangaroos</FONT></DIV>
  <DIV><FONT size=3D2>&nbsp; &nbsp;and shit jumping around =
here</FONT><FONT=20
  size=3D2>.</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Thu Dec 30 20:54:17 1999
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From: NoelG26@aol.com
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Date: Thu, 30 Dec 1999 20:36:10 EST
Subject: AKIA HEADRUSH
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Mine was having the same problem, but I am 2 cheep to buy any other looper, 
any other suggestions??

From Loopers-Delight-request@annihilist.com  Thu Dec 30 21:23:47 1999
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Date: Thu, 30 Dec 1999 19:12:29 -0700
To: Loopers-Delight@annihilist.com
From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: Re: New looper guidance wanted/needed
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At or around 09:00 PM 12/30/99 -0500, Tim Nelson wrote:

>>How many delay units are needed to do decent soundscapes?
>
>A lot depends on what type of delays you're using; if you've got something
>with a decent live overdub capability (see "Tools of the Trade" on the LD
>site <http://www.annihilist.com/loop/tools/tools.html> you can do a lot
>more than you could with a sample-and-hold delay. 

Yes, you can, in some respects; personally, though, I'm happier with my
rack full of old RDS-series delays and the DE-200 than I was with the
Jamman or in my trials with an EDP.  There's something about the old dials
and things in a series that I like, as well as the being forced to be
innovative with what you've got approach to looping.  I mean, for the price
of one EDP, I can have 10 old RDS 3.6s that'll do some pretty amazing
things in conjunction :)


>What many loopers do when
>they upgrade, though, is to hang onto their older delays since you can
>always find some use for a short looper. 

You can never have too many delays..

One thing that's probably more
>important than the number of delays in doing decent soundscapes has to do
>with the variety of sounds being input TO your delays; a wide range of
>timbres from your instrument(s) when combined with a looping device's
>overdub capability can sound pretty orchestral, polyphonic or just plain
>massive.

Having some LFOs in the delay unit(s) never hurt either, particularly those
that are non-destructive to what's in the sample-and-hold loop.  This
reason is also why I'm so fond of my ebow and odd things like the EH
BassBalls pedals and similar envelope filters.  Hell, I even like the
oddball digital distortions I've been pulling out of an old REX50 that one
of the fellow loopers sold me a few weeks ago. 



==
the Reverend Rob      ICQ: 1280871          Yahoo: theReverendRob
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.realm-of-shade.com/music : feedback and echo MP3s

From Loopers-Delight-request@annihilist.com  Thu Dec 30 21:06:02 1999
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: New looper guidance wanted/needed
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With the caveat that you'll get a range of different answers to these
questions, and that apparently contradictory answers may be equally valid,
here's one opinion:

>At 03:33 PM 12/30/99 -0800, you wrote:
>Some general questions:

>My first notion is that looping and soundscapes are not really the same
>thing; that looping is more phrase sampling with playback and
>soundscapes is controlled feedback/regeneration.  Is this correct?

There's quite a bit of overlap between the two terms as they're generally
used. Yes, looping does involve the repetition of a captured piece of
sound, but it's also very important to be able to add to and manipulate the
loop in real time. Looping is a much broader term, while soundscapes are
usually descriptive of a more textural style using looping.
>
>How much delay time is necessary to do soundscape-like effects?

It's surprising how much can be done with under two seconds, but obviously
the more memory (and control functions!) you've got the more versatile you
can be.
>
>How many delay units are needed to do decent soundscapes?

A lot depends on what type of delays you're using; if you've got something
with a decent live overdub capability (see "Tools of the Trade" on the LD
site <http://www.annihilist.com/loop/tools/tools.html> you can do a lot
more than you could with a sample-and-hold delay. What many loopers do when
they upgrade, though, is to hang onto their older delays since you can
always find some use for a short looper. One thing that's probably more
important than the number of delays in doing decent soundscapes has to do
with the variety of sounds being input TO your delays; a wide range of
timbres from your instrument(s) when combined with a looping device's
overdub capability can sound pretty orchestral, polyphonic or just plain
massive. That's why so many soundscape artists favor synths (guitar,
keyboard, or some sort of alternate controller) and/or a good variety of
stompboxes; it's important to be able to draw upon a suitably wide range of
sounds to feed into your loopers, and to be able to change quickly between
these sounds with a good level of control.
>
>Is the EDP suited more for looping than soundscaping?

It can do both. It's probably the most versatile looping device available
in terms of delay time and parameters for loop manipulation. (Well, almost
available... January?!)
>
>Can one come close to that Fripp sound without buying lots of TC
>electronics and Harmonizers?

TC and Eventide both make some VERY fine cream-of-the-crop gear, but
there's a pile of stuff available that can get you into pitch-shifting and
layered delays for a whole lot less money. Check out the archives or some
of the bulletin boards like Harmony Central; you'll find many aficionados
of some of the more moderately-priced multi-effects and stompboxes from
Zoom, Boss/Roland, Korg, Digitech, etc. etc. etc., as well as those
maladjusted miscreants among us who enjoy scouring pawnshops for weird,
funky old effects and connecting them in combinations which would nauseate
their designers.

Again, you'll get many different answers to your questions, and the bottom
line is finding what works best for you.

Tim

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Subject: Re: New looper guidance wanted/needed
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----- Original Message -----
From: Allan Hoeltje <ahoeltje@best.com>
To: Loopers-Delight <Loopers-Delight@annihilist.com>
Sent: Thursday, December 30, 1999 6:33 PM
Subject: New looper guidance wanted/needed

> Some general questions:
>
> My first notion is that looping and soundscapes are not really the same
> thing; that looping is more phrase sampling with playback and
> soundscapes is controlled feedback/regeneration.  Is this correct?

For all intents and purposes, looping is soundscaping, and soundscaping is
looping, only "looping" doesn't sound as dorky.  "Soundscapes" is just the
term Fripp uses for his loop-based pieces.  He's using the same equipment as
anyone else, only with a somewhat larger budget.  The term "soundscapes"
also seems to imply soothing new-age music, which surely doesn't describe
>all< (or even most) loop-based music. You can call your looping pieces
"soundscapes" too if you want, or whatever else strikes your fancy; it's all
just looping at heart.

> How much delay time is necessary to do soundscape-like effects?

I'm limited to 4 seconds, and I can do a decent imitation of the late-1970's
"Frippertronics" sound.  His newer stuff is based on much longer loop times-
"Threnody for Souls in Torment," from The Bridge Between, is based on a
20-second delay, and the stuff on "November Suite" and "That Which Passes"
is based on longer loop times (some I believe up to 2 full minutes!); often
he'll have two, three, or four loops going simultaneously, each with a
different length.

> How many delay units are needed to do decent soundscapes?

I guess the more the merrier; more delay units means more independent loops.
Just remember that Fripp only had a tape delay for "Let the Power Fall," 2
TC 2290s for "1999," and then moved up to 4 TC's by the time the Projeckts
came along.  I recently moved up to 2 4-second delays, and the possibilities
are enough to keep me busy for a while.

> Is the EDP suited more for looping than soundscaping?

Again, ain't no difference.

> Can one come close to that Fripp sound without buying lots of TC
> electronics and Harmonizers?

No, although it's amazing what a cheap multi-effect unit and a volume pedal
can give you.  I can't get the sound of a massive choir or 80-piece
orchestra, but I can certainly produce lots of sounds that you'd never guess
originated on a guitar.

Have fun!


Peter

From Loopers-Delight-request@annihilist.com  Thu Dec 30 23:29:42 1999
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Subject: Re: New looper guidance wanted/needed
From: "Christopher White" <magicicada@mindspring.com>
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answers:experiment..i use 3 machines a quad 2 an mpx 1 and a dd3...i use
samplers and analog boards with these machines..it all depnds i was happy
using modified answering machine tapes when i was poor.
c.white
----------
>From: Allan Hoeltje <ahoeltje@best.com>
>To: Loopers-Delight <Loopers-Delight@annihilist.com>
>Subject: New looper guidance wanted/needed
>Date: Thu, Dec 30, 1999, 7:33 PM
>

>I've been lurking around here for about eight months now, reading some
>great postings and waiting for the second coming... of the EDP, of
>course.  :-)  In lieu of a proper looping device I finally got the
>courage to combine my GT-5 and GT-3 together with a Macky 1202 mixer and
>fiddle with aux sends, 1.8 seconds of delay, and feedback.  The results
>are very interesting but I guess I was expecting nothing less than
>astounding Fripponian Soudscapes.
>
>Some general questions:
>
>My first notion is that looping and soundscapes are not really the same
>thing; that looping is more phrase sampling with playback and
>soundscapes is controlled feedback/regeneration.  Is this correct?
>
>How much delay time is necessary to do soundscape-like effects?
>
>How many delay units are needed to do decent soundscapes?
>
>Is the EDP suited more for looping than soundscaping?
>
>Can one come close to that Fripp sound without buying lots of TC
>electronics and Harmonizers?
>
>About three months ago someone here posted their Macky 1202 and FX
>signal path.  I have found it very useful and even though none of my FX
>match at least it indicated what one can do with a 1202.  I would really
>like to see more examples of soundscape signal paths and think that
>there ought to be a place for such things on the LD web page.
>
>Allan
>
>

From Loopers-Delight-request@annihilist.com  Thu Dec 30 23:36:24 1999
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From: Hawkeye255@aol.com
Message-ID: <0.e824d45e.259d8ae3@aol.com>
Date: Thu, 30 Dec 1999 23:28:19 EST
Subject: Re: AKIA HEADRUSH
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I only get 'hissing' and other noise if my signal is too hot going in to the 
Headrushes, but they don't seem to me to be as sensitive to overloading the 
input as my EDP was Of course there's no way to know on the Akai's, except by 
ear, no clipping LED's.  But, maybe it has more to do with the fact that I 
rarely run electric guitars through them either, just synths and vocals.  And 
I believe the high damp wouldn't be much help either if the inputs are 
overloaded.   I bought a Behringer Denoiser for the EDP when I used it 
exclusively for looping, just in case the input came in a little hot.  
Haven't had to fire it up since I sold the Oberheim and bought the Headrushes.

Hawkeye 

From Loopers-Delight-request@annihilist.com  Thu Dec 30 23:42:04 1999
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Date: Thu, 30 Dec 1999 20:28:42 -0800
From: "Rev. Doubt-Goat" <dgoat@quik.com>
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93

Allan Hoeltje wrote:
> My first notion is that looping and soundscapes are not really the same
> thing; that looping is more phrase sampling with playback and
> soundscapes is controlled feedback/regeneration.  Is this correct?

Soundscapes can be created without looping (usually a very long reverb
will do) and looping does not necesarrily create soundscapes
(sequencers, dj's, etc.) Any delay of 1 sec or more can be considered a
looper, though if you're looking for dj style looping, regeneration is
not necessarily a part of the equation.
 
> How much delay time is necessary to do soundscape-like effects?

1 sec. Useful additions to the delay are a fuzz box, a big reverb, and a
volume pedal.
 
> How many delay units are needed to do decent soundscapes?

One. Again, I've heard amazing things done with a 1sec boss pedal, a
volume pedal and an old alesis midiverb. Amazing.
 
> Is the EDP suited more for looping than soundscaping?

Both.
 
> Can one come close to that Fripp sound without buying lots of TC
> electronics and Harmonizers?

Yes. Old style Fripp (i.e. Let the Power Fall) is the easist. A fuzz
box, a volume pedal and a 4 sec. delay.

For the guitarist, I would advise a beginning minimal setup of:

1. An active volume pedal. DOD FX-17 or Morley Volume/Wah pedal
2. A good fuzz box. My favorite was the Boss Metal Zone
3. A big reverb. Try an Alesis Nanoverb or the Lexicon MPX-100
4. A 4 sec or larger delay. The Zoom or Headrush, or Line Six are all
good beginners boxes. And don't forget the old Digitech Time Machines!

Useful, but not vital:

1. A modulation source. Chorus, flange, phaser, tremelo, etc. The
Digitech XP-200 or maybe the new Line Six box. 
2. An ebow.

 
93
Fr. Doubt-Goat

                         +++ +++++ +++
                  Sekhet-Maat Oasis, O.T.O.
                  http://www.sekhetmaat.com
                         +++ +++++ +++

From Loopers-Delight-request@annihilist.com  Thu Dec 30 23:49:15 1999
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Date: Thu, 30 Dec 1999 23:44:10 -0500
From: Kevin <kevin@minds-eye.org>
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Any idea what the retail on these is supposed to be?

Kevin (saving pennies)

Kim Flint wrote:

>Has the shipdate for the new EDPs been found out yet?

>
> They tell me new units are coming off the new production line in january.
> All systems go!
>

From Loopers-Delight-request@annihilist.com  Thu Dec 30 23:51:54 1999
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From: Nemoguitt@aol.com
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Date: Thu, 30 Dec 1999 23:47:49 EST
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In a message dated 12/31/99 12:23:36 AM Mid-Atlantic Standard Time, 
reverendrob@realm-of-shade.com writes:

<< You can never have too many delays..
  >>

truer words were never spoken..........happy new year all...........michael

From Loopers-Delight-request@annihilist.com  Fri Dec 31 00:02:27 1999
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for some odd reason this is just now getting posted and I am now getting the
list msg by msg again instead of the digest version i have currently
subscribed to. whats the deal?

On Thu, 9 Dec 1999, James Pearce wrote:

|y'know, you're the only one that still feels some how "violated" by that
|off-topic "war" that happened a month back or so enough to keep commenting on
|it. give it up.
|
|i swear in comparison to the other mailing lists i'm on, this one has the
|highest "whine" factor.
|
|
|
|On Thu, 9 Dec 1999 MyWarNerve@aol.com wrote:
|
||The rules are simple, don't play the game. Let them be self righteouse in 
||their electronic worlds. Let them discuss scotch and pitbulls. But don't you 
||dare have a sense of humor about anything, because that most of all, would be 
||off-topic. 
||A
||
||
|
|   _______________________________________________________________________
|						    	   James R. Pearce
|						      jamesrp@statenet.com
|
|

   _______________________________________________________________________
						    	   James R. Pearce
						      jamesrp@statenet.com

From Loopers-Delight-request@annihilist.com  Fri Dec 31 00:31:07 1999
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From: "future perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: New looper guidance wanted/needed
Date: Fri, 31 Dec 1999 00:29:44 -0500
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I do have a fairly detailed description of my setup on my page, if that is
what you are looking for...


Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave



> I would really
> like to see more examples of soundscape signal paths and think that
> there ought to be a place for such things on the LD web page.
>
> Allan
>
>

From Loopers-Delight-request@annihilist.com  Fri Dec 31 02:35:53 1999
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Subject: Re: Akia HeadRush
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      Ronda, your fantastic, tell me more. Our sense of humour is so =
similar it's uncany.
      Where are you from. I love kangaroos, infact anything furry, round =
and warm.
      Feel free to send me a few polaroids. my email is,  =
c.ja.s@adlink.com.au
      This LoopersDelight dating service is great.
    ----- Original Message -----=20
  From: Ronda Turner=20
  To: Loopers-Delight@annihilist.com=20
  Sent: Thursday, December 30, 1999 4:54 PM
  Subject: Re: Akia HeadRush


  Clearly you're going to have to find a way to make a looper out of a =
Kangaroo.
  And while your at it you might as well genetically engineer them to be =
large enough that a 250 pound man could climb into its pouch and hop =
away.
  I would suggest to R&D that in the future all Kangaroo loopers should =
be able to generate coffee and bark ribald French phrases when stared at =
for more than three seconds.
  Get Paul Hogan on it.
    Living in Australia, there's not
       a hellava lot of gear to try locally. Remember we've only have =
kangaroos
       and shit jumping around here.

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#50a8b0>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ronda, your =
fantastic, tell me=20
more. Our sense of humour is so similar it's uncany.</FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Where are you from. I =
love=20
kangaroos, infact anything furry, round&nbsp;and warm.</FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Feel free to send me =
a few=20
polaroids. my email is,&nbsp; <A=20
href=3D"mailto:c.ja.s@adlink.com.au">c.ja.s@adlink.com.au</A></FONT></DIV=
>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This LoopersDelight =
dating=20
service is great.</FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp; </FONT>----- Original Message =
----- </DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:gturner@tstar.net" title=3Dgturner@tstar.net>Ronda =
Turner</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@annihilist.com"=20
  =
title=3DLoopers-Delight@annihilist.com>Loopers-Delight@annihilist.com</A>=
 </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, December 30, =
1999 4:54=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Akia =
HeadRush</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=3D2>Clearly you're going to have to find a way to make =
a looper=20
  out of a Kangaroo.</FONT></DIV>
  <DIV><FONT size=3D2>And while your at it you might as well genetically =
engineer=20
  them to be large enough that a 250 pound man could climb into its =
pouch and=20
  hop away.</FONT></DIV>
  <DIV><FONT size=3D2>I would suggest to R&amp;D that in the future all =
Kangaroo=20
  loopers should be able to&nbsp;generate coffee and bark ribald French =
phrases=20
  when stared at for more than three seconds.</FONT></DIV>
  <DIV><FONT size=3D2>Get Paul Hogan on it.</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
    <DIV><FONT size=3D2>Living in Australia, there's not</FONT></DIV>
    <DIV><FONT size=3D2>&nbsp; &nbsp;a hellava lot of gear to try=20
    locally.</FONT><FONT size=3D2>&nbsp;Remember we've only have=20
    kangaroos</FONT></DIV>
    <DIV><FONT size=3D2>&nbsp; &nbsp;and shit jumping around =
here</FONT><FONT=20
    size=3D2>.</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From: "George Washington" <jeremiah266@hotmail.com>
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Tell me more about usin anwsering machine tapes. I was at radio shack the 
onther day and noticed tape loops and was wondering how I could implement 
them effectively. Tell me about your use if them and comments.


>From: "Christopher White" <magicicada@mindspring.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com>answers:experiment..i use 3 machines a 
>quad 2 an mpx 1 and a dd3...i use
>samplers and analog boards with these machines..it all depnds i was happy
>using modified answering machine tapes when i was poor.
>c.white


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: "Ronda Turner" <gturner@tstar.net>
To: <Loopers-Delight@annihilist.com>
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Here's a picture of me taken shortly after discovering that if you chase =
a young white female office temp with a sledgehammer while screaming the =
lyrics to Ronnie Milsap songs you can briefly become invisible (sure you =
may wake up with someone's dismembered vagina nailed onto a doll of =
Adolph Hitler, but you'll be able to look at yourself in the mirror the =
next day with pride and say "You'll be hearing from my attorney, Mom".)
I generally wouldn't post this to a list, but what the hay, we may all =
be icepicking each other in the neck for water in the coming month, =
so--happy new year everybody. =20
  ----- Original Message -----=20
  From: cameron=20
  To: Loopers-Delight@annihilist.com=20
  Sent: Friday, December 31, 1999 6:32 PM
  Subject: Re: Akia HeadRush


        Ronda, your fantastic, tell me more. Our sense of humour is so =
similar it's uncany.
        Where are you from. I love kangaroos, infact anything furry, =
round and warm.
        Feel free to send me a few polaroids. my email is,  =
c.ja.s@adlink.com.au
        This LoopersDelight dating service is great.
      ----- Original Message -----=20
    From: Ronda Turner=20
    To: Loopers-Delight@annihilist.com=20
    Sent: Thursday, December 30, 1999 4:54 PM
    Subject: Re: Akia HeadRush


    Clearly you're going to have to find a way to make a looper out of a =
Kangaroo.
    And while your at it you might as well genetically engineer them to =
be large enough that a 250 pound man could climb into its pouch and hop =
away.
    I would suggest to R&D that in the future all Kangaroo loopers =
should be able to generate coffee and bark ribald French phrases when =
stared at for more than three seconds.
    Get Paul Hogan on it.
      Living in Australia, there's not
         a hellava lot of gear to try locally. Remember we've only have =
kangaroos
         and shit jumping around here.

------=_NextPart_000_0012_01BF5344.F98B4A00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2722.2800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#50a8b0>
<DIV><FONT size=3D2>
<DIV><FONT size=3D2>Here's a picture of me taken shortly after =
discovering that if=20
you chase a young white female office temp with a sledgehammer while =
screaming=20
the lyrics to Ronnie Milsap songs you can briefly become invisible (sure =
you may=20
wake up with someone's dismembered vagina nailed onto a doll of Adolph =
Hitler,=20
but you'll be able to look at yourself in the mirror the next day with =
pride and=20
say "You'll be hearing from my attorney, Mom".)</FONT></DIV>
<DIV>I generally wouldn't post this to a list, but what the hay, we may =
all be=20
icepicking each other in the neck for water in the coming month, =
so--happy new=20
year everybody.&nbsp; </DIV></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:c.ja.s@adlink.com.au" =
title=3Dc.ja.s@adlink.com.au>cameron</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@annihilist.com"=20
  =
title=3DLoopers-Delight@annihilist.com>Loopers-Delight@annihilist.com</A>=
 </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, December 31, 1999 =
6:32=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Akia =
HeadRush</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ronda, your =
fantastic, tell=20
  me more. Our sense of humour is so similar it's uncany.</FONT></DIV>
  <DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Where are you from. =
I love=20
  kangaroos, infact anything furry, round&nbsp;and warm.</FONT></DIV>
  <DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Feel free to send =
me a few=20
  polaroids. my email is,&nbsp; <A=20
  =
href=3D"mailto:c.ja.s@adlink.com.au">c.ja.s@adlink.com.au</A></FONT></DIV=
>
  <DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This LoopersDelight =
dating=20
  service is great.</FONT></DIV>
  <DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp; </FONT>----- Original Message =
-----=20
</DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A href=3D"mailto:gturner@tstar.net" title=3Dgturner@tstar.net>Ronda =
Turner</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    href=3D"mailto:Loopers-Delight@annihilist.com"=20
    =
title=3DLoopers-Delight@annihilist.com>Loopers-Delight@annihilist.com</A>=
=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, December 30, =
1999 4:54=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Akia =
HeadRush</DIV>
    <DIV><BR></DIV>
    <DIV><FONT size=3D2>Clearly you're going to have to find a way to =
make a=20
    looper out of a Kangaroo.</FONT></DIV>
    <DIV><FONT size=3D2>And while your at it you might as well =
genetically=20
    engineer them to be large enough that a 250 pound man could climb =
into its=20
    pouch and hop away.</FONT></DIV>
    <DIV><FONT size=3D2>I would suggest to R&amp;D that in the future =
all Kangaroo=20
    loopers should be able to&nbsp;generate coffee and bark ribald =
French=20
    phrases when stared at for more than three seconds.</FONT></DIV>
    <DIV><FONT size=3D2>Get Paul Hogan on it.</FONT></DIV>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
      <DIV><FONT size=3D2>Living in Australia, there's not</FONT></DIV>
      <DIV><FONT size=3D2>&nbsp; &nbsp;a hellava lot of gear to try=20
      locally.</FONT><FONT size=3D2>&nbsp;Remember we've only have=20
      kangaroos</FONT></DIV>
      <DIV><FONT size=3D2>&nbsp; &nbsp;and shit jumping around =
here</FONT><FONT=20
      =
size=3D2>.</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HT=
ML>

------=_NextPart_000_0012_01BF5344.F98B4A00--

From Loopers-Delight-request@annihilist.com  Fri Dec 31 06:05:07 1999
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From: SoundFNR@aol.com
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Date: Fri, 31 Dec 1999 05:34:23 EST
Subject: Re: Can any body explain Time lag Acuumulator?
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In a message dated 29/12/99 11:18:22 GMT Standard Time, 
jeremiah266@hotmail.com writes:

> "No pussyfooting" one side says "2 modified revox a77" and only one mod a77 
>  was used on the other yet there is still quite a bit of looping. Why was 
was 
> 
>  the a77 used? What were the
>  modifications? My understanding is that the revi used on this album were 
>  stereo two tracks
Yes, Revox A77 's are excellent stereo decks( and any revox/studer gear) and
can be bought at a very reasonable price SH, though any 2 decks would do.
The modification was probably the addition of varispeed, not essential
but easier to change loop time.

suggest you look up the Frippertronics section on the LD site. 

, could 4,8,... track reel to reels be used for
>  insane density?
Yes


Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

From Loopers-Delight-request@annihilist.com  Fri Dec 31 07:09:49 1999
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From: DanKoontz@webtv.net (Dan Koontz)
Date: Fri, 31 Dec 1999 03:37:12 -0800 (PST)
To: Loopers-Delight@annihilist.com
Subject: Tape loop
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This may be te dumbest question ever posted on this site, but I'll ask
anyway. What does it mean in album liner notes when it says: Joe
Blow-tape loops? These "samples" always seem to sound alot better than
digital samples. My question is specifically: what type of equipment is
needed to make them?

From Loopers-Delight-request@annihilist.com  Fri Dec 31 08:17:16 1999
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From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com
Subject: Bleargh
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I was looping this morning before I had to go to work (since there was
no milk, cereal, or much of anything else in the house) and had quite
a loop going - interesting, almost sounded like something from 1999, 
but was also quite different.  I definetely wanted to save it.

I was attempting to save the file from procrastination, but I stupidly
pressed the save file button twice and it overwrote my interesting 12
minute loop.  Crud.

Maybe if I get out of here early I can do a loop when I get home.
Having to work today is the pits but that's what you get when you
work in the computer industry.

I've started a tradition that just before a new year occurs, I create
a loop with the new year as its title.  So far I've got 1998, 1999 
and am working on 2000.  Fripp is not necessarily the inspiration here.

I'm using the Procrastination audio looper for the Mac in conjunction
with various guitars through a Mesa studio preamp and a Vortex by way
of a Roland VS-840 workstation into my computer.  I suppose I could run
my synths through it as well, or even my voice.

This gives me:
Procrastination = 4 minutes, stereo delay
Vortex = about 2 seconds
VS-840 = about 2 seconds

Hey!  I just got the new musicians friend catalog - looks like that 
ZOOM multi FX is now $89.  Is this right?  Is that the one with the 
4 second delay.






From Loopers-Delight-request@annihilist.com  Fri Dec 31 08:43:14 1999
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Message-ID: <01BF5396.D866AA70.mpeters@csi.com>
From: Michael Peters <mpeters@csi.com>
To: "'Loopers Delight'" <Loopers-Delight@annihilist.com>
Cc: "'acoustic-ecology@sfu.ca'" <acoustic-ecology@sfu.ca>,
        "'Ambient-Digest'"
	 <ambient-digest-owner@hyperreal.org>,
        "'Andre LaFosse'"
	 <altruist@earthlink.net>,
        "'Andre Wirths'" <andrewirths@gmx.de>,
        "'Andreas Willers'" <AWillers@compuserve.com>,
        "'Bernhard Woestheinrich'" <Bewoest@aol.com>
Cc: "'Elmar Hintz'" <8m2@01019freenet.de>,
        "'Klaus Stuehlen'"
	 <106613.2204@compuserve.com>,
        "'Kuno Wagner'"
	 <kuno.tap@t-online.de>,
        "'Leander Reininghaus'"
	 <LEALOOP@compuserve.com>,
        "'Markus Reuter'"
	 <mreuter@post.uni-bielefeld.de>,
        "'Matthias Becker'"
	 <m.becker@proaudio.de>
Cc: "'Michael Rüsenberg'" <Michael_Ruesenberg@compuserve.com>,
        "'Michel Redolfi'" <MichelRedolfi@compuserve.com>,
        "'Walter Brühn'" <walterbruehn@netcologne.de>,
        "'EuropaStringChoir@onelist.com'" <EuropaStringChoir@onelist.com>,
        "'Jason Reinier'" <jason@earprint.com>
Subject: my 2000
Date: Fri, 31 Dec 1999 13:55:46 +0100
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yesterday a friend of mine (Karsten Schulze, a keyboard player from 
Cologne/Germany) came up with a cool idea:

His personal goal for 2000 is to create and record 10 seconds of music 
every day. Just like a diary entry, but very short. 10 seconds each day sum 
up to 3650 seconds, or about 1 hour of music at the end of the year, 
consisting of 365 small bits.

I was fascinated by this idea at once, and I think I'll try to do this too. 
I'm really thinking of this as a musical diary, so the 10-second-bits will 
possibly turn out to be very different, just like the days. Some will be 
composed pieces, some improvised sounds, some just environmental 
recordings. All in all, it will probably end up as a very colorful 
patchwork. Another approach would be to create a coherent piece of music 
out of 365 units.

This 1 hour will be 'my 2000'. It could be either put on CD (because 365 
tracks won't work, they could be grouped into, say, 12 month-tracks), or 
possibly on CD-ROM for computer. One could also devise some sort of 
software, or a website, consisting of a calendar - clicking a day would 
play the 10 second track of the day and possibly display a diary entry, 
image, or something similar.

If more of you should decide to run their own 'my 2000' project, we could 
even bundle our efforts and turn it into something public, marketing-wise, 
for those who would do it as a professional music project. I'd volunteer to 
set up and host a website for this if needed. :-) But first - 365 pieces of 
music must be created.

Let me know what you think.

A healthy, peaceful, and successful year to all of you.


*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://www.mpeters.de/mpeweb

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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Bleargh
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At 06:45 AM 12/31/99 -0600, you wrote:
>Hey!  I just got the new musicians friend catalog - looks like that 
>ZOOM multi FX is now $89.  Is this right?  Is that the one with the 
>4 second delay.
>
Looks like the Zoom 2100 is out of the picture, though, since it was
featured as a blowout item for $99 a couple of catalogs ago, and there's no
mention of it now.

From Loopers-Delight-request@annihilist.com  Fri Dec 31 09:12:07 1999
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Date: Fri, 31 Dec 1999 08:27:24 -0500
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Boston New Years Conceptual Computer Looping
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References: <386BEBB8.89C5B073@best.com>
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>From yesterday's Boston Globe:

_____________________________________________________________________________

     Apocalypse Now: Y2K Pops

     Techno artists William Tremblay and Rob Gonsalves hit their conceptual
mother lode when First Night production director Gina Mullen urged them to
come up with a proposal for the millennial shindig.
     After all, says Tremblay, "this was going to be the big one."
     Cogitating about what to propose, they cast a wary eye at our era's
version of apocalypse: Y2K.
     "This time last year, there was a spate of news stories about how the
world would end. Elevators would plummet, things like that," says Tremblay.
"We felt it was highly overrated, and a bald-faced marketing strategy to
get everybody to buy a new PC."
     In fact, says Gonsalves, "The average Joe at home using Word and Excel
won't run into any problems. Most applications don't care what the date is."
     Tremblay and Gonsalves decided to test the doomsayers' theory - while
still making merry. They've collected 101 older computers, dating from 1987
to 1992, most of which are not Y2K compliant. Each has been programmed to
sound like a particular musical instrument; together, all 100 will sound
like an orchestra. Each will also project a visual element corresponding to
the musical  note it plays. Starting at 1 p.m. at the Hynes Convention
Center and going until 1 a.m., Y2K Pops will play a loop of 15 songs under
the guidance of a robot, called the "semi-conductor."
     At midnight, any number of the computers may come down with the
millennial bug. Gonsalves and Tremblay plan to monitor all the hardware and
software, and to see what hits the double-zero wall and what passes through
it when 1999 gives way to 2000. Boom or bust, it ought to be a good show.
______________________________________________________________________________

We now return to our regularly-scheduled topic, furry kangaroo loopers...


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From: Floyd Miller <floyd@studiodust.com>
Subject: Re: Akia HeadRush
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Please, no HTML encoded messages to mailing lists.  Thank you.

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From: "Bill Fox" <billfox@fast.net>
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Subject: S/N [was Re: AKIA HEADRUSH]
Date: Fri, 31 Dec 1999 08:35:31 -0500
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-----Original Message-----
From: Hawkeye255@aol.com
To: Loopers-Delight@annihilist.com
Date: Thursday, December 30, 1999 11:28 PM

>I only get 'hissing' and other noise if my signal is too hot going in to
the
>Headrushes

I find that to be an odd statement.  Hiss, in my experience, becomes more
apparent with a LOW s/n ratio, i.e. not enough signal.  This is the opposite
of what you said above.  How can a hot signal cause hiss?  Distortion would
be the result I'd expect.

Happy new year,

Bill         billfox@fast.net            http://wdiyfm.org
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay
consideration.

From Loopers-Delight-request@annihilist.com  Fri Dec 31 09:26:32 1999
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-----Original Message-----
From: Rev. Doubt-Goat <dgoat@quik.com>
To: Loopers-Delight@annihilist.com
Date: Thursday, December 30, 1999 11:28 PM
>For the guitarist, I would advise a beginning minimal setup of:
>1. An active volume pedal. DOD FX-17 or Morley Volume/Wah pedal
>2. A good fuzz box. My favorite was the Boss Metal Zone
>3. A big reverb. Try an Alesis Nanoverb or the Lexicon MPX-100
>4. A 4 sec or larger delay. The Zoom or Headrush, or Line Six are all
>good beginners boxes. And don't forget the old Digitech Time Machines!
>
>Useful, but not vital:
>1. A modulation source. Chorus, flange, phaser, tremelo, etc. The
>Digitech XP-200 or maybe the new Line Six box.
>2. An ebow.

In what order to you recommend to put these devices?

Cheers,

Bill         billfox@fast.net            http://wdiyfm.org
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay
consideration.

From Loopers-Delight-request@annihilist.com  Fri Dec 31 10:27:00 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
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Date: Fri, 31 Dec 1999 09:33:06 -0500
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This is a multi-part message in MIME format.

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I always thought that Boomerangs came from Australia!  :-)
        Living in Australia, there's not
           a hellava lot of gear to try locally. Remember we've only =
have kangaroos
           and shit jumping around here.

------=_NextPart_000_0044_01BF5372.0B371680
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
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<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
Transitional//EN">
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
<STYLE></STYLE>

</HEAD>
<BODY bgColor=3D#50a8b0>
<DIV><FONT color=3D#000000>I always thought that Boomerangs came from=20
Australia!&nbsp; :-)</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
        <DIV><FONT size=3D2>Living in Australia, there's =
not</FONT></DIV>
        <DIV><FONT size=3D2>&nbsp;&nbsp; a hellava lot of gear to try=20
        locally.</FONT><FONT size=3D2> Remember we've only have=20
        kangaroos</FONT></DIV>
        <DIV><FONT size=3D2>&nbsp;&nbsp; and shit jumping around =
here</FONT><FONT=20
        size=3D2>.</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Fri Dec 31 10:55:35 1999
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From: Dpcoffin@aol.com
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Date: Fri, 31 Dec 1999 09:57:07 EST
Subject: Re: New looper guidance wanted/needed
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In a message dated 12/30/99 6:47:42 PM, ahoeltje@best.com writes:

>In lieu of a proper looping device I finally got the
>courage to combine my GT-5 and GT-3 together with a Macky 1202 mixer and
>fiddle with aux sends, 1.8 seconds of delay, and feedback.  

I prefer short delays  (between 1-5 sec.) for looping, mostly because I find 
them easier to use rhythmically,  so long as I have some ways of varying the 
loop as it rolls around. So, I always place some fx afterwards, usually ones 
that have a sweep or step function that can alter the sounds over longer 
periods that my delay time, or set to modulate out of sync with the delay 
pattern, so it seems to change over a longer time, or to simply not be so 
relentless. The Gt-5 can do this all by itself wonderfully, using the 
Internal Wave function if the fx doesn't have a builtin lfo. Also check out 
its delay spill-over function: copy the same hold-delay preset to each slot 
in a bank, then change the sounds going into and post-processing the loop in 
each preset. Now you can switch presets without losing the delay contents, 
but in each case the loop will sound different, and you can add different 
sounds to it.
Also, re: Mackie mixers, I don't remember if the 1202 has control room and 
main outs or buss assignment buttons, but if it does, you can use the main 
outs to send any and all inputs to another looping delay, then bring the 
delay back to a channel strip set to output only to the control room outs, 
which is what you send to your monitor. All other inputs are (or can be) set 
to both main (to looper) and control room (to monitor). At 
www.vg-8.com/users/, I've posted a schematic of this sort of routing map 
using a 1604VLZ, which still surprises me with evermore useful routing 
options, after several years of messing around with it. 
dpc

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From: Tim Nelson <tcn62@ici.net>
Subject: Re: S/N [was Re: AKAI HEADRUSH]
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I haven't noticed any "hissing" with mine, but it does seem to be pretty
susceptible to overload distortion, particularly when looping bass. It
often seems that I can hit it with a harder signal from guitar or a
non-bassy synth sound and not distort, but then a comparitavely wimpy bass
signal (judging by the meters on my board) pushes it over into
distorto-land. Any ideas?

At 08:35 AM 12/31/99 -0500, you wrote:
>>I only get 'hissing' and other noise if my signal is too hot going in to
>the Headrushes
>
>I find that to be an odd statement.  Hiss, in my experience, becomes more
>apparent with a LOW s/n ratio, i.e. not enough signal.  This is the opposite
>of what you said above.  How can a hot signal cause hiss?  Distortion would
>be the result I'd expect.

From Loopers-Delight-request@annihilist.com  Fri Dec 31 14:51:23 1999
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Subject: Re: Sitar Sounds out of a Guitar
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For instruments, recordings, and books on indian
music go to the Ali Akbar College Store at:  http://www.aacm.org/shop/

James Ko wrote:
> 
> Thanks all for all the suggestions.  I'll try them out when I'm not
> bedridden anymore (caught a nasty flu).
> 
> Also, are there any books out there that publish rudimenary ragas in tab
> form?  My note reading skills are wholly inadequate.  I'm not looking for a
> complex text on Indian music theory or anything,  just something to
> familiarize myself to the tonality.
> 
> Thanks again.  This list is a great resource!
> 
> Jim Ko

From Loopers-Delight-request@annihilist.com  Fri Dec 31 15:35:45 1999
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From: Hawkeye255@aol.com
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Date: Fri, 31 Dec 1999 14:23:27 EST
Subject: Re: S/N [was Re: AKIA HEADRUSH]
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I get no extraneous noise (including hiss) if the levels are right.  Got it, 
Bill?

Hawkeye

From Loopers-Delight-request@annihilist.com  Fri Dec 31 17:02:11 1999
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Date: Fri, 31 Dec 1999 10:14:29 -0800
From: "Rev. Doubt-Goat" <dgoat@quik.com>
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93

Bill Fox wrote:
> In what order to you recommend to put these devices?

Fuzz - Volume - Modulation - Delay - Reverb

-- 
93
Fr. Doubt-Goat

From Loopers-Delight-request@annihilist.com  Fri Dec 31 16:56:39 1999
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Date: Fri, 31 Dec 1999 15:59:01 -0500
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Sitar Sounds out of a Guitar
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I don't know how good it is, but there's a "Theory of Indian Music - Sitar"
instructional book on eBay right now. Auction ends on the 4th; search under
"sitar"

At 11:42 AM 12/31/99 -0700, you wrote:
>
>For instruments, recordings, and books on indian
>music go to the Ali Akbar College Store at:  http://www.aacm.org/shop/

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Subject: Re: Sitar Sounds out of a Guitar
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James,

 I would be happy to help/answer any questions you might have regarding
Hindustani music. I not a master by any stretch, but would certainly be able
to provide you with a listening list (trade tapes even), give you a brief
high level historical view,  provide some simple chalans (structural
foundation of the Rags), provide you with contact information of real
Hindustani teachers, or answer any general questions you may have.

 A word of caution: I started out 10 years ago with a mild curiousity after
reading a Olivier Messiaen interview. I found that the music had no life,
and began a serious study (not with Ali Akbar Khan FYI) of Raga music. 3
years later I found myself hip deep in practice for 4 hours everyday. What I
am saying is that Raga music can be habit forming *smile*.

 I must admit, the time I have spent studying has paid dividends in regards
to my western compositions, since the western music doesn't stress melody as
strongly (there is no harmony only tonal centers in Hindustani music). Also,
you will find quite a few fascinating theories in regards to musical time
cycles. A great asset to any loop artist.

Prospero
-----Original Message-----
From: Jim Coker <jcoker@jguru.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, December 31, 1999 12:26 PM
Subject: Re: Sitar Sounds out of a Guitar


>
>For instruments, recordings, and books on indian
>music go to the Ali Akbar College Store at:  http://www.aacm.org/shop/
>
>James Ko wrote:
>>
>> Thanks all for all the suggestions.  I'll try them out when I'm not
>> bedridden anymore (caught a nasty flu).
>>
>> Also, are there any books out there that publish rudimenary ragas in tab
>> form?  My note reading skills are wholly inadequate.  I'm not looking for
a
>> complex text on Indian music theory or anything,  just something to
>> familiarize myself to the tonality.
>>
>> Thanks again.  This list is a great resource!
>>
>> Jim Ko
>
>

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At or around 06:45 AM 12/31/99 -0600, Todd Madson wrote:
>
>Hey!  I just got the new musicians friend catalog - looks like that 
>ZOOM multi FX is now $89.  Is this right?  Is that the one with the 
>4 second delay.

You're thinking of the Zoom 508, I believe; Musician's Friend hasn't listed
it in their print catalog.

The 505 is the Multi-FX, which is what they're offering.  It's an
absolutely abysmal unit for anyone who has passed beyond "I am METAL GOD"
in their parent's home.   Delay maxes out at 350 ms, you don't have real
control over presets, it chops output signal substantially and does nasty
things to tone, and quite frankly, the included effects save the reverb
leave a lot to be desired even for the price.  

The big killer is the fact that you're stuck with "variations on Zoom
themes", which means you can't tweak delay feedback or chorus settings or
anything that you're likely used to at all.

I suppose one is better than nothing, but when you can track down old Boss
ME-6 and ME-8s for less than $150, why buy something that doesn't let you
really tweak or sound great?

==
the Reverend Rob      ICQ: 1280871          Yahoo: theReverendRob
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.realm-of-shade.com/music : feedback and echo MP3s

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Subject: Re: Roland MS-1
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ROLAND  WILL SEND YOU THE BOOK FOR 15.00 US CALL ROLAND I HAVE A MS-1 WITH A
20 MEG CARD IN IT SAMPLES IN ALL 5 BANKS IT'S GREAT LITTLE PHRASE SAMPLER I
GOT ASR-10 SAMPLING KEYBOARD AND A ROLAND SP808 AND A MC505 I WANNA GET A SP
GROOVE 202 IF YOU KNOW ANY ONE SELLIN ONE LET ME KNOW. TESH@GTE.NET
----- Original Message -----
From: <jpw77@together.net>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, December 02, 1999 8:17 AM
Subject: Roland MS-1


> Does anyone have any experience using the Roland MS-1 sampler
> with a Flashdisk memory card?
>
> Jon Williams
>
>

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Happy 2000 to you all

Emmanuel

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From: "future perfect" <artmusic@gte.net>
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Subject: Any Plex Upgrade hints?
Date: Fri, 31 Dec 1999 19:12:55 -0500
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With the recent good will toward men and all that, and the impending
re-start of the Plex, will it be updated? And can ya reveal anything about
the planned software upgrade? I really wish the Plex could count down loop
time...hint....


Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave

'Future Perfect' - art music
http://home1.gte.net/artmusic/

