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Date: Mon, 01 Mar 1999 01:21:19 -0800
From: Matthew Pee Davignon <mdavig@sfsu.edu>
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Subject: looping show in san diego
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Hey everybody I'm going to be doing a show in San Diego near the end of
march. I'll be using a CD player, a record player and 2 DOD looping
squashboxes. I'll be opening for a friend of mine who's a local musician
down there (Rafter).

It's in the process of being arranged right now, and I'll let you guys
know when I have more details.



From Loopers-Delight-request@annihilist.com  Mon Mar  1 16:24:48 1999
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Date: Fri, 26 Feb 1999 13:35:47 -0500 (EST)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
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Subject: EMUSIC Playlist
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://wdiyfm.org/schedule/s_emusic.html

		Show #103		February 25, 1999.
		Host: Bill Fox		http://wdiyfm.org
		billfox@fast.net

On this show, I concluded the month-long focus on early synth master,
Larry Fast and his Synergy releases.  For background information, please
point your web browser to the WDIY web site or visit the...

Synergy web site:		http://www.eclipse.net/~synergy
See also the NEARFest site:	http://ghostland.com/nearfest

The feature CD at midnight was "Audion" on Third Contact.

Upcoming events announced: Star's End Gathering XVI (Ma Ja Le and Jeff
Pearce) and XVII (Richard Pinhas), Arttek at Second Avenue, and
NEARfest.  I played the music of Ma Ja Le and Jeff Pearce to promote
their upcoming appearances at SEG XVI.

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Ma Ja Le & Vir Unis     Passionate Lava          Imaginarium (Mirage)
Jeff Pearce             North Refuge             Vestiges (Jeff Pearce Music)
RAMP                    Sacrilege at Noon        Unreleased CDR (none)
Fountainhead            Cloud Cover              Cloud Cover (Aucourant)
VA [N. Kreisberg]       Tiny Circus              Eclectronica (The Foundry)
Laocoon                 Transcendence            Immersion (Parnassus Nump)

12:00 am
Synergy (Larry Fast)    S-scape                  Sequencer (Third Contact)
Synergy (Larry Fast)    Chateau                  Sequencer (Third Contact)
Synergy (Larry Fast)    Cybersports              Sequencer (Third Contact)
Synergy (Larry Fast)    Classical Gas            Sequencer (Third Contact)
Synergy (Larry Fast)    Largo fr Dvorak Sym#9    Sequencer (Third Contact)
Synergy (Larry Fast)    Icarus                   Sequencer (Third Contact)
Synergy (Larry Fast)    Sequence 14              Sequencer (Third Contact)
Klause Schulze          Stardancer II            The Essential (Caroline)
VA [Andy Pickford]      4QNRX                    Is Anybody Out There?
                                                 (Champagne Lake, SMD, AD Music)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will start a month-long focus on the artists who
will be performing at the upcoming sixth Alfa-Centauri Electronic Music
Festival in Huizen, the Netherlands.  Next week's feature CD at midnight
will be the debut, self-titled release from Red Shift on the Champagne
Lake label.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

From Loopers-Delight-request@annihilist.com  Tue Mar  2 00:14:13 1999
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Date: Mon, 01 Mar 1999 22:59:46 -0600
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Douglas Lawrence wrote:

> Rodrigo-
>
> Well, as for the last one, I think your we're looking for the new Akai E1
> Headrush Tap Delay/Tape Echo Simulator/Looping Recorder. It's a 16-bit
> digital delay with up to 28 sec. For more information, checkout ...
>
> http://www.akai.com/akaipro/namm99.html
>
> I think Musician's Friend is selling them for $199.00, but I don't know if
> they actually have them in stock.
>
> Don't forget that you can always search the archives from the Looper's
> Delight web page for what was previously discussed about this pedal as well.
>
> Doug
>
> -----Original Message-----
> From: Kriist@aol.com [mailto:Kriist@aol.com]
> Sent: Saturday, February 27, 1999 1:35 AM
> To: Loopers-Delight@annihilist.com
> Subject: what were those pedals?
>
> there was some talk a bit ago about these korg(?) pedals
> i think they was something8000
> there were 2 of them
> one did mostly time based stuff
> the other filter stuff
> what were they called
> oh, and what was that new stomp box looper
> something head
>
> thanks
>
> rodrigo
>
> oh, i know ive said his before but is anyone selling a grand stick?

    I ordered a "Headrush" pedal from Musician's Friend. They said that they
won't ship 'til mid-March.
                                                            Cheers, James

From Loopers-Delight-request@annihilist.com  Tue Mar  2 06:30:44 1999
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From: spat@visi.com
Posted-Date: Tue, 2 Mar 1999 04:53:55 -0600 (CST)
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Date: Tue, 02 Mar 1999 04:52:06 -0600
To: Loopers-Delight@annihilist.com
Subject: cheep looper
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      Anyone try this little thing?:  Sabine Backtrack Digital Sampler.
 Designed for learning riffs, records up to 30 sec of any audio
source via line input/output, adjustable playback speed.
$87.00
    Seems like it could be useful for mayhem in the aux
send/return of a mixer.....

Steve

From Loopers-Delight-request@annihilist.com  Tue Mar  2 10:30:37 1999
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Date: Tue, 02 Mar 1999 09:31:15 -0500
From: "Dennis W. Leas" <dennis@mdbs.com>
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spat@visi.com wrote:
> 
> 
>       Anyone try this little thing?:  Sabine Backtrack Digital Sampler.
>  Designed for learning riffs, records up to 30 sec of any audio
> source via line input/output, adjustable playback speed.
> $87.00
>     Seems like it could be useful for mayhem in the aux
> send/return of a mixer.....

The Sabine webpage for this box is 
http://www.liveapps.com/sabine/liveapps/ibktraka.htm
for anybody who is interested.  The Harmony Central description (at 
http://www.harmony-central.com/Newp/WNAMM98/Sabine/Backtrack.html ) says "suggested 
list price of $99.95."  The Sabine spec says "17.4 KHz sample rate" so don't expect a 
bandwidth above 8.7 KHz.  The Sabine page doesn't list the sample size though it 
mentions "8-bit processor".  Probably kinda grainy sounding...

I'd like to play with one of these, too.  Doesn't sound like we should expect too 
much, but for a hunert dolla, it could be alot of fun and certainly alot of mayhem.

Somebody try it, please!

- Dennis Leas
-- 
dennis@mdbs.com

From Loopers-Delight-request@annihilist.com  Tue Mar  2 17:22:34 1999
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Date: Tue, 02 Mar 1999 16:40:57 -0500
From: John + Diane Parada <jparada@pop.interport.net>
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hi everyone
	 Concerning affordable delay pedals. IU purchased the zoom508 delay for
about $90 new. It features a 4 second delay, is pretty quiet and easy to
use. Check it out. jp

jparada@changenow.com


From Loopers-Delight-request@annihilist.com  Tue Mar  2 21:03:51 1999
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In a message dated 3/2/99 5:29:47 AM Central Standard Time, spat@visi.com
writes:

>   Anyone try this little thing?  Sabine Backtrack Digital Sampler.
>   Designed for learning riffs, records up to 30 sec of any audio
>  source via line input/output, adjustable playback speed.
>  $87.00
>      Seems like it could be useful for mayhem in the aux
>  send/return of a mixer.....
>  
>  Steve
>  
I tried it thinking the same thing you did....But,  the sound quality was
horibble, noisy and glitchy.  
- Paul

From Loopers-Delight-request@annihilist.com  Wed Mar  3 03:11:00 1999
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Date: Tue, 2 Mar 1999 23:47:18 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Mr. $700
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Well, I don't normally share in public what comes to me in private, but I
just got email from the infamous guy who bought a jamman for $700 on ebay.
Seems his footswitch isn't working right. Thought you'd all enjoy hearing
about that. :-)

and Mr. Williamson, I do hope sales is your profession, you're a master!

Mr. 700 was also wondering if there is subscription charge for Looper's
Delight.  I'm going to tell him its $29.99/mo, you all play along, ok? ;-)

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Wed Mar  3 04:32:11 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Mr. $700
Date: Wed, 3 Mar 1999 00:36:45 -0800
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That's so nasty, Kim.

-----Original Message-----
From: Kim Flint [mailto:kflint@annihilist.com]
Sent: Tuesday 02 March 1999 11:47 PM
To: Loopers-Delight@annihilist.com
Subject: Mr. $700


Well, I don't normally share in public what comes to me in private, but I
just got email from the infamous guy who bought a jamman for $700 on ebay.
Seems his footswitch isn't working right. Thought you'd all enjoy hearing
about that. :-)

and Mr. Williamson, I do hope sales is your profession, you're a master!

Mr. 700 was also wondering if there is subscription charge for Looper's
Delight.  I'm going to tell him its $29.99/mo, you all play along, ok? ;-)

From Loopers-Delight-request@annihilist.com  Wed Mar  3 06:45:42 1999
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From: Alan.Maguire@CERT.IE
Date: Wed, 03 Mar 1999 11:05 +0100 (BST)
Subject: Prices etc.
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     Hi,
        I'm new to the list, so this will seem like a stupid question, but 
     how much should I expect to pay for a Jamman? Actually I'm more 
     interested in an Echoplex, but I cant find a dealer here 
     (Dublin,Ireland) so I've no idea how much these things cost.
     
        Cheers,
                Alan Maguire.
     
     
     
     Kim writes:
     >Well, I don't normally share in public what comes to me in private, 
     >but I just got email from the infamous guy who bought a jamman for 
     >$700 on ebay. 

From Loopers-Delight-request@annihilist.com  Wed Mar  3 07:32:41 1999
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From: "Peter Spoecker" <spoecker@didgeridoings.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Prices etc.
Date: Wed, 3 Mar 1999 04:28:48 -0800
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There's 2 for sale with 32 sec upgrade for $450 and $500 at
www.harmonycentral.com classified ads.  This is the best site for used gear,
but shipping to Ireland is another matter.

>     Hi,
>        I'm new to the list, so this will seem like a stupid question, but
>     how much should I expect to pay for a Jamman? Actually I'm more
>     interested in an Echoplex, but I cant find a dealer here
>     (Dublin,Ireland) so I've no idea how much these things cost.
>
>        Cheers,
>                Alan Maguire.
>
>
>
>     Kim writes:
>     >Well, I don't normally share in public what comes to me in private,
>     >but I just got email from the infamous guy who bought a jamman for
>     >$700 on ebay.
>
>

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>       Anyone try this little thing?:  Sabine Backtrack Digital Sampler.
>  Designed for learning riffs, records up to 30 sec of any audio
> source via line input/output, adjustable playback speed.
> $87.00
>     Seems like it could be useful for mayhem in the aux
> send/return of a mixer.....


yes - i have one for learning ridiculous zappa and fiuczynski riffs.....
and it did dawn on me, as i was loopoing a 30 sec part over and over.. HEY
- this is familiar....

so - yeah - real cool, and nice lofi effect when you slow the signal to
1/3, 1/2, or 2/3 speed.
Nifty, cheap, unique looper for sure. all hand controlled, would need to be
onstage on a music stand etc

peace - andre'

(oh hey - NY'ers mark yer calendar - i'll be looping live with JFK's LSD
UFO tues apr 27 at the knitting factory/alterknit theatre)

From Loopers-Delight-request@annihilist.com  Wed Mar  3 11:23:48 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Prices etc.
Date: Wed, 3 Mar 1999 07:34:46 -0800
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Well, at this point, a Jamman goes for $700.  But you can call Alto Music
(info below) to have them ship you an Echoplex.  Their e-mail address is
mailto:u1010403@warwick.net (ignore the "mailto:"; that's just to enable the
URL-clicking in your e-mail client).

<<Call Alto Music @ (914) 692-6922 10-6pm Monday through Saturday and
ask for John. The price is $560 US. The time is Eastern Standard Time.
Sorry no address handy.>>

-----Original Message-----
From: Alan.Maguire@CERT.IE [mailto:Alan.Maguire@CERT.IE]
Sent: Wednesday 03 March 1999 2:05 AM
To: Loopers-Delight@annihilist.com
Subject: Prices etc.


     Hi,
        I'm new to the list, so this will seem like a stupid question, but
     how much should I expect to pay for a Jamman? Actually I'm more
     interested in an Echoplex, but I cant find a dealer here
     (Dublin,Ireland) so I've no idea how much these things cost.

        Cheers,
                Alan Maguire.



     Kim writes:
     >Well, I don't normally share in public what comes to me in private,
     >but I just got email from the infamous guy who bought a jamman for
     >$700 on ebay.


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Date: Wed, 3 Mar 1999 11:25:32 -0500
Subject: ABC No Rio Benefit Concert (Spin-17 gig, NYC)
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ABC No Rio Benefit Concert
Last Minute Reminder
THURSDAY MARCH 4 ( * * T O M O R R O W ! ! * * )
7:30 pm (#) to 1:00 am

Featuring :

William Parker w/ Daniel Carter, Roy Campbell & Andrew Barker

Jemeel Moondoc & Friends

Dar Ting   (Blaise Siwula, Donald Miller, Hal Onserud, Michael Evans,
Jackson Krall)

>>SPIN-17  (Ed Chang & Motoko Shimizu)

Kenta Nagai, Jane Wang & Tatsuya Nakatani

Tuli Kupferberg

The Bindlestiff Family Cirkus

Mammals of Zod

God Is My Copilot

All-Star Jam

IN THE MAZER THEATRE AT THE EDUCATIONAL ALLIANCE
197 EAST BROADWAY (AT JEFFERSON STREET)
NYC
(Take the F train to East Broadway, walk 1 block east)
$10-20 sliding scale
Proceeds go to the ABC No Rio Building Renovation Fund
Benefit Show Schedule Info: (212) 539-6089

(Note to our friends and fans - we're (Spin-17) playing first at 7:30pm, so
hope to see you there at this very worthy cause!)


From Loopers-Delight-request@annihilist.com  Wed Mar  3 12:43:20 1999
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From: "Marc Roche" <govinda@cyber-dyne.com>
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Date: Tue, 2 Mar 1999 21:27:45 -0800
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Hi all,

FWIW, I owned a Jamman  for two years, sold it for $500 on the Internet in
November 97.  I loved my Jamman, but there is no comparison between it and
the Echoplex I bought last summer.  I bought my plex for about $700 w/ FP
and extra memory. With what I know now, I'd say that an expanded Jamman is
worth about $250 tops (if it doesn't develop problems like mine did and
needs to be serviced).  Ciao.
-----Original Message-----
From: Alan.Maguire@CERT.IE <Alan.Maguire@CERT.IE>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, March 03, 1999 3:42 AM
Subject: Prices etc.


>     Hi,
>        I'm new to the list, so this will seem like a stupid question, but
>     how much should I expect to pay for a Jamman? Actually I'm more
>     interested in an Echoplex, but I cant find a dealer here
>     (Dublin,Ireland) so I've no idea how much these things cost.
>
>        Cheers,
>                Alan Maguire.
>
>
>
>     Kim writes:
>     >Well, I don't normally share in public what comes to me in private,
>     >but I just got email from the infamous guy who bought a jamman for
>     >$700 on ebay.
>

From Loopers-Delight-request@annihilist.com  Wed Mar  3 12:42:56 1999
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Date: Wed, 03 Mar 1999 12:05:57 -0500
Subject: Help with "Click to LED"circuits and more..
From: "jmw/cmu" <evening@ulster.net>
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Hi all,

Hopefully there's someone on the list who can help...
I want to convert the click output of my DrumKAT to the flash of an LED, (so
I don't have to monitor the click in headphones) & I need help in building a
"click to LED flash" circuit.

I've done a bunch of soldering (mostly making needles in a tattoo shop!) but
I
don't know a thing beyond simple switches...

While were at it - how about designing a "click to footswitch tap" so
the clock from my KAT can drive the TAP Tempo of my Vortex? Call me lazy but
I thought it might be cool...


Thanks,

John

From Loopers-Delight-request@annihilist.com  Wed Mar  3 12:37:47 1999
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In a message dated 3/3/99 6:10:12 AM Mid-Atlantic Standard Time,
kflint@annihilist.com writes:

<<  I'm going to tell him its $29.99/mo, >>

but you told me it was 49.99.......michael

From Loopers-Delight-request@annihilist.com  Wed Mar  3 13:39:01 1999
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From: "BOB HENRY" <BOBH@knme1.unm.edu>
Organization:  KNME-TV, University of New Mexico
To: Loopers-Delight@annihilist.com
Date:          Wed, 3 Mar 1999 11:27:35 GMT+7
Subject:       Good Article!
Priority: normal
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Greetings!

Just wanted to let you know that I really enjoyed your article about 
"Looping". I made such a device back in '77, when I obtained an old 
tube-type R-to-R. It had a place for a second head, which I took from 
another identicle machine and installed it in the first machine. It 
sounded great! And I think you're right about the fact that tape 
delay sounds different than (Crappy) digital delays. I have a little 
8-track studio (analog, of course) with a few digital outboard effect 
units. Nope, they just don't sound as natural as the tape delays, but 
that's all I have right now...or at least, untill I get an open-reel 
analog machine to play with.

Thanks for the article!

Regards,

Bob Henry

From Loopers-Delight-request@annihilist.com  Wed Mar  3 13:52:30 1999
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Date: Wed, 03 Mar 1999 12:23:24 -0600
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <zwicky@visi.com>
Subject: My review of Sellon Jam-Man update
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I have been working with Bob Sellon's 0.2 update for the last 2 weeks, and
I must say that this is the greatest looping instrument I have yet
encountered. 

My favorite new feature is the ability to have multiple, simultaneous
loops, each on a separate channel with  mute, layer, replace, level and
pan. Welcome to multi-track looping!

I love to have a basic chord progression or groove recorded, panned center,
and add layers of swiming atmospherics to channels panned hard left and
hard right. If I find that I want to change what is happening in one of the
channels, I can change it without destroying the entire piece. The ability
to mute each part during a performance allows for really spontaneous
arrangements.

There are quite a number of other features that I havent explored yet, like
the sampler and mellotron modes.

I hope that he can strike a deal with Lexicon to release this software
commercially, or even better, develops a new looping device incorporating
all of these great ideas (Given the $$$ required to buy a jam-man these days).


-Chuck Zwicky
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Wed Mar  3 14:32:35 1999
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From: "Isaacs, James" <JIsaacs@Datamedic.com>
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Date: Wed, 3 Mar 1999 13:48:59 -0500
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Last one, my good Dude.

> -----Original Message-----
> From:	Marc Roche [SMTP:govinda@cyber-dyne.com]
> Sent:	Wednesday, March 03, 1999 12:28 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Prices etc.
> 
> Hi all,
> 
> FWIW, I owned a Jamman  for two years, sold it for $500 on the
> Internet in
> November 97.  I loved my Jamman, but there is no comparison between it
> and
> the Echoplex I bought last summer.  I bought my plex for about $700 w/
> FP
> and extra memory. With what I know now, I'd say that an expanded
> Jamman is
> worth about $250 tops (if it doesn't develop problems like mine did
> and
> needs to be serviced).  Ciao.
> -----Original Message-----
> From: Alan.Maguire@CERT.IE <Alan.Maguire@CERT.IE>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Wednesday, March 03, 1999 3:42 AM
> Subject: Prices etc.
> 
> 
> >     Hi,
> >        I'm new to the list, so this will seem like a stupid
> question, but
> >     how much should I expect to pay for a Jamman? Actually I'm more
> >     interested in an Echoplex, but I cant find a dealer here
> >     (Dublin,Ireland) so I've no idea how much these things cost.
> >
> >        Cheers,
> >                Alan Maguire.
> >
> >
> >
> >     Kim writes:
> >     >Well, I don't normally share in public what comes to me in
> private,
> >     >but I just got email from the infamous guy who bought a jamman
> for
> >     >$700 on ebay.
> >

From Loopers-Delight-request@annihilist.com  Wed Mar  3 16:50:38 1999
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From: PJBMHB@aol.com
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Date: Wed, 3 Mar 1999 16:16:12 EST
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how much is the upgrade? what is the upgrade? where can i get the upgrade? =-)
PJ

From Loopers-Delight-request@annihilist.com  Wed Mar  3 18:03:07 1999
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Date: Wed, 03 Mar 1999 16:33:20 -0600
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <zwicky@visi.com>
Subject: Re: My review of Sellon Jam-Man update
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The upgrade is not available commercially, it is only in 'beta' stage. Bob
estimates that it would sell for around $200. It still has too many
'undocumented features' to release commercially. The existing Jamman
software very solid and very stable. 

Here is a list of some of the 'undocumented features' I have uncovered:

http://people.ne.mediaone.net/sellon/jamman_bugs.htm




At 04:16 PM 3/3/99 EST, you wrote:
>how much is the upgrade? what is the upgrade? where can i get the upgrade?
=-)
>PJ
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

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`What is this update? Is it an add-on for a Jam man? I haven't heard
anything about it. My curiousity is spinning....CQ







At 12:23 PM 3/3/99 -0600, you wrote:
>I have been working with Bob Sellon's 0.2 update for the last 2 weeks, and
>I must say that this is the greatest looping instrument I have yet
>encountered. 
>
>My favorite new feature is the ability to have multiple, simultaneous
>loops, each on a separate channel with  mute, layer, replace, level and
>pan. Welcome to multi-track looping!
>
>I love to have a basic chord progression or groove recorded, panned center,
>and add layers of swiming atmospherics to channels panned hard left and
>hard right. If I find that I want to change what is happening in one of the
>channels, I can change it without destroying the entire piece. The ability
>to mute each part during a performance allows for really spontaneous
>arrangements.
>
>There are quite a number of other features that I havent explored yet, like
>the sampler and mellotron modes.
>
>I hope that he can strike a deal with Lexicon to release this software
>commercially, or even better, develops a new looping device incorporating
>all of these great ideas (Given the $$$ required to buy a jam-man these
days).
>
>
>-Chuck Zwicky
>...........................................................................
>But they are useless. They can only give you answers. -Picasso, on 
>computers.
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Mar  3 19:26:37 1999
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Date: Wed, 3 Mar 1999 19:01:58 EST
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Chuck Zwicky wrote:

"I have been working with Bob Sellon's 0.2 update for the last 2 weeks, and
I must say that this is the greatest looping instrument I have yet
encountered. "

He forgot to say that this is a Jamman update from Bob Sellon.  It's not
commercially avialble.  It's beta in extreme.

That said, he's right.  It's awesome.

Best,
Kevin

From Loopers-Delight-request@annihilist.com  Wed Mar  3 21:13:57 1999
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Subject: Re: Mr. $700
Date: Wed, 03 Mar 1999 17:45:35 PST
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>Date: Tue, 2 Mar 1999 23:47:18 -0800
>To: Loopers-Delight@annihilist.com
>From: Kim Flint <kflint@annihilist.com>
>Subject: Mr. $700
>Reply-To: Loopers-Delight@annihilist.com
>
>Well, I don't normally share in public what comes to me in private, but 
I
>just got email from the infamous guy who bought a jamman for $700 on 
ebay.
>Seems his footswitch isn't working right. Thought you'd all enjoy 
hearing
>about that. :-)
>
>and Mr. Williamson, I do hope sales is your profession, you're a 
master!
>
>Mr. 700 was also wondering if there is subscription charge for Looper's
>Delight.  I'm going to tell him its $29.99/mo, you all play along, ok? 
;-)
>
>kim
>
>
>______________________________________________________________________
>Kim Flint                   | Looper's Delight
>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>
>
>Kim, that's cheaper what than I pay per month! But I got the
 introductory offer of unlimited access and free hotmail!
 -W


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Date: Wed, 3 Mar 1999 22:55:43 EST
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In a message dated 3/3/99 12:50:24 PM Central Standard Time, zwicky@visi.com
writes:

> I have been working with Bob Sellon's 0.2 update for the last 2 weeks, and
>  I must say that this is the greatest looping instrument I have yet
>  encountered. 
>  
Sorry for the ignorance, but is this an independent upgrade for a regular Jam
man?
What does it cost? and where can one obtain one?
- Paul

From Loopers-Delight-request@annihilist.com  Thu Mar  4 11:04:50 1999
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Date: Thu, 4 Mar 1999 07:01:45 -0800 (PST)
From: dan sumner <permadan@yahoo.com>
Subject: Re: I want the Sellon Jam-Man update
To: Loopers-Delight@annihilist.com
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I must have it!!! I will have it!!! Please tell me how to get
it!!!!!!!!!!!!
Dan



---XJ32@aol.com wrote:
>
> In a message dated 3/3/99 12:50:24 PM Central Standard Time,
zwicky@visi.com
> writes:
> 
> > I have been working with Bob Sellon's 0.2 update for the last 2
weeks, and
> >  I must say that this is the greatest looping instrument I have yet
> >  encountered. 
> >  
> Sorry for the ignorance, but is this an independent upgrade for a
regular Jam
> man?
> What does it cost? and where can one obtain one?
> - Paul
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Mar  4 11:31:03 1999
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Date: Thu, 04 Mar 1999 10:24:19 -0500
To: Loopers-Delight@annihilist.com
From: murkie <murkie@panther.middlebury.edu>
Subject: Re: Mr. $700
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At 12:21 PM 3/3/99 EST, you wrote:
>In a message dated 3/3/99 6:10:12 AM Mid-Atlantic Standard Time,
>kflint@annihilist.com writes:
>
><<  I'm going to tell him its $29.99/mo, >>

i heard bob sellon's doing a looper's delight list 0.2 for cheaper.

unfortunately, the undocumented features include:

- won't let you unsubscribe

- automaticly changes the name of most loop artists to "fripp"

- has cross-thread postings from the knitting enthusiast list (that
references to knitting factory    gigs only complicate)

- has been know to spread the virus 'plex.exe' that funnels money out of
you bank account and into the account of alto music.

still thinking about the change....

m

"I've found Jesus. He was behind the sofa the whole time."

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Thu Mar  4 12:35:10 1999
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Date: Thu, 4 Mar 1999 11:46:07 -0500
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Subject: Echoplex input LED
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     I'm new to this list and have found it very helpful and 
     informative. 
     Anyway, I just got a new echoplex yesterday and was playing around 
     with it last night. I noticed that the input LED was not lighting 
     up at all when I played... Of course this made it rather difficult 
     to decide where to set the input level. I sent an email to mike 
     ayers at oberheim but I was just wondering if anyone knows how I 
     could fix this myself or knows if oberheim remedies this kind of 
     problem quickly. I waited 3 months to get the echoplex and now that 
     I have it I don't want to be without it for months again.
     
     Any help would be appreciated.
     
     Joe

From Loopers-Delight-request@annihilist.com  Thu Mar  4 12:34:40 1999
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Date: Thu, 04 Mar 1999 10:17:59 -0600
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <zwicky@visi.com>
Subject: Re: My review of Sellon Jam-Man update
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At 07:01 PM 3/3/99 EST, you wrote:
>He forgot to say that this is a Jamman update from Bob Sellon. 
>Best,
>Kevin

Note the subject line of my e-mail: "My review of Sellon Jam-Man update"


...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Thu Mar  4 12:51:39 1999
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Date: Thu, 4 Mar 1999 12:02:42 -0500 (EST)
From: Adam Levin <alevin@DarkAether.Net>
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On Thu, 4 Mar 1999, murkie wrote:

> At 12:21 PM 3/3/99 EST, you wrote:
> >In a message dated 3/3/99 6:10:12 AM Mid-Atlantic Standard Time,
> >kflint@annihilist.com writes:
> >
> ><<  I'm going to tell him its $29.99/mo, >>
> 
> i heard bob sellon's doing a looper's delight list 0.2 for cheaper.
> 
> unfortunately, the undocumented features include:
> 
> - won't let you unsubscribe

However, the "UNSUSCRIBE" command is completely functional.

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/


From Loopers-Delight-request@annihilist.com  Thu Mar  4 13:40:57 1999
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Date: Thu, 04 Mar 1999 10:07:04 -0800
From: Clifford Novey <clifsound@earthlink.net>
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I can get one of those back Tracks for $69 bucks- I just might pick it
up to tide me over until my Ecoplex arrives-they look pretty nifty and
quite portable- plus the EDP does not have the ability to slow the speed
of the loop as far as I know(or keep the pitch the same as orig.).
Please correct me if I am mistaken- I should take a look at the manual
but I am at work-

Anyone here play fretless or microtone guitar/ I am interested to find
more info etc.- mail me off list if you can. Also- does Klein make short
scale guitars? I notice the difference in string tension and find short
scale so much easier to bend, etc.

On the looping side- I got the new E-bow and have been having great fun
using the E-bow and the Vortex to get some small but interesing loops
going- I am going to post 1 or 2 patches to the Vortex database in the
next few days- the Vortex was meant to be heard through headphones, the
spacial effects are great-

Clifford

From Loopers-Delight-request@annihilist.com  Thu Mar  4 14:28:28 1999
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Echoplex input LED
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At 8:46 AM -0800 3/4/99, jadirusso@statestreet.com wrote:
>     I'm new to this list and have found it very helpful and
>     informative.
>     Anyway, I just got a new echoplex yesterday and was playing around
>     with it last night. I noticed that the input LED was not lighting
>     up at all when I played... Of course this made it rather difficult
>     to decide where to set the input level. I sent an email to mike
>     ayers at oberheim but I was just wondering if anyone knows how I
>     could fix this myself or knows if oberheim remedies this kind of
>     problem quickly. I waited 3 months to get the echoplex and now that
>     I have it I don't want to be without it for months again.

I think they are pretty fast with repair service these days. The repair
technician who handles the echoplex is quite good. And the input LED should
be a very simple thing to deal with. You sure you have the input turned up
enough? :-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Thu Mar  4 15:34:00 1999
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     Yep I turned it up all the way and still not even a faint glow in 
     the LED :) Thanks for the info about the repair service....
     Now I will just wait to hear back from Mike Ayers about where to 
     send it to get it serviced.
     
     Joe


______________________________ Reply Separator _________________________________
Subject: Re: Echoplex input LED
Author:  kflint (kflint@annihilist.com) at INTERNET
Date:    03/04/1999 1:41 PM


At 8:46 AM -0800 3/4/99, jadirusso@statestreet.com wrote:
>     I'm new to this list and have found it very helpful and 
>     informative.
>     Anyway, I just got a new echoplex yesterday and was playing around 
>     with it last night. I noticed that the input LED was not lighting 
>     up at all when I played... Of course this made it rather difficult 
>     to decide where to set the input level. I sent an email to mike
>     ayers at oberheim but I was just wondering if anyone knows how I 
>     could fix this myself or knows if oberheim remedies this kind of
>     problem quickly. I waited 3 months to get the echoplex and now that 
>     I have it I don't want to be without it for months again.
     
I think they are pretty fast with repair service these days. The repair 
technician who handles the echoplex is quite good. And the input LED should 
be a very simple thing to deal with. You sure you have the input turned up 
enough? :-)
     
kim
     
______________________________________________________________________ 
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html 
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
     

From Loopers-Delight-request@annihilist.com  Thu Mar  4 15:40:08 1999
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Message-ID: <01BE6633.1C574840.stevehan@transworld-lax.com>
From: Steve Han <stevehan@transworld-lax.com>
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Subject: RE: Plug-Ins for Cubase VST?
Date: Thu, 4 Mar 1999 11:21:40 -0800
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Hello my fellow scientific musicians,

Does anyone know of any Free Plug-Ins download
sites for the Steinberg Cubase VST (or the like...)?

Thanks in advance.

Steve (Curbie)

From Loopers-Delight-request@annihilist.com  Fri Mar  5 00:23:03 1999
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Date: Thu, 04 Mar 1999 23:02:28 -0600
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Subject: gear search
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    I'm looking for a Waldorf 4 pole filter and/or a Lexicon MPX-G2
(with the midi pedal). Used if possible.
                                                    Thanks, James

From Loopers-Delight-request@annihilist.com  Fri Mar  5 00:37:40 1999
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please remove me from your lists the volume is overwelming thank you Joe 

From Loopers-Delight-request@annihilist.com  Fri Mar  5 03:27:41 1999
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Date: Fri, 05 Mar 1999 01:25:53 -0800
From: Jim Coker <jcoker@magelang.com>
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Let's see, if a JamMan is $700 used,
that'd put the MPX-G2 at about.... 1800? :)

Seriously though, I think it would be hard to
find a G2 used, they just started shipping last
fall.

jim

James H. Sidlo wrote:
> 
>     I'm looking for a Waldorf 4 pole filter and/or a Lexicon MPX-G2
> (with the midi pedal). Used if possible.
>                                                     Thanks, James

From Loopers-Delight-request@annihilist.com  Fri Mar  5 08:29:29 1999
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Subject: "things" vs. programs
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Hi, all:

Would anyone care to respond as to why the majority of subscribers to this
list seem to prefer looping devices rather than computer programs? Is it the
"live"ness of being able to record and improvise with no intermediary cut 'n'
paste or "loop point" edits? 

Thanks,

Morgan Hamilton Lang.

From Loopers-Delight-request@annihilist.com  Fri Mar  5 09:12:21 1999
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In a message dated 3/5/99 1:28:33 PM, mhl21@columbia.edu writes:

<< Would anyone care to respond as to why the majority of subscribers to this
list seem to prefer looping devices rather than computer programs? Is it the
"live"ness of being able to record and improvise with no intermediary cut 'n'
paste or "loop point" edits? 
 >>


Computers are not convenient to gig with, yet.....especially with regard to
reliability and performance (hard to take your hands off of your
kazoo/sax/accordian/guitar/whatever to point and click while playing). At
least that's my immediate take on it.


Marshall

From Loopers-Delight-request@annihilist.com  Fri Mar  5 11:10:59 1999
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Message-Id: <199903051504.MAA20745@postman.bahianet.com.br>
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From: "Julio Moreno" <juliomoreno@bahianet.com.br>
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Subject: Switcher.
Date: Fri, 5 Mar 1999 11:30:33 -0300
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Somebody knows something about analog programable switchers for various
pedals?
Thanks anyway.
Julio.

From Loopers-Delight-request@annihilist.com  Fri Mar  5 11:41:51 1999
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----------
> From: Morgan Lang <mhl21@columbia.edu>
> To: Loopers-Delight@annihilist.com
> Subject: "things" vs. programs
> Date: Sexta-feira, 5 de Março de 1999 09:51
> 
> Hi, all:
> 
> Would anyone care to respond as to why the majority of subscribers to
this
> list seem to prefer looping devices rather than computer programs? Is it
the
> "live"ness of being able to record and improvise with no intermediary cut
'n'
> paste or "loop point" edits? 

I think the answer is yes.Every body wants to play first...another thing
its work at home on composing, new ideas laboratory etc. to find new ways.
High hopes, Julio.

 '' If you want to know where you go, you must know first where you come
from'' ( i love this final ironics the list folk put on mails).

From Loopers-Delight-request@annihilist.com  Fri Mar  5 14:09:41 1999
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Date: Fri, 5 Mar 1999 13:26:01 -0500 (EST)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
Message-Id: <199903051826.NAA20234@badboy.micro.lucent.com>
To: Loopers-Delight@annihilist.com
Subject: EMUSIC Playlist
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://wdiyfm.org/schedule/s_emusic.html

		Show #104		March 4, 1999.
		Host: Bill Fox		http://wdiyfm.org
		billfox@fast.net

On this show, I began a month-long focus on the sixth annual
Alfa-Centauri Electronic Music Festival featuring the music of the
artists who will be performing.  The festival will be on April 10 in
Huizen, the Netherlands at the Theatre 3-in-1.

	Alfa-Centauri:  http://home.wxs.nl/~quantumproductions
	Redshift     :  http://www.users.dircon.co.uk/~redshift
	EMUSIC Focus :  http://wdiyfm.org/emusic/playlists/focus.html

The feature CD at midnight was the self-titled debut CD by Redshift on
the Champagne Lake label.

Upcoming events announced: Star's End Gathering XVI (Ma Ja Le and Jeff
Pearce) and XVII (Richard Pinhas), and Arttek at Second Avenue.

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Live phone interview with Jeff Pearce
Jeff Pearce             The Hidden Rift          The Hidden Rift (Ancient Sun)
Jeff Pearce             Gone and Forgotten       Tenderness&Fatality(Windchime)
Recorded phone interview with Chris Short of Ma Ja Le
Ma Ja Le & Vir Unis     Incomprehensible Love    Imaginarium (Mirage)
Ma Ja Le                Dance in Sands      DreamsInTheOrchardOfSaturn(A.J.Grey)
Stratosphere            Swirl                    Introspective Spaces (Amplexus)
VA [Ashok Prema]        Dancing Dust             Is There Anybody Out There...?
                                                 (Champagne Lake, SMD, AD Music)
Vidna Obmana            Landscape in Obscurity*  Landscape in Obscurity (Hypnos)

12:00 am
Redshift                Redshift                 Redshift (Champagne Lake)
Redshift                Spin                     Redshift (Champagne Lake)
Redshift                Shine                    Redshift (Champagne Lake)
Redshift                Blueshift                Redshift (Champagne Lake)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will continue the month-long focus on the artists
who will be performing at the sixth Alfa-Centauri Electronic Music
Festival in Huizen, the Netherlands.  Next week's feature CD at midnight
will be "Nodular" by RAMP on the Manikin label.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

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Date: Fri, 05 Mar 1999 15:09:03 -0800
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Personally, I prefer the "hands on" live element. I also actually like the
inability to use loop point edits. Instead, my little squashboxes give me a
plethora of little things that I can do spontaneously that computers don't seem
to offer (to my experience). I can add to any point of the loop in "real time"
without having to move a cursor; I can quickly decide if I want the new portion
to add to or replace the existing portion; I can change the pitch instantly
without waiting for processing time. I can sample while changing the pitch. All
of these are very useful to me.

When I get my computer I probably will use some of the looping programs, but I'll
use them in a different way, compared to my boxes. When I hear folks using
computers for loops, I hear loops that sound perfectly processed and that match
perfectly with the music. Loops to me are a medium of sound exploration. I find
more joy in listening to a spontaneously created, "unpredictable" loop.

matt

Morgan Lang wrote:

> Hi, all:
>
> Would anyone care to respond as to why the majority of subscribers to this
> list seem to prefer looping devices rather than computer programs? Is it the
> "live"ness of being able to record and improvise with no intermediary cut 'n'
> paste or "loop point" edits?
>
> Thanks,
>
> Morgan Hamilton Lang.



From Loopers-Delight-request@annihilist.com  Fri Mar  5 18:38:08 1999
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Date: Fri, 5 Mar 1999 18:16:32 -0500
To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: RE: Plug-Ins for Cubase VST?
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>Hello my fellow scientific musicians,
>
>Does anyone know of any Free Plug-Ins download
>sites for the Steinberg Cubase VST (or the like...)?
>
>Thanks in advance.
>
>Steve (Curbie)

Steve:

There are some on Harmony Central, but if you hear of a good dedicated
site, let us know.

BTW, some here may have seen Electronic Musician's article this month on
sound editors.  SoundEdit was mentioned and looked very cool from the
downloadable demo.  I called to order it and found that they are
asking--get this--THIRTY DOLLARS for the thing.  The effects alone (the
reason I want it) are worth far, far, more--no question.  Let me note that
it's Mac only, to save some of you time....

The demo only runs for 20 minutes, and you can't save anything, but people
really oughta at least check out the demo:

www.micromat.com

David Myers


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Date: Fri, 5 Mar 1999 18:29:52 -0500
To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: RE: Plug-Ins for Cubase VST?
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Sorry!  It's "SoundMaker", not "SoundEdit".  Damn, it's kind of the "Fatal
Attraction" syndrome...  how about some more unique names for software
stuff, like Way Huge Swollen Pickle or Lovetone Meatball, fer chrissake?


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Just a note for those of you in & around NYC.

I'll be a solo performance at the Knitting Factory's Alterknit Theatre this
Sunday, 3/7/99 @ 9pm

Janus Vieczore - improvised electro/acoustic percussion, dark, ambient,
rhythm environments

3/7/99 at 9pm
Knitting Factory,
74 Leonard St. NYC 
$6

Please drop by if you're free (and say hello if you do).

peace,

jmw







From Loopers-Delight-request@annihilist.com  Fri Mar  5 19:51:29 1999
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Message-ID: <01BE6726.93308000.stevehan@transworld-lax.com>
From: Steve Han <stevehan@transworld-lax.com>
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To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Plug-Ins for Cubase VST?
Date: Fri, 5 Mar 1999 16:37:50 -0800
Organization: Transworld Freight Systems
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Thanks David and Leo.

Leo, please send info to:

www.curbfeeler@transworld-lax.com

I found few other possible free Plug-in sites
on www.us.steinberg.net and go into
"learning".  Costus's templates are really cool too
for Cubase VST setups.
They have this "Organge Vocoder" and "D-pole"
which are excellent Plug-ins (about $59 per pop)

Thanks again.
I'll advise if I find anymore sites.

Steve (Curbie) 

-----Original Message-----
From:	David Myers [SMTP:dmgraph@pulsewidth.com]
Sent:	Friday, March 05, 1999 3:30 PM
To:	Loopers-Delight@annihilist.com
Subject:	RE: Plug-Ins for Cubase VST?

Sorry!  It's "SoundMaker", not "SoundEdit".  Damn, it's kind of the "Fatal
Attraction" syndrome...  how about some more unique names for software
stuff, like Way Huge Swollen Pickle or Lovetone Meatball, fer chrissake?


From Loopers-Delight-request@annihilist.com  Fri Mar  5 21:25:26 1999
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Date: Fri, 05 Mar 1999 21:18:49 -0800
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: RE: Plug-Ins for Cubase VST?
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I understand the Lovetone Meatball is still beta at this point, and that
the factory's 4 to 6 months behind on Way Huge Swollen Pickle (WHSP) orders. 

At 06:29 PM 3/5/99 -0500, you wrote:
>Sorry!  It's "SoundMaker", not "SoundEdit".  Damn, it's kind of the "Fatal
>Attraction" syndrome...  how about some more unique names for software
>stuff, like Way Huge Swollen Pickle or Lovetone Meatball, fer chrissake?
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Mar  6 00:09:46 1999
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Date: Fri, 05 Mar 1999 22:04:25 -0600
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: RE: Plug-Ins for Cubase VST?
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Way huge is now defunkt.

At 09:18 PM 3/5/99 -0800, you wrote:
>I understand the Lovetone Meatball is still beta at this point, and that
>the factory's 4 to 6 months behind on Way Huge Swollen Pickle (WHSP) orders. 
>
>At 06:29 PM 3/5/99 -0500, you wrote:
>>Sorry!  It's "SoundMaker", not "SoundEdit".  Damn, it's kind of the "Fatal
>>Attraction" syndrome...  how about some more unique names for software
>>stuff, like Way Huge Swollen Pickle or Lovetone Meatball, fer chrissake?
>>
>>
>>
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

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Subject: RE: Plug-Ins for Cubase VST?
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>Way huge is now defunkt.

Alas, I hear that Lovetone is now gone also....


From Loopers-Delight-request@annihilist.com  Sat Mar  6 10:22:20 1999
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Subject: Lovetone is not gone ....
Date: Sat, 6 Mar 1999 10:10:35 -0500
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Lovetone is still in business!

The fallacy that they went under was started by a few misinformed Internet
posts!

-----Original Message-----
From: David Myers [mailto:dmgraph@pulsewidth.com]
Sent: Saturday, March 06, 1999 10:00 AM
To: Loopers-Delight@annihilist.com
Subject: RE: Plug-Ins for Cubase VST?


>Way huge is now defunkt.

Alas, I hear that Lovetone is now gone also....



From Loopers-Delight-request@annihilist.com  Sat Mar  6 13:24:11 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: "things" vs. programs
Date: Sat, 6 Mar 1999 10:04:41 -0800
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Please tell me what your squashboxes are!

-----Original Message-----
From: Matthew P. Davignon [mailto:mdavig@sfsu.edu]
Sent: Friday 05 March 1999 3:09 PM
To: Loopers-Delight@annihilist.com
Subject: Re: "things" vs. programs


Personally, I prefer the "hands on" live element. I also actually like the
inability to use loop point edits. Instead, my little squashboxes give me a
plethora of little things that I can do spontaneously that computers don't
seem
to offer (to my experience). I can add to any point of the loop in "real
time"
without having to move a cursor; I can quickly decide if I want the new
portion
to add to or replace the existing portion; I can change the pitch instantly
without waiting for processing time. I can sample while changing the pitch.
All
of these are very useful to me.

From Loopers-Delight-request@annihilist.com  Sat Mar  6 14:15:14 1999
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From: vimana@webtv.net (vimana)
Date: Sat, 6 Mar 1999 13:10:16 -0600 (CST)
To: Loopers-Delight@annihilist.com
Subject: loopfreaks tribe.
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i thought i wuz the only one who used a jam man?!! ive had 2 of them bug
out sometimes,that really sucks,they are cool 2 seq.loops from a midi
beat box.now if someone would make one that can (save) stuff or have
some kinda memory??the old digitechs
have samplers 2 (studio 5000)etc.cool for lo fi tweeking,   anybody
remember the old 8 sec delay (infinet repeat)pedals dod,digitech.
anybody use roland sp 808 or esi 4000 for looping,,,.....what the latest
gadgets????for long easy delay,looping ,pedals or anything.....later all
you loop freaks.     vim..innertemple studios.   l   

From Loopers-Delight-request@annihilist.com  Sat Mar  6 16:05:04 1999
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Date: Sat, 06 Mar 1999 12:43:13 -0800
From: "Matthew P. Davignon" <mdavig@sfsu.edu>
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They're DOD DFX 94's. They're kind of hard to find nowadays, but there is an
updated version called the FX 98 which has an 8 second loop time and a reverse
feature. I haven't tried it.

Javier Miranda V. wrote:

> Please tell me what your squashboxes are!
>
> -----Original Message-----
> From: Matthew P. Davignon [mailto:mdavig@sfsu.edu]
> Sent: Friday 05 March 1999 3:09 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: "things" vs. programs
>
> Personally, I prefer the "hands on" live element. I also actually like the
> inability to use loop point edits. Instead, my little squashboxes give me a
> plethora of little things that I can do spontaneously that computers don't
> seem
> to offer (to my experience). I can add to any point of the loop in "real
> time"
> without having to move a cursor; I can quickly decide if I want the new
> portion
> to add to or replace the existing portion; I can change the pitch instantly
> without waiting for processing time. I can sample while changing the pitch.
> All
> of these are very useful to me.



From Loopers-Delight-request@annihilist.com  Sat Mar  6 18:06:44 1999
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From: "MARK FRANO" <mfrano@plainfield.bypass.com>
To: <Loopers-Delight@annihilist.com>
Subject: Game of Dice
Date: Sat, 6 Mar 1999 17:43:55 -0500
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This is a multi-part message in MIME format.

------=_NextPart_000_0004_01BE67F8.E8352560
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I'll second the attraction to "live" looping. The spontanious 'action =
and reaction dynamic' are for me are the joy of looping. I initiate the =
sounds in an improvisational manner without too much of a design . As =
they mingle, I mangle and bing badda bing they take on a life force of =
their own. Sometimes I feel like Dr Frankenstien piecing together sonic =
elements, then suddenly, "ITS ALIVE" My wife reminded me of a term used =
alot in the 60's that is applicable to us loopers- ALEATORY. From the =
latin 'alea' meaning game of dice. This term describes a kind of =
uncomposed random music where chance is integral to the finished =
composition. I'm no gambler but I love rollin the dice. Hi Fi Bugs.

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.2016.0"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I'll second the attraction to =
&quot;live&quot;=20
looping. The spontanious 'action and reaction dynamic' are for me are =
the joy of=20
looping. I initiate the sounds in an improvisational manner without too =
much of=20
a design . As they mingle, I mangle and bing badda bing they take on a =
life=20
force of their own. Sometimes I feel like Dr Frankenstien piecing =
together sonic=20
elements, then suddenly, &quot;ITS ALIVE&quot; My wife reminded me of a =
term=20
used alot in the 60's that is applicable to us loopers- ALEATORY. From =
the latin=20
'alea' meaning game of dice. This term describes a kind of uncomposed =
random=20
music where chance is integral to the finished composition. I'm no =
gambler but I=20
love rollin the dice. Hi Fi Bugs.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0004_01BE67F8.E8352560--

From Loopers-Delight-request@annihilist.com  Sat Mar  6 20:02:45 1999
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 <3.0.5.32.19990305211849.007a4910@pop.ici.net>
 <l03110700b30618537711@[38.26.16.49]>
Date: Sat, 6 Mar 1999 17:34:06 -0700
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: RE: Plug-Ins for Cubase VST?
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>>Way huge is now defunkt.
>
> Alas, I hear that Lovetone is now gone also....

This is not true. they have a website that is current and just 
emailed me shipping terms for the meatball (beyond my means right now 
:-(


Edwin
Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin

From Loopers-Delight-request@annihilist.com  Sun Mar  7 04:05:35 1999
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Date: Sun, 07 Mar 1999 00:02:14 -0800
From: "Matthew P. Davignon" <mdavig@sfsu.edu>
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Subject: new fellas
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It'd sure be really great if there was some sort of marker for new
additions to the "loopers of the world" page or if new folks would
e-mail a little blurb about themselves. I see the profile list growing,
but it's tough trying to go through the entire list to find the profiles
I've not yet read.

Just a thought...this site is great though!

matt

From Loopers-Delight-request@annihilist.com  Sun Mar  7 06:08:07 1999
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Date: Sun, 7 Mar 1999 02:39:49 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: new fellas
Resent-Message-ID: <"jlVkm3.0.Ox3.HVbus"@rosy.yourwebhost.com>
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yep, well, somebody has to talk Mr. Chovit into volunteering to do v2.0 of
the profile page software. ;-)

speaking of which, if any of the rest of you freeloaders feel like
contributing something to the Looper website, please don't hesitate! :-)

kim


At 12:02 AM -0800 3/7/99, Matthew P. Davignon wrote:
>It'd sure be really great if there was some sort of marker for new
>additions to the "loopers of the world" page or if new folks would
>e-mail a little blurb about themselves. I see the profile list growing,
>but it's tough trying to go through the entire list to find the profiles
>I've not yet read.
>
>Just a thought...this site is great though!
>
>matt


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Mar  7 09:51:24 1999
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From: "MARK FRANO" <mfrano@plainfield.bypass.com>
To: <Loopers-Delight@annihilist.com>
Subject: Akai MPC 2000
Date: Sun, 7 Mar 1999 09:26:41 -0500
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Loopdy loops, One of the more interesting and extremely hifi machines =
available for looping is the Akai mpc2000. Certainly more designed for =
dj's, it is not as conducive to ambient looping but with 32 megs of RAM =
she's long on memory and is designed to loop samples. I think it would =
be an excellent studio tool weather your looping beats or other noise. =
Alas, no footswitch makes it difficult to wield an intrument and =
interface easily with the MPC2000.Still an interesting candidate. Hi Fi =
Bugs.

------=_NextPart_000_0004_01BE687C.9C041820
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.2016.0"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Loopdy loops, One of the more =
interesting and=20
extremely hifi machines available for looping is the Akai mpc2000. =
Certainly=20
more designed for dj's, it is not as conducive to ambient looping but =
with 32=20
megs of RAM she's long on memory and is designed to loop samples. I =
think it=20
would be an excellent studio tool weather your looping beats or other =
noise.=20
Alas, no footswitch makes it difficult to wield an intrument and =
interface=20
easily with the MPC2000.Still an interesting candidate. Hi Fi=20
Bugs.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0004_01BE687C.9C041820--

From Loopers-Delight-request@annihilist.com  Sun Mar  7 14:53:41 1999
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To: Loopers-Delight@annihilist.com
From: Simon <simon@dynamite.com.au>
Subject: Re: Akai MPC 2000
Cc: mfrano@plainfield.bypass.com
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>     Loopdy loops, One of the more interesting and  extremely hifi
>machines available for looping is the Akai mpc2000. Certainly  more
>designed for dj's, it is not as conducive to ambient looping but with 32
>megs of RAM she's long on memory and is designed to loop samples.

I would say the MPC2000 is more designed for studio/composition/live use
rather than for DJ's, other Akai tools such as the Remix16 (or s20) are
more aimed at DJs.


>I think it  would be an excellent studio tool weather your looping beats
>or other noise.  Alas, no footswitch makes it difficult to wield an
>intrument and interface  easily with the MPC2000.Still an interesting
>candidate. Hi Fi  Bugs.

The MPC2000 OS version 1.5 added MIDI footswitch support, so you can
program a MIDI footswitch to make the MPC do what you want with your feet
while wielding your instrument in your hands.

Simon
Canberra
AUSTRALIA



>From the MPC2000 OS1.5 manual update...

MIDI Footswitch Assignment

MIDI Control Change messages sent from the external MIDI devices to
MPC2000 can control the various functions of MPC2000.


Setting

MIDI Footswitch Assignment is set in MIDI/SYNC mode. To access MIDI
Footswitch Assignment screen, press [MIDI/SYNC] (numerical key 9) while
holding [SHIFT] key down and then press MIDIsw[F3].

Here, you set which MIDI Control Change message to control for each switch
at Ctrl: field and its function at Function: field.

Note: Each Function is activated when the data value of 64 or more is
received. However, TAP and PAD 01 to 16 will be turned on when
the received value is 64 or more, and turned off when it is less.


The assignable functions are as follows.

PLAY STRT Same function as PLAY START key.
PLAY Same function as PLAY key.
STOP Same function as STOP key.
REC+PLAY Same function as PLAY key press while holding
REC key down.
ODUB+PLAY Same function as PLAY key press while holding
OVERDUB key down.
REC/PUNCH Goes into PLAY from STOP mode, goes into
REC (Punch-in) from PLAY mode or goes into
PLAY (Punch-out) from REC mode.
ODUB/PNCH Goes into PLAY from STOP mode, goes into
OVERDUB (Punch-in) from PLAY mode or goes
into PLAY (Punch-out) from OVERDUB mode.
TAP Same function as TAP TEMPO key.
PAD BANK Same function as PAD BANK key.
PAD 01 to 16 Simulates the drum pad being pressed at full ve-
locity.
F1 to F6 Same function as Function key. The function
varies according to the screen displayed at that
time.

Note: While recording the sequence, the Control Change messages as-
signed for this MIDI Footswitch Assignment will not be recorded.
Similarly, the recorded Control Change messages in the se-
quence will be ignored in playback.


The MIDI channel to receive these Control Change messages is set at MIDI
Input Window (set cursor on MIDI channel field on Main Screen and press
[OPEN WINDOW]).


From Loopers-Delight-request@annihilist.com  Sun Mar  7 15:18:37 1999
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From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Loopy CDs...
Date: Sun, 7 Mar 1999 15:10:40 -0500
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wow!!

what a score - 2 great loop-oriented CDs on the cheap!! 
hope the artists got their money.....

$1.99 Jon Durant - silent extinction..
$3.99 Caryn Lin - tolerance for amb.

Viva La UsedBin

----------

From Loopers-Delight-request@annihilist.com  Sun Mar  7 15:33:13 1999
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From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Musician mag??
Date: Sun, 7 Mar 1999 15:11:47 -0500
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> 
> BTW, some here may have seen Electronic Musician's article this month on
> sound editors.  SoundEdit was mentioned and looked very cool from the


hey - has anyone heard that Musician mag has gone down..???? is this
true???

andre'

From Loopers-Delight-request@annihilist.com  Sun Mar  7 18:04:29 1999
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Date: Sun, 07 Mar 1999 16:44:58 -0600
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: new fellas
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At 02:39 AM 3/7/99 -0800, you wrote:
>kim
>

Kim,
	How about that revised Boomerang review that I sent you a while back?
Could you use it?
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Sun Mar  7 20:13:04 1999
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From: "BOB HENRY" <BOBH@knme1.unm.edu>
Organization:  KNME-TV, University of New Mexico
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Greetings-

Really- I don't see a problem with "things", as it was called. Actually, 
to answer the question, it's effective and far simpler to use, than a 
computer. Oh, U may disagree, simply because U may already have a 
computer with software to do the task. But what it comes down to, is 
practicality. If U already have the computer and the software, just 
use that. However, not everybody has that advantage, simply because 
it's envogue (or of current trend). Computers are very prone to failures, 
like program lock-up. One thing's for sure- ya won't have the infamous 
Y2K problem everybody's so worried about with a real tape loop! 

There is also something to be said about doing and building things with your 
mind and hands, like restoring a classic car- do that with a computer! 
Basically, life doesn't (and shouldn't) revolve around the computer...life 
is REAL...Live it!

Cheers,

Bob H.

From Loopers-Delight-request@annihilist.com  Sun Mar  7 20:34:23 1999
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Date: Sun, 7 Mar 1999 17:27:37 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: new fellas
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At 2:44 PM -0800 3/7/99, Jeff & Vonda McLeod wrote:
>At 02:39 AM 3/7/99 -0800, you wrote:
>>kim
>>
>
>Kim,
>	How about that revised Boomerang review that I sent you a while back?
>Could you use it?
>Jeff McLeod

oh yeah, it's in the big pile of stuff to do for the site. The pile hasn't
been getting any smaller lately, on account of me being really busy the
past few months or away on assorted business excursions. That's why I need
volunteers.....  Thanks for reminding me about your review, that one's
actually pretty easy....maybe I'll even get to it today....

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Mar  7 21:19:12 1999
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Subject: Re: Game of Dice
Date: Sun, 7 Mar 1999 21:12:00 -0500
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I noticed Mr. Franco speaking of Aleatory music. Well those of us into =
John Cage would definitely know what that is. I have lately been getting =
more and more into the chance mode of things...with the universe and =
about everything else.

BTW, have any of you chance makers ever seen the film PI? I've recently =
come across it and have found it incredible. If any of you are into Math =
and Number Theory, i highly suggest seeing this film.

One more thing...is there anyone on this list who has played the game =
GO? I have found out about this through the film and have basically =
become obsessed with it. If you know much about it or just want to speak =
about it, please e-mail off the list.

Sincerely,

Jeff Collins
http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html
    -----Original Message-----
    From: MARK FRANO <mfrano@plainfield.bypass.com>
    To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
    Date: Saturday, March 06, 1999 6:05 PM
    Subject: Game of Dice
   =20
   =20
    I'll second the attraction to "live" looping. The spontanious =
'action and reaction dynamic' are for me are the joy of looping. I =
initiate the sounds in an improvisational manner without too much of a =
design . As they mingle, I mangle and bing badda bing they take on a =
life force of their own. Sometimes I feel like Dr Frankenstien piecing =
together sonic elements, then suddenly, "ITS ALIVE" My wife reminded me =
of a term used alot in the 60's that is applicable to us loopers- =
ALEATORY. From the latin 'alea' meaning game of dice. This term =
describes a kind of uncomposed random music where chance is integral to =
the finished composition. I'm no gambler but I love rollin the dice. Hi =
Fi Bugs.

------=_NextPart_000_001F_01BE68DF.2408BA20
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 =
HTML//EN">
<META content=3D'"MSHTML 4.72.2106.6"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000>I noticed Mr. Franco speaking of Aleatory =
music. Well=20
those of us into John Cage would definitely know what that is. I have =
lately=20
been getting more and more into the chance mode of things...with the =
universe=20
and about everything else.</FONT></DIV>
<DIV><FONT color=3D#000000></FONT>&nbsp;</DIV>
<DIV>BTW, have any of you chance makers ever seen the film PI? I've =
recently=20
come across it and have found it incredible. If any of you are into Math =
and=20
Number Theory, i highly suggest seeing this film.</DIV>
<DIV>&nbsp;</DIV>
<DIV>One more thing...is there anyone on this list who has played the =
game GO? I=20
have found out about this through the film and have basically become =
obsessed=20
with it. If you know much about it or just want to speak about it, =
please e-mail=20
off the list.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Sincerely,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Jeff Collins</DIV>
<DIV><A=20
href=3D"http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.ht=
ml">http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html</=
A></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
    </B>MARK FRANO &lt;<A=20
    =
href=3D"mailto:mfrano@plainfield.bypass.com">mfrano@plainfield.bypass.com=
</A>&gt;<BR><B>To:=20
    </B><A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>&gt;<BR><B>Date:=20
    </B>Saturday, March 06, 1999 6:05 PM<BR><B>Subject: </B>Game of=20
    Dice<BR><BR></DIV></FONT>
    <DIV><FONT color=3D#000000 size=3D2>I'll second the attraction to=20
    &quot;live&quot; looping. The spontanious 'action and reaction =
dynamic' are=20
    for me are the joy of looping. I initiate the sounds in an =
improvisational=20
    manner without too much of a design . As they mingle, I mangle and =
bing=20
    badda bing they take on a life force of their own. Sometimes I feel =
like Dr=20
    Frankenstien piecing together sonic elements, then suddenly, =
&quot;ITS=20
    ALIVE&quot; My wife reminded me of a term used alot in the 60's that =
is=20
    applicable to us loopers- ALEATORY. From the latin 'alea' meaning =
game of=20
    dice. This term describes a kind of uncomposed random music where =
chance is=20
    integral to the finished composition. I'm no gambler but I love =
rollin the=20
    dice. Hi Fi Bugs.</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_001F_01BE68DF.2408BA20--

From Loopers-Delight-request@annihilist.com  Sun Mar  7 21:39:08 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: (Fwd) Loopers-Delight@annihilist.com
Date: Sun, 7 Mar 1999 18:18:30 -0800
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I highly object to your judgement about computers not being part of real
life.  Just because they didn't exist when you were a kid doesn't make them
less real.  When your great-grandfather was a kid there were no cars!  That
doesn't mean that they are not as real to you as the horse-and-buggy.
	Doing and building with a computer?  Take a class on building a computer
from scratch, dude.  It's very satisfying to see a computer work from the
various parts you went to buy -- not less satisfying than restoring a
classic car.  Restoring!  If you keep upgrading your computer, including
motherboard, you'll be quite busy getting better and better performance from
it.
	Don't inflict on others the concept that "life" is only what "you" think it
is, dude.  Our perspective of the Universe is far too tiny and insignificant
for us to pretend others would think it is important -- only marginally
interesting, that's all.  That said, keep risking.  Risk is where it's at.
Every time I start a loop I'm risking my whole skill, my whole perspective
on music and the arts -- I'm betting the thing will come to some acceptable
fruition.  Come to think of it, every time I drive on the highway I'm
risking my life, right?  Even on a restored classic car.
	Apart from that, I like your ideas about looping devices not suffering from
Y2K problems.  Y2K is far more dangerous than we all think.  I've seen on
the news people around the country are starting to take it more seriously.

-----Original Message-----
From: BOB HENRY [mailto:BOBH@knme1.unm.edu]
Sent: Sunday 07 March 1999 10:07 AM
To: Loopers-Delight@annihilist.com
Subject: (Fwd) Loopers-Delight@annihilist.com



There is also something to be said about doing and building things with your
mind and hands, like restoring a classic car- do that with a computer!
Basically, life doesn't (and shouldn't) revolve around the computer...life
is REAL...Live it!

Cheers,

Bob H.


From Loopers-Delight-request@annihilist.com  Mon Mar  8 00:32:14 1999
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Date: Mon, 08 Mar 1999 00:01:24 -0800
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: RE: Devices versus computers for live looping
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I rather enjoyed the irony of Bob H's comment about life not revolving
around a computer being expressed via an online mailing list... :)

Personally, I do agree with what a lot of you have said about looping
devices being better suited for live performance than are computers,
although I know there are many, many others who would have good reason to
disagree; I'm seeing more and more laptops onstage in peoples' setups, and
they seem to be working pretty well for them. Maybe some of you could share
some pointers/anecdotes/horror stories gleaned from your experiences (good
or bad) using computers in live performance, letting those of us with less
live cyber-looping experience in on your secrets (hardware/software
recommendations or caveats, technique, et cetera).

In a lot of ways the difference between devices and computers is becoming
increasingly moot as rackmount stuff makes greater use of more powerful
microprocessors (and more memory) and computers feature more dependable
(and portable) hardware and more user-friendly software. MIDI has done much
to narrow the gap, especially in the area of user interface, but the
dichotomy still exists nonetheless, both technologically and
philosophically. Maybe it's just that we as users are loyal to that with
which we're familiar, and are enthusiastic in sharing what's worked for us.

The thread comparing classic car restoration to building a computer from
scratch reminds me of a rhetorical question posed on NPR's Car Talk: If a
car has ALL of its parts replaced one at a time over a period of years, is
it still the same car? Now apply your answer to looping, factoring in
sample entropy, noise buildup and signal processing... Repetition with the
gradual introduction of extremely subtle change, kind of like a mantra; at
what point does the original signal become something else? How long does it
retain its essence? And does it matter whether these results are derived
from a pair of Revoxes, an EDP, or a road-cased Pentium?

Tim


From Loopers-Delight-request@annihilist.com  Mon Mar  8 03:23:01 1999
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Date: Mon, 08 Mar 1999 09:12:38 +0100
To: Loopers-Delight@annihilist.com
From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: Akai MPC 2000
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Anyone interested in live playing of samples and MIDI sequences have to
check out the new yamaha RM1x.

It's a hardware sequencer with internal tone generator too. Apart for the
shitty sounds (groove box type and quality) the LIVE sequencing capabilities
of this machine are really incredible. Now you can really play your sampler
via the RM1x, altering sounds, structure and parts of the songs all in real
time. Plus 8 assignable knobs to tweak in real time all the parameters you want.

ciao
leo


At 06.34 08/03/99 +1100, you wrote:
>>     Loopdy loops, One of the more interesting and  extremely hifi
>>machines available for looping is the Akai mpc2000. Certainly  more
>>designed for dj's, it is not as conducive to ambient looping but with 32
>>megs of RAM she's long on memory and is designed to loop samples.
>
>I would say the MPC2000 is more designed for studio/composition/live use
>rather than for DJ's, other Akai tools such as the Remix16 (or s20) are
>more aimed at DJs.
>
>
>>I think it  would be an excellent studio tool weather your looping beats
>>or other noise.  Alas, no footswitch makes it difficult to wield an
>>intrument and interface  easily with the MPC2000.Still an interesting
>>candidate. Hi Fi  Bugs.
>
>The MPC2000 OS version 1.5 added MIDI footswitch support, so you can
>program a MIDI footswitch to make the MPC do what you want with your feet
>while wielding your instrument in your hands.
>
>Simon
>Canberra
>AUSTRALIA
>
>
>
>From the MPC2000 OS1.5 manual update...
>
>MIDI Footswitch Assignment
>
>MIDI Control Change messages sent from the external MIDI devices to
>MPC2000 can control the various functions of MPC2000.
>
>
>Setting
>
>MIDI Footswitch Assignment is set in MIDI/SYNC mode. To access MIDI
>Footswitch Assignment screen, press [MIDI/SYNC] (numerical key 9) while
>holding [SHIFT] key down and then press MIDIsw[F3].
>
>Here, you set which MIDI Control Change message to control for each switch
>at Ctrl: field and its function at Function: field.
>
>Note: Each Function is activated when the data value of 64 or more is
>received. However, TAP and PAD 01 to 16 will be turned on when
>the received value is 64 or more, and turned off when it is less.
>
>
>The assignable functions are as follows.
>
>PLAY STRT Same function as PLAY START key.
>PLAY Same function as PLAY key.
>STOP Same function as STOP key.
>REC+PLAY Same function as PLAY key press while holding
>REC key down.
>ODUB+PLAY Same function as PLAY key press while holding
>OVERDUB key down.
>REC/PUNCH Goes into PLAY from STOP mode, goes into
>REC (Punch-in) from PLAY mode or goes into
>PLAY (Punch-out) from REC mode.
>ODUB/PNCH Goes into PLAY from STOP mode, goes into
>OVERDUB (Punch-in) from PLAY mode or goes
>into PLAY (Punch-out) from OVERDUB mode.
>TAP Same function as TAP TEMPO key.
>PAD BANK Same function as PAD BANK key.
>PAD 01 to 16 Simulates the drum pad being pressed at full ve-
>locity.
>F1 to F6 Same function as Function key. The function
>varies according to the screen displayed at that
>time.
>
>Note: While recording the sequence, the Control Change messages as-
>signed for this MIDI Footswitch Assignment will not be recorded.
>Similarly, the recorded Control Change messages in the se-
>quence will be ignored in playback.
>
>
>The MIDI channel to receive these Control Change messages is set at MIDI
>Input Window (set cursor on MIDI channel field on Main Screen and press
>[OPEN WINDOW]).
>
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Mar  8 03:41:51 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Devices versus computers for live looping
Date: Mon, 8 Mar 1999 00:30:37 -0800
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I highly agree with this point, that there should be no difference when
regarding how a loop is created, whether via a dedicated hardware device
such as the EDP, or some new-fangled software program in a laptop computer
maybe two years down the road.  Bottom line here is the user interface.
Kind of it doesn't matter which car you get into:  All cars have a gas
pedal, a break pedal, a transmission control and a speed gauge -- you do the
rest.  If only looping devices were so similarly configured!  On the other
hand, we are in a period of discovery, I think, when hardware and software
developers are getting a feel for what are the best controls to have, what
are the controls that matter most.
	As for the mantra qualities of a loop, I thought I liked looping precisely
because of the interaction between many signals producing a total signal
which is equal to more than just the sum of the parts.  Maybe that's too
many words to say that, but, bottom line, there is a curious transcendence
when faced with what you play coming back in the loop, and then being faced
with how that affects you and what you play next.  Not only does the first
signal sound different, now <I>you</I> feel different.
	It does remind me of how different I feel driving down the highway at 55mph
than when I'm driving down the highway doing 80mph.  (Hey, nobody saw me or
heard me talk about this.)
	There must be something similar in speed and looping.

-----Original Message-----
From: Tim Nelson [mailto:tcn62@ici.net]
Sent: Monday 08 March 1999 12:01 AM
To: Loopers-Delight@annihilist.com
Subject: RE: Devices versus computers for live looping

The thread comparing classic car restoration to building a computer from
scratch reminds me of a rhetorical question posed on NPR's Car Talk: If a
car has ALL of its parts replaced one at a time over a period of years, is
it still the same car? Now apply your answer to looping, factoring in
sample entropy, noise buildup and signal processing... Repetition with the
gradual introduction of extremely subtle change, kind of like a mantra; at
what point does the original signal become something else? How long does it
retain its essence? And does it matter whether these results are derived
from a pair of Revoxes, an EDP, or a road-cased Pentium?

Tim



From Loopers-Delight-request@annihilist.com  Mon Mar  8 04:00:55 1999
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Date: Mon, 8 Mar 1999 00:53:37 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: RE: Devices versus computers for live looping
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At 12:30 AM -0800 3/8/99, Javier Miranda V. wrote:
>	It does remind me of how different I feel driving down the highway
>at 55mph
>than when I'm driving down the highway doing 80mph.  (Hey, nobody saw me or
>heard me talk about this.)
>	There must be something similar in speed and looping.

well, I can't drive 55mph, I can't drive 65mph, I can't drive 75mph, and I
can only barely stand 85mph. You must be one of the people I pass every
day. :-)  (All you CHP officers out there, my car is a red ford. ;-)  Any
other loop nuts with a speed (er, velocity) addiction?

hmm, I actually have plenty to say on this overall thing/software/pc topic,
but no time to say it. sad, maybe I'll catch up someday....maybe at 95....

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Mar  8 04:08:12 1999
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From: adam davidovics <absolute@mail.datanet.hu>
Subject: EVENTIDE?
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HELLO GUYS!

im about to buy a new fx processor.

i have a tc electronic g-force, and now considering to get the m5000,
but i've heard about this EVENTIDE too.

i need SPECIAL FX mainly, not reverbs or such. 

eventide had this dsp4000, then the dsp4500 and now some ORLA.

anyone has these or had experience with?

i am totally curious.


a/d

From Loopers-Delight-request@annihilist.com  Mon Mar  8 04:11:51 1999
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Date: Mon, 8 Mar 1999 03:49:51 EST
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Subject: Any Video Loopers?
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I introduced myself a few weeks ago as a new member to Loopers Delight, and
inquired if anyone had done any looping with reel-to-reel video. I received no
replies, so I thought I would ask once more! ANYONE WORKED WITH VIDEO LOOPS?
I have done extensive work in both video and audio using various looping
techniques, and welcome all inquiries and exchanges of experiences.

Thanx,
sTeVo iN yR sTuDiO - visual arts, including video looping & feedback
Pupaum - audio art and music, including analog & digital looping

You may view my computer art at:

<A HREF="http://www.angelfire.com/il/StevoInYrStudio/index.html">sTeVo iN yR
sTuDiO</A>

http://www.angelfire.com/il/StevoInYrStudio/index.html

From Loopers-Delight-request@annihilist.com  Mon Mar  8 04:32:42 1999
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Date: Mon, 08 Mar 1999 03:21:56 -0600
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: RE: Devices versus computers for live looping
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Kim is right. 
The primary issue here is user interface. I have looked at a number of
DJ-type 'loopers' like the Roland 808 and the Yamaha SU700. The major
limitation that these devices have in a live performance is that in order
to use them I would need to take my hands off of my guitar!
This seems to be even more of a problem with the PC based software programs
I have used. 
The secondary problem with these devices is that they require you to be far
to deterministic about the content of your loops. I love the freedom that
the Jam Man allows in composing textures (especially with the multiple
simultaneous stereo loops)., and I often transferr these to the computer
for use as resource elements for more cerebral compositional methods.
Keeping both hands on the guitar is as important as keeping both hands on
the handlebars.

BTW, I chickened out last year and backed off the throttle once the
spedometer on my Ducati passed 145mph.....now I can't afford to speed any
more....

-Chuck Zwicky




At 12:53 AM 3/8/99 -0800, you wrote:
>At 12:30 AM -0800 3/8/99, Javier Miranda V. wrote:
>>	It does remind me of how different I feel driving down the highway
>>at 55mph
>>than when I'm driving down the highway doing 80mph.  (Hey, nobody saw me or
>>heard me talk about this.)
>>	There must be something similar in speed and looping.
>
>well, I can't drive 55mph, I can't drive 65mph, I can't drive 75mph, and I
>can only barely stand 85mph. You must be one of the people I pass every
>day. :-)  (All you CHP officers out there, my car is a red ford. ;-)  Any
>other loop nuts with a speed (er, velocity) addiction?
>
>hmm, I actually have plenty to say on this overall thing/software/pc topic,
>but no time to say it. sad, maybe I'll catch up someday....maybe at 95....
>
>kim
>
>______________________________________________________________________
>Kim Flint                   | Looper's Delight
>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Mon Mar  8 08:39:59 1999
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Do you accompany your live music with prepared video looping or can you do
live video looping with the audio content coming off the tape? (ie; how
much overlap is there between siys and pupaum?) What type(s) of interface
do you use? How do you mix your inputs or introduce changes to your video
loops? Is the source material "found" or are you using cameras (or some
combination)? Is there a variety of commercially-available signal
processing hard/software that's useful for this sort of application, or did
you have to make/modify your stuff?

I kind of get the feeling that this may be straying off-topic, but I
certainly see it as analogous to this list, and it's certainly
intriguing... Great website, too.

Tim

At 03:49 AM 3/8/99 EST, you wrote:
>I introduced myself a few weeks ago as a new member to Loopers Delight, and
>inquired if anyone had done any looping with reel-to-reel video. I
received no
>replies, so I thought I would ask once more! ANYONE WORKED WITH VIDEO LOOPS?
>I have done extensive work in both video and audio using various looping
>techniques, and welcome all inquiries and exchanges of experiences.
>
>Thanx,
>sTeVo iN yR sTuDiO - visual arts, including video looping & feedback
>Pupaum - audio art and music, including analog & digital looping
>
>You may view my computer art at:
>
><A HREF="http://www.angelfire.com/il/StevoInYrStudio/index.html">sTeVo iN yR
>sTuDiO</A>
>
>http://www.angelfire.com/il/StevoInYrStudio/index.html
>
>

From Loopers-Delight-request@annihilist.com  Mon Mar  8 09:14:24 1999
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Subject: Re: Loopy CDs...
Date: Mon, 8 Mar 99 07:41:00 -0500
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>what a score - 2 great loop-oriented CDs on the cheap!! 
>hope the artists got their money.....
>
>$1.99 Jon Durant - silent extinction..
>$3.99 Caryn Lin - tolerance for amb.

Cool! I can't even get Silent Extinction for that!!! (Well, OK, it was a 
coupla cents cheaper, but not many when you add it all up.)

Oh, and I've got a shameless plug: I've just mastered (at David Torn's) 
my new CD, "Anatomy of a Wish."  Featuring Tony Levin (Bass, Stick, 
Electric Upright), Vinny Sabatino (Percussion, Drums), and Michael 
Manring (Fretless Bass on one cut), the new CD is (imo) my best work yet. 
I'm really excited about it. It'll be shipping from Alchemy in early-mid 
April, in stores May 11 (or thereabouts).

Later,
Jon Durant

From Loopers-Delight-request@annihilist.com  Mon Mar  8 09:38:19 1999
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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
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The DSP 4000 has some amazing looping tools in it. Each patch is a unique
algorhythm, in other words there are no preset algorhythms, just the
building blocks. It is really amazing. There is a free editor which runs
from a PC on their web page. The cost of the device is around $4000.


At 09:57 AM 3/8/99 +0100, you wrote:
>HELLO GUYS!
>
>im about to buy a new fx processor.
>
>i have a tc electronic g-force, and now considering to get the m5000,
>but i've heard about this EVENTIDE too.
>
>i need SPECIAL FX mainly, not reverbs or such. 
>
>eventide had this dsp4000, then the dsp4500 and now some ORLA.
>
>anyone has these or had experience with?
>
>i am totally curious.
>
>
>a/d
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Mon Mar  8 09:38:04 1999
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Hi Adam,

I personally cast an eye on the t.c. fireworx and wonder why this one is
not on your list. Did you compare it to the M5000 and what would your
comment be?

Manfred



adam davidovics wrote:

> HELLO GUYS!
>
> im about to buy a new fx processor.
>
> i have a tc electronic g-force, and now considering to get the m5000,
> but i've heard about this EVENTIDE too.
>
> i need SPECIAL FX mainly, not reverbs or such.
>
> eventide had this dsp4000, then the dsp4500 and now some ORLA.
>
> anyone has these or had experience with?
>
> i am totally curious.
>
> a/d

From Loopers-Delight-request@annihilist.com  Mon Mar  8 09:39:07 1999
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From: "Philipp Zuercher" <zurrigo@hotmail.com>
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Subject: loop'n'acousticguitar
Date: Mon, 08 Mar 1999 05:44:18 PST
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everyone interested in looped guitar music between jazz and 20th century 
classical living in or near the western part of switzerland should not 
miss the ZURRIGO SOLO performance on the 11th of Marchat the PIANISSIMO, 
Lausanne (21.30H)

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Mon Mar  8 09:53:24 1999
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From: Jon Grant <tianmus@aracnet.net>
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Subject: MPEG3 films?
Date: Mon, 8 Mar 1999 09:48:46 -0800
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Many people on this list seem to be avid Internet Wanderers.  I am =
curious about any sites people have found including MPEG3-format video.  =
I am sick and tired of what RealAudio does to media playback.  =
Videophiles speak out!

From Loopers-Delight-request@annihilist.com  Mon Mar  8 10:13:32 1999
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Subject: Re: Devices versus computers for live looping
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> they seem to be working pretty well for them. Maybe some of you could
share
> some pointers/anecdotes/horror stories gleaned from your experiences
(good
> or bad) using computers in live performance, letting those of us with
less
> live cyber-looping experience in on your secrets (hardware/software
> recommendations or caveats, technique, et cetera).

.. i once saw Jaron Lanier do a great show at the knit/nyc, when he brought
a flowing, eclectic , unique sounding show to it's kness by wasting a LOT
of time trying to get some software to work; the sftwr was supposed to have
his woodwind notes trigger some 3D animation on a stageside monitor. hmmm..
basically it way crossed the line - he was getting very stressed out (not
fun to watch...) and it really wasn't needed - the crowd was loving what
was happening and the reaction of the crowd was palpable - "use the
computer, don't let it use you.."

andre'

From Loopers-Delight-request@annihilist.com  Mon Mar  8 10:29:41 1999
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Date: Mon, 08 Mar 1999 09:57:31 -0500
From: "Dennis W. Leas" <dennis@mdbs.com>
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Well, now I gotta' open my mouth.  I guess it's Monday and I've drank a good bit  of 
coffee...

Tim Nelson wrote:
> 
> In a lot of ways the difference between devices and computers is becoming
> increasingly moot as rackmount stuff makes greater use of more powerful
> microprocessors (and more memory) and computers feature more dependable
> (and portable) hardware and more user-friendly software. 

Just to be technical, my EDP HAS a computer in it (some kind of 68000, I think, plus 
a DSP probably).  In fact my EDP IS a kind of computer.  It's just special purpose.  
What's essentially different between say an EDP (or Jamman, I suppose) and a general 
purpose computer running looper software is two things (IMHO): 1) looper devices have a 
better real-time interface, 2) looper software is dedicated to the mission and so can 
guarentee adequate real-time response.  Both of these issues could be solved for 
general purpose computers permitting them to duplicate looper devices.  For example, 
1) add a MIDI card to a laptop and duplicate the functionality of the EDP or 
Jamman switches via MIDI footpedals, 2) at an extreme, discard the computer's OS 
entirely or run something simple (DOS?).  I'm surprised nobody has done this yet...

> 
> The thread comparing classic car restoration to building a computer from
> scratch reminds me of a rhetorical question posed on NPR's Car Talk: If a
> car has ALL of its parts replaced one at a time over a period of years, is
> it still the same car? 

Not rhetorical for us living beings!  Consider that this happens to US.  Many of the 
atoms that compose our bodies are replaced over time.  We are literally not the same 
person we were a year ago.  I remember reading an estimate of how long this process 
takes, i.e., how long before every atom in our body is replaced; it's a surprising 
short time.  Yet my memories remain (for the most part) intact.  Spooky!  Humm, come to 
recall, perhaps the "replacement time" was talking about our nervous system only.  I 
can't recall exactly!

- Dennis Leas
-- 
dennis@mdbs.com

From Loopers-Delight-request@annihilist.com  Mon Mar  8 15:30:52 1999
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Date: Mon, 8 Mar 1999 14:19:19 -0500
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From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: Any Video Loopers?
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>Do you accompany your live music with prepared video looping or can you do
>live video looping with the audio content coming off the tape? (ie; how
>much overlap is there between siys and pupaum?) What type(s) of interface
>do you use? How do you mix your inputs or introduce changes to your video
>loops? Is the source material "found" or are you using cameras (or some
>combination)? Is there a variety of commercially-available signal
>processing hard/software that's useful for this sort of application, or did
>you have to make/modify your stuff?
>
>I kind of get the feeling that this may be straying off-topic, but I
>certainly see it as analogous to this list, and it's certainly
>intriguing... Great website, too.

In this vein, ten years ago when I did Feedback Music performances I hooked
up an oscilloscope to my L&R outputs to get Lissajou (sp?, sorry) patterns
which my video buddy trained his camera on.  He colorized, etc., and
displayed that output on a small monitor which had a second camera on it.
The video feedback loops were pretty cool and looked great when we
projected them in accompaniment to the live Feedback Music and ITS loops.

That said, I'm sure there must be computer software nowadays which creates
nifty realtime video output from audio sources.  Anyone know of any,
especially Mac freeware or shareware?  One of these days I'd like to
perform again, and twisting knobs (or moving a mouse) sure doesn't make for
an enthralling show....

David Myers


From Loopers-Delight-request@annihilist.com  Mon Mar  8 15:30:50 1999
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Message-ID: <01BE6959.C8155680.stevehan@transworld-lax.com>
From: Steve Han <stevehan@transworld-lax.com>
Reply-To: "stevehan@transworld-lax.com" <stevehan@transworld-lax.com>
To: "'mhl21@columbia.edu'" <mhl21@columbia.edu>
Cc: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Morgan's "things" vs. programs
Date: Mon, 8 Mar 1999 10:40:09 -0800
Organization: Transworld Freight Systems
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Dear Morgan, (as per your message at the bottom)

I believe the key to the "technical feasibility" you have inquired
about is "compatibility" between users, contributors and their
systems, referring to both software and the power of their hardware.

All of the "players" will have to run the same program, such as
Cubase VST/24, or latest version 4.0 for Mac or 3.6b for PC
users, 4.0 for PC users soon to be released during this summer
which incorporates "drag and drop" feature among many other
improvements such as practically unlimited tracks of Audio
and MIDI, or as much as your hard drive can handle and
64 channels of Digital Audio Playback, 96 channels of
DAP for VST/24.

For more info, check out: www.us.steinberg.net
or in Europe: www.steinberg.net

Once the time has been set to meet online, all the players would
link into the "host" room, like a chat room except you are logging
on directly into his Cubase VST program with option to send
text messages as well as your .WAV loops that you have just created,
as the session is occuring.

Demo at NAMM even had visual link-up between players !

Each loop(s) will appear spontaneously in real time as the players
compose and submit their loops to the host.
The host's Cubase VST program will then receive the loops
and adapt it to the current BPM and Key of the evolving song.
The host (in this case, the master mixer) will treat the loops,
multiplying them, applying effects and mastering effects.

I suppose if the session is to be mastered and printed for
sale/promotion, the participating players would have a "copyright"
and "royalty distribution" already worked out but that tecnical
aspect of the process was probably not even on the player's minds
as they seemed to be having so much fun just creating with their
buddies from all around the world.

So much technology coming our way, I'm getting dizzy !
(now if I could just win the Lottery, 2, 34, 6, 19, 44, 22.....)

Steve (Curbie)

 

-----Original Message-----
From:	Morgan Lang [SMTP:mhl21@columbia.edu]
Sent:	Friday, March 05, 1999 12:04 PM
To:	stevehan@transworld-lax.com
Subject:	Re: "things" vs. programs

Hi Steve:

Thanks for your great answer. I'm getting lots of good replies from smart
people who take the time to think about this stuff. I'm curious about the
scenario you proposed in your message, excerpted below. Is there any useful
information out there regarding the technical feasibility of such future collaborations?

Thanks,

MHL.


> Talking about Looping with Computers, we will now be able to
> compose music with our buddies in other cities and countries
> using the internet, like joining in in a chat room except you
> are contributing your own loops into the song which would
> be developing right in front your eyes, in real time.
> 
> For example, I would create a drum loop and send it to
> the progressing mix, then my buddy in London would compose
> a guitar loop and send it on, then another Loop from Japan,
> and so forth, mostlikely in wav files.  And then a Master Mixer
> would manipulate it all for a final mix down.

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On Sunday March 7, Javier Miranda V. wrote the following in response to a
message by Bob H.:

>I highly object to your judgement about computers not being part of real
>life.  Just because they didn't exist when you were a kid doesn't make them
>less real.  When your great-grandfather was a kid there were no cars!  That
>doesn't mean that they are not as real to you as the horse-and-buggy.
>	Don't inflict on others the concept that "life" is only what "you" think it
>is, dude.  
>

I think Javier could have done without the sarcistic "dude" salutation, but
I agree with him that technology is quite fundamental in determining what
constitutes "life" or "living."  And this is at times unfortunate, as Bob
H. points out.  I can reconcile, I believe, their two points of view. 

Evidence of Javier's assertion is that Generation X was raised on personal
interaction with screens (TV, computer, etc.)  The generation is
pigeonholed (probably incorrectly) as "slackers," etc.  I think a more
accurate portrayal is something like "withdrawn."  It is a generation that
has to grapple with the conflicting messages that they are the first
generation in a while to face a more bleak economic outlook than that of
their parents, yet they grew up in a culture of (fictitious) "choice", and
entitlement, as Peter Sacks so aptly points out in his book "Generation X
Goes to College."  There is a growing sentiment that people spending so
much time on computers have lost the art of personal face-to-face
interaction, a point I think Bob H. would agree with.  Such is life.

Not to let earlier generations off the hook, "Boomers" and the Cold War
conservative generation who grew up worshipping the automobile and
suburubia are sealed off from others in the
journey-to-work/shop/recreate/etc.  They grew up believing that ". . .your
car is your image."  Talk about selfishness:  The automobile has done at
least as much to promote spatial balkanization than computers.  

But in the post modern world, "life" with both of the above mentioned
technologies is, in fact, "living." Billions of dollars of corporate
marketing make sure of that.  We dehumanize others when we drive to the
strip shopping centers, because we relate to them as moving vehicles more
than we relate to them as human beings.  But, we are living as we do this.
We relate to each other in cyberspace, via our TV and computer screens,
often with more thoughtfulness than we do when we are face-to-face with
other humans, especially strangers.  That is the post modern nature of living.

What does this mean for music?  That is for each of us to decide.  I would
only suggest we understand the structural imperatives of technology,
especially the flow of the money, and the role that the quest for
profit-maximization plays in setting the parameters of "life" or "living."
I personally regret having bought MIDI stuff, and am having more fun making
imperfect improvised real-time loopings, and making mistakes with my bass
when recording in live trio and quartet settings.  Such is life.
================================================================

Dr. Michael S. Yoder
Assistant Professor of Geography, Coordinator of Urban Studies
Department of Social Sciences
Texas A&M International University
Laredo, TX  78041  U.S.A.
Telephone:  (956)326-2634 Office;  (956)326-2464 FAX
E-Mail  myoder@tamiu.edu
Web Page:  http://tamiu.edu/~myoder/
================================================================

"English ideas about property have given us both the Bill of Rights and the
industrial slum." (Archibald C. Coolidge, Jr.)  

From Loopers-Delight-request@annihilist.com  Mon Mar  8 16:14:48 1999
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There is some program I heard about called VJamm, that Coldcut 
developed.  I personally have not checked this out, but from what I have 
seen done with it at their shows, and shows by EBN, I'm very impressed.  
You can get a free demo off the Ninja Tune website, or on Coldcut's new 
album "Let Us Re-Play." I've also seen the full program advertised for 
$75.........sounds to me like a good deal!

-Dan 
 
>That said, I'm sure there must be computer software nowadays which 
>creates
>nifty realtime video output from audio sources.  Anyone know of any,
>especially Mac freeware or shareware?  One of these days I'd like to
>perform again, and twisting knobs (or moving a mouse) sure doesn't 
>make for
>an enthralling show....

>David Myers








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Subject: RE: Any Video Loopers?
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sonique , http://www.sonique.com a buggy but 21st century looking does some
cool stuff with mp3s and wavs. There is also pschedelic screensaver, which
works off your cd player. Pyschdelic is very cool, but I doesn't seem to
synch up much to music.

Not exactly what you are looking for, but I thought that you might be
interested.

bIz

> That said, I'm sure there must be computer software nowadays
> which creates
> nifty realtime video output from audio sources.  Anyone know of any,
> especially Mac freeware or shareware?  One of these days I'd like to
> perform again, and twisting knobs (or moving a mouse) sure
> doesn't make for
> an enthralling show....
>
> David Myers
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Mar  8 16:32:51 1999
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From: vimana@webtv.net (vimana)
Date: Mon, 8 Mar 1999 14:26:00 -0600 (CST)
To: Loopers-Delight@annihilist.com
Subject: vg8
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anybody use a roland v-g8 i just picked up a used one and it sounds like
crap,what am i doing wrong?cant wait to go loopingmad through a jamman,

From Loopers-Delight-request@annihilist.com  Mon Mar  8 17:03:21 1999
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        I don't know what you're doing, so I don't know what you're doing
wrong or right, but I use a VG8 and I love it.  I have no problem with the
sounds I get from it.  I suggest going to VG8.com and checking out the
archives of the list there for ideas.  I run mine through the PA as its full
range and guitar amps color the sound a bit too much. (I run the VG8 into a
Mackie 1202 that feeds two loopers, a JamMan and an Echoplex, as well as a
Rolands RPS-10---so much for looping content!)

Frank Gerace
Dreamchild

At 02:26 PM 3/8/99 -0600, you wrote:
>anybody use a roland v-g8 i just picked up a used one and it sounds like
>crap,what am i doing wrong?cant wait to go loopingmad through a jamman,
>
>

From Loopers-Delight-request@annihilist.com  Mon Mar  8 17:14:55 1999
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Date: Mon, 8 Mar 1999 13:36:01 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: Re: OT:Any Video Loopers?
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Warning, contains no actual looper content.
---David Myers  wrote:

> In this vein, ten years ago when I did Feedback Music performances I
hooked
> up an oscilloscope to my L&R outputs to get Lissajou (sp?, sorry)
patterns
> which my video buddy trained his camera on.

Yes, in the 1970s (and the last few weeks)  we created Lissajous'
patterns using 2 MOOG synths (or recordings of same) feeding 2 amp
channels, each driving a voice coil actuator that moves a front
surface mirror.  One mirror moves angularly in the  x axis, one mirror
moves in the  y axis.  Project a laser beam from 1 mirror to the
other, then to a wall or ceiling for projected Lissajous patterns. 
Years ago we used he-ne lasers, which are both large and fragile. 
Todays solid state laser diodes are a low cost, small source of point
light.  

The moogs allow more complex waveforms than the traditionally used
sine waves, and thus can create much more complicated images.  The
limited bandwidth of the voice coil/mirror assembly requires that you
keep the fundamental frequency of the signals rather low (up to a few
hundred hz).

Interestingly, in the 1800's Jules Antoine Lissajous also projected
these images, using light projected to mirrors on vibrating objects
(like tuning forks, projected to a screen to study beat frequencies.
Was this the first sound/light show?
bret


 

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At 02:24 PM 3/8/99 +0100, you wrote:
>Hi Adam,
>
>I personally cast an eye on the t.c. fireworx and wonder why this one is
>not on your list. Did you compare it to the M5000 and what would your
>comment be?
>
>Manfred

yeah. i understand your problem.
look, i take great care to use as many DIFFERENT gear as possible.
since i have a TC G-FOrce which is quite similar to the Fireworx
(i think the GForce is a stronger hardware anyway) i consider getting
either an M5000, but i have no chance to test an Eventide. Therefore
i'd like to hear some opinions on these. in my past email i've listed
the fx units i have experience with.

i have a lot more cheap fx too anyway, but i  look for something xpensive.
i can spend about $5000 for a new fx.


a/d

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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Javier Miranda V.'" <gnominus@earthling.net>,
        Loopers-Delight@annihilist.com
Subject: RE: Devices vs. Computer for live looping
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My hypothesis on the Devices vs. Computer's for Looping -- it mostly depends
on where you start evolving to looping from and incrementally adding looping
capabilities to your set-up.


1) Device Approach

Example: Many looping-folk have been playing instruments / performing music
for a while.  So, they have equipment already (amp's, speakers, effects,
etc...).  

And they're incrementally adding and removing elements from set-ups all the
time.

So, adding looping capabilities via a "device" approach (with stomp-boxes
and rack-mount effects) is *just like what they're mostly doing already*.
Except instead of adding a fuzz or a multi-efects unit, we're adding
something dedicated to looping capabilities.

It's a pattern these people know and follow already.

Adding a computer to these set-ups is not obvious.


2) Computer Approach

Example: Recently, looping folk are increasingly coming to the process from
a "home-recording" or a "sequencer/controler" background that is enabled
from developments using computers and hard-disc capabilities.  

These people are buying "plug-ins" and incrementally extending capabilities
via software updates.

So, buying a piece of software dedicated to looping to run on their existing
platform fits their purchase patterns and follows their usage patterns.

Adding a stomp-box to these set-ups is not likely.


Rarely do people throw-out all their equipment and build a new set-up from
scratch.  


I feel I'm dramatically stating the obvious.

dk

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Hi Dave,
check out cthuga, (sorry I dont have the url, use a search)
It's billed as an oscilloscope on acid - trippy  patterns alright!
I think it runs on macs as well as PC's
> 
> That said, I'm sure there must be computer software nowadays which creates
> nifty realtime video output from audio sources.  Anyone know of any,
> especially Mac freeware or shareware? 
David Myers

Incidentally I use a computer live. I consider its flexibility worth the
hassle of carting it around. It has a real time MIDI, (assignable)
interface, 8 ins and outs, loads of separate stereo delay llines and you
can use VST plugins too. Of course it crashes now and then but when it
does it carries on processing so the music doesn't stop, you simply have
to draw to a close. This hasn't happened live though - yet !)

GARETH

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>
>
>
> That said, I'm sure there must be computer software nowadays which creates
> nifty realtime video output from audio sources.  Anyone know of any,
> especially Mac freeware or shareware?  One of these days I'd like to
> perform again, and twisting knobs (or moving a mouse) sure doesn't make for
> an enthralling show....
>
> David Myers

I seem to remember a shareware screen saver for the mac that had some nifty
sound-to-vision parameters (although via mac's built in mike only i think)
sorry, cant remember the name of the thing... try shareware.com under mac screen
saver.. the reason i don't have it anymore was an extremely viscious "send in
your shareware fee" message every 3 seconds or so (well i would if i could
actually see what was going on...)

brad



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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Plug-Ins for Cubase VST?
Date: Mon, 8 Mar 1999 11:28:53 -0600 
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and, i don't think that the meatball is in beta as i own one.

stig

> -----Original Message-----
> From:	Chuck Zwicky [SMTP:chuck.zwicky@wavefront.com]
> Sent:	Friday, March 05, 1999 20:04
> To:	Loopers-Delight@annihilist.com
> Subject:	RE: Plug-Ins for Cubase VST?
> 
> Way huge is now defunkt.
> 
> At 09:18 PM 3/5/99 -0800, you wrote:
> >I understand the Lovetone Meatball is still beta at this point, and that
> >the factory's 4 to 6 months behind on Way Huge Swollen Pickle (WHSP)
> orders. 
> >
> >At 06:29 PM 3/5/99 -0500, you wrote:
> >>Sorry!  It's "SoundMaker", not "SoundEdit".  Damn, it's kind of the
> "Fatal
> >>Attraction" syndrome...  how about some more unique names for software
> >>stuff, like Way Huge Swollen Pickle or Lovetone Meatball, fer chrissake?
> >>
> >>
> >>
> >
> >
> >
> ..........................................................................
> .
> But they are useless. They can only give you answers. -Picasso, on 
> computers.

From Loopers-Delight-request@annihilist.com  Mon Mar  8 20:37:22 1999
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Date: Mon, 08 Mar 1999 20:15:24 -0500
To: Loopers-Delight@annihilist.com
From: "earthblind, starbound" <leper@mindspring.com>
Subject: new Grendel song on the web: "Taps for a Dead Channel"
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There's a new song by Grendel up for you to download if interested.
"Taps for a Dead Channel."  "Taps" starts out as an ambient song and then
builds to an orgasmic frenzy.  Hey, I knew you'd like that.  A surprisingly
accessible frenzy, as well, for me at least.  We'll see how well it works.
Many of the sonic textures on this song are my voice, heavily looped and
processed, but sounds are also provided by keyboard, flute, and someone
who is not me playing guitar.  Looping done with Acid and Fruity Loops
(and more and more I realize how insanely limited and annoying Acid is,
but so far there's no competing program that does the same thing).

-- 
*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
 http://www.geocities.com/SoHo/Atrium/4664/grendel.html
 Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664

From Loopers-Delight-request@annihilist.com  Mon Mar  8 21:57:32 1999
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Date: Mon, 8 Mar 1999 21:03:23 +0200
To: Loopers-Delight@annihilist.com
From: patrick@his.com (Patrick Smith)
Subject: Re: EVENTIDE?
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On 3/8/99 Adam D. wrote.....
>
>i have a lot more cheap fx too anyway, but i  look for something xpensive.
>i can spend about $5000 for a new fx.
>
>
>a/d

Come on over to my house......just kidding. I picked up an Eventide H330
D/SE last year and love it. These boxes are very very deep. I just wish I
had more time to dig into it. I also have a G-force, but I turn to my
Eventide much more often.


Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Tue Mar  9 01:07:44 1999
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Date: Mon, 8 Mar 1999 21:05:26 -0800 (PST)
From: H IP <hip808@yahoo.com>
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I know that money is not a problem to you. But just take a look on the
Korg AM8000R. I think it's got some distinctive sounds in it although
it's cheap.

I have one and I love it.

---adam davidovics <absolute@mail.datanet.hu> wrote:
>
> At 02:24 PM 3/8/99 +0100, you wrote:
> >Hi Adam,
> >
> >I personally cast an eye on the t.c. fireworx and wonder why this
one is
> >not on your list. Did you compare it to the M5000 and what would your
> >comment be?
> 
> i have a lot more cheap fx too anyway, but i  look for something
xpensive.
> i can spend about $5000 for a new fx.
> 
> a/d
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Tue Mar  9 04:58:23 1999
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From: Anthony Mullen <anthony.mullen@KSCL.com>
To: Loopers-Delight@annihilist.com
Subject: RE: Any Video Loopers?
Date: Tue, 9 Mar 1999 09:34:20 -0000 
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Coldcut developed some video looping tools. Their single Hexstatic was a
CD-rom and contained a lot of videos allegedly made using live video
looping. In fact from the sleeve notes it seems that they took this out on
tour with them and it proved successful.

There's a film called 'Heavy Rotation' which uses music
(Tortoise/Coldcut/Autechre) and digital imagery to create - oh I dunno -
vibes (they call it a interplay between sound and vision). Dunno if this is
looping strictly but the flavour is at least there.

Check some Coldcut sites because I'm sure they were looking to license the
technology...

Seems like the artists are making the best tools these days.....

Let me know how you get on if you find anything - a digest summary of image
looping would be good;)

btw - I'm Anthony - hello all - and hi Kim from the dnb mailing list.

	----------
	From:  Stevaum@aol.com[SMTP:Stevaum@aol.com]
	Sent:  08 March 1999 08:50
	To:  Loopers-Delight@annihilist.com
	Subject:  Any Video Loopers?

	I introduced myself a few weeks ago as a new member to Loopers
Delight, and
	inquired if anyone had done any looping with reel-to-reel video. I
received no
	replies, so I thought I would ask once more! ANYONE WORKED WITH
VIDEO LOOPS?
	I have done extensive work in both video and audio using various
looping
	techniques, and welcome all inquiries and exchanges of experiences.

	Thanx,
	sTeVo iN yR sTuDiO - visual arts, including video looping & feedback
	Pupaum - audio art and music, including analog & digital looping

	You may view my computer art at:

	<A
HREF="http://www.angelfire.com/il/StevoInYrStudio/index.html">sTeVo iN yR
	sTuDiO</A>

	http://www.angelfire.com/il/StevoInYrStudio/index.html
	

From Loopers-Delight-request@annihilist.com  Tue Mar  9 05:23:22 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Devices vs. Computer for live looping
Date: Tue, 9 Mar 1999 01:56:03 -0800
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I like your observation about people's habits in purchasing hardware.
Indeed, I'd like to have something added to my computer rather than adding
another separate piece of hardware.  On the other hand, as Kim has reminded
us in the past, a separate piece of hardware like the EDP does function more
reliably and speedily than a plug in on my computer.

My point again, if I may, is that eventually we'll have supercomputers
(comparing to our Pentia) which will behave 10 times faster than any
separate piece of hardware, and we won't be talking about separate hardware
as opposed to software or hardware installed in our computers.  Further, I
can see that, as we continue to see more and better outboard protocols and
systems, such as USB, and the upcoming Ethernet-like MIDI, that we will
begin thinking of the "computer" as the collection of separate devices of
which we make use.  Indeed, someone on the list a few days ago was drooling
while talking about having a future EDP rapidly dumping to HDD a loop, even
pulling from and saving to disk several loops <italics>during</italics> a
performance!  Makes me drool too...

For example, I don't consider my "computer" to be just the box with the
motherboard and the CPU, etc. -- it includes my monitor, keyboard, mouse,
speakers, CDWriter, scanner, printer and, through MIDI, I think it now
includes my synthesisers and MIDI sound-processing gear; this whole
collection is my "computer."

As computers continue to include outboard equipment, the line between
"dedicated hardware" and "computers" becomes ever blurrier.

But as you dramatically point out, as it is right now, people do have to
make a choice about which way to go, either stompboxes-like devices, or
computer "plug-in's."  I happen to agree with Kim that, for looping, and as
computer hardware stands today, a separate, dedicated looping device such as
the EDP is best.

-----Original Message-----
From: David Kirkdorffer [mailto:DKirkdorffer@exapps.com]
Sent: Monday 08 March 1999 2:08 PM
To: 'Javier Miranda V.'; Loopers-Delight@annihilist.com
Subject: RE: Devices vs. Computer for live looping


My hypothesis on the Devices vs. Computer's for Looping -- it mostly depends
on where you start evolving to looping from and incrementally adding looping
capabilities to your set-up.


1) Device Approach

<snip>

2) Computer Approach

<snip>

I feel I'm dramatically stating the obvious.

dk


From Loopers-Delight-request@annihilist.com  Tue Mar  9 05:25:10 1999
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Subject: RE: new Grendel song on the web: "Taps for a Dead Channel"
Date: Tue, 9 Mar 1999 01:56:15 -0800
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You gotta get the "hang" of Acid, man.  It's tricky in the beginning, but it
is really versatile, I think.

-----Original Message-----
From: earthblind, starbound [mailto:leper@mindspring.com]
Sent: Monday 08 March 1999 5:15 PM
To: Loopers-Delight@annihilist.com
Subject: new Grendel song on the web: "Taps for a Dead Channel"

  Looping done with Acid and Fruity Loops
(and more and more I realize how insanely limited and annoying Acid is,
but so far there's no competing program that does the same thing).

--
*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
 http://www.geocities.com/SoHo/Atrium/4664/grendel.html
 Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664


From Loopers-Delight-request@annihilist.com  Tue Mar  9 05:35:24 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: video from audio
Date: Tue, 9 Mar 1999 01:56:11 -0800
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Gareth,

What is your soundcard with "loads of separate stereo delay lines" and 8 ins
and outs?

-----Original Message-----
From: Gareth Whittock [mailto:whiteoak@dial.pipex.com]
Sent: Monday 08 March 1999 3:07 PM
To: Loopers-Delight@annihilist.com
Subject: Re: video from audio


Hi Dave,
check out cthuga, (sorry I dont have the url, use a search)
It's billed as an oscilloscope on acid - trippy  patterns alright!
I think it runs on macs as well as PC's
>
> That said, I'm sure there must be computer software nowadays which creates
> nifty realtime video output from audio sources.  Anyone know of any,
> especially Mac freeware or shareware?
David Myers

Incidentally I use a computer live. I consider its flexibility worth the
hassle of carting it around. It has a real time MIDI, (assignable)
interface, 8 ins and outs, loads of separate stereo delay llines and you
can use VST plugins too. Of course it crashes now and then but when it
does it carries on processing so the music doesn't stop, you simply have
to draw to a close. This hasn't happened live though - yet !)

GARETH


From Loopers-Delight-request@annihilist.com  Tue Mar  9 07:49:55 1999
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Message-ID: <36E5133D.9EE4D792@columbia.edu>
Date: Tue, 09 Mar 1999 07:25:39 -0500
From: Morgan Lang <mhl21@columbia.edu>
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The best sound-to-video program I've seen also happens to be freeware. It is
called Cthugha, is for both Macs and PCs, and can be downloaded from

http://www.afn.org/~cthugha

Very interesting if you've ever wanted to know what your music "looks" like.

A good location for all sorts of freeware sound/video progs is 

http://www.hyperreal.org/intersection/tools/

So far I have been disappointed by the Mandlebrot set/sound progs out there.
Worth a try, though.

Best,

MHL.









>
> That said, I'm sure there must be computer software nowadays which creates
> nifty realtime video output from audio sources.  Anyone know of any,
> especially Mac freeware or shareware?  One of these days I'd like to
> perform again, and twisting knobs (or moving a mouse) sure doesn't make for
> an enthralling show....
>
> David Myers

I seem to remember a shareware screen saver for the mac that had some nifty
sound-to-vision parameters (although via mac's built in mike only i think)
sorry, cant remember the name of the thing... try shareware.com under mac screen
saver.. the reason i don't have it anymore was an extremely viscious "send in
your shareware fee" message every 3 seconds or so (well i would if i could
actually see what was going on...)

brad

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From: "Peter Spoecker" <spoecker@didgeridoings.com>
To: "looper list" <Loopers-Delight@annihilist.com>
Subject: Cthugha program
Date: Tue, 9 Mar 1999 09:08:18 -0800
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After seeing the post about the Cthugha program I downloaded it, but
couldn't get it to work.  It showed a succession of still images that you
could sequence by hitting any key, but no response to sound from the CD ROM
drive or an external source.  I'm using the sound in and out on my Miro
video card and maybe the program doesn't recognize that.  Anybody know how I
might be able to get Cthugha to work with a Miro video card instead of a
Soundblaster card?
Another issue I've often wondered about is if there's any program that can
modify video being played from an external input into a video card?
Particularly cool would be sound activated color cycling.  I've done this
using an Amiga video toaster system in a rather complex configuration.
Anybody know if there's a program around that lets you use sound as a
modulation source for color cycling or otherwise modulating a video signal
being displayed with a video card in a PC?
Peter Spoecker
peter@didgeridoings.com
check out www.didgeridoings.com for didgeridoo music,
tutorial CD, free circular breathing primer, computer animation,
fractals and much more

From Loopers-Delight-request@annihilist.com  Tue Mar  9 13:45:47 1999
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Subject: Re: sound-to-video generators
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At 11:19 AM -0800 3/8/99, David Myers wrote:
>That said, I'm sure there must be computer software nowadays which creates
>nifty realtime video output from audio sources.  Anyone know of any,
>especially Mac freeware or shareware?  One of these days I'd like to
>perform again, and twisting knobs (or moving a mouse) sure doesn't make for
>an enthralling show....
>
>David Myers

Check out the freeware Bomb.  The freerunning version responds to audio
input in a very primitive way, but it is visually very interesting.  You
can program much more complicated responses to MIDI in the MAX version.

http://www.cs.cmu.edu/~spot/bomb.html

A much more complicated program similar to MAX but for video is IMAGINE.

http://www.xs4all.nl/~steim/imagine.html

Also you might stay intouch with the progress of UISoftware's MIDIKaleido.
It is under development and no one knows much about it, but they are the
people who developed MetaSynth and Bryce.

http://www.uisoftware.com/PAGES_FLASH/uimain.html

Stuart


Stuart Fox
CalArts Guitar
sgfox@music.calarts.edu


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	ETAsAhRGbGmIih3MDIkF8nlyer/zHHRL8QIUZO2S7i0fspKAhfk3OBWiEVaBu7c= 
From: vimana@webtv.net (vimana)
Date: Tue, 9 Mar 1999 12:33:56 -0600 (CST)
To: Loopers-Delight@annihilist.com
Subject: Re: Are computers "real life?"
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just cuz 1 person asked "why" people use dedicated loopers everybody has
a shit fit,big hairy deal. how ignorant is this
question........................computers vs. rack
loopers???????duh.......................................................real
artists with heart use anything,they need,to paint the
world.........................................................................ps..our
brains are computers
vim@innertemple studios 

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From: "Dan Bartell" <speck45@hotmail.com>
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Oh no.........another possible looping tool to lust after and fondle 
over in our minds.

Check it out off Harmony-Central:
http://www.harmony-central.com/Newp/MusikMesse99/Korg/Kaoss-Pad.html
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Mar  9 16:50:10 1999
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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
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Subject: RE: Akai MPC 2000
Date: Tue, 9 Mar 1999 13:33:31 -0800
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Please tell me more! Can you sample and loop back live? Does it have
adequate midi implementation (could I use a midi pedal to sample/tap
tempo/etc, like a super fat echoplex?) I still haven't got my replacement
looping device after selling my Jam-man (something I regret, though I got a
good price for it) and a sampler that can sample and playback in real time
would be very exciting.

bIz

>
> The mpc2k has now supplanted the Jamman as the most important
> part of my
> live setup. The mpc2k is more or less well-designed and is
> really steady
> time-wise. As a drummer/percussionist I find that I'm getting more
> effective results with the mpc2k than with the old Jamman. It has this
> really great feature which allows you to mute up to 64 (!) tracks
> on/off. Maybe I'll get around to combining them someday -
> look at all my
> machines mom!
>
> -the man cable-
>
> > MARK FRANO schrieb:
> >
> > Loopdy loops, One of the more interesting and extremely
> hifi machines
> > available for looping is the Akai mpc2000. Certainly more
> designed for
> > dj's, it is not as conducive to ambient looping but with 32 megs of
> > RAM she's long on memory and is designed to loop samples. I think it
> > would be an excellent studio tool weather your looping
> beats or other
> > noise. Alas, no footswitch makes it difficult to wield an intrument
> > and interface easily with the MPC2000.Still an interesting
> candidate.
> > Hi Fi Bugs.
>
>
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Mar  9 16:51:52 1999
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granted, pittsburgh is not the hot-bed of looping activities, but for my
second annual bedroom looping fest i was hoping that there might be some
kindred spirits in the local area.....seriously, though, does anyone live in
pittsburgh that would like to get together, i need some external input, i
promise to behave.......michael

From Loopers-Delight-request@annihilist.com  Tue Mar  9 16:55:09 1999
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From: "Bob Campbell" <astropulse@hotmail.com>
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>Computers are not convenient to gig with, yet

That's the biggie... Its interesting to remember that our 
(digital) looping devices *are* computers, with  specialized
display and input devices.

I use Cool Edit a lot, but not for performance, Jam Man wins big time.
But wouldn't it be great if a program supported MIDI foot pedals?
Maybe some do... do they? 

I have found I much prefer a bunch of dedicated applicances over
one general purpose device that needs to be re-configured for 
every application. But sometimes the lower cost of a single general
purpose gizmo can be notable. A lot of the cost of building hardware
is the buttons, displays, power supplies, blah blah. Stuff that 
seems like it shouldn't 'count'. 

Bob




______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Mar  9 17:10:20 1999
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Subject: "No User Control" rules!
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Okay, a bit off topic.  But sure to interest a lot of folks here.
Listmember and pal Mark Landman pointed me to a great freeware Mac program
called thOnk which outputs nifty granular synthesis soundscapes and/or
naughty bits when you feed its gaping yaw with AIFF's.  Choose from about
eight "scores" which produce different results, and thOnk it.  Go for lunch
and come back to find ambient coolness on your hard drive:

http://www.audioease.com

And one I found myself which also mangles to the nines in different ways,
though the interface is a real head-scratcher.  It's called Arge=EFphontes
Lyre, at:

ftp://shoko.calarts.edu/pub/akira/al.sit.hqx

Also free!  And with SoundMaker at $30, I'm beginning to think maybe
computers aren't such a bad way to go, after all....

David Myers


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To: Loopers-Delight@annihilist.com
From: adam davidovics <absolute@mail.datanet.hu>
Subject: Re: EVENTIDE?
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At 09:03 PM 3/8/99 +0200, you wrote:
>On 3/8/99 Adam D. wrote.....
>>
>>i have a lot more cheap fx too anyway, but i  look for something xpensive.
>>i can spend about $5000 for a new fx.
>>
>>
>>a/d
>
>Come on over to my house......just kidding. I picked up an Eventide H330
>D/SE last year and love it. These boxes are very very deep. I just wish I
>had more time to dig into it. I also have a G-force, but I turn to my
>Eventide much more often.


it's ok, but WHHHHHHHHHHHYYYYYYYYYYYYYYY ? :)


besides i've heard complainings that Eventide colors the tone a lot.
it's not the issue that makes decision for me, but im interested in.

please be a little more specifical!

a/d

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From: "MARK FRANO" <mfrano@plainfield.bypass.com>
To: <Loopers-Delight@annihilist.com>
Subject: John Cage
Date: Tue, 9 Mar 1999 18:52:23 -0500
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This is a multi-part message in MIME format.

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I was speaking to a friend recently about Cage and was reminded of one =
of his more interesting comments.  When asked how he got into music in =
the first place he replied- "because it was next to mushroom in the =
dictionary"  Hi Fi Bugs

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
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<META content=3D'"MSHTML 4.71.2016.0"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I was speaking to a friend recently =
about Cage=20
and was reminded of one of his more interesting comments.&nbsp; When =
asked how=20
he got into music in the first place he replied- &quot;because it was =
next to=20
mushroom in the dictionary&quot;&nbsp; Hi Fi =
Bugs</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Tue Mar  9 20:13:55 1999
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Subject: RE: thingies vs computers 
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> But wouldn't it be great if a program supported MIDI foot pedals?
> Maybe some do... do they?
>

You can do >a lot< with midi inputs and Logic Audio. Perhaps too much :> (I
spend too much time creating 'environments' (setups to perform midi
manipulations and control specific synth/gear midi parameters.) Come to
think of it, you could even loop record and manipulate audio with it, if you
are that way inclined, in realtime, from any midi source. Some thing I must
look into... I am not sure about control of fx and levels, but I am sure
that it is possible - I just don't know how to automate audio controllers
yet. rec/stop/loop 1/etc should be no problem at all.

Damn! There goes another weekend.

bIz


> I have found I much prefer a bunch of dedicated applicances over
> one general purpose device that needs to be re-configured for
> every application. But sometimes the lower cost of a single general
> purpose gizmo can be notable. A lot of the cost of building hardware
> is the buttons, displays, power supplies, blah blah. Stuff that
> seems like it shouldn't 'count'.
>
> Bob
>
>
>
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>
>

From Loopers-Delight-request@annihilist.com  Tue Mar  9 20:16:14 1999
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Date: Tue, 09 Mar 1999 17:00:54 -0800
From: "Matthew P. Davignon" <mdavig@sfsu.edu>
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Well, not "everybody" had a shit fit. A couple of people got kind of mean but that's
about it.

Basically, lots of people feel passionately about what they use. What we use to make
music is an important part of our musical identities. The folks who still use tape loops
are proud of it and rightfully so. Tape loops are hard to use compared to other systems,
and when someone can use their creativity to make great new music with them, that's
something to bark about. On the other hand, modern computers allow their users to do
pretty much anything with their sounds, so in a different way, the result is up to the
imagination.

Personally, right now I'm really proud with what I can do with 2 four second squashboxes
and a 4-track. When I get around to using a computer, I'm going to have to approach
things in a different way. I'm going to need to be less spontaneous and more exacting. Oh
well, let's stop attacking each other over what we use. It's important that both sides
continue to do their thing.

matt

vimana wrote:

> just cuz 1 person asked "why" people use dedicated loopers everybody has
> a shit fit,big hairy deal. how ignorant is this
> question........................computers vs. rack
> loopers???????duh.......................................................real
> artists with heart use anything,they need,to paint the
> world.........................................................................ps..our
> brains are computers
> vim@innertemple studios



From Loopers-Delight-request@annihilist.com  Tue Mar  9 22:19:47 1999
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From: Jeff Shorthouse <jshorthouse@loyalty.com>
To: "'Loopers-delight@annihilist.com'" <Loopers-delight@annihilist.com>
Subject: RE: Plug-Ins for Cubase VST?
Date: Thu, 4 Mar 1999 15:50:53 -0500 
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Yep- just head on over to http://www.dbrown.force9.co.uk/ and you'll find
several there. If you also happen to read any of the UK electronic music
gear mags (Future Music/The Mix/Sound on Sound) the have a monthly music on
the web column and the often list sites with free downloads.  

Jeff Shorthouse
Alien Radio Station
Toronto, Canada 
alienradio@hotmail.com 

-----Original Message-----
From: Steve Han [mailto:stevehan@transworld-lax.com]
Sent: Thursday, March 04, 1999 1:22 PM
To: 'Loopers-Delight@annihilist.com'
Subject: RE: Plug-Ins for Cubase VST?



Hello my fellow scientific musicians,

Does anyone know of any Free Plug-Ins download
sites for the Steinberg Cubase VST (or the like...)?

Thanks in advance.

Steve (Curbie)

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>Lovetone is still in business!
>
>The fallacy that they went under was started by a few misinformed Internet
>posts!

    They said they may start phasing out the pedals to concentrate on rack
units.

Steve

From Loopers-Delight-request@annihilist.com  Tue Mar  9 22:21:10 1999
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The mpc2k has now supplanted the Jamman as the most important part of my
live setup. The mpc2k is more or less well-designed and is really steady
time-wise. As a drummer/percussionist I find that I'm getting more
effective results with the mpc2k than with the old Jamman. It has this
really great feature which allows you to mute up to 64 (!) tracks
on/off. Maybe I'll get around to combining them someday - look at all my
machines mom!

-the man cable-

> MARK FRANO schrieb:
> 
> Loopdy loops, One of the more interesting and extremely hifi machines
> available for looping is the Akai mpc2000. Certainly more designed for
> dj's, it is not as conducive to ambient looping but with 32 megs of
> RAM she's long on memory and is designed to loop samples. I think it
> would be an excellent studio tool weather your looping beats or other
> noise. Alas, no footswitch makes it difficult to wield an intrument
> and interface easily with the MPC2000.Still an interesting candidate.
> Hi Fi Bugs.




From Loopers-Delight-request@annihilist.com  Wed Mar 10 01:47:56 1999
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Subject: EchoPlex 
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Maybe some of you EDP'ers can answer this for me:  Can the echoplex do
backward/forwards looping, or is it forward only?  That would seem to be a
fairly trivial thing to implement (at least in software, don't know if the
hardware would support it.) and I would probably sell my first child to get
one if it did. ;)  What I am looking for specifically, is something w/ the
memory/power of an EDP that does bi-directional looping (forward, backward
& forward/backward).

Thanks,


Lorren Stafford
Richard For Cerebellum/A Most Happy Sound
http://www.winternet.com/~r4c

"We ask ourselves whether truly this is the beginning 
of a new world or whether perhaps the world...is about
to perish.  There are people who earnestly and seriously
fear this, where music becomes the slave of the machine..."

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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: RE: Are computers "real life?"
Date: Tue, 9 Mar 1999 23:23:00 -0800
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Really cool comment.  Vimana, you're totally right.

-----Original Message-----
From: vimana [mailto:vimana@webtv.net]
Sent: Tuesday 09 March 1999 10:34 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Are computers "real life?"


just cuz 1 person asked "why" people use dedicated loopers everybody has
a shit fit,big hairy deal. how ignorant is this
question........................computers vs. rack
loopers???????duh.......................................................real
artists with heart use anything,they need,to paint the
world.......................................................................
..ps..our
brains are computers
vim@innertemple studios


From Loopers-Delight-request@annihilist.com  Wed Mar 10 03:11:03 1999
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Hey loopers and other digital nuts-

I want to issue a note of caution on buying simms, dimms, and other
dram-like products:

In recent months I've had quite a few people come to me about problems they
had upgrading the memory in their echoplex. The problems turned out to be
caused by bad simms.  Mike Ayers of Gibson/Oberheim told me today that he
has also been encountering a lot of this problem with users.

So be warned - there is a remarkable amount of bad memory out on the market
right now. If you are upgrading memory in something (could be anything, not
just echoplexes....), you may want to save yourself a lot of trouble and
steer clear of the cheapest bargain shop on the net. Stick to the more
reputable places.

I think this is happening because the dram market has been completely
tanked for a while now. Memory chip companies have been losing massive
amounts of money over the past year. I imagine by now they are selling
anything that even looks like a dram chip, no matter how marginal the
tester says it is. (assuming they still test the chips at all....)  So, be
careful.

To help people out, could some of you who have bought memory successfully
in recent months suggest quality vendors?

thanks!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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------------------------------

Content-Type: text/plain

Loopers-Delight-d Digest				Volume 99 : Issue 93

Today's Topics:
  RE: Any Video Loopers?                [ Anthony Mullen <anthony.mullen@KSCL ]
  RE: Devices vs. Computer for live lo  [ "Javier Miranda V." <gnominus@earth ]
  RE: new Grendel song on the web: "Ta  [ "Javier Miranda V." <gnominus@earth ]
  RE: video from audio                  [ "Javier Miranda V." <gnominus@earth ]
  sound-to-video generators             [ Morgan Lang <mhl21@columbia.edu> ]
  Cthugha program                       [ "Peter Spoecker" <spoecker@didgerid ]
  Re: sound-to-video generators         [ Stuart Fox <foxes@jps.net> ]
  Re: Are computers "real life?"        [ vimana@webtv.net (vimana) ]
  Korg Kaoss                            [ "Dan Bartell" <speck45@hotmail.com> ]
  RE: Akai MPC 2000                     [ "Jonathan El-Bizri" <jbiz@linkexcha ]
  is anyone here?                       [ Nemoguitt@aol.com ]
  Re: thingies vs computers             [ "Bob Campbell" <astropulse@hotmail. ]
  "No User Control" rules!              [ David Myers <dmgraph@pulsewidth.com ]
  Re: EVENTIDE?                         [ adam davidovics <absolute@mail.data ]
  John Cage                             [ "MARK FRANO" <mfrano@plainfield.byp ]
  RE: thingies vs computers             [ "Jonathan El-Bizri" <jonathan@full- ]
  Re: Are computers "real life?" & shi  [ "Matthew P. Davignon" <mdavig@sfsu. ]
  RE: Plug-Ins for Cubase VST?          [ Jeff Shorthouse <jshorthouse@loyalt ]
  Re: Lovetone is not gone ....         [ spat@visi.com ]
  Re: Akai MPC 2000                     [ Cummings <r_t_cummings@csi.com> ]
  EchoPlex                              [ "L. Stafford" <r4c@winternet.com> ]
  RE: Are computers "real life?"        [ "Javier Miranda V." <gnominus@earth ]

Administrivia:
Looper's Delight
****************

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Your humble list maintainer,

Kim Flint
kflint@annihilist.com

------------------------------

Date: Tue, 9 Mar 1999 09:34:20 -0000 
From: Anthony Mullen <anthony.mullen@KSCL.com>
To: Loopers-Delight@annihilist.com
Subject: RE: Any Video Loopers?
Message-ID: <B1CB12627F4DD2119A6F0001FA7E1EB4ADC4D9@POSTCARD.kscl.com>
Content-Type: text/plain;
	charset="iso-8859-1"

Coldcut developed some video looping tools. Their single Hexstatic was a
CD-rom and contained a lot of videos allegedly made using live video
looping. In fact from the sleeve notes it seems that they took this out on
tour with them and it proved successful.

There's a film called 'Heavy Rotation' which uses music
(Tortoise/Coldcut/Autechre) and digital imagery to create - oh I dunno -
vibes (they call it a interplay between sound and vision). Dunno if this is
looping strictly but the flavour is at least there.

Check some Coldcut sites because I'm sure they were looking to license the
technology...

Seems like the artists are making the best tools these days.....

Let me know how you get on if you find anything - a digest summary of image
looping would be good;)

btw - I'm Anthony - hello all - and hi Kim from the dnb mailing list.

	----------
	From:  Stevaum@aol.com[SMTP:Stevaum@aol.com]
	Sent:  08 March 1999 08:50
	To:  Loopers-Delight@annihilist.com
	Subject:  Any Video Loopers?

	I introduced myself a few weeks ago as a new member to Loopers
Delight, and
	inquired if anyone had done any looping with reel-to-reel video. I
received no
	replies, so I thought I would ask once more! ANYONE WORKED WITH
VIDEO LOOPS?
	I have done extensive work in both video and audio using various
looping
	techniques, and welcome all inquiries and exchanges of experiences.

	Thanx,
	sTeVo iN yR sTuDiO - visual arts, including video looping & feedback
	Pupaum - audio art and music, including analog & digital looping

	You may view my computer art at:

	<A
HREF="http://www.angelfire.com/il/StevoInYrStudio/index.html">sTeVo iN yR
	sTuDiO</A>

	http://www.angelfire.com/il/StevoInYrStudio/index.html
	

------------------------------

Date: Tue, 9 Mar 1999 01:56:03 -0800
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Devices vs. Computer for live looping
Message-ID: <000d01be6a13$0b3b2160$21ceefd1@electra>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

I like your observation about people's habits in purchasing hardware.
Indeed, I'd like to have something added to my computer rather than adding
another separate piece of hardware.  On the other hand, as Kim has reminded
us in the past, a separate piece of hardware like the EDP does function more
reliably and speedily than a plug in on my computer.

My point again, if I may, is that eventually we'll have supercomputers
(comparing to our Pentia) which will behave 10 times faster than any
separate piece of hardware, and we won't be talking about separate hardware
as opposed to software or hardware installed in our computers.  Further, I
can see that, as we continue to see more and better outboard protocols and
systems, such as USB, and the upcoming Ethernet-like MIDI, that we will
begin thinking of the "computer" as the collection of separate devices of
which we make use.  Indeed, someone on the list a few days ago was drooling
while talking about having a future EDP rapidly dumping to HDD a loop, even
pulling from and saving to disk several loops <italics>during</italics> a
performance!  Makes me drool too...

For example, I don't consider my "computer" to be just the box with the
motherboard and the CPU, etc. -- it includes my monitor, keyboard, mouse,
speakers, CDWriter, scanner, printer and, through MIDI, I think it now
includes my synthesisers and MIDI sound-processing gear; this whole
collection is my "computer."

As computers continue to include outboard equipment, the line between
"dedicated hardware" and "computers" becomes ever blurrier.

But as you dramatically point out, as it is right now, people do have to
make a choice about which way to go, either stompboxes-like devices, or
computer "plug-in's."  I happen to agree with Kim that, for looping, and as
computer hardware stands today, a separate, dedicated looping device such as
the EDP is best.

-----Original Message-----
From: David Kirkdorffer [mailto:DKirkdorffer@exapps.com]
Sent: Monday 08 March 1999 2:08 PM
To: 'Javier Miranda V.'; Loopers-Delight@annihilist.com
Subject: RE: Devices vs. Computer for live looping


My hypothesis on the Devices vs. Computer's for Looping -- it mostly depends
on where you start evolving to looping from and incrementally adding looping
capabilities to your set-up.


1) Device Approach

<snip>

2) Computer Approach

<snip>

I feel I'm dramatically stating the obvious.

dk

------------------------------

Date: Tue, 9 Mar 1999 01:56:15 -0800
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: new Grendel song on the web: "Taps for a Dead Channel"
Message-ID: <000f01be6a13$12453180$21ceefd1@electra>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

You gotta get the "hang" of Acid, man.  It's tricky in the beginning, but it
is really versatile, I think.

-----Original Message-----
From: earthblind, starbound [mailto:leper@mindspring.com]
Sent: Monday 08 March 1999 5:15 PM
To: Loopers-Delight@annihilist.com
Subject: new Grendel song on the web: "Taps for a Dead Channel"

  Looping done with Acid and Fruity Loops
(and more and more I realize how insanely limited and annoying Acid is,
but so far there's no competing program that does the same thing).

--
*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
 http://www.geocities.com/SoHo/Atrium/4664/grendel.html
 Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664

------------------------------

Date: Tue, 9 Mar 1999 01:56:11 -0800
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: video from audio
Message-ID: <000e01be6a13$0f968c40$21ceefd1@electra>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

Gareth,

What is your soundcard with "loads of separate stereo delay lines" and 8 ins
and outs?

-----Original Message-----
From: Gareth Whittock [mailto:whiteoak@dial.pipex.com]
Sent: Monday 08 March 1999 3:07 PM
To: Loopers-Delight@annihilist.com
Subject: Re: video from audio


Hi Dave,
check out cthuga, (sorry I dont have the url, use a search)
It's billed as an oscilloscope on acid - trippy  patterns alright!
I think it runs on macs as well as PC's
>
> That said, I'm sure there must be computer software nowadays which creates
> nifty realtime video output from audio sources.  Anyone know of any,
> especially Mac freeware or shareware?
David Myers

Incidentally I use a computer live. I consider its flexibility worth the
hassle of carting it around. It has a real time MIDI, (assignable)
interface, 8 ins and outs, loads of separate stereo delay llines and you
can use VST plugins too. Of course it crashes now and then but when it
does it carries on processing so the music doesn't stop, you simply have
to draw to a close. This hasn't happened live though - yet !)

GARETH

------------------------------

Date: Tue, 09 Mar 1999 07:25:39 -0500
From: Morgan Lang <mhl21@columbia.edu>
To: Loopers-Delight@annihilist.com
Subject: sound-to-video generators
Message-ID: <36E5133D.9EE4D792@columbia.edu>
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

The best sound-to-video program I've seen also happens to be freeware. It is
called Cthugha, is for both Macs and PCs, and can be downloaded from

http://www.afn.org/~cthugha

Very interesting if you've ever wanted to know what your music "looks" like.

A good location for all sorts of freeware sound/video progs is 

http://www.hyperreal.org/intersection/tools/

So far I have been disappointed by the Mandlebrot set/sound progs out there.
Worth a try, though.

Best,

MHL.









>
> That said, I'm sure there must be computer software nowadays which creates
> nifty realtime video output from audio sources.  Anyone know of any,
> especially Mac freeware or shareware?  One of these days I'd like to
> perform again, and twisting knobs (or moving a mouse) sure doesn't make for
> an enthralling show....
>
> David Myers

I seem to remember a shareware screen saver for the mac that had some nifty
sound-to-vision parameters (although via mac's built in mike only i think)
sorry, cant remember the name of the thing... try shareware.com under mac screen
saver.. the reason i don't have it anymore was an extremely viscious "send in
your shareware fee" message every 3 seconds or so (well i would if i could
actually see what was going on...)

brad

------------------------------

Date: Tue, 9 Mar 1999 09:08:18 -0800
From: "Peter Spoecker" <spoecker@didgeridoings.com>
To: "looper list" <Loopers-Delight@annihilist.com>
Subject: Cthugha program
Message-ID: <000101be6a4f$7131c3c0$3622a2d1@i658574>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit
Content-Transfer-Encoding: 7bit

After seeing the post about the Cthugha program I downloaded it, but
couldn't get it to work.  It showed a succession of still images that you
could sequence by hitting any key, but no response to sound from the CD ROM
drive or an external source.  I'm using the sound in and out on my Miro
video card and maybe the program doesn't recognize that.  Anybody know how I
might be able to get Cthugha to work with a Miro video card instead of a
Soundblaster card?
Another issue I've often wondered about is if there's any program that can
modify video being played from an external input into a video card?
Particularly cool would be sound activated color cycling.  I've done this
using an Amiga video toaster system in a rather complex configuration.
Anybody know if there's a program around that lets you use sound as a
modulation source for color cycling or otherwise modulating a video signal
being displayed with a video card in a PC?
Peter Spoecker
peter@didgeridoings.com
check out www.didgeridoings.com for didgeridoo music,
tutorial CD, free circular breathing primer, computer animation,
fractals and much more

------------------------------

Date: Tue, 9 Mar 1999 10:14:49 -0800
From: Stuart Fox <foxes@jps.net>
To: Loopers-Delight@annihilist.com
Subject: Re: sound-to-video generators
Message-Id: <v03102802b30b0e57bf8d@[209.239.217.71]>
Content-Type: text/plain; charset="us-ascii"

At 11:19 AM -0800 3/8/99, David Myers wrote:
>That said, I'm sure there must be computer software nowadays which creates
>nifty realtime video output from audio sources.  Anyone know of any,
>especially Mac freeware or shareware?  One of these days I'd like to
>perform again, and twisting knobs (or moving a mouse) sure doesn't make for
>an enthralling show....
>
>David Myers

Check out the freeware Bomb.  The freerunning version responds to audio
input in a very primitive way, but it is visually very interesting.  You
can program much more complicated responses to MIDI in the MAX version.

http://www.cs.cmu.edu/~spot/bomb.html

A much more complicated program similar to MAX but for video is IMAGINE.

http://www.xs4all.nl/~steim/imagine.html

Also you might stay intouch with the progress of UISoftware's MIDIKaleido.
It is under development and no one knows much about it, but they are the
people who developed MetaSynth and Bryce.

http://www.uisoftware.com/PAGES_FLASH/uimain.html

Stuart


Stuart Fox
CalArts Guitar
sgfox@music.calarts.edu

------------------------------

Date: Tue, 9 Mar 1999 12:33:56 -0600 (CST)
From: vimana@webtv.net (vimana)
To: Loopers-Delight@annihilist.com
Subject: Re: Are computers "real life?"
Message-ID: <23105-36E56994-599@mailtod-122.bryant.webtv.net>
Content-Disposition: Inline
Content-Type: Text/Plain; Charset=US-ASCII
Content-Transfer-Encoding: 7Bit

just cuz 1 person asked "why" people use dedicated loopers everybody has
a shit fit,big hairy deal. how ignorant is this
question........................computers vs. rack
loopers???????duh.......................................................real
artists with heart use anything,they need,to paint the
world.........................................................................ps..our
brains are computers
vim@innertemple studios 

------------------------------

Date: Tue, 09 Mar 1999 13:04:32 PST
From: "Dan Bartell" <speck45@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Korg Kaoss
Message-ID: <19990309210433.1339.qmail@hotmail.com>
Content-type: text/plain

Oh no.........another possible looping tool to lust after and fondle 
over in our minds.

Check it out off Harmony-Central:
http://www.harmony-central.com/Newp/MusikMesse99/Korg/Kaoss-Pad.html
Get Your Private, Free Email at http://www.hotmail.com

------------------------------

Date: Tue, 9 Mar 1999 13:33:31 -0800
From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Akai MPC 2000
Message-ID: <000201be6a74$7ae63390$26ee8fd1@jelbizri.linkexchange.com>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

Please tell me more! Can you sample and loop back live? Does it have
adequate midi implementation (could I use a midi pedal to sample/tap
tempo/etc, like a super fat echoplex?) I still haven't got my replacement
looping device after selling my Jam-man (something I regret, though I got a
good price for it) and a sampler that can sample and playback in real time
would be very exciting.

bIz

>
> The mpc2k has now supplanted the Jamman as the most important
> part of my
> live setup. The mpc2k is more or less well-designed and is
> really steady
> time-wise. As a drummer/percussionist I find that I'm getting more
> effective results with the mpc2k than with the old Jamman. It has this
> really great feature which allows you to mute up to 64 (!) tracks
> on/off. Maybe I'll get around to combining them someday -
> look at all my
> machines mom!
>
> -the man cable-
>
> > MARK FRANO schrieb:
> >
> > Loopdy loops, One of the more interesting and extremely
> hifi machines
> > available for looping is the Akai mpc2000. Certainly more
> designed for
> > dj's, it is not as conducive to ambient looping but with 32 megs of
> > RAM she's long on memory and is designed to loop samples. I think it
> > would be an excellent studio tool weather your looping
> beats or other
> > noise. Alas, no footswitch makes it difficult to wield an intrument
> > and interface easily with the MPC2000.Still an interesting
> candidate.
> > Hi Fi Bugs.
>
>
>
>
>

------------------------------

Date: Mon, 8 Mar 1999 12:21:28 EST
From: Nemoguitt@aol.com
To: Loopers-Delight@annihilist.com
Subject: is anyone here?
Message-ID: <725ffe95.36e40718@aol.com>
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7bit

granted, pittsburgh is not the hot-bed of looping activities, but for my
second annual bedroom looping fest i was hoping that there might be some
kindred spirits in the local area.....seriously, though, does anyone live in
pittsburgh that would like to get together, i need some external input, i
promise to behave.......michael

------------------------------

Date: Fri, 05 Mar 1999 07:49:52 PST
From: "Bob Campbell" <astropulse@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re:  thingies vs computers 
Message-ID: <19990305154953.21721.qmail@hotmail.com>
Content-type: text/plain

>Computers are not convenient to gig with, yet

That's the biggie... Its interesting to remember that our 
(digital) looping devices *are* computers, with  specialized
display and input devices.

I use Cool Edit a lot, but not for performance, Jam Man wins big time.
But wouldn't it be great if a program supported MIDI foot pedals?
Maybe some do... do they? 

I have found I much prefer a bunch of dedicated applicances over
one general purpose device that needs to be re-configured for 
every application. But sometimes the lower cost of a single general
purpose gizmo can be notable. A lot of the cost of building hardware
is the buttons, displays, power supplies, blah blah. Stuff that 
seems like it shouldn't 'count'. 

Bob




______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

------------------------------

Date: Mon, 8 Mar 1999 14:19:49 -0500
From: David Myers <dmgraph@pulsewidth.com>
To: Loopers-Delight@annihilist.com
Subject: "No User Control" rules!
Message-Id: <l03110701b309cb28d152@[38.26.14.69]>
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Okay, a bit off topic.  But sure to interest a lot of folks here.
Listmember and pal Mark Landman pointed me to a great freeware Mac program
called thOnk which outputs nifty granular synthesis soundscapes and/or
naughty bits when you feed its gaping yaw with AIFF's.  Choose from about
eight "scores" which produce different results, and thOnk it.  Go for lunch
and come back to find ambient coolness on your hard drive:

http://www.audioease.com

And one I found myself which also mangles to the nines in different ways,
though the interface is a real head-scratcher.  It's called Arge=EFphontes
Lyre, at:

ftp://shoko.calarts.edu/pub/akira/al.sit.hqx

Also free!  And with SoundMaker at $30, I'm beginning to think maybe
computers aren't such a bad way to go, after all....

David Myers

------------------------------

Date: Tue, 9 Mar 1999 22:55:33 +0100 (MET)
From: adam davidovics <absolute@mail.datanet.hu>
To: Loopers-Delight@annihilist.com
Subject: Re: EVENTIDE?
Message-Id: <199903092155.WAA00384@mail.euroweb.hu>
Content-Type: text/plain; charset="us-ascii"

At 09:03 PM 3/8/99 +0200, you wrote:
>On 3/8/99 Adam D. wrote.....
>>
>>i have a lot more cheap fx too anyway, but i  look for something xpensive.
>>i can spend about $5000 for a new fx.
>>
>>
>>a/d
>
>Come on over to my house......just kidding. I picked up an Eventide H330
>D/SE last year and love it. These boxes are very very deep. I just wish I
>had more time to dig into it. I also have a G-force, but I turn to my
>Eventide much more often.


it's ok, but WHHHHHHHHHHHYYYYYYYYYYYYYYY ? :)


besides i've heard complainings that Eventide colors the tone a lot.
it's not the issue that makes decision for me, but im interested in.

please be a little more specifical!

a/d

------------------------------

Date: Tue, 9 Mar 1999 18:52:23 -0500
From: "MARK FRANO" <mfrano@plainfield.bypass.com>
To: <Loopers-Delight@annihilist.com>
Subject: John Cage
Message-ID: <01be6a87$e0713f80$d57cf2d0@chester>
Content-Type: multipart/alternative;
	boundary="----=_NextPart_000_0004_01BE6A5D.F79B3780"

This is a multi-part message in MIME format.

------=_NextPart_000_0004_01BE6A5D.F79B3780
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I was speaking to a friend recently about Cage and was reminded of one =
of his more interesting comments.  When asked how he got into music in =
the first place he replied- "because it was next to mushroom in the =
dictionary"  Hi Fi Bugs

------=_NextPart_000_0004_01BE6A5D.F79B3780
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.2016.0"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I was speaking to a friend recently =
about Cage=20
and was reminded of one of his more interesting comments.&nbsp; When =
asked how=20
he got into music in the first place he replied- &quot;because it was =
next to=20
mushroom in the dictionary&quot;&nbsp; Hi Fi =
Bugs</FONT></DIV></BODY></HTML>

------=_NextPart_000_0004_01BE6A5D.F79B3780--

------------------------------

Date: Tue, 9 Mar 1999 16:40:09 -0800
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: thingies vs computers 
Message-ID: <001601be6a8e$8e919b40$26ee8fd1@jelbizri.linkexchange.com>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

> But wouldn't it be great if a program supported MIDI foot pedals?
> Maybe some do... do they?
>

You can do >a lot< with midi inputs and Logic Audio. Perhaps too much :> (I
spend too much time creating 'environments' (setups to perform midi
manipulations and control specific synth/gear midi parameters.) Come to
think of it, you could even loop record and manipulate audio with it, if you
are that way inclined, in realtime, from any midi source. Some thing I must
look into... I am not sure about control of fx and levels, but I am sure
that it is possible - I just don't know how to automate audio controllers
yet. rec/stop/loop 1/etc should be no problem at all.

Damn! There goes another weekend.

bIz


> I have found I much prefer a bunch of dedicated applicances over
> one general purpose device that needs to be re-configured for
> every application. But sometimes the lower cost of a single general
> purpose gizmo can be notable. A lot of the cost of building hardware
> is the buttons, displays, power supplies, blah blah. Stuff that
> seems like it shouldn't 'count'.
>
> Bob
>
>
>
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>
>

------------------------------

Date: Tue, 09 Mar 1999 17:00:54 -0800
From: "Matthew P. Davignon" <mdavig@sfsu.edu>
To: Loopers-Delight@annihilist.com
Subject: Re: Are computers "real life?" & shit fits
Message-ID: <36E5C446.A5BE9BE1@sfsu.edu>
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Well, not "everybody" had a shit fit. A couple of people got kind of mean but that's
about it.

Basically, lots of people feel passionately about what they use. What we use to make
music is an important part of our musical identities. The folks who still use tape loops
are proud of it and rightfully so. Tape loops are hard to use compared to other systems,
and when someone can use their creativity to make great new music with them, that's
something to bark about. On the other hand, modern computers allow their users to do
pretty much anything with their sounds, so in a different way, the result is up to the
imagination.

Personally, right now I'm really proud with what I can do with 2 four second squashboxes
and a 4-track. When I get around to using a computer, I'm going to have to approach
things in a different way. I'm going to need to be less spontaneous and more exacting. Oh
well, let's stop attacking each other over what we use. It's important that both sides
continue to do their thing.

matt

vimana wrote:

> just cuz 1 person asked "why" people use dedicated loopers everybody has
> a shit fit,big hairy deal. how ignorant is this
> question........................computers vs. rack
> loopers???????duh.......................................................real
> artists with heart use anything,they need,to paint the
> world.........................................................................ps..our
> brains are computers
> vim@innertemple studios

------------------------------

Date: Thu, 4 Mar 1999 15:50:53 -0500 
From: Jeff Shorthouse <jshorthouse@loyalty.com>
To: "'Loopers-delight@annihilist.com'" <Loopers-delight@annihilist.com>
Subject: RE: Plug-Ins for Cubase VST?
Message-ID: <D088E30F8154D211B1AB00A0C9D5E22C69742F@exchtor1.loyalty.com>
Content-Type: text/plain;
	charset="iso-8859-1"

Yep- just head on over to http://www.dbrown.force9.co.uk/ and you'll find
several there. If you also happen to read any of the UK electronic music
gear mags (Future Music/The Mix/Sound on Sound) the have a monthly music on
the web column and the often list sites with free downloads.  

Jeff Shorthouse
Alien Radio Station
Toronto, Canada 
alienradio@hotmail.com 

-----Original Message-----
From: Steve Han [mailto:stevehan@transworld-lax.com]
Sent: Thursday, March 04, 1999 1:22 PM
To: 'Loopers-Delight@annihilist.com'
Subject: RE: Plug-Ins for Cubase VST?



Hello my fellow scientific musicians,

Does anyone know of any Free Plug-Ins download
sites for the Steinberg Cubase VST (or the like...)?

Thanks in advance.

Steve (Curbie)

------------------------------

Date: Sat, 06 Mar 1999 15:29:13 -0600
From: spat@visi.com
To: Loopers-Delight@annihilist.com
Subject: Re: Lovetone is not gone ....
Message-Id: <1.5.4.32.19990306212913.006a9210@mail.visi.com>
Content-Type: text/plain; charset="us-ascii"

>Lovetone is still in business!
>
>The fallacy that they went under was started by a few misinformed Internet
>posts!

    They said they may start phasing out the pedals to concentrate on rack
units.

Steve

------------------------------

Date: Tue, 09 Mar 1999 18:12:33 +0100
From: Cummings <r_t_cummings@csi.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Akai MPC 2000
Message-ID: <36E55681.9EDAFFC4@csi.com>
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

The mpc2k has now supplanted the Jamman as the most important part of my
live setup. The mpc2k is more or less well-designed and is really steady
time-wise. As a drummer/percussionist I find that I'm getting more
effective results with the mpc2k than with the old Jamman. It has this
really great feature which allows you to mute up to 64 (!) tracks
on/off. Maybe I'll get around to combining them someday - look at all my
machines mom!

-the man cable-

> MARK FRANO schrieb:
> 
> Loopdy loops, One of the more interesting and extremely hifi machines
> available for looping is the Akai mpc2000. Certainly more designed for
> dj's, it is not as conducive to ambient looping but with 32 megs of
> RAM she's long on memory and is designed to loop samples. I think it
> would be an excellent studio tool weather your looping beats or other
> noise. Alas, no footswitch makes it difficult to wield an intrument
> and interface easily with the MPC2000.Still an interesting candidate.
> Hi Fi Bugs.

------------------------------

Date: Wed, 10 Mar 1999 00:37:37 -0600
From: "L. Stafford" <r4c@winternet.com>
To: Loopers-Delight@annihilist.com
Subject: EchoPlex 
Message-Id: <4.1.19990310003512.00970ef0@mail.winternet.com>
Content-Type: text/plain; charset="us-ascii"

Maybe some of you EDP'ers can answer this for me:  Can the echoplex do
backward/forwards looping, or is it forward only?  That would seem to be a
fairly trivial thing to implement (at least in software, don't know if the
hardware would support it.) and I would probably sell my first child to get
one if it did. ;)  What I am looking for specifically, is something w/ the
memory/power of an EDP that does bi-directional looping (forward, backward
& forward/backward).

Thanks,


Lorren Stafford
Richard For Cerebellum/A Most Happy Sound
http://www.winternet.com/~r4c

"We ask ourselves whether truly this is the beginning 
of a new world or whether perhaps the world...is about
to perish.  There are people who earnestly and seriously
fear this, where music becomes the slave of the machine..."

------------------------------

Date: Tue, 9 Mar 1999 23:23:00 -0800
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Are computers "real life?"
Message-ID: <002a01be6ac6$d4063cc0$21ceefd1@electra>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

Really cool comment.  Vimana, you're totally right.

-----Original Message-----
From: vimana [mailto:vimana@webtv.net]
Sent: Tuesday 09 March 1999 10:34 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Are computers "real life?"


just cuz 1 person asked "why" people use dedicated loopers everybody has
a shit fit,big hairy deal. how ignorant is this
question........................computers vs. rack
loopers???????duh.......................................................real
artists with heart use anything,they need,to paint the
world.......................................................................
..ps..our
brains are computers
vim@innertemple studios

--------------------------------
End of Loopers-Delight-d Digest V99 Issue #93
*********************************************


--simple boundary--

From Loopers-Delight-request@annihilist.com  Wed Mar 10 04:47:42 1999
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Date: Wed, 10 Mar 1999 01:51:37 -0600
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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
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The EDP does forward or reverse only.

At 12:37 AM 3/10/99 -0600, you wrote:
>Maybe some of you EDP'ers can answer this for me:  Can the echoplex do
>backward/forwards looping, or is it forward only?  That would seem to be a
>fairly trivial thing to implement (at least in software, don't know if the
>hardware would support it.) and I would probably sell my first child to get
>one if it did. ;)  What I am looking for specifically, is something w/ the
>memory/power of an EDP that does bi-directional looping (forward, backward
>& forward/backward).
>
>Thanks,
>
>
>Lorren Stafford
>Richard For Cerebellum/A Most Happy Sound
>http://www.winternet.com/~r4c
>
>"We ask ourselves whether truly this is the beginning 
>of a new world or whether perhaps the world...is about
>to perish.  There are people who earnestly and seriously
>fear this, where music becomes the slave of the machine..."
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

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Sorry if I was misleading there - no the mpc2k is not much of a
real-time machine. It's not a looper, but rather a glorified sampling
drum machine. But a good one.

I've prepare multi-tracked sequences ahead of time and play live to
these or process them. There is a tap tempo button which I understand
can also be accessed by footswitch (see Simon's post earlier on this
thread). I've also used the mpc2k in live contexts with other musicians
sorta like a dj - matching tempos etc. This takes a little practice but
it work quite well.

I was often frustrated looping live percussion via microphones into the
Jamman - either the loop would feedback or I would get too much stage
sound in the loop. I suppose these "mistakes" can be interesting things,
too - maybe I'll be able to integrate that later.

-the man cable-


Jonathan El-Bizri schrieb:
> 
> Please tell me more! Can you sample and loop back live? Does it have
> adequate midi implementation (could I use a midi pedal to sample/tap
> tempo/etc, like a super fat echoplex?) I still haven't got my replacement
> looping device after selling my Jam-man (something I regret, though I got a
> good price for it) and a sampler that can sample and playback in real time
> would be very exciting.
> 
> bIz
> 
> >
> > The mpc2k has now supplanted the Jamman as the most important
> > part of my
> > live setup. The mpc2k is more or less well-designed and is
> > really steady
> > time-wise. As a drummer/percussionist I find that I'm getting more
> > effective results with the mpc2k than with the old Jamman. It has this
> > really great feature which allows you to mute up to 64 (!) tracks
> > on/off. Maybe I'll get around to combining them someday -
> > look at all my
> > machines mom!
> >
> > -the man cable-
> >
> > > MARK FRANO schrieb:
> > >
> > > Loopdy loops, One of the more interesting and extremely
> > hifi machines
> > > available for looping is the Akai mpc2000. Certainly more
> > designed for
> > > dj's, it is not as conducive to ambient looping but with 32 megs of
> > > RAM she's long on memory and is designed to loop samples. I think it
> > > would be an excellent studio tool weather your looping
> > beats or other
> > > noise. Alas, no footswitch makes it difficult to wield an intrument
> > > and interface easily with the MPC2000.Still an interesting
> > candidate.
> > > Hi Fi Bugs.
> >
> >
> >
> >
> >




From Loopers-Delight-request@annihilist.com  Wed Mar 10 08:24:29 1999
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Date: Wed, 10 Mar 1999 07:20:27 -0800
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: RE: Are computers "real life?"
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Sure, "real artists with heart use anything, they need, to paint the
world", but I don't see it as out of place for those "real artists" to
share tips and tricks with each other, especially when it can save one (or
many) of the "real artists" the time, money and frustration that goes with
committing themselves to the purchase of a system which may not be suited
to their particular needs.

One of the biggest advantages of a list like this one is that it's a forum
where we can help each other out. This thread started with a legitimate
question and has (mostly) consisted of useful, well-intentioned posts from
people who were trying to benefit the looping community by sharing their
experiences with the gear and approaches they use to "paint the world."
Sometimes this takes the form of a pro-con discussion. If you see this as
ignorant, or if you construe list members' equipment/technique-related
posts as a "shit fit", well sorry. But do we need a "really cool comment"
saying "duh" when informing us ignoramuses what "real artists" should
do/say/think? C'mon, this is nothing to have a flame war over!

Tim


>At 11:23 PM 3/9/99 -0800, you wrote:
>>Really cool comment.  Vimana, you're totally right.
>>
>>-----Original Message-----
>>From: vimana [mailto:vimana@webtv.net]
>>Sent: Tuesday 09 March 1999 10:34 AM
>>To: Loopers-Delight@annihilist.com
>>Subject: Re: Are computers "real life?"
>>
>>
>>just cuz 1 person asked "why" people use dedicated loopers everybody has
>>a shit fit,big hairy deal. how ignorant is this
>>question........................computers vs. rack
>>loopers???????duh.......................................................real
>>artists with heart use anything,they need,to paint the
>>world.......................................................................
>>..ps..our
>>brains are computers
>>vim@innertemple studios
>>
>>
>>

From Loopers-Delight-request@annihilist.com  Wed Mar 10 09:41:45 1999
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In a message dated 3/10/99 2:10:16 AM Central Standard Time,
kflint@annihilist.com writes:

<< To help people out, could some of you who have bought memory successfully
 in recent months suggest quality vendors? >>

There is a national chain called Computer Renaissance that sells new and used
computers and components, and I have picked up memory for my computer  and
memory for my sampler, all at very good prices, and have had no problems with
either. 

I was also warned while buying that the Asian recession has put a lot of
smaller chip makers out of business, so the price of RAM may start creeping
back up as the companies that are still afloat realize it's a smaller playing
field with less competition. So you might want to grab some (good) chips
sooner rather than later. 

- Crossedout@aol.com

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Hi Tim,

Thanx for yr inquiry regarding video looping (Loopers-Delight-d Digest Volume
99 : Issue 91). Before I joined the Loopers Delight web group, I consulted
with Kim & Chris about the appropriateness of discussing video in a
predominantly audio environment. For me, the word "loop" immediately conjures
visions of looping video systems!!! Looping is looping whatever the medium! 

I am very spontaneous and have employed a large variety of concepts and
techniques working with video and audio looping systems. I have not done any
video looping pieces since 1983 because I no longer have access to any reel-
to-reel video equipment. Being that I thoroughly explored the medium back when
it was current technology, I've been happy to move along and continue to
create with whatever is the latest technology has to offer! I have continued
to explore video feedback, but have not explored any digital means for video
looping.

I have used all types of video, including looping pieces, during live
performances. Often I use prerecorded video during live music performances,
but have done many live video/audio looping performances & installations. 

The video loops, on occasion, have used prerecorded (& found footage) tapes,
but are usually done with live cameras. The source of change comes from video
feedback, when the camera is zoomed within the frame of the video monitor
screen; and from performance, when the camera is zoomed beyond the frame of
the video monitor screen. (refer to my Loopers Delight Profile for an
explanation of the basic video system I used)

There is always overlap between siys & pupaum (siys=visual/pupaum=audio),
because much of my art is multimedia.


Glad to hear u enjoyed the art on my website!

Stevo

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From: "Mike McGary" <mcgary@metronet.com>
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Subject: RE: EchoPlex 
Date: Wed, 10 Mar 1999 09:15:28 -0600
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> What I am looking for specifically, is something w/ the
> memory/power of an EDP that does bi-directional looping (forward, backward
> & forward/backward).

The Echoplex has a function that can cause the current loop to
reverse.  This function can be mapped to the 'insert' button
on the footpedal if you are someone who uses it alot.

I keep mine mapped to the insert button.  With multiple loops
activated, you can lay down a 'base' pattern, jump to the next
loop (copying that pattern as you move), reverse it, overdub a
pattern on top.....jump to the next pattern (w/ copy), reverse it...
the 'base' pattern is now back with the second pattern reversed.
You can reverse the entire loop at any time...as many times as
you like.  But you cannot have it move forward through the loop and
then backward through it, ad infinitem.
Fun stuff....

             -Mike McGary


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From: "Mike McGary" <mcgary@metronet.com>
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Subject: loop subtraction
Date: Wed, 10 Mar 1999 09:20:23 -0600
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Just a thought....

Long ago I worked with an FFT that would show you a
graphical depiction of the current sound source (SoundForge
has this in their 4.5 version).  One of the features of the
hardware FFT was the ability to 'subtract' sounds.  If you
had a sound that had an overpowering 600hz section, you could
put it in subtract mode...play a 600hz sound....and the 
resulting sound was the original minus the 600hz sound
(kind of a follow-me EQ...)

Wouldn't it be slick to have a looping device that allowed
this?  You start a base pattern....play some parts on top of it
and build it's thickness....and then 'subtract' out the base pattern
by playing it again.  

(excuse my ignorance if there is already a device like this and everybody
already knows about it....slap me if my echoplex already does it)

            -Mike McGary

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From: Stevaum@aol.com
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Regarding David Myers' inquiry about "realtime video output from audio
sources" (Loopers-Delight-d Digest Volume 99 : Issue 91/Subject: Re: Any Video
Loopers?), I thought you might be interested to hear about a couple of vintage
projects I did in the early 80's.

In early '81, I was living in Norman, Oklahoma collaborating with an ever
changing & expanding group of artists/musicians. We would change our name &
members for every improvisational music project we created. In late March I
was awarded a full scholarship to get a Masters degree at The Art Institute of
Chicago, & in April we began a month long marathon of projects before I moved.

One of these projects was "Monitor Control/Control Monitor". It consisted of
three musicians spontaneously performing while I video taped the performance.
I had developed this technique of spontaneously zooming & panning a video
camera based on what was happening musically. The musicians would be conducted
by the movement of the video camera displayed on a monitor before them, & I
would be influenced how to shoot the video based on the music performance. The
audio was recorded using a tape loop system. The end results were both
interesting & rewarding! We successfully created a "performance/documentation
loop"!!!

Another project, done with two other artists at the Art Institute of Chicago
in 1982, was "Night Emerges Day" (it was thusly titled, as we had spent all
night setting up the equipment, & finally were recording the piece as the sun
was rising!). A real-time video art piece consisting of an audio & video loop,
using a custom modular EMU synthesizer & the Sandin Image Processor (IP),
mixed with Zgrass computer animation (Zgrass was the first computer hardware &
software designed specifically for art & animation). The EMU was sending
control voltage to the IP, affecting the oscillation of image & color, while
the IP was sending control voltage to the EMU, affecting the frequency of
pitch & filter. Again, the results were extremely interesting & rewarding! We
had successfully created a "live interactive technology loop"!!!

For me, "looping" exists in many forms!

Stevo Wolfson
sTeVo iN yR sTuDiO
Pupaum
http://www.angelfire.com/il/StevoInYrStudio/index.html
stevaum@aol.com

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Too bad :< I was hoping it would have one of those 'realtime sample'
functions that djs use.

bIz

>
> Sorry if I was misleading there - no the mpc2k is not much of a
> real-time machine. It's not a looper, but rather a glorified sampling
> drum machine. But a good one.
>

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Mike McGary wrote:
> 
> Wouldn't it be slick to have a looping device that allowed
> this?  You start a base pattern....play some parts on top of it
> and build it's thickness....and then 'subtract' out the base pattern
> by playing it again.

Interesting idea.  This is why I have two EDPs.  I use the midiclock to 
synchronize them.  I lay down the "base pattern" in one and the "frills" 
in the other.  Then I mute/stop/turn-down the "master" EDP.

To me, what you're describing is a sort of "multi-track" looper.  I 
know, for example, I could never duplicate a part accurately enough to 
"subtract" it out.  Of course, any artifacts from the process might be 
interesting of themselves.

- Dennis Leas
-- 
dennis@mdbs.com

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At 11:33 PM 3/9/99 -0800, you wrote:

>So be warned - there is a remarkable amount of bad memory out on the market
>right now. 

um, i was going to mention this but i kept...

what was i talking about?

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

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Organization:  KNME-TV, University of New Mexico
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Date: Mon, 08 Mar 1999 14:42:11 -0600
From: "Michael S. Yoder" <myoder@tamiu.edu>
To: Loopers-Delight@annihilist.com
Subject: Are computers "real life?"
Message-Id: <3.0.1.32.19990308144211.008303d0@tamiu.edu>
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On Sunday March 7, Javier Miranda V. wrote the following in response to a
message by Bob H.:

>I highly object to your judgement about computers not being part of real
>life.  Just because they didn't exist when you were a kid doesn't make them
>less real.  When your great-grandfather was a kid there were no cars!  That
>doesn't mean that they are not as real to you as the horse-and-buggy.
>	Don't inflict on others the concept that "life" is only what "you" think it
>is, dude.  


(Bob H. reply to Javier Miranda V.)

Are you some kind of IDEOT or what??? You go right ahead and 
"Highly Object" to what I said. Fact is, that little tight-holed 
anus-sphincker boys such as yourself have such a little mind, that 
you had to take offense at a statement that I made. I wasn't even 
talking to you, anyway! Get up out'cha chair and away from your 
friggen puter and just take it like a man...quit cher whinin and bellly-achin! 
Now- I'm not that old, punk! As you can see, I use a computer everyday, so 
I have PLENTY of room to speak about the subject. Not only that, but, Dude, 
you know absolutely NOTHING about me. So don't go making accusations that I'm 
some kind of "old Fart" (or whatever). Fact is, that computers WERE 
around when I was young...they still are! So- just what do YOU know 
about computers anyway, exept what resides in front of you with a 
mouse and keyboard and all the latest software upgrades that the 
techno-computer media throws at'cha from dat to day? You tell me in 
detail about how computers got where they are today...I'm sure you 
don't know! 

Myself- I just don't look at computer technology as some relegious shrine- 
that to disagree with it is somehow "sacreligious". Lately, I've had way too 
much digital crap crammed down my throat and I sure as hell don't 
need some computer techno-dweeb punk like Javier Miranda try'n ta put me 
down! 

Javier, next time ya have a gripe, ya better state in a more dignified way...know 
what the HELL your talk'n about B4 you state your opinion!

For those of you who have read this, please understand- I don't have 
a problem with computer technology...it's the attitude towards it, as 
you have just seen with Javier Miranda. 

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From: "BOB HENRY" <BOBH@knme1.unm.edu>
Organization:  KNME-TV, University of New Mexico
To: Loopers-Delight@annihilist.com
Date:          Wed, 10 Mar 1999 11:18:54 GMT+7
Subject:       Video Looping
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Hi Steve-

R U interested in video looping with tape or computer-based? Video 
tape delays had been utilized some years ago by using 2 open reel 
machines and cross-taping from the record machine to the other. I 
understand that this was rather avengard or rarely used, since it was 
so involved.

To make an actual tape loop, would be quite impratical, since the splice 
would have to be flawless so as not to cause a video glitch in the 
picture. A control track would have to be recorded first, then 
possibly, the video could just be recorded in an "insert" mode 
fashion. This method might just work, though it's not been tried, as 
far as I know. 

Anyway, wish you all the best with your experiment.

Cheers,

Bob H.


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Date: Wed, 10 Mar 1999 19:11:48 +0000
From: Gareth Whittock <whiteoak@dial.pipex.com>
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> What is your soundcard with "loads of separate stereo delay lines" and 8 ins
> and outs?

You can use several cards to produce more than plain stereo ins and outs
or one of the many multiple cards on the market. 
The delay lines, loopers, filters are just free VST plugins that you get
off the net. 
The thing that hangs it all together is Audiomulch software - the new
version of which, (.8b1) allows me to bring delays in and out control
filters. mixing etc etc from my midi pedals and switches. For instance I
had 4 stereo loopers operated from midi switches with the speed
controlled by a midi pedal and direction from another pedal. It was
absolute bedlam of course but plenty of loopers seem to thrive on chaos.
Audiomulch is still at its beta stage but imo it's a phenomenal piece of
software. I can't put it down. It's this particular loopers delight :)

Gareth

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From: ENAT21213@aol.com
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Date: Wed, 10 Mar 1999 14:59:13 EST
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question 1.......one more time...........anyone out there have alto music's
phone # handy? Seriously thinking about purchasing an echoplex.

question 2.......the $560.00 price tag if of course that's what alto is still
selling them for.......does that include the footpedal?

question 3.......if the footpedal is not included how much is alto selling
them for?

take care everyone,
brian
electric bird noise
sound samples etc. at:
http://members.aol.com/ebnoise/index.html
 

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From: "Mike McGary" <mcgary@metronet.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: loop subtraction
Date: Wed, 10 Mar 1999 13:25:23 -0600
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> To me, what you're describing is a sort of "multi-track" looper.  I 
> know, for example, I could never duplicate a part accurately enough to 
> "subtract" it out.  Of course, any artifacts from the process might be 
> interesting of themselves.

Actually, the artifacts are the key to the process.  It's not a
'pure' subraction (not removing the exact sounds that were
part of the base) but a different way of building new layers.
For instance...you might play a gritty major chord into a loop....
By playing the major third in 'subtraction' mode the third is slowly
backed out of the mix (roughly)...and then playing
a minor third...the loop just changed feel.  This could be a slow
organic process...not like switching tracks on and off.

        -Mike McGary

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Date: Wed, 10 Mar 1999 11:51:11 -0800
To: Loopers-Delight@annihilist.com, "BOB HENRY" <BOBH@knme1.unm.edu>
From: Kim Flint <kflint@atitech.com>
Subject: Re: Loopers-Delight-d Digest V99 #92
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At 10:59 AM 3/10/99 GMT+7, BOB HENRY wrote:
>(Bob H. reply to Javier Miranda V.)
>
>Are you some kind of IDEOT or what??? You go right ahead and 
>"Highly Object" to what I said. Fact is, that little tight-holed 
>anus-sphincker boys such as yourself have such a little mind, that 
>you had to take offense at a statement that I made. 

please calm down. we don't act this way here. That's what usenet is for. :-)

It's a very easy thing to hold rational, intelligent debates without making
needless personal attacks. Please keep that in mind when posting here.

kim
_________________________________________________________
Kim Flint, MTS                     kflint@atitech.com
ATI Research                       408-752-9284

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From: Chris Chovit <cho@newdream.net>
Subject: Re: loop subtraction
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Interesting....It seems like you would have to do a FFT to do this, which
would probably best be done in the digital domain, and require some serious
processing power to perform it in real time...

Perhaps there would be a way to just make the "subtrating signal" out of
phase with the main signal, and this might create a similar effect, as the
signals would cancel each other.  I can imagine the usefulness of
this....loops can get pretty busy, and you could "thin it out" using this
method.

Maybe it could be done within an echoplex:  have an insert mode =
"subtract", in addition to the reverse and other insert modes.   Kim, any
new versions of the software in the planning stages?

- Chris



>Just a thought....
>
>Long ago I worked with an FFT that would show you a
>graphical depiction of the current sound source (SoundForge
>has this in their 4.5 version).  One of the features of the
>hardware FFT was the ability to 'subtract' sounds.  If you
>had a sound that had an overpowering 600hz section, you could
>put it in subtract mode...play a 600hz sound....and the
>resulting sound was the original minus the 600hz sound
>(kind of a follow-me EQ...)
>
>Wouldn't it be slick to have a looping device that allowed
>this?  You start a base pattern....play some parts on top of it
>and build it's thickness....and then 'subtract' out the base pattern
>by playing it again.
>
>(excuse my ignorance if there is already a device like this and everybody
>already knows about it....slap me if my echoplex already does it)
>
>            -Mike McGary


-----------------------------
Chris Chovit
cho@newdream.net


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Subject: Re: loop subtraction
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>Mike McGary wrote:
>>
>> Wouldn't it be slick to have a looping device that allowed
>> this?  You start a base pattern....play some parts on top of it
>> and build it's thickness....and then 'subtract' out the base pattern
>> by playing it again.
>

If you had an exact duplicate of your original base pattern, inverted it's
amplitude, and mixed it at 50% with the loop, while playing it back
precisely in time/phase with the base pattern, that would do the trick.
Kinda hard to do though=8A

This brings up the interesting question of how to "bring the loop back
down", it's easy to quickly build a formidable wall of sound, but much
harder to elegantly thin it out=8A

DSP filters and processes in the feedback loop would do this, as well as
multi-track loopers. Any other suggestions for ways to do this?

Mark


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any one tried to sync up two jammen?
will they sync up?
will the slave unit respond to the master unit's commands
(tap,layer,mute,etc.,etc)?

take care,
brian
electric bird noise
sound samples etc. at:
http://members.aol.com/ebnoise/index.html

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Hey Rob
Got the CD you sent - Great package!  Thanks alot.  Been too busy on other
things to do much recording in a awhile, so it was interesting to hear our
versions, a real blast from the past.  Good luck and keep in touch,
hopefully we can work together again one day...

Ed Chang


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In a message dated 3/10/99 8:40:12 AM, Crossedout@aol.com writes:

><< To help people out, could some of you who have bought memory successfully
in recent months suggest quality vendors? >>

I have had great success (at great prices) using The Chip Merchant:  (800)
808-CHIP in San Diego. Just mention that you want to add memory to an old Mac
II, I have heard that some chip sellers charge a premium if they think/know
that the chips are to be used in a music device.....


Marshall



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>> What is your soundcard with "loads of separate stereo delay lines" and 8
ins
>> and outs?
>You can use several cards to produce more than plain stereo ins and outs
>or one of the many multiple cards on the market.


We've not really discussed multiple cards on this list, as I recall - more
like individual focuses like the Layla card (one remembered).

After a lengthy search for a card that would meet my needs for recording
without carrying the standard overinflated Music Industry price, I found
that the best sound quality, as well as the best-behaved install, was that
of the Diamond Monster MX300 board.  I'll be posting my first result of the
work done on it in the past several weeks (between consulting).

The worst, by the way, was the SoundBlaster Live! (not the Value).  Three
returns of the card into it, I gave up on their QA, and, unless one really
HAS digital recording equipment outside the PC, the extra hardware is
somewhat non-used; worst of all, the uninstall didn't remove most of the
effluvium in the registry, Autoexec, drivers, dlls, you name it.
Unfortunate, but true.

Anyway!

>The thing that hangs it all together is Audiomulch software - the new
>version of which, (.8b1) allows me to bring delays in and out control
>filters. mixing etc etc from my midi pedals and switches.

Which platform is Audiomulch on, again?  I forget.

Stephen Goodman * It's the Loop of the Week!
EarthLight Productions * http://www.earthlight.net

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>>Are you some kind of IDEOT or what??? You go right ahead and 
>>"Highly Object" to what I said. Fact is, that little tight-holed 
>>anus-sphincker boys such as yourself have such a little mind, that 
>>you had to take offense at a statement that I made. 
>
>please calm down. we don't act this way here. That's what usenet is for. :-)
>
>It's a very easy thing to hold rational, intelligent debates without making
>needless personal attacks. Please keep that in mind when posting here.

or subscribe to the jungle producer mailing list.... ;)
sorry... just a joke....

ciao
leo

>
>kim
>_________________________________________________________
>Kim Flint, MTS                     kflint@atitech.com
>ATI Research                       408-752-9284
>
>
>

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From: "Wordsman, Lee" <LWordsman@PIRNIE.COM>
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> >Mike McGary wrote:
> 
> This brings up the interesting question of how to "bring the loop back
> down", it's easy to quickly build a formidable wall of sound, but much
> harder to elegantly thin it outS

I hate to bring up the F word but on "Let the Power Fall" (Fail, I never
remember), Fripp seems to do just what you describe.  Build a tritonal wall
of sound and then slowly return to the original layer.  Before I became
exposed to this list and the tools of the trade, I had no idea how the hell
he could do that.  Now, I assume that with the Undo feature of the EDP you
could do that very easily.  Not sure how Fripp did it back then though.  

On another topic, I just picked up the new Jeff Beck CD "Who Else" and
although I'm not sure it's true looping (whatever that is) but there are a
few tracks that sound like looping to me.  Mulitple repititive guitar and
keyboard tracks overlaid with soloing and general mayhem.  I've not been a
big fan of Beck's more recent material but read the GP review and decided to
give this a try.  It's pretty interesting,  a lot of funk along with some
quiter tracks where Beck's playing really shines.  

Also just got Buckethead's Colma CD.  That is beautiful.  Makes me realize
how poorly I implement delay in my playing.   

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Javier Miranda vs Bob H. 
Pay per view event? I think not.
Come on guys. You both inspired a lot of thinking and discussion, but
show some class........or I'll lay the smackdown on both your candy
asses. (Justfunnin).....be cool jp

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From: Jim Bailey <jbailey@corporate.southam.ca>
To: "'looppost'" <loopers-delight@annihilist.com>
Subject: RE: Any Video Loopers?
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>I introduced myself a few weeks ago as a new member to Loopers Delight, =
and
>inquired if anyone had done any looping with reel-to-reel video. I =
received no
>replies, so I thought I would ask once more! ANYONE WORKED WITH VIDEO =
LOOPS?
>I have done extensive work in both video and audio using various =
looping
>techniques, and welcome all inquiries and exchanges of experiences.

Actually, I meant to reply to this one, but lost track of the posting. I =
have wondered about this for probably twenty years or more, but haven't =
had access to the necessary equipment to try it out. Back then I was =
really into audio tape delays, and the first time I saw an open-reel =
video recorder the possibility of using that format intrigued me. I've =
always wondered how a video signal, fed back onto itself electronically =
(not the old camera-pointed-at-the-monitor trick), would look - if =
indeed it looked like anything, and didn't suffer some horrible fate due =
to the nature of video signals.

Have you had any success? If so, what were the results? Is anything =
available? I'd love to know after all this time, and if I missed the =
opportunity of being a pioneer :-).

Jim Bailey




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cage was an expert on mushrooms. pj

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------------------------------

Content-Type: text/plain

Loopers-Delight-d Digest				Volume 99 : Issue 96

Today's Topics:
  Re: EchoPlex                          [ Chuck Zwicky <chuck.zwicky@wavefron ]
  Re: Akai MPC 2000                     [ Cummings <r_t_cummings@csi.com> ]
  RE: Are computers "real life?"        [ Tim Nelson <tcn62@ici.net> ]
  Re: Bad memory warning                [ Crossedout@aol.com ]
  Loops & such...                       [ Stevaum@aol.com ]
  RE: EchoPlex                          [ "Mike McGary" <mcgary@metronet.com> ]
  loop subtraction                      [ "Mike McGary" <mcgary@metronet.com> ]
  video loop effecting audio loop affe  [ Stevaum@aol.com ]
  RE: Akai MPC 2000                     [ "Jonathan El-Bizri" <jonathan@full- ]
  Re: loop subtraction                  [ "Dennis W. Leas" <dennis@mdbs.com> ]
  Re: Bad memory warning                [ murkie <murkie@panther.middlebury.e ]
  Re: Loopers-Delight-d Digest V99 #92  [ "BOB HENRY" <BOBH@knme1.unm.edu> ]
  Video Looping                         [ "BOB HENRY" <BOBH@knme1.unm.edu> ]
  Re: LOADS OF DELAY LINES              [ Gareth Whittock <whiteoak@dial.pipe ]
  questions                             [ ENAT21213@aol.com ]
  RE: loop subtraction                  [ "Mike McGary" <mcgary@metronet.com> ]
  Re: Loopers-Delight-d Digest V99 #92  [ Kim Flint <kflint@atitech.com> ]
  Re: loop subtraction                  [ Chris Chovit <cho@newdream.net> ]
  Re: loop subtraction                  [ landman@wco.com (Mark Landman) ]
  jamman in stereo?                     [ ENAT21213@aol.com ]
  Re: Great music from Crevice          [ Edward_Chang@amsinc.com ]

Administrivia:
Looper's Delight
****************

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------------------------------

Date: Wed, 10 Mar 1999 01:51:37 -0600
From: Chuck Zwicky <chuck.zwicky@wavefront.com>
To: Loopers-Delight@annihilist.com
Subject: Re: EchoPlex 
Message-Id: <3.0.6.32.19990310015137.007ac100@POP.VISI.com>
Content-Type: text/plain; charset="us-ascii"

The EDP does forward or reverse only.

At 12:37 AM 3/10/99 -0600, you wrote:
>Maybe some of you EDP'ers can answer this for me:  Can the echoplex do
>backward/forwards looping, or is it forward only?  That would seem to be a
>fairly trivial thing to implement (at least in software, don't know if the
>hardware would support it.) and I would probably sell my first child to get
>one if it did. ;)  What I am looking for specifically, is something w/ the
>memory/power of an EDP that does bi-directional looping (forward, backward
>& forward/backward).
>
>Thanks,
>
>
>Lorren Stafford
>Richard For Cerebellum/A Most Happy Sound
>http://www.winternet.com/~r4c
>
>"We ask ourselves whether truly this is the beginning 
>of a new world or whether perhaps the world...is about
>to perish.  There are people who earnestly and seriously
>fear this, where music becomes the slave of the machine..."
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

------------------------------

Date: Wed, 10 Mar 1999 12:11:09 +0100
From: Cummings <r_t_cummings@csi.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Akai MPC 2000
Message-ID: <36E6534D.FB42E3C4@csi.com>
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Sorry if I was misleading there - no the mpc2k is not much of a
real-time machine. It's not a looper, but rather a glorified sampling
drum machine. But a good one.

I've prepare multi-tracked sequences ahead of time and play live to
these or process them. There is a tap tempo button which I understand
can also be accessed by footswitch (see Simon's post earlier on this
thread). I've also used the mpc2k in live contexts with other musicians
sorta like a dj - matching tempos etc. This takes a little practice but
it work quite well.

I was often frustrated looping live percussion via microphones into the
Jamman - either the loop would feedback or I would get too much stage
sound in the loop. I suppose these "mistakes" can be interesting things,
too - maybe I'll be able to integrate that later.

-the man cable-


Jonathan El-Bizri schrieb:
> 
> Please tell me more! Can you sample and loop back live? Does it have
> adequate midi implementation (could I use a midi pedal to sample/tap
> tempo/etc, like a super fat echoplex?) I still haven't got my replacement
> looping device after selling my Jam-man (something I regret, though I got a
> good price for it) and a sampler that can sample and playback in real time
> would be very exciting.
> 
> bIz
> 
> >
> > The mpc2k has now supplanted the Jamman as the most important
> > part of my
> > live setup. The mpc2k is more or less well-designed and is
> > really steady
> > time-wise. As a drummer/percussionist I find that I'm getting more
> > effective results with the mpc2k than with the old Jamman. It has this
> > really great feature which allows you to mute up to 64 (!) tracks
> > on/off. Maybe I'll get around to combining them someday -
> > look at all my
> > machines mom!
> >
> > -the man cable-
> >
> > > MARK FRANO schrieb:
> > >
> > > Loopdy loops, One of the more interesting and extremely
> > hifi machines
> > > available for looping is the Akai mpc2000. Certainly more
> > designed for
> > > dj's, it is not as conducive to ambient looping but with 32 megs of
> > > RAM she's long on memory and is designed to loop samples. I think it
> > > would be an excellent studio tool weather your looping
> > beats or other
> > > noise. Alas, no footswitch makes it difficult to wield an intrument
> > > and interface easily with the MPC2000.Still an interesting
> > candidate.
> > > Hi Fi Bugs.
> >
> >
> >
> >
> >

------------------------------

Date: Wed, 10 Mar 1999 07:20:27 -0800
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@annihilist.com
Subject: RE: Are computers "real life?"
Message-Id: <3.0.5.32.19990310072027.007a5100@pop.ici.net>
Content-Type: text/plain; charset="us-ascii"

Sure, "real artists with heart use anything, they need, to paint the
world", but I don't see it as out of place for those "real artists" to
share tips and tricks with each other, especially when it can save one (or
many) of the "real artists" the time, money and frustration that goes with
committing themselves to the purchase of a system which may not be suited
to their particular needs.

One of the biggest advantages of a list like this one is that it's a forum
where we can help each other out. This thread started with a legitimate
question and has (mostly) consisted of useful, well-intentioned posts from
people who were trying to benefit the looping community by sharing their
experiences with the gear and approaches they use to "paint the world."
Sometimes this takes the form of a pro-con discussion. If you see this as
ignorant, or if you construe list members' equipment/technique-related
posts as a "shit fit", well sorry. But do we need a "really cool comment"
saying "duh" when informing us ignoramuses what "real artists" should
do/say/think? C'mon, this is nothing to have a flame war over!

Tim


>At 11:23 PM 3/9/99 -0800, you wrote:
>>Really cool comment.  Vimana, you're totally right.
>>
>>-----Original Message-----
>>From: vimana [mailto:vimana@webtv.net]
>>Sent: Tuesday 09 March 1999 10:34 AM
>>To: Loopers-Delight@annihilist.com
>>Subject: Re: Are computers "real life?"
>>
>>
>>just cuz 1 person asked "why" people use dedicated loopers everybody has
>>a shit fit,big hairy deal. how ignorant is this
>>question........................computers vs. rack
>>loopers???????duh.......................................................real
>>artists with heart use anything,they need,to paint the
>>world.......................................................................
>>..ps..our
>>brains are computers
>>vim@innertemple studios
>>
>>
>>

------------------------------

Date: Wed, 10 Mar 1999 08:37:46 EST
From: Crossedout@aol.com
To: Loopers-Delight@annihilist.com
Subject: Re: Bad memory warning
Message-ID: <4d1dbd59.36e675aa@aol.com>
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7bit

In a message dated 3/10/99 2:10:16 AM Central Standard Time,
kflint@annihilist.com writes:

<< To help people out, could some of you who have bought memory successfully
 in recent months suggest quality vendors? >>

There is a national chain called Computer Renaissance that sells new and used
computers and components, and I have picked up memory for my computer  and
memory for my sampler, all at very good prices, and have had no problems with
either. 

I was also warned while buying that the Asian recession has put a lot of
smaller chip makers out of business, so the price of RAM may start creeping
back up as the companies that are still afloat realize it's a smaller playing
field with less competition. So you might want to grab some (good) chips
sooner rather than later. 

- Crossedout@aol.com

------------------------------

Date: Wed, 10 Mar 1999 09:13:13 EST
From: Stevaum@aol.com
To: tcn62@ici.net, Loopers-Delight@annihilist.com
Subject: Loops & such...
Message-ID: <38c81283.36e67df9@aol.com>
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7bit

Hi Tim,

Thanx for yr inquiry regarding video looping (Loopers-Delight-d Digest Volume
99 : Issue 91). Before I joined the Loopers Delight web group, I consulted
with Kim & Chris about the appropriateness of discussing video in a
predominantly audio environment. For me, the word "loop" immediately conjures
visions of looping video systems!!! Looping is looping whatever the medium! 

I am very spontaneous and have employed a large variety of concepts and
techniques working with video and audio looping systems. I have not done any
video looping pieces since 1983 because I no longer have access to any reel-
to-reel video equipment. Being that I thoroughly explored the medium back when
it was current technology, I've been happy to move along and continue to
create with whatever is the latest technology has to offer! I have continued
to explore video feedback, but have not explored any digital means for video
looping.

I have used all types of video, including looping pieces, during live
performances. Often I use prerecorded video during live music performances,
but have done many live video/audio looping performances & installations. 

The video loops, on occasion, have used prerecorded (& found footage) tapes,
but are usually done with live cameras. The source of change comes from video
feedback, when the camera is zoomed within the frame of the video monitor
screen; and from performance, when the camera is zoomed beyond the frame of
the video monitor screen. (refer to my Loopers Delight Profile for an
explanation of the basic video system I used)

There is always overlap between siys & pupaum (siys=visual/pupaum=audio),
because much of my art is multimedia.


Glad to hear u enjoyed the art on my website!

Stevo

------------------------------

Date: Wed, 10 Mar 1999 09:15:28 -0600
From: "Mike McGary" <mcgary@metronet.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: EchoPlex 
Message-ID: <000601be6b08$d4b69b00$526ad0d0@Ugh>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

> What I am looking for specifically, is something w/ the
> memory/power of an EDP that does bi-directional looping (forward, backward
> & forward/backward).

The Echoplex has a function that can cause the current loop to
reverse.  This function can be mapped to the 'insert' button
on the footpedal if you are someone who uses it alot.

I keep mine mapped to the insert button.  With multiple loops
activated, you can lay down a 'base' pattern, jump to the next
loop (copying that pattern as you move), reverse it, overdub a
pattern on top.....jump to the next pattern (w/ copy), reverse it...
the 'base' pattern is now back with the second pattern reversed.
You can reverse the entire loop at any time...as many times as
you like.  But you cannot have it move forward through the loop and
then backward through it, ad infinitem.
Fun stuff....

             -Mike McGary

------------------------------

Date: Wed, 10 Mar 1999 09:20:23 -0600
From: "Mike McGary" <mcgary@metronet.com>
To: <Loopers-Delight@annihilist.com>
Subject: loop subtraction
Message-ID: <000701be6b09$84c78ae0$526ad0d0@Ugh>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

Just a thought....

Long ago I worked with an FFT that would show you a
graphical depiction of the current sound source (SoundForge
has this in their 4.5 version).  One of the features of the
hardware FFT was the ability to 'subtract' sounds.  If you
had a sound that had an overpowering 600hz section, you could
put it in subtract mode...play a 600hz sound....and the 
resulting sound was the original minus the 600hz sound
(kind of a follow-me EQ...)

Wouldn't it be slick to have a looping device that allowed
this?  You start a base pattern....play some parts on top of it
and build it's thickness....and then 'subtract' out the base pattern
by playing it again.  

(excuse my ignorance if there is already a device like this and everybody
already knows about it....slap me if my echoplex already does it)

            -Mike McGary

------------------------------

Date: Wed, 10 Mar 1999 10:55:04 EST
From: Stevaum@aol.com
To: dmgraph@pulsewidth.com, Loopers-Delight@annihilist.com
Subject: video loop effecting audio loop affecting video loop affecting audio loop...
Message-ID: <8b1f0bb3.36e695d8@aol.com>
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7bit

Regarding David Myers' inquiry about "realtime video output from audio
sources" (Loopers-Delight-d Digest Volume 99 : Issue 91/Subject: Re: Any Video
Loopers?), I thought you might be interested to hear about a couple of vintage
projects I did in the early 80's.

In early '81, I was living in Norman, Oklahoma collaborating with an ever
changing & expanding group of artists/musicians. We would change our name &
members for every improvisational music project we created. In late March I
was awarded a full scholarship to get a Masters degree at The Art Institute of
Chicago, & in April we began a month long marathon of projects before I moved.

One of these projects was "Monitor Control/Control Monitor". It consisted of
three musicians spontaneously performing while I video taped the performance.
I had developed this technique of spontaneously zooming & panning a video
camera based on what was happening musically. The musicians would be conducted
by the movement of the video camera displayed on a monitor before them, & I
would be influenced how to shoot the video based on the music performance. The
audio was recorded using a tape loop system. The end results were both
interesting & rewarding! We successfully created a "performance/documentation
loop"!!!

Another project, done with two other artists at the Art Institute of Chicago
in 1982, was "Night Emerges Day" (it was thusly titled, as we had spent all
night setting up the equipment, & finally were recording the piece as the sun
was rising!). A real-time video art piece consisting of an audio & video loop,
using a custom modular EMU synthesizer & the Sandin Image Processor (IP),
mixed with Zgrass computer animation (Zgrass was the first computer hardware &
software designed specifically for art & animation). The EMU was sending
control voltage to the IP, affecting the oscillation of image & color, while
the IP was sending control voltage to the EMU, affecting the frequency of
pitch & filter. Again, the results were extremely interesting & rewarding! We
had successfully created a "live interactive technology loop"!!!

For me, "looping" exists in many forms!

Stevo Wolfson
sTeVo iN yR sTuDiO
Pupaum
http://www.angelfire.com/il/StevoInYrStudio/index.html
stevaum@aol.com

------------------------------

Date: Wed, 10 Mar 1999 09:09:43 -0800
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Akai MPC 2000
Message-ID: <001a01be6b18$cb1e99c0$26ee8fd1@jelbizri.linkexchange.com>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

Too bad :< I was hoping it would have one of those 'realtime sample'
functions that djs use.

bIz

>
> Sorry if I was misleading there - no the mpc2k is not much of a
> real-time machine. It's not a looper, but rather a glorified sampling
> drum machine. But a good one.
>

------------------------------

Date: Wed, 10 Mar 1999 12:03:52 -0500
From: "Dennis W. Leas" <dennis@mdbs.com>
To: Loopers-Delight@annihilist.com
Subject: Re: loop subtraction
Message-Id: <36E6A5F8.48D@mdbs.com>
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Mike McGary wrote:
> 
> Wouldn't it be slick to have a looping device that allowed
> this?  You start a base pattern....play some parts on top of it
> and build it's thickness....and then 'subtract' out the base pattern
> by playing it again.

Interesting idea.  This is why I have two EDPs.  I use the midiclock to 
synchronize them.  I lay down the "base pattern" in one and the "frills" 
in the other.  Then I mute/stop/turn-down the "master" EDP.

To me, what you're describing is a sort of "multi-track" looper.  I 
know, for example, I could never duplicate a part accurately enough to 
"subtract" it out.  Of course, any artifacts from the process might be 
interesting of themselves.

- Dennis Leas
-- 
dennis@mdbs.com

------------------------------

Date: Wed, 10 Mar 1999 12:43:06 -0500
From: murkie <murkie@panther.middlebury.edu>
To: Loopers-Delight@annihilist.com
Subject: Re: Bad memory warning
Message-Id: <3.0.5.32.19990310124306.007ab9e0@panther.middlebury.edu>
Content-Type: text/plain; charset="us-ascii"

At 11:33 PM 3/9/99 -0800, you wrote:

>So be warned - there is a remarkable amount of bad memory out on the market
>right now. 

um, i was going to mention this but i kept...

what was i talking about?

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

------------------------------

Date:          Wed, 10 Mar 1999 10:59:23 GMT+7
From: "BOB HENRY" <BOBH@knme1.unm.edu>
To: Loopers-Delight@annihilist.com
Subject:       Re: Loopers-Delight-d Digest V99 #92
Message-ID: <29882276ECE@knme1.unm.edu>

Date: Mon, 08 Mar 1999 14:42:11 -0600
From: "Michael S. Yoder" <myoder@tamiu.edu>
To: Loopers-Delight@annihilist.com
Subject: Are computers "real life?"
Message-Id: <3.0.1.32.19990308144211.008303d0@tamiu.edu>
Content-Type: text/plain; charset="us-ascii"

On Sunday March 7, Javier Miranda V. wrote the following in response to a
message by Bob H.:

>I highly object to your judgement about computers not being part of real
>life.  Just because they didn't exist when you were a kid doesn't make them
>less real.  When your great-grandfather was a kid there were no cars!  That
>doesn't mean that they are not as real to you as the horse-and-buggy.
>	Don't inflict on others the concept that "life" is only what "you" think it
>is, dude.  


(Bob H. reply to Javier Miranda V.)

Are you some kind of IDEOT or what??? You go right ahead and 
"Highly Object" to what I said. Fact is, that little tight-holed 
anus-sphincker boys such as yourself have such a little mind, that 
you had to take offense at a statement that I made. I wasn't even 
talking to you, anyway! Get up out'cha chair and away from your 
friggen puter and just take it like a man...quit cher whinin and bellly-achin! 
Now- I'm not that old, punk! As you can see, I use a computer everyday, so 
I have PLENTY of room to speak about the subject. Not only that, but, Dude, 
you know absolutely NOTHING about me. So don't go making accusations that I'm 
some kind of "old Fart" (or whatever). Fact is, that computers WERE 
around when I was young...they still are! So- just what do YOU know 
about computers anyway, exept what resides in front of you with a 
mouse and keyboard and all the latest software upgrades that the 
techno-computer media throws at'cha from dat to day? You tell me in 
detail about how computers got where they are today...I'm sure you 
don't know! 

Myself- I just don't look at computer technology as some relegious shrine- 
that to disagree with it is somehow "sacreligious". Lately, I've had way too 
much digital crap crammed down my throat and I sure as hell don't 
need some computer techno-dweeb punk like Javier Miranda try'n ta put me 
down! 

Javier, next time ya have a gripe, ya better state in a more dignified way...know 
what the HELL your talk'n about B4 you state your opinion!

For those of you who have read this, please understand- I don't have 
a problem with computer technology...it's the attitude towards it, as 
you have just seen with Javier Miranda. 

------------------------------

Date:          Wed, 10 Mar 1999 11:18:54 GMT+7
From: "BOB HENRY" <BOBH@knme1.unm.edu>
To: Loopers-Delight@annihilist.com
Subject:       Video Looping
Message-ID: <298D5225B4E@knme1.unm.edu>

Hi Steve-

R U interested in video looping with tape or computer-based? Video 
tape delays had been utilized some years ago by using 2 open reel 
machines and cross-taping from the record machine to the other. I 
understand that this was rather avengard or rarely used, since it was 
so involved.

To make an actual tape loop, would be quite impratical, since the splice 
would have to be flawless so as not to cause a video glitch in the 
picture. A control track would have to be recorded first, then 
possibly, the video could just be recorded in an "insert" mode 
fashion. This method might just work, though it's not been tried, as 
far as I know. 

Anyway, wish you all the best with your experiment.

Cheers,

Bob H.

------------------------------

Date: Wed, 10 Mar 1999 19:11:48 +0000
From: Gareth Whittock <whiteoak@dial.pipex.com>
To: Loopers-Delight@annihilist.com
Subject: Re: LOADS OF DELAY LINES
Message-ID: <36E6C3F4.1370A05A@dial.pipex.com>
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

> What is your soundcard with "loads of separate stereo delay lines" and 8 ins
> and outs?

You can use several cards to produce more than plain stereo ins and outs
or one of the many multiple cards on the market. 
The delay lines, loopers, filters are just free VST plugins that you get
off the net. 
The thing that hangs it all together is Audiomulch software - the new
version of which, (.8b1) allows me to bring delays in and out control
filters. mixing etc etc from my midi pedals and switches. For instance I
had 4 stereo loopers operated from midi switches with the speed
controlled by a midi pedal and direction from another pedal. It was
absolute bedlam of course but plenty of loopers seem to thrive on chaos.
Audiomulch is still at its beta stage but imo it's a phenomenal piece of
software. I can't put it down. It's this particular loopers delight :)

Gareth

------------------------------

Date: Wed, 10 Mar 1999 14:59:13 EST
From: ENAT21213@aol.com
To: Loopers-Delight@annihilist.com
Subject: questions
Message-ID: <f94d0253.36e6cf11@aol.com>
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7bit

question 1.......one more time...........anyone out there have alto music's
phone # handy? Seriously thinking about purchasing an echoplex.

question 2.......the $560.00 price tag if of course that's what alto is still
selling them for.......does that include the footpedal?

question 3.......if the footpedal is not included how much is alto selling
them for?

take care everyone,
brian
electric bird noise
sound samples etc. at:
http://members.aol.com/ebnoise/index.html
 

------------------------------

Date: Wed, 10 Mar 1999 13:25:23 -0600
From: "Mike McGary" <mcgary@metronet.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: loop subtraction
Message-ID: <000801be6b2b$bea80240$526ad0d0@Ugh>
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

> To me, what you're describing is a sort of "multi-track" looper.  I 
> know, for example, I could never duplicate a part accurately enough to 
> "subtract" it out.  Of course, any artifacts from the process might be 
> interesting of themselves.

Actually, the artifacts are the key to the process.  It's not a
'pure' subraction (not removing the exact sounds that were
part of the base) but a different way of building new layers.
For instance...you might play a gritty major chord into a loop....
By playing the major third in 'subtraction' mode the third is slowly
backed out of the mix (roughly)...and then playing
a minor third...the loop just changed feel.  This could be a slow
organic process...not like switching tracks on and off.

        -Mike McGary

------------------------------

Date: Wed, 10 Mar 1999 11:51:11 -0800
From: Kim Flint <kflint@atitech.com>
To: Loopers-Delight@annihilist.com, "BOB HENRY" <BOBH@knme1.unm.edu>
Subject: Re: Loopers-Delight-d Digest V99 #92
Message-Id: <2.2.32.19990310195111.008c0540@pop.chromatic.com>
Content-Type: text/plain; charset="us-ascii"

At 10:59 AM 3/10/99 GMT+7, BOB HENRY wrote:
>(Bob H. reply to Javier Miranda V.)
>
>Are you some kind of IDEOT or what??? You go right ahead and 
>"Highly Object" to what I said. Fact is, that little tight-holed 
>anus-sphincker boys such as yourself have such a little mind, that 
>you had to take offense at a statement that I made. 

please calm down. we don't act this way here. That's what usenet is for. :-)

It's a very easy thing to hold rational, intelligent debates without making
needless personal attacks. Please keep that in mind when posting here.

kim
_________________________________________________________
Kim Flint, MTS                     kflint@atitech.com
ATI Research                       408-752-9284

------------------------------

Date: Wed, 10 Mar 1999 11:48:07 -0800
From: Chris Chovit <cho@newdream.net>
To: Loopers-Delight@annihilist.com
Subject: Re: loop subtraction
Message-Id: <v03130301b30c7b188632@[128.149.26.34]>
Content-Type: text/plain; charset="us-ascii"

Interesting....It seems like you would have to do a FFT to do this, which
would probably best be done in the digital domain, and require some serious
processing power to perform it in real time...

Perhaps there would be a way to just make the "subtrating signal" out of
phase with the main signal, and this might create a similar effect, as the
signals would cancel each other.  I can imagine the usefulness of
this....loops can get pretty busy, and you could "thin it out" using this
method.

Maybe it could be done within an echoplex:  have an insert mode =
"subtract", in addition to the reverse and other insert modes.   Kim, any
new versions of the software in the planning stages?

- Chris



>Just a thought....
>
>Long ago I worked with an FFT that would show you a
>graphical depiction of the current sound source (SoundForge
>has this in their 4.5 version).  One of the features of the
>hardware FFT was the ability to 'subtract' sounds.  If you
>had a sound that had an overpowering 600hz section, you could
>put it in subtract mode...play a 600hz sound....and the
>resulting sound was the original minus the 600hz sound
>(kind of a follow-me EQ...)
>
>Wouldn't it be slick to have a looping device that allowed
>this?  You start a base pattern....play some parts on top of it
>and build it's thickness....and then 'subtract' out the base pattern
>by playing it again.
>
>(excuse my ignorance if there is already a device like this and everybody
>already knows about it....slap me if my echoplex already does it)
>
>            -Mike McGary


-----------------------------
Chris Chovit
cho@newdream.net

------------------------------

Date: Wed, 10 Mar 1999 12:42:06 -0800
From: landman@wco.com (Mark Landman)
To: Loopers-Delight@annihilist.com
Subject: Re: loop subtraction
Message-Id: <v01540b00b30c8824048c@[207.20.235.76]>
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

>Mike McGary wrote:
>>
>> Wouldn't it be slick to have a looping device that allowed
>> this?  You start a base pattern....play some parts on top of it
>> and build it's thickness....and then 'subtract' out the base pattern
>> by playing it again.
>

If you had an exact duplicate of your original base pattern, inverted it's
amplitude, and mixed it at 50% with the loop, while playing it back
precisely in time/phase with the base pattern, that would do the trick.
Kinda hard to do though=8A

This brings up the interesting question of how to "bring the loop back
down", it's easy to quickly build a formidable wall of sound, but much
harder to elegantly thin it out=8A

DSP filters and processes in the feedback loop would do this, as well as
multi-track loopers. Any other suggestions for ways to do this?

Mark

------------------------------

Date: Wed, 10 Mar 1999 15:11:53 EST
From: ENAT21213@aol.com
To: Loopers-Delight@annihilist.com
Subject: jamman in stereo?
Message-ID: <89268c48.36e6d209@aol.com>
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7bit

any one tried to sync up two jammen?
will they sync up?
will the slave unit respond to the master unit's commands
(tap,layer,mute,etc.,etc)?

take care,
brian
electric bird noise
sound samples etc. at:
http://members.aol.com/ebnoise/index.html

------------------------------

Date: Wed, 10 Mar 1999 15:36:46 -0500
From: Edward_Chang@amsinc.com
To: Loopers-Delight@annihilist.com
Subject: Re: Great music from Crevice
Message-ID: <85256730.00709FEE.00@ams-central-gate-5a.amsinc.com>
Content-type: text/plain; charset=us-ascii
Content-Disposition: inline

Hey Rob
Got the CD you sent - Great package!  Thanks alot.  Been too busy on other
things to do much recording in a awhile, so it was interesting to hear our
versions, a real blast from the past.  Good luck and keep in touch,
hopefully we can work together again one day...

Ed Chang

--------------------------------
End of Loopers-Delight-d Digest V99 Issue #96
*********************************************


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Date: Wed, 10 Mar 1999 18:14:51 -0500
From: "Dennis W. Leas" <dennis@mdbs.com>
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Mark Landman wrote:
> 
> This brings up the interesting question of how to "bring the loop back
> down", it's easy to quickly build a formidable wall of sound, but much
> harder to elegantly thin it outŠ

Humm!  Good discussion.  Yes.  This is a PRIMARY difficulty with our existing tools.  Easy to 
thicken.  Hard to thin.  To reiterate an earlier statement of mine, that's why I got a second 
EDP (and want at least one more).  But that's not an "elegant" solution, by any means!

> 
> DSP filters and processes in the feedback loop would do this, as well as
> multi-track loopers. Any other suggestions for ways to do this?

Well, just to point out the obvious (but perhaps not obvious to non-EDP users), the UNDO 
function on the EDP lets you "unstack" sounds.

For fellow techno-computer-geeks, I'd phrase this as 1) we have linked list style management 
(i.e., the NEXT LOOP function of the EDP), 2) we have stack style management (i.e., the UNDO 
function).  We need silo (or queue) and random access functionality (IMHO).

- Dennis Leas
-- 
dennis@mdbs.com

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Date: Wed, 10 Mar 1999 15:07:42 -0800
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Terry Riley invented something like that. It was essentially a multitrack
tape looper. A San Francisco musician named Paul Drescher built a very
similar system with 4 tracks and a footswitch for each track. You could
probably build one from a four track reel-to-reel without too much trouble.
It might take some design to work in footswitches, variable loop lenghtt,
etc..

Matt Davignon

Mike McGary wrote:

> Just a thought....
>
> Long ago I worked with an FFT that would show you a
> graphical depiction of the current sound source (SoundForge
> has this in their 4.5 version).  One of the features of the
> hardware FFT was the ability to 'subtract' sounds.  If you
> had a sound that had an overpowering 600hz section, you could
> put it in subtract mode...play a 600hz sound....and the
> resulting sound was the original minus the 600hz sound
> (kind of a follow-me EQ...)
>
> Wouldn't it be slick to have a looping device that allowed
> this?  You start a base pattern....play some parts on top of it
> and build it's thickness....and then 'subtract' out the base pattern
> by playing it again.
>
> (excuse my ignorance if there is already a device like this and everybody
> already knows about it....slap me if my echoplex already does it)
>
>             -Mike McGary



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Date: Wed, 10 Mar 1999 15:59:16 -0800
From: Clifford Novey <clifsound@earthlink.net>
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i just got a Boss-EV5 to use with my Vortex- I notice that it does not
necessarily change the value the full range- like it goes from 60A to
01B - I have fiddled with the volume on the pedal with no luck- anyone
had this problem before?

Cliff

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 ---- On Mar 10 "Dennis W. Leas" <dennis@mdbs.com> wrote: 
>  We need silo (or queue) and random access functionality (IMHO).

I find that when the quantize is set up right, you have plenty of time to
choose which loop to move to before it jumps.  There's your random access.

           -Mike McGary

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From Loopers-Delight-request@annihilist.com  Wed Mar 10 20:22:51 1999
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I just got a new Capybara 320 last night. (That's the
new hardware for Kyma, www.symbolicsound.com)  I wrote a
stereo looper with both fowards and backwards output.
The speed of the backwards output can be adjusted
in real time.  It only takes up 1/3 of one of the new
DSP chips (each w/ 24MB of sample/delay memory).  On
top of that, the new 24-bit converters sound wonderful.
Given that a new base system has 3 of these chips 
available, it seems to me to be a better deal than
trying to find multiple echoplexes, or expensive
boxes like a TC2290 or Eventide.

Jim

L. Stafford wrote:
> 
> Maybe some of you EDP'ers can answer this for me:  Can the echoplex do
> backward/forwards looping, or is it forward only?  That would seem to be a
> fairly trivial thing to implement (at least in software, don't know if the
> hardware would support it.) and I would probably sell my first child to get
> one if it did. ;)  What I am looking for specifically, is something w/ the
> memory/power of an EDP that does bi-directional looping (forward, backward
> & forward/backward).

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"Dennis W. Leas" wrote:

> Mark Landman wrote:
> >
> > This brings up the interesting question of how to "bring the loop back
> > down", it's easy to quickly build a formidable wall of sound, but much
> > harder to elegantly thin it outŠ

snip

>
>
> Well, just to point out the obvious (but perhaps not obvious to non-EDP users), the UNDO
> function on the EDP lets you "unstack" sounds.

another method i would guess is decrease feedback (with an edp) and play a repeating phrase... i
do this quite frequently with the boomerang ... it can take a while but i like the effect.. you
sort of "thin out" the loop by making a thick single --- umm hate to say it but "riff"... can
also thin to "gentle noise" like swell harmonics or scrapes etc... it would be nice to have more
control over feedback (making me again drool over the almost mythical edp -- effectively mythical
in this country anyway)...

cant you edp users just decrease the feedback to 0 and have whatever you play become a naked
looped phrase again? can you "undo" this? again this would not exactly *be* loop subtraction...

brad

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Mark Landman wrote:

>
> If you had an exact duplicate of your original base pattern, inverted it's
> amplitude, and mixed it at 50% with the loop, while playing it back
> precisely in time/phase with the base pattern, that would do the trick.
> Kinda hard to do thoughŠ

ahhh don't just mix it in... *modulate* the loop with it....this would be a
"non-volitile" way of getting something resembling subtraction... it would
certainly thin things out at least

thanks Mark... i just thought of another use for that cheesy se-50 vocoder...

(hmm reminds me of a warning i saw on a hair dryer in japan..."please do not
use for the other purpose"... creepy)

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On 3/10/99 Cliff Novey wrote:
>i just got a Boss-EV5 to use with my Vortex- I notice that it does not
>necessarily change the value the full range- like it goes from 60A to
>01B - I have fiddled with the volume on the pedal with no luck- anyone
>had this problem before?
>
>Cliff

Hi Cliff,

I had the same problem with my EV-5. Must be a limitation of the pedal.

Patrick

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Has anybody seen any of the Nam June Paik exhibits? I happen to catch the
Electronic Superhighway show in Philly about 2 years ago. It has some great
feedback based video looping with mixed media. I thought it was a great show
and very creative.

Check this for some shots of the exhibits ...

http://www.panix.com:com80/~fluxus/FluX/ESH.html

There is also a small permanent display of Nam Junk Paik looping in Philly
at the corner of Callowhill and 16th street (in a setback next to the WaWa).
I used to walk by it everyday on my way to work and always checked the TV
screens ... a kind of video based "mood ring"!

If your a big Paik fan, you can buy a video from The Kitchen in NYC. The
music is by Phillip Glass.

http://www.thekitchen.org/collection.html

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Hi, all:

Thanks for the many great replies to the "computers vs. things" question--I've
learned a lot. I was wondering whether anyone on the list has heard/read about
the EIS ("Extended Instrument System") originally developed by Pauline
Olivieros in the '50's (at the San Francisco Tape Music Center) and now fully
integrated with computers (yes, in a "live" performance) by David Gamper? 

I checked out the Deep Listening Band a few months ago (Olivieros, Gamper, and
Stuart Dempster) and was amazed by the fact that the whole show was basically
being "conducted" via a series of linked laptops, one per performer. I recall
remarking to my friend that the show could come to an unpleasant and abrupt
end if someone hadn't partitioned their hard drive correctly! We snickered at
the thought that the rather somber music might be interrupted by the Mac OS's
obnoxious "error" bleep any moment. I guess if the musicians were really cool
about it they would've pretended it was part of the music. "Bleep! Bleep!" 
The points that have been raised about the risk and inconvenience of using
computers in a live setting are well taken.

Olivieros has written volumes on the uses of tape and electronic media to
facilitate live improvisation. She describes the EIS as "a performer
controlled, delay-based network of digital sound processing devices which are
used to create an improvising environment for acoustic musicians." Translated,
I think this means that some MIDI-capable delay units are linked to a network
of computers and the "acoustic" instruments can either be used as such or as
controllers. Not a shockingly unique setup, really, but interesting because of
the deliberate forgrounding of the human/machine and art/technology
relationships that often get taken for granted. 

I would recommend that interested parties check out 

http://www.artswire.org/pof/EIShome.html 

This page gives some technical info on the EIS and provides links to articles
about it. What do Loopers think about it? 

Best,

MHL.

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I saw Ms. Oliveros play last fall.  She played a Just-Tuned
Accordian w/ a pair of PCM-42 delays, a single piece
about an hour long.  Totally amazing, I'll never think
of an accordian in the same way again.  

Jim

Morgan Lang wrote:
> 
> Hi, all:
> 
> Thanks for the many great replies to the "computers vs. things" question--I've
> learned a lot. I was wondering whether anyone on the list has heard/read about
> the EIS ("Extended Instrument System") originally developed by Pauline
> Olivieros in the '50's (at the San Francisco Tape Music Center) and now fully
> integrated with computers (yes, in a "live" performance) by David Gamper?
>

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Base systems are now $3300, each has 4 ins and outs,
all w/ 24bit crystal converter chips that can run up
to 100Khz.  There are also 4 AES-EBU/SPDIF (switchable)
i/o channels.  You can add another 4 channels if you like.
I also noticed that the latency could be set at 3 ms
w/o affecting processing performance.  The system
I have now has 2 expansion cards with 2 DSP chips each,
for a total of 7 chips.

Jim

Marzzz@aol.com wrote:
> 
> In a message dated 3/10/99 7:21:23 PM, jcoker@magelang.com writes:
> 
> >I just got a new Capybara 320 last night. (That's the
> >new hardware for Kyma, www.symbolicsound.com)  I wrote a
> >stereo looper with both fowards and backwards output.
> >The speed of the backwards output can be adjusted
> >in real time.  It only takes up 1/3 of one of the new
> >DSP chips (each w/ 24MB of sample/delay memory).  On
> >top of that, the new 24-bit converters sound wonderful.
> >Given that a new base system has 3 of these chips
> >available, it seems to me to be a better deal than
> >trying to find multiple echoplexes, or expensive
> >boxes like a TC2290 or Eventide.
> 
> I am turning an absolute vivid green from envy.......congrats! BTW- if dt is
> reading the list, I would love to hear what he and some of our more
> adventuresome loopeople could do with a machine like that. What do they cost
> now, something like $3300 for a basic setup? Is that what you have? Do they
> have multiple digital or analog outs now?
> 
> Marshall

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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
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At 12:03 PM 3/10/99 -0500, you wrote:
>To me, what you're describing is a sort of "multi-track" looper. 

See my previous comment/review about the Sellon Jam-Man upgrade.
Multi-track looping is an amazing tool.


-Chuck Zwicky
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

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Dear All,

	Hate to say it, but music has been around quite a bit longer than the
computer, yes, even for electronic music; take Tangerine Dream for an example
of this...  The computer is just another tool, just like an Echoplex, or like
a phase pedal is for me.  Sometimes it's a good thing to use, and other times
it can be just too much.  IMHO it is a matter of moderation, that's all.

	I've seen (one-man) bands play, wherein the computers in sequencers and
Loopers were necessary, and I've seen a few shows where the band was just WAY
too dependent upon the effects, and when they ran into troubles, it was the
end of the show.  Other times, I've seen the performers just do a stripped
down gig, or even go fairly acoustic.  
	My own personal experience with the Luck of Technology staying with me during
a gig has been incredible to say the least.  Have only had a few gigs wherein
the synthesizer rig or the electricity went out on me; kept some acoustic
instruments around for just such an event.

	On the same token, there are times wherein the bands are going for as much
glitz as possible, or in other cases need the computers there for them, 'cos
of what they're playing.  Watching a few Techno bands, whose main sequencer
went south on 'em wasn't funny, especially when it happened in the very
beginning of the show.  That's it, $15.00 down the tubes...  On the same
token, I thought that Andy Summers and Joe Satriani did great jobs when they
had to play without much processing at all.

	As to having a computer replacing players; well, I'm not one to talk on that
note, but it just really won't happen in this century, nor probably any time
soon.  The computer can duplicate only what it is given for the music, but as
to playing a solo back, or covering for a missed beat, or going on a musical
tangent...  Not just yet.  The whole point of music is communication and
expression.  Let me get back to my POS S.u.S.E. 5.3 with the messy lilo and
then onto some tune making.

	Have fun, and thanks for the people to talk to on getting the manual for the
TSR24s.  It's only $5.00 from Harmony Central, so it is only a matter of me
sending the funds via snailmail.  

	Tchus.

		Lee-ohki.

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Dear all,

	Another option out there is to check out www.marketpro.com and go to a
computer show or three; most of the vendors are going to be fairly local to
the show in question and most that sell any form of memory have a SIMM or DIMM
checker handy to make sure that their respective wares are working.

	Tchus,

		Lee-ohki.

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At 6:10 PM -0800 3/10/99, Jim Coker wrote:
>I just got a new Capybara 320 last night. (That's the
>new hardware for Kyma, www.symbolicsound.com)  I wrote a
>stereo looper with both fowards and backwards output.
>The speed of the backwards output can be adjusted
>in real time.  It only takes up 1/3 of one of the new
>DSP chips (each w/ 24MB of sample/delay memory).  On
>top of that, the new 24-bit converters sound wonderful.
>Given that a new base system has 3 of these chips
>available, it seems to me to be a better deal than
>trying to find multiple echoplexes, or expensive
>boxes like a TC2290 or Eventide.

So long as you're willing to spend a whole lot of time programming it
instead of playing it, sure! You could also get a copy of Visual C++ and
never need to buy any software again. Just write it all yourself! :-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Subject: Re: loop subtraction
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At 11:37 PM -0800 3/10/99, Chuck Zwicky wrote:
>At 12:03 PM 3/10/99 -0500, you wrote:
>>To me, what you're describing is a sort of "multi-track" looper.
>
>See my previous comment/review about the Sellon Jam-Man upgrade.
>Multi-track looping is an amazing tool.
>

How do you control such features in the upgrade? Multitrack looping takes a
lot of user interface, and the Jamman was pretty spartan even for the
features that it had in the first place. Do you need lots of midi
controllers, then?  And how do you tell what it's doing with hardly any
display?

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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At 11:48 AM -0800 3/10/99, Chris Chovit wrote:

>Perhaps there would be a way to just make the "subtrating signal" out of
>phase with the main signal, and this might create a similar effect, as the
>signals would cancel each other.  I can imagine the usefulness of
>this....loops can get pretty busy, and you could "thin it out" using this
>method.

Phase tricks are pretty easy, and probably do a lot of what you are looking
for. The neat thing is, it's actually rather hard to to get the whole
signal to match perfectly. The lower frequencies will cancel out pretty
easily, and then you'll have a bunch of higher frequency stuff left over,
which can sound pretty neat. Here's some ideas for this:

There are fun things you can do with two loopers.  You need one looping
source (which can be anything) and a second looper to record it into
(should be an audio looper), and some way to accurately sync the loop
lengths together. Then you need some way to invert one of them and mix them
back together. So you create your loop in the first one, then record it in
the second one, so that both have the same thing in it. Then mix them
together and play around. For your idea, maybe you'd want to send the
initial basic loop to the second unit (which might be left muted), then go
back to the first and build your loop up further. Then bring your basic
loop back, inverted, and mix it in to cancel out with the more complex loop
now in the first unit.

For me, the thing that is really interesting is that the methods you would
likely use to sync the two loops are probably not sample accurate. Midi
clock, for instance. Fine for rhythm, but not for phase. So what happens
is, the phase cancellations randomly change with each repetition of the
loop! To get this effect, you don't even need to invert the signal. For
example, sometimes I'll take my old drum machine, and play a drum loop with
the midi clock output and the audio connected to an echoplex. I'll record
the drum output in an echoplex loop, sync'd to the drum machine's clock.
Then just listen to the out put with the two playing at the same time.
Sometimes it's nearly perfectly in phase, and loud, sometimes its nearly
perfectly out of phase and very thin. Most of the time it's somewhere in
between. Very fun....   You can even record this effect in the loop, by
using overdub to add the same loop that you recorded in the first record.

>Maybe it could be done within an echoplex:  have an insert mode =
>"subtract", in addition to the reverse and other insert modes.

interesting, but it probably wouldn't do much. You really need to have the
second signal be very similar to the original, with the phase in some
consistent relation for this sort of thing to work. (or at least work in
some simple way where we don't have to write a buch of code to be tracking
phase of the two signals and trying to shift and align them and such.
ick..;-)  Use the trick above. Besides, insert mode is looking realy
crowded lately.

>  Kim, any
>new versions of the software in the planning stages?

Now, you know damn well I won't tell you. You think I'm gonna let something
slip?

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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At 6:22 PM -0800 3/10/99, b.knox wrote:
>"Dennis W. Leas" wrote:
>
>> Mark Landman wrote:
>> >
>> > This brings up the interesting question of how to "bring the loop back
>> > down", it's easy to quickly build a formidable wall of sound, but much
>> > harder to elegantly thin it out=8A
>
>snip
>
>>
>>
>> Well, just to point out the obvious (but perhaps not obvious to non-EDP
>>users), the UNDO
>> function on the EDP lets you "unstack" sounds.

also, the loop copying methods someone else mentioned.

>another method i would guess is decrease feedback (with an edp) and play a
>repeating phrase... i
>do this quite frequently with the boomerang ... it can take a while but i
>like the effect.. you
>sort of "thin out" the loop by making a thick single --- umm hate to say
>it but "riff"... can
>also thin to "gentle noise" like swell harmonics or scrapes etc... it
>would be nice to have more
>control over feedback (making me again drool over the almost mythical edp
>-- effectively mythical
>in this country anyway)...

=46eedback control is a great way to evolve loops. As the loop is slowly
dying, you add new things to it until it is something else. We've talked
about that before. One problem you hit with it is with really long loops. A
30 second loop, and you'll be waiting a long time for feedback to have some
effect! The great trick Matthias taught me is to snip out a smaller piece
of your loop to make a much shorter loop, and apply feedback to that while
adding new material. The evolution goes much faster that way. On the
Echoplex you can do this really easily by using the multiply-record
combination. If you have multiply going, and tap record to end it, you
define a new loop at that point. So you might decide that some short
stretch in your long loop is an interesting theme for evolving into a new
section. Tap multiply at the beginning of that, and Record at the end of
it. Then you'll have a short loop of just that bit. Then turn feedback
down, overdub on, and evolve away....

>
>cant you edp users just decrease the feedback to 0 and have whatever you
>play become a naked
>looped phrase again? can you "undo" this? again this would not exactly
>*be* loop subtraction...

you can undo feedback. So the loop can decay from reduced feedback, and
then you bring it back with undo.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Subject: Re: loop subtraction
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At 02:17 AM 3/11/99 -0800, you wrote:
>How do you control such features in the upgrade? Multitrack looping takes a
>lot of user interface, and the Jamman was pretty spartan even for the
>features that it had in the first place. Do you need lots of midi
>controllers, then?  And how do you tell what it's doing with hardly any
>display?

Multitrack looping doesn't require much more of an interface, actually.

The same set of 20 MIDI program changes control the various aspects of
recording and overdubbing:

Here is the MIDI program change controller layout that I proposed to Bob
Sellon:

The first 10 functions operate on a page or global basis:

0 TAP
1 RESET
2 BYPASS
3 LOOP/DELAY MODE 
4 START/STOP
5 FADE ALL
6 SELECT PAGE 1 (LOOP  1)
7 SELECT PAGE 2 (LOOP  2)
8 SELECT PAGE 3 (LOOP  3)
9 SELECT PAGE 4 (LOOP  4)

The next 10 functions operate on a per channel basis:

10 CLICK ON/OFF
11 SLAPBACK DELAY ON/OFF
12 REVERSE 
13 REPLACE 
14 LAYER
15 CHANNEL FADE (Individual track fade)
16 SELECT/MUTE CHANNEL 1 (TRACK 1)
17 SELECT/MUTE CHANNEL 2 (TRACK 2)
18 SELECT/MUTE CHANNEL 3 (TRACK 3)
19 SELECT/MUTE CHANNEL 4 (TRACK 4)



In addition, the functionality of the right knob, which used to select the
time base of the loop, (and used to dump the contents of the memory if it
were adjusted while running), has ben significantly changed:

 
 Label		               Description
 MIDI Channel               Selects the MIDI channel to which the system
will respond
 
Audio Threshold
 	         		     This sets the signal level at which the system will
         	   	              trigger (start recording, restart playback) if the
         			      Operating Mode is set for Sampler.
 Output Level
               This a soft controllable output level control. This
               can be stored if the EEPROM is installed and can
               also be controlled via MIDI Controller
 Dry Level
               This sets the signal level of the dry input signal
               through the DSP. This is useful if you are using the
               system "in line" and want to have MIDI control of
               the dry signal. If used in an effects loop, this is
               usually set to 0. (note- the dry signal in this mode is
               summed to mono.)(also note that Mix knob needs to
               be set for 100% Wet to use the Dry Level control
               effectively.
 Slap Time
               This sets the delay time of the built in slap delay
 Slap Level
               This sets the signal level of the built in slap delay. 
 Click Level
               This sets the signal level of the "Click"
               (Metronome)
 Level
               This sets the signal level of the "Active" Channel
 Pan
               This sets the "Pan" (left/right position) of the signal
               in the stereo output image
 Echo Divide
               This defines how the loop size is divided up when
               the Function is set for Delay.
 Feedback
               This sets the amount of the output that is fed back
               into the input when the Function is set for Delay.
 Function
               This defines which "Function" will become active
               when the TAP button is pressed (after the initial
               loop is "tapped" in).
 Operating Mode
               This defines the global Operating Mode of the
               system.
 Num Beats
               This defines the number of beats that will be
               assigned to the loop. This effects the "Click" and
               MIDI clock in and out.
 Page
               This selects the current page for editing (pressing
               TAP makes it "Active").
 Channel
               This selects the current channel for editing
               (pressing TAP makes it "Active").





...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

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Kim Flint wrote:
> 
> So long as you're willing to spend a whole lot of time programming it
> instead of playing it, sure! You could also get a copy of Visual C++ and
> never need to buy any software again. Just write it all yourself! :-)
> 

Get real Kim: One doesn't program 56000 assembler when using Kyma.
One constructs patches by hooking together pre-built algorithms and
typing in values or expressions for various parameters. I won't
say that it's trivial, but much easier than say, programming in Max
or Max MSP (due mostly to Max's absurd semantics), or using a
2 line lcd as most FX boxes do, or any of the usual low level
DSP options (CSound, C, C++, SuperCollider etc.).  

Some of the more choice of the many built in algorithms include:
DelayWithFeedback (delay time can be modulated,
up to 3 minutes of delay per DSP chip)
SpecralAnalysis (Real time FFT w/ pitch detection)
SumOfSines (oscillator bank for resynthesis or additive synthesis)
SampleCloud (real-time sample granulation)
KeyMappedMultiSample (Disk or Ram based Sampling)
Vocoder (25 bands per chip)

It's certainly not for everyone (I duly respect those who
would rather not include a computer in their rig), but for those
who are tired of being frustrated by the limitations in the equipement
they've been using, it offers a unique and powerful alternative.
It is also a pretty good cure for New Gear Syndrome.

Jim

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Date: Thu, 11 Mar 1999 19:26:24 +0000
From: Gareth Whittock <whiteoak@dial.pipex.com>
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Take a look at my previous post. 4 stereo loops and I only stopped at 4
because I was running out of MIDI switches. It would be easy to run 8 or
even 16 with a P2 with fades, panning, speed and direction control using
Audiomulch. Incidentally its for PC only.
The biggest drawback is that the loops aren't synchable, but there
again, you might like that!
Think of it as a poor man's Kyma.
I've been plugging in pitchshifters, ring mods and filters for days now
and its awesome, (still a beta though)
Incidentally can anyone write VST plugins on this list? I'm looking for
the ultimate looper plugin of course. The one I'm using is fine but I
just need a little more delay......

Gareth

> Terry Riley invented something like that. It was essentially a multitrack
> tape looper. A San Francisco musician named Paul Drescher built a very
> similar system with 4 tracks and a footswitch for each track. You could
> probably build one from a four track reel-to-reel without too much trouble.
> It might take some design to work in footswitches, variable loop lenghtt,
> etc..
>

From Loopers-Delight-request@annihilist.com  Thu Mar 11 15:17:17 1999
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To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Loopers-Delight-d Digest V99 #92
Date: Thu, 11 Mar 1999 10:59:34 -0800
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Kim,

I agree wholeheartedly.

Dear Bob and Javier,

Your past posts were very intelligent, informative, and
poignant.  It is clear that both of you are very knowledgeable
and articulate.

It is surprising that your comments for eachother
were so harsh and personal.

Please reconcile and help us make our group transcend
beyond ego and pride.

We are rare breed of pioneers of musical technology.
Sharing and debating our individual views and knowledges
builds our strength and quality.

Let's help eachother grow and make our group attractive and
informative to our members and newcomers.

Steve (Curbie)



-----Original Message-----
From:	Kim Flint [SMTP:kflint@atitech.com]
Sent:	Wednesday, March 10, 1999 11:51 AM
To:	Loopers-Delight@annihilist.com; BOB HENRY
Subject:	Re: Loopers-Delight-d Digest V99 #92

At 10:59 AM 3/10/99 GMT+7, BOB HENRY wrote:
>(Bob H. reply to Javier Miranda V.)
>
>Are you some kind of IDEOT or what??? You go right ahead and 
>"Highly Object" to what I said. Fact is, that little tight-holed 
>anus-sphincker boys such as yourself have such a little mind, that 
>you had to take offense at a statement that I made. 

please calm down. we don't act this way here. That's what usenet is for. :-)

It's a very easy thing to hold rational, intelligent debates without making
needless personal attacks. Please keep that in mind when posting here.

kim
_________________________________________________________
Kim Flint, MTS                     kflint@atitech.com
ATI Research                       408-752-9284
  

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From: "Peter Spoecker" <spoecker@didgeridoings.com>
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Subject: Re: Cthugha program
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Thanks for the information.  I'll try downloading the demo version of
Imagine and see what it looks like.  The information on the site is a bit
sparse about specifics (like what video capture boards are supported, is it
Mac or PC or both, etc.)
I still haven't been able to get the Cthuga program to work either on my
computer or my brother's.  You get a series of stills that you can sequence
with any key, but no effect with sound.  On my brother's computer there's
the additional problem that the images only fill the upper half of the
screen.  Anybody out there with personal experience with this program?  What
could be happening here that I can't get it to work?  All in all so far this
program looks like a lot of the "freeware" that I've had experience with
over the years; some good fun ideas, but not quite there yet.

Peter



>At 9:08 AM -0800 3/9/99, Peter Spoecker wrote:
>>Another issue I've often wondered about is if there's any program that can
>>modify video being played from an external input into a video card?
>>Particularly cool would be sound activated color cycling.  I've done this
>>using an Amiga video toaster system in a rather complex configuration.
>>Anybody know if there's a program around that lets you use sound as a
>>modulation source for color cycling or otherwise modulating a video signal
>>being displayed with a video card in a PC?
>
>I don't know if it will do everything you want, but Imagine allows
>programmable manipulation of live video
>
>http://www.xs4all.nl/~steim/imagine.html
>
>Stuart
>
>Stuart Fox
>CalArts Guitar
>sgfox@music.calarts.edu
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Mar 11 18:37:42 1999
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Date: Thu, 11 Mar 1999 15:14:40 -0800 (PST)
From: Matthew Pee Davignon <mdavig@sfsu.edu>
To: Loopers-Delight@annihilist.com
Subject: Re: Devices versus computers for live looping
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Well, I always thought of the machines that Tangerine Dream used as
computers. There were a lot of synched-up arpeggiators and stuff. It
was before the phenomenon of "click and drag" composing, but I think
that they were using the computers available at the time.Not that
I know a lot about Tangerine Dream--I don't. Feel free to correct me if
I'm wrong. Another example of electronic music without computers is the
early tape collage-ists, or composers of "musique concrete" like
Stockhausen. 

I agree with you on the overuse of computers in the live format. I've been
to enough shows of just a guy on stage in front of a laptop clicking a
mouse, you know, where the guy composed all of his tracks at home and just
switches them on and off on stage. I don't get any entertainment from
that. 
Don't get me wrong, I'm really impressed with a lot musicians using
computers to make recorded music, especially because they give the
musicians the chance to add tracks when they're inspired, not just when
their studio time is scheduled.
When I pay $10 to go to a show, I want to see a creative act, not just
folks playing all of the songs saved on thier hard drives.

matt

On Thu, 11 Mar 1999 M3chakucha@aol.com wrote:

> Dear All,
> 
> 	Hate to say it, but music has been around quite a bit longer than the
> computer, yes, even for electronic music; take Tangerine Dream for an example
> of this...  The computer is just another tool, just like an Echoplex, or like
> a phase pedal is for me.  Sometimes it's a good thing to use, and other times
> it can be just too much.  IMHO it is a matter of moderation, that's all.
> 
> 	I've seen (one-man) bands play, wherein the computers in sequencers and
> Loopers were necessary, and I've seen a few shows where the band was just WAY
> too dependent upon the effects, and when they ran into troubles, it was the
> end of the show.  Other times, I've seen the performers just do a stripped
> down gig, or even go fairly acoustic.  
> 	My own personal experience with the Luck of Technology staying with me during
> a gig has been incredible to say the least.  Have only had a few gigs wherein
> the synthesizer rig or the electricity went out on me; kept some acoustic
> instruments around for just such an event.
> 
> 	On the same token, there are times wherein the bands are going for as much
> glitz as possible, or in other cases need the computers there for them, 'cos
> of what they're playing.  Watching a few Techno bands, whose main sequencer
> went south on 'em wasn't funny, especially when it happened in the very
> beginning of the show.  That's it, $15.00 down the tubes...  On the same
> token, I thought that Andy Summers and Joe Satriani did great jobs when they
> had to play without much processing at all.
> 
> 	As to having a computer replacing players; well, I'm not one to talk on that
> note, but it just really won't happen in this century, nor probably any time
> soon.  The computer can duplicate only what it is given for the music, but as
> to playing a solo back, or covering for a missed beat, or going on a musical
> tangent...  Not just yet.  The whole point of music is communication and
> expression.  Let me get back to my POS S.u.S.E. 5.3 with the messy lilo and
> then onto some tune making.
> 
> 	Have fun, and thanks for the people to talk to on getting the manual for the
> TSR24s.  It's only $5.00 from Harmony Central, so it is only a matter of me
> sending the funds via snailmail.  
> 
> 	Tchus.
> 
> 		Lee-ohki.
> 
> 

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Dear Matt,

	Yes, you are quite correct, the early sequencers that were created by both
Peter Bauman and Edgar Froese were computers, just as a digital watch, or even
an analogue calculator is a computer (we won't mention that the synthesizers
themselves are computers, too) in that sense.  
	Now, I will be the first one to agree with you in "click and drag" composing
being a wonderful thing, especially since it brings more to bear when trying
to create something new, and also for recreating a particuliar phrase or
passage by a different instrument.
	
	As to the original point of this post, placing all of one's eggs in the same
basket can get you into troubles when it goes down on you during a gig.
Another issue is that so much of a computer's resources are going to be in
just running the OS, let alone any of the software/hardware within the system.

	Going with separate boxes has always ended up being the better way for me
personally, as it leaves more options open should something go wrong.  There
is also that fact that a separate effect unit usually has more control over a
particuliar effect than with a system that has quite a number of different
effects in them. 

	All in all, the most important part is to have fun!

	Tchus,

		Lee-ohki.
	
	 

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>I saw Ms. Oliveros play last fall.  She played a Just-Tuned
>Accordian w/ a pair of PCM-42 delays, a single piece
>about an hour long.  Totally amazing, I'll never think
>of an accordian in the same way again.  


The Pauline Oliveros foundation & The Deep Listening Space are located
nearby in Kingston, NY. I've had the opportunity to play there as well as
see the EIS in action a couple of times - pretty wild - I don't know the
exact specs but I believe it's several PCM42's controlled by a Max
interface. Pauline & David Gamper (afaik  - the main tech guy behind EIS) 
are both wonderful & performers & people and very generous with their
knowledge .

Check out http:// www.deeplistening.org for info

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PJBMHB@aol.com wrote:

> cage was an expert on mushrooms. pj

sure, but who doesn't feel like an *expert* on 'shrooms?

:~)

-lance g.

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Subject: Re: Cthugha program
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At 9:08 AM -0800 3/9/99, Peter Spoecker wrote:
>Another issue I've often wondered about is if there's any program that can
>modify video being played from an external input into a video card?
>Particularly cool would be sound activated color cycling.  I've done this
>using an Amiga video toaster system in a rather complex configuration.
>Anybody know if there's a program around that lets you use sound as a
>modulation source for color cycling or otherwise modulating a video signal
>being displayed with a video card in a PC?

I don't know if it will do everything you want, but Imagine allows
programmable manipulation of live video

http://www.xs4all.nl/~steim/imagine.html

Stuart

Stuart Fox
CalArts Guitar
sgfox@music.calarts.edu


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does anyone have any experience with the analog synthesizers Bob Mooog
is producing nowadays. Check out the Big Briar website. Also very
interesting looping possibilities - he makes Theramins. jp

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From: Tim Nelson <tcn62@ici.net>
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Matt's mention of Tangerine Dream's sequencing innovations reminds me of
something I read somewhere long ago regarding the origins of the PPG
Waveform synth (if I remember correctly) which kind of relates both to this
thread and to the video looping one. Apparently Froese and Co. had
commissioned the design of a computerized system to control their LIGHT
SHOW when someone involved in the project had the brainstorm of applying
the technology to audio, thus leading to the introduction of a new kind of
instrument using a new approach to synthesis. (I'm not sure of the
specifics, but I think I read this in a Contemporary Keyboard interview
with Edgar Froese sometime in the early 'eighties).
It's another example of someone's use of a piece of equipment for a purpose
other than that for which it was designed contributing to musical
evolution, and another reason for us to keep our minds open regarding the
tools we use, whether or not they're on the cutting edge of technology. By
looking for new ways to use the stuff that's already here, we create a
niche for the gear of tomorrow, and that in turn influences the possible
directions the music can take. Lee-ohki is right; we've got many tools from
which to choose; high-tech, low-tech, or some combination of the two, and
it makes no sense to impose arbitrary limits on our options by being
absolutist. On the other hand, if someone CHOOSES to specialize and focus
exclusively on a particular style, tool or technique, however retro or
futurist it may be, that's up to them and we have no business telling them
they're wrong. It's just nice to know that options are available.

Oh, yeah; another example of computerless electronic music from about 70
years ago! Remember Lev Termen? (alias LEON THEREMIN to the
English-speaking world) Now THERE was an innovator!

Tim

 
>Well, I always thought of the machines that Tangerine Dream used as
>computers. There were a lot of synched-up arpeggiators and stuff. It
>was before the phenomenon of "click and drag" composing, but I think
>that they were using the computers available at the time.

> Another example of electronic music without computers is the
>early tape collage-ists, or composers of "musique concrete" like
>Stockhausen. 

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From: patrick@his.com (Patrick Smith)
Subject: Re: jamman in stereo?
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On 3/11/99 Brian said:
>any one tried to sync up two jammen?

Yes

>will they sync up?
Yes...

>will the slave unit respond to the master unit's commands
>(tap,layer,mute,etc.,etc)?

Yes, but sometimes that can be annoying, as in when you do not want them
both synced up. I keep mine on separate MIDI channels and can then control
either unit or both at the same time via a PMC-10. If you run the MIDI
connection from one unit to the other. Then the first unit will control the
loop length of the second one via the MIDI clock it sends. This is very
annoying so If you do want to keep the ability to control them separately
use a MIDI splitter box or the throughs form another unit. Or there is a
way that Bob Sellon told us to turn off this aspect o the Jam Men, but I
have to find my notes on that. It is similar to how you set the IDI
channel.

Does any one else remember? If not I'll find this info for you. BTW Nice
piece on the Looper's CD Vol 2. Why does no one ever talk about this CD on
the list?

Patrick

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In a message dated 3/12/99 1:03:17 AM Mid-Atlantic Standard Time,
patrick@his.com writes:

<<  BTW Nice
 piece on the Looper's CD Vol 2. Why does no one ever talk about this CD on
 the list? >>

as fact would have it, this is the last of some 45 posts from the group today
and i tossed that jammer in my player a while back......what
joy!!!!!!.......need i say more......michael

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Date: Thu, 11 Mar 1999 20:40:07 -0800
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Hello,

Well, I finally bought an expression pedal for my Vortex- it really
opens up a LOT of possibilities- but it does not adjust the value the
full 64 points in all cases- I actually need it to go the full 64- it is
a Boss-EV5- has anyone had a similar problem? Any soloutions?
By the way- the problem I was having with the value knob has
dissappeared- I think it was never used by the previous owner and since
I have been using it it has gone away- now I have the new part but I
won't try to fix something that aint broke!

Take care- STILL WAITING........
Cliff

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In a message dated 3/12/99 2:45:52 AM Mid-Atlantic Standard Time,
clifsound@earthlink.net writes:

<< the problem I was having with the value knob has
 dissappeared- I think it was never used by the previous owner and since
 I have been using it it has gone away- now I have the new part but I
 won't try to fix something that aint broke!
  >>
wow ! ........... a self-healing machine........michael

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From Loopers-Delight-request@annihilist.com  Fri Mar 12 02:15:12 1999
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Well, I fixed the problem I was having- I opened up the expression pedal
and adjusted the linkage that controls the pot inside- works like a
charm now- factory glue was meant to be broken, right?

In regards to my Vortex knob problem:
Michael wrote:
>>wow ! ........... a self-healing machine........michael<<

...the best kind to get, they just don't advertise on the box!

Cliff

From Loopers-Delight-request@annihilist.com  Fri Mar 12 02:50:13 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: "Loopers' Delight" <Loopers-Delight@annihilist.com>
Subject: RE: Loopers-Delight-d Digest V99 #92
Date: Thu, 11 Mar 1999 23:42:18 -0800
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I'd like to apologise to the group for the slight bang with Bob H.  I did
get off line in my attitude towards him and, upon reflection, I find there
is more room for, as Bob H. recommends, a more "dignified" approach to our
replies.  I never intended a personal bent in what I said to Bob H.  I was
merely inflicting my own philosophical musings on him.  In a day and age of
30-second commercials, it is no longer wise to expect a person to reflect
beyond the mere appearance of words.  It is more disheartening to see it
happen via e-mail especially, where we feel a bit more freedom to disclose
our stream of consciousness.  I hope to continue contributing little speech
bubbles to these Looper's winds — just hope they won't blow up on someone's
face again.

Thank you all.

Javier Miranda V.
Berkeley, Calif.

-----Original Message-----
From: John + Diane Parada [mailto:jparada@pop.interport.net]
Sent: Wednesday 10 March 1999 1:39 PM
To: Loopers-Delight@annihilist.com
Subject: Re: Loopers-Delight-d Digest V99 #92


Javier Miranda vs Bob H.
Pay per view event? I think not.
Come on guys. You both inspired a lot of thinking and discussion, but
show some class........or I'll lay the smackdown on both your candy
asses. (Justfunnin).....be cool jp


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><< the problem I was having with the value knob has
> dissappeared- I think it was never used by the previous owner and since
> I have been using it it has gone away- now I have the new part but I
> won't try to fix something that aint broke!
>  >>
>wow ! ........... a self-healing machine........michael

      unfortunately, the self-healing is short lived. Your machine may
be fine now, but just you wait until it decides to flake out again
at the most inopportune moment possible.... can anyone verify
if the factory repair is a *permanent* fix?

steve

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Date: Fri, 12 Mar 1999 10:59:01 +0100
To: Loopers-Delight@annihilist.com
From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: Cthugha program
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I downloaded the alpha W95 version and it works flawlessly for the moment.
The sync with the music is there (along the CD is perfect, with line In I
got some graphic stuttering) and the graphic textures are really impressive.
I think this is one of the coolest progs I've ever tried. And interaction
potentials are awesome. I've been hypnotized to the screen for hours,
listening to Clifford Gilberto and UNKLE CDs.

ciao
leo

At 15.01 11/03/99 -0800, you wrote:
>Thanks for the information.  I'll try downloading the demo version of
>Imagine and see what it looks like.  The information on the site is a bit
>sparse about specifics (like what video capture boards are supported, is it
>Mac or PC or both, etc.)
>I still haven't been able to get the Cthuga program to work either on my
>computer or my brother's.  You get a series of stills that you can sequence
>with any key, but no effect with sound.  On my brother's computer there's
>the additional problem that the images only fill the upper half of the
>screen.  Anybody out there with personal experience with this program?  What
>could be happening here that I can't get it to work?  All in all so far this
>program looks like a lot of the "freeware" that I've had experience with
>over the years; some good fun ideas, but not quite there yet.
>
>Peter
>
>
>
>>At 9:08 AM -0800 3/9/99, Peter Spoecker wrote:
>>>Another issue I've often wondered about is if there's any program that can
>>>modify video being played from an external input into a video card?
>>>Particularly cool would be sound activated color cycling.  I've done this
>>>using an Amiga video toaster system in a rather complex configuration.
>>>Anybody know if there's a program around that lets you use sound as a
>>>modulation source for color cycling or otherwise modulating a video signal
>>>being displayed with a video card in a PC?
>>
>>I don't know if it will do everything you want, but Imagine allows
>>programmable manipulation of live video
>>
>>http://www.xs4all.nl/~steim/imagine.html
>>
>>Stuart
>>
>>Stuart Fox
>>CalArts Guitar
>>sgfox@music.calarts.edu
>>
>>
>>
>
>
>

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From: "Peter Spoecker" <spoecker@didgeridoings.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Cthugha program
Date: Fri, 12 Mar 1999 04:11:11 -0800
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I tried the alpha W95 version and when I try to run it I get this message:
A REQUIRED .DLL FILE, DINPUT.DLL NOT FOUND
Anybody know what this is about?  Where do I get this dinput.dll file?


>I downloaded the alpha W95 version and it works flawlessly for the moment.
>The sync with the music is there (along the CD is perfect, with line In I
>got some graphic stuttering) and the graphic textures are really
impressive.
>I think this is one of the coolest progs I've ever tried. And interaction
>potentials are awesome. I've been hypnotized to the screen for hours,
>listening to Clifford Gilberto and UNKLE CDs.
>
>ciao
>leo
>
>At 15.01 11/03/99 -0800, you wrote:
>>Thanks for the information.  I'll try downloading the demo version of
>>Imagine and see what it looks like.  The information on the site is a bit
>>sparse about specifics (like what video capture boards are supported, is
it
>>Mac or PC or both, etc.)
>>I still haven't been able to get the Cthuga program to work either on my
>>computer or my brother's.  You get a series of stills that you can
sequence
>>with any key, but no effect with sound.  On my brother's computer there's
>>the additional problem that the images only fill the upper half of the
>>screen.  Anybody out there with personal experience with this program?
What
>>could be happening here that I can't get it to work?  All in all so far
this
>>program looks like a lot of the "freeware" that I've had experience with
>>over the years; some good fun ideas, but not quite there yet.
>>
>>Peter
>>
>>
>>
>>>At 9:08 AM -0800 3/9/99, Peter Spoecker wrote:
>>>>Another issue I've often wondered about is if there's any program that
can
>>>>modify video being played from an external input into a video card?
>>>>Particularly cool would be sound activated color cycling.  I've done
this
>>>>using an Amiga video toaster system in a rather complex configuration.
>>>>Anybody know if there's a program around that lets you use sound as a
>>>>modulation source for color cycling or otherwise modulating a video
signal
>>>>being displayed with a video card in a PC?
>>>
>>>I don't know if it will do everything you want, but Imagine allows
>>>programmable manipulation of live video
>>>
>>>http://www.xs4all.nl/~steim/imagine.html
>>>
>>>Stuart
>>>
>>>Stuart Fox
>>>CalArts Guitar
>>>sgfox@music.calarts.edu
>>>
>>>
>>>
>>
>>
>>
>
>

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From: "Wordsman, Lee" <LWordsman@PIRNIE.COM>
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Subject: RE: Cthugha program
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Check out the Cthuga FAQ.  I saw something about missing DLLs in there.

> -----Original Message-----
> From: Peter Spoecker [mailto:spoecker@didgeridoings.com]
> Sent: Friday, March 12, 1999 7:11 AM
> To: Loopers-Delight@annihilist.com
> Subject: Re: Cthugha program
> 
> 
> I tried the alpha W95 version and when I try to run it I get 
> this message:
> A REQUIRED .DLL FILE, DINPUT.DLL NOT FOUND
> Anybody know what this is about?  Where do I get this dinput.dll file?
> 

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Date: Fri, 12 Mar 1999 09:28:04 -0500 (EST)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://wdiyfm.org/schedule/s_emusic.html

		Show #105		March 11, 1999.
		Host: Bill Fox		http://wdiyfm.org
		billfox@fast.net

On this show, I continued the month-long focus on the sixth annual
Alfa-Centauri Electronic Music Festival featuring the music of the
artists who will be performing.  The festival will be on April 10 in
Huizen, the Netherlands at the Theatre 3-in-1.

	Alfa-Centauri:  http://home.wxs.nl/~quantumproductions
	RAMP         :	http:/www.netz-gronau.de/ramp
	Manikin      :	http://www.manikin.de
	EMUSIC Focus :  http://wdiyfm.org/emusic/playlists/focus.html

The feature CD at midnight was "Nodular" by RAMP on the Manikin label.

Upcoming events announced: Arttek and Anamolous at Second Avenue in
Bethlehem on March 18 and Star's End Gathering XVII with Richard Pinhas
at St. Mary's Church in Philadelphia on March 19.

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Metlay                  Band of Fire             Band of Fire (Atomic City)
Jiannis                 Zoomland 1               Nightsessions (Spheric)
VA [Face in a Crowd]    The Firth at Night       Syntonic Waves Vol 7 (Spheric)
Lambert                 Impetus                  Dimensions of Dreams (Spheric)
Lee Barry               Ice Moons                Mile from Mars (Consilient)
Firmament               In a Landscape          Open-EyedAscension(VelvetEmpire)

12:00 am
RAMP                    intrip                   Nodular (Manikin)
RAMP                    annular                  Nodular (Manikin)
RAMP                    nodular                  Nodular (Manikin)
RAMP                    angular                  Nodular (Manikin)
RAMP                    before the storm         Nodular (Manikin)
RAMP                    phasenverzerrung         Nodular (Manikin)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will continue the month-long focus on the artists
who will be performing at the sixth Alfa-Centauri Electronic Music
Festival in Huizen, the Netherlands.  Next week's feature CD at midnight
will be "The Introspective Spaces" by Stratosphere, a 3 inch, limited
quantity CD on the Amplexus label.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

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From: "Dan Bartell" <speck45@hotmail.com>
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Subject: VJamm
Date: Fri, 12 Mar 1999 07:02:46 PST
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I think this answers any questions on looping video/audio.
you can download a free demo, or buy the program from: 
http://www.ninjatune.net/coldcut/vjamm/index.html

VJamm is the worlds slickest and quickest PC video playback program. 
Featuring REAL TIME USER CONTROL from the computers keyboard or a Midi 
keyboard. What this means is that with VJamm you can play audiovisual 
clips-'avis'-as if they were just audio samples. It is like a piano for 
sound and vision. 

*play, load and save banks of up to 16 video clips.

*reverse, pitch, speed up and slow down sound and video simultaneously, 
in real time, with settings different for each clip.

*set clips start and end point with markers to cut them up to frame 
accuracy. 

*show thumbnail pix of all clips for fast jammin' reference, plus popup 
filenames.

*randomly remix clips with the Cutomatic beat jugglin` chop function. 
Find out what they're REALLY saying! Burroughs would have loved it.

*be triggered over Midi, letting you easily jam sequences of videoclips 
in synch with any Midi music system. Make a video as you make a track!

Other killa features include: 

*tunable loop function helps loop up video breakbeats. 

*all settings, including those of individual clips, saved in convenient 
patch files. 

*very fast trigger time. 

*includes library of avi clips from Headspace, Coldcut and others. Get 
funky jamming with Coldcut hits from their massiv 'Let Us Play' LP. 

*includes utility to copy clips from CD to harddisk.

*dark retrofuture videosynth interface. 

*plays any standard audiovisual .avifiles that your machine is set up 
for (Cinepak, Indeo etc). 

*also works with many special video boards eg: Fast Machines, Broadway, 
Miro for high quality output. 

*PAL/ and NTSC both supported. 

*1/4 screen and full screen modes.

*Simultaneous use of PC control screen and full screen video output when 
using zoomable genlock (eg VineGen Pro) for professional VJ use. 

*in built sequencer to record your jams.

*secret ItchyEye\0xAA videoscratch feature: this feature is FRESH to the 
world.

*basically, be a superstar

* instantly:

*subject to availability


Requirements: 

minimum: pentium PC 90 mhz, 16 MB, 16 bit (hi colour) graphics card, 
soundblaster compatible soundcard, 45 meg harddisk space, Windows95 or 
WindowsNT

recommended: the more powerful PC you have, the more you can get out of 
VJamm. 
Get Your Private, Free Email at http://www.hotmail.com

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From: David Myers <dmgraph@pulsewidth.com>
Subject: Mac software sources
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Off topic of course, but just sent this list to a friend & thought it might
also be of use to our illustrious listmembers:

Here's sources for some Mac music software, almost all of it
freeware/shareware--

Harmony Central is THE place to buy & sell gear, but has a lot of other
good stuff too.
Get these two thru Harmony Central
(http://www.harmony-central.com/Software/Mac/):

Pedalfects- like eight stompboxes.  It's usable realtime, but to save stuff
you must register for $100--probably too much.  Can get pretty wild, though.

SoundMaker (demo)  This is a really nice stereo sound editor with loads of
effects which competes with the $500-700 programs, but sells right now for
$30!  Ordered mine!

These two are "manglers"; AIFFs in, strangeness out:

thOnk_0+2:  http://www.audioease.com
Argeiphontes Lyre:  ftp://shoko.calarts.edu/pub/akira/al.sit.hqx

ReBirth (demo): http://www.propellerheads.se   Try the demo, lots o' fun.
The best $160 I ever spent, and my main impetus to go all-software.

ConvertMachine:  http://www.kagi.com/rod   This is cool; it will take
nearly any form of soundfile and convert to different formats.  Since many
of these programs spit out their own flavors, I use it to quickly make them
all plain-vanilla AIFFs.

Syd (software syth):  http://www.thepalace.com/jbum/   Kind of neat but not
real intuitive to use.  Still, it's free....

Soundhack-  http://music.calarts.edu/~tre   "SoundHack performs various
soundfile manipulations that have been previously unavailable on the
Macintosh. SoundHack includes soundfile type conversion, spectral mutation,
spectral dynamics processing, a varispeed/sample rate converter, soundfile
convolution, ring modulation, the phase vocoder, a binaural filter and an
amplitude analysis and gain change module."

MetaSynth-  http://www.arboretum.com   By the guy who created Bryce, it
makes music out of PICTs!  Impressive; try the demo- but the real deal is
about 200 bucks....

MaCthugha-  http://www.afn.org/~cthugha   Pretty cool audio-to-video,
billed as "an oscilloscope on acid".  If I were to perform again, I'd want
to get another guy to run this from my sounds.

And besides Harmony Central, here's another good source:

http://www.musicandaudio.com/mac3.htm

David Myers


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Date: Fri, 12 Mar 1999 12:12:51 -0500 (EST)
From: Adam Levin <alevin@DarkAether.Net>
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Subject: Loopin' 'n' lightshow in DC area tomorrow night
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At 9pm on Saturday, March 13th at Phantasmagoria located at 11319 Elkin
Street in Wheaton MD, The Dark Aether Project will release their latest
album "Feed The Silence" in a special performance complete with the
spectacular visual work of the Ohio-based Solar Fire Lightshow and their
multi-projection liquid light & film systems with multi-colored strobes,
black lights, smoke, beams and other amazing visual effects. These are the
same folks who do lights for Hawkwind and Gong as well as the Strange Daze
and Orion Space Rock Festivals. Expose magazine says "amazing loops and
shimmering textures that are at once haunting and dreamlike." Progression
says "...jazz-inflected, classy, offers mature musicianship without
pretentiousness...foreboding soundscape[s]".
See: http://www.darkaether.net/

Special guest for the evening will be German Warr Guitarist Markus Reuter,
member of Discipline Global Mobile recording artists Europa String Choir.
Markus will be performing solo ambient loop-based Warr Guitar as heard on
his solo CD "Taster".
See: http://ourworld.compuserve.com/homepages/mpeters/markus.htm

Also on the bill are space rock improv greats Quarkspace. 
See: http://www.quarkspace.com/

Showtime is 9pm and admission price is $10. This is an all ages show

Directions to Phantasmagoria:
Take Washington DC Beltway (495) toward Silver Spring.  
Exit at Rt 97 (Georgia Ave) North towards Wheaton
Go 2-3 miles on Georgia, keeping to the right
Turn right on University Blvd (after Safeway)
Take first right onto Elkin.
Phantasmagoria is on the left at 11319

Plenty of safe free parking is available

From Loopers-Delight-request@annihilist.com  Fri Mar 12 13:52:51 1999
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From: "Stephen P. Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
Subject: VJamm and Video... Rights...
Date: Fri, 12 Mar 1999 09:56:02 -0800
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The aspect of using video in live performance is an important one for me,
and while it's not always been possible to have good hookups in a facility,
one would like to plan for as much of a presentation as possible, yes?

Finding sources for material though, may travel into areas we've been to via
this newsletter before, that is, copyrights..  The aspect of "noone's
looking" is almost the opposite of an excuse if someone notices that you're
putting on a Show utilizing copyrighted material - and I understand that
there are some allowances, though I've not investigated it fully as yet
(concentrating on upping my audio capabilities first, though having just
entered into Video Capture Land, functionally).

How, for instance, did the so-called "Zoo TV" bit proceed without anyone
noticeably jumping up and yelling "infringement!"?  The idea of performing
with a bank of screens behind the band, frankly, was done by Lou Reed on his
"Rock N Roll Heart" tour in the 70s (he used experimental and live video,
though it clipped past quickly, and wasn't supposed to be a focus).  Combine
this with the Channel Surfing concept, and it would seem you have Zoo TV.
Nonetheless, there MUST have been some noise about capturing various
material in this manner.

Anyhoo, I choose the original material path at this time.  A fine, fine
"screen saver" (though I chuckle at the use of the word these days) is the
Psychedelic Screen Saver, by Synthesoft (http://www.synthesoft.com), which
is audio-sensitive (so much so on a fast PC that it revealed a weak link in
my system - the monitor isn't presently fast enough to keep up and NOT
strobe noticeably).  It's more than a spinning wireframe, too, and was used
during last year's MTV Music Awards by one band (Silverchair?  Korn?  I
don't know these new fellas much).  Really beautiful effects.

I contacted the folks at Synthesoft, who inform me that they have no
restrictions on the use of their fine product, for either performance OR
video tape use.  They wouldn't mind having some credit for making the
program, of course, which is IMNSHO is a positive business ethic at least.

Stephen Goodman * It's the Loop of the Week!
EarthLight Productions * http://www.earthlight.net

From Loopers-Delight-request@annihilist.com  Fri Mar 12 14:27:00 1999
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Date: Fri, 12 Mar 1999 11:26:20 -0800
From: scott kungha drengsen <kungha@earthlink.net>
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I'm redoing my stuff so;
Boomerang(4min)325.00
Vortex 200.00
ADA MB-1 200.00
Will trade for Jamman or Korg DL8000
               Thanks everyone and may all your loops reflect the
devine, synchronistic harmony of the universe as it manifests though
your unique place in space and time.          scott

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Subject: Imagine Program
Date: Fri, 12 Mar 1999 12:10:39 -0800
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I've downloaded the demo version of Imagine and after decoding the .hqx file
I ended up with a file called Imagine.sit which my computer doesn't know
what to do with.  This extracted file is also 1mb shorter than the original
downloaded imsit.hqx file.  Has anyone else downloaded the demo Imagine and
gotten it to work?

>I don't know if it will do everything you want, but Imagine allows
>programmable manipulation of live video
>
>http://www.xs4all.nl/~steim/imagine.html
>
>Stuart
>
>Stuart Fox
>CalArts Guitar
>sgfox@music.calarts.edu


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From: "Dan Bartell" <speck45@hotmail.com>
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Subject: Re: VJamm and Video... Rights...
Date: Fri, 12 Mar 1999 12:45:15 PST
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The aspect of using video in live performance is an important one for 
me,
and while it's not always been possible to have good hookups in a 
facility,
one would like to plan for as much of a presentation as possible, yes?

>Finding sources for material though, may travel into areas we've >been 
to via
>this newsletter before, that is, copyrights..  The aspect of "noone's
>looking" is almost the opposite of an excuse if someone notices that 
>you're
>putting on a Show utilizing copyrighted material - and I understand 
>that
>there are some allowances, though I've not investigated it fully as 
>yet
>(concentrating on upping my audio capabilities first, though having 
>just
>entered into Video Capture Land, functionally).

Yes, there are copyright issues all over the place, but I don't see 
where it's really a problem with VJamm, sure the demo comes with 
pre-existing video footage, BUT you can load your own video clips via 
avi files.....where is the problem if you make the video clips yourself.  
I think VJamm is really going to be an important product for all kind of 
performers.
Get Your Private, Free Email at http://www.hotmail.com

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Date: Fri, 12 Mar 1999 11:27:54 -0800 (PST)
From: petr dolak <pepetr@yahoo.com>
Subject: Fostex D-8 owners?
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Does anyone have some experience with Fostex D-8?  I am looking for
advices, privately: pepetr@yahoo.com




==






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Mar 12 18:14:47 1999
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Hi Bob! & all ya other looping freaks!!!!!

this is in response to: Loopers-Delight-d Digest Volume 99 : Issue 96
Subject: Video Looping          From: "BOB HENRY"


I have never done computer based or any other form of digital video looping.
All of my video loops were done with 1/2" reel-to-reel (b+w & color) video
equipment. I always used the looping technique of threading the videotape from
one deck to the next. On several occasions I even used a third deck!!!. I got
the idea to try this from Brian Eno's diagram of his audio loop system on the
back cover of "Discreet Music".

I agree that this was an extremely avant-garde mode of video exploration & was
not avidly explored by many because of the level of difficulty to achieve good
quality footage. All of my video looping was done while in college
(undergraduate & graduate school) which is how I had access to the reel-to-
reel equipment. I actually started using reel-to-reel video in high school,
but hadn't got the inspiration to try looping until later. During the five or
so years I was doing video loops I was the only artist who was doing so. I was
aware that other video artist before me had explored this area of video art,
but I was determined to take it further than anyone else had previously. I
think I was interested in pursuing video looping, because I tend to do the
things that others shy away from!


You are also correct in your statement that splicing video loops is
impractical (if not utterly impossible!)! Actually, I have never worked that
way with audio, either. Never liked the idea of cutting the tape! Video of
course was a "sync beast" waiting to be conquered. Dealing with the sync was a
continual battle that I always struggled with. Not to mention glitches,
because video looping is kinda hard on the tape; and the tape quality back
then was not near as good as it is now!

If you were to try to achieve a spliced video loop, as you suggest (& I bet
you're correct no one has ever achieved this), you would have to have a
mathematically perfect splice that ended on one video frame field as the next
were beginning (& since you wouldn't be able to "see" where that was--I'm
betting that's impossible)!!! I don't know if you're familiar with video
frames, but it's not linear, like audio, & each video frame consists of two
scanned fields. the video heads actually scan the tape at about a 45 degree
angle (/).


My days of experimenting with video loops is (probably) over forever. Even if
I managed to find some reel-to-reel machines (& they would have to be in
(near) perfect condition, there's no reel-to-reel videotape being made!!!

Now I've heard (read) many of you mentioning Digital Video Looping which I
know nothing about. Please enlighten me!!!!!!!!!!

Loopingly yrs,
Stevo Wolfson

sTeVo iN yR sTuDiO   (visual)
Pupaum   (audio)
http://www.angelfire.com/il/StevoInYrStudio/index.html   (computer graphics)
stevaum@aol.com

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From: "BOB HENRY" <BOBH@knme1.unm.edu>
Organization:  KNME-TV, University of New Mexico
To: Loopers-Delight@annihilist.com
Date:          Fri, 12 Mar 1999 16:49:20 GMT+7
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I agree with you on the overuse of computers in the live format. I've been
to enough shows of just a guy on stage in front of a laptop clicking a
mouse, you know, where the guy composed all of his tracks at home and just
switches them on and off on stage. I don't get any entertainment from
that. 
Don't get me wrong, I'm really impressed with a lot musicians using
computers to make recorded music, especially because they give the
musicians the chance to add tracks when they're inspired, not just when
their studio time is scheduled.
When I pay $10 to go to a show, I want to see a creative act, not just
folks playing all of the songs saved on thier hard drives.

matt


Alright...kudos to Matt!!! I'm in agreement with U about live performance.                                                          
Don't really see the point in paying money to see someone on stage 
"playing" their computer...what's the point, right?

Bob             

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In a message dated 3/12/99 11:47:12 AM, dmgraph@pulsewidth.com writes:

<<MaCthugha-  http://www.afn.org/~cthugha   Pretty cool audio-to-video,
billed as "an oscilloscope on acid".  If I were to perform again, I'd want
to get another guy to run this from my sounds.>>

MaCthuga runs itself in response to sound input, whether that sound is
internal to the computer -CD, soundfiles on Hard drive etc., or external-via
mic or direct input. On the Cathuga/MaCthuga theme, there's a new one of these
audio to interperative video programs on the horiaon called "MidiKaleido" by
Eric Wegner (inventor of Bryce and Metasynth) that should be out soon. It's
currently in limited use/testing.

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From: Mike.Biffle@wj.com (Mike Biffle)
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Matt...
>> I agree with you on the overuse of computers in the live format. I've been to
>> enough shows of just a guy on stage in front of a laptop clicking a mouse, 
>> you know, where the guy composed all of his tracks at home and just switches 
>> them on and off on stage. I don't get any entertainment from that. 

>> When I pay $10 to go to a show, I want to see a creative act, not just
>> folks playing all of the songs saved on thier hard drives.

Bob Henry...
> Alright...kudos to Matt!!! I'm in agreement with U about live performance.    
>  Don't really see the point in paying money to see someone on stage "playing" 
> their computer...what's the point, right?

Well, that analogy works fine for, I guess, the people *you're* talking about. 
But when you start getting into people like Pauline Oliveros and others, who are
developing real-time interactive computer interface methods, the issue gets much
grayer. 

While it's easy to "write" a bunch of tunes, sequence them, then play backing 
tracks for you to show off to. It's far different when someone approaches each 
performance with a blank slate, no net, and an open mind to the possibilities.

Walking the wire once again...
-Miko


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Date: Fri, 12 Mar 1999 19:21:42 EST
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Hi Jim & Looping Delighters!

Regarding: Loopers-Delight-d Digest Volume 99 : Issue 97
Subject: RE: Any Video Loopers?      From: Jim Bailey

If you haven't already explored reel-to-reel video looping, chances are you
never will! It would be pretty difficult to find reel-to-reel equipment in
excellent working condition, or reel-to-reel videotape.

WAIT A MINUTE!!! Even I don't like hearing myself say NEVER!!! If you wanted
to customize current equipment, I see no reason why you couldn't explore video
loops!
Anyone out there, doing that, or know of anyone doing it? I would be very
interested to hear about it. 

The only way to mix the video signals is with cameras and/or SEGs (Special
Effects Generators). If you can believe it, when I first began experimenting
with video looping, I naively tried "y-adapting" the video signals!!! Hello,
sync signal!!!

Regardless of how difficult video looping was to work with, I achieved
marvelous results on many occasions. I also used all types of different
methods to create my video looping tapes. I became an expert at (as you call
it) "the old camera-pointed-at-the-monitor trick". I LOVE VIDEO FEEDBACK!!! &
have spent hundreds of hours perfecting the technique. One year at Siggraph
(International Computer Graphics Convention), I had some real "Pioneers" of
video & computer technology, actually thinking my video feedback was created
using computer graphics. They just couldn't believe I had achieved what they
were seeing, by just aiming a camera into a video monitor, with no other
effects involved!!!

I think that video feedback is one of the most awesome examples of looping, &
proof of the organic nature of the electronic medium!!!
Any comments (or experiences) from the studio audience?

stevo in yr loopaholics

Stevo Wolfson - Electronic Media Artist
sTeVo iN yR sTuDiO   (visual)
Pupaum   (audio)
http://www.angelfire.com/il/StevoInYrStudio/index.html   (computer art)
stevaum@aol.com

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Reply-To: <ihunter@compusmart.ab.ca>
From: "Ian Hunter" <ihunter@compusmart.ab.ca>
To: <Loopers-Delight@annihilist.com>
Subject: first time in!
Date: 	Fri, 12 Mar 1999 16:27:44 -0700
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greetings!
Just bought a used Lexicon Jamman...Now what the hell do I do with it??? 
HAHAHA
Actually, I play six string bass and want to get into that wonderful Mark
Egan/Dave Friesen looped bass textured playing.  Great stuff!  If anyone
has any suggestions, comments, please drop me a note, and I'm looking
forward to getting in on the discussions!
Ian
http://www.compusmart.ab.ca/paragon
*************************************************
Let me start by expressing relief that there still is a
"state of the bass guitar" in a world of sequencer 
musicians and low-brain-capacity listeners.  (Anthony Jackson)

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From: "BOB HENRY" <BOBH@knme1.unm.edu>
Organization:  KNME-TV, University of New Mexico
To: Loopers-Delight@annihilist.com
Date:          Fri, 12 Mar 1999 17:01:11 GMT+7
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I'd like to apologise to the group for the slight bang with Bob H.  I did
get off line in my attitude towards him and, upon reflection, I find there
is more room for, as Bob H. recommends, a more "dignified" approach to our
replies.  I never intended a personal bent in what I said to Bob H.  I was
merely inflicting my own philosophical musings on him.  In a day and age of
30-second commercials, it is no longer wise to expect a person to reflect
beyond the mere appearance of words.  It is more disheartening to see it
happen via e-mail especially, where we feel a bit more freedom to disclose
our stream of consciousness.  I hope to continue contributing little speech
bubbles to these Looper's winds _ just hope they won't blow up on someone's
face again.

Thank you all.

Javier Miranda V.
Berkeley, Calif.

Well, spose it's my turn to step up to the plate and offer my 
profound appologies as well. Yes, I have a short fuse and as most of 
U had seen, I back-fired when I felt I was attacked... Sorry, Javier. 

Fact is, this is a really great "chat" here. Hope it continues on!

Cheers!

BH

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Date: Fri, 12 Mar 1999 20:52:32 -0500
Subject: Anyone using Minidisc for looping?
From: "jmw/cmu" <evening@ulster.net>
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I'm considering getting a Minidisc recorder and seem to remember hearing
that they can be used for looping bya combination of precise track ID
placement, repeat mode & the anti-skip memory feature ( whatever it's
called...)

Of course the salesman at the local Circuit City took 5 minutes to figure
out how the disc went in!
Imagine his confusion when I asked if he knew about editing track id's...

If anyone out there is doing this or knows where I can get some definite
info on the subjec,  please let me know.

Thanks,

jmw

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From: Jim Bailey <jbailey@corporate.southam.ca>
To: "'Stevaum@aol.com'" <Stevaum@aol.com>,
        "'looppost'" <loopers-delight@annihilist.com>
Subject: RE: Any Video Loopers?
Date: Fri, 12 Mar 1999 20:54:11 -0500
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>If you haven't already explored reel-to-reel video looping, chances are =
you
>never will! It would be pretty difficult to find reel-to-reel equipment =
in
>excellent working condition, or reel-to-reel videotape.

Sorta figured that, but thought I'd ask about it anyway.=20

>The only way to mix the video signals is with cameras and/or SEGs =
(Special
>Effects Generators). If you can believe it, when I first began =
experimenting
>with video looping, I naively tried "y-adapting" the video signals!!! =
Hello,
>sync signal!!!

I had wondered, way back then, if "y's" would work, and considered the =
sync signal problem, but without actually being able to try it had no =
idea what would happen (just what DOES happen, anyway?). Are there any =
remnants from those experiments, or others from that era?

>I think that video feedback is one of the most awesome examples of =
looping, &
>proof of the organic nature of the electronic medium!!!
>Any comments (or experiences) from the studio audience?

Yeah, I'm always amazed by it, too. I can imagine that the combination =
of audio and video loops must be quite awesome. Those still pictures on =
your site are fantastic, but moving ones would be even better!!

Keep it up!!

Jim Bailey
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From Loopers-Delight-request@annihilist.com  Fri Mar 12 22:37:49 1999
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To: Loopers-Delight@annihilist.com
From: murkie <murkie@panther.middlebury.edu>
Subject: Re: Anyone using Minidisc for looping?
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At 08:52 PM 3/12/99 -0500, you wrote:
>I'm considering getting a Minidisc recorder...


i don't use a minidisc recorder for loops per se, but i have one in my
onstage rig and use it to record my improvised loops for tampering with on
a later date.  for this it's fantastic!  a fairly inexpensive piece of gear
with really cheap media (cheaper than analog tape!!!).

i'd recomend one just for that.

m

p.s. - what a week!  first stanley kubrick passes away and now i have to
imagine king crimson as a levin/bruford-less quartet!  argh!

 

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

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Hi Douglas & Loopy Delighters,

Regarding: Loopers-Delight-d Digest Volume 99 : Issue 99
Subject: RE: Video Looping     From: Douglas Lawrence

OK, yes were straying slightly from the "Yellow Loop Road" here; but side
trips can often be scenic & worth the extra mileage!!!

I checked out the URL you provided For Nam June Paik and really enjoyed it!

Nam June Paik is the Grandfather of Video Art and I have admired his work for
more than 25 years.

Around 1982 Paik did a huge retrospective show at the Museum of Contemporary
Art in Chicago. At this exhibition one of his most ambitious & outstanding
pieces was "Video Waterfall", a moutainesque tower of video monitors--and I'm
sure you can figure out what the images were!

While in Chicago he lectured & hung out at the School of the Art Institute of
Chicago, where I was a graduate student & Graduate Assistant for the Video
Department; and at the Center for New Television where I was Assistant
Facilities Coordinator, so I got to enjoy his visit from a close perspective!
I also had the opportunity to spend a lot of time with Charlotte Moorman who
had accompanied Paik, & performed playing cello wearing the Paik "Video Bra".
Unfortunately, Moorman eventual died from breast cancer, which many contribute
to her performing hundreds of times wearing the "Video Bra".

While attending the Art Institute we had a host of Visiting (Video) Artist,
including Shigeko Kubato, Paik's wife. Most also lectured and exhibited work
at the Center for New Television. I consider myself fortunate to have had the
opportunity to meet & get to know some of the leading pioneers of Video Art!!!

Paik's Electronic Super Highway exhibition sounds really excellent! I wish I
had seen it. I also trner of Callowhill and 16th street"!!!

I was not aware of a Paik video from The Kitchen with music by Phillip Glass.
I'll have to check that out.

take care,
stevo in yr video

Stevo Wolfson - Electronic Media Artist
sTeVo iN yR sTuDiO   (visual)
Pupaum   (audio)
http://www.angelfire.com/il/StevoInYrStudio/index.html   (computer art)
stevaum@aol.com

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From: Michael Peters <mpeters@csi.com>
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Date: Sat, 13 Mar 1999 11:44:31 +0100
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> i tossed that jammer in my player a while back......what
> joy!!!!!!.......need i say more......

wait until you hear LDCD1 which is IMHO at least as interesting as LDCD2.

*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




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I use an MD deck in my setup, and while I don't use it as a live looper in
the sense of real-time live input, it does come in handy as a source to
pump prepared loops INTO live looping gear MIXED with real-time live input!
I use it more as a cheap sampler.

I suppose you COULD attempt to deal with real-time input, but any of the
arguments we've heard over the past week re computers being impractical
live because of the interface would be even more of a problem with a
MiniDisc since you can't use a footswitch, you'd have to take your hand(s)
off your instrument and the buttons are REALLY small. They're also almost
impossible to see onstage, since they're black on black! (Okay, you
probably COULD have the deck heavily modified for footswitch control and
you could paint the buttons a contrasting color, but that's a lot to go
through to end up with a seriously limited and inflexible looper!)

As far as using it as a sampler, it's great. The repeat mode allows looping
(but beware when shopping for a deck; they don't all HAVE repeat mode
buttons on the front panel!). The "splice" is very subtle, but you have to
take care to punch in/out precisely to avoid a glitch at the loop point; it
often takes a few tries to get a good sample, hence you probably won't want
to use it for live sound capture. It has its disadvantages when compared
with a "real" sampler; lack of MIDI, no pitch correction, etc., but one big
advantage I've found is there's no big wait for the thing to load! It takes
a couple of seconds for a disc to load, then all of the samples on that
disc are instantly accessible. A standard disc can hold 74 minutes stereo
(twice that in mono) but you're limited to 25 track ID's, so most of my
sample discs only use 10-20 percent of the disc's capacity. If you use a
multitracker to dump your loops to the MD, you can set it up either as
stereo or two paired mono tracks, then crossfade at the mixer. What I do
sometimes is record a texture (synth, ebow, nature sounds, whatever) to
multitrack, then overdub percussive stuff to it (hand drums, kit,
electronic percussion, whatever). Then when I mix to the MiniDisc, I pan
all the percussion to one side. That way, when you use the sample live
you've got the option of mixing synched percussion in and out of your
textural loop. You can also use this technique to crossfade two completely
unrelated loops if you want. I use some old pre-MIDI analog synths with no
presets, and the MiniDisc allows me to get the sound just right, then dump
a sequence to MD, so I don't have to mess with setting up patches in
real-time onstage, but can mutate them with delay and effects on their way
into the loop. It doesn't eliminate the element of user control/live
musicianship, it just changes the job description!

Being able to use the display to name your samples makes it a lot easier to
use the MiniDisc live, as THAT display is lighted! You just scroll through
the samples until you see the name you want, then (as long as you've got
REPEAT ALL selected) the sample will begin to loop automatically, without
having to go searching for the tiny, black-on-black PLAY button.

Another good thing is that if you really hate one sample on an otherwise
useable disc, you can go in and replace it without disturbing the rest of
the disc.

The MiniDisc is a very useful looping tool indeed, but it won't replace the
EDP or JamMan; it occupies an entirely different niche.

Hope this helps,

Tim

At 08:52 PM 3/12/99 -0500, you wrote:
>I'm considering getting a Minidisc recorder and seem to remember hearing
>that they can be used for looping bya combination of precise track ID
>placement, repeat mode & the anti-skip memory feature ( whatever it's
>called...)
>
>Of course the salesman at the local Circuit City took 5 minutes to figure
>out how the disc went in!
>Imagine his confusion when I asked if he knew about editing track id's...
>
>If anyone out there is doing this or knows where I can get some definite
>info on the subjec,  please let me know.
>
>Thanks,
>
>jmw
>
>

From Loopers-Delight-request@annihilist.com  Sat Mar 13 10:41:20 1999
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Date: Sat, 13 Mar 1999 10:35:26 -0500
Subject: More audio to video
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Hi all,

Two more audio to video programs:

*********

1.) Bliss Paint / Bliss Saver by Imaja: http://www.imaja.com/

MAC ONLY!

Paint allows you to create sequences which can be looped.

Demos are available - full package will cost you though (reasonable)

Both respond to audio and/or midi input. Saver is a basic playback engine.
Paint allows for creation of new content.

Most famous users: Grateful Dead, Brian Eno. I even saw Wendy Carlos use it
in her only live performance a few years back.

*********

2.) Bomb - by Scott Draves:http://www.cs.cmu.edu/~spot/bomb.html

versions for BeOs, Mac, Mac w/Max, Linux, SGI and WIndows

FREE with source code available for most platforms.

*********

Ken

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Thanks to all of you that have provided info about audio to video programs.
I finally got the Imagine demo program to work by the simple expedient of
downloading it on my Mac, since it's a Mac program.  The website doesn't
tell you that, ha ha.  However, even now that it sort of works on my Mac, I
found that the program complains all the time about insufficient memory,
though my g3 has 64 MB.  Also the program crashes a lot and moreover, the
PDF file for the manual is unreadable.  Has anyone else had these problems
with Imagine?  I recall a while back someone mentioning that they used a G3
notebook with Imagine.  How do you get external video into a notebook?  Is
there some sort of video card that can be installed in a notebook?  Do g3
notebooks have a PCI slot?
I tried the Bomb program on my PC and it stalls and crashes the computer
after the welcome screen comes up.  Don't Win32 programs work in a Windows95
computer?  Did I download the wrong program?  I didn't see any others on the
Bomb site that seemed more appropriate for Windows95.  I downloaded the Mac
version and it works incredibly well.  It's absolutely stunning.  I think
it's even better than the amazing Cthugha program.  I've actually gotten the
Cthugha program to work fine on Mac and PC.  However, the Mac version looks
vastly better, even though the implementation is not nearly as well
developed as the PC version.  All in all, in spite of all the problems,
these audio to video tools represent an incredible gold mine of
possibilites.  Now I only need to come up with the big bucks for a G3
notebook and an LCD projection system to use on stage.

Peter

>Hi all,
>
>Two more audio to video programs:
>
>*********
>
>1.) Bliss Paint / Bliss Saver by Imaja: http://www.imaja.com/
>
>MAC ONLY!
>
>Paint allows you to create sequences which can be looped.
>
>Demos are available - full package will cost you though (reasonable)
>
>Both respond to audio and/or midi input. Saver is a basic playback engine.
>Paint allows for creation of new content.
>
>Most famous users: Grateful Dead, Brian Eno. I even saw Wendy Carlos use it
>in her only live performance a few years back.
>
>*********
>
>2.) Bomb - by Scott Draves:http://www.cs.cmu.edu/~spot/bomb.html
>
>versions for BeOs, Mac, Mac w/Max, Linux, SGI and WIndows
>
>FREE with source code available for most platforms.
>
>*********
>
>Ken
>
>

From Loopers-Delight-request@annihilist.com  Sat Mar 13 16:50:27 1999
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Date: Sat, 13 Mar 1999 13:42:34 -0800
From: "Matthew P. Davignon" <mdavig@sfsu.edu>
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Once upon a time there was a remote control for my 10 year old Sony CD
player (CDP 570). This remote had a few really useful functions not
available on the unit itself. There was a really cool function called
"set loop B>A" that would allow you to set two points on the disc, and
when the reader reached the second point, it would go back to the first.
Of course, I didn't realize the musical  potential of this tool until 4
years after I lost it. It's sitting somewhere in the attic of a house in
Massachusetts.

My question is: Does anybody know where I can get a replacement remote
with this function, or if any new CD players have this function?

thanks,

matt

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Date: Sat, 13 Mar 1999 18:45:29 -0600
To: Loopers-Delight@annihilist.com
From: Keenan Lawler <klaw@pop.iglou.com>
Subject: NYC Boston gigs
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Hi everybody -playing in nyc tommorow night(sun)at ABC no rio COMA
series&RRR records in LOwell Mass on Sat 20 around 200pm hope to see some
fellow loopers.

K

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From: Tony Douglas <Ajdouglas@btinternet.com>
Subject: Minidisc for loops
Date: Sat, 13 Mar 99 23:10:47 GMT
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My first minidisc recorder was the Sony MZ1 (the portable that was the =
size of a housebrick 
and ran for an hour or so on the battery). Even though you should theoret=
ically have been 
able to set up loops on it using the anti-shock memory as the loop buffer=
, in practice there 
was always a horrid little click or hiccough at the start/end point of =
the loop. It was great for 
recording loops for later use though.

I've just gotten a Sharp MS701, and it has an optional mode for recording=
 148 minutes of 
mono sound - perfect for recording a couple of hours worth of playing wii=
th the JamMan 
(mono out !) and playing around with it later.

- Tony

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	ETAuAhUArOKdzF64qwQToTJLYuz4uQMYLBECFQCl79wjcW9ETdgFH2/eZoho86ChEg== 
From: SHGuyton@webtv.net (Stephanie Hardin)
Date: Sat, 13 Mar 1999 20:28:27 -0600 (CST)
To: Loopers-Delight@annihilist.com
Subject: i need help 
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on silent hill the game

From Loopers-Delight-request@annihilist.com  Sun Mar 14 03:32:59 1999
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I understand. Video game discs can be somewhat useless in the creation
of new music, even for "noise" musicians. Here's something that might
help.
Throw the disc into your regular CD player. Track 1 will be the game's
programming. If there's any more songs, those will be music or dialog
tracks. Video game dialog tracks are pretty fun for sampling. The
programming track (20-35 minutes) will probably make a lot of unpleasant
noise. If it doesn't, you can hear the noise by holding down the fast
forward button. If you loop the skipping sound while holding down the
fast forward button, then slow it down, you can get a sound that sounds
a little bit like a record scratching rhythm.

Well, I hope that helps.....Good luck!!

matt

Stephanie Hardin wrote:

> on silent hill the game



From Loopers-Delight-request@annihilist.com  Sun Mar 14 05:22:27 1999
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From: Michael Peters <mpeters@csi.com>
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Subject: AW: An obscure looping tool that I need.
Date: Sun, 14 Mar 1999 10:51:36 +0100
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matt wrote,

> Once upon a time there was a remote control for my 10 year old Sony CD
> player (CDP 570). This remote had a few really useful functions not
> available on the unit itself. There was a really cool function called
> "set loop B>A" that would allow you to set two points on the disc, and
> when the reader reached the second point, it would go back to the first.
> My question is: Does anybody know where I can get a replacement remote
> with this function, or if any new CD players have this function?

some CD players used to have this function. I have a cheap old one called 
STZ HCD-370 which has A-B repeat.

The problem is that the repeat on CD players isn't seamless - there is 
always a very short pause in between. If you want such a function, you'd be 
better off with a Minidisc player which can do really seamless looping, and 
are cheaper and more versatile.


*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




From Loopers-Delight-request@annihilist.com  Sun Mar 14 11:14:10 1999
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Subject: Gig on 3/16
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Just wanted to let you know that Bob Musso and I will be performing in
NY on Tuesday March 16th atBaby Jupiter- 170 Orchard St corner of
Stanton
212-982-2229 9:30 PM Tickets $5

This group will preview material from Musso's upcoming CD release.

Charles Burnham-violin
Lance Carter-drums
David C Gross-6 string fretless bass, electronics
Toby Kasavan-keyboard
Byard Lancaster-sax
Elliott Levin-sax, flute
Robert Musso-guitar

Thanks!
David C Gross
www.geocities.com/SunsetStrip/Venue/7773?






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Hey Keenan
Sorry I won't be able to make your gig after all as somethig has come up,
but good luck!  You'll be playing on a bill with a friend of mine, Kenta
Nagai who also plays guitar (w some looping).  It should be a good gig.
Regards...
ed


From Loopers-Delight-request@annihilist.com  Sun Mar 14 16:20:48 1999
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hey all - let me jump in an HEARTILY recomment the below show!!! 

I saw the Knit performance a week or two ago, and they were amazing - what
sets this show apart is how this band takes the language of jazz, dub,
ambient, looping, rock, and avant garde and makes it all flow together
without sounding "piecemeal". Bob is one of my heroes - a VERY unsung
guitarist & great composer.. some of you may remember Machine Gun - he's on
all their CDs.. also - look in your collections - Bob is the engineer on
virtually everything on axiom label or produced by Laswell - he
engineered/mixed the Sonny Sharrock stuff, also the Miles "panthalassa" and
24-7 Spyz debut, and so much more - ALL while self-releasing brilliant CDs
on his own label.

you know what?? I will buy you a drink if you don't thoroughly enjoy this
show!!

(disclaimer.. i'm an old friend of Bob';s drummer Lance and i know Bob a
bit, plus i met Dave at the Knit show - but- even with those biases - this
show/upcoming CD are KILLER!) Ps - David works in a wonderful section of
crazed fretless loops on da Boomerang !

now--i'll shut up!! here's dave's original invite!!
________________________________________________________________
Just wanted to let you know that Bob Musso and I will be performing in
> NY on Tuesday March 16th atBaby Jupiter- 170 Orchard St corner of
> Stanton
> 212-982-2229 9:30 PM Tickets $5
> 
> This group will preview material from Musso's upcoming CD release.
> 
> Charles Burnham-violin, Lance Carter-drums, David C Gross-6 string
fretless bass, electronics,  Toby Kasavan-keyboard,  Byard Lancaster-sax, 
Elliott Levin-sax, flute
> Robert Musso-guitar
> 
> Thanks!
> David C Gross
> www.geocities.com/SunsetStrip/Venue/7773?
> 

From Loopers-Delight-request@annihilist.com  Sun Mar 14 16:56:30 1999
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In a message dated 3/12/99 10:21:09 PM Mid-Atlantic Standard Time,
Mike.Biffle@wj.com writes:

<< While it's easy to "write" a bunch of tunes, sequence them, then play
backing 
 tracks for you to show off to. It's far different when someone approaches
each 
 performance with a blank slate, no net, and an open mind to the
possibilities.
 
 Walking the wire once again...
 -Miko
  >>
well put!..........michael

From Loopers-Delight-request@annihilist.com  Sun Mar 14 17:07:19 1999
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In a message dated 3/13/99 9:35:49 AM Mid-Atlantic Standard Time,
mpeters@csi.com writes:

<< wait until you hear LDCD1 which is IMHO at least as interesting as LDCD2.
 
 *	Michael Peters:		mpeters@csi.com
 *	escape veloopity:		electronic guitar loop music
 *	hop - fractals in motion: 	strange attractors
 *	http://ourworld.compuserve.com/homepages/Mpeters
  >>
please sent at once.....the check is in the
mail!.............:).........michael

From Loopers-Delight-request@annihilist.com  Mon Mar 15 01:20:49 1999
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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Looper's Delight sells out
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As many of you know, this whole Looper's Delight shebang is funded by my
wallet. It's all grown amazingly popular over the years, and consequently
the costs have gone up.

It's ok, I can afford it. No danger of things vanishing in the near future.
But for some time now I've had a goal of making the whole thing financially
self-supporting. I'd hoped the CD's would accomplish that, but so far
that's been a bit slow to come to fruition.

So I'm selling us out. :-)

That's right, I put my first ad on the LD web site. For all you idealistic
free the internet types out there, sorry. But for those of you interested
in buying Sonic Foundry's Acid, please click through the Sonic Foundry ad
on the web page! I get a cut for anything bought through that ad, which
will go towards paying the site costs.

(yeah, it's one of those bogus advertising deals where they get tons of
free publicity and I only get paid if something is bought by clicking on
the ad....it's a start anyway....)

In the event that any actual money shows up, I'll probably get us our own
domain name and such things.

If anyone else out there would like to put an ad on the site, I'm
listening, with shameless capitalism in my heart!


The ad is on the tools page, and also on the brand new Acid page:

http://www.annihilist.com/loop/tools/acid/acid.html

For all you Acid users out there, it would be great if you could make
useful content-like contributions to this page. It looks pretty lame when
just about the only thing on it is the ad! Reviews, user tips, other links,
etc.

thanks,

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Mar 15 02:06:20 1999
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From: Michael Peters <mpeters@csi.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: AW: Looper's Delight sells out
Date: Mon, 15 Mar 1999 08:01:08 +0100
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> So I'm selling us out. :-)

how could you ... !!! no, seriously, I think it's a very good idea. 

And also, let's keep pushing Matt and Ray Peck ... the first LDCD deserves to be available ...

*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




From Loopers-Delight-request@annihilist.com  Mon Mar 15 02:50:31 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Looper's Delight sells out
Date: Sun, 14 Mar 1999 23:16:13 -0800
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Kim, congratulations on having this initiative.  I love Acid!  I've been
using Acid for a couple of months already.  I'm no genius at it, but can see
it has great potential and, if you learn to live with the little rudenesses
(it's only 1.0 yet), it is an awesome program.  I know I'm interested in
some of those Acid Loop CDs, so I'll do my part and use the Looper's Delight
links.

Thanks, Kim, this list has been a great inspiration to me at least.

-----Original Message-----
From: Kim Flint [mailto:kflint@annihilist.com]
Sent: Sunday 14 March 1999 10:12 PM
To: Loopers-Delight@annihilist.com
Subject: Looper's Delight sells out


As many of you know, this whole Looper's Delight shebang is funded by my
wallet. It's all grown amazingly popular over the years, and consequently
the costs have gone up.

It's ok, I can afford it. No danger of things vanishing in the near future.
But for some time now I've had a goal of making the whole thing financially
self-supporting. I'd hoped the CD's would accomplish that, but so far
that's been a bit slow to come to fruition.

So I'm selling us out. :-)

That's right, I put my first ad on the LD web site. For all you idealistic
free the internet types out there, sorry. But for those of you interested
in buying Sonic Foundry's Acid, please click through the Sonic Foundry ad
on the web page! I get a cut for anything bought through that ad, which
will go towards paying the site costs.

(yeah, it's one of those bogus advertising deals where they get tons of
free publicity and I only get paid if something is bought by clicking on
the ad....it's a start anyway....)

In the event that any actual money shows up, I'll probably get us our own
domain name and such things.

If anyone else out there would like to put an ad on the site, I'm
listening, with shameless capitalism in my heart!


The ad is on the tools page, and also on the brand new Acid page:

http://www.annihilist.com/loop/tools/acid/acid.html

For all you Acid users out there, it would be great if you could make
useful content-like contributions to this page. It looks pretty lame when
just about the only thing on it is the ad! Reviews, user tips, other links,
etc.

thanks,

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com



From Loopers-Delight-request@annihilist.com  Mon Mar 15 03:00:55 1999
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From: M3chakucha@aol.com
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Date: Mon, 15 Mar 1999 02:51:48 EST
To: Loopers-Delight@annihilist.com
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Subject: Re: Loopin' 'n' lightshow in DC area tomorrow night
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Dear all,

	Great show by the solo artist and the two groups, technical difficulties
aside!  Glad to see that the DC area has not completely popularized itself out
of existence.  Had a blast, learned a bit, and really enjoyed the whole of the
show.

	Thanks Adam for posting it!

		Lee-ohki.

From Loopers-Delight-request@annihilist.com  Mon Mar 15 03:55:52 1999
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Date: Mon, 15 Mar 1999 03:34:53 EST
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Subject: RE: Any Video Loopers?
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This is a multi-part message in MIME format.

--part0_921486893_boundary
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Hello Jim & Loopers,

Regarding: Loopers-Delight-d Digest Volume 99 : Issue 103
From: Jim Bailey      Subject: RE: Any Video Loopers?

It would be possible to do video looping today, if you:
	- could locate two 1/2" reel-to-reel video machines in excellent working
	   condition; as well as some 1/2" reel-to-reel video tapes
	- could customize existing equipment to your specifications
	- had access to some commercial(1" or 2") video machines (which I've never 
	   had the opportunity to try) (this was suggested to me by Bob Henry)

It's hard to literarily describe what unsynced video looks like, but it's an
unstable, horizontally scanning, messed up image (i don't know if that
description does you any good?)! I have on many occasions used this type image
in video art pieces, & have much footage that I've never used. I haven't had
access to 1/2" video equipment in 16 years, so I haven't seen any of this
footage in a long time. I did get all my best reel-to-reel video art pieces
transferred to 3/4" & 1/2" video; and have even done some video art in recent
years that used fouled up, unsynced video images.

Much of the computer images on my website are an extension of my video art. I
did produce a short bit of animation of the "kaliedomandalascopic" piece, but
need a newer mac to really do what I want. (I'm currently working on a
'vintage' Mac IIci!)

I've included a graphic diagram of my basic video loop system, as an attached
file.
I hope this doesn't cause a problem for the Digest.

loopingly yours,
Stevo Wolfson - Electronic Media Artist
sTeVo iN yR sTuDiO   (visual)
Pupaum   (audio)
http://www.angelfire.com/il/StevoInYrStudio/index.html   (computer art)
stevaum@aol.com

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--ad_921486893_boundary--

--part0_921486893_boundary--

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Attention all fellow loopers:

Regarding: Loopers-Delight-d Digest Volume 99 : Issue 106

Today's Topics:
  RE: Any Video Loopers?                [ Stevaum@aol.com ]

<<I've included a graphic diagram of my basic video loop system, as an
attached

file. I hope this doesn't cause a problem for the Digest.>>

Apparently, it did cause a whole digest being sent, of the image in code form.
Please accept my apologies! I went to the LD website to see if there was any
information advised not to send attached files, but found nothing. 
I didn't know better--but at least now I know what it does!
I often learn the right way to do something, by doing it wrong!!!

If anyone would like the 33k, jpeg diagram of my Basic Video Loop System,
please send an email, & I will send you the file.

Discovering Loopers Delight has caused me to get back in touch with my old
video loop art, & I am currently going through my artchives to find whatever
2D images I may have representing this work. I will eventually add a page(s)
to my website devoted to my video loop art, for your perusal!!!

I Loop You All,
Stevo Wolfson - Electronic Media Artist

sTeVo iN yR sTuDiO   (visual)

Pupaum   (audio)

http://www.angelfire.com/il/StevoInYrStudio/index.html   (computer art)

stevaum@aol.com

From Loopers-Delight-request@annihilist.com  Mon Mar 15 08:23:35 1999
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Date: 	Mon, 15 Mar 1999 06:50:27 -0600 (CST)
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From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com
Subject: Obscure Looping Tool (Sony CD Player Remote)
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I used to have one of those CD players and it was my favorite CD player
until it crapped out and Sony could never fix it (they tried four times.
The last time I got it back and it was still not working correctly I was
so infuriated it ended up in the cat box (long story)).

I MAY still have one of those remote controls.  The remote ended up in
my mom's house and after she passed away lots of stuff went away so that
we could prepare the estate pieces for sale.

So....I'll look around and if I can find it I'll post back.  It may have
ended up getting thrown out, but stay tuned.

-Todd

From Loopers-Delight-request@annihilist.com  Mon Mar 15 14:49:59 1999
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Date: Mon, 15 Mar 1999 14:37:41 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Cthugha program
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Looks like Direct Input.  Do you have DirectX installed on your computer?

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Fri, 12 Mar 1999, Peter Spoecker wrote:

> I tried the alpha W95 version and when I try to run it I get this message:
> A REQUIRED .DLL FILE, DINPUT.DLL NOT FOUND
> Anybody know what this is about?  Where do I get this dinput.dll file?
> 
> 
> >I downloaded the alpha W95 version and it works flawlessly for the moment.
> >The sync with the music is there (along the CD is perfect, with line In I
> >got some graphic stuttering) and the graphic textures are really
> impressive.
> >I think this is one of the coolest progs I've ever tried. And interaction
> >potentials are awesome. I've been hypnotized to the screen for hours,
> >listening to Clifford Gilberto and UNKLE CDs.
> >
> >ciao
> >leo
> >
> >At 15.01 11/03/99 -0800, you wrote:
> >>Thanks for the information.  I'll try downloading the demo version of
> >>Imagine and see what it looks like.  The information on the site is a bit
> >>sparse about specifics (like what video capture boards are supported, is
> it
> >>Mac or PC or both, etc.)
> >>I still haven't been able to get the Cthuga program to work either on my
> >>computer or my brother's.  You get a series of stills that you can
> sequence
> >>with any key, but no effect with sound.  On my brother's computer there's
> >>the additional problem that the images only fill the upper half of the
> >>screen.  Anybody out there with personal experience with this program?
> What
> >>could be happening here that I can't get it to work?  All in all so far
> this
> >>program looks like a lot of the "freeware" that I've had experience with
> >>over the years; some good fun ideas, but not quite there yet.
> >>
> >>Peter
> >>
> >>
> >>
> >>>At 9:08 AM -0800 3/9/99, Peter Spoecker wrote:
> >>>>Another issue I've often wondered about is if there's any program that
> can
> >>>>modify video being played from an external input into a video card?
> >>>>Particularly cool would be sound activated color cycling.  I've done
> this
> >>>>using an Amiga video toaster system in a rather complex configuration.
> >>>>Anybody know if there's a program around that lets you use sound as a
> >>>>modulation source for color cycling or otherwise modulating a video
> signal
> >>>>being displayed with a video card in a PC?
> >>>
> >>>I don't know if it will do everything you want, but Imagine allows
> >>>programmable manipulation of live video
> >>>
> >>>http://www.xs4all.nl/~steim/imagine.html
> >>>
> >>>Stuart
> >>>
> >>>Stuart Fox
> >>>CalArts Guitar
> >>>sgfox@music.calarts.edu
> >>>
> >>>
> >>>
> >>
> >>
> >>
> >
> >
> 

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Date: Mon, 15 Mar 1999 11:23:45 -0800
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Loopers-Delight-d Digest V99 #106
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At 1:32 AM -0800 3/15/99, Stevaum@aol.com wrote:
><<I've included a graphic diagram of my basic video loop system, as an
>attached
>
>file. I hope this doesn't cause a problem for the Digest.>>
>
>Apparently, it did cause a whole digest being sent, of the image in code form.
>Please accept my apologies! I went to the LD website to see if there was any
>information advised not to send attached files, but found nothing.
>I didn't know better--but at least now I know what it does!
>I often learn the right way to do something, by doing it wrong!!!

usual netiquette for mailing lists is that attachments are a no-no. It's
not considered polite to transfer your files unsolicited onto a large
number of other people's hard disks, forcing them all to wait for the file
to download, blowing their email disk quotas in some cases, forcing
everyone to then take time to remove the file from their attachment
directory, etc. It's not a big deal with smaller files I guess, but a much
better practice is to put the file on a website and give people the URL, or
ask if anyone wants you to email it privately. There are a variety of
netiquette sites online, I happened across this one in a brief search, but
there are many others:

http://members.aol.com/fionalist/info/netiquette.htm


kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Mar 15 14:51:35 1999
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From: Kim Flint <kflint@annihilist.com>
Subject: RE: Any Video Loopers?
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At 12:34 AM -0800 3/15/99, Stevaum@aol.com wrote:
>
>It would be possible to do video looping today, if you:
>	- could locate two 1/2" reel-to-reel video machines in excellent
>working
>	   condition; as well as some 1/2" reel-to-reel video tapes
>	- could customize existing equipment to your specifications
>	- had access to some commercial(1" or 2") video machines (which
>I've never
>	   had the opportunity to try) (this was suggested to me by Bob Henry)

wouldn't it be much easier to do all of this digitally?

>It's hard to literarily describe what unsynced video looks like, but it's an
>unstable, horizontally scanning, messed up image (i don't know if that
>description does you any good?)!

I would think that a decent monitor would recover the sync pretty quickly
after it crossed that cut point... Probably wouldn't be too much different
than a tv encountering some brief interference.....

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Mar 15 15:33:46 1999
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Date: Mon, 15 Mar 1999 14:19:58 -0600
From: Melissa <mapeter@ilstu.edu>
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Subject: if you want to pick on Peavey, you'll have to get though me first
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I think people really don't know much about Peavey.  If you take some
time to learn about the company and their products you will find there
are of a higher quality than those other guys, I mean come on get real
if you add up the sales of Fender and Gibson from last year you still
don't equal what Peavey did.  I don't think everyone can be making the
same mistake.

Fender is a company I really like to pick on.  They have been living on
their laurels for to damn long.  They sell this imported crap from
Mexico, Japan, and other Asian countries for way to much.  I bet over 70
percent of what they sell comes from over seas.  I hate to tell you but
guitars from mexico ain't as good as the ones from the US.  I'm
certainly not being racist here but it is the simple truth.  And the
problem is they charge you just as much.  Anybody that would pay 3 or 4
hundred dollars for a fender squire ought to have their head checked.

It is these dumb beginners that mess up.  They see these guys on TV
playing fender and gibson but what they don't realize it that these guys
are mostly playing American made vintage stuff, don't get me wrong some
of it is good stuff.  But these kids go down to their local dealer and
buy a squire "I mean stab me with a spoon" a fender squire.  Any real
player knows a fender squire don't cut it.

And try to get service from Gibson, yeah right if you ever get to a live
body.

Peavey has got these guys beat hands down.

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From: "Peter Spoecker" <spoecker@didgeridoings.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Cthugha program
Date: Mon, 15 Mar 1999 12:22:58 -0800
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I got the missing DDL file from the Cthugha site and got the program working
on my PC.  I also downloaded the Mac version and I like it much better.
There are also several other very cool video synthesis/sequencing/modulation
programs that I'm getting that are only available for Mac, so it looks like
my video efforts will be entirely Mac based.

Peter


>Looks like Direct Input.  Do you have DirectX installed on your computer?
>
> Kevin
>
>
>Kevin Goldsmith kevin@unitcircle.com
>Unit Circle Media http://www.unitcircle.com/
>
>On Fri, 12 Mar 1999, Peter Spoecker wrote:
>
>> I tried the alpha W95 version and when I try to run it I get this
message:
>> A REQUIRED .DLL FILE, DINPUT.DLL NOT FOUND
>> Anybody know what this is about?  Where do I get this dinput.dll file?
>

From Loopers-Delight-request@annihilist.com  Mon Mar 15 16:09:46 1999
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Date: Mon, 15 Mar 1999 15:47:17 -0500
To: Loopers-Delight@annihilist.com
From: Robert Switzer <rswitzer@721.com>
Subject: Re:sell out, video looping, MAX/MSP on BeOS, other new, cool
  software
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At 10:12 PM 3/14/99 -0800, you wrote:

>
>(yeah, it's one of those bogus advertising deals where they get tons of
>free publicity and I only get paid if something is bought by clicking on
>the ad....it's a start anyway....)
>

I've got a couple of purchases pending from Sonic Foundry -- I'll make it a
point to make these through the link on the LD pages :-).

I've found Sonic Foundry products -- Acid, SoundForge, DirectX plugin
packs, etc. to be first-rate, and recommend them highly to anyone
interested in digital audio.

Speaking of which -- I just read that Opcode's MAX + the MSP digital audio
extensions are due to be ported to BeOS/Intel -- I think we had a thread on
MSP a while back, but for anyone who isn't familiar, MSP is a very flexible
and powerful tool for doing high-end, high-custom digital audio work on a
PPC Mac.  Given the native DSP power of upcoming Intel processors, MAX/MSP
on BeOS/Intel could turn out to be very interesting in the context of
looping/manipulating live analog audio in real time.

On the video looping front, Amsterdam Studio for electro-instrumental music
(STEIM) is offering a program called 'Big Eye', which appears to do
midi-driven video manipulation in real time.  The program costs $199/US,
but a free demo is available for both 68k and PPC Mac.  

No way my wheezing 68k Mac can deal with this, so if anyone who is more
amply endowed Mac-wise would like to check it out and report back, the
demo/info is available at:

 http://www.xs4all.nl/~steim/main.html

The STEIM pages also contain a link to a mailinglist dedicated to live
video performance/improvisation.  

I think loopers and others who perform live electronic music are on the
right track in looking to live video manipulation to add visual interest to
performance.

Finally, I just bought a $50 program from Amulet Software that adapts
Cubase/VST plugins to the DirectX environment. It works great -- DirectX
users can take advantage of the many free, high-quality VST plugins out
there on the net.


http://surf.to/amulet

rob    

From Loopers-Delight-request@annihilist.com  Mon Mar 15 16:43:03 1999
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From: murkie <murkie@panther.middlebury.edu>
Subject: OT! Re: if you want to pick on Peavey...
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okay, here's the other side of the coin.  sorry if this is off topic...

At 02:19 PM 3/15/99 -0600, you wrote:
>I think people really don't know much about Peavey.  If you take some
>time to learn about the company and their products you will find there
>are of a higher quality than those other guys, I mean come on get real
>if you add up the sales of Fender and Gibson from last year you still
>don't equal what Peavey did.  I don't think everyone can be making the
>same mistake.

sales don't equal quality.  celene dion has shown us that.

>It is these dumb beginners that mess up.  They see these guys on TV
>playing fender and gibson but what they don't realize it that these guys
>are mostly playing American made vintage stuff, don't get me wrong some
>of it is good stuff.  But these kids go down to their local dealer and
>buy a squire "I mean stab me with a spoon" a fender squire.  Any real
>player knows a fender squire don't cut it.

i won't even ask what constitutes a "real player", but i have been a
working musician for almost half my life.  i find i use my $100 mexican
squire strat a lot these days.  the neck is comfortable, the electronics
work and i'm not afraid of having it stolen or crushed by falling amps...

okay, so it's not a klein (and to be fair, i use my klein a lot more than
the strat).

i sold all of my peavy gear years ago because i was getting tired of having
my tech have to repair things onstage mid-show.

just my opinion.

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Mon Mar 15 17:08:49 1999
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To: Loopers-Delight@annihilist.com
Subject: RE: if you want to pick on Peavey, you'll have to get though me f
	irst
Date: Mon, 15 Mar 1999 15:58:59 -0600
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Yeah, fist fight (just kidding)!

I don't know, I've always been a Peavey fan also.  I remember lusting after
that Rudy Szarzo (sic?) bass with the active electronics; I thought that it
played like a dream.  I ended up settling on an Ibanez Musician with active
electronics (Japanese, if I'm not mistaken) that was exceptional.  My wife
is still angry at me for giving it away.  I just bought the Fender American
Standard Jazz bass w/active electronics, and it's an absolute joy.  I tried
the Mexican model (less expensive), but didn't like it at all, though for
the price, it will fit someone.  Point is, there's a model for everyone,
price dependent.   It's all good...

-----Original Message-----
From: Melissa [mailto:mapeter@ilstu.edu]
Sent: Monday, March 15, 1999 2:20 PM
To: Loopers-Delight@annihilist.com
Subject: if you want to pick on Peavey, you'll have to get though me
first


I think people really don't know much about Peavey.  If you take some
time to learn about the company and their products you will find there
are of a higher quality than those other guys, I mean come on get real
if you add up the sales of Fender and Gibson from last year you still
don't equal what Peavey did.  I don't think everyone can be making the
same mistake.

Fender is a company I really like to pick on.  They have been living on
their laurels for to damn long.  They sell this imported crap from
Mexico, Japan, and other Asian countries for way to much.  I bet over 70
percent of what they sell comes from over seas.  I hate to tell you but
guitars from mexico ain't as good as the ones from the US.  I'm
certainly not being racist here but it is the simple truth.  And the
problem is they charge you just as much.  Anybody that would pay 3 or 4
hundred dollars for a fender squire ought to have their head checked.

It is these dumb beginners that mess up.  They see these guys on TV
playing fender and gibson but what they don't realize it that these guys
are mostly playing American made vintage stuff, don't get me wrong some
of it is good stuff.  But these kids go down to their local dealer and
buy a squire "I mean stab me with a spoon" a fender squire.  Any real
player knows a fender squire don't cut it.

And try to get service from Gibson, yeah right if you ever get to a live
body.

Peavey has got these guys beat hands down.

From Loopers-Delight-request@annihilist.com  Mon Mar 15 17:14:41 1999
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Date: Mon, 15 Mar 1999 16:57:13 -0500
From: John + Diane Parada <jparada@pop.interport.net>
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Subject: ebay 
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ebay is the best!!!! I just picked up a carvin for $385!!!I love carvin
gtrs and pour over their cataloug a couple times a year. when i found
this gtr listed I knew I had found a bargain. this is a really big find
for me, I just needed to tell everybody. anyone interested in discussing
ebay , carvin or hypnosis feel free to correspond of the line.....have a
nice day. jp


 http//www.changenow.com

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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: <jparada@changenow.com>, <Loopers-Delight@annihilist.com>
Subject: RE: ebay 
Date: Mon, 15 Mar 1999 15:39:23 -0800
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Ebay doesn't hold a candle to harmony central's classified ads but it isn't
bad. Naturally, I use them both, but I check h/c 3 times a day.

bIz



> -----Original Message-----
> From: John + Diane Parada [mailto:jparada@pop.interport.net]
> Sent: Monday, March 15, 1999 1:57 PM
> To: Loopers-Delight@annihilist.com
> Subject: ebay
>
>
> ebay is the best!!!! I just picked up a carvin for $385!!!I
> love carvin
> gtrs and pour over their cataloug a couple times a year. when i found
> this gtr listed I knew I had found a bargain. this is a
> really big find
> for me, I just needed to tell everybody. anyone interested in
> discussing
> ebay , carvin or hypnosis feel free to correspond of the
> line.....have a
> nice day. jp
>
>
>  http//www.changenow.com
>
>

From Loopers-Delight-request@annihilist.com  Mon Mar 15 19:28:01 1999
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Date: Mon, 15 Mar 1999 16:00:18 -0800 (PST)
From: "Rev. Doubt-Goat" <dgoat@rocketmail.com>
Subject: Re: if you want to pick on Peavey, you'll have to get though me first
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93


---Melissa <mapeter@ilstu.edu> wrote:
>
> I think people really don't know much about Peavey.  

Well, unless they make a looper, I don't see much
reason to be discussing them at all.

93
Rev. Doubt-GoaT
===
          The Homepages of the Doubt-Goat

               The Darsan Trio
               Sekhet Maat Oasis, O.T.O.
               Lion & Serpent

          http://www.easystreet.com/~twilliam

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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From: "matthew P. Davignon" <mdavig@sfsu.edu>
Subject: Re: Obscure Looping Tool (Sony CD Player Remote)
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Oooh oooh thank you! You just scared me, actually. My CD player has just
developed a skipping problem. I guess putting in soapy CD's was a bad idea.
It's probably just the laser needs realigning or some junk. I'm probably
going to take it to an independent repair place. 
It's bothersome, though. I think the only pieces of equipment that I have
that are not broken are my hands, and sometimes even they don't clap right! :)

thank you, I'll pay you for it

matt

At 06:50 AM 3/15/99 -0600, you wrote:
>I used to have one of those CD players and it was my favorite CD player
>until it crapped out and Sony could never fix it (they tried four times.
>The last time I got it back and it was still not working correctly I was
>so infuriated it ended up in the cat box (long story)).
>
>I MAY still have one of those remote controls.  The remote ended up in
>my mom's house and after she passed away lots of stuff went away so that
>we could prepare the estate pieces for sale.
>
>So....I'll look around and if I can find it I'll post back.  It may have
>ended up getting thrown out, but stay tuned.
>
>-Todd
>
>
>

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Dear Gareth,

Thanks to Jeff Shorthouse, I've found
following sites very interesting.

For downloding free Plugins, check out:

http://www.dbrown.force9.co.uk/

This will give you other links that offer free plugins
such as the long delay you are seeking.

http://www.event1.com

also offers free delay plugin but it is a bit
taxing on the hard-drive and interrups play
when applying it during a song in real time but
it offers some interesting features and presets.

There you go.
Have fun !

Steve (Curbie)

  

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fretless6 wrote:

> Just wanted to let you know that Bob Musso and I will be performing in
> NY on Tuesday March 16th atBaby Jupiter- 170 Orchard St corner of
> Stanton
> 212-982-2229 9:30 PM Tickets $5
>
> This group will preview material from Musso's upcoming CD release.
>
> Charles Burnham-violin
> Lance Carter-drums
> David C Gross-6 string fretless bass, electronics
> Toby Kasavan-keyboard
> Byard Lancaster-sax
> Elliott Levin-sax, flute
> Robert Musso-guitar
>
> Thanks!
> David C Gross
> www.geocities.com/SunsetStrip/Venue/7773?

    Wish I could be there! Good Luck!!!! James

From Loopers-Delight-request@annihilist.com  Tue Mar 16 01:41:11 1999
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From: Hawkeye255@aol.com
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Date: Tue, 16 Mar 1999 00:38:22 EST
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Subject: Re: if you want to pick on Peavey, you'll have to get though me first
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Here, here!!  I just bought a Peavey TL Five Bass because it was (by far) the
best and best-looking used bass in the store.  Neck through, great electrics
and really nicely finished.  In addition, I've had a Peavey acoustic six-
string for several years now.  They were hand-made in Finland.  And to my ear
it has a better overall sound than any other high-end acoustic at a third the
price.  Our lead guitar player usually picks it up for several numbers instead
of his trusty Martin.  He says it is much easier to play and the sound is more
even throughout the range of the instrument.  Finally their Amps are fantastic
bargains too.

my 2 cents.

Hawkeye

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From: "William Appleton" <wolvz@swbell.net>
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Subject: Re: OT! Re: if you want to pick on Peavey...
Date: Tue, 16 Mar 1999 11:57:29 -0500
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Yikes! How did this thread get started?!  Any way, I've used a lot of Peavey
gear in the last 25 years.  (I'm from MS where its made...) And *every* time
I give their stuff a try again, I get burned.

>>It is these dumb beginners that mess up.

Peavey's gear has always been noisy and much of it seems to be aimed at
beginners.
I guess they do make a few medium-priced guitars like the Wolfgang thing
(which I actually like).
My first Squier strat was made in Japan, and was a *great* guitar for $250.
I used it for much the same reason Mark C. mentioned below.  For real
stratiness though, I use my G&L S500.
At any rate... they don't make a serious looping device (not that this will
prevent a long and evil smelling thread to arise....) and every piece of
gear Peavey, or otherwise can make spiffy sounds in the right hands.

-=WFA=-


-----Original Message-----
From: murkie <murkie@panther.middlebury.edu>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, March 15, 1999 5:01 PM
Subject: OT! Re: if you want to pick on Peavey...


>okay, here's the other side of the coin.  sorry if this is off topic...
>
>At 02:19 PM 3/15/99 -0600, you wrote:
>>I think people really don't know much about Peavey.  If you take some
>>time to learn about the company and their products you will find there
>>are of a higher quality than those other guys, I mean come on get real
>>if you add up the sales of Fender and Gibson from last year you still
>>don't equal what Peavey did.  I don't think everyone can be making the
>>same mistake.
>
>sales don't equal quality.  celene dion has shown us that.
>
>>It is these dumb beginners that mess up.  They see these guys on TV
>>playing fender and gibson but what they don't realize it that these guys
>>are mostly playing American made vintage stuff, don't get me wrong some
>>of it is good stuff.  But these kids go down to their local dealer and
>>buy a squire "I mean stab me with a spoon" a fender squire.  Any real
>>player knows a fender squire don't cut it.
>
>i won't even ask what constitutes a "real player", but i have been a
>working musician for almost half my life.  i find i use my $100 mexican
>squire strat a lot these days.  the neck is comfortable, the electronics
>work and i'm not afraid of having it stolen or crushed by falling amps...
>
>okay, so it's not a klein (and to be fair, i use my klein a lot more than
>the strat).
>
>i sold all of my peavy gear years ago because i was getting tired of having
>my tech have to repair things onstage mid-show.
>
>just my opinion.
>
>m
>
>=====================================================================
>=                                                                   =
>=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
>=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
>=                  internet: murkie@middlebury.edu                  =
>=          http://www.middlebury.edu/~mchriste/murkie.html          =
>=                                                                   =
>=====================================================================
>

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>Ebay doesn't hold a candle to harmony central's classified ads but it isn't
>bad. Naturally, I use them both, but I check h/c 3 times a day.

www.recycler.com is even better than harmony central.  The ads get updated
once a week and I've found MUCH more music stuff there than even harmony
central.


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Subject: Re: Loop subtraction + VST looper plugin?
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The soon-to-be-released 'pluggo' from

http://www.cycling74.com

features a 30 second delay plugin apparently.

os.



Steve Han wrote:
> 
> Dear Gareth,
> 
> Thanks to Jeff Shorthouse, I've found
> following sites very interesting.
> 
> For downloding free Plugins, check out:
> 
> http://www.dbrown.force9.co.uk/
> 
> This will give you other links that offer free plugins
> such as the long delay you are seeking.
> 
> http://www.event1.com
> 
> also offers free delay plugin but it is a bit
> taxing on the hard-drive and interrups play
> when applying it during a song in real time but
> it offers some interesting features and presets.
> 
> There you go.
> Have fun !
> 
> Steve (Curbie)
> 
> >From Loopers-Delight-request@annihilist.com  Tue Mar 16 01:15:04 1999

-- 
Os
os@scee.sony.co.uk
os@collective.co.uk
http://www.collective.co.uk/

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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Looper's Delight sells out
Date: Mon, 15 Mar 1999 17:24:12 -0600
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FLATTERED that you would ask our opinion after the hours of  your life
shaved off by maintaining this site . . .

any ads you want including (swallow hard) John Tesh

thanks again for this meeting place

drone on~~~~~~~~
Tom Lambrecht
hideo@concentric.net


-----Original Message-----
From: Kim Flint <kflint@annihilist.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, March 15, 1999 12:23 AM
Subject: Looper's Delight sells out


>As many of you know, this whole Looper's Delight shebang is funded by my
>wallet. It's all grown amazingly popular over the years, and consequently
>the costs have gone up.
>
>It's ok, I can afford it. No danger of things vanishing in the near future.
>But for some time now I've had a goal of making the whole thing financially
>self-supporting. I'd hoped the CD's would accomplish that, but so far
>that's been a bit slow to come to fruition.
>

SNIP

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Subject: RE: ebay 
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>
>
> >Ebay doesn't hold a candle to harmony central's classified
> ads but it isn't
> >bad. Naturally, I use them both, but I check h/c 3 times a day.
>
> www.recycler.com is even better than harmony central.  The
> ads get updated
> once a week and I've found MUCH more music stuff there than
> even harmony
> central.
>
>
>

Recycler puts a hold on all submissions for one week, to let their
'subscribers' get first pick. I stopped bothering with them, though I guess
every place is good.

I need a new hobby, to take place of this 'bargain hunting'. Hmm, maybe I'll
pick up music. :>

bIz

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From: Clifford Novey <clifsound@earthlink.net>
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Regarding the Peavy thread-
I find that some of my favorite gear is cheap gear- I was given a Strat
copy made by Harmony which has more classic Strat tone than many I have
tried before- also- in the world of a million Les Pauls and a billion
Strats- it can be a Godsend to hear an old cheap Hagstrom or Silvertone
etc.- unpopular/ cheap equip. is sometimes unique equip.! It is relative
really-

Cliff

From Loopers-Delight-request@annihilist.com  Tue Mar 16 14:27:46 1999
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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: <Loopers-Delight@annihilist.com>
Subject: OT RE: Cheap Gear
Date: Tue, 16 Mar 1999 10:47:47 -0800
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I just bought a Digitech 256XL to go with my Lexicon Processors. For $70, I
didn't think I could go too wrong. I find a mix of the cheap and the fancy
makes the best mix for me. The cheap stuff is, well, cheap, and unique in
it's cheapness.

On an unrelated note, is anyone getting absolutely sick of the really bad
techno that appears in every ad on tv these days? It's out-discoing disco!

Dt Tsh Dt Tsh Dt Tsh Dt Tsh Dt Tsh Dt Tsh
Boowow Wacka Wacka Boowow Wacka Wack Boowow
SSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSNare

Argh!!! Can't they hire >real< musicians?

bIz


> -----Original Message-----
> From: Clifford Novey [mailto:clifsound@earthlink.net]
> Sent: Tuesday, March 16, 1999 8:42 AM
> To: Loopers
> Subject: Cheap Gear
>
>
> Regarding the Peavy thread-
> I find that some of my favorite gear is cheap gear- I was
> given a Strat
> copy made by Harmony which has more classic Strat tone than
> many I have
> tried before- also- in the world of a million Les Pauls and a billion
> Strats- it can be a Godsend to hear an old cheap Hagstrom or
> Silvertone
> etc.- unpopular/ cheap equip. is sometimes unique equip.! It
> is relative
> really-
>
> Cliff
>
>

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Date: Tue, 16 Mar 1999 13:55:25 EST
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the multiply footswitch on my edp works every now and then
i have to tap it several times and hope that it works
where as the one on the front works all the time
the footswitch is relatively new
it hasnt been banged up or anything of the sort
and all the other buttons work well
would this be a problem with the actually button or the capacitors
any one with similar problems?

rodrigo

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> 
> >
> >
> > >Ebay doesn't hold a candle to harmony central's classified
 >
> > www.recycler.com is even better than harmony central.  The

> I need a new hobby, to take place of this 'bargain hunting'. Hmm, maybe I'll
> pick up music. :>


you guys all missed my point. Not where I found it but that i found it
an excellent condition carvin gtr for under$400. jp

From Loopers-Delight-request@annihilist.com  Tue Mar 16 17:25:40 1999
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Date: Tue, 16 Mar 1999 14:09:19 -0800
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From: Kim Flint <kflint@atitech.com>
Subject: Re: funky footswitch
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it's probably the switch gone bad or dirty or whatever. It's very simple to
fix, actually. You can probably get Gibson/Oberheim to fix it, or you could
do it yourself if you can manage a soldering iron. Gibson would probably
send you one of the switches if you ask them, or you can by the exact same
part from Mouser. (www.mouser.com, don't remember the part#, sorry).  Or you
could get a completely different switch if you want. Just has to be a
momentary switch, preferably the industrial variety. 

If you open the pedal up, you'll see its very easy to replace a switch. We
intentionally designed the footpedal to have a very simple circuit so that
it could suffer any manner of abuse and then be repaired by practically anyone. 

good luck-

kim


At 01:55 PM 3/16/99 EST, you wrote:
>the multiply footswitch on my edp works every now and then
>i have to tap it several times and hope that it works
>where as the one on the front works all the time
>the footswitch is relatively new
>it hasnt been banged up or anything of the sort
>and all the other buttons work well
>would this be a problem with the actually button or the capacitors
>any one with similar problems?
>
>rodrigo
>
>
>
________________________________________________________
Kim Flint, MTS                  408-752-9284
ATI Research                    kflint@atitech.com
http://www.atitech.com

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I think that YOU missed THEIR point. Obviously because you found a guitar
that you love on e-bay you are a fool who should have waited until one
appeared on harmony-central, or apparently, recycler.com.

I've heard that Peavey gear sucks unless you get it from one of those
auction sites.   =;^P




At 03:40 PM 3/16/99 -0500, you wrote:

>> > >Ebay doesn't hold a candle to harmony central's classified
> >
>> > www.recycler.com is even better than harmony central.  
>
>you guys all missed my point. Not where I found it but that i found it
>an excellent condition carvin gtr for under$400. jp
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

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Subject: Re: Loop subtraction + VST looper plugin?
From: "Ken Mistove" <kmistove@eclipse.net>
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Hi,

> The soon-to-be-released 'pluggo' from
> 
> http://www.cycling74.com
>
> features a 30 second delay plugin apparently.

I don't have my hands on "pluggo" yet (very soon), but I will be taking a
look at turning my looping patcher "Procrastination" (currently four 60
second delay lines) into a plug-in. Stay tuned...

Ken

for my Listening Room and other oddities:
http://www.eclipse.net/~kmistove/

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From: Mike.Biffle@wj.com (Mike Biffle)
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CZ...
> I think that YOU missed THEIR point. Obviously because you found a guitar that
> you love on e-bay you are a fool who should have waited until one appeared on 
> harmony-central, or apparently, recycler.com.

You should have orderd direct from Carvin, then dickered them down to your 
price! |:=/>

CZ...
> I've heard that Peavey gear sucks unless you get it from one of those auction 
> sites.   =;^P

Here's the summary: Ebay sucks... Peavey sucks... Harmony Central sucks 
(relative to Recycler) Way Huge is outabiz... Lovetone's still around and will 
rule the world someday... %{:?-

Here's a hint... You haven't lived until you dump this cumbersome online 
techno-crapola and gotten into your car and driven to the stores where you can 
get the REAL story on the gear you're looking for! All the secret shortcuts and 
hints the PROS use... Out there in the real world where men are men... etc. The 
guys at the stores are EXPERTS at what they're selling and could save you a lot 
of grief after some impulse buy at an online site! Join the real world you 
geeks! 8->

Biffoz...




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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
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Subject: RE: Re[2]: [Fwd: Re: ebay]
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>I think that YOU missed THEIR point. Obviously because you found a guitar
>that you love on e-bay you are a fool who should have waited until one
>appeared on harmony-central, or apparently, recycler.com.
>
>I've heard that Peavey gear sucks unless you get it from one of those
>auction sites.   =;^P
>

Exactly! You got your guitar, yah de yah, wohoo!, it arrived! and all that.
But >now< you've got it. What are you going to do >now?< There's only one
thing to do - it's time for the next one! OR the next one! OR the next one!!
Better yet! Sell the guitar for a $5 profit! Damn, I'll do anything to keep
me from actually having to write any music...

>
> Here's a hint... You haven't lived until you dump this
> cumbersome online
> techno-crapola and gotten into your car and driven to the
> stores where you can
> get the REAL story on the gear you're looking for! All the
> secret shortcuts and
> hints the PROS use... Out there in the real world where men
> are men... etc. The
> guys at the stores are EXPERTS at what they're selling and
> could save you a lot
> of grief after some impulse buy at an online site! Join the
> real world you
> geeks! 8->
>

ROFLOL

Where is this magical place where the salespeople actually know more than
their customers about their products?

bIz

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From: Mike.Biffle@wj.com (Mike Biffle)
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> ROFLOL

PWAYRT???

> Where is this magical place where the salespeople actually know more than 
> their customers about their products?
> bIz

There's a song about it, sung to the tune of "Somewhere Over The Rainbow".

A nod of appreciation *does* go to Leo's Pro Audio in Oakland. It's still hard 
to ferret out anything approaching deep, relative to what we access daily here 
on the LD list. They never have enough time to really dig in... It's hard when 
other people are pestering you.

-B. Fozz

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In a message dated 3/16/99 9:26:38 PM Mid-Atlantic Standard Time,
kmistove@eclipse.net writes:

<< for my Listening Room and other oddities:
 http://www.eclipse.net/~kmistove/ >>

ken.....a most wonderful site.......michael

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Mike Biffle wrote:


> Here's a hint... You haven't lived until you dump this cumbersome online
> techno-crapola and gotten into your car and driven to the stores where you can
> get the REAL story on the gear you're looking for! All the secret shortcuts and
> hints the PROS use... Out there in the real world where men are men... etc. The
> guys at the stores are EXPERTS at what they're selling and could save you a lot
> of grief after some impulse buy at an online site! Join the real world you
> geeks! 8->
Well thanks for the hint Mike, but I guess everything is relative.Some
folks have a busy life and don't have time to drive around all day. As a
matter of fact, I feel I'm the EXPERT of what I like, and I recognize it
online or in a magazine. In my opinion, the guys at the music store
either seem to be highschool kids who play or maybe to you the 40year
old long haired wannabe at the music store whose still waiting for his
lucky break is the expert.	
	 If that's the real world for you Mike maybe you better go get a new
Mel Bay book and run some jazz scales for your 19 yearold gtr teacher at
the local music store, I heard he's got a new Van Halen riff he wants
you to learn .. have a nice day....jp

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	Damn . . . people seem to be getting pretty upset about this  . . . 

	all i want to know is how about us 40-somethings sortaares?




> > Here's a hint... You haven't lived until you dump this cumbersome online
> > techno-crapola and gotten into your car and driven to the stores where
> you can
> > get the REAL story on the gear you're looking for! All the secret
> shortcuts and
> > hints the PROS use... Out there in the real world where men are men...
> etc. The
> > guys at the stores are EXPERTS at what they're selling and could save
> you a lot
> > of grief after some impulse buy at an online site! Join the real world
> you
> > geeks! 8->
> Well thanks for the hint Mike, but I guess everything is relative.Some
> folks have a busy life and don't have time to drive around all day. As a
> matter of fact, I feel I'm the EXPERT of what I like, and I recognize it
> online or in a magazine. In my opinion, the guys at the music store
> either seem to be highschool kids who play or maybe to you the 40year
> old long haired wannabe at the music store whose still waiting for his
> lucky break is the expert.	
> 	 If that's the real world for you Mike maybe you better go get a new
> Mel Bay book and run some jazz scales for your 19 yearold gtr teacher at
> the local music store, I heard he's got a new Van Halen riff he wants
> you to learn .. have a nice day....jp

From Loopers-Delight-request@annihilist.com  Tue Mar 16 21:39:57 1999
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Date: Tue, 16 Mar 1999 21:34:40 -0500
From: John + Diane Parada <jparada@pop.interport.net>
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nothing personal to all 40ish, music store employees or kids who work
there; unless you are a wannabe waiting for your lucky break. sorry
everybody else, all I wanted to do originally was share my news that I
got a nice gtr at a nice price, and where....good night.jp

From Loopers-Delight-request@annihilist.com  Tue Mar 16 22:14:34 1999
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Date: Tue, 16 Mar 1999 19:10:03 -0800
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From: Chris Muir <cbm@well.com>
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At 8:04 PM -0500 3/16/99, John + Diane Parada wrote:
> Mike Biffle wrote:
> 
> 
>> Here's a hint... You haven't lived until you dump this cumbersome online
>> techno-crapola and gotten into your car and driven to the stores where you can
>> get the REAL story on the gear you're looking for! All the secret shortcuts and
>> hints the PROS use... Out there in the real world where men are men... etc. The
>> guys at the stores are EXPERTS at what they're selling and could save you a lot
>> of grief after some impulse buy at an online site! Join the real world you
>> geeks! 8->
> Well thanks for the hint Mike, but I guess everything is relative.Some
> folks have a busy life and don't have time to drive around all day. As a
> matter of fact, I feel I'm the EXPERT of what I like, and I recognize it
> online or in a magazine. In my opinion, the guys at the music store
> either seem to be highschool kids who play or maybe to you the 40year
> old long haired wannabe at the music store whose still waiting for his
> lucky break is the expert.	
> 	 If that's the real world for you Mike maybe you better go get a new
> Mel Bay book and run some jazz scales for your 19 yearold gtr teacher at
> the local music store, I heard he's got a new Van Halen riff he wants
> you to learn .. have a nice day....jp


Living proof that sarcasm doesn't translate on line.

Chris 
____________________________________________________________
Chris Muir     |     cbm@well.com      |     got moloko?

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good luck

From Loopers-Delight-request@annihilist.com  Tue Mar 16 23:14:27 1999
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From: Kriist@aol.com
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Subject: MIDI and microtonality
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any loopers out there using midi guitar rigs to get into microtonality
i was in a guitar store the other day and started fiddling with the vg8
i could care less about all the amp/guitar/speaker simulations
i like all of the modeling stuff its capable of doing
in a matter of minutes i was getting sounds that were out of hand
and thats not even understanding the os(which seems to be a pain in the arse)
my guitar teacher is selling me his gk2a for cheap and im thinking of getting
into midi guitar(i play piano/keyboards so i never went for the guitar/midi
thing before)
i just want to know if its possible to get into the tuning tables of the
guitar/midi gear like in keyboard gear
anybody doing that kind of thing?
thoughts? suggestions?
 
and for that matter i was looking at the lucytuned guitar page a while ago and
although i wasnt too drawn to their 'true tuning' microtonality
i was drawn to the idea of more than one set of fretted octave division on the
same guitar so its capable of playing in 12TET and ???
does anybody out there do that kind of thing or seen anybody with that

thanks
rodrigo

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From: "Peter Spoecker" <spoecker@didgeridoings.com>
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Subject: Wowie Zowie Ebay etc.
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When I added my little bit about the relative merits of ebay vs harmony
central and mentioned that in my experience recycler was better than either
I was only trying to give some helpful info.  I wish I had discovered all
these classified ad sites sooner.  I'm just astounded that this thread
devolved into the bizarreness it did.  Well, I suppose a certain amount of
that can be a spice for a forum that could get a bit too dry or technical
sometimes, but I was on another list (that will remain un-named) a while
back that was mostly off topic discussions and I finally got tired of these
futile discussions and dropped out.  As for why I like the recycler
classified ads (in spite of the fact that paid subscibers get first pick) is
that they have the most listings of anyplace.  I recently got a virtually
new nanocompressor for $65 and a mint AKG C1000s microphone for $100.  There
were several of each to choose from and I never found either one on harmony
central.  I also recently saw a jamman advertised for $50.  A paid
subscriber got that one and I then saw another one with memory upgrade for
$350.  The idea here is not to get another controversy going, but just to
share useful info.  I live at least 100 miles from any large music store and
maybe more of you have various reasons for preferring to conveniently sift
through huge databases looking for what you want rather than running around
all over trying to find it.  Anyway, you all have fun shopping for your gear
in whatever manner you prefer and peace to you all.

Peter

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Date: Tue, 16 Mar 1999 22:35:43 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Alesis M-1 Monitors
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Hi, all...
	I'm in the process of setting up a recording workstation (away from my
stereo & rehearsal room, for once...). I'm looking for the best price on
the new Alesis M-1 powered monitors. If anyone can recommend a dealer with
a price better than Musician's Friend, Music Emporium and Mars Music (all
of whom have them for $499 for the pair), please drop me a line. I would
appreciate any input you all could offer as to what you've seen.
Thanks,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Wed Mar 17 01:30:57 1999
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Date: Tue, 16 Mar 1999 23:33:11 -0700
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I haven't specifically done this with guitar (though
I do use an axon regularly), but have with synthesizers.
The main problem I've run into is that there are few
synths that support alternative tunings, and most of those
don't offer terribly accurate or flexible tuning options.
I think most Yamaha FM synths can do ok, and Wendy Carlos 
uses her K2000 for such.  If you can find her web page,
I think some of here tunings were listed there.

Harry Parch came up with a 43-tone-per-octave scale that
had all sorts of funky properties. It is described in his
almost-unreadable book _Genesis Of A Music_.  This is the
sort of scale that requires very high tuning resolution:
0.1 cents. Though it does contain several sub-scales that
could be done on a synth w/ 1 cent tuning resolution.

Kriist@aol.com wrote:
> 
> any loopers out there using midi guitar rigs to get into microtonality
> i was in a guitar store the other day and started fiddling with the vg8
> i could care less about all the amp/guitar/speaker simulations
> i like all of the modeling stuff its capable of doing
> in a matter of minutes i was getting sounds that were out of hand
> and thats not even understanding the os(which seems to be a pain in the arse)
> my guitar teacher is selling me his gk2a for cheap and im thinking of getting
> into midi guitar(i play piano/keyboards so i never went for the guitar/midi
> thing before)
> i just want to know if its possible to get into the tuning tables of the
> guitar/midi gear like in keyboard gear
> anybody doing that kind of thing?
> thoughts? suggestions?
> 
> rodrigo

From Loopers-Delight-request@annihilist.com  Wed Mar 17 01:52:12 1999
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From: M3chakucha@aol.com
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Date: Wed, 17 Mar 1999 01:33:45 EST
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Dear Mr. McLeod,

Check out <A HREF="http://www.wmcworld.com">http://www.wmcworld.com</A> ,
Chuck Levin's may have a better price, but I could easily be wrong.

Lee-ohki.

From Loopers-Delight-request@annihilist.com  Wed Mar 17 03:58:36 1999
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Subject: RE: Re[2]: [Fwd: Re: ebay]
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I'm sure this thread has recieved the required pointless beating and can now
go away.  

Back to the looping. 

Question 1:  It's my understanding that the EDP can have up to nine seperate
loops.  The time of the loops can't exceed the total time that is installed
as memory (50 seconds out of the box).  Once you've set the number of loops
that you want with their associated times, you can layer ontop of each one.
These loops can then be played all together or in any combination.  So you
could have a verse section that included loops with voice and rythym tracks
as well as chorus tracks with the same.  This could be alternated to suit
ones needs in the context of a given song.  Not to mention layering lead
tracks, noises, etc. on top of any of these tracks.  Is this correct.



> -----Original Message-----
> From: Jonathan El-Bizri [mailto:jbiz@linkexchange.com]
> Sent: Tuesday, March 16, 1999 6:58 PM
> To: Loopers-Delight@annihilist.com
> Subject: RE: Re[2]: [Fwd: Re: ebay]
> 
> 
> >I think that YOU missed THEIR point. Obviously because you 
> found a guitar
> >that you love on e-bay you are a fool who should have waited 
> until one
> >appeared on harmony-central, or apparently, recycler.com.
> >
> >I've heard that Peavey gear sucks unless you get it from one of those
> >auction sites.   =;^P
> >
> 
> Exactly! You got your guitar, yah de yah, wohoo!, it arrived! 
> and all that.
> But >now< you've got it. What are you going to do >now?< 
> There's only one
> thing to do - it's time for the next one! OR the next one! OR 
> the next one!!
> Better yet! Sell the guitar for a $5 profit! Damn, I'll do 
> anything to keep
> me from actually having to write any music...
> 
> >
> > Here's a hint... You haven't lived until you dump this
> > cumbersome online
> > techno-crapola and gotten into your car and driven to the
> > stores where you can
> > get the REAL story on the gear you're looking for! All the
> > secret shortcuts and
> > hints the PROS use... Out there in the real world where men
> > are men... etc. The
> > guys at the stores are EXPERTS at what they're selling and
> > could save you a lot
> > of grief after some impulse buy at an online site! Join the
> > real world you
> > geeks! 8->
> >
> 
> ROFLOL
> 
> Where is this magical place where the salespeople actually 
> know more than
> their customers about their products?
> 
> bIz
> 

From Loopers-Delight-request@annihilist.com  Wed Mar 17 12:28:18 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
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Wordsman, Lee wrote:
> 
> Question 1:  It's my understanding that the EDP can have up to nine seperate
> loops.  The time of the loops can't exceed the total time that is installed
> as memory (50 seconds out of the box).  Once you've set the number of loops
> that you want with their associated times, you can layer ontop of each one.
> These loops can then be played all together or in any combination.  So you
> could have a verse section that included loops with voice and rythym tracks
> as well as chorus tracks with the same.  This could be alternated to suit
> ones needs in the context of a given song.  Not to mention layering lead
> tracks, noises, etc. on top of any of these tracks.  Is this correct.

Kim!  How about one of your famous "EDP Railroad Track Diagrams" (tm by Kim Flint :)?

- Dennis Leas
-- 
dennis@mdbs.com

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From: "David C. Kwan" <kwan@mills.edu>
To: Loopers-Delight@annihilist.com
Subject: Akai Headrush anyone?
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Has anyone tried the Akai's simulated four-head tape delay pedal, aka
Headrush? I haven't heard a peep about it since NAMM, but the feature set
looks promising. Also, Musician's Friend currently has this unit going for
$199. Any reviews?

~David K

From Loopers-Delight-request@annihilist.com  Wed Mar 17 12:38:09 1999
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Subject: Re: MIDI and microtonality
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For info on microtonality, I've found a good source in the Just Intonation
Network.  If you browse around, you'll find a link to a site which summarizes the
microtonal features of the various synths.

That link is:
http://www.dnai.com/~jinetwk/

Regards,
Jim Lanpheer


Jim Coker wrote:

> I haven't specifically done this with guitar (though
> I do use an axon regularly), but have with synthesizers.
> The main problem I've run into is that there are few
> synths that support alternative tunings, and most of those
> don't offer terribly accurate or flexible tuning options.
> I think most Yamaha FM synths can do ok, and Wendy Carlos
> uses her K2000 for such.  If you can find her web page,
> I think some of here tunings were listed there.
>
> Harry Parch came up with a 43-tone-per-octave scale that
> had all sorts of funky properties. It is described in his
> almost-unreadable book _Genesis Of A Music_.  This is the
> sort of scale that requires very high tuning resolution:
> 0.1 cents. Though it does contain several sub-scales that
> could be done on a synth w/ 1 cent tuning resolution.
>
> Kriist@aol.com wrote:
> >
> > any loopers out there using midi guitar rigs to get into microtonality
> > i was in a guitar store the other day and started fiddling with the vg8
> > i could care less about all the amp/guitar/speaker simulations
> > i like all of the modeling stuff its capable of doing
> > in a matter of minutes i was getting sounds that were out of hand
> > and thats not even understanding the os(which seems to be a pain in the arse)
> > my guitar teacher is selling me his gk2a for cheap and im thinking of getting
> > into midi guitar(i play piano/keyboards so i never went for the guitar/midi
> > thing before)
> > i just want to know if its possible to get into the tuning tables of the
> > guitar/midi gear like in keyboard gear
> > anybody doing that kind of thing?
> > thoughts? suggestions?
> >
> > rodrigo



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Date: Wed, 17 Mar 1999 09:36:49 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: RE: Re[2]: [Fwd: Re: ebay]
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Lee,
Via MORELOOPS you  tell the EDP how many distinct loops that you will
want.  This can be as many as 9 loops.  You can only play ONE of these
loops at a time (if you have only 1 EDP).  You can randomly select ANY
of the 9, but play 1 at a time.   

Each of these 9 can be recorded, overdubed, erased independant of the
other 8.  Each of the 9 can be a unique length in time ( or not if you
want some the same).

You can copy a loop from, say, loop #1, to the space in loop #2, so
that loops 1 and 2 are now the same, then overdub on loop #2 so that
it is "grown" from loop #1.  This loop copy, and overdub method can be
continued so that you have embelished copies of loop 1 at loop #2, #3
etc.

Hope this answers your questions.  

You must shop at recycler, or harmony central.  If you shopped at Ebay
you would have known these things :-)

bret

---"Wordsman, Lee"  wrote:
>
> I'm sure this thread has recieved the required pointless beating and
can now
> go away.  
> 
> Back to the looping. 
> 
> Question 1:  It's my understanding that the EDP can have up to nine
seperate
> loops.  The time of the loops can't exceed the total time that is
installed
> as memory (50 seconds out of the box).  Once you've set the number
of loops
> that you want with their associated times, you can layer ontop of
each one.
> These loops can then be played all together or in any combination. 
So you
> could have a verse section that included loops with voice and rythym
tracks
> as well as chorus tracks with the same.  This could be alternated to
suit
> ones needs in the context of a given song.  Not to mention layering
lead
> tracks, noises, etc. on top of any of these tracks.  Is this correct.

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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From Loopers-Delight-request@annihilist.com  Wed Mar 17 15:52:13 1999
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Subject: Re: Question 1 (was other stuff)
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At 8:34 AM -0800 3/17/99, Dennis W. Leas wrote:
>Wordsman, Lee wrote:
>>
>> Question 1:  It's my understanding that the EDP can have up to nine seperate
>> loops.  The time of the loops can't exceed the total time that is installed
>> as memory (50 seconds out of the box).  Once you've set the number of loops
>> that you want with their associated times, you can layer ontop of each one.
>> These loops can then be played all together or in any combination.  So you
>> could have a verse section that included loops with voice and rythym tracks
>> as well as chorus tracks with the same.  This could be alternated to suit
>> ones needs in the context of a given song.  Not to mention layering lead
>> tracks, noises, etc. on top of any of these tracks.  Is this correct.
>
>Kim!  How about one of your famous "EDP Railroad Track Diagrams" (tm by
>Kim Flint :)?
>

Check out the echoplex FAQ on the Looper's site, there is a whole section
on multiple loops that answers all of your questions, and more.

And down at the bottom of the multi-loop page, there's even a train track
bit....:-)

http://www.annihilist.com/loop/tools/echoplex/FAQ.html


kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Wed Mar 17 15:50:06 1999
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Fellow Echoplex owners,

this may have been discussed before, so I´ll gladly accept any
information source pointers.

I am still at the beginning working my way through all my new plex´s
features but I find that some don´t act the way the manual suggests.

In particular, what I found out so far is that the SwitchQuant Parameter
offers the tree values cyc, cnf, off instead of just on, off like the
manual says. I have no intuition as to the meaning of these.
Next, and more annoying, the undo button WILL let me erase layer by
layer but not in the way described: long presses are ignored completely
while short _double_  presses sometimes do the job and sometimes don´t.
This seems to occur independently from where in the loop I am. Same to
single short presses to remove the "tail" of the layer. They randomly
sometimes work or don´t.

Bug or feature?

Is there an update to the manual somewhere?

Any hints are appreciated.

Manfred

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Date: Wed, 17 Mar 1999 13:18:59 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@atitech.com>
Subject: Re: echoplex undocumented features
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check the FAQ:

http://www.annihilist.com/loop/tools/echoplex/FAQ.html

I think it answers you, if not let me know what should be added. It's still
a work in progress, I've got a bunch of old posts and stuff I still need to
organize into FAQ form. I can make particular items a priority if people are
having trouble with it.

with undo, make sure you understand how it is affected by memory usage,
feedback, and the way you overdub.

kim


At 09:00 PM 3/17/99 +0100, Manfred Bohnhoff wrote:
>Fellow Echoplex owners,
>
>this may have been discussed before, so I=B4ll gladly accept any
>information source pointers.
>
>I am still at the beginning working my way through all my new plex=B4s
>features but I find that some don=B4t act the way the manual suggests.
>
>In particular, what I found out so far is that the SwitchQuant Parameter
>offers the tree values cyc, cnf, off instead of just on, off like the
>manual says. I have no intuition as to the meaning of these.
>Next, and more annoying, the undo button WILL let me erase layer by
>layer but not in the way described: long presses are ignored completely
>while short _double_  presses sometimes do the job and sometimes don=B4t.
>This seems to occur independently from where in the loop I am. Same to
>single short presses to remove the "tail" of the layer. They randomly
>sometimes work or don=B4t.
>
>Bug or feature?
>
>Is there an update to the manual somewhere?
>
>Any hints are appreciated.
>
>Manfred
>
>
>
________________________________________________________
Kim Flint, MTS                  408-752-9284
ATI Research                    kflint@atitech.com
http://www.atitech.com

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From: PJBMHB@aol.com
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this isn't going to turn into the "fabled dod 8 second delay pedal" is it?
this thing really exists right? happy st. patty's day to you all!  =-) PJ

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From: "Wordsman, Lee" <LWordsman@PIRNIE.COM>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Question 1 (was other stuff)
Date: Wed, 17 Mar 1999 16:40:25 -0500
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I was remembering the train analogy as I wrote the question but I couldn't
quite remember  it.  Thanks for the reminder about the FAQ.  I'm getting
close to going for the big purchase.  Alto is less than an hour from me so
I'm hoping to get up there and buy one in person.  

> -----Original Message-----
> From: Kim Flint [mailto:kflint@annihilist.com]
> Sent: Wednesday, March 17, 1999 2:53 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: Question 1 (was other stuff)
> 
> 
> At 8:34 AM -0800 3/17/99, Dennis W. Leas wrote:
> >Wordsman, Lee wrote:
> >>
> >> Question 1:  It's my understanding that the EDP can have 
> up to nine seperate
> >> loops.  The time of the loops can't exceed the total time 
> that is installed
> >> as memory (50 seconds out of the box).  Once you've set 
> the number of loops
> >> that you want with their associated times, you can layer 
> ontop of each one.
> >> These loops can then be played all together or in any 
> combination.  So you
> >> could have a verse section that included loops with voice 
> and rythym tracks
> >> as well as chorus tracks with the same.  This could be 
> alternated to suit
> >> ones needs in the context of a given song.  Not to mention 
> layering lead
> >> tracks, noises, etc. on top of any of these tracks.  Is 
> this correct.
> >
> >Kim!  How about one of your famous "EDP Railroad Track 
> Diagrams" (tm by
> >Kim Flint :)?
> >
> 
> Check out the echoplex FAQ on the Looper's site, there is a 
> whole section
> on multiple loops that answers all of your questions, and more.
> 
> And down at the bottom of the multi-loop page, there's even a 
> train track
> bit....:-)
> 
http://www.annihilist.com/loop/tools/echoplex/FAQ.html


kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

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Date: Wed, 17 Mar 1999 14:11:40 -0800
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: problem w/mailing list archive search engine?
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Having trouble with the mailing list archive search engine.  Tried
searching on a couple topics, with no matches....then tried testing it by
searching for "echoplex" and still no matches.......anyone else having
trouble?

Any ideas, Kim?

- Chris

-----------------------------
Chris Chovit
cho@newdream.net


From Loopers-Delight-request@annihilist.com  Wed Mar 17 18:57:25 1999
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Date: Wed, 17 Mar 1999 15:23:39 -0800
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re[2]: Ebay and geeks...
To: John + Diane Parada <jparada@pop.interport.net>
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     Hi John, this is my last reply on this and I'm posting to the group as 
     well...
     
     I didn't call YOU a geek. I called everyone on the list geeks... with 
     smileys, obvious ridiculous statements, and in response to Chuck 
     Zwickey's oblique and humorous post... you weren't even mentioned in 
     my post...
     
     Others got it and enjoyed it. Maybe some other's took offense. I think 
     you're taking this too a little too seriously. But I apologize to you 
     and everyone else on the list who I might have offended...
     
     As for my profile... I pointed you that way, so you might know 1. my 
     age. 2. my influences and 3. my own uses of technology. 
     
     You're the one to get personal with your comments online, although one 
     was correct: I AM a wicked good Van Halen impersonator... 8-> (looks 
     only, my guitar playing is bloated and flatulent...)
     
     Best regards,
     -Miko Biffle


______________________________ Reply Separator _________________________________
Subject: Re: [Fwd: Re: [Fwd: Re: ebay]]
Author:  John + Diane Parada <jparada@pop.interport.net> at INTERNET
Date:    3/17/99 3:49 PM


mike your humour came off as mean and nasty. You're right I didn't read
your profile what's it going to tell me what a scary great gtr wizard
you are? I still don't get your joke. What's the point? Where is the fun
in calling me a geek. You don't know me nor what I do. Why not keep your
humour to yourself- cause believe it or not you are not funny...jp

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Date: Wed, 17 Mar 1999 18:07:01 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@atitech.com>
Subject: Re: problem w/mailing list archive search engine?
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At 02:11 PM 3/17/99 -0800, Chris Chovit wrote:
>Having trouble with the mailing list archive search engine.  Tried
>searching on a couple topics, with no matches....then tried testing it by
>searching for "echoplex" and still no matches.......anyone else having
>trouble?
>
>Any ideas, Kim?

sorry, it's broken at the moment. Actually it's been broken for a couple of
weeks, but you're the first to comment. Amusing story, unless you are me and
have to deal with it:

My web host provider recently installed this resource monitor that watches
everything and kills any process it doesn't like. Ha, ha, they didn't happen
to tell us this. And, oh by the way they are still tuning it and deciding
how the parameters need to be set, so you know, maybe it's killing things
for no good reason. But, heck, how bad could that be?

So, I have a cron job that runs each night at about 4am, when the server
load is very light. A script converts that day's posts to html and adds them
to the archive, and then does an incremental indexing to add the keywords to
the search engine index. This is a bit processor intensive for just that one
period, but not too bad since it's just one day's worth. And then the
regular user searches the rest of the day go very fast since they just refer
to the index.  

Now, It happens that a 4am, when nobody is using the system, my little
script had no competition for resources and Linux was happily giving it as
much of the cpu as it wanted. So one night it crossed some arbitrary
threshold, and the monitor promptly killed it. Since it was in the middle of
incrementing the index, the whole index file wound up corrupted. So the
search engine was hosed.

So I discovered this and realized I had to do a complete index on the whole
bloody archive, which after 2.5 years of loop babbling is a REALLY big job.
As you might imagine, the monitor REALLY hates that full-on indexing process
and kills it too. Which of course, means I've been unable to fix it.

So my provider and I have been having some talks. ;-)  

After a couple of weeks of screwing around with monitor parameters and me
forcing all my scripts to run in low priority "nice" modes, various
statements about "Load Average" and "multi-threading" and "priority
assignment", and mostly waiting around for the sysadmin to actually do
something about it, it still don't work. So finally, after my most recent
"what the fuck is going on?" mail to them, we reached today's point in the
negotiations, where they agree to shut off the monitor for 15 minutes
tonight while I run my big indexing script to fix everything. And hopefully
my usual nightly script is now "nice" enough, and their monitor is tuned
right, and everything will be just roses after that. hopefully...

So check it tomorrow, maybe it'll be working....

kim
________________________________________________________
Kim Flint, MTS                  408-752-9284
ATI Research                    kflint@atitech.com
http://www.atitech.com

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In a message dated 3/17/99 9:56:35 PM Mid-Atlantic Standard Time,
Mike.Biffle@wj.com writes:

<< my guitar playing is bloated and flatulent...) 

miko.....where's my tape?........ill pay any price..........
(:?/..........michael

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At 04:23 PM 3/17/99 -0500, PJBMHB@aol.com wrote Re: Akai Headrush anyone?:

>this isn't going to turn into the "fabled dod 8 second delay pedal" is it?
>this thing really exists right? happy st. patty's day to you all!  =-) PJ

Fabled?  I have one.  I'll bet they are not made anymore but they used to be.

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From: "Tom Lambrecht" <hideo@concentric.net>
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Subject: Re: Re[2]: Ebay and geeks...
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-----Original Message-----
From: Mike Biffle <Mike.Biffle@wj.com>
To: John + Diane Parada <jparada@pop.interport.net>
Cc: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
Date: Wednesday, March 17, 1999 6:25 PM
Subject: Re[2]: Ebay and geeks...


>     Hi John, this is my last reply on this and I'm posting to the group as
>     well...
>
>     I didn't call YOU a geek. I called everyone on the list geeks... with
>     smileys, obvious ridiculous statements, and in response to Chuck
>     Zwickey's oblique and humorous post
SNIP

>     You're the one to get personal with your comments online, although one
>     was correct: I AM a wicked good Van Halen impersonator... 8-> (looks
>     only, my guitar playing is bloated and flatulent...)


Miko:

you're distorting the truth again ;)

anyone who can play acoustic guitar with three didgeridu players (in various
keys and assorted signatures) in an observatory dome with a several second
reverb time while keeping the thing from degenerating into a sonic mess . .
.

well . .  . I wouldn't characterize his playing as bloated OR flatulent

drone on~~~~~~~~~~~~~~~~
Tom Lambrecht
hideo@concentric.net


From Loopers-Delight-request@annihilist.com  Thu Mar 18 00:50:06 1999
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Date: Thu, 18 Mar 1999 00:03:16 -0500
From: Patrick Blackburn <ifallup@eznet.net>
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attn: ManX72@aol.com:
Since late October, '98, I've been on  a solo tour involving an 8string
Mark Warr guitar and a Fender Roland-Ready Strat doing lectures,
workshops, and  performances in which I've built quite a sizeable
library of samples that filter through a SoundScape Switchblade GT,  and
then run through Roland GR30; VG8; GT10, and other processors directly
into a JamMan to amuse, abuse, etc. college students.

The samples I construct  are originally built in my studio and
transferred to DAT SBM Mapping  and then optical corded to MiniDisc. I
travel with a MDWalkman and an AB switch that allows me to use a Yamaha
QY70 sequencer in addition to the MiniDisc player.

The samples are crystalline clear via DAT and optics and the size of the
MiniDisc player and sequencer saves big bucks on flights!!!  My
equipment costs more to fly than me.

In accordance; my next show is at the Rhode Island School of  Design on
6. April, 1999 at 7.30pm at the RISD Auditorium.

Hope I answered questions and will be glad to offer tech info if anyone
needs help.

Cheers, Patrick Blackburn.

From Loopers-Delight-request@annihilist.com  Thu Mar 18 03:15:27 1999
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Date: Wed, 17 Mar 1999 21:53:06 -0500 (EST)
From: Stew Benedict <stewb@earthlink.net>
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Subject: Re: SmartSuite...SAVE HUNDREDS!
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Kim, Is this part of your new advertising supplements? :^)

Stew


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Reply-To: <andre@monmouth.com>
From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: MIDI and microtonality/VG8, Metheny
Date: Thu, 18 Mar 1999 11:08:00 -0500
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of course - check out vg8.com, or conference-call Vernon Reid & Pat
Metheny.... get some tips outta them

BTW - the VG8 may have won it's first grammy - Pat Metheny has won - Best
Rock Instrumental for "roots of coincidence" - before you flame - listen to
this incredible track - it's like Pat sitting in with Crimson!!! check out
a couple remixes at http://www.patmethenygroup.com - the track is heavily
VG8

andre east



Homepage http://www.monmouth.com/~andre
Info on my bands JFK's LSD UFO and HIDDEN AGENDA

official PROJECT/OBJECT site  http://projectobject.com
[frank  zappa tribute band i play guitar in]


----------
> From: Kriist@aol.com
> To: Loopers-Delight@annihilist.com
> Subject: MIDI and microtonality
> Date: Tuesday, March 16, 1999 11:07 PM
> 
> any loopers out there using midi guitar rigs to get into microtonality
> i was in a guitar store the other day and started fiddling with the vg8
> i could care less about all the amp/guitar/speaker simulations
> i like all of the modeling stuff its capable of doing
> in a matter of minutes i was getting sounds that were out of hand
> and thats not even understanding the os(which seems to be a pain in the
arse)
> my guitar teacher is selling me his gk2a for cheap and im thinking of
getting
> into midi guitar(i play piano/keyboards so i never went for the
guitar/midi
> thing before)
> i just want to know if its possible to get into the tuning tables of the
> guitar/midi gear like in keyboard gear
> anybody doing that kind of thing?
> thoughts? suggestions?
>  
> and for that matter i was looking at the lucytuned guitar page a while
ago and
> although i wasnt too drawn to their 'true tuning' microtonality
> i was drawn to the idea of more than one set of fretted octave division
on the
> same guitar so its capable of playing in 12TET and ???
> does anybody out there do that kind of thing or seen anybody with that
> 
> thanks
> rodrigo
> 

From Loopers-Delight-request@annihilist.com  Thu Mar 18 14:01:15 1999
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Kim Flint'" <kflint@atitech.com>, Loopers-Delight@annihilist.com
Subject: EDP Feature Idea
Date: Thu, 18 Mar 1999 13:10:24 -0500
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Kim & EDP Loopologists -

I have an idea for the next EDP software upgrade. It has to do with live
performance and silently ending / killing an old loop.

The "problem" I'm aiming to "solve" is the deep "PUMB" sound the EDP puts
out when I press and hold RECORD button to kill an old loop.

Normally I decrease the FEEDBACK on my loops until they are silent -- or
rather, the loop has no signal left in it.  Then, to start a new loop I'll
press and hold the RECORD button to clear the "old loop length" from memory.

It's as the the EDP clears that it emits the deep "pumb" sound.  It's not
much of a bother, but through a big PA it can be very loud.  

Is there a way to silence the EDP so it doesn't make that noise?

David Kirkdorffer
UNDO


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I have seen this unit mentioned here a few times ... 
now, I don't know what the formula is, but I just strolled
into a Guitar Center (Which, by the way, sucks... *note 1)
yesterday, walked out with one for $150. 
A couple weeks back, did the same at a small guitar shop,
for about twenty bucks LESS.

I've seen them going on Ebay and such for a bit more,
maybe that's just market forces at work.  All I'm getting
at, is they seem to be out there; as Jerry would remind us,
"You just gotta poke around...."

Thanks to folks "here" (L.D.) who posted the Docs for Vortex.

(*Note 1 - in an article about a year ago, Corey Greenberg
wrote about his acquisition of a neat compressor at Guitar
Center (which, by the way, sucks) and made a point of 
following every mention with his little "sucks" disclaimer.
Yeah, it's a pain to price shop there, but if you get a good
relationship with your sales rep, they do appreciate return
business and are empowered to negotiate to that end.
At any rate, many people in the sound sales business have
heard the little "sucks" disclaimer will get a good belly laugh,
and often extend you an extra walk-in discount, if you 
remember to repeat the "which, by the way..." comment.)

<grin - this is strange, but true humour>

Peace ... Jeff



From Loopers-Delight-request@annihilist.com  Thu Mar 18 13:53:29 1999
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Date: Thu, 18 Mar 1999 11:31:33 -0600
Subject: UK venues 
From: "Travis Hartnett" <hartne.t@apple.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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My apologies to all the non-UK residents on the list.


I'm going to the United Kingdom the second half of September to promote my
next self-released CD (ambient guitar and piano).  I'll be playing at the
various Borders Books & Music stores there, but I'm also looking for other
places to play.  If you know of experimental-music friendly places to gig,
anywhere in the UK (I'll be mobile), please respond privately to me at
tiktok@sprintmail.com.
I'm also looking for friendly press to contact for promotional purposes.
I'm looking to play as much as possible and sell some CD's, not necessarily
to get a lot of money from the performance venues.


Thanks,

Travis Hartnett
Tiktok

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Date: Thu, 18 Mar 1999 08:43:50 -0800
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re[4]: Ebay and geeks...
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> you're distorting the truth again ;)

What's life without distortion? I don't wanna know!

-m

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Date: Thu, 18 Mar 1999 03:40:52 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: SmartSuite...SAVE HUNDREDS!
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>Kim, Is this part of your new advertising supplements? :^)
>
>Stew

yeah, I wish. for every one that shows up on the list, I'm getting about
20. and it's all these boring crap scams about making bazillions with
online businesses. I hardly ever get porno spam anymore....at least that
was fun...:-(

making bazillions is easy, if putting ads on the site doesn't work out,
I'll just have an ipo. LOOP on nasdaq, hehe!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Date: Thu, 18 Mar 1999 11:39:27 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@atitech.com>
Subject: Re: EDP Feature Idea
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Hi David-

that's not a software thing. It's caused by dc offsets in the analog part of
the circuit. (specifically, the VCA, for those interested).  There's a
trimpot on the circuit board that trims the offset away, so you don't get
pops. Sounds like this trimpot is not set right on your unit, or things have
drifted with age and it needs to be reset. You should be able to set it
yourself. There's a test routine built in the software to help out.  Send me
mail at my home address (kflint@annihilist.com) to remind me, and I'll send
you directions on how to do that later. 

probably belongs in the FAQ, right?

kim

At 01:10 PM 3/18/99 -0500, you wrote:
>Kim & EDP Loopologists -
>
>I have an idea for the next EDP software upgrade. It has to do with live
>performance and silently ending / killing an old loop.
>
>The "problem" I'm aiming to "solve" is the deep "PUMB" sound the EDP puts
>out when I press and hold RECORD button to kill an old loop.
>
>Normally I decrease the FEEDBACK on my loops until they are silent -- or
>rather, the loop has no signal left in it.  Then, to start a new loop I'll
>press and hold the RECORD button to clear the "old loop length" from memory.
>
>It's as the the EDP clears that it emits the deep "pumb" sound.  It's not
>much of a bother, but through a big PA it can be very loud.  
>
>Is there a way to silence the EDP so it doesn't make that noise?
>
>David Kirkdorffer
>UNDO
>
>
>
>
_________________________________________________________
Kim Flint, MTS                     kflint@atitech.com
ATI Research                       408-752-9284

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From: Damon Baker <fnord@siu.edu>
Subject: Multitrack  Minidisc for loops?
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hi there folks, I was wondering if anyone had had any experience with any
of those fancy four or 8 track minidisks for looping purposes? I've been
considering getting one for recording and i was wondering if i could take
advatange of all that cue list play back stuff that they vaugely describe
in their adds? I used to do shows with a four track cassette (each track
loaded up with a different 8 second drone loop) and my drum machine (which
was playing 4 second long loops of clanking noises) it worked pretty well,
i figure i could do the same and more with a MD four track (sync up my
shiny new synths arpegiator to it's midi clock, sync an effect boxes delay
up to it and drone one my autoharp or singing bowl, etc) and possibly even
get it to just play off loops of the same sound over and over so i could
fit more on a disk. any experience with this? particularly using a yamaha
MD4? (a freind of mine has one that he would cut me a deal on since he
wants to upgrade to the md8). thanks.



damon baker
fnord@siu.edu

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From: MT <m1cha3l@earthlink.net>
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I'm looking for a used echoplex in NYC.  Is there any chance of finding 
such a thing, or should I just save my money and Saturday afternoons and 
save up for a new one?

MT

From Loopers-Delight-request@annihilist.com  Thu Mar 18 17:19:05 1999
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Message-Id: <199903182127.SAA19180@postman.bahianet.com.br>
Reply-To: <juliomoreno@bahianet.com.br>
From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Re[2]: Ebay and geeks...
Date: Thu, 18 Mar 1999 12:09:31 -0300
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We can mount a ring with a Van Damme sponsor: "Loopers-Delight Mortal
Kombat" with Kim as the judge and a video-loop sync going on big screens
and some stripers between the rounds and and and and and and and and and
and and ...
Julio.
Be carefull, your enemy has long hair now.

----------
> From: Mike Biffle <Mike.Biffle@wj.com>
> To: John + Diane Parada <jparada@pop.interport.net>
> Cc: loopers-delight@annihilist.com
> Subject: Re[2]: Ebay and geeks...
> Date: Quarta-feira, 17 de Março de 1999 20:23
> 
>      Hi John, this is my last reply on this and I'm posting to the group
as 
>      well...
>      
>      I didn't call YOU a geek. I called everyone on the list geeks...
with 
>      smileys, obvious ridiculous statements, and in response to Chuck 
>      Zwickey's oblique and humorous post... you weren't even mentioned in

>      my post...
>      
>      Others got it and enjoyed it. Maybe some other's took offense. I
think 
>      you're taking this too a little too seriously. But I apologize to
you 
>      and everyone else on the list who I might have offended...
>      
>      As for my profile... I pointed you that way, so you might know 1. my

>      age. 2. my influences and 3. my own uses of technology. 
>      
>      You're the one to get personal with your comments online, although
one 
>      was correct: I AM a wicked good Van Halen impersonator... 8-> (looks

>      only, my guitar playing is bloated and flatulent...)
>      
>      Best regards,
>      -Miko Biffle
> 
> 
> ______________________________ Reply Separator
_________________________________
> Subject: Re: [Fwd: Re: [Fwd: Re: ebay]]
> Author:  John + Diane Parada <jparada@pop.interport.net> at INTERNET
> Date:    3/17/99 3:49 PM
> 
> 
> mike your humour came off as mean and nasty. You're right I didn't read
> your profile what's it going to tell me what a scary great gtr wizard
> you are? I still don't get your joke. What's the point? Where is the fun
> in calling me a geek. You don't know me nor what I do. Why not keep your
> humour to yourself- cause believe it or not you are not funny...jp

From Loopers-Delight-request@annihilist.com  Thu Mar 18 19:32:33 1999
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Message-ID: <01BE7155.F94107A0.stevehan@transworld-lax.com>
From: Steve Han <stevehan@transworld-lax.com>
Reply-To: "stevehan@transworld-lax.com" <stevehan@transworld-lax.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Alesis M-1 Monitors
Date: Thu, 18 Mar 1999 15:41:10 -0800
Organization: Transworld Freight Systems
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Dear Jeff,

Have you considered other brands such as
"KRK Monitors" ?
As most excellent speakers are from California,
KRK is based in Huntington Beach, Ca.
Check out their website:

http://www.quikpage.com/K/krk/

I've just recently purchased KRK Rockit monitors
which have this new "inverted cone" speaker design and
although only left and right, it sounds and feels like
if there is a subwoofer beneath the consol.
They are "shielded" unlike some of the Alesis speakers
and the cabinets are much more durable and solid.
A pair of KRK Rockit costs $289.00 at Guitar Center.
KRK makes affordable "powered" monitors too.

I own a pair of Alesis Monitor II and they are fine but
you should really check out KRK before making your
final decision.

Curbie


-----Original Message-----
From:	Jeff & Vonda McLeod [SMTP:subversive@mindspring.com]
Sent:	Tuesday, March 16, 1999 8:36 PM
To:	Loopers-Delight@annihilist.com
Subject:	Alesis M-1 Monitors

Hi, all...
	I'm in the process of setting up a recording workstation (away from my
stereo & rehearsal room, for once...). I'm looking for the best price on
the new Alesis M-1 powered monitors. If anyone can recommend a dealer with
a price better than Musician's Friend, Music Emporium and Mars Music (all
of whom have them for $499 for the pair), please drop me a line. I would
appreciate any input you all could offer as to what you've seen.
Thanks,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Thu Mar 18 20:45:15 1999
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Date: Thu, 18 Mar 1999 20:18:24 -0500
To: Loopers-Delight@annihilist.com
From: Michael Tuminello <m1cha3l@earthlink.net>
Subject: OT:  adding cheap(est) continuous controller
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Hey all-

I already have a program change device (Digitech Control 7) and am looking
to add 1 or 2 continous controllers.  Can anyone recommend a device to
allow me to do this without buy a whole new program change device w/
controller?  I'm pretty new to this stuff, but I am guessing I would
possibly need a midi merge with an input for the program change and a
couple of controller inputs?

Thanks in advance.  Sorry for the off-topic post, but it seemed silly to
subscribe to some midi list just to find out the answer to this question.

MT

PS:  Is anyone playing out with an echoplex (or 2) in NYC anytime soon?
I'd like the chance to come check out the sound and what people are doing
with it.

From Loopers-Delight-request@annihilist.com  Thu Mar 18 22:58:02 1999
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Reply-To: "Collins" <collinsclan@sprintmail.com>
From: "Collins" <collinsclan@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
Subject: Volume Pedals
Date: Thu, 18 Mar 1999 22:52:04 -0500
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I am about to get myself a volume pedal (finally), and i would like to know
what kind (if any) do you use.
Also, what does everyone think of the pedal that Torn is using now? The
Visual Sound volume. It seem good to me. I'd just like a little feedback.

BTW, if any of you know of good used ones ( like the Roland ones) please let
me know.

Thanks,

Jeff Collins
http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html

From Loopers-Delight-request@annihilist.com  Fri Mar 19 07:33:43 1999
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From: "Doyle D. Alley" <alleyd@mindspring.com>
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Looking to upgrade on the cheap. $180. to Lexicon seems a bit=20
excessive. Anyone with zip sources would be thanked to directly
mail me....Thank you....thank you.....thank you....thank you

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<DIV><FONT color=3D#000000 size=3D2>Looking to upgrade on the cheap. =
$180. to=20
Lexicon seems a bit </FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>excessive. Anyone with zip sources =
would be=20
thanked to directly</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>mail me<FONT size=3D4>....<EM>Thank=20
you</EM></FONT><FONT face=3D"" size=3D3><EM>....thank you</FONT><FONT =
face=3D""=20
size=3D2>.....thank you</FONT>....<FONT size=3D1>thank=20
you</FONT></EM></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Fri Mar 19 07:54:14 1999
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From: Mark@asisoftware.com (Mark Kata)
To: "Loopers Delight" <Loopers-Delight@annihilist.com>,
        <collinsclan@sprintmail.com>
Subject: Fw: Volume Pedals
Date: Fri, 19 Mar 1999 07:42:33 -0500
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Hi Jeff,

I've used the same Ernie Ball volume pedal at every practice and gig for the
past 15 years without any problems.  The pot has never even gotten scratchy.

I used to use a big, chrome Morley volume pedal.  But in the toe up position
a slight amount of the signal always leaked through.  Maybe they've improved
them since the late '70s and early '80s.

Mark Kata

-----Original Message-----
From: Collins <collinsclan@sprintmail.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, March 18, 1999 11:06 PM
Subject: Volume Pedals


>I am about to get myself a volume pedal (finally), and i would like to know
>what kind (if any) do you use.
>Also, what does everyone think of the pedal that Torn is using now? The
>Visual Sound volume. It seem good to me. I'd just like a little feedback.
>
>BTW, if any of you know of good used ones ( like the Roland ones) please
let
>me know.
>
>Thanks,
>
>Jeff Collins
>http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html
>

From Loopers-Delight-request@annihilist.com  Fri Mar 19 09:50:28 1999
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Date: Fri, 19 Mar 1999 09:13:37 -0500
Subject: Re:volume pedals
From: "jmw/cmu" <evening@ulster.net>
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I'm using 'bespeco" pedals, they are an italian company - they're  cheap
(~$25), light (especially if you remove the metal plate underneath - as I
did this when I mounted 3 together on a board) quiet & smooth. The come in a
variety of mono & stereo versions, and low impedance versions. They work
fine as a feedback pedal for the EDP as well.

jmw





From Loopers-Delight-request@annihilist.com  Fri Mar 19 10:05:46 1999
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From: "Dan Bartell" <speck45@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Jamman for sale
Date: Fri, 19 Mar 1999 06:47:47 PST
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A friend of mine is looking to unload his Jamman so he can go to Bali.  
It's just a basic unit with no expansions and he's asking $500, please 
reply to me directly.  

Dan Bartell
speck45@hotmail.com


Get Your Private, Free Email at http://www.hotmail.com

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From: wbf@aloft.micro.lucent.com (William_B_Fox)
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #106		March 18, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I continued the month-long focus on the sixth annual
Alfa-Centauri Electronic Music Festival featuring the music of the
artists who will be performing.  The festival will be on April 10 in
Huizen, the Netherlands at the Theatre 3-in-1.

	Alfa-Centauri:  http://home.wxs.nl/~quantumproductions
	EMUSIC Focus :  http://www.wdiyfm.org/emusic/playlists/focus.html

The feature CD at midnight was "The Introspective Spaces" by Stratosphere.
It is a limited edtion 3 inch CD on the Amplexus label.

Upcoming events announced: Star's End Gathering XVII with Richard Pinhas
at St. Mary's Church in Philadelphia on March 19 and Star's End
Gathering XVIII with Spacecraft on April 24.

	EMUSIC Events :  http://www.wdiyfm.org/emusic/events.html


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Ian Boddy               Standing at the Edge     The Deep (Something Else)
Ian Boddy               Dark Descent             The Deep (Something Else)
Ian Boddy               The Deep                 The Deep (Something Else)
Dan Schulte             Circuit Board Sasquatch  Nominal Gain (none)
Arttek                  Onoka                    Oar the Tears (none)
VA [Tranquility]        Electrographic           Syntonic Waves Vol 7 (Spheric)
Steve Roach             Aftermath                Truth and Beauty (Timeroom)
The Spirit Level        Flow                     Of Earth and Sky (Neurodisc)
Al Gromer Khan          Utopia al-Kahira         Space Hotel (New Earth)
Laocoon                 Transcendence            Immersion (Parnassus Nump)

12:00 am
Stratosphere            Swirl                    Introspective Spaces (Amplexus)
Stratosphere            Moving Pictures          Introspective Spaces (Amplexus)
Stratosphere            The Opening Space        Introspective Spaces (Amplexus)
Stratosphere            Lost                     Introspective Spaces (Amplexus)
TUU & Nick Parkin       Water Memory             Terma (Fathom)
VA [Vidna Obmana]       The Space In-between     The Ambient Expanse (Mirage)
Telomere                Departure                Astral Currents (Evenfall)
Michael Stearns         In the Beginning    PlanetaryUnfolding(Sonic Atmosphers)
Cassiel                 Dragon's Domain          Listen/Move (Atomic City)
Cassiel                 The Cathcart Circle Pt1  Listen/Move (Atomic City)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will conclude the month-long focus on the artists
who will be performing at the sixth Alfa-Centauri Electronic Music
Festival in Huizen, the Netherlands.  Next week's feature CD at midnight
will be dependant upon the mail.  If the mail is quick, then we will hear
something from an artist not yet represented during this month's focus.
If the mail is slow, I will select a CD from one of the artists alrady
featured.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

From Loopers-Delight-request@annihilist.com  Fri Mar 19 11:19:34 1999
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In a message dated 3/19/99 2:49:41 PM, jmw wrote:

<<I'm using 'bespeco" pedals, they are an italian company >>
So, where do you get these...and do you notice that they let any signal thru
when fully backed off?
Thanks
dpc

From Loopers-Delight-request@annihilist.com  Fri Mar 19 13:13:48 1999
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Date: Fri, 19 Mar 1999 11:20:29 +0000
From: Bobdog <psbuddha@texas.net>
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Organization: Pseudo Buddha/Doghouse Ent.
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hi loopers -

i sent out an email w/attachments today & the l.d. list was on the
address list. sorry. i won't do it again.

bobdog

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To: Rooted Mag Ann <akeil@rooted.com>, Bob Moorehead <americana@aisi.net>,
        "Cathy (not work)" <steinman@lonestar.jpl.utsa.edu>,
        "Cathy (work)" <csteinman@unitec-tx.com>, Charlie <roadchr@aol.com>,
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        David Pekarsky <dpekarsk@lonestar.jpl.utsa.edu>,
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        Brian /Rooted Magazine <CasbahTX@aol.com>, James Cobb <cobb@texas.net>,
        Bryan Stanchak <bryan@unclebuzz.com>,
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        Tobi <bittersweet61@webtv.net>, Sergio Samayoa <zserge@io.com>,
        "Johnny Rodriguez, not the murderer" <jonpython@aol.com>,
        Gene Warner <lonewolf@aisi.net>,
        "Grady (Proper Gander)" <propergander@sanmarcos.net>
Subject: Pseudo Buddha April 3rd @ La Tuna
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hi everyone -

hope you don't mind getting this kinda thing.

hopefully you can make it out!

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AVp+Tvl0b1qIG6/8Fjh/zij/AM45jcflB5fXalPRbp/weZv+cUf+cc3SNG/J/wAvFYzyQeg2
x+fPH/8AQqv/ADjsQB/yqHy/TrvA1d+v7WN/6FR/5xz9P0v+VQeXvT3+D0W7/wCywTH/AM4v
f84+RXMF5H+Unl9bq1kSW3l+rklHjIKsKtSoIGdz+q2/1f6p6K/VvT9L0f2eFKcflTP/0Pv5
mzZs2bNmzZs2bNmzZs2bNmzZs2bNmzZs2bNmzZs2bNmz/9k=

--------------adFC9F4A2FD8BD69257DED1916--


--------------046B71EC08B503EADBE99D43--

From Loopers-Delight-request@annihilist.com  Fri Mar 19 17:26:59 1999
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Date: Fri, 19 Mar 1999 12:50:07 -0600
From: "James H. Sidlo" <jameshsidlo@stic.net>
Organization: James H. Sidlo
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David C. Kwan wrote:

> Has anyone tried the Akai's simulated four-head tape delay pedal, aka
> Headrush? I haven't heard a peep about it since NAMM, but the feature set
> looks promising. Also, Musician's Friend currently has this unit going for
> $199. Any reviews?
>
> ~David K

    I have mine on back order through "Musician's Friend". I called yesterday
and they still haven't arrived. "Patience is a Virtue".
                                                    Cheers, Sidlo

From Loopers-Delight-request@annihilist.com  Sat Mar 20 05:40:05 1999
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Saving loops on hard disk or whatever sounds less interesting to me than
it could have been several years ago.

Before designing my DJRND2, I designed a prototype with a SCSI hard
disk. Its first capacity was 350Mbytes. The disk was full up in the next
couple of years. Then I bought another disk with a capacity of 3Giga
bytes. And Now ... nothing else : it stays in my cupboard.

I have recorded so many loops that when I play some of them twice a
year, its sounds just like a souvenir, photos of my last holidays.

Now, performance for me is rather in the ease of recording perfect loops
on live than saving them and try to do something more afterwards.

I have more pleasure to play with my DJ looper to cycle live phrases and
improvise their mixing while recording the result on MD, than backing up
the same loops I can immediately, perfectly and easily cycle again
afterwards.

From Loopers-Delight-request@annihilist.com  Sat Mar 20 11:06:06 1999
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Date: Sat, 20 Mar 1999 10:24:24 -0500
To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: ReCycle users?
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Perhaps my first "on topic" query in a while.  There's been a lot of talk
about Acid here, but being a Mac--and now VST--user, I was wondering if
anyone has used Steinberg's ReCycle for deriving loops?  I've heard that it
was originally designed to make and send loops to samplers but now can deal
with VST alone, without an external sampler.  I want to find grooves in
batches of noise I make and save as AIFFs--by description, ReCycle sounds
like it does the job...  anyone?

Thanks,
David Myers


From Loopers-Delight-request@annihilist.com  Sat Mar 20 13:03:38 1999
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In a message dated 19/03/99 16:05:06 GMT Standard Time, Dpcoffin@aol.com
writes:

> <<I'm using 'bespeco" pedals, they are an italian company >>
>  So, where do you get these...and do you notice that they let any signal
thru
>  when fully backed off?
>  Thanks
>  dpc
Andy Butler chips in.........
Very common in UK music shops (made in Italy)
I have an expression ped which works OK

I also have a Bespeco 'cruncher' vol + distortion unit
Without the dist there's no signal when backed off.
but with dist you can't get silence.
I got serious pot scratch after not much use.
The feel of the pedal isn't that good.
So can't really recommend.  

From Loopers-Delight-request@annihilist.com  Sat Mar 20 15:29:37 1999
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To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Custom Echoplex switching pedals...any interest?
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Fellow loopers,

I am currently working with a pedal-builder to come up with A/B and A/B/C
boxes, to switch the Echoplex DP footpedal between multiple echoplexi.
Here is the problem I have with the A/B boxes currently available:

1. DOD-style boxes work adequately (if you lift the ground to the positve
lead of the unselected output), but do not have LED's to show you which
output is selected.  This is a pain when I forget which unit is selected --
I usually hit the MUTE button to determine this, but this is not very
condusive to performance situations.

2.  Morley-style boxes (w/ LED's) do not work.  At least this has been my
experience. (Has anyone else been able to use these?)  My (limited)
understanding about this is that in order to use LED's in the circuit, you
must ground out the postive lead of the unselected output.  Since this is
equivalent to hitting the RECORD button, This will screw up any loops that
are going on in that 'plex.

One solution that has been suggested is to use the switches that have a
mechanical indicator (red button) rather than an LED.  This is certainly a
feasible, low cost solution, as these switches are apparently ~$25.

Another solution is to use relays, instead of just switches.  This is a
more expensive solution, and requires power, but has the advantage of
having easy-to-see (esp. in the dark) LED's.  Personally, I would like to
use different color LED's so make it really easy to determine which unit is
selected.

The design for the A/B pedal is complete, and the purchase price is ~$85.
Is anyone out there interested in such a pedal?

The design for an A/B/C pedal is currently in the works.  This pedal will
use a "latching" circuit.  In this setup, there will be 3 switches, one for
each output.  By hitting one switch, you will select that output, and
automatically deselect the others, thereby allowing "one button switching"
between three outputs.    For those of you using three (or more) echoplexi,
you are probably aware of the "less-than-ideal" setup of using two A/B
boxes to select between three units.  Often, two button presses are
necessary to switch, and there still exists the confusion of which unit is
actually selected (since the LED pedals don't work).  This latching pedal
will allow direct access to each unit, and have LED's to show which unit is
selected.

I do not yet know what such a pedal will cost, but I imagine it will be in
the $100 - $150 range.  This is expensive for just a switching pedal, but
it would be worth it to me.  Is there anybody else out there that might be
interested in such a pedal.

Also, I have not explored this possibility, but I imagine it would be
possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the same type of
latching circuit, to provide one-button switching.  I don't imagine there
are too many people using that many exhoplexi, but it is easy to see that
the more units you are using, the more useful such a switching pedal would
be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to me, esp.
for live situations.

If anyone is interested in something like this, please let me know, as I
can probably get them for better prices if I order a bunch.

- Chris


From Loopers-Delight-request@annihilist.com  Sat Mar 20 16:30:54 1999
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From: Michael Peters <mpeters@csi.com>
To: "'Loopers Delight'" <Loopers-Delight@annihilist.com>,
        "'Leander Reininghaus'" <LEALOOP@compuserve.com>,
        "'Markus Reuter'" <mreuter@post.uni-bielefeld.de>,
        "'Matthias Becker'" <m.becker@proaudio.de>,
        "'Axel Rudolph'" <RudolphAx@aol.com>,
        "'Powerspot'" <powerspot@onelist.com>
To: "'Walter'" <walterbruehn@netcologne.de>
Subject: Gravikords, Whirlies & Pyrophones
Date: Sat, 20 Mar 1999 18:36:01 +0100
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'Gravikords, Whirlies & Pyrophones'

Lovers of crazy and experimental music, be sure to check out this CD 
sampler by Bart Hopkin, released on ellipsis arts ...

it contains a book and CD about experimental musical instruments with 19 
example tracks and documentation, text and photos. The selections contain 
obvious candidates such as Harry Partch or Clara Rockmore (Theremin 
virtuoso), but also lots of people I hadn't known. Music from treated 
electronics, unusual synthesizers, car horn organs, glassharps, flowerpot 
marimbas, and lots more. Not only are the instruments beautifully designed 
- they are being played masterfully, by truly gifted musicians. I found the 
CD extremely inspiring and I really had an hour of fun listening. It also 
made me feel like more.

Thank God there is more! Bart Hopkin (editor of the 'experimental musical 
instruments' magazine and website) has done another one. It is called 
'Orbitones, Spoon Harps & Bellowphones' and features a wide range of 
musicians from John Cage to Aphex Twin. Looks really promising. I'll save 
it for next weekend.

*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




From Loopers-Delight-request@annihilist.com  Sat Mar 20 17:37:32 1999
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Date: Sat, 20 Mar 1999 15:59:36 -0600
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Re: Custom Echoplex switching pedals...any interest?
In-Reply-To: <l03130300b31931dec3b8@[209.119.180.166]>
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Another solution would be to drill an existing EDP controller to accomodate
another row of switches. The circuit is very simple, and since the major
expense is the metalwork and silkscreening, I would venture to guess that
the cost would total around $30.

Alternately, the addition of an additional ouput jack (or jacks) on the
existing pedal, switched by a footswitch on the controller (possibly a
seperate switch for each output) would also work. LEDs could be
incorporated at will.

-Chuck Zwicky

At 11:44 AM 3/20/99 -0800, you wrote:
>Fellow loopers,
>
>I am currently working with a pedal-builder to come up with A/B and A/B/C
>boxes, to switch the Echoplex DP footpedal between multiple echoplexi.
>Here is the problem I have with the A/B boxes currently available:
>
>1. DOD-style boxes work adequately (if you lift the ground to the positve
>lead of the unselected output), but do not have LED's to show you which
>output is selected.  This is a pain when I forget which unit is selected --
>I usually hit the MUTE button to determine this, but this is not very
>condusive to performance situations.
>
>2.  Morley-style boxes (w/ LED's) do not work.  At least this has been my
>experience. (Has anyone else been able to use these?)  My (limited)
>understanding about this is that in order to use LED's in the circuit, you
>must ground out the postive lead of the unselected output.  Since this is
>equivalent to hitting the RECORD button, This will screw up any loops that
>are going on in that 'plex.
>
>One solution that has been suggested is to use the switches that have a
>mechanical indicator (red button) rather than an LED.  This is certainly a
>feasible, low cost solution, as these switches are apparently ~$25.
>
>Another solution is to use relays, instead of just switches.  This is a
>more expensive solution, and requires power, but has the advantage of
>having easy-to-see (esp. in the dark) LED's.  Personally, I would like to
>use different color LED's so make it really easy to determine which unit is
>selected.
>
>The design for the A/B pedal is complete, and the purchase price is ~$85.
>Is anyone out there interested in such a pedal?
>
>The design for an A/B/C pedal is currently in the works.  This pedal will
>use a "latching" circuit.  In this setup, there will be 3 switches, one for
>each output.  By hitting one switch, you will select that output, and
>automatically deselect the others, thereby allowing "one button switching"
>between three outputs.    For those of you using three (or more) echoplexi,
>you are probably aware of the "less-than-ideal" setup of using two A/B
>boxes to select between three units.  Often, two button presses are
>necessary to switch, and there still exists the confusion of which unit is
>actually selected (since the LED pedals don't work).  This latching pedal
>will allow direct access to each unit, and have LED's to show which unit is
>selected.
>
>I do not yet know what such a pedal will cost, but I imagine it will be in
>the $100 - $150 range.  This is expensive for just a switching pedal, but
>it would be worth it to me.  Is there anybody else out there that might be
>interested in such a pedal.
>
>Also, I have not explored this possibility, but I imagine it would be
>possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the same type of
>latching circuit, to provide one-button switching.  I don't imagine there
>are too many people using that many exhoplexi, but it is easy to see that
>the more units you are using, the more useful such a switching pedal would
>be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to me, esp.
>for live situations.
>
>If anyone is interested in something like this, please let me know, as I
>can probably get them for better prices if I order a bunch.
>
>- Chris
>
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Sat Mar 20 18:25:01 1999
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To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: Custom Echoplex switching pedals...any interest?
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I haven't tried that one.  Does it have LED's?  My experience is that the
boxes w/ LED's won't work w/ the Echoplexi.   Has anyone successfully used
a switcher w/ LED's?

Having LED's and one-button switching (for A/B/C) is my motivation for
having a new one made.

- Chris



>have you tried Whirlwind A/B box?
>as of A/B/C i use [for different purposes than yours] 2 A/B
>A goes out to A
>B/B is your B
>B/A is C
>sandro
>----------
>>From: Chris Chovit <cho@newdream.net>
>>To: Loopers-Delight@annihilist.com
>>Subject: Custom Echoplex switching pedals...any interest?
>>Date: Sat, Mar 20, 1999, 2:44 PM
>>
>
>> Fellow loopers,
>>
>> I am currently working with a pedal-builder to come up with A/B and A/B/C
>> boxes, to switch the Echoplex DP footpedal between multiple echoplexi.
>> Here is the problem I have with the A/B boxes currently available:
>>
>> 1. DOD-style boxes work adequately (if you lift the ground to the positve
>> lead of the unselected output), but do not have LED's to show you which
>> output is selected.  This is a pain when I forget which unit is selected --
>> I usually hit the MUTE button to determine this, but this is not very
>> condusive to performance situations.
>>
>> 2.  Morley-style boxes (w/ LED's) do not work.  At least this has been my
>> experience. (Has anyone else been able to use these?)  My (limited)
>> understanding about this is that in order to use LED's in the circuit, you
>> must ground out the postive lead of the unselected output.  Since this is
>> equivalent to hitting the RECORD button, This will screw up any loops that
>> are going on in that 'plex.
>>
>> One solution that has been suggested is to use the switches that have a
>> mechanical indicator (red button) rather than an LED.  This is certainly a
>> feasible, low cost solution, as these switches are apparently ~$25.
>>
>> Another solution is to use relays, instead of just switches.  This is a
>> more expensive solution, and requires power, but has the advantage of
>> having easy-to-see (esp. in the dark) LED's.  Personally, I would like to
>> use different color LED's so make it really easy to determine which unit is
>> selected.
>>
>> The design for the A/B pedal is complete, and the purchase price is ~$85.
>> Is anyone out there interested in such a pedal?
>>
>> The design for an A/B/C pedal is currently in the works.  This pedal will
>> use a "latching" circuit.  In this setup, there will be 3 switches, one for
>> each output.  By hitting one switch, you will select that output, and
>> automatically deselect the others, thereby allowing "one button switching"
>> between three outputs.    For those of you using three (or more) echoplexi,
>> you are probably aware of the "less-than-ideal" setup of using two A/B
>> boxes to select between three units.  Often, two button presses are
>> necessary to switch, and there still exists the confusion of which unit is
>> actually selected (since the LED pedals don't work).  This latching pedal
>> will allow direct access to each unit, and have LED's to show which unit is
>> selected.
>>
>> I do not yet know what such a pedal will cost, but I imagine it will be in
>> the $100 - $150 range.  This is expensive for just a switching pedal, but
>> it would be worth it to me.  Is there anybody else out there that might be
>> interested in such a pedal.
>>
>> Also, I have not explored this possibility, but I imagine it would be
>> possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the same type of
>> latching circuit, to provide one-button switching.  I don't imagine there
>> are too many people using that many exhoplexi, but it is easy to see that
>> the more units you are using, the more useful such a switching pedal would
>> be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to me, esp.
>> for live situations.
>>
>> If anyone is interested in something like this, please let me know, as I
>> can probably get them for better prices if I order a bunch.
>>
>> - Chris
>>
>>



From Loopers-Delight-request@annihilist.com  Sat Mar 20 19:00:09 1999
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Date: Sat, 20 Mar 1999 18:22:39 EST
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Attention All Delightful Loopers:

I have installed a page on my website dedicated to Video Loops!

	included are:

		- stills from various videos  (taken with polaroid film)
		- a diagram of the 'basic' video loop system I used
		- a brief description of the video looping process

The direct URL to this web page is:

	http://www.angelfire.com/il/StevoInYrStudio/siysvideoart.html

For those of you with systems which support direct links:

	<A HREF="http://www.angelfire.com/il/StevoInYrStudio/siysvideoart.html">siys
video art</A>

I'll gladly entertain all comments & questions!

Stevo Wolfson - Electronic Media Artist
sTeVo iN yR sTuDiO   (visual)
Pupaum   (audio)
http://www.angelfire.com/il/StevoInYrStudio/index.html   (computer art)
stevaum@aol.com

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Subject: Re: Gravikords, Whirlies & Pyrophones
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Michael Peters wrote:

> 'Gravikords, Whirlies & Pyrophones'
>
> Lovers of crazy and experimental music, be sure to check out this CD
> sampler by Bart Hopkin, released on ellipsis arts ...
>
> it contains a book and CD about experimental musical instruments with 19
> example tracks and documentation, text and photos. The selections contain
> obvious candidates such as Harry Partch or Clara Rockmore (Theremin
> virtuoso), but also lots of people I hadn't known. Music from treated
> electronics, unusual synthesizers, car horn organs, glassharps, flowerpot
> marimbas, and lots more. Not only are the instruments beautifully designed
> - they are being played masterfully, by truly gifted musicians. I found the
> CD extremely inspiring and I really had an hour of fun listening. It also
> made me feel like more.
>
> Thank God there is more! Bart Hopkin (editor of the 'experimental musical
> instruments' magazine and website) has done another one. It is called
> 'Orbitones, Spoon Harps & Bellowphones' and features a wide range of
> musicians from John Cage to Aphex Twin. Looks really promising. I'll save
> it for next weekend.
>
> *       Michael Peters:         mpeters@csi.com
> *       escape veloopity:               electronic guitar loop music
> *       hop - fractals in motion:       strange attractors
> *       http://ourworld.compuserve.com/homepages/Mpeters

this is one of my favorite cd's; also the cool intro (to the book) by tom
waits...
glad someone out there is into it as well.

looking forward to "orbitones, et al..."

cheers

lance g.



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Subject: Re: Gravikords, Whirlies & Pyrophones
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Oh hell I've had that book for over a year, i found d out about it from my
colleague Dan Stearns who was telling me of the part with Hans Reichel in
it. I'd recommend it to anyone looking to extend instruments.

Jeff Collins


-----Original Message-----
From: lance glover <baumhaus@earthlink.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, March 20, 1999 7:00 PM
Subject: Re: Gravikords, Whirlies & Pyrophones


>
>
>Michael Peters wrote:
>
>> 'Gravikords, Whirlies & Pyrophones'
>>
>> Lovers of crazy and experimental music, be sure to check out this CD
>> sampler by Bart Hopkin, released on ellipsis arts ...
>>
>> it contains a book and CD about experimental musical instruments with 19
>> example tracks and documentation, text and photos. The selections contain
>> obvious candidates such as Harry Partch or Clara Rockmore (Theremin
>> virtuoso), but also lots of people I hadn't known. Music from treated
>> electronics, unusual synthesizers, car horn organs, glassharps, flowerpot
>> marimbas, and lots more. Not only are the instruments beautifully
designed
>> - they are being played masterfully, by truly gifted musicians. I found
the
>> CD extremely inspiring and I really had an hour of fun listening. It also
>> made me feel like more.
>>
>> Thank God there is more! Bart Hopkin (editor of the 'experimental musical
>> instruments' magazine and website) has done another one. It is called
>> 'Orbitones, Spoon Harps & Bellowphones' and features a wide range of
>> musicians from John Cage to Aphex Twin. Looks really promising. I'll save
>> it for next weekend.
>>
>> *       Michael Peters:         mpeters@csi.com
>> *       escape veloopity:               electronic guitar loop music
>> *       hop - fractals in motion:       strange attractors
>> *       http://ourworld.compuserve.com/homepages/Mpeters
>
>this is one of my favorite cd's; also the cool intro (to the book) by tom
>waits...
>glad someone out there is into it as well.
>
>looking forward to "orbitones, et al..."
>
>cheers
>
>lance g.
>
>
>
>

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Date: Sat, 20 Mar 1999 16:48:16 -0800 (PST)
From: Randy Jones <ranjones@yahoo.com>
Subject: Re: Custom Echoplex switching pedals...any interest?
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Hi,

Put a to Zero volume (visual?)pedal AND a feedback (visual) pedal on
it and possibly a loop bypass (in the loop or outta the loop) and I'm
in.  

---Chris Chovit <cho@newdream.net> wrote:
>
> I haven't tried that one.  Does it have LED's?  My experience is
that the
> boxes w/ LED's won't work w/ the Echoplexi.   Has anyone
successfully used
> a switcher w/ LED's?
> 
> Having LED's and one-button switching (for A/B/C) is my motivation for
> having a new one made.
> 
> - Chris
> 
> 
> 
> >have you tried Whirlwind A/B box?
> >as of A/B/C i use [for different purposes than yours] 2 A/B
> >A goes out to A
> >B/B is your B
> >B/A is C
> >sandro
> >----------
> >>From: Chris Chovit <cho@newdream.net>
> >>To: Loopers-Delight@annihilist.com
> >>Subject: Custom Echoplex switching pedals...any interest?
> >>Date: Sat, Mar 20, 1999, 2:44 PM
> >>
> >
> >> Fellow loopers,
> >>
> >> I am currently working with a pedal-builder to come up with A/B
and A/B/C
> >> boxes, to switch the Echoplex DP footpedal between multiple
echoplexi.
> >> Here is the problem I have with the A/B boxes currently available:
> >>
> >> 1. DOD-style boxes work adequately (if you lift the ground to the
positve
> >> lead of the unselected output), but do not have LED's to show you
which
> >> output is selected.  This is a pain when I forget which unit is
selected --
> >> I usually hit the MUTE button to determine this, but this is not
very
> >> condusive to performance situations.
> >>
> >> 2.  Morley-style boxes (w/ LED's) do not work.  At least this has
been my
> >> experience. (Has anyone else been able to use these?)  My (limited)
> >> understanding about this is that in order to use LED's in the
circuit, you
> >> must ground out the postive lead of the unselected output.  Since
this is
> >> equivalent to hitting the RECORD button, This will screw up any
loops that
> >> are going on in that 'plex.
> >>
> >> One solution that has been suggested is to use the switches that
have a
> >> mechanical indicator (red button) rather than an LED.  This is
certainly a
> >> feasible, low cost solution, as these switches are apparently ~$25.
> >>
> >> Another solution is to use relays, instead of just switches. 
This is a
> >> more expensive solution, and requires power, but has the
advantage of
> >> having easy-to-see (esp. in the dark) LED's.  Personally, I would
like to
> >> use different color LED's so make it really easy to determine
which unit is
> >> selected.
> >>
> >> The design for the A/B pedal is complete, and the purchase price
is ~$85.
> >> Is anyone out there interested in such a pedal?
> >>
> >> The design for an A/B/C pedal is currently in the works.  This
pedal will
> >> use a "latching" circuit.  In this setup, there will be 3
switches, one for
> >> each output.  By hitting one switch, you will select that output,
and
> >> automatically deselect the others, thereby allowing "one button
switching"
> >> between three outputs.    For those of you using three (or more)
echoplexi,
> >> you are probably aware of the "less-than-ideal" setup of using
two A/B
> >> boxes to select between three units.  Often, two button presses are
> >> necessary to switch, and there still exists the confusion of
which unit is
> >> actually selected (since the LED pedals don't work).  This
latching pedal
> >> will allow direct access to each unit, and have LED's to show
which unit is
> >> selected.
> >>
> >> I do not yet know what such a pedal will cost, but I imagine it
will be in
> >> the $100 - $150 range.  This is expensive for just a switching
pedal, but
> >> it would be worth it to me.  Is there anybody else out there that
might be
> >> interested in such a pedal.
> >>
> >> Also, I have not explored this possibility, but I imagine it
would be
> >> possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the
same type of
> >> latching circuit, to provide one-button switching.  I don't
imagine there
> >> are too many people using that many exhoplexi, but it is easy to
see that
> >> the more units you are using, the more useful such a switching
pedal would
> >> be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to
me, esp.
> >> for live situations.
> >>
> >> If anyone is interested in something like this, please let me
know, as I
> >> can probably get them for better prices if I order a bunch.
> >>
> >> - Chris
> >>
> >>
> 
> 
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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David Myers wrote:

> Perhaps my first "on topic" query in a while.  There's been a lot of talk
> about Acid here, but being a Mac--and now VST--user, I was wondering if
> anyone has used Steinberg's ReCycle for deriving loops?  I've heard that it
> was originally designed to make and send loops to samplers but now can deal
> with VST alone, without an external sampler.  I want to find grooves in
> batches of noise I make and save as AIFFs--by description, ReCycle sounds
> like it does the job...  anyone?
>
> Thanks,
> David Myers

Only problem is its mono only. Hopefully update soon. Probably 3rd quarter
1999.


--
Neil Goldstein
ngold@home.com
Portland, Oregon USA

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I have "Orbitones..." and it's a great cd. It looks like there's more of a
focus on found objects used as instruments. I'm a little turned off by the
appearances of already well known artists. (like Stomp, Tom Waits, and Ahex
Twin.) I like those musicians plenty, but I was eager to learn about more
obscure artists. I'm really impressed by the inclusion of Bradford Reed, Peter
Whitehead, Colin Offord, ZGA, and honky horn guy Leonard Soloman.
There's some pretty amazing instruments on here too, like a "long-stringed
instrument" with strings up to 100 feet long. There's also some "world music"
influence in here. This CD is really worth it if you can find it at your store.

matt

Michael Peters wrote:

> 'Gravikords, Whirlies & Pyrophones'
>
> Lovers of crazy and experimental music, be sure to check out this CD
> sampler by Bart Hopkin, released on ellipsis arts ...
>
> it contains a book and CD about experimental musical instruments with 19
> example tracks and documentation, text and photos. The selections contain
> obvious candidates such as Harry Partch or Clara Rockmore (Theremin
> virtuoso), but also lots of people I hadn't known. Music from treated
> electronics, unusual synthesizers, car horn organs, glassharps, flowerpot
> marimbas, and lots more. Not only are the instruments beautifully designed
> - they are being played masterfully, by truly gifted musicians. I found the
> CD extremely inspiring and I really had an hour of fun listening. It also
> made me feel like more.
>
> Thank God there is more! Bart Hopkin (editor of the 'experimental musical
> instruments' magazine and website) has done another one. It is called
> 'Orbitones, Spoon Harps & Bellowphones' and features a wide range of
> musicians from John Cage to Aphex Twin. Looks really promising. I'll save
> it for next weekend.
>
> *       Michael Peters:         mpeters@csi.com
> *       escape veloopity:               electronic guitar loop music
> *       hop - fractals in motion:       strange attractors
> *       http://ourworld.compuserve.com/homepages/Mpeters



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lance glover wrote:
> 
> Michael Peters wrote:
> 
> > 'Gravikords, Whirlies & Pyrophones'
> >
> > Lovers of crazy and experimental music, be sure to check out this 


i didn't know anyone else was aware of this record.
excellent cd for sounds.I have sampled and looped parts from that cd
often. people always say "what's that?"..jp

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Fellow loopers, ya'll gotta check this out!
http://www.hampsterdance.com/

---//////-------///-----///------/////---///////---
Joshua D. Pickenpaugh
Boulder, Colorado, U.S.A.
Bassist, Composer, Teacher
Digital "GIGPIX" : http://welcome.to/kameleyonmusic
-///------///////-------------//----------///////--


Get Your Private, Free Email at http://www.hotmail.com

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Chris

What would happen if we want A _and_ B how would the plexes react if one
EDP footswitch is connected to 
both of them in parallel....
it would probably require to rewire the EDP foot switch with doubled
components (double throw momentary switches 2 resistors per switch two
output jacks ...) 
this would give us A/B/AB control
You could experiment with this one too and offer a rewiring kit

My 2 swiss francs


Claude

From Loopers-Delight-request@annihilist.com  Sun Mar 21 13:57:04 1999
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Subject: Expanded Instrument System
Date: Sun, 21 Mar 1999 13:30:37 -0500
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I know a few of you fellow loopers are into the music of Pauline Oliveros.
Well I just yesterday found a great piece (or pieces) of gear that she and
her group uses. It's called the "Expanded Instrument System", and get
this... it uses four, i say FOUR Lexicon PCM-42's. Can you believe that.
It's no wonder why one can't seem to find them anywhere.

There is a diagram and all kinds of information on it and her music at:
http://www.artswire.org/pof/EIShome.html

Hope you enjoy your time there. I know I did.

Sincerely,
Jeff Collins

A Strange View of Music
http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html

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Date: Sat, 20 Mar 1999 21:03:31 -0600
To: Loopers-Delight@annihilist.com
From: Damon Baker <fnord@siu.edu>
Subject: Re: Gravikords, Whirlies & Pyrophones
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orbitones et al, is amazing as well, tom waits is actually featured as a
musician on that one,
he does a sort of music concrete piece made from various machine noises and
such, very nice.
and the other stuff on there is amazing too, though IMHO the aphex twin
song featured is one of 
his less interesting ones (much prefer his droning skills to his skittery
beats skills). the cd is great,
the book is great, highly recommended. 

damon baker
fnord@siu.edu

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Date: Sun, 21 Mar 1999 17:51:13 -0500 (EST)
From: slackjawed livingroom couch professor <yahktoe@sub-zero.mit.edu>
To: Loopers-Delight@annihilist.com
Subject: Re: fun loop site!
In-Reply-To: <19990321163522.15348.qmail@hotmail.com>
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Agh!  Help!  I'd seen this somewhere before, but I forgot how... um...
crazy it was.

Anyhow, this is Farhad Ebrahimi, and I'm in Denver for Spring Break.  Feel
free to give me a call at 303.333.1009 - I'll be here through next Sunday.

- Farhad

On Sun, 21 Mar 1999, kameleyon wrote:

> Fellow loopers, ya'll gotta check this out!
> http://www.hampsterdance.com/
> 
> ---//////-------///-----///------/////---///////---
> Joshua D. Pickenpaugh
> Boulder, Colorado, U.S.A.
> Bassist, Composer, Teacher
> Digital "GIGPIX" : http://welcome.to/kameleyonmusic
> -///------///////-------------//----------///////--
> 
> 
> Get Your Private, Free Email at http://www.hotmail.com
> 

From Loopers-Delight-request@annihilist.com  Sun Mar 21 19:21:59 1999
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Date: Sun, 21 Mar 1999 18:48:16 -0500 (EST)
From: slackjawed livingroom couch professor <yahktoe@sub-zero.mit.edu>
To: Loopers-Delight@annihilist.com
Subject: Re: fun loop site!
In-Reply-To: <Pine.LNX.3.96.990321174905.6826B-100000@sub-zero.mit.edu>
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Whoa!  This was supposed to be to just Josh...

Damn Hampsters.

- Farhad

On Sun, 21 Mar 1999, slackjawed livingroom couch professor wrote:

> Agh!  Help!  I'd seen this somewhere before, but I forgot how... um...
> crazy it was.
> 
> Anyhow, this is Farhad Ebrahimi, and I'm in Denver for Spring Break.  Feel
> free to give me a call at 303.333.1009 - I'll be here through next Sunday.
> 
> - Farhad
> 
> On Sun, 21 Mar 1999, kameleyon wrote:
> 
> > Fellow loopers, ya'll gotta check this out!
> > http://www.hampsterdance.com/
> > 
> > ---//////-------///-----///------/////---///////---
> > Joshua D. Pickenpaugh
> > Boulder, Colorado, U.S.A.
> > Bassist, Composer, Teacher
> > Digital "GIGPIX" : http://welcome.to/kameleyonmusic
> > -///------///////-------------//----------///////--
> > 
> > 
> > Get Your Private, Free Email at http://www.hotmail.com
> > 
> 

From Loopers-Delight-request@annihilist.com  Mon Mar 22 00:56:47 1999
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Date: Mon, 22 Mar 1999 00:43:12 -0600
To: Loopers-Delight@annihilist.com
From: Keenan Lawler <klaw@pop.iglou.com>
Subject: Live Webcast Monday
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<html>
Hi everybody-a somewhat late annoucement&nbsp; -please tune in :Monday,
March 22, 9 pm <br>
L I V E M U S I C W E B C A S T <br>
at
<font color="#0000FF"><u>http://www.konstant.com</font></u><font color="#000000">
<br>
<br>
<br>
Keenan Lawler's Science Project <br>
<br>
The show will utilize live sampling and looping, incorporating the <br>
simplest acoustic elements to storms of electronic noise. <br>
Both live improvisation and composed music will be performed. <br>
<br>
The show takes place at Artswatch, Frankfort Ave, Louisville, KY, <br>
as part of the Macrotonal Music Monday series. <br>
<br>
Webcast provided by &lt;A HREF=&quot;</font><font color="#0000FF"><u>http://www.shadowcast.com</font></u><font color="#000000">&quot;&gt;shadowcast&lt;/A&gt; <br>
<br>
<br>
<br>
Thanks Keenan<br>
</font>
<BR>
</html>

From Loopers-Delight-request@annihilist.com  Mon Mar 22 02:21:18 1999
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Date: Mon, 22 Mar 1999 01:55:25 -0500
From: fretless6 <144music@spyral.net>
Organization: 144 Music
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This coming Tuesday March 23rd and next Tuesday March 30th
at Baby Jupiter in NYC at 170 Orchard St. corner of Stanton,
9:30 PM

"Garden of Eden"

This band includes:

Num Amun-tehu-percussion
Lance Carter-drums
David C Gross-6 string fretless bass/electronics/loops
Jef Lee Johnson-guitar
Toby Kasavan-keys
Rob Reddy-reeds
Josh Roseman-trombone

"get that funk outta my face"







From Loopers-Delight-request@annihilist.com  Mon Mar 22 04:15:56 1999
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Date: Mon, 22 Mar 1999 20:10:17 +1100
To: Loopers-Delight@annihilist.com
From: Toy Satellite <studio@toysatellite.com.au>
Subject: RE: Any Video Loopers?
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hi loopers,

we (lost_time_accident) have been working with some aspect of video looping
that basically takes it's cue from sound-on-sound techniques. probably more
like over-dubbing loops which we do in tandem with improvised sound-scapes.

i teamed up with a 3D and special effects artist (john power) about 8
months ago. we started working on collaborative improvised pieces some of
which we will release on video later in the year.

it's been quite a learning experience for both of us. we've developed some
skills not unlike jazz impro, yet we're about as far from jazz as one can
get. actually, we played last fri evening and someone described our set as
jazz trance. another techno genre perhaps?

anyway, we're enjoying to collaboration which seems to be opening up new
ideas for both our efforts in terms of real-team sound and image processing.

you'll find some of our material here (more video work will be available
when we get the time to digitise between every thing else one does in the
late 90s):

http://www.toysatellite.com.au/secession
or
http://www.toysatellite.com.au/lta

this has been an excellent thread, if only to find other people interested
in developing similar skills and techniques.

ciao4now,
andrew

From Loopers-Delight-request@annihilist.com  Mon Mar 22 10:02:41 1999
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Chris Chovit'" <cho@newdream.net>, Loopers-Delight@annihilist.com
Subject: RE: Custom Echoplex switching pedals...any interest?
Date: Mon, 22 Mar 1999 09:34:24 -0500
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Great idea - however, I can foresee wanting to send a signal to multiple
edp's at once.  

For example, running a single note through 3 different processors each
resulting in a different effect, all being captured at one time into 3
different edp's.

Maybe that would need an A+B, A+C, B+C, A+B+C

Would this be possible too?

David Kirkdorffer

-----Original Message-----
From: Chris Chovit [mailto:cho@newdream.net]
Sent: Saturday, March 20, 1999 2:44 PM
To: Loopers-Delight@annihilist.com
Subject: Custom Echoplex switching pedals...any interest?


Fellow loopers,

I am currently working with a pedal-builder to come up with A/B and A/B/C
boxes, to switch the Echoplex DP footpedal between multiple echoplexi.
Here is the problem I have with the A/B boxes currently available:

1. DOD-style boxes work adequately (if you lift the ground to the positve
lead of the unselected output), but do not have LED's to show you which
output is selected.  This is a pain when I forget which unit is selected --
I usually hit the MUTE button to determine this, but this is not very
condusive to performance situations.

2.  Morley-style boxes (w/ LED's) do not work.  At least this has been my
experience. (Has anyone else been able to use these?)  My (limited)
understanding about this is that in order to use LED's in the circuit, you
must ground out the postive lead of the unselected output.  Since this is
equivalent to hitting the RECORD button, This will screw up any loops that
are going on in that 'plex.

One solution that has been suggested is to use the switches that have a
mechanical indicator (red button) rather than an LED.  This is certainly a
feasible, low cost solution, as these switches are apparently ~$25.

Another solution is to use relays, instead of just switches.  This is a
more expensive solution, and requires power, but has the advantage of
having easy-to-see (esp. in the dark) LED's.  Personally, I would like to
use different color LED's so make it really easy to determine which unit is
selected.

The design for the A/B pedal is complete, and the purchase price is ~$85.
Is anyone out there interested in such a pedal?

The design for an A/B/C pedal is currently in the works.  This pedal will
use a "latching" circuit.  In this setup, there will be 3 switches, one for
each output.  By hitting one switch, you will select that output, and
automatically deselect the others, thereby allowing "one button switching"
between three outputs.    For those of you using three (or more) echoplexi,
you are probably aware of the "less-than-ideal" setup of using two A/B
boxes to select between three units.  Often, two button presses are
necessary to switch, and there still exists the confusion of which unit is
actually selected (since the LED pedals don't work).  This latching pedal
will allow direct access to each unit, and have LED's to show which unit is
selected.

I do not yet know what such a pedal will cost, but I imagine it will be in
the $100 - $150 range.  This is expensive for just a switching pedal, but
it would be worth it to me.  Is there anybody else out there that might be
interested in such a pedal.

Also, I have not explored this possibility, but I imagine it would be
possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the same type of
latching circuit, to provide one-button switching.  I don't imagine there
are too many people using that many exhoplexi, but it is easy to see that
the more units you are using, the more useful such a switching pedal would
be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to me, esp.
for live situations.

If anyone is interested in something like this, please let me know, as I
can probably get them for better prices if I order a bunch.

- Chris

From Loopers-Delight-request@annihilist.com  Mon Mar 22 11:46:11 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Gravikords, Whirlies & Pyrophones
Date: Mon, 22 Mar 1999 10:11:37 -0600
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sheesh . . . thought you Loopers were all just  into black boxes and sheeet
. . . .    ;)

heartening to see these little gems mentioned . . .

FYEnlightenmet, check out Hopkins' excellent "Experimental Musical
Instruments" magazine (sadly this is the last year of publication) and his
two books on instrumnet building--they are a gold mine of ideas for acoustic
instruments . . .

ya know . . . pickups, transducers, micing, that kind of thing (sorry)

drone on

Tom Lambrecht
hideo@concentric.net

PS and while you're at it check out Michael Peters HOP generator available
on his web site--that and BOMB are the two pieces of eye candy in rotation
on my laptop



>
>Michael Peters wrote:
>
>> 'Gravikords, Whirlies & Pyrophones'
>>
>> Lovers of crazy and experimental music, be sure to check out this CD
>> sampler by Bart Hopkin, released on ellipsis arts ...
>

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From: Chris Chovit <cho@newdream.net>
Subject: Re: Custom Echoplex switching pedals...any interest?
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You can use mutiple footpedals to control one EDP, but uou can't use one
footpedal to control more than one EDP at a time. (Unless you use the DPDT
switches, as Claude suggested, to keep the circuits separate.)  For two
units, you can always run them in stereo mode, and control them with one
footpedal.

- Chris


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From: Jim Carter <Jim.Carter@bristol.ac.uk>
To: Loopers-Delight@annihilist.com
Subject: Re: Custom Echoplex switching pedals...any interest?
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I'm currently controlling my EDP from a Digitech Control8 
MIDI floor unit. You can certainly pick these up secondhand
for 80pounds. Using this unit in CC mode I get visual 
feedback (ie little green lights) of which functions are 
active on the Echoplex and can switch the pedal between 
Volume/Feedback/Undo.
My grand plan is that when I am rich enough to own a second
echoplex I am drive the two from one floor unit either
asynchronous on two MIDI channels or stereo by engaging the
BrotherSync. Maybe this will be MIDIable in some future
release of firmware.


Jim Carter


From Loopers-Delight-request@annihilist.com  Mon Mar 22 13:33:07 1999
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Date: Mon, 22 Mar 1999 09:17:42 -0800
From: "Urania Mylonas" <urania@email.women.com>
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 The Brecht Forum
>122 West 27th Street, 10th Floor
>between 6th and 7th Avenues
>New York, NY 10010
>(212) 242-4201
>www.brechtforum.org
>
>For immediate release                                        Contact:
>Liz
>Mestres 212-242-4201
>                                                                       
>
>        
>Barbara Burch 718-398-2810
>
>THE NOISE ACTION COALITION CO-SPONSORS PANEL DISCUSSION 
>ON ECONOMIC JUSTICE FOR MUSICIANS 
>AS PART OF NEUES KABARETT AT THE BRECHT FORUM
>
>The Brecht Forum and the Noise Action Coalition will sponsor a panel
>entitled
>"Pay to Play?" examining the issue of fair pay for musicians, 
>featuring
>Stanley Aronowitz, Marc Ribot, Lianne Smith, Greg Tate and others.  
>
>The event is Saturday, March 27th at 6 p.m. at 122 West 27th Street,
>10th
>Floor, between 6th and 7th Avenues in Manhattan.  Admission is $6-10
>sliding
>scale, no one turned away for lack of funds.  For information call
>212.242.4201.  
>
>The Noise Action Coalition (NAC), an organizing project by and for
>musicians
>working the network of clubs and indie labels centered around 
>downtown
>New
>York City, is made up of Jazz, New Music, "Knitting Factory scene" 
>and
>Indie
>Rock musicians.  The NAC has protested the No-Pay policy at Arlene
>Grocery and
>other No-Pay clubs.  The NAC has also conducted informational 
>picketing
>of the
>CMJ Music Fest over the festival's non-payment of musicians.  Last
>year, the
>NAC won the first collectively bargained agreement at a major U.S. 
>Jazz
>festival, the Knitting Factory/Texaco (now Bell Atlantic) New York 
>Jazz
>Festival, doubling minimum rates of pay for participating musicians.
>
>Behind these actions was the belief by NAC supporters that when money
>is made,
>musicians should be paid.  And behind that belief is an assumption 
>that
>musicians can and should organize collectively to win better
>conditions. 
>
>The panel will explore whether these beliefs and assumptions are 
>valid
>and/or
>realistic.  Topics will include: whether musicians have a moral or
>legal right
>to collectively bargain; whether unions are possible or desirable in 
>a
>downtown music scene dominated by freelancers; and if the 
>bureaucratic
>structure and rules normally associated with unions can co-exist with
>the
>creative flexibility and spontaneity of this scene?
>
>The panel will discuss how the NAC's organizing does or does not fit 
>in
>with
>the Musicians' Union, and how the NAC relates to other 
>"nontraditional"
>organizing efforts among part-time, freelance and "intellectual" 
>labor
>now
>underway.
>
>The Brecht Forum is an educational and cultural organization for 
>people
>who
>are working for fundamental social change.  Neues Kabarett, a regular
>avant-
>garde music series, is one of several ongoing cultural events 
>organized
>by the
>Brecht Forum, including: monthly visual art exhibits, The Gashouse (a
>monthly
>music and poetry night), film and video series, focus groups for
>artists, and
>performances ranging from dance to experimental theater.  
>
>
>
>
>
>
>



Get free e-mail with a women.com membership at http://women.com!

From Loopers-Delight-request@annihilist.com  Mon Mar 22 13:36:48 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: Custom Echoplex switching pedals...any interest?
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-----Original Message-----
From: Chris Chovit <cho@newdream.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, March 22, 1999 11:49 AM
Subject: Re: Custom Echoplex switching pedals...any interest?


>You can use mutiple footpedals to control one EDP, but uou can't use one
>footpedal to control more than one EDP at a time. (Unless you use the DPDT
>switches, as Claude suggested, to keep the circuits separate.)  For two
>units, you can always run them in stereo mode, and control them with one
>footpedal.


Some thoughts...

(BTW: I use two EDPs.  I use three footswitches in a daisy chain.  Each
footswitch can control either unit A or B, but not both simultaneously.  I
haven't needed this functionality except in one instance; I'd like to MUTE
both loopers simultaneously at the end of a composition.)

RE: controlling two EDPs with one footswitch -
The EDP is simply using the resistors in the footswitch as one leg of a
voltage divider.  If you have a three position switch (i.e., A,  B,A+B), I'd
think the A+B position could switch a single resistor into the circuit such
that both EDPs see the correct values of the other resistors.  I haven't
computed the value, but I think this should be possible.  This set-up would
not require DPDT switches.

RE: controlling more than two EDPs -
At some point, I want at least one more EDP, probably two more, so I've
thought some about how to control them.  For me, I think MIDI footpedals are
the best solution.  As the discussion over the A+B function shows, with
multiple EDPs the player will probably want combined functions.  This can
get out-of-hand (pun intended) with the non-midi footswitches.

When I look at controlling ALL the front panel functions via MIDI, I haven't
been able to find a simple solution to the "long press."  The MIDI pedals
I've seen aren't adequate for this function.  It seems that I need some kind
of sequencer to send out MIDI messages to simulate a "long press."  Am I
mistaken?  Has anybody else solved this problem?

Kim!  How about a simple <bg> software mod that upon receipt of a particular
MIDI command would simulate a "long press"?

From Loopers-Delight-request@annihilist.com  Mon Mar 22 14:16:48 1999
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From: hideo@concentric.net
Message-Id: <nZdea2f7.rsp-084d6d73@tao.ncal.kaiperm.org>
Date: 22 Mar 1999 08:31:29 -0800
Subject: Re: Gravikords, Whirlies & Pyrophones
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sheesh . . . thought you Loopers were all just  into black boxes and sheeet
. . . .    ;)

heartening to see these little gems mentioned . . .

FYEnlightenmet, check out Hopkins' excellent "Experimental Musical
Instruments" magazine (sadly this is the last year of publication) and his
two books on instrumnet building--they are a gold mine of ideas for acoustic
instruments . . .

ya know . . . pickups, transducers, micing, that kind of thing (sorry)

drone on

Tom Lambrecht
hideo@concentric.net

PS and while you're at it check out Michael Peters HOP generator available
on his web site--that and BOMB are the two pieces of eye candy in rotation
on my laptop



>
>Michael Peters wrote:
>
>> 'Gravikords, Whirlies & Pyrophones'
>>
>> Lovers of crazy and experimental music, be sure to check out this CD
>> sampler by Bart Hopkin, released on ellipsis arts ...
>



From Loopers-Delight-request@annihilist.com  Mon Mar 22 14:26:26 1999
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Date: 22 Mar 1999 08:51:20 -0800
Subject: RE: Custom Echoplex switching pedals...any interest?
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Great idea - however, I can foresee wanting to send a signal to multiple
edp's at once.

For example, running a single note through 3 different processors each
resulting in a different effect, all being captured at one time into 3
different edp's.

Maybe that would need an A+B, A+C, B+C, A+B+C

Would this be possible too?

David Kirkdorffer

-----Original Message-----
From: Chris Chovit [mailto:cho@newdream.net]
Sent: Saturday, March 20, 1999 2:44 PM
To: Loopers-Delight@annihilist.com
Subject: Custom Echoplex switching pedals...any interest?


Fellow loopers,

I am currently working with a pedal-builder to come up with A/B and A/B/C
boxes, to switch the Echoplex DP footpedal between multiple echoplexi.
Here is the problem I have with the A/B boxes currently available:

1. DOD-style boxes work adequately (if you lift the ground to the positve
lead of the unselected output), but do not have LED's to show you which
output is selected.  This is a pain when I forget which unit is selected --
I usually hit the MUTE button to determine this, but this is not very
condusive to performance situations.

2.  Morley-style boxes (w/ LED's) do not work.  At least this has been my
experience. (Has anyone else been able to use these?)  My (limited)
understanding about this is that in order to use LED's in the circuit, you
must ground out the postive lead of the unselected output.  Since this is
equivalent to hitting the RECORD button, This will screw up any loops that
are going on in that 'plex.

One solution that has been suggested is to use the switches that have a
mechanical indicator (red button) rather than an LED.  This is certainly a
feasible, low cost solution, as these switches are apparently ~$25.

Another solution is to use relays, instead of just switches.  This is a
more expensive solution, and requires power, but has the advantage of
having easy-to-see (esp. in the dark) LED's.  Personally, I would like to
use different color LED's so make it really easy to determine which unit is
selected.

The design for the A/B pedal is complete, and the purchase price is ~$85.
Is anyone out there interested in such a pedal?

The design for an A/B/C pedal is currently in the works.  This pedal will
use a "latching" circuit.  In this setup, there will be 3 switches, one for
each output.  By hitting one switch, you will select that output, and
automatically deselect the others, thereby allowing "one button switching"
between three outputs.    For those of you using three (or more) echoplexi,
you are probably aware of the "less-than-ideal" setup of using two A/B
boxes to select between three units.  Often, two button presses are
necessary to switch, and there still exists the confusion of which unit is
actually selected (since the LED pedals don't work).  This latching pedal
will allow direct access to each unit, and have LED's to show which unit is
selected.

I do not yet know what such a pedal will cost, but I imagine it will be in
the $100 - $150 range.  This is expensive for just a switching pedal, but
it would be worth it to me.  Is there anybody else out there that might be
interested in such a pedal.

Also, I have not explored this possibility, but I imagine it would be
possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the same type of
latching circuit, to provide one-button switching.  I don't imagine there
are too many people using that many exhoplexi, but it is easy to see that
the more units you are using, the more useful such a switching pedal would
be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to me, esp.
for live situations.

If anyone is interested in something like this, please let me know, as I
can probably get them for better prices if I order a bunch.

- Chris







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Subject: Re: Custom Echoplex switching pedals...any interest?
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>RE: controlling two EDPs with one footswitch -
>The EDP is simply using the resistors in the footswitch as one leg of a
>voltage divider.  If you have a three position switch (i.e., A,  B,A+B), I'd
>think the A+B position could switch a single resistor into the circuit such
>that both EDPs see the correct values of the other resistors.  I haven't
>computed the value, but I think this should be possible.  This set-up would
>not require DPDT switches.


This is an interesting idea.  You could have two sets of switches:  One to
control ALL the units and one to switch between individual units.  This
would be ideal.  I would like to be able to MUTE all the units at once,
also. NEXT_LOOP would also be nice to have .

- Chris

-----------------------------
Chris Chovit
cho@newdream.net


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ola one and all.......i very much enjoy and learn from everyones musical
contributions, be it their web-site or tape or c.d........i was wondering,
would a chain tape be of interest to anyone, sort of like a chain
letter......here is how i think it could work.....if i got a list of addresses
(off list)....i could then send my tune on tape to the next person who would
then send it to the next and so on till the tape was filled, then i would get
it back and make a copy and send it off again and another copy could be made
etc......no pain no strain and lots of music to listen to.....i dont know if
this was done before or even if its doable......any
thoughts?...........michael

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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Custom Echoplex switching pedals...any interest?
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At 9:54 AM -0800 3/22/99, Dennis W. Leas wrote:

>RE: controlling two EDPs with one footswitch -
>The EDP is simply using the resistors in the footswitch as one leg of a
>voltage divider.  If you have a three position switch (i.e., A,  B,A+B), I'd
>think the A+B position could switch a single resistor into the circuit such
>that both EDPs see the correct values of the other resistors.  I haven't
>computed the value, but I think this should be possible.  This set-up would
>not require DPDT switches.

you'd probably run into problems trying this, from noise, resistor
tolerance, different supply voltages on the units, etc. Scaling it would be
a pain too, you couldn't decide one day to use two units instead of 3,
without chaning all your resistors.... You're much better off with one
voltage divider circuit and buffering it with an opamp to the other units.


>RE: controlling more than two EDPs -
>When I look at controlling ALL the front panel functions via MIDI, I haven't
>been able to find a simple solution to the "long press."  The MIDI pedals
>I've seen aren't adequate for this function.  It seems that I need some kind
>of sequencer to send out MIDI messages to simulate a "long press."  Am I
>mistaken?  Has anybody else solved this problem?

my midi pedal does this, no problem. (digitech PMC-10)  Any pedal that can
treat the switches as momentary will work, where it sends one command when
pressed and another command when released. (NoteOn when pressed, NoteOff
when released, etc....)  There are quite a few pedals that do this, some
examples are Rocktron AllAccess, Roland FC-200, bass pedals for organ, etc.
Not to mention any keyboard midi controller. Even a simple pedal like the
Ground Control can do this in limited fashion, using a momentary switch in
the CC inputs. (pressed it sends CC=128, released it sends CC=0, with the
echoplex set to use CC messages for control.) of course, you only get 2 or
3 CC inputs, usually...

>Kim!  How about a simple <bg> software mod that upon receipt of a particular
>MIDI command would simulate a "long press"?

oh, we'll do better than that, I would guess.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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It's a neat idea, but why don't you just upload mp3s to a web site? Even a
cheapo soundcard would sound better than a haggard old tape that's been
mailed around the country fifty times...

bIz

> -----Original Message-----
> From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
> Sent: Monday, March 22, 1999 11:16 AM
> To: Loopers-Delight@annihilist.com
> Subject: an idea
>
>
> ola one and all.......i very much enjoy and learn from
> everyones musical
> contributions, be it their web-site or tape or c.d........i
> was wondering,
> would a chain tape be of interest to anyone, sort of like a chain
> letter......here is how i think it could work.....if i got a
> list of addresses
> (off list)....i could then send my tune on tape to the next
> person who would
> then send it to the next and so on till the tape was filled,
> then i would get
> it back and make a copy and send it off again and another
> copy could be made
> etc......no pain no strain and lots of music to listen
> to.....i dont know if
> this was done before or even if its doable......any
> thoughts?...........michael
>
>

From Loopers-Delight-request@annihilist.com  Mon Mar 22 17:13:24 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: an idea
Date: Mon, 22 Mar 1999 16:36:55 -0500
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I agree about it being a neat idea.  And uploaded mp3s would sound better
than "a haggard old tape" (that's my brand of tape, BTW).  To be a "chain"
composition though, we'd need to preserve the idea of serially adding stuff
to it.  Some way of one person passing it to just one other person, etc.
Like maybe come up with a list of LD subscribers who want to participant.  I
also suggest some guidelines for how long each contribution should be: say
one to three minutes.  Comments?

- Dennis Leas
-------------------
dennis@mdbs.com

-----Original Message-----
From: Jonathan El-Bizri <jbiz@linkexchange.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, March 22, 1999 3:31 PM
Subject: RE: an idea


>
>It's a neat idea, but why don't you just upload mp3s to a web site? Even a
>cheapo soundcard would sound better than a haggard old tape that's been
>mailed around the country fifty times...
>
>bIz
>


From Loopers-Delight-request@annihilist.com  Mon Mar 22 17:47:54 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: Custom Echoplex switching pedals...any interest?
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-----Original Message-----
From: Kim Flint <kflint@annihilist.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, March 22, 1999 3:16 PM
Subject: Re: Custom Echoplex switching pedals...any interest?


>At 9:54 AM -0800 3/22/99, Dennis W. Leas wrote:
>
>>RE: controlling two EDPs with one footswitch -
>>The EDP is simply using the resistors in the footswitch as one leg of a
>> . . .
>>not require DPDT switches.
>
>you'd probably run into problems trying this, from noise, resistor
>tolerance, different supply voltages on the units, etc. Scaling it would be
>a pain too, you couldn't decide one day to use two units instead of 3,
>without chaning all your resistors.... You're much better off with one
>voltage divider circuit and buffering it with an opamp to the other units.

Thanks for the feedback, Kim.  I agree.  A little bit of active electronics
is a better solution.  Especially since it would live in the rack with the
EDPs.

>
>>RE: controlling more than two EDPs -
>>. . .
>my midi pedal does this, no problem. (digitech PMC-10)  Any pedal that can
>treat the switches as momentary will work, where it sends one command when
>pressed and another command when released. (NoteOn when pressed, NoteOff
>when released, etc....)  There are quite a few pedals that do this, some
>examples are Rocktron AllAccess, Roland FC-200, bass pedals for organ, etc.
>Not to mention any keyboard midi controller. Even a simple pedal like the
>Ground Control can do this in limited fashion, using a momentary switch in
>the CC inputs. (pressed it sends CC=128, released it sends CC=0, with the
>echoplex set to use CC messages for control.) of course, you only get 2 or
>3 CC inputs, usually...

Ah, I see now.  I'd only need a sequencer type function if I wanted to
simulate multiple button press/release combinations (for changing number of
loops, switch quant., etc).  Humm, maybe I'll breakdown and buy a midi pedal
sooner than I thought...

>>Kim!  How about a simple <bg> software mod that upon receipt of a
particular
>>MIDI command would simulate a "long press"?
>
>oh, we'll do better than that, I would guess.


Now, now.  You'll have me salivating with statements like this.  ;)

- Dennis Leas
------------------------
dennis@mdbs.com

From Loopers-Delight-request@annihilist.com  Mon Mar 22 18:41:57 1999
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if it was a chain-tape you would need to emphasize that not joining in would
cause dire luck to individuals. without the chain-threat it just ain't a
chain. =-) PJ

From Loopers-Delight-request@annihilist.com  Mon Mar 22 18:57:44 1999
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Subject: edp feature?
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hey all...

am i right in thinking that the edp stores info about "cycles" as well
as "loops" (ie. a loop is made of however many cycles)? if so wouldn't
it be a cool feature to be able to start a cycle... multiply it... and
then when overdubbing "select" whether that overdub is "plain" or itself
multiplied to occupy the corresponding position in each cycle of the
loop? that way you could say turn a (say) 1 bar phrase into a 4 bar
phrase...have overdubs that overlay the 4 bar phrase... and also
overdubs that build each of the 1 bar phrases within.. is this already
possible? Kim?

From Loopers-Delight-request@annihilist.com  Mon Mar 22 18:56:27 1999
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Date: Mon, 22 Mar 1999 18:09:55 EST
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say i've put down 9 separate loops
can you call up one of the 9 loops with one press of a button using a midi
pedal?
i know with the the echoplex pedalboard you would have to tap
around.....correct?
thanks,
brian

electric bird noise (cinematic loop and layered instrumental music)
http://members.aol.com/ebnoise/index.html

From Loopers-Delight-request@annihilist.com  Mon Mar 22 19:46:46 1999
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Subject: JamMan for SALE
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I am considering selling my JamMan (8 sec. memory) to the looper with 
the highest bid. Emale your BID ONLY. I will collect bids for one week 
and then respond to all bidders. Please do not emale more than 
once...unless to up your bid. If you are reading this message after 
Monday March 29 - DO NOT RESPOND.
I know this may sound like an unorthodox sales procedure but the 
demand for this "instrument" is also unorthodox.

Best,
Dave

From Loopers-Delight-request@annihilist.com  Mon Mar 22 20:02:41 1999
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Date: Mon, 22 Mar 1999 10:21:26 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Custom Echoplex switching pedals...any interest?
Cc: Matthias Grob <matthias@grob.org>
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At 8:24 AM -0800 3/22/99, Chris Chovit <cho@newdream.net> wrote:
>You can use mutiple footpedals to control one EDP, but uou can't use one
>footpedal to control more than one EDP at a time. (Unless you use the DPDT
>switches, as Claude suggested, to keep the circuits separate.)

Matthias modified an echoplex pedal to work this way. It's pretty simple,
just use an opamp to buffer the voltage to the other units. Perhaps he
could explain for you guys.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Mar 22 20:02:48 1999
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From: DKirkdorffer@exapps.com
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Subject: RE: Custom Echoplex switching pedals...any interest?
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Great idea - however, I can foresee wanting to send a signal to multiple
edp's at once.

For example, running a single note through 3 different processors each
resulting in a different effect, all being captured at one time into 3
different edp's.

Maybe that would need an A+B, A+C, B+C, A+B+C

Would this be possible too?

David Kirkdorffer

-----Original Message-----
From: Chris Chovit [mailto:cho@newdream.net]
Sent: Saturday, March 20, 1999 2:44 PM
To: Loopers-Delight@annihilist.com
Subject: Custom Echoplex switching pedals...any interest?


Fellow loopers,

I am currently working with a pedal-builder to come up with A/B and A/B/C
boxes, to switch the Echoplex DP footpedal between multiple echoplexi.
Here is the problem I have with the A/B boxes currently available:

1. DOD-style boxes work adequately (if you lift the ground to the positve
lead of the unselected output), but do not have LED's to show you which
output is selected.  This is a pain when I forget which unit is selected --
I usually hit the MUTE button to determine this, but this is not very
condusive to performance situations.

2.  Morley-style boxes (w/ LED's) do not work.  At least this has been my
experience. (Has anyone else been able to use these?)  My (limited)
understanding about this is that in order to use LED's in the circuit, you
must ground out the postive lead of the unselected output.  Since this is
equivalent to hitting the RECORD button, This will screw up any loops that
are going on in that 'plex.

One solution that has been suggested is to use the switches that have a
mechanical indicator (red button) rather than an LED.  This is certainly a
feasible, low cost solution, as these switches are apparently ~$25.

Another solution is to use relays, instead of just switches.  This is a
more expensive solution, and requires power, but has the advantage of
having easy-to-see (esp. in the dark) LED's.  Personally, I would like to
use different color LED's so make it really easy to determine which unit is
selected.

The design for the A/B pedal is complete, and the purchase price is ~$85.
Is anyone out there interested in such a pedal?

The design for an A/B/C pedal is currently in the works.  This pedal will
use a "latching" circuit.  In this setup, there will be 3 switches, one for
each output.  By hitting one switch, you will select that output, and
automatically deselect the others, thereby allowing "one button switching"
between three outputs.    For those of you using three (or more) echoplexi,
you are probably aware of the "less-than-ideal" setup of using two A/B
boxes to select between three units.  Often, two button presses are
necessary to switch, and there still exists the confusion of which unit is
actually selected (since the LED pedals don't work).  This latching pedal
will allow direct access to each unit, and have LED's to show which unit is
selected.

I do not yet know what such a pedal will cost, but I imagine it will be in
the $100 - $150 range.  This is expensive for just a switching pedal, but
it would be worth it to me.  Is there anybody else out there that might be
interested in such a pedal.

Also, I have not explored this possibility, but I imagine it would be
possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the same type of
latching circuit, to provide one-button switching.  I don't imagine there
are too many people using that many exhoplexi, but it is easy to see that
the more units you are using, the more useful such a switching pedal would
be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to me, esp.
for live situations.

If anyone is interested in something like this, please let me know, as I
can probably get them for better prices if I order a bunch.

- Chris



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From: "Sally Sermersheim" <sally_s@execpc.com>
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Subject: would like to buy Lexicon Jam Man
Date: Mon, 22 Mar 1999 18:53:22 -0600
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This is a multi-part message in MIME format.

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I realize that the Lexicon Jam Man has been discontinued, but I would =
like to purchase one if I could locate an unused one that is still =
sitting on a shelf somewhere waiting for a new home.

Rick
phone: 414-259-8196
e-mail: rgaspere@cnrhealth.com

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<DIV><FONT size=3D2>I realize that the Lexicon Jam Man has been =
discontinued, but=20
I would like to purchase one if I could locate an unused one that is =
still=20
sitting on a shelf somewhere waiting for a new home.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Rick</FONT></DIV>
<DIV><FONT size=3D2>phone: 414-259-8196</FONT></DIV>
<DIV><FONT size=3D2>e-mail: <A=20
href=3D"mailto:rgaspere@cnrhealth.com">rgaspere@cnrhealth.com</A></FONT><=
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Date: Mon, 22 Mar 1999 19:53:46 +0000
From: Darrell Jones <djones01@columbus.rr.com>
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Subject: Re: Custom Echoplex switching pedals...any interest?
References: <F5E9D47CE08ED21182C10000D11BB150349171@bos-mail.exapps.com>
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Check out a midi foot controller, I'm using the Rocktron All Access midi Foot
Controller for my foot control. This will do what ever you want it to through
midi.

Darrell


David Kirkdorffer wrote:

> Great idea - however, I can foresee wanting to send a signal to multiple
> edp's at once.
>
> For example, running a single note through 3 different processors each
> resulting in a different effect, all being captured at one time into 3
> different edp's.
>
> Maybe that would need an A+B, A+C, B+C, A+B+C
>
> Would this be possible too?
>
> David Kirkdorffer
>
> -----Original Message-----
> From: Chris Chovit [mailto:cho@newdream.net]
> Sent: Saturday, March 20, 1999 2:44 PM
> To: Loopers-Delight@annihilist.com
> Subject: Custom Echoplex switching pedals...any interest?
>
> Fellow loopers,
>
> I am currently working with a pedal-builder to come up with A/B and A/B/C
> boxes, to switch the Echoplex DP footpedal between multiple echoplexi.
> Here is the problem I have with the A/B boxes currently available:
>
> 1. DOD-style boxes work adequately (if you lift the ground to the positve
> lead of the unselected output), but do not have LED's to show you which
> output is selected.  This is a pain when I forget which unit is selected --
> I usually hit the MUTE button to determine this, but this is not very
> condusive to performance situations.
>
> 2.  Morley-style boxes (w/ LED's) do not work.  At least this has been my
> experience. (Has anyone else been able to use these?)  My (limited)
> understanding about this is that in order to use LED's in the circuit, you
> must ground out the postive lead of the unselected output.  Since this is
> equivalent to hitting the RECORD button, This will screw up any loops that
> are going on in that 'plex.
>
> One solution that has been suggested is to use the switches that have a
> mechanical indicator (red button) rather than an LED.  This is certainly a
> feasible, low cost solution, as these switches are apparently ~$25.
>
> Another solution is to use relays, instead of just switches.  This is a
> more expensive solution, and requires power, but has the advantage of
> having easy-to-see (esp. in the dark) LED's.  Personally, I would like to
> use different color LED's so make it really easy to determine which unit is
> selected.
>
> The design for the A/B pedal is complete, and the purchase price is ~$85.
> Is anyone out there interested in such a pedal?
>
> The design for an A/B/C pedal is currently in the works.  This pedal will
> use a "latching" circuit.  In this setup, there will be 3 switches, one for
> each output.  By hitting one switch, you will select that output, and
> automatically deselect the others, thereby allowing "one button switching"
> between three outputs.    For those of you using three (or more) echoplexi,
> you are probably aware of the "less-than-ideal" setup of using two A/B
> boxes to select between three units.  Often, two button presses are
> necessary to switch, and there still exists the confusion of which unit is
> actually selected (since the LED pedals don't work).  This latching pedal
> will allow direct access to each unit, and have LED's to show which unit is
> selected.
>
> I do not yet know what such a pedal will cost, but I imagine it will be in
> the $100 - $150 range.  This is expensive for just a switching pedal, but
> it would be worth it to me.  Is there anybody else out there that might be
> interested in such a pedal.
>
> Also, I have not explored this possibility, but I imagine it would be
> possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the same type of
> latching circuit, to provide one-button switching.  I don't imagine there
> are too many people using that many exhoplexi, but it is easy to see that
> the more units you are using, the more useful such a switching pedal would
> be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to me, esp.
> for live situations.
>
> If anyone is interested in something like this, please let me know, as I
> can probably get them for better prices if I order a bunch.
>
> - Chris

From Loopers-Delight-request@annihilist.com  Mon Mar 22 20:25:22 1999
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Date: Mon, 22 Mar 1999 16:47:53 -0800 (PST)
From: Matthew Pee Davignon <mdavig@sfsu.edu>
To: loopers-delight@annihilist.com
Subject: re: an idea
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I think the tape thing is a great idea. Count me in. I could contribute to
a tape pretty easily. MP3's would sound better and would be easier to
compile, but I'm still trying to figure out how to make them. (My roommate
has the program, I just can't figure out how to work it.) I also don't
know if my little college server will allow me to send an mp3 sized file.
The cool thing about tapes is that it would allow the folks without
computers to contribute, and we could do several different tapes, that is
if we can take the tape noise.

 We could also do one of those
"remix-a-thons" where one person includes
his original track, a second person remixes it, the third person remixes
the remix, and so on. This isn't really do-able on cassette tape, though.
The tenth track would have like 10 million layers of looped tape noise. 

matt

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Date: 22 Mar 1999 17:18:45 -0800
Subject: Re: Custom Echoplex switching pedals...any interest?
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At 8:24 AM -0800 3/22/99, Chris Chovit <cho@newdream.net> wrote:
>You can use mutiple footpedals to control one EDP, but uou can't use one
>footpedal to control more than one EDP at a time. (Unless you use the DPDT
>switches, as Claude suggested, to keep the circuits separate.)

Matthias modified an echoplex pedal to work this way. It's pretty simple,
just use an opamp to buffer the voltage to the other units. Perhaps he
could explain for you guys.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com




From Loopers-Delight-request@annihilist.com  Mon Mar 22 21:33:15 1999
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In a message dated 3/22/99 7:22:31 PM Central Standard Time, mdavig@sfsu.edu
writes:

<< We could also do one of those
 "remix-a-thons" where one person includes
 his original track, a second person remixes it, the third person remixes
 the remix, and so on. This isn't really do-able on cassette tape, though.
 The tenth track would have like 10 million layers of looped tape noise. 
  >>

You say that like "10 million layers of tape noise" is a BAD thing. :) Who
knows, it might have it's own sonic appeal. 

Something like this is (or at least I see it as) more of an art project /
happening than something that should be "cd quality audio". I think the noise
should be part of the ambiance. 

- Crossedout@aol.com

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Date: Mon, 22 Mar 1999 22:02:13 +0200
To: Loopers-Delight@annihilist.com
From: patrick@his.com (Patrick Smith)
Subject: Re: Live Webcast Monday
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Hey Keenan,

I tried to heck this out, downloaded netshow earlier in the evening but I
could not get your link to play....was it working or was it me?

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Mon Mar 22 23:43:47 1999
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Date: Mon, 22 Mar 1999 21:57:05 -0600
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From: "L. Stafford" <r4c@winternet.com>
Subject: Boomerang...
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Just picked up a Boomerang recently.  Very cool little unit.  One of it's
coolest features (IMO) is the half-speed playback.  I use it w/ a 5 string
electric violin, and the effect sounds very cool and smooth when
transposing it down into cello or double bass range. :)  Other nice things:
 Backwards solo mode (kind of an immediate backwards slapback) and
backwards record mode (constantly records and plays things backwards).
Things that are missing that would be nice: Undo mode, feedback & switch to
half speed mode w/o stopping playback.  All in all, a well designed, good
sounding performance oriented unit.  Before someone goes ballistic on my
ass about how the EDP is a far superior unit ;), it's on it's way
(hopefully soon).   I will post a side by side comparison when it arrives.
It's obvious that the EDP has more features, but the Boomerang definitely
provides some unique and interesting features that the EDP does not
currently have (although I wish it did.  Kim? ;) ).




Lorren Stafford
Richard For Cerebellum/A Most Happy Sound
http://www.winternet.com/~r4c

"We ask ourselves whether truly this is the beginning 
of a new world or whether perhaps the world...is about
to perish.  There are people who earnestly and seriously
fear this, where music becomes the slave of the machine..."

From Loopers-Delight-request@annihilist.com  Tue Mar 23 00:00:32 1999
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i am interested in the sound quality vs. other units. i have a jamman which i
love and want to know how the boomerang compares in sound quality? better,
worse, same? i will hopefully be checking one out next weekend but have yet to
mess with one in person yet. =-) PJ

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i would be more than willing to start this....that way ill have no drastic
mis-fortune for breaking the chain...thanks PJ, i forgot this useful
bit.........the mp3 files is a great idea but i have no idea as to how this is
done, nor do i really care or have time to figure it out, im pretty lo-fi and
a computer idiot to boot.....i agree there should be a time limit per tune and
i also feel that if anyone wants to utilize (sample?) previous songs they
should feel free to do so.....basically, i want very much to hear your
music!.......by all means PLEASE continue making the L.D. cds, i have no idea
how a project like that is done, but i do know how to make noise on a
tape.......if you are interested send me your address (off list)......i think
it would be fun and as bill said it would be a motivator.......if it is
proper, we could perhaps discuss ideas on this project (on list)?.....michael

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At 10:02 PM 3/22/99 +0200, you wrote:
>Hey Keenan,
>
>I tried to heck this out, downloaded netshow earlier in the evening but I
>could not get your link to play....was it working or was it me?
>
>Hey Patrick-i dunno but it will be archived on konstant real soon --thanks
for watching   K

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Date: Mon, 22 Mar 1999 23:57:15 -0600
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: an idea
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Please let me know when you're ready to start your list. I'd love to be on
it, and to contribute to the tape. Great idea.
Jeff McLeod

At 12:28 AM 3/23/99 EST, you wrote:
>i would be more than willing to start this....that way ill have no drastic
>mis-fortune for breaking the chain...thanks PJ, i forgot this useful
>bit.........the mp3 files is a great idea but i have no idea as to how
this is
>done, nor do i really care or have time to figure it out, im pretty lo-fi and
>a computer idiot to boot.....i agree there should be a time limit per tune
and
>i also feel that if anyone wants to utilize (sample?) previous songs they
>should feel free to do so.....basically, i want very much to hear your
>music!.......by all means PLEASE continue making the L.D. cds, i have no idea
>how a project like that is done, but i do know how to make noise on a
>tape.......if you are interested send me your address (off list)......i think
>it would be fun and as bill said it would be a motivator.......if it is
>proper, we could perhaps discuss ideas on this project (on list)?.....michael
>
>
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

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From: hideo@concentric.net
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Date: 22 Mar 1999 22:32:34 -0800
Subject: Re: Gravikords, Whirlies & Pyrophones
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sheesh . . . thought you Loopers were all just  into black boxes and sheeet
. . . .    ;)

heartening to see these little gems mentioned . . .

FYEnlightenmet, check out Hopkins' excellent "Experimental Musical
Instruments" magazine (sadly this is the last year of publication) and his
two books on instrumnet building--they are a gold mine of ideas for acoustic
instruments . . .

ya know . . . pickups, transducers, micing, that kind of thing (sorry)

drone on

Tom Lambrecht
hideo@concentric.net

PS and while you're at it check out Michael Peters HOP generator available
on his web site--that and BOMB are the two pieces of eye candy in rotation
on my laptop



>
>Michael Peters wrote:
>
>> 'Gravikords, Whirlies & Pyrophones'
>>
>> Lovers of crazy and experimental music, be sure to check out this CD
>> sampler by Bart Hopkin, released on ellipsis arts ...
>





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From: DKirkdorffer@exapps.com
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Date: 22 Mar 1999 22:48:21 -0800
Subject: RE: Custom Echoplex switching pedals...any interest?
To: loopers-delight@annihilist.com, cho@newdream.net
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Great idea - however, I can foresee wanting to send a signal to multiple
edp's at once.

For example, running a single note through 3 different processors each
resulting in a different effect, all being captured at one time into 3
different edp's.

Maybe that would need an A+B, A+C, B+C, A+B+C

Would this be possible too?

David Kirkdorffer

-----Original Message-----
From: Chris Chovit [mailto:cho@newdream.net]
Sent: Saturday, March 20, 1999 2:44 PM
To: Loopers-Delight@annihilist.com
Subject: Custom Echoplex switching pedals...any interest?


Fellow loopers,

I am currently working with a pedal-builder to come up with A/B and A/B/C
boxes, to switch the Echoplex DP footpedal between multiple echoplexi.
Here is the problem I have with the A/B boxes currently available:

1. DOD-style boxes work adequately (if you lift the ground to the positve
lead of the unselected output), but do not have LED's to show you which
output is selected.  This is a pain when I forget which unit is selected --
I usually hit the MUTE button to determine this, but this is not very
condusive to performance situations.

2.  Morley-style boxes (w/ LED's) do not work.  At least this has been my
experience. (Has anyone else been able to use these?)  My (limited)
understanding about this is that in order to use LED's in the circuit, you
must ground out the postive lead of the unselected output.  Since this is
equivalent to hitting the RECORD button, This will screw up any loops that
are going on in that 'plex.

One solution that has been suggested is to use the switches that have a
mechanical indicator (red button) rather than an LED.  This is certainly a
feasible, low cost solution, as these switches are apparently ~$25.

Another solution is to use relays, instead of just switches.  This is a
more expensive solution, and requires power, but has the advantage of
having easy-to-see (esp. in the dark) LED's.  Personally, I would like to
use different color LED's so make it really easy to determine which unit is
selected.

The design for the A/B pedal is complete, and the purchase price is ~$85.
Is anyone out there interested in such a pedal?

The design for an A/B/C pedal is currently in the works.  This pedal will
use a "latching" circuit.  In this setup, there will be 3 switches, one for
each output.  By hitting one switch, you will select that output, and
automatically deselect the others, thereby allowing "one button switching"
between three outputs.    For those of you using three (or more) echoplexi,
you are probably aware of the "less-than-ideal" setup of using two A/B
boxes to select between three units.  Often, two button presses are
necessary to switch, and there still exists the confusion of which unit is
actually selected (since the LED pedals don't work).  This latching pedal
will allow direct access to each unit, and have LED's to show which unit is
selected.

I do not yet know what such a pedal will cost, but I imagine it will be in
the $100 - $150 range.  This is expensive for just a switching pedal, but
it would be worth it to me.  Is there anybody else out there that might be
interested in such a pedal.

Also, I have not explored this possibility, but I imagine it would be
possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the same type of
latching circuit, to provide one-button switching.  I don't imagine there
are too many people using that many exhoplexi, but it is easy to see that
the more units you are using, the more useful such a switching pedal would
be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to me, esp.
for live situations.

If anyone is interested in something like this, please let me know, as I
can probably get them for better prices if I order a bunch.

- Chris









From Loopers-Delight-request@annihilist.com  Tue Mar 23 03:27:46 1999
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From: Jim.Carter@bristol.ac.uk
Message-Id: <nY24f132.rsp-40ca7e20@tao.ncal.kp.org>
Date: 22 Mar 1999 23:59:01 -0800
Subject: Re: Custom Echoplex switching pedals...any interest?
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I'm currently controlling my EDP from a Digitech Control8
MIDI floor unit. You can certainly pick these up secondhand
for 80pounds. Using this unit in CC mode I get visual
feedback (ie little green lights) of which functions are
active on the Echoplex and can switch the pedal between
Volume/Feedback/Undo.
My grand plan is that when I am rich enough to own a second
echoplex I am drive the two from one floor unit either
asynchronous on two MIDI channels or stereo by engaging the
BrotherSync. Maybe this will be MIDIable in some future
release of firmware.


Jim Carter




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From: dennis@mdbs.com
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Date: 23 Mar 1999 00:12:18 -0800
Subject: Re: Custom Echoplex switching pedals...any interest?
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-----Original Message-----
From: Chris Chovit <cho@newdream.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, March 22, 1999 11:49 AM
Subject: Re: Custom Echoplex switching pedals...any interest?


>You can use mutiple footpedals to control one EDP, but uou can't use one
>footpedal to control more than one EDP at a time. (Unless you use the DPDT
>switches, as Claude suggested, to keep the circuits separate.)  For two
>units, you can always run them in stereo mode, and control them with one
>footpedal.


Some thoughts...

(BTW: I use two EDPs.  I use three footswitches in a daisy chain.  Each
footswitch can control either unit A or B, but not both simultaneously.  I
haven't needed this functionality except in one instance; I'd like to MUTE
both loopers simultaneously at the end of a composition.)

RE: controlling two EDPs with one footswitch -
The EDP is simply using the resistors in the footswitch as one leg of a
voltage divider.  If you have a three position switch (i.e., A,  B,A+B), I'd
think the A+B position could switch a single resistor into the circuit such
that both EDPs see the correct values of the other resistors.  I haven't
computed the value, but I think this should be possible.  This set-up would
not require DPDT switches.

RE: controlling more than two EDPs -
At some point, I want at least one more EDP, probably two more, so I've
thought some about how to control them.  For me, I think MIDI footpedals are
the best solution.  As the discussion over the A+B function shows, with
multiple EDPs the player will probably want combined functions.  This can
get out-of-hand (pun intended) with the non-midi footswitches.

When I look at controlling ALL the front panel functions via MIDI, I haven't
been able to find a simple solution to the "long press."  The MIDI pedals
I've seen aren't adequate for this function.  It seems that I need some kind
of sequencer to send out MIDI messages to simulate a "long press."  Am I
mistaken?  Has anybody else solved this problem?

Kim!  How about a simple <bg> software mod that upon receipt of a particular
MIDI command would simulate a "long press"?



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Date: 23 Mar 1999 00:09:45 -0800
Subject: Re: Custom Echoplex switching pedals...any interest?
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You can use mutiple footpedals to control one EDP, but uou can't use one
footpedal to control more than one EDP at a time. (Unless you use the DPDT
switches, as Claude suggested, to keep the circuits separate.)  For two
units, you can always run them in stereo mode, and control them with one
footpedal.

- Chris




From Loopers-Delight-request@annihilist.com  Tue Mar 23 03:29:20 1999
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From: urania@email.women.com
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Date: 22 Mar 1999 23:54:54 -0800
Subject: Panel Discussion on Fair Pay for Musicians
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 The Brecht Forum
>122 West 27th Street, 10th Floor
>between 6th and 7th Avenues
>New York, NY 10010
>(212) 242-4201
>www.brechtforum.org
>
>For immediate release                                        Contact:
>Liz
>Mestres 212-242-4201
>
>
>
>Barbara Burch 718-398-2810
>
>THE NOISE ACTION COALITION CO-SPONSORS PANEL DISCUSSION
>ON ECONOMIC JUSTICE FOR MUSICIANS
>AS PART OF NEUES KABARETT AT THE BRECHT FORUM
>
>The Brecht Forum and the Noise Action Coalition will sponsor a panel
>entitled
>"Pay to Play?" examining the issue of fair pay for musicians,
>featuring
>Stanley Aronowitz, Marc Ribot, Lianne Smith, Greg Tate and others.
>
>The event is Saturday, March 27th at 6 p.m. at 122 West 27th Street,
>10th
>Floor, between 6th and 7th Avenues in Manhattan.  Admission is $6-10
>sliding
>scale, no one turned away for lack of funds.  For information call
>212.242.4201.
>
>The Noise Action Coalition (NAC), an organizing project by and for
>musicians
>working the network of clubs and indie labels centered around
>downtown
>New
>York City, is made up of Jazz, New Music, "Knitting Factory scene"
>and
>Indie
>Rock musicians.  The NAC has protested the No-Pay policy at Arlene
>Grocery and
>other No-Pay clubs.  The NAC has also conducted informational
>picketing
>of the
>CMJ Music Fest over the festival's non-payment of musicians.  Last
>year, the
>NAC won the first collectively bargained agreement at a major U.S.
>Jazz
>festival, the Knitting Factory/Texaco (now Bell Atlantic) New York
>Jazz
>Festival, doubling minimum rates of pay for participating musicians.
>
>Behind these actions was the belief by NAC supporters that when money
>is made,
>musicians should be paid.  And behind that belief is an assumption
>that
>musicians can and should organize collectively to win better
>conditions.
>
>The panel will explore whether these beliefs and assumptions are
>valid
>and/or
>realistic.  Topics will include: whether musicians have a moral or
>legal right
>to collectively bargain; whether unions are possible or desirable in
>a
>downtown music scene dominated by freelancers; and if the
>bureaucratic
>structure and rules normally associated with unions can co-exist with
>the
>creative flexibility and spontaneity of this scene?
>
>The panel will discuss how the NAC's organizing does or does not fit
>in
>with
>the Musicians' Union, and how the NAC relates to other
>"nontraditional"
>organizing efforts among part-time, freelance and "intellectual"
>labor
>now
>underway.
>
>The Brecht Forum is an educational and cultural organization for
>people
>who
>are working for fundamental social change.  Neues Kabarett, a regular
>avant-
>garde music series, is one of several ongoing cultural events
>organized
>by the
>Brecht Forum, including: monthly visual art exhibits, The Gashouse (a
>monthly
>music and poetry night), film and video series, focus groups for
>artists, and
>performances ranging from dance to experimental theater.
>
>
>
>
>
>
>



Get free e-mail with a women.com membership at http://women.com!



From Loopers-Delight-request@annihilist.com  Tue Mar 23 03:37:08 1999
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To: Loopers-Delight@annihilist.com
From: Simon <simon@dynamite.com.au>
Subject: Echoplex module for Generator Software Synth...
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I don't know if it has been mentioned here already, but I noticed this post
on the Native Instruments Generator list...


>Date: Tue, 23 Mar 1999 02:02:37 +0100
>From: Steffen Fuerst <fuerst@mathematik.tu-darmstadt.de>
>To: Mailing List Generator <generator@native-instruments.com>
>Subject: GENERATOR:Echoplex V0.99
>
>This Instrument is influenced by the Oberheim Echoplex (i don't have one
>and only know some description i found in the Internet). There will be a
>Version 1.0 with less crackle, but i found no time to optimizing this
>yet (and in the next six week the situation will not be better).
>
>Thanks to Lorren Stafford for the Idea and some help for the hints.
>
>Have Fun,
>Steffen


Generator is a PC (and soon Mac) modular software synth. It allows users to
create their own synth modules.

If anyone here has Generator, you might want to check it out and see if
Steffen's version is close to the original, and maybe give him some hints
on improving it.

Simon
Canberra
AUSTRALIA


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From: klaw@pop.iglou.com
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Date: 23 Mar 1999 00:09:15 -0800
Subject: Live Webcast Monday
To: loopers-delight@annihilist.com
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Thats EST btw   K









Hi everybody-a somewhat late annoucement  -please tune in :Monday, March 22, 9
pm
L I V E M U S I C W E B C A S T
at http://www.konstant.com


Keenan Lawler's Science Project

The show will utilize live sampling and looping, incorporating the
simplest acoustic elements to storms of electronic noise.
Both live improvisation and composed music will be performed.

The show takes place at Artswatch, Frankfort Ave, Louisville, KY,
as part of the Macrotonal Music Monday series.

Webcast provided by <A HREF="http://www.shadowcast.com">shadowcast</A>



Thanks Keenan




From Loopers-Delight-request@annihilist.com  Tue Mar 23 04:40:47 1999
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Date: Tue, 23 Mar 1999 01:23:11 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Echoplex and a midi pedal
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At 3:09 PM -0800 3/22/99, ENAT21213@aol.com wrote:
>say i've put down 9 separate loops
>can you call up one of the 9 loops with one press of a button using a midi
>pedal?

yes, check the loop switching/triggering section of the echoplex FAQ:

http://www.annihilist.com/loop/tools/echoplex/FAQ.html

and the echoplex footpedal tutorial:

http://www.annihilist.com/loop/tools/echoplex/echopedals.html


kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Mar 23 04:31:18 1999
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Date: Tue, 23 Mar 1999 10:19:35 +0100
To: Loopers-Delight@annihilist.com
From: Leo Cavallo <cavallo@dada.it>
Subject: Re: Echoplex module for Generator Software Synth...
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OK, i have generator

where's the file?

ciao
leo

At 18.50 23/03/99 +1100, you wrote:
>I don't know if it has been mentioned here already, but I noticed this post
>on the Native Instruments Generator list...
>
>
>>Date: Tue, 23 Mar 1999 02:02:37 +0100
>>From: Steffen Fuerst <fuerst@mathematik.tu-darmstadt.de>
>>To: Mailing List Generator <generator@native-instruments.com>
>>Subject: GENERATOR:Echoplex V0.99
>>
>>This Instrument is influenced by the Oberheim Echoplex (i don't have one
>>and only know some description i found in the Internet). There will be a
>>Version 1.0 with less crackle, but i found no time to optimizing this
>>yet (and in the next six week the situation will not be better).
>>
>>Thanks to Lorren Stafford for the Idea and some help for the hints.
>>
>>Have Fun,
>>Steffen
>
>
>Generator is a PC (and soon Mac) modular software synth. It allows users to
>create their own synth modules.
>
>If anyone here has Generator, you might want to check it out and see if
>Steffen's version is close to the original, and maybe give him some hints
>on improving it.
>
>Simon
>Canberra
>AUSTRALIA
>
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Mar 23 04:31:33 1999
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From: cho@newdream.net
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Date: 23 Mar 1999 01:15:29 -0800
Subject: Re: Custom Echoplex switching pedals...any interest?
To: loopers-delight@annihilist.com
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>RE: controlling two EDPs with one footswitch -
>The EDP is simply using the resistors in the footswitch as one leg of a
>voltage divider.  If you have a three position switch (i.e., A,  B,A+B), I'd
>think the A+B position could switch a single resistor into the circuit such
>that both EDPs see the correct values of the other resistors.  I haven't
>computed the value, but I think this should be possible.  This set-up would
>not require DPDT switches.


This is an interesting idea.  You could have two sets of switches:  One to
control ALL the units and one to switch between individual units.  This
would be ideal.  I would like to be able to MUTE all the units at once,
also. NEXT_LOOP would also be nice to have .

- Chris

-----------------------------
Chris Chovit
cho@newdream.net




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At 9:54 AM -0800 3/22/99, Dennis W. Leas wrote:

>RE: controlling two EDPs with one footswitch -
>The EDP is simply using the resistors in the footswitch as one leg of a
>voltage divider.  If you have a three position switch (i.e., A,  B,A+B), I'd
>think the A+B position could switch a single resistor into the circuit such
>that both EDPs see the correct values of the other resistors.  I haven't
>computed the value, but I think this should be possible.  This set-up would
>not require DPDT switches.

you'd probably run into problems trying this, from noise, resistor
tolerance, different supply voltages on the units, etc. Scaling it would be
a pain too, you couldn't decide one day to use two units instead of 3,
without chaning all your resistors.... You're much better off with one
voltage divider circuit and buffering it with an opamp to the other units.


>RE: controlling more than two EDPs -
>When I look at controlling ALL the front panel functions via MIDI, I haven't
>been able to find a simple solution to the "long press."  The MIDI pedals
>I've seen aren't adequate for this function.  It seems that I need some kind
>of sequencer to send out MIDI messages to simulate a "long press."  Am I
>mistaken?  Has anybody else solved this problem?

my midi pedal does this, no problem. (digitech PMC-10)  Any pedal that can
treat the switches as momentary will work, where it sends one command when
pressed and another command when released. (NoteOn when pressed, NoteOff
when released, etc....)  There are quite a few pedals that do this, some
examples are Rocktron AllAccess, Roland FC-200, bass pedals for organ, etc.
Not to mention any keyboard midi controller. Even a simple pedal like the
Ground Control can do this in limited fashion, using a momentary switch in
the CC inputs. (pressed it sends CC=128, released it sends CC=0, with the
echoplex set to use CC messages for control.) of course, you only get 2 or
3 CC inputs, usually...

>Kim!  How about a simple <bg> software mod that upon receipt of a particular
>MIDI command would simulate a "long press"?

oh, we'll do better than that, I would guess.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com




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At 4:02 PM -0800 3/22/99, b.knox wrote:
>hey all...
>
>am i right in thinking that the edp stores info about "cycles" as well
>as "loops" (ie. a loop is made of however many cycles)?

right. a basic loop is one cycle, using multiply or insert adds cycles.

> if so wouldn't
>it be a cool feature to be able to start a cycle... multiply it... and
>then when overdubbing "select" whether that overdub is "plain" or itself
>multiplied to occupy the corresponding position in each cycle of the
>loop? that way you could say turn a (say) 1 bar phrase into a 4 bar
>phrase...have overdubs that overlay the 4 bar phrase... and also
>overdubs that build each of the 1 bar phrases within.. is this already
>possible? Kim?

well, you could do this by doing the overdub first, and then multiplying so
that the overdub is multiplied. But after the multiply is done, you can't
have an overdub go immediately to all of the cycles. Interesting idea, but
I think figuring out how to put that choice in the current interface would
be too confusing. In any case, we couldn't really manage this in the
current architecture.... something to think about for the future.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Subject: Repeated messages
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Is anyone else recieving multiple copies of the same message.  I received
the following message from David Kirkdorffer three or four times over the
last day or so.  Is it just my system or are others experiencing the same?

Lee

>Great idea - however, I can foresee wanting to send a signal to multiple
>edp's at once.

>For example, running a single note through 3 different processors each
>resulting in a different effect, all being captured at one time into 3
>different edp's.

>Maybe that would need an A+B, A+C, B+C, A+B+C

>Would this be possible too?

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Yeah, I am.  I just changed mail-readers and I thought it was happening on
my end.  It's good to know it's not :)

- Dennis Leas
--------------------
dennis@mdbs.com

-----Original Message-----
From: Wordsman, Lee <LWordsman@PIRNIE.COM>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
Date: Tuesday, March 23, 1999 9:05 AM
Subject: Repeated messages


>Is anyone else recieving multiple copies of the same message.  I received
>the following message from David Kirkdorffer three or four times over the
>last day or so.  Is it just my system or are others experiencing the same?


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hmmmm .  . . that's encouraging---I received three copies of my own post and
felt like a complete nick novice (HONEST . . .  only sent it once   :)

Tom Lambrecht
hideo@concentric.net

-----Original Message-----
From: Wordsman, Lee <LWordsman@PIRNIE.COM>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
Date: Tuesday, March 23, 1999 8:13 AM
Subject: Repeated messages


>
>Is anyone else recieving multiple copies of the same message.  I received
>the following message from David Kirkdorffer three or four times
SNIP


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Subject: EDP Production
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Does anyone know when the EDP (Oberhiem Echoplex Digital Pro) will be
available. I've called dealers all over the country and none of them have
one in stock, and aren't sure when they will receive them from the factory.

Bill

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heh, i just thought it was my imagination ("man been playing with loops so
much now even the loop mailing list seems stuck in a loop!":)

damon baker
fnord@siu.edu

>Yeah, I am.  I just changed mail-readers and I thought it was happening on
>my end.  It's good to know it's not :)
>
>- Dennis Leas
>--------------------
>dennis@mdbs.com
>
>-----Original Message-----
>From: Wordsman, Lee <LWordsman@PIRNIE.COM>
>To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
>Date: Tuesday, March 23, 1999 9:05 AM
>Subject: Repeated messages
>
>
>>Is anyone else recieving multiple copies of the same message.  I received
>>the following message from David Kirkdorffer three or four times over the
>>last day or so.  Is it just my system or are others experiencing the same?



From Loopers-Delight-request@annihilist.com  Tue Mar 23 11:32:29 1999
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From: Darcy Clark <darcyc@engin.umich.edu>
Subject: Re: an idea
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I think this is a great idea - I have been thinking along these lines also.
**Warning - geektalk follows !!!   MP3 seems like a logical way to share
loops, small files, cross-platform etc...  People working with images have
been doing similar things on the Web - for instance, I used to participate
in weekly 2D image-mangling sessions where every Friday night people would
meet online on IRC(text chat) or using video conferencing.  A set of 'seed
images' would be uploading into a shared FTP directory - the seed images
could be downloaded, mangled by participants using Photoshop or whatever,
and reuploaded. The site ran some server-side scripts to index the FTP
directory so people can easily peruse the modification history of each seed
image. I think something similar for sound files/loops is a natural - I
also wonder if we could 'borrow' the server scripts (I think they are Perl)
and modify them to cope with sound files (little modification is probably
needed). For those that are interested, the URL is

front page : http://www.sito.org/synergy/panic/
FTP browsing interface: http://www.sito.org/synergy/panic/panic-interface.html

PS : I have a Linux Apache server that we might be able to use as a server.

---------------------------

>I agree about it being a neat idea.  And uploaded mp3s would sound better
>than "a haggard old tape" (that's my brand of tape, BTW).  To be a "chain"
>composition though, we'd need to preserve the idea of serially adding stuff
>to it.  Some way of one person passing it to just one other person, etc.
>Like maybe come up with a list of LD subscribers who want to participant.  I
>also suggest some guidelines for how long each contribution should be: say
>one to three minutes.  Comments?
>
>- Dennis Leas
>-------------------
>dennis@mdbs.com
>
>-----Original Message-----
>From: Jonathan El-Bizri <jbiz@linkexchange.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Monday, March 22, 1999 3:31 PM
>Subject: RE: an idea
>
>
>>
>>It's a neat idea, but why don't you just upload mp3s to a web site? Even a
>>cheapo soundcard would sound better than a haggard old tape that's been
>>mailed around the country fifty times...
>>
>>bIz
>>


Darcy Clark
++++++++++++++++++++++++++++++++++++++++++++
Materials Science and Engineering Department
H.H.Dow Building, 2300 Hayward St.,
University of Michigan
Ann Arbor, MI, 48109-2136
USA
++++++++++++++++++++++++++++++++++++++++++++
Room    2130, Dow Building
Phone   (734) 764 3377
Fax     (734)  763 4788
E-mail  darcyc@engin.umich.edu
ICQ# 32143298
http://www-personal.engin.umich.edu/~darcyc
http://msewww.engin.umich.edu/mse250
http://msewww.engin.umich.edu/MEL
++++++++++++++++++++++++++++++++++++++++++++


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Photography opening:  Mark your calendar
April 2, 6pm, The Brecht Forum, 122 W. 27th St. New York, 212 242-4201
La Lucha Continua
> We Resist, We Re-act
>
> 2 Photographers: Celia Escudero-Espadas and Diane Greene Lent
>
> Two women with different artistic styles but very similar political
> views present La Lucha Continua; We Resist, We Re-Act.  This exibit
> portrays the people in struggle from Chiapas to Brooklyn.  The role of

> the activist photographer is to give vision to the people's message.
> Throughout the world the people fight back, but the media often
chooses
> to ignor the protests.  If they do see the light of print or
broadcast,
> all too often the action is characterized as "shades of the sixties".
> La Lucha Continua shows what the people have to say.  Celia
> Escudero-Espadas of Spanish origin travels and photographs in Mexico
and
> Central America.  As an activist, her photos are an attempt to foster
> social justice and develop understanding between different cultures by

> elictiing viewer solidarity with her subjects. Included are images
from
> Chiapas of the indiginous people and the Zapitistas where they live
and
> struggle. Diane Greene Lent is a New York based photographer who gets
> out in the streets to make her images. Greene has also done some
> traveling and brings images from Chile, Mexico, El Salvdor and
Northern
> Ireland.
>
> Celia Escudero-Espadas was born in Seville, Sapin and studied
> photography in Madrid,  Spain and in Maryland.  She has been actively
> involved with the solidarity movement in Nicaragua, El Salvdador,
> Chiapas(Mexico) and the US.  As a photographer committed to social
> isues, Ms Escudero has published photos and articles about AIDS,
people
> of color in the U.S. and indigenous people in numerous publications
> including the New York Times and Z magazine.
>
> Diane Greene Lent is a New York activist and photographer.  She works
> with the Brecht Forum and CISPES (the Committee in Solidarity with the

> People of El Salvador) and provides photographs and is the web
designer
> for both organizations.  Greene studied photography at the ICP
> (International Center of Photography) in New York. She has published
> photographs in numerous publications including the Village Voice and
New
> York Magazine.

<http://www.brechtforum.org>






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Date: Tue, 23 Mar 1999 17:11:11 -0500
Subject: Re: EDP Production
From: "sandro" <sscoccia@usa.net>
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try here, they said they have it  on stock
https://www.zzounds.com/

----------
>From: william.m.seiberling@us.arthurandersen.com
>To: Loopers-Delight@annihilist.com
>Subject: EDP Production
>Date: Tue, Mar 23, 1999, 9:22 AM
>

> Does anyone know when the EDP (Oberhiem Echoplex Digital Pro) will be
> available. I've called dealers all over the country and none of them have
> one in stock, and aren't sure when they will receive them from the factory.
>
> Bill
>
> *******************Internet Email Confidentiality Footer*******************
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>
> 

From Loopers-Delight-request@annihilist.com  Tue Mar 23 20:49:58 1999
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Date: Tue, 23 Mar 1999 20:26:06 EST
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Subject: chain tape update
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so far ten interested parties in this venture.....several people expressed
interest but failed to give me their address.......please send off list......i
foresee an april 1 launch date.......take names till sunday.....get the
mailing list together......do my little ditty and blast the tape off........i
think there should be some time constrains on the length of keeping the tape,
perhaps 2-3 days max......i know it takes me at least 2 days to find a
stamp.......mention was made of keeping each tune to a certain
length.....perhaps by sunday when there eleven of us we can all do epics
:)........any and all ideas are welcome and
needed.......thanks..........michael

From Loopers-Delight-request@annihilist.com  Tue Mar 23 21:21:51 1999
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Date: Tue, 23 Mar 1999 18:31:32 -0800
From: scott kungha drengsen <kungha@earthlink.net>
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Subject: EDPvsJamman
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Since the Jamman doesn't really loop in stereo;is there any reason why I
couldn't duplicate my Jamman "experience"(currently in the stereo
effects loop of my Nightbass,while my EPD resides in the mono loop) with
another EPD a couple of Y cables and a lousy footpedal;)
In other words,would this(2 Y cables) be the equivalent to the Stereo
through of the Jamman?   THANKS IN ADVANCE EVERYONE- HAPPY LOOPING!!

From Loopers-Delight-request@annihilist.com  Tue Mar 23 21:57:33 1999
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From: Stevaum@aol.com
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Date: Tue, 23 Mar 1999 21:35:06 EST
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Hi Loopers,

Regarding: Loopers-Delight-d Digest Volume 99 : Issue 121
Subject: Repeated messages     From: "Wordsman, Lee

I know this is not what Lee was refering to, but I want to know if anyone else
is bothered that so many people feel the need to include a copy of the message
they are writing about.

I stopped the option that lets one receive a copy of every email that is sent
to Loopers Delight. I personally don't like the email clutter in my mail box,
and prefer to just get the daily digests.

I save every digest issue of Loopers Delight, but don't know that everyone
else is doing that--but I'm assumming most do.

So assumming that we are saving the digests, and we are intelligent people,
there is no need to waste space by repeating the entire message you are
writing about, as long as you reference what you are referring to in the
beginning of your email message. As a bonus we would get more messages in each
digest, without so much repeated text using up memory.

I hope this doesn't launch an angry debate, i'm just expressing my opinion,
and welcome anyone to explain why it IS necessary to repeat the messages!

Stevo Wolfson - Electronic Media Artist
sTeVo iN yR sTuDiO   (visual)
Pupaum   (audio)
http://www.angelfire.com/il/StevoInYrStudio/index.html   (computer art)
stevaum@aol.com

From Loopers-Delight-request@annihilist.com  Tue Mar 23 22:33:11 1999
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Date: Tue, 23 Mar 1999 21:59:13 EST
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stevo......ive always wondered that myself.........michael

From Loopers-Delight-request@annihilist.com  Tue Mar 23 22:44:29 1999
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Date: Tue, 23 Mar 1999 19:23:23 -0800
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To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: EDPvsJamman
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Running your Jam Man in the stereo effects loop of your nightbass is a nice
way to go, because it preserves the stereo effects.  If the nightbass is
like the SGX-2000, then the mono effect loop is before any stereo effects,
in the chain.  So, if you put your EDP on the mono effect loop, you won't
be looping any any of your stereo digital effects, just your mono analog
ones (at least that is how the SGX worked).  You wouldn't be able to switch
effect patches, w/o also changin your looped sounds.

I prefer to use a mixer's effect send for my 'plex, so I can run the
echoplex output back into the mixer input.  This way I preserve stereo of
my original signal (I just send one side of the stereo to the 'plex), and
can pan the returning 'plex signal, or even send it to another effect (on
another loop).

- Chris



>Since the Jamman doesn't really loop in stereo;is there any reason why I
>couldn't duplicate my Jamman "experience"(currently in the stereo
>effects loop of my Nightbass,while my EPD resides in the mono loop) with
>another EPD a couple of Y cables and a lousy footpedal;)
>In other words,would this(2 Y cables) be the equivalent to the Stereo
>through of the Jamman?   THANKS IN ADVANCE EVERYONE- HAPPY LOOPING!!



From Loopers-Delight-request@annihilist.com  Wed Mar 24 09:11:47 1999
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Message-ID: <01BE75D5.3E381820@tor-usr30.060056.aracnet.net>
From: Jon Grant <tianmus@aracnet.net>
To: "Loopers-Delight (E-mail)" <Loopers-Delight@annihilist.com>
Subject: PC Audio Software for Sale
Date: Wed, 24 Mar 1999 09:03:05 -0800
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Hi all,

	After revamping my studio, I have a bit of audio recording software I'm =
no longer using.  All can be used for basic looping, and have processing =
built in, as well as Direct X plug-in compatibility.  E-mail me off-list =
or check the Cakewalk website for more specific info.  Any offers will =
be considered.

	FOR SALE:	Cakewalk Pro Audio 6 (w. manual)
			Cakewalk Pro Audio 7 (w. manual)
		Also:	Qsound Stereo Audio Processor CD (w. manual) - this has some =
interesting 3D and spatial effects, and was one of the first 3D audio =
systems around.

Cheers,

	Jon Grant

From Loopers-Delight-request@annihilist.com  Wed Mar 24 09:01:42 1999
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Date: Wed, 24 Mar 1999 08:19:56 -0500
To: Loopers-Delight@annihilist.com
From: kevin miller <km15@cornell.edu>
Subject: Re: chain tape update
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     Michael,
           I'm interested, count me in please!
       Kevin



At 08:26 PM 3/23/99 EST, you wrote:
>so far ten interested parties in this venture.....several people expressed
>interest but failed to give me their address.......please send off
list......i
>foresee an april 1 launch date.......take names till sunday.....get the
>mailing list together......do my little ditty and blast the tape off........i
>think there should be some time constrains on the length of keeping the tape,
>perhaps 2-3 days max......i know it takes me at least 2 days to find a
>stamp.......mention was made of keeping each tune to a certain
>length.....perhaps by sunday when there eleven of us we can all do epics
>:)........any and all ideas are welcome and
>needed.......thanks..........michael
>
>

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Date: Wed, 24 Mar 1999 10:17:47 -0500 (EST)
From: David Talento <legion@voicenet.com>
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I've read this thread with interest and would like to point out something
similar has been done before. It was pretty sucessfull so now it's grown
and is a full international trading system using WAv and other computer
formats to trade the songs. 

Check out http://www.eastwestcircuit.com/index_EW.html


-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more. 
      Visit it at:   Http://www.voicenet.com/~legion/weird.htm



From Loopers-Delight-request@annihilist.com  Wed Mar 24 13:52:07 1999
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From: Nemoguitt@aol.com
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Date: Wed, 24 Mar 1999 13:27:21 EST
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Subject: chain tape update 2
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like donuts at a policemans ball the spaces on the tape are going......we are
now at 18 brave souls.....this could become an exercise in brevity or we can
start a second tape.......please let me know.......we still have a few days to
firm this up, as if there were somekind of rush........:)..........let the
loops flow..........michael

From Loopers-Delight-request@annihilist.com  Thu Mar 25 02:43:42 1999
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Date: Wed, 24 Mar 1999 23:22:10 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Custom Echoplex switching pedals...any interest?
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helpful tips from Matthias:

>X-POP3-Rcpt: kflint@rosy.yourwebhost.com
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>Mime-Version: 1.0
>Date: Wed, 24 Mar 1999 17:57:14 -0300
>To: kflint@annihilist.com
>From: Matthias Grob <matthias@grob.org>
>Subject: Re: Custom Echoplex switching pedals...any interest?
>
>>At 8:24 AM -0800 3/22/99, Chris Chovit <cho@newdream.net> wrote:
>>>You can use mutiple footpedals to control one EDP, but uou can't use one
>>>footpedal to control more than one EDP at a time. (Unless you use the DPDT
>>>switches, as Claude suggested, to keep the circuits separate.)
>>
>>Matthias modified an echoplex pedal to work this way. It's pretty simple,
>>just use an opamp to buffer the voltage to the other units. Perhaps he
>>could explain for you guys.
>
>Yes, gladly: It works reasonably with the voltage buffer. If fact I made
>one for the keys and another for the FB foot controler.
>I use a 3 pos. switch to control either one or the other or both Plexes.
>
>One disadvantage is that the keys on the front pannel do not work any more.
>
>Another disadvantage is that the control of both units is of limited use,
>because they do not necessarily stay synced. I think it depends on the
>phase of the software running in each machine (exact moment of power on, in
>micoseconds). I did not find a solution for this.
>So now I use MIDI if I want them in stereo and set the Pedals for the master.
>If I want to use the units like two tracks, I disable MIDI on one of the
>units (ControlSource parameter) and select the "track" with the switch.
>Basically, you can do without the said preamplification. The only advantage
>of the buffer is that I can control Mute on both "tracks" or fade them out
>simultaneously. Record is not recommended for the mentioned sync problem
>and the other functions probably do not make sense on two tracks, do they?
>
>The buffer is an OpAmp with the output tied to the inverted input and the
>Footswithes connected to the non inverted input with a resistor of 4k7 to
>+5V.
>For the FB pedal I connected my fader between 0 and +5V and the slider
>plain to the non inverted input. It should also work connecting just two
>pins (low end to ground/slider to non inverted), while adding a resistor of
>about 3k9 (adjust for the pedal range) to +5V.
>
>Happy soldering
>Matthias
>

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Thu Mar 25 03:30:59 1999
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From: Kriist@aol.com
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Date: Thu, 25 Mar 1999 03:09:25 EST
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does anybody know any good sights for looking up the effects of sound on
physiology(from relaxing to disorientation)
 <A HREF="http://www.davidwoodard.com/feral-index.html">Feraliminal
Lycanthropizer</A> <~~~~this is an interesting sight to check out along those
lines
i want something more thourough(and specific)(i.e, "a 30.23kHz sine wave will
produce X effects in humans....)

rodrigo

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Subject: fretless guitars?
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anyone of you out there using a fretless guitar
ive had one for a bit but the other day i restrung it and got it all set up
i defretted another neck and im thinking about putting a metal fretboard on
there(the woods a little on the dry side)
so i want to know if anyone out there has done this
if so, what type of metal, any tips, what gauge strings etc.......

rodrigo

From Loopers-Delight-request@annihilist.com  Thu Mar 25 04:05:56 1999
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Date: Thu, 25 Mar 1999 09:36:34 +0100
From: Malhomme <malhomme@vete.ucl.ac.be>
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I wasn't really reading for a little time.
Could a good soul with  the required patience
e-mail me privately the substance of this
tape trading thing???

Thanx

Olivier Malhomme


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rodrigo,

download the cool edit demo program.  do a search in the help section 
for "brainwaves."  there is some useful info in there...  but it may not 
be as "technical" as you'd like.  i'd cut and paste it here, but i'm at 
work.

matt



>From: Kriist@aol.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: physiology and sound
>Date: Thu, 25 Mar 1999 03:09:25 EST
>
>does anybody know any good sights for looking up the effects of sound 
on
>physiology(from relaxing to disorientation)
> <A HREF="http://www.davidwoodard.com/feral-index.html">Feraliminal
>Lycanthropizer</A> <~~~~this is an interesting sight to check out along 
those
>lines
>i want something more thourough(and specific)(i.e, "a 30.23kHz sine 
wave will
>produce X effects in humans....)
>
>rodrigo
>
>



The price I pay for free, private email is the following commercial 
message...

Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Mar 25 10:02:37 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: chain tape
Date: Thu, 25 Mar 1999 09:10:52 -0500
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I'm interested in making this a true chain or serial tape.  Something that
we do together as in the sense of later compositions are influenced by
earlier ones.  This distinguishes the project from a random selection of
unrelated tunes by strangers.

Here's an idea.  To provide some unity or coherence among the participates
of this project, we could try the following:

1) pick a theme or idea - I'd suggest expressing the theme or idea using a
phrase of three words.  Hopefully, it will provide a starting point but
nobody will feel "hemmed-in."  I got this idea from a local music co-op (the
Friends of Bob see http://dcwi.com/~fobob/Welcome.html ).  They have had
"hoot nights" with themes such as "Indiscretions, Indecisions, and
Institutions" and "Escapes, Exits, and Farewells".  It seemed to work well
for them.  For our tape project this theme could be quite abstract.  Some
brainstorming on my part yields
    a) air, breath, or atmospheres
    b) colors, textures, and timbres
    c) pulse, beats, hearts

2) pick something from a previous composition on the tape and incorporate it
in your composition - This could be a rhythm, sound, or motief.  You
wouldn't have to sample the actual item; a cheap imitiation will do.

We could do 1 and 2.  I.e., you can pick your own starting point
corresponding to the theme as you interpret it; or you could pick something
from a previous composition and interpret it as you like.

My intention is not to limit or restrict but to have a thread of continuity
in some sense.

Does this idea appeal to anybody?

Dennis Leas
------------------
dennis@mdbs.com




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Message-ID: <36FA5EF1.4ABF1249@spyral.net>
Date: Thu, 25 Mar 1999 11:06:10 -0500
From: fretless6 <144music@spyral.net>
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Subject: Theorcolus CD Release Party 3/31 Knitting Factory
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144 Music Presents the CD Release  Party for:
"THEORCOLUS I"
"if the Headhunters had backed up Sun Ra and Frank Zappa you would have
Theorcolus"

Wednesday March 31st 1999
The Old Office at the Knitting Factory
74 Leonard St.
212-219-3009
Shows @ 8:00 & 9:30
Tickets:$7

Featuring:

Num Amuntehu-percuussion
David C Gross-6 string fretless bass/electronics
Peter Hess-reeds
Trevor Holder-drums
Eric Jakobson-trumpet
Toby Kasavan-keys


From Loopers-Delight-request@annihilist.com  Thu Mar 25 05:34:48 1999
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howdy rodrigo -

i play 3 fretlesses: one is maple w/carnuba wax, one has epoxy coating
on some sort of polycard, & one has a stainless steel plate epoxied over
the previous fingerboard.

i would highly recommend doing the steel on your next one, if for
nothing else but contrast in tone. i've heard from some other folks (hi
jeff & kungha) about aluminum fingerboard instuments but haven't touched
one. i like the steel one enough to be making a fretted/frettless
doubleneck which may be finished before i die. the steel fingerboard has
a very sarod-like feel.

the epoxy coating trick is also a nice way to get a different tone,
kinda like playing on a glass fingerboard dotar, & a bit less involved
than the steel thing.

let me know what you do...


bobdog

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From: "ALTO MUSIC" <u1010403@warwick.net>
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Subject: Echo Plex Auction
Date: Thu, 25 Mar 1999 14:19:45 -0000
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Hey guy's.....those of you who are in a real big hurry to get an =
Echoplex, there is an ongoing Auction on www.auctionsoup.com and there =
is a seller with one listed in the recording gear section.
Other than that were shipping them as fast as we can get them.
Alto Music


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<DIV><FONT color=3D#000000 size=3D2>Hey guy's.....those of you who are =
in a real big=20
hurry to get an Echoplex, there is an ongoing Auction on <A=20
href=3D"http://www.auctionsoup.com">www.auctionsoup.com</A> and there is =
a seller=20
with one listed in the recording gear section.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Other than that were shipping them =
as fast as we=20
can get them.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Alto Music</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_000B_01BE76CA.886F00C0--

From Loopers-Delight-request@annihilist.com  Thu Mar 25 15:19:07 1999
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Date: Thu, 25 Mar 1999 20:09:01 +0000
Subject: Re: fretless guitars?
From: "Martin Shellard" <martins@pwdu.demon.co.uk>
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>From: Kriist@aol.com
>To: Loopers-Delight@annihilist.com
>Subject: fretless guitars?
>Date: Thu, Mar 25, 1999, 8:06 am
>

> so i want to know if anyone out there has done this
> if so, what type of metal, any tips, what gauge strings etc.......
>
> rodrigo

try a set of flat (or ribbon) wound strings, these are much smoother than
regular strings and will give you much less string noise. They are similar
in feel to the strings on a cello.


Martin Shellard


----------

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Date: Thu, 25 Mar 1999 14:01:24 -0600
To: Loopers-Delight@annihilist.com
From: Jeffrey Flaws <flawsjef@well.com>
Subject: Re: physiology and sound
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Another toy to check out, interesting piece of shareware and doc:

	<http://www.bwgen.com>

(And a lot more affordable than a Feraliminal Lycanthropizer.)

Peace ... Jeff 

At Thursday 3/25/99 03:09 AM -0500, Kriist@aol.com wrote:
>does anybody know any good sights for looking up the effects of sound on
>physiology(from relaxing to disorientation)
> <A HREF="http://www.davidwoodard.com/feral-index.html">Feraliminal
>Lycanthropizer</A> <~~~~this is an interesting sight to check out along those
>lines
>i want something more thourough(and specific)(i.e, "a 30.23kHz sine wave will
>produce X effects in humans....)
>
>rodrigo
>

From Loopers-Delight-request@annihilist.com  Thu Mar 25 16:16:07 1999
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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: physiology and sound
Date: Thu, 25 Mar 1999 12:57:31 -0800
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Is this stuff for real? The brainwave generator has several presets to
'enhance psychic powers'.

I tried it for a while, and got a headache.

bIz


> -----Original Message-----
> From: Jeffrey Flaws [mailto:flawsjef@well.com]
> Sent: Thursday, March 25, 1999 12:01 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: physiology and sound
>
>
> Another toy to check out, interesting piece of shareware and doc:
>
> 	<http://www.bwgen.com>
>
> (And a lot more affordable than a Feraliminal Lycanthropizer.)
>
> Peace ... Jeff
>
> At Thursday 3/25/99 03:09 AM -0500, Kriist@aol.com wrote:
> >does anybody know any good sights for looking up the effects
> of sound on
> >physiology(from relaxing to disorientation)
> > <A HREF="http://www.davidwoodard.com/feral-index.html">Feraliminal
> >Lycanthropizer</A> <~~~~this is an interesting sight to
> check out along those
> >lines
> >i want something more thourough(and specific)(i.e, "a
> 30.23kHz sine wave will
> >produce X effects in humans....)
> >
> >rodrigo
> >
>
>

From Loopers-Delight-request@annihilist.com  Thu Mar 25 16:30:20 1999
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Date: Thu, 25 Mar 1999 13:00:45 -0800
From: "Matthew P. Davignon" <mdavig@sfsu.edu>
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The idea appeals to me, but kind of as a second time around. The first time, I
think I'd rather hear a random selection of unrelated tunes by strangers. Nobody
said there just has to be this one, though. We could do both!
matt

Dennis W. Leas wrote:

> I'm interested in making this a true chain or serial tape.  Something that
> we do together as in the sense of later compositions are influenced by
> earlier ones.  This distinguishes the project from a random selection of
> unrelated tunes by strangers.
>
> Here's an idea.  To provide some unity or coherence among the participates
> of this project, we could try the following:
>
> 1) pick a theme or idea - I'd suggest expressing the theme or idea using a
> phrase of three words.  Hopefully, it will provide a starting point but
> nobody will feel "hemmed-in."  I got this idea from a local music co-op (the
> Friends of Bob see http://dcwi.com/~fobob/Welcome.html ).  They have had
> "hoot nights" with themes such as "Indiscretions, Indecisions, and
> Institutions" and "Escapes, Exits, and Farewells".  It seemed to work well
> for them.  For our tape project this theme could be quite abstract.  Some
> brainstorming on my part yields
>     a) air, breath, or atmospheres
>     b) colors, textures, and timbres
>     c) pulse, beats, hearts
>
> 2) pick something from a previous composition on the tape and incorporate it
> in your composition - This could be a rhythm, sound, or motief.  You
> wouldn't have to sample the actual item; a cheap imitiation will do.
>
> We could do 1 and 2.  I.e., you can pick your own starting point
> corresponding to the theme as you interpret it; or you could pick something
> from a previous composition and interpret it as you like.
>
> My intention is not to limit or restrict but to have a thread of continuity
> in some sense.
>
> Does this idea appeal to anybody?
>
> Dennis Leas
> ------------------
> dennis@mdbs.com



From Loopers-Delight-request@annihilist.com  Thu Mar 25 17:37:10 1999
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I don't mean to be rude but most of that stuff is snake-oil at best.
Just a warning before you go out and purchase a brainwave synchronizer
or something ;-).

Sorta reminds me of high school kids trying to put a curse on their
teacher using incantations from the "Satanic Bible" :-D.

"One man's aural junk is another man's ear candy"

-the man cable-

Kriist@aol.com schrieb:
> 
> does anybody know any good sights for looking up the effects of sound on
> physiology(from relaxing to disorientation)
>  <A HREF="http://www.davidwoodard.com/feral-index.html">Feraliminal
> Lycanthropizer</A> <~~~~this is an interesting sight to check out along those
> lines
> i want something more thourough(and specific)(i.e, "a 30.23kHz sine wave will
> produce X effects in humans....)
> 
> rodrigo




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Date: Thu, 25 Mar 1999 14:31:37 -0800
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Jonathan El-Bizri wrote:

> ...I tried it for a while, and got a headache.

whoa dude, all things in moderation... ;~)


lance g.

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Date: Thu, 25 Mar 1999 14:41:33 -0800
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I knew you were going to say that.

Wait! It works! I'm psychic! I'm going to start my own 900 number business.

bIz

> -----Original Message-----
> From: lance glover [mailto:baumhaus@earthlink.net]
> Sent: Thursday, March 25, 1999 2:32 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: physiology and sound
> 
> 
> 
> 
> Jonathan El-Bizri wrote:
> 
> > ...I tried it for a while, and got a headache.
> 
> whoa dude, all things in moderation... ;~)
> 
> 
> lance g.
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Mar 25 20:16:24 1999
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Subject: fretless
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Wondered who had a source for commercially made/prepared fretless guitars


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Vigier Guitars in France.

http://www.vigierguitars.com

Jeff

-----Original Message-----
From: paulpop@ssnet.com <paulpop@ssnet.com>
To: Loopers-Delight <Loopers-Delight@annihilist.com>
Date: Thursday, March 25, 1999 8:13 PM
Subject: fretless


>Wondered who had a source for commercially made/prepared fretless guitars
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Mar 25 22:40:50 1999
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on the fretless guitar thing...

i have a fretless klein... 

it's got a slotted steinberger (composite) neck without the frets.  if the
metal fingerboards are better than wood, then i would presume that this one is
in the right direction... but i've never REALLY put it to the test : (

of course there are no tape-wound double ball end guitar strings (if anyone
knows of such a think PLEASE speak up) so i just use a range of nickel wound
strings.

blahblahblah

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Designify@aol.com wrote:

> of course there are no tape-wound double ball end guitar strings (if anyone
> knows of such a think PLEASE speak up) so i just use a range of nickel wound
> strings.
>
> blahblahblah

i use plain piano wire & make my own double ball end strings by recycling ball
ends from old strings & using solder to insure no unwrapping occurs, check it
out.

bobdog


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On Thu, 25 Mar 1999 paulpop@ssnet.com wrote:

> Wondered who had a source for commercially made/prepared fretless guitars

Yaman, the guitarist with my band bought his fretless Strat-style
neck w/ebony fingerboard from Warmoth. 

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/


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                 WELCOM TO FESTIVAL "YALTA'99"!!!
                http://members.tripod.com/yalta100

Festival-competition will take place at the bank of the Black Sea.
COMPETITION:
At this competition could take part young singers, duets and groups until
6 persons specialised in pop/rock  etc.
Age from 16-29.
Awards grand prix - $10.000,
First price  - $ 5.000
Second price - $ 3.000
Third price  - $ 1.500
Also a special price for the best composition, lyric &
arrangement  - $ 1000

In order to take part at the competition you need to sent promo kit:
1. Recomendation letter from - club or studio or manager or producer.
2. Biography
3. Two black&white photos (or maybe color) - 10x15cm (glazy paper)
and for acreditation at the competition two photos for every
participant 3x4cm.
4. Copy of musical diplom (if you have it)
5. Cassette (audio) or CD with two songs that you show for musical
selecting for jury.
6. Deadline for demo sending is 01 of June, 1999.

 Competitor must to learn one song in Ukrainian, if competitor hav't this song,
so org. committee will sent it texts, songs, notes. Participant must to pick up
one song.
Artists-competitors paid their travel expenses by theirselvs.
 Org. committee will pay to competitor accomodation and food (three times to day).
But if competitor will not come through the second level - his accomodation and
food it will pay by himself.
 If we put on artists to guest's program - we pay back travel expenses, hotel,
food and fee that we talk about in contract. In program of stars we invite only
very famous atists, bands that are known by our public.
 If we don't know artist who want to take part in guest program - this artist
must to sent us his best demo materials. We put those demos to the competition
(selecting) in our org. committee. Also in demo kit artist must to include the
size of his company, expenses by their travel from their country to Sympheropol
(the city in Krym (which is situated near the Yalta city).


With best regards,
Valery Ljubchenko
Director of IAA

Valery Ljubchenko
P.O. Box 28 62
Dnipropetrovsk
320 128
Ukraine

Tel/fax: +380 562 35-27-63
E-Mail: agency@ljubch.dp.ua
http://www.start.at/asdev





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From: billfox@lucent.com (William_B_Fox)
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #107		March 25, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I concluded the month-long focus on the sixth annual
Alfa-Centauri Electronic Music Festival featuring the music of the
artists who will be performing.  The festival will be on April 10 in
Huizen, the Netherlands at the Theatre 3-in-1.

The feature CD at midnight was "The Infection of Time" by T-Bass UK.

	Alfa-Centauri :  http://home.wxs.nl/~quantumproductions
	T-Bass UK     :  http://www.users.globalnet.co.uk/~dhughes/tbass.html
	EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html

Upcoming events announced: Star's End Gathering XVIII on Saturday, April
24, with Lektronic Soundscapes recording group, Spacecraft at St. Mary's
Church in Philadelphia.

	EMUSIC Events :  http://www.wdiyfm.org/emusic/events.html
	Spacecraft    :  http://spaceformusic.com/spacecraft.html
Lektronic Soundscapes :  http://spaceformusic.com/leksound.html


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Robert Carty            Dark Glow                Darklight (Deep Sky Music)
Richard Pinhas          Iceland (Part 2)         Iceland (Cuneiform)
Spacecraft              Planetary Orbit         Spacecraft(LektronicSoundscapes)
Steve Roach             The Majestic Void        Truth & Beauty (Timeroom)
Urchin                  Crew Cut                 Urchin (Waveform)
Paul Nagle              Lore                     Lore (Soft Room)
Robert Fripp            2002                     Live in Argentina(DisciplineGM)

12:00 am
T-Bass UK               Storm Front              InfectionOfTime(ThinkingMetal)
T-Bass UK               Tranquility Bass         InfectionOfTime(ThinkingMetal)
T-Bass UK               The Infection of Time    InfectionOfTime(ThinkingMetal)
T-Bass UK               Mariner                  InfectionOfTime(ThinkingMetal)
T-Bass UK               Ozone Park               InfectionOfTime(ThinkingMetal)
T-Bass UK               Inferno                  InfectionOfTime(ThinkingMetal)
T-Bass UK               Four Wheel Jive          InfectionOfTime(ThinkingMetal)
T-Bass UK               The Torch                InfectionOfTime(ThinkingMetal)
T-Bass UK               Network of the Heart     InfectionOfTime(ThinkingMetal)
T-Bass UK               Lovesong                 InfectionOfTime(ThinkingMetal)
VA [Paul Lawler]        Dead Roads               Is There Anybody Out There?
                                                 (Champagne Lake, SMD, AD Music)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will begin a month-long focus on British
synthesizer artist Paul Nagle.  The feature CD at midnight will be
"Wavemaker" on AMP Records.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

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Date: Fri, 26 Mar 1999 09:20:14 -0500
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Hi Dennis:

I'm interested in participating in this thing, but what about pragmatics? For
example, it would be convenient for the next person in the chain if all the
previous people had identified (on some sorta chart?) what elements of what
piece they had messed with and where the messed-with bit now resides in the
mix. In order for this to occur the original recording would have to be
accompanied by some sort of data sheet (or transcription) explaining what's
going on in the piece.

Furthermore, the more people who contribute to the tape, the shorter their
contributions will have to be. For example, if 40 people want to work on a 90
minute cassette, each person will have only a little over 2 minutes to get to
the point. In a way, this could be an advantage--we could end up with a very
dense sound collage full of rapid transitions.

Finally, three more considerations: (1) how will it be decided--and by
whom--where the tape gets sent, what the deadlines are, that sort of thing?
Someone will have to take charge, not only to ensure completion of the
project, but also to prevent the list from being cluttered with messages like,
er, this one. (2) Are we talking a cassette tape, here? I wonder how many of
the interested parties have DAT machines and, if most of them do, whether it
might be better to do the project on DAT? (3) People will want to hear what
happens to their music as it gets passed along? Assuming the tape makes its
way back to the original source (yourself?) would it then be incumbent upon
that person to copy and distribute the final mix to all the participants? If
that's the case, a "subscription" fee should be required of all those who want
a copy, and that fee should be used to copy the tape via a duplication
service. To make it easier on the person who has to do this work, contributors
should send SASEs with their money, yes? 

Let us know what the master plan is and count me in!

Best,

Morgan Hamilton Lang

From Loopers-Delight-request@annihilist.com  Fri Mar 26 09:57:40 1999
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From: billfox@lucent.com (William_B_Fox)
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To: Loopers-Delight@annihilist.com
Subject: EMUSIC Top 20
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WDIY 88.1 FM "EMUSIC" Top 20 report to New Age Voice for March, 1999.
(Shows #104 to #107; 3/4/99 to 3/25/99)
Reported in alphabetical order by album title.
Compiled by Bill Fox, billfox@fast.net  <== PLEASE NOTE ADDRESS CHANGE!!

ARTIST - ALBUM TITLE - LABEL
============================
Various - The Ambient Expanse - Mirage
Robert Carty - Darklight - Deep Sky Music
Lambert - Dimensions of Dreams - Spheric
Jeff Pearce - The Hidden Rift - Ancient Sun
Richard Pinhas - Iceland - Cuneiform
Ma Ja Le & Vir Unis - Imaginarium - Mirage
Laocoon - Immersion - Parnassus Nump
T-Bass UK - Infection Of Time - Thinking Metal
Stratosphere - The Introspective Spaces - Amplexus
Various - Is There Anybody Out There...? - Champagne Lake, SMD, AD Music
Vidna Obmana - Landscape in Obscurity - Hypnos
Cassiel - Listen/Move - Atomic City
RAMP - Nodular - Manikin
The Spirit Level - Of Earth and Sky - Neurodisc
Redshift - Redshift - Champagne Lake
Spacecraft - Spacecraft - Lektronic Soundscapes
Various - Syntonic Waves Vol 7 - Spheric
TUU & Nick Parkin - Terma (Fathom)
Ian Boddy - The Deep (Something Else)
Steve Roach - Truth and Beauty (Timeroom)

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In a message dated 3/26/99 5:45:35 AM Mid-Atlantic Standard Time,
agency@ljubch.dp.ua writes:

<< Age from 16-29. >>

big sigh..........they dont like old people.........i cant remember back that
far!....michael

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In a message dated 3/25/99 10:56:54 PM Central Standard Time,
alevin@DarkAether.Net writes:

<<  Wondered who had a source for commercially made/prepared fretless guitars
>>

I think Carvin will sell guitar necks or whole guitars with fretless necks,
they do bass necks fretless at no charge, so I'd imagine they'd do guitar
necks the same. 

- Crossedout@aol.com

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Date: Fri, 26 Mar 1999 09:00:57 -0800
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> on the fretless guitar thing...
>
> i have a fretless klein...
>
> it's got a slotted steinberger (composite) neck without the
> frets.  if the
> metal fingerboards are better than wood, then i would presume
> that this one is
> in the right direction... but i've never REALLY put it to the test : (
>
> of course there are no tape-wound double ball end guitar
> strings (if anyone
> knows of such a think PLEASE speak up) so i just use a range
> of nickel wound
> strings.
>
> blahblahblah
>
>

I don't know if they make them for bass, but I have a string converter on my
Steinberger guitar.

bIz


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In a message dated 3/25/99 9:00:06 AM Central Standard Time, dennis@mdbs.com
writes:

<< Does this idea appeal to anybody? >>
YES!!!

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At 8:53 AM -0800 3/26/99, Crossedout@aol.com wrote:
>In a message dated 3/25/99 10:56:54 PM Central Standard Time,
>alevin@DarkAether.Net writes:
>
><<  Wondered who had a source for commercially made/prepared fretless guitars
>>>
>
>I think Carvin will sell guitar necks or whole guitars with fretless necks,
>they do bass necks fretless at no charge, so I'd imagine they'd do guitar
>necks the same.


my echoplex is fretless. I hear that the jamman, boomerang, and most
samplers are too.



sorry, couldn't resist. :-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Fri Mar 26 13:52:04 1999
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Subject: Re: WELCOME TO YALTA'99!!!
Date: Fri, 26 Mar 1999 10:13:54 -0800
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Alas, no mention of what kind of firearms they'll allow musicians to have,
either... Too bad about the age thing, too - I'm sure a bunch of us are just
bursting with desire to sing Ukranian music. :)  But, then again, do any of
us actually have music degrees?

There ARE times when I don't mind mass mailing through LD.  This is one of
them. :)

Stephen Goodman * It's the Loop of the Week!
EarthLight Productions * http://www.earthlight.net

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At 10:20 AM 3/26/99 -0800, you wrote:

>my echoplex is fretless. I hear that the jamman, boomerang, and most
>samplers are too.
>

i don't know...
there seems to be a lot of fretting going on around here about all of the
above.

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

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we are at 24 folks and counting.......we will add names till sunday for this
go-round......if interested, please mail me off list......also let me know if
you came on board and didnt hear from us yet.....i may have missed a name or
two....thanks.....michael

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From: "Joseph Buck" <josephbuck@hotmail.com>
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Yo-

I gotta tell ya, a heads up on events and gigs that we can participate 
in is welcome in my book....

2 cents in,


Buck

>Alas, no mention of what kind of firearms they'll allow musicians to 
have,
>either... Too bad about the age thing, too - I'm sure a bunch of us are 
just
>bursting with desire to sing Ukranian music. :)  But, then again, do 
any of
>us actually have music degrees?
>
>There ARE times when I don't mind mass mailing through LD.  This is one 
of
>them. :)
>
>Stephen Goodman * It's the Loop of the Week!
>EarthLight Productions * http://www.earthlight.net
>

Get Your Private, Free Email at http://www.hotmail.com

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Kim, sorry,

but with undo I need further assistance. Maybe I just didn´t get the hidden
message, but

-the memory usage of what I tried to do was positively not critical at all
-In the manual, I couldn´t check out any interaction between undo and overdub
except with undo as an alternative ending. This does not apply here.
-your feedback point is not clear to me at all. I set feedback to full, that´s
all I can tell you.

Now what I tried repeatedly, I recorded a loop of  5 secs or so, then overdubbed
it a few times in one pass or several and next I wanted to remove the layers I
had overdubbed.
This _worked_ but only in the way I described in my previous mail. I couldn´t
really seem to control it.

If, like the FAQ says, feedback is undoable, does that imply that each fed-back
loop uses a "new" portion of memory and could that cause a memory "shortage"?
But even if so, could that affect the ability to remove overdubs?
My only guess is it that with pressing the button after some time, I maybe do
not undo the last overdub but, instead,  return to the previously fed-back
cycles in the loop´s history before reaching the point where undo takes away
overdubs.
But I really wouldn´t say that either manual or FAQ point this out.

Can you help?
Manfred


Kim Flint wrote:

> check the FAQ:
>
> http://www.annihilist.com/loop/tools/echoplex/FAQ.html
>
> I think it answers you, if not let me know what should be added. It's still
> a work in progress, I've got a bunch of old posts and stuff I still need to
> organize into FAQ form. I can make particular items a priority if people are
> having trouble with it.
>
> with undo, make sure you understand how it is affected by memory usage,
> feedback, and the way you overdub.
>
> kim
>
> At 09:00 PM 3/17/99 +0100, Manfred Bohnhoff wrote:
> >Fellow Echoplex owners,
> >
> >this may have been discussed before, so I´ll gladly accept any
> >information source pointers.
> >
> >I am still at the beginning working my way through all my new plex´s
> >features but I find that some don´t act the way the manual suggests.
> >
> >In particular, what I found out so far is that the SwitchQuant Parameter
> >offers the tree values cyc, cnf, off instead of just on, off like the
> >manual says. I have no intuition as to the meaning of these.
> >Next, and more annoying, the undo button WILL let me erase layer by
> >layer but not in the way described: long presses are ignored completely
> >while short _double_  presses sometimes do the job and sometimes don´t.
> >This seems to occur independently from where in the loop I am. Same to
> >single short presses to remove the "tail" of the layer. They randomly
> >sometimes work or don´t.
> >
> >Bug or feature?
> >
> >Is there an update to the manual somewhere?
> >
> >Any hints are appreciated.
> >
> >Manfred
> >
> >
> >
> ________________________________________________________
> Kim Flint, MTS                  408-752-9284
> ATI Research                    kflint@atitech.com
> http://www.atitech.com

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Kim Flint wrote:

> my echoplex is fretless. I hear that the jamman, boomerang, and most
> samplers are too.

can we close the loop on this discussion?

sheesh!

-lance g.

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good morning, I am new to your list and am looking forward to posts past
and present..before I dive into my echoplex with a magnifying glass, I
have a question that perhaps someone can better direct me to. At times
my unit , when barely tapped will reset itself, just as if one turned it
off then on again. I did expand the memory when I received it, so that
would probably be a starting place. I though perhaps it was the plug
itself being loose..but no..has anyone experienced this before? thanking
you in advance. scott devillez

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From: "Philipp Zuercher" <zurrigo@hotmail.com>
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Subject: Trouble with Multiply Switch
Date: Sat, 27 Mar 1999 10:25:55 PST
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hi there

for about three month I have been an Echoplex owner , and I have just 
started using it for life performance as a solo guitarist and with my 
trio

sometimes when I hit the MULTIPLY button on the footpedal, the device 
goes into MUTE state

Is this a software 5.0 - or a hardware problem ?

It only happened about five or six times since I have got the LOOPER, 
but you don't want this to happen on stage, do you...?!

Could that problem and others be a result of hitting more than one 
footpedal button- - anyone having had the same sort of problem?

Thanx an awful lot for your answer(s) 


Philipp  -  Switzerland
Get Your Private, Free Email at http://www.hotmail.com

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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Short? in Echoplex
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Oberheim service people mentioned such a thing in the past. It usually
means you didn't put the cover back on right when you upgraded the memory.
One of the screws is shorter than the others, and is supposed to go on the
right side next to the transformer. If you use one of the longer screws in
that spot, It will likely contact the transformer and cause shorts like you
are seeing. Check that, and see if it fixes the problem.

kim


At 7:49 AM -0800 3/27/99, James Devillez wrote:
>good morning, I am new to your list and am looking forward to posts past
>and present..before I dive into my echoplex with a magnifying glass, I
>have a question that perhaps someone can better direct me to. At times
>my unit , when barely tapped will reset itself, just as if one turned it
>off then on again. I did expand the memory when I received it, so that
>would probably be a starting place. I though perhaps it was the plug
>itself being loose..but no..has anyone experienced this before? thanking
>you in advance. scott devillez


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat Mar 27 19:05:29 1999
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I had put a long screw on the transformer side..thanks to all..time will
tell now if it resets itself.
james

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Bret wrote:
  James, You may have read kims comments about the longer screw.

Not yet I'll look for his comment

> Eventually I put in a SLIGHTLY larger fuse, and this seemed to resolve
> the
> problem.

I'll remember that

> Another area to check is where the power socket is
> solder to the Printed Circuit Board of the EDP.  I have
> heard of these solder joints breaking and becoming
> intermittant.  This would have the symptom you describe
> (reset when the case is tapped).

Most likly the case (no pun intended, just came out of my mouth that
way)
I will look around there

>
>
> My guess is the reset is due to intermittant power
> somewhere from the input of the power cable to the fuse
> to the transformer, to the input of the voltage
> regulators, to the DC output of the voltage regulators.
>  An intermittant contact anywhere in this path could
> have the symptom you describe.
>
> Good luck!  I know this can be a very frustrating
> problem.
> bret
>
> --- James Devillez <grndflor@apex.net> wrote:

Thank you very much. I have used it all afternoon and it reset itself
one time. then I moved the unit a bit and no problem Yet!

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At 10:25 AM -0800 3/27/99, Philipp Zuercher wrote:
>hi there
>
>for about three month I have been an Echoplex owner , and I have just
>started using it for life performance as a solo guitarist and with my
>trio
>
>sometimes when I hit the MULTIPLY button on the footpedal, the device
>goes into MUTE state
>
>Is this a software 5.0 - or a hardware problem ?

if it's a problem at all, it would be hardware, although I don't think
that's what's happening:


>It only happened about five or six times since I have got the LOOPER,
>but you don't want this to happen on stage, do you...?!
>
>Could that problem and others be a result of hitting more than one
>footpedal button- - anyone having had the same sort of problem?

hitting two buttons at once is much more likely your problem here. If you
press two of them at exactly the same time, the echoplex might interpret it
as the wrong function. In the case on Multiply, pressing Multiply and
Insert at the same time would cause it to think you pressed Mute. I just
tried that, took me about 6 tries to tap them close enough in time for it
to think I pressed Mute. That's probably what happened to you. Be more
careful to tap the right button.....

(It's an intentionally simple circuit, each switch swapping different
resistors into a voltage divider circuit to set different voltages, which
are read by an A/D. This allows for brainless footpedals with only a mono
patch cord connecting to the rack. Unfortunately, pressing two switches
together would put their respective resistors in parallel, causing the
wrong voltage to be set. The software does debouncing and checking for
these cases as best as possible, but Mult and Ins at exactly the same time
would trick it.)

The echoplex software is smart about the Overdub button though. When that
one is pressed, you can still press the other buttons and get the right
function. This allows you to do something like a sustain pedal action on
Overdub, where you just hold it down as long as you want to overdub, and
release it when you want to stop. All the time you are sustaining the
overdub, you can still do other functions and they should work right.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Mar 28 11:49:21 1999
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Hello, dear Loopers:

Yes, it's question time!

I just finished up a piece and was reminded of a question I meant to put to
the list some time ago: why loop? I mean "why" in the fundamental sense of
addressing what it is about repetition that's good. Is "looping" equivalent to
the broader category of "repetition," or is it a particular type or method of
repetition? Aside from the obvious mechanistic differences, are there
qualitative differences between music that is made by repeating phrases in,
ahem, "real" time and music in which repetition is achieved by looping? Are
these differences audible?

I would imagine from the responses to the "things vs. computers" debate that
lots of people use looping devices in order to do solo performances in which
multiple parts can be controlled by the performer. If the "looping vs.
repetition" question doesn't interest anyone, maybe people could describe the
enabling or limiting aspects of performing solo or in duos as opposed to
ensemble playing where looping is rendered less necessary.

Best,

Morgan Hamilton Lang.

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Date: Sun, 28 Mar 1999 13:21:47 -0500
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Why loop?
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For me, one of the attractions of looping is best expressed by an analogy.
When two halftoned photographs are superimposed, conflicts between screen
frequency and angle show up as a moire pattern. Changing the angle changes
the pattern; you're viewing something that's inherent to neither
photograph, but is, rather, a product of combining them in a complex phase
relationship. Some composers (I'm thinking of Steve Reich's "Violin Phase"
and similar works as examples) have explored this sort of phase
relationship with "real" instruments playing written parts in real time (or
as Terry Riley has done, by writing the notes, but allowing the time
signature to be random) but the precise nature of the repetitions coming
out of electronic looping gear result in an entirely different texture, one
in which absolute predictability (the loop) sometimes mixes with the
completely unexpected (the interaction BETWEEN the loops) in an intensely
pleasureable way. There's also something to be said for the psychoacoustic
tension of anticipating the return of a sound; live looping involves
constant manipulation of the loop, whether by filtering or by the
introduction of new content to the loop saturating and obscuring the old
content, so the listener (and in some cases the musician) can't be entirely
certain that the sound WILL return. Our ancestors experienced religious awe
when observing how the sun would go down at night and come up in the
morning; the sense of anticipation they felt was powerful enough to lead
them to worship natural phenomena. This is in many ways replicated on a
microcosmic level by the loop, but as a powerful aesthetic experience
rather than a mystical one. The emergence of new technology allows us to
create input for our senses in ways that were not possible before. We have
evolved culturally, developing the tools which make it possible for ONE
MUSICIAN in REAL TIME to infinitely repeat and solo over the chords to
"Freebird"...

Oh well,

Tim


>I just finished up a piece and was reminded of a question I meant to put to
>the list some time ago: why loop? I mean "why" in the fundamental sense of
>addressing what it is about repetition that's good. Is "looping"
equivalent to
>the broader category of "repetition," or is it a particular type or method of
>repetition? Aside from the obvious mechanistic differences, are there
>qualitative differences between music that is made by repeating phrases in,
>ahem, "real" time and music in which repetition is achieved by looping? Are
>these differences audible?

>Morgan Hamilton Lang.
>
>

From Loopers-Delight-request@annihilist.com  Sun Mar 28 16:13:12 1999
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Date: Sun, 28 Mar 1999 14:41:16 -0600
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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Alternative to Double Ball end Strings
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I highly recommend the clamping adaptor that Steinberger sells. I use one
on my guitar, and it is the only way to experiment with the odd gauges that
I need to use to tune in straight fifths. I think that it would be possible
to use any clamping nut above (i.e. behind) the Steinberger/Klein nut. 

-Chuck Zwicky


...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Sun Mar 28 16:50:31 1999
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Date: Sun, 28 Mar 1999 16:27:33 -0500
From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject: New MOKA EFTI CD out now !
Sender: Leander REININGHAUS <LEALOOP@compuserve.com>
To: "Powerspot" <powerspot@onelist.com>
Cc: Jonathan Brainin <jbrainin@interactive.net>,
        Loopers Delight <Loopers-Delight@annihilist.com>,
        Alan Hoover <HooverA@tce.com>, John Peters <ANET@aol.com>,
        Peter Spoecker <peter@didgeridoings.com>,
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Hi folks,

I'd like to let you all know that

NOW, my band MOKA EFTI prautli presentz =


                                   our 10th Anniversary Jubilee album

                                                " FATA MORGANA  "  ! ! ! =
  =


 =

                                                          featuring

                                         CHARLIE MARIANO : alto sax
                                         HEINRICH VON KALNEIN ( Dave
Liebman, Nguyen Le ) : soprano sax
                                         ROLAND SCHAEFFER ( Guru Guru ) :=

nadhaswaram

The music is:

European New Jazz, Worldmusic and Ambient at its best presenting some nic=
e
guitar loops and drummy grooves together with lots of realtime playing an=
d
improvisation. No headtripping ! Both for dancers and
dreamers.

the band is:

Hannsjoerg Scheid : bass, guitar, vocals, programming
Michael Wack : percussion, synthbass
Ralf Goeldner : drums, percussion
myself : guitars, loops



" We'd like to take you on a journey
  through deserts and jungles
  deep into the ocean and out into the universe
  dancing, singing
  and smiling ... "


Visit our website at : www.csc-music.de

Mailorder and enquiries:   info@csc-music.de
                                        or:  michel-wack@t-online.de =

                                        or:  LEALOOP@compuserve.com

Hope you'll enjoy !

Leander

From Loopers-Delight-request@annihilist.com  Sun Mar 28 18:27:33 1999
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Message-ID: <000c01be796e$87a42e80$294f9ad1@default>
From: "Bill Cummings" <billcumm@sprynet.com>
To: "ASR-X List" <asrx@onelist.com>,
        "loop dudes at looper's delight" <Loopers-Delight@annihilist.com>,
        "K5000 Users List" <k5000@onelist.com>
Subject: Fw: Drum'n Bass questions - Amen
Date: Sun, 28 Mar 1999 17:58:38 -0500
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WOW,
I found out about a really cool software program today on the A3000 list
(yup, I'm spying on em again). If you haven't ween AMEN, well you just
haven't lived. It's seriously wicked. Just download it and play around with
it, and you'll see. FREEWARE too !
Bill Cummings
drums@myself.com

-----Original Message-----
From: Tom <tom@cheapnet.co.uk>
To: a3k-list@teklab.com <a3k-list@teklab.com>
Date: Sunday, March 28, 1999 8:01 AM
Subject: Re: Drum'n Bass questions - Amen


>* From "Tom" <tom@cheapnet.co.uk>
>
>Yep, Amen is one fucking cool freeware program.
>It is uploaded on my site @ www.cheapnet.co.uk/tom/rouge/downloads.htm
>I think it works in a similar way as the Loop remic function on the A3000.
>
>Tom.
>
>
>
>
>>* From "Mark Hadley" <mail@mark-hadley.freeserve.co.uk>
>>
>>A nice little program to get you going with d'n'b is AMEN. It's free and
>>comes with an amen break!! and you can chop it up and sequence it forever
>>very easily within the program, adding differing degrees of randomness
etc.
>>gives a good insight into one way to use breakbeats : there was a link to
>it
>>on that download page of Tom's that he recently mentioned. I don't think
>>it's being developed any further though, shame.
>>
>>Mark.
>
>
>___________________________________________________________________________
>The Yamaha A3000 Mailing List is a free service provided by TekLab and is
>open to all members of the Internet community.  For more information about
>this list and the Yamaha A3000 Sampler, visit A3k Central at the following
>web site: http://www.a3kcentral.com/  <== (Sample CD's and software TOO!)

From Loopers-Delight-request@annihilist.com  Sun Mar 28 18:37:29 1999
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Date: Sun, 28 Mar 1999 18:18:33 -0500
From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject:  New MOKA EFTI CD out now !
Sender: Leander REININGHAUS <LEALOOP@compuserve.com>
Cc: Jonathan Brainin <jbrainin@interactive.net>,
        Loopers Delight <Loopers-Delight@annihilist.com>,
        Alan Hoover <HooverA@tce.com>, John Peters <ANET@aol.com>,
        Peter Spoecker <peter@didgeridoings.com>,
        David Torn <texture444@aol.com>
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Hi folks,

I'd like to let you all know that

NOW, my band MOKA EFTI prautli presentz =


                                   our 10th Anniversary Jubilee album

                                                " FATA MORGANA  "  ! ! ! =
  =


 =

                                                          featuring

                                         CHARLIE MARIANO : alto sax
                                         HEINRICH VON KALNEIN ( Dave
Liebman, Nguyen Le ) : soprano sax
                                         ROLAND SCHAEFFER ( Guru Guru ) :=

nadhaswaram

The music is:

European New Jazz, Worldmusic and Ambient at its best presenting some nic=
e
guitar loops and drummy grooves together with lots of realtime playing an=
d
improvisation. No headtripping ! Both for dancers and
dreamers.

the band is:

Hannsjoerg Scheid : bass, guitar, vocals, programming
Michael Wack : percussion, synthbass
Ralf Goeldner : drums, percussion
myself : guitars, loops



" We'd like to take you on a journey
  through deserts and jungles
  deep into the ocean and out into the universe
  dancing, singing
  and smiling ... "


Visit our website at : www.csc-music.de

Mailorder and enquiries:   info@csc-music.de
                                        or:  michel-wack@t-online.de =

                                        or:  LEALOOP@compuserve.com

Hope you'll enjoy !

Leander

From Loopers-Delight-request@annihilist.com  Sun Mar 28 18:41:22 1999
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Message-ID: <003e01be7970$4ca2fa80$294f9ad1@default>
From: "Bill Cummings" <billcumm@sprynet.com>
To: "Yamaha DSP List" <dspfact-list@teklab.com>,
        "Warren Bones" <wrbones@efex.com>, <VS880@mail.emrmail.com>,
        "V drums list" <vdrums@onelist.com>, "ugo" <ugo@ix.netcom.com>,
        "Toneshift List" <toneshift@onelist.com>,
        "Tip of the Day" <tipoftheday@list.0mm.com>,
        "Chris \"BassMan\" Carlson" <c2unes@aol.com>,
        "Dan Ash" <danash@ibm.net>,
        "Eric \"Big E\" Reinken" <reinken@erols.com>,
        "Ken Bob Skjeveland" <ken.skjeveland@mci.com>,
        "Lori Skjeveland" <Lori_Skjeveland@xn.xerox.com>,
        "Me Myself & I" <drums@myself.com>, "The Lemoults" <mlemoult@aol.com>,
        <subscribe_66488@andover.net>, "Steve & Deb Shulman" <dsymktg@aol.com>,
        "Skjeveland, Lori" <Lori.Skjeveland@usa.xerox.com>,
        "Rubber Chicken Software Co." <chickenEPS@willmar.com>,
        "Robert L Cummings" <rlcummings@juno.com>,
        "Rob Seidenberg" <mrblue1111@aol.com>,
        "Rhythm Magazine U.K." <subs@futurenet.co.uk>, <QY70@onelist.com>,
        "QY list" <hwseq-list@teklab.com>, <pulsar-dsp@onelist.com>,
        "POELS Joel" <joel.poels@ulg.ac.be>, <pcmalert@mail.zdlists.com>,
        "PC DAW List" <Majordomo@missionrec.com>,
        "Paula Mikesh" <metawanda@aol.com>, "Mike Florio" <mike@rcsworks.com>,
        "Michael Levy" <mfldvp@aol.com>, "Marcy Kaye" <mkaye@bluebarn.com>,
        "Malcolm Doak" <mdoak@kawaius.com>,
        "loop dudes at looper's delight" <Loopers-Delight@annihilist.com>,
        "K5000 Users List" <k5000@onelist.com>, "Josh" <jagsail@iname.com>,
        "John + Diane Parada" <jparada@pop.interport.net>,
        "JamesJ.MasonJr." <james08@sprintmail.com>,
        "Jack" <heff@cyberdude.com>, "Hugh Wong" <hugh@advcon.com.hk>,
        "Gene Lake" <GENE1MUS@aol.com>,
        "Gene Jackson" <JackGene@earthlink.net>,
        "Ensoniq Tech Support" <music-support@ensoniq.com>,
        "Eiki Matsumoto" <eiki@ampacfutures.com>, "dgoa" <dgoa@ou.edu>,
        "Deb & Steve Shulman" <dashman4@aol.com>,
        "Dave & Robin" <willsjake@aol.com>, "Databomb" <databomb@uswest.net>,
        "CUBASERS" <cubase-users@mcc.ac.uk>,
        "Cubase makelist" <cubase@makelist.com>,
        "Cliff Cuseo" <JimEHendrx@aol.com>,
        "Chris Nefarium" <Nefarium@pcez.com>,
        "Calvin Jones" <Bassix@webtv.net>,
        "Brian's alternate E Mail" <dbcummings@cyberdude.com>,
        "Brian" <BRILAW@juno.com>, "Bobby" <bobc@valinet.com>,
        "Bobby" <bobby@javanet.com>, "Bob at the office" <info@amben.com>,
        "Bill Langham" <blangham@westnet.com>,
        "Ben Scheuer" <Inbenjam1@aol.com>, "ASR-X List" <asrx@onelist.com>,
        "Andy & Kris Grocki" <thebipster@aol.com>,
        "Amy Lynn" <amylynn12@juno.com>, "A3000" <a3k-list@teklab.com>
Subject: Fw: [VS880] Fw: New virus alert !!!
Date: Sun, 28 Mar 1999 18:10:42 -0500
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watch out for this virus that's sent out in a word DOC file called LIST.DOC
it's called W97M/Melissa virus .
Bill Cummings
drums@myself.com

-----Original Message-----
From: Ron Oslund <reoslund@capitalnet.com>
To: TheBigList <vs880@emrmail.com>; vlist <vlist@egroups.com>
Date: Sunday, March 28, 1999 9:14 AM
Subject: [VS880] Fw: New virus alert !!!


>Hey y'all !!!
>
>Late breaking news !!!
>
>Be aware this puppy's out there, somewhere !
>
>Peace...      (\/)
>Ron O
>www.capitalnet.com/~reoslund
>Songs of the Big Lists: CD 2, Track 12
>www.vmusicstudios.com
>---------------------------------------------------------------------------
-
>---------------------------------------------------------------------------
>There are three kinds of mathematicians:
>The ones that can add and the ones that can't
>---------------------------------------------------------------------------
-
>---------------------------------------------------------------------------
>
>> > ----------
>> > From: Marita Näsman-Repo[SMTP:Marita.Nasman-Repo@DataFellows.com]
>> > Sent: Saturday, March 27, 1999 10:55 AM
>> > To: Oslund, Ron
>> > Subject: Re: add english viruses
>> >
>> > This press release comes from Data Fellows. You have previously
>expressed
>> > interest in our products, or have asked to be included on one of our
>press
>> > release lists by personally giving us your e-mail address for this
>> > purpose.
>> >
>> > If you no longer wish to receive our press releases, or your email
>address
>> > has
>> > been added to our lists without your consent, you may remove yourself
>from
>> > our
>> > mailing lists by replying to this message with the words "remove
>> > <your_address@your_domain.com>" in the Subject line.
>> >
>> > If you only wish to receive our press releases concerning viruses,
>please
>> > reply
>> > to this message with the text  "remove <your_address@your_domain.com>"
>in
>> > the
>> > subject line, and send a second reply with the text  "add virus info
>> > <your_address@your_domain.com>" in the subject line.
>> >
>> >
>> > Media release
>> > For immediate release
>> >
>> >
>> > A new computer virus spread globally within hours of discovery
>> >
>> > Melissa virus infects Word documents, e-mails itself to other users
>> >
>> > Espoo, Finland, March 27, 1999. - DataFellows, one of the world's
>leading
>> > developers of anti-virus and encryption software, is warning computer
>> > users
>> > about a virulent and widespread computer virus found on Friday, March
>26,
>> > 1999.
>> > This virus has spread all over the globe within just hours of initial
>> > discovery, apparently spreading faster than any other virus before.
>> >
>> > The virus, known as W97M/Melissa, spreads by e-mailing itself
>> > automatically
>> > from one user to another. The virus activates by modifying the user's
>> > documents, inserting comments from the TV series "The Simpsons". Even
>> > worse, it
>> > can send out confidential information from the computer without the
>user's
>> > noticing it.
>> >
>> > The virus was discovered late Friday evening European time, early
>morning
>> > US
>> > time. For this reason, the virus spread in the USA during Friday. Many
>> > multinational companies reported widespread infections, including
>> > Microsoft and
>> > Intel. Microsoft closed down their whole e-mail system to prevent a
>> > further
>> > spreading of the virus. The number of infected computers so far is
>> > estimated at
>> > tens of thousands, and rising quickly.
>> >
>> > "We've never seen a virus spread so rapidly," comments Mikko Hypponen,
>> > DataFellows' Manager of Anti-Virus Research. "We've seen a handful of
>> > viruses
>> > that distribute themselves automatically over e-mail, but not one of
>them
>> > has
>> > been as successful as Melissa in the real world."
>> >
>> > W97M/Melissa was initially distributed in an Internet discussion group
>> > called
>> > alt.sex. The virus was sent in a file called LIST.DOC, which contained
>> > passwords for X-rated websites. When users downloaded the file and
>opened
>> > it in
>> > Microsoft Word, a macro inside the document executed and e-mailed the
>> > LIST.DOC
>> > file to 50 people listed in the e-mail alias file of the user. The
>e-mail
>> > looked as follows:
>> >
>> >         From: (name of infected user)
>> >         Subject: Important Message From (name of infected user)
>> >         To: (50 names from alias list)
>> >
>> >         Here is that document you asked for ... don't show anyone else
>;-)
>> >
>> >         Attachment: LIST.DOC
>> >
>> > Most recipients are likely to open such a file, as it usually comes
from
>> > someone they know.
>> >
>> > After sending itself out, the virus continues to infect other Word
>> > documents
>> > which the user accesses, i.e. it is not restricted to the initial
>LIST.DOC
>> > file. Eventually, these infected files can end up being mailed to other
>> > users
>> > as well. This can be potentially disastrous, as a user might
>inadvertently
>> > send
>> > out confidential data to outsiders.
>> >
>> > The virus activates if it is executed when the minutes of the hour
match
>> > the
>> > day of the month - for example 18:27 on the 27th day of a month. At
this
>> > time
>> > the virus will insert the following phrase into the current document
>which
>> > the
>> > user has open in Word: "Twenty-two points, plus triple-word-score, plus
>> > fifty
>> > points for using all my letters.  Game's over.  I'm outta here". This
>> > text, as
>> > well as the alias name of the virus author, "Kwyjibo", are references
to
>> > the
>> > popular "Simpsons" cartoon TV series.
>> >
>> > "The virus won't spread much during this weekend. We will see the real
>> > problem
>> > on Monday morning," continues Hypponen. "When a big company gets
>infected,
>> > their e-mail servers are seriously slowed down and might even crash, as
>> > computers start e-mailing large document attachments without the sender
>> > realising it."
>> >
>> > W97M/Melissa works with Microsoft Word 97, Microsoft Word 2000 and
>> > Microsoft
>> > Outlook e-mail client. It can infect both Windows and Macintosh users.
>If
>> > the
>> > infected machine does not have Outlook or Internet access at all, the
>> > virus
>> > will continue to spread locally within the documents the user accesses.
>> >
>> > Data Fellows provides a free solution to the W97M/Melissa virus
problem.
>> > Evaluation copies of the F-Secure Anti-Virus toolkit as well as an
>update
>> > to
>> > detect and disinfect the virus are available from the company's website
>at
>> > http://www.DataFellows.com
>> >
>> > Data Fellows is one of the world's leading developers of data security
>> > products. The company develops, markets and supports integrated
>> > anti-virus,
>> > data security and cryptography software products for corporate computer
>> > networks. It has corporate headquarters in San Jose, California and
>Espoo,
>> > Finland, with additional offices as well as partners, VARs and other
>> > distributors in over 80 countries around the world.
>> >
>> > For more information, contact
>> > Data Fellows, 675 North First Street, 8th  floor,
>> > San Jose, CA 95112;
>> > tel 408-938-6700; fax 408-938-6701
>> >
>> > http://www.DataFellows.com  or   info@datafellows.com.
>> >
>> > or
>> >
>> > Data Fellows Corporation
>> > Mikko Hyppönen, Manager, Anti-Virus Research.
>> > PL 24
>> > FIN-02231 ESPOO
>> > tel s +358 9 8599 0513
>> > fax +358 9 8599 0599
>> > e-mail: Mikko.Hypponen@DataFellows.com
>> >
>> > http://www.DataFellows.com/
>> >
>> > Note to editors: Screenshots of LIST.DOC, where it all started, are
>> > available
>> > on the Data Fellows web site at the Virus Activation Screenshots
>Archive:
>> > http://www.DataFellows.com/v-pics/
>> >  At 15:21 24.3.1999 -0500, you wrote:
>> > >
>> >
>> > ------------------
>> > Marita Näsman-Repo tel: +358 9 8599 0613
>> > Communicator, Media relations fax: +358 9 8599 0813
>> > mobile: +358 40 517 4613
>> > Data Fellows Ltd. http://www.DataFellows.com
>> >
>> > F-Secure products: Integrated Solutions for Enterprise Security
>> >
>> >
>>
>
>------------------
>To UNSUBSCRIBE send an e-mail to listserv@emrmail.com with "unsubscribe
>vs880 Your Name" in the BODY of the message. For HELP with all other
>commands send an e-mail to listserv@emrmail.com with "Help vs880" in the
BODY of the message.
>For archives and other VS related info, go to www.virtualstudio.org.
>Subject tags:[840][880][1680][GEAR][BACKUP][OT][NEW][PC][MAC][SYNC]

From Loopers-Delight-request@annihilist.com  Sun Mar 28 20:11:03 1999
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Date: Sun, 28 Mar 1999 18:31:58 -0600
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Re: New MOKA EFTI CD out now !
In-Reply-To: <199903281818_MC2-6FBD-7172@compuserve.com>
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Charlie Mariano played on the Eberhard Weber album "Silent Feet"
(ECM 1007 835 017-2).

Just incredible.


-Chuck Zwicky


At 06:18 PM 3/28/99 -0500, you wrote:
>Hi folks,
>
>I'd like to let you all know that
>
>NOW, my band MOKA EFTI prautli presentz 
>
>                                   our 10th Anniversary Jubilee album
>
>                                                " FATA MORGANA  "  ! ! !   
>
> 
>                                                          featuring
>
>                                         CHARLIE MARIANO : alto sax
>                                         HEINRICH VON KALNEIN ( Dave
>Liebman, Nguyen Le ) : soprano sax
>                                         ROLAND SCHAEFFER ( Guru Guru ) :
>nadhaswaram
>
>The music is:
>
>European New Jazz, Worldmusic and Ambient at its best presenting some nice
>guitar loops and drummy grooves together with lots of realtime playing and
>improvisation. No headtripping ! Both for dancers and
>dreamers.
>
>the band is:
>
>Hannsjoerg Scheid : bass, guitar, vocals, programming
>Michael Wack : percussion, synthbass
>Ralf Goeldner : drums, percussion
>myself : guitars, loops
>
>
>
>" We'd like to take you on a journey
>  through deserts and jungles
>  deep into the ocean and out into the universe
>  dancing, singing
>  and smiling ... "
>
>
>Visit our website at : www.csc-music.de
>
>Mailorder and enquiries:   info@csc-music.de
>                                        or:  michel-wack@t-online.de 
>                                        or:  LEALOOP@compuserve.com
>
>Hope you'll enjoy !
>
>Leander
>
>
>


...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Sun Mar 28 22:57:05 1999
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Date: Sun, 28 Mar 1999 19:35:28 -0800
To: Loopers-Delight@annihilist.com
From: Paolo Valladolid <phv@san.rr.com>
Subject: Vigier makes fretless guitars
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In response to the seeker of fretless guitars:

Check out www.vigier.com.  Their fretless guitar model is the Surfreter (or
something like that).  They use a metal fingerboard - made with some kind
of alloy that they developed.

I have nothing to do with Vigier Guitars.  Heck, I don't even play guitar.

Paolo



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From: "Alan Imberg" <alan_i@sprynet.com>
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Subject: Re: Why loop?
Date: Sun, 28 Mar 1999 20:08:56 -0800
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For me, the answer is multifold:
1) As a guitarist, I can create sounds available no where else. This allows
me to color my more conventional, melodic pieces.
2) I can create unpredictable pieces that let me get so lost in the moment,
it is truely blissful. The improvisational value of looping is amazing. I
can continuously apply sonic layer upon sonic layer or I can stop for a
moment and absorb what I've done and allow my previous input to dictate my
next move. Again, I can get so lost in my looping that it feels like
meditation.
3) Having played in my fair share of bands, I am finally able to have a
creative outlet where I am self-sufficient. I'm not poo pooing bands. I
enjoy human interaction but right now, I thoroughly enjoy playing solo gigs
with my looping gear, my guitar, and not much else.

-----Original Message-----
From: Morgan Lang <mhl21@columbia.edu>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, March 28, 1999 8:49 AM
Subject: Why loop?


>Hello, dear Loopers:
>
>Yes, it's question time!
>
>I just finished up a piece and was reminded of a question I meant to put to
>the list some time ago: why loop? I mean "why" in the fundamental sense of
>addressing what it is about repetition that's good. Is "looping" equivalent
to
>the broader category of "repetition," or is it a particular type or method
of
>repetition? Aside from the obvious mechanistic differences, are there
>qualitative differences between music that is made by repeating phrases in,
>ahem, "real" time and music in which repetition is achieved by looping? Are
>these differences audible?
>
>I would imagine from the responses to the "things vs. computers" debate
that
>lots of people use looping devices in order to do solo performances in
which
>multiple parts can be controlled by the performer. If the "looping vs.
>repetition" question doesn't interest anyone, maybe people could describe
the
>enabling or limiting aspects of performing solo or in duos as opposed to
>ensemble playing where looping is rendered less necessary.
>
>Best,
>
>Morgan Hamilton Lang.
>

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From: Rik Myers <zanga@mindspring.com>
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>I highly recommend the clamping adaptor that Steinberger sells. I use one
>on my guitar, and it is the only way to experiment with the odd gauges that
>I need to use to tune in straight fifths. I think that it would be possible
>to use any clamping nut above (i.e. behind) the Steinberger/Klein nut. 
>
>-Chuck Zwicky

Right on, Chuck. Tim Diebert is building me a headless "stealth git" that
uses this device. Mine is the Bastard child of the unholy union between an
Ovation Breadwinner and a Klein. Having RMC saddle pups and electronics
installed to use this as a VG-8 platform.

Of course I'll use it to make loops with my Plex!

Hasta -> Dr Rico

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Date: Sun, 28 Mar 1999 20:53:53 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Why loop?
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 I'm sorry Tim, but the correct answer is "Smoke On The Water". Thank
you for playing. :)

	John



> We have evolved culturally, developing the tools
> which make it possible for ONE MUSICIAN in REAL TIME
> to infinitely repeat and solo over the chords to
> "Freebird"...
> 
> Oh well,
> 
> Tim


===
John Tidwell



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Mon Mar 29 18:17:00 1999
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Date: Mon, 29 Mar 1999 17:51:34 -0500
From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject: RE: fretless ?
Sender: Leander REININGHAUS <LEALOOP@compuserve.com>
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Hi everybody,

I've been playing fretless guitar for a while
I took a Strat body with a sustainer on it and put on a fretless maple ne=
ck
with ebony fingerboard
Warmoth made for me. It cost me around 650 Deutschmarks incl. shipping (
unfinished and without saddle ), so you can guess what it will be for you=

guys in the States.
I wouldn't recomend metal fret(less)boards, because ( to my ears ) they
just sounded nice with plain strings
( like on sarods which only have plain strings ), but i didn't like the
sound of the rattle they produce with the
lower wound strings. You may compensate that rattling a bit with flatwoun=
d
strings but I still didn't like it.
But that's a question of personal taste, I think.
What I would highly recomend is a sustainer on a fretless guitar !
A few advantages: =

1. you can use whatever string gauge you like and just decide on sound, n=
ot
on playability ( esp. sustain )
2. you can play sustained notes even on the higher plain strings, which
otherwise are more or less useless,
    unless you press the string down and do slides with your lefthands
fingerNAILS instead of fingertips            (ouch!), like sarod players
do.
3. you can produce real violin or ( with an old fuzzbox ) cellolike tones=
 (
which will sound like singing sawblade
   or doing something nasty to young cats until you mastered the
intonation, hehe... )

By the way, if someone wants to go even deeper into the orient with guita=
r,
I know a german luthier named Eyb who builds real fine sitar-guitars.  An=
d
the good thing is, you can order the bridges alone and put it on
whatever guitar you like ( but has to be a flattop ). I bought one for 20=
0
Deutschies two years ago, maybe a little more now but is still a good dea=
l.
If someone's interested I'll give you the address.

If someone's interested in fretless guitar on CD I can recomend three nic=
e
albums:

1. " Sleep my love " - Philip Catherine playing some pieces on a fretless=

Tele ( but just on the low strings )
       with Jasper van't Hof - keys and Charlie Mariano - Saxes and
Nadhaswaram =

       -  CMP -
2. " Fretless " - Turkish guitarist Erkan Ogur playing acoustic and
electric ( with ebow ! ) fretless guitars
       with Philip Catherine again and Arto Tuncboyaciyan ( Night Ark ) -=

percussion
      - Feuer & Eis - distributed by EFA ( probabely not available outsid=
e
Germany, but I don't know... )
3.   The first and second album of a french craftyband called  "
Philharmonie " =

       I don't know the titles, names of the players and label because
these albums somebody taped for me
      and he didn't write everything down. I just remember it was a
small(?) american label with lots of other
      interesting music; some rare tracks of known artists like, among
others,  Steve Tibbetts' first first album
      ( the one before  " Yr  ", which was just made for friends in an
edition of 200 copies...)

Hope you'll enjoy !

Leander

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From: PMimlitsch@aol.com
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Date: Mon, 29 Mar 1999 19:22:24 EST
To: stickwire-l@majordomo.netcom.com, taptalk@ari.net, Sticknews@aol.com,
        Loopers-Delight@annihilist.com
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Subject: CD Release
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"Adelante" (Paul Mimlitsch - Warr=AE/Looping, Jody Janetta - Percussion, D=
an
Osterweil - Saxs), has just released our debut CD.  I've put CD excerpts (=
mp3
format -many thanks to Stick=AEmeister Greg Howard for steering me to a gr=
eat
Mac mp3 formatter.) on the CD info page.  Check out: 
<< http://members.aol.com/jodanpaul/adelante.html >>
for soundclips/ info. 
Thanks. - Paul 
PS:
If you want to read a descrition of the soundfiles (lifted off the web sit=
e)
read on:

<<1) "Tapestry" excerpt (580k/ 1:15) - The first cut on the CD (9:47 playi=
ng
time), "Tapestry" starts off with a somewhat jaunty 3 note looped motif wi=
th
gradually building/ evolving morose undertones. As sax and drums explore t=
he
changing moods, the piece evolves to establish a more open, triumphant, fe=
el,
with the Warr=AEGuitar, Sax, Drums playing/ echoing melodies and counter
melodies. This clip is from about half way into the piece, as things start=
 to
open up.
2) "Traveler's Suite" excerpts - Track two of the CD (28:03 playing time),
"Traveler's Suite" covers a lot of textural ground. Ambient/ soundscapes,
"world" rhythms, driving fusion, all combine and evolve seemlessly to make=
 up
the 4 sections of "Traveler's Suite". Excerpt 1 (840k/ 1:48) is from part =
2 of
the Suite and features a "touchstyle" guitar solo and sax explorations ove=
r a
dreamy "Slit Drum"/ percussion/ soundscape/ "touchstyle" bass rhythmic
texture. Excerpt 2 (1.6M/ 3:43) is the latter part of "Part 3" (the
"spacey"section) of the Suite and features the transitional evolution into
"Part 4". 


3) "for S.P." excerpt (688k/ 1:28) - Dedicated to the memory of Master
Percussionist Bill "Sonny" Perren, "for S.P.", the final piece on the CD (=
7:56
playing time), features orchestral percussion and haunting Pennywhistle ov=
er
an evolving ambient soundscape. This cut is from the end of the piece as
things are winding down and fading out.>>

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what be this clamping adapter? doesn't seem to be any info on the
steinberger/gibson site... it would be nice to not pay double for strings that
are a bitch to find for a change...

Chuck Zwicky wrote:

> I highly recommend the clamping adaptor that Steinberger sells. I use one
> on my guitar, and it is the only way to experiment with the odd gauges that
> I need to use to tune in straight fifths. I think that it would be possible
> to use any clamping nut above (i.e. behind) the Steinberger/Klein nut.
>
> -Chuck Zwicky
>
> ...........................................................................
> But they are useless. They can only give you answers. -Picasso, on
> computers.

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i too am getting some of last nites messages this morning. is this
taking looping a bit far?

bobdog

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Date: Mon, 22 Mar 1999 12:57:50 -0600
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From: Keenan Lawler <klaw@pop.iglou.com>
Subject: Live Webcast Monday
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Thats EST btw   K









Hi everybody-a somewhat late annoucement=A0 -please tune in :Monday, March=
 22, 9
pm=20
L I V E M U S I C W E B C A S T=20
at http://www.konstant.com=20


Keenan Lawler's Science Project=20

The show will utilize live sampling and looping, incorporating the=20
simplest acoustic elements to storms of electronic noise.=20
Both live improvisation and composed music will be performed.=20

The show takes place at Artswatch, Frankfort Ave, Louisville, KY,=20
as part of the Macrotonal Music Monday series.=20

Webcast provided by <A HREF=3D"http://www.shadowcast.com">shadowcast</A>=20



Thanks Keenan


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To: Loopers-Delight@annihilist.com
From: =?iso-8859-1?Q?Ra=FCl?= Bonell =?iso-8859-1?Q?Tom=E0s?=
  <rauboto@dragonet.es>
Subject: Re: an idea
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At 14:15 22/03/99 EST, you wrote:

Good Michael !=20

I'm interested in this tape circle.
(although, I'm going to upload some=20
*.mp3 files to my site too !, in brief.)=20

Are you, Michael, going to write down the=20
snail mail addresses ?

Who is going to start the game ?

Come on !

Ra=FCl.


////////////////////////////////////////////////////////////////////////////=
////////
Ra=FCl Bonell Tom=E0s    <rauboto@dragonet.es>=20
http://www.dragonet.es/users/d3055/slollnoirc
////////////////////////////////////////////////////////////////////////////=
////////

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From: murkie <murkie@panther.middlebury.edu>
Subject: Re: Photo Show Opening at the Brecht Forum
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can someone point out the loop connection to me?

At 08:42 AM 3/23/99 -0800, you wrote:
>Photography opening:  Mark your calendar
>April 2, 6pm, The Brecht Forum, 122 W. 27th St. New York, 212 242-4201
>La Lucha Continua
>> We Resist, We Re-act
>>
>> 2 Photographers: Celia Escudero-Espadas and Diane Greene Lent
>>
>> Two women with different artistic styles but very similar political
>> views present La Lucha Continua; We Resist, We Re-Act.  This exibit
>> portrays the people in struggle from Chiapas to Brooklyn.  The role of
>
>> the activist photographer is to give vision to the people's message.
>> Throughout the world the people fight back, but the media often
>chooses
>> to ignor the protests.  If they do see the light of print or
>broadcast,
>> all too often the action is characterized as "shades of the sixties".
>> La Lucha Continua shows what the people have to say.  Celia
>> Escudero-Espadas of Spanish origin travels and photographs in Mexico
>and
>> Central America.  As an activist, her photos are an attempt to foster
>> social justice and develop understanding between different cultures by
>
>> elictiing viewer solidarity with her subjects. Included are images
>from
>> Chiapas of the indiginous people and the Zapitistas where they live
>and
>> struggle. Diane Greene Lent is a New York based photographer who gets
>> out in the streets to make her images. Greene has also done some
>> traveling and brings images from Chile, Mexico, El Salvdor and
>Northern
>> Ireland.
>>
>> Celia Escudero-Espadas was born in Seville, Sapin and studied
>> photography in Madrid,  Spain and in Maryland.  She has been actively
>> involved with the solidarity movement in Nicaragua, El Salvdador,
>> Chiapas(Mexico) and the US.  As a photographer committed to social
>> isues, Ms Escudero has published photos and articles about AIDS,
>people
>> of color in the U.S. and indigenous people in numerous publications
>> including the New York Times and Z magazine.
>>
>> Diane Greene Lent is a New York activist and photographer.  She works
>> with the Brecht Forum and CISPES (the Committee in Solidarity with the
>
>> People of El Salvador) and provides photographs and is the web
>designer
>> for both organizations.  Greene studied photography at the ICP
>> (International Center of Photography) in New York. She has published
>> photographs in numerous publications including the Village Voice and
>New
>> York Magazine.
>
><http://www.brechtforum.org>
>
>
>
>
>
>
>Get free e-mail with a women.com membership at http://women.com!
>

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Tue Mar 30 01:54:25 1999
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Date: 22 Mar 1999 08:01:39 -0800
Subject: RE: Custom Echoplex switching pedals...any interest?
To: loopers-delight@annihilist.com, cho@newdream.net
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Great idea - however, I can foresee wanting to send a signal to multiple
edp's at once.

For example, running a single note through 3 different processors each
resulting in a different effect, all being captured at one time into 3
different edp's.

Maybe that would need an A+B, A+C, B+C, A+B+C

Would this be possible too?

David Kirkdorffer

-----Original Message-----
From: Chris Chovit [mailto:cho@newdream.net]
Sent: Saturday, March 20, 1999 2:44 PM
To: Loopers-Delight@annihilist.com
Subject: Custom Echoplex switching pedals...any interest?


Fellow loopers,

I am currently working with a pedal-builder to come up with A/B and A/B/C
boxes, to switch the Echoplex DP footpedal between multiple echoplexi.
Here is the problem I have with the A/B boxes currently available:

1. DOD-style boxes work adequately (if you lift the ground to the positve
lead of the unselected output), but do not have LED's to show you which
output is selected.  This is a pain when I forget which unit is selected --
I usually hit the MUTE button to determine this, but this is not very
condusive to performance situations.

2.  Morley-style boxes (w/ LED's) do not work.  At least this has been my
experience. (Has anyone else been able to use these?)  My (limited)
understanding about this is that in order to use LED's in the circuit, you
must ground out the postive lead of the unselected output.  Since this is
equivalent to hitting the RECORD button, This will screw up any loops that
are going on in that 'plex.

One solution that has been suggested is to use the switches that have a
mechanical indicator (red button) rather than an LED.  This is certainly a
feasible, low cost solution, as these switches are apparently ~$25.

Another solution is to use relays, instead of just switches.  This is a
more expensive solution, and requires power, but has the advantage of
having easy-to-see (esp. in the dark) LED's.  Personally, I would like to
use different color LED's so make it really easy to determine which unit is
selected.

The design for the A/B pedal is complete, and the purchase price is ~$85.
Is anyone out there interested in such a pedal?

The design for an A/B/C pedal is currently in the works.  This pedal will
use a "latching" circuit.  In this setup, there will be 3 switches, one for
each output.  By hitting one switch, you will select that output, and
automatically deselect the others, thereby allowing "one button switching"
between three outputs.    For those of you using three (or more) echoplexi,
you are probably aware of the "less-than-ideal" setup of using two A/B
boxes to select between three units.  Often, two button presses are
necessary to switch, and there still exists the confusion of which unit is
actually selected (since the LED pedals don't work).  This latching pedal
will allow direct access to each unit, and have LED's to show which unit is
selected.

I do not yet know what such a pedal will cost, but I imagine it will be in
the $100 - $150 range.  This is expensive for just a switching pedal, but
it would be worth it to me.  Is there anybody else out there that might be
interested in such a pedal.

Also, I have not explored this possibility, but I imagine it would be
possible to create A/B/C/D, A/B/C/D/E, (etc.) pedals with the same type of
latching circuit, to provide one-button switching.  I don't imagine there
are too many people using that many exhoplexi, but it is easy to see that
the more units you are using, the more useful such a switching pedal would
be.  Using 4 A/B boxes to contol 5 echoplexi seems impractical to me, esp.
for live situations.

If anyone is interested in something like this, please let me know, as I
can probably get them for better prices if I order a bunch.

- Chris





From Loopers-Delight-request@annihilist.com  Tue Mar 30 13:47:16 1999
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From: mike barlow <mbarlow@jps.net>
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I know this may be a little off topic, but it concerns my main looping
axe-a Steinberger GM series with trans trem. I want and now can probably
afford to put in a Roland GK2A synth pickup-but where does the little
controller box go? My guitar tech says the internal version will take up
even more internal landscape than i've got. Any experiences/advise/
screams of offtopicness? any and all help/direction would be greatly
appreciated.

From Loopers-Delight-request@annihilist.com  Tue Mar 30 16:32:40 1999
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Date: Tue, 30 Mar 1999 15:52:26 -0500
From: John + Diane Parada <jparada@pop.interport.net>
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when you talk about a sustainer on a strat body are you talking about
the fernandes sustiner or can you purchase sustainer pickups without
purchasing another gtr? also are there any effects pedals that would
give you sustainer like sound that you know off. I use an ebow but i
want and am interested in more. thank you...jp


From Loopers-Delight-request@annihilist.com  Tue Mar 30 17:32:58 1999
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From: Todd Pafford <galen@erols.com>
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On Tue, 30 Mar 1999, John + Diane Parada wrote:
> ...also are there any effects pedals that would
> give you sustainer like sound that you know off. 
> I use an ebow but i want and am interested in 
> more. thank you...jp

I don't remember what it was called, but I had the opportunity to play 
around with a Boss pedal that was a distortion/feedback unit.  While
not as cool a gadget as the Sustainer, it had a similar sound.  One
nice feature (or misfeature depending on your point of view) was that
it'd only use the feedback mode while the pedal was held down.

Unfortunately, Boss doesn't make these boxes any more and they seem
pretty rare in the used gear market.  I loved the thing and I've
searched, but haven't ever seen another.  Keep an eye out for an
orange Boss pedal with Distortion/Feedback on the top (not to be
confused with their orange Overdrive pedal) and give it a try if you
find one.

---
"If the doors of perception were cleansed everything would appear
 to man as it is, infinite."  -- William Blake

Todd Pafford   galen@erols.com 

From Loopers-Delight-request@annihilist.com  Tue Mar 30 19:58:01 1999
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Date: Tue, 30 Mar 1999 19:38:13 -0500
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From: Patrick Smith <patrick@his.com>
Subject: Re: CD Release
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Paul,

you didn't tellus how we can order this.

patrick

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Subject: Re: steinberger and GK2a
Date: Tue, 30 Mar 1999 17:15:45 -0800
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Vg-8.com has the best info I've found on GK-2a pickups.  A great site for
guitarists even if you're like me and don't have a Vg-8 (but do have a
GR-30).  Check out the following:

Internal GK-2AKit on a Steinberger:
http://www.vg-8.com/mm/stein1.jpg
http://www.vg-8.com/mm/stein2.jpg
http://www.vg-8.com/mm/stein3.jpg
http://www.vg-8.com/mm/stein4.jpg

External on a strat
http://www.vg-8.com/pics/gk2aonstrat.gif

Hope this helps.


> -----Original Message-----
> From: mike barlow [mailto:mbarlow@jps.net]
> <mailto:[mailto:mbarlow@jps.net]>
> Sent: Tuesday, March 30, 1999 9:00 AM
> To: Loopers-Delight@annihilist.com
> <mailto:Loopers-Delight@annihilist.com>
> Subject: steinberger and GK2a
>
> I know this may be a little off topic, but it concerns my main looping
axe-a
> Steinberger GM series with trans trem. I want and now can probably afford
to
> put in a Roland GK2A synth pickup-but where does the little controller box
> go? My guitar tech says the internal version will take up even more
internal
> landscape than i've got. Any experiences/advise/ screams of offtopicness?
> any and all help/direction would be greatly appreciated.
>

From Loopers-Delight-request@annihilist.com  Tue Mar 30 20:27:43 1999
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In a message dated 3/30/99 7:51:03 PM, patrick@his.com writes:

<<you didn't tell us how we can order this.>>

As per the web site: Orders can be set up via email to any of the members of
"Adelante" (pmimlitsch@aol.com, danoctave@aol.com, jjody@yahoo.com) or from
Borders Books/ and Music, Princeton, N.J. (609)514-1478

From Loopers-Delight-request@annihilist.com  Tue Mar 30 21:21:44 1999
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Organization: f a h r e n h e i t ° r e t u r n
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How did I get on this windoze virus list?? Getting all this mail re.
M$oft viruses is a virus for us Mac users. Please don't send me mail re.
things that do not concern me.

From Loopers-Delight-request@annihilist.com  Tue Mar 30 21:46:23 1999
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wow, thats odd
i just put a gk2 on my GM
i have the gm-pro so it has the preamp in there too
what i did was moved my eq knobs(your tone knob i suppose) to where my single
coil split switch was(which was a pain since i have th preamp)
i had to file the hole out a bit to get it to fit
thats leaves a PERFECT space for the gk2
i also drilled a hole for the split switch just under the new eq knobs spot
it actually looks nice
its not hard at all, im no good at that type of thing and i pulled it off
goodluck
rodrigo

In a message dated 3/30/99 1:43:03 PM Eastern Standard Time, mbarlow@jps.net
writes:

> 
>  I know this may be a little off topic, but it concerns my main looping
>  axe-a Steinberger GM series with trans trem. I want and now can probably
>  afford to put in a Roland GK2A synth pickup-but where does the little
>  controller box go? My guitar tech says the internal version will take up
>  even more internal landscape than i've got. Any experiences/advise/
>  screams of offtopicness? any and all help/direction would be greatly
>  appreciated.
>  

From Loopers-Delight-request@annihilist.com  Tue Mar 30 21:52:21 1999
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Date: Tue, 30 Mar 1999 21:40:29 EST
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Subject: last bit of fretless talk, i promise
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ok, last time here
i did the carnuba wax on a fretboard and its ok
still not good
i got some stainless steel but im having trouble getting it on there perfectly
i did it with about 15 capos and a few clamps all down the neck
that gave me a few small waves
mabye my metal is too thing
its smaller than a 16th of an inch
and pretty pliable(i can easily bend the whole thing)
should i get thicker steel?, find a better gluing method?
and last, my friend told me how easily he epoxied his fretless(bass)
does that give a good sound?

rodrigo

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From Loopers-Delight-request@annihilist.com  Wed Mar 31 10:24:10 1999
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Date: Wed, 31 Mar 1999 09:28:26 -0500
To: Loopers-Delight@annihilist.com
From: Michael Tuminello <m1cha3l@earthlink.net>
Subject: Re:sustain pedal
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I haven't heard it, but Tech 21 has a combo compression/distortion pedal
that sounds like it might be likely to provide sustain and distortion not
unlike the Boss pedal someone mentioned...

MT

From Loopers-Delight-request@annihilist.com  Wed Mar 31 11:17:59 1999
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Subject: To VLZ or not to VLZ! (OT)
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Sorry, but you guys are my favorite...I have outgrown my 1202 and am 
trying to decide on the 1604 models. Is there a considerable sound 
difference between the 2 and would it matter if a I were NOT doing 
"professional" recording? What about routing options of which I am more 
interested in. I'm assuming the non-VLZ has 4(6) aux sends. Is it worth 
the $. Any thoughts would be appreciated.
Dennis
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Mar 31 12:27:18 1999
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        Richard Lewis <r.lewis@fletchermunson.com>,
        Bob Ezrin <71673.3034@compuserve.com>,
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        Crispian Mills <kula@psilink.co.uk>,
        Neil Cartwright <"Neil Cartright"@sonymusic.com>,
        Loopers <Loopers-Delight@annihilist.com>,
        Neil Cartwright <"Neil Cartright"@sonymusic.com>,
        Phil Taylor <phil@gilmourd.demon.co.uk>,
        Richard Lewis <r.lewis@fletchermunson.com>,
        Robert Richards <rr13email@aol.com>, Sandy Hoover <lundrive@aol.com>,
        "SKINPIG@aol.com" <SKINPIG@aol.com>, Stig <stigroadie@aol.com>,
        Sue Littlefield <slittlefield@digidesign.com>,
        Victoria Pattison <vmpattison@hotmail.com>
Subject: Home Phone Number
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Just Letting Everybody know my new phone number..
0181 764 0052.
Speak to you soon.
G.

From Loopers-Delight-request@annihilist.com  Wed Mar 31 12:48:48 1999
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thanks for the info and the links to the vg-8 website; they were both
extremely informative.I still have some questions about how(and maybe
who) all that stuff got stuffed in there-any ideas about an email
address for the owner of that guitar? Is Tony Francil on this list?

From Loopers-Delight-request@annihilist.com  Wed Mar 31 14:50:35 1999
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I had a 1604 VLZ for a while, and it's excellent.  The
routing options are much more flexible than the older
model.  Now that the VLZPro's are out, used VLZ's
should drop in price (I think I sold mine for $700
to get an 01V).

jim

ur eye wrote:
> 
> Sorry, but you guys are my favorite...I have outgrown my 1202 and am
> trying to decide on the 1604 models. Is there a considerable sound
> difference between the 2 and would it matter if a I were NOT doing
> "professional" recording? What about routing options of which I am more
> interested in. I'm assuming the non-VLZ has 4(6) aux sends. Is it worth
> the $. Any thoughts would be appreciated.
> Dennis
> Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Mar 31 15:16:12 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: To VLZ or not to VLZ! (OT)
Date: Wed, 31 Mar 1999 14:36:53 -0500
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I don't have a Mackie but I've been think of getting a 1604 lately so I've
been doing some reading.  Have you checked out the 1604 VLZ-Pro?  It's a VLZ
with a better mic preamp.  More headroom is the new feature, I think.  I was
talking to the folks at Sweetwater Audio yesterday and they have them in
stock now.

Can you get non-VLZ's anymore?

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: ur eye <ureye@hotmail.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, March 31, 1999 11:17 AM
Subject: To VLZ or not to VLZ! (OT)


>Sorry, but you guys are my favorite...I have outgrown my 1202 and am
>trying to decide on the 1604 models. Is there a considerable sound
>difference between the 2 and would it matter if a I were NOT doing
>"professional" recording? What about routing options of which I am more
>interested in. I'm assuming the non-VLZ has 4(6) aux sends. Is it worth
>the $. Any thoughts would be appreciated.
>Dennis
>Get Your Private, Free Email at http://www.hotmail.com
>
>

From Loopers-Delight-request@annihilist.com  Wed Mar 31 17:07:42 1999
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granmamas has an overpriced used non-VLZ someone may
want to negotiate for. (www.grandmas.com)

Dennis W. Leas wrote:
> 
> I don't have a Mackie but I've been think of getting a 1604 lately so I've
> been doing some reading.  Have you checked out the 1604 VLZ-Pro?  It's a VLZ
> with a better mic preamp.  More headroom is the new feature, I think.  I was
> talking to the folks at Sweetwater Audio yesterday and they have them in
> stock now.
> 
> Can you get non-VLZ's anymore?
> 
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
> 
> -----Original Message-----
> From: ur eye <ureye@hotmail.com>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Wednesday, March 31, 1999 11:17 AM
> Subject: To VLZ or not to VLZ! (OT)
> 
> >Sorry, but you guys are my favorite...I have outgrown my 1202 and am
> >trying to decide on the 1604 models. Is there a considerable sound
> >difference between the 2 and would it matter if a I were NOT doing
> >"professional" recording? What about routing options of which I am more
> >interested in. I'm assuming the non-VLZ has 4(6) aux sends. Is it worth
> >the $. Any thoughts would be appreciated.
> >Dennis
> >Get Your Private, Free Email at http://www.hotmail.com
> >
> >

From Loopers-Delight-request@annihilist.com  Wed Mar 31 18:07:35 1999
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Date: Wed, 31 Mar 1999 23:47:14 +0100
From: Graham Pattison <gsp@dircon.co.uk>
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To: Loopers <Loopers-Delight@annihilist.com>
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Dear all, just wondering if anyone has got any ideas where I can get an
EDP from? I'm in the UK but am coming over to New York to do a show on
the 14th at the Bowery is it agoo d place? Any help in locating one
would be fantastic. I'm only over a couple of days 11th through 15th
thats the problem.
By the way the MPX G2 is fantastic, deep but great anyone thinking about
bying should definately do it and definately get the foot controller.
Speak to you all later
Graham.

From Loopers-Delight-request@annihilist.com  Wed Mar 31 19:13:15 1999
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From: djdowling@earthlink.net
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Date: Wed, 31 Mar 1999 19:41:25 -0500
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mike barlow wrote:
> 
> I know this may be a little off topic, but it concerns my main looping
> axe-a Steinberger GM series with trans trem. I want and now can probably
> afford to put in a Roland GK2A synth pickup-but where does the little
> controller box go? My guitar tech says the internal version will take up
> even more internal landscape than i've got. Any experiences/advise/
> screams of offtopicness? any and all help/direction would be greatly
> appreciated.

I use this set up myself and the solution that I've found is to place 
the control "body" on the back of the guitar‹i.e. opposite the pick-up 
selection switches. Placing this device here is the only sensible 
option for this type of guitar. It entails being able to operate the 
bank switchs and guitar/synth switch w/o seeing them, which I find to 
be no problem. However‹where the guitar/synth selector rubs against my 
body, it occasionaly switches by itself. If you use volue pedals to 
control your guitar and synth volumes then you can just tape this 
switch in the "blend" position.
Best luck
Dave

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> 
> I haven't heard it, but Tech 21 has a combo compression/distortion pedal
> that sounds like it might be likely to provide sustain and distortion not
> unlike the Boss pedal someone mentioned...

i've also heard of COMPTORTION from tech21 the ads look really cool. has
anyone played with one? anybody have any info about the moogerfooger.
bob moog makes these things. well i really dont know enough to even
describe but if any one does please do....jp


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Date: Wed, 31 Mar 1999 17:09:14 -0800
From: Clifford Novey <clifsound@earthlink.net>
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Subject: Jam Man
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Hi all-

i am expecting my EDP tomorrow but I also found a used Jam Man for $199
bucks- I dont know any of the specs but do any of you know how I can sus
it out by turning it on? Does the screen show you if it is updated, or
how much memory etc? I got an itch to buy it but I have heard about some
update for it and that the zip mem is expensive for it as well- so if I
knew how to assess it I just might end up with a Jam Man and an EDP at
the same darn time!

Thanks,

Clifford

From Loopers-Delight-request@annihilist.com  Wed Mar 31 21:41:04 1999
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Date: Wed, 31 Mar 1999 20:09:11 -0600
From: Bobdog <psbuddha@texas.net>
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i don't know the answers to your question, but
if you pass on it, i'll bet lots of listers would be interested in it...

bobdog

From Loopers-Delight-request@annihilist.com  Wed Mar 31 23:36:13 1999
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Date: Wed, 31 Mar 1999 22:59:20 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Re: Jam Man
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>Hi all-
>
>i am expecting my EDP tomorrow but I also found a used Jam Man for $199
>bucks- I dont know any of the specs but do any of you know how I can sus
>it out by turning it on? Does the screen show you if it is updated, or
>how much memory etc? I got an itch to buy it but I have heard about some
>update for it and that the zip mem is expensive for it as well- so if I
>knew how to assess it I just might end up with a Jam Man and an EDP at
>the same darn time!
>
>Thanks,
>
>Clifford

Cliford,

Memory is not expensive. turn it on, press "TAP" let i roll. if it stops in
8 seconds you have eight seconds. If ti keeps going you hav a maxxed out 32
secundos.

patrick

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Date: Wed, 31 Mar 1999 23:09:13 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Re: To VLZ or not to VLZ! (OT)
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>Sorry, but you guys are my favorite...I have outgrown my 1202 and am
>trying to decide on the 1604 models. Is there a considerable sound
>difference between the 2 and would it matter if a I were NOT doing
>"professional" recording? What about routing options of which I am more
>interested in. I'm assuming the non-VLZ has 4(6) aux sends. Is it worth
>the $. Any thoughts would be appreciated.
>Dennis
>Get Your Private, Free Email at http://www.hotmail.com

I can't compare VLZ and non vlz, but I used a 1202VLZ for about two years
and then picked up a 1604VLZ. What is great about this mixer for looping
for me is that I have effects on the sends and my looping devices currently
two plexs and a jam man, but at other times three jammers and a Time
Machine on the subouts.
My effects are coming back into channel strips and then by the push of a
button I can sned anything, cleam siganls or effecte to the looping
devices. I can even feed the looping devices to one another.

Very very cool and mucho fun.

BTW we are opening for Daevid Allen in baltimore at the Orion Progressive
Rock Showcase on April 10th. Go to <
http://www.progrock.net/shows/showcase/ for more information.

Patrick

