From ???@??? Tue Apr 01 01:43:48 1997
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Date: Tue, 1 Apr 1997 03:41:02 -0500
From: Michael Peters <MPeters@compuserve.com>
Subject: RE: Mercedes and visual looping
To: "'INTERNET:Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
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>I was recently given a copy of Steinberg's X<>Pose to review for a mac
>magazine. If you haven't heard of it, it's an animation program that
>assigns MIDI notes to pict files and quicktime movies, and has a bunch of
>effects and modifiers that are also controllable via MIDI notes and
>controllers. 

is X<>Pose available for Mac only?

>So I'm thinking that there's a way to create a visual analog for 
>what we do musically, using something like X<>Pose

The automatic production of visuals to musical events is very difficult,
and I've yet to see a program which keeps me interested for more than a few
minutes. 


One program that I've used for (loop) music light shows is my own fractal
program HOP. (I'm very biased here of course.) 

HOP (a DOS based program) does realtime 'psychedelic' animations based on
certain kinds of strange attractors. Some of what can be done with it
resembles the slow minimalist light shows of Marian Zazeela which
accompanied La Monte Young's Dream House concerts. It can also be tuned to
do more vivid, fast stuff which would fit more into Techno/Ambient music. 

HOP can *not* automatically react to Midi or other sound events though.
When I used it to do live lightshows, I first put together a number of
preconfigured animation parameters for the sequence of pieces that the band
would play - I tried to find some imagery which would fit the general mood
of each of the pieces. Then while the band played, I sat beside the stage,
running these animations, and I pressed keys on the PC keyboard, doing a
certain amount of live modifications, changing parameters, colors, etc.,
giving it a little more live-ness and unpredictability. People liked it a
lot because HOP can do lots of different things none of which resemble your
familiar fractals, and it was easy to keep them interested.

>Part of the reason I'm wondering about all this is that my band is doing
an
>hour-long cable TV show in about a month, and I'm looking for some
>practical ways to add some visuals...

I don't know if HOP could be what you're looking for - maybe not, if you're
searching for a realtime automatic visual tool which produces visuals
depending on Midi events - but it might be an interesting program for you
or anyone else who is interested in complex abstract animations. For more
information and a gallery, check out the URL below.

Michael Peters   
mpeters@compuserve.com
http://ourworld.compuserve.com/homepages/mpeters

HOP - Fractals in Motion ..."the only screen saver you'll ever want"
http://ourworld.compuserve.com/homepages/mpeters/hop.htm




From ???@??? Tue Apr 01 09:15:00 1997
>From kflint  Tue Apr  1 01:49:15 1997
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From: Olivier Malhomme <malhomme@infobiogen.fr>
To: Loopers-Delight@annihilist.com
Subject: Onion soup
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My two cents: to get a real good onion soup, you should add champagne in
it. Recipe from a native from france. then you will be in such a state of
nirvana that your playing will allow you to hear to most beautiful loops
ever made

Olivier Malhomme




From ???@??? Tue Apr 01 09:15:12 1997
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Subject: More SansAmp foolishness...
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I had, in a fit of idiocy, brought my recording equipment into my place
of indentured servitude, I mean work, for it to sit unused for six
months.  So I just brought it home the other day and began working with
my SansAmp in earnest.

Odd as it may sound, when recording direct, the SansAmp sounds best when
it is not on...  It says in my little booklet that the buffering will
improve your sound.  Frankly, I was more than a bit sceptical (I was the
one who complained about buffering a couple weeks ago) but I am happy to
be proven wrong.

There are some neat sounds to be had with it on too, of course, but I
must say, I really think that the distortion of thes things really
blows.  The preamp gain on the box make the sound shrill and thin (and
not even in a cool Steve Albini sort of way).  

My other beef with the ol' SA is that in the bass(the one that's
supposed to sound like fender stuff) settings, the output is really,
really low.  Much lower than an unfiltered gtr/bass signal would be.  I
have noticed this with a lot of distortion boxes and the like.  I wonder
if it has something to do with my gtr setup- heavy strings (.11 to .13,
depending on the mood and guitar), relatively high action, and
ham-handed right hand attack.  Am I alone with this output difference
thing?

Trev


From ???@??? Tue Apr 01 09:15:16 1997
>From kflint  Tue Apr  1 06:54:12 1997
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I forgot to ask- has anyone tried out the SansAmp amp?  I thought that
the clean sounds were absolutely fantastic.  I was not too thrilled with
the distortion sounds.

There was a conversation about stage monitors before- it wound take six
of these things to weigh as much as my MESA.  It weighs about as much as
a twenty watt Peavey practice amp that I have at home.  It gets pretty
loud too.


Trev


From ???@??? Tue Apr 01 09:15:05 1997
>From kflint  Tue Apr  1 02:12:28 1997
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From: Olivier Malhomme <malhomme@infobiogen.fr>
To: Loopers-Delight@annihilist.com
Subject: Preamp
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A bit late, but I will second the idea of getting rid of guitar amps for
multiple reason of noise/signal quality... etc.
I use a Peavey rockmaster wich absolutely horrible for guitar but works
very well with the bass side of my stick.
I also use a Lag Spitfire (it is french tube preamp) thatsounds pretty
good wwith guitar, and a tube master H&G just to "hotten" (?) the sound
before the Spit'.
I've been also using a sansamp PSA-1 and it gives the possibility among a
lot of other things, to have the sound of power tube overdriven at the
output of the preamp (for these singing Jeff Beck sound), so you won't
destroy your effects  for this sound like with a real amp (not to mention
sound volume to get the power section overdriven).
Don't hesitate to stack low quality preamp in serial. It just work very
well.
As for PSA-1 amp simul. You have to get out of the machine with the XLR
out to have the amp simul turned on, if I remember well....


Olivier Malhomme




From ???@??? Tue Apr 01 09:15:19 1997
>From kflint  Tue Apr  1 07:34:12 1997
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From: pycraft@elec.gla.ac.uk (Dr M. P. Hughes)
Subject: Re: Feedback, Mercedes and Boogie for Beginners
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Kim Flint:
>"The way the amp is designed and voiced have a lot to do with the resulting
>guitar feedback. Boogies sing like there's no tomorrow, (I've heard lots of
>good stuff about the subway blues) but most amps don't.

Anybody know of any others that do?  (I know the Rivera R55 and Fender
Super 60 will)

Travis:
>While we're on the subject of feedback at low levels, I just picked up a 
>Boogie Subway Rocket this weekend, and I'm tremendously pleased with it.  
>I've used a bunch of Boogie stuff over the years, but the Subway Rocket 
>allows you to get all the dynamic wonder of tubes at a quieter volume.  I 
>can't speak too highly of this $500, 20watt, three mode wonder. 

So does it provide low-gain, low-vol feedback, even without reverb?
(Incidentally, over here it costs $1000....)

Michael

Dr Michael Pycraft Hughes      Bioelectronic Research Centre, Rankine Bldg,
Tel: (+44) 141 330 5979        University of Glasgow, Glasgow G12 8QQ, U.K.
    "Wha's like us?  Damn few, and they're a' deid!" - Scottish proverb




From ???@??? Tue Apr 01 09:15:21 1997
>From kflint  Tue Apr  1 07:40:09 1997
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>At 1:20 AM 3/29/97, Dr M. P. Hughes wrote:
>>Let's be fair; the JM is pretty solid peice of work.  If we're going for
>>car analogies, then the Obie is probably a Merc (E or S series) - high
>>prestige, and filled with gadgets that the owners insist they could never
>>live without - air cond, power steering.  The Lex is an Audi, BMW 3-series
>>or Volvo - a quality, refined dirving experience which will get you from A
>>to B in style, if not necessarily pampered.  Finally, the boomerang is an
>>off-roader - fun to drive, not necessarily the smoothest ride, but with a
>>growing cult status.  Even if it can't do the things the others can, there
>>are places it can go that leave the others behind.  After that, leave Zoom,
>>Dod etc to fight it out for Ford.. :)
>
>ohhhhhhh...... will it never end?    ;-)

Hey - not five minutes ago you were complaining about the lack of posts. 
Now someone starts a thread - a trusty old prernnial - and you're griping!!

Anyway, wasn't me that started it - it was one of them there OBERHEIMERS!!!!
Ha!

Just watch out, or I'll start winding Jon or Greg up about the Vortex ads
again...

Michael

Dr Michael Pycraft Hughes      Bioelectronic Research Centre, Rankine Bldg,
Tel: (+44) 141 330 5979        University of Glasgow, Glasgow G12 8QQ, U.K.
    "Wha's like us?  Damn few, and they're a' deid!" - Scottish proverb




From ???@??? Tue Apr 01 09:15:24 1997
>From kflint  Tue Apr  1 07:47:17 1997
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From: pycraft@elec.gla.ac.uk (Dr M. P. Hughes)
Subject: Re: Re: Looping in London 10-iv-97
Cc: Loopers-Delight@annihilist.com
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Me:
>>Another UK looper! Does that make, oh, about 3 of us?

Jim:
>There used to be an Australian girl called Violinda (uh .. I guess that was
>her stage name. Guess what instrument she played) 

Accordion!  Trombone!  errrr...French Onion!*

>There was also a violin-based looper who used to busk in Oxford about the
>same time ago, but he probably gave up cos whenever he played, such a big
>crowd would gather, the police (bless 'em) had to "move him on"

The man in question is Ed Alleyne-Johnson, and if you're in the UK you can
pick up his CDs in the high st.  The Cds are "Purple Electric Violin
Concerto" (containing the Oxford Site, surprisingly enough) and
"Ultraviolet", both on Equation (I thinK).  He's GREAT.

>Hong Kong Jim
Why? From there or there now?

Michael

*Olivier recommended adding champagne to French Onion Soup for the
finishing touch.  I would rather recommend adding it direct to the diners -
in large quantites - before they eat, to garuantee they'll like it!

Dr Michael Pycraft Hughes      Bioelectronic Research Centre, Rankine Bldg,
Tel: (+44) 141 330 5979        University of Glasgow, Glasgow G12 8QQ, U.K.
    "Wha's like us?  Damn few, and they're a' deid!" - Scottish proverb




From ???@??? Tue Apr 01 22:06:00 1997
>From kflint  Tue Apr  1 18:24:21 1997
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From: patrick@his.com (Patrick Smith)
Subject: ATTN: Charles Cohen
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Dear Loopers,

Please forgive my intrusion to the whole list, but I do not have Charle's
e-mail.

Hi Charles,

At the Philyl Loop Show, you were telling Steev and I (Fingerpaint) about a
Balto/Philly music improv list. Also a place in Baltimore that we might
look to for performance opportunities.  I would appreciate if you could
forward this information to me. I'm back from vacation rested and ready to
go. I hope we can do something together again in the future.

Peace,

Patrick


 ***  ***    ** Fingerpaint http://www.his.com/~Patrick/FNGP.html  ***  **

  




From ???@??? Tue Apr 01 22:03:32 1997
>From kflint  Tue Apr  1 12:08:33 1997
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From: improv@peak.org (Dave Trenkel)
Subject: RE: Mercedes and visual looping
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>>I was recently given a copy of Steinberg's X<>Pose to review for a mac
>>magazine. If you haven't heard of it, it's an animation program that
>>assigns MIDI notes to pict files and quicktime movies, and has a bunch of
>>effects and modifiers that are also controllable via MIDI notes and
>>controllers.
>
>is X<>Pose available for Mac only?
>
It looks like it, there's no mention of windows in the docs. I have to call
Steinberg with some questions soon, so I'll ask about a windows version.

>>So I'm thinking that there's a way to create a visual analog for
>>what we do musically, using something like X<>Pose
>
>The automatic production of visuals to musical events is very difficult,
>and I've yet to see a program which keeps me interested for more than a few
>minutes.
>
Same here. I could easily do director animations that would play along with
our performance, but that's too static and anti-improvisational. What I'd
like is something that offers a mix of control and semi-intelligent
automation to create "surprises", those moments where the machine comes up
with something you wouldn't have consciously.
>
>One program that I've used for (loop) music light shows is my own fractal
>program HOP. (I'm very biased here of course.)
>
>HOP (a DOS based program) does realtime 'psychedelic' animations based on
>certain kinds of strange attractors. Some of what can be done with it
>resembles the slow minimalist light shows of Marian Zazeela which
>accompanied La Monte Young's Dream House concerts. It can also be tuned to
>do more vivid, fast stuff which would fit more into Techno/Ambient music.
>
I looked at you HOP pages, very impressive stuff. It's nice to see someone
finding new material in fractals, since certain things like the Mandelbrot
set became very overused a few years ago. Too bad I've only got macs, will
it run under SoftWindows (not likely if it's doing serious calculations...)

>HOP can *not* automatically react to Midi or other sound events though.
>When I used it to do live lightshows, I first put together a number of
>preconfigured animation parameters for the sequence of pieces that the band
>would play - I tried to find some imagery which would fit the general mood
>of each of the pieces. Then while the band played, I sat beside the stage,
>running these animations, and I pressed keys on the PC keyboard, doing a
>certain amount of live modifications, changing parameters, colors, etc.,
>giving it a little more live-ness and unpredictability. People liked it a
>lot because HOP can do lots of different things none of which resemble your
>familiar fractals, and it was easy to keep them interested.
>
Well, I'm not necessarily looking for something that responds directly to
MIDI, that's just how X<>Pose works. I'm just looking for something that
creates an interesting visual analog to the music we play. I rather like
the idea of having an artist controlling the visuals as we play, sort of
like another musician, but working on a different frequency spectrum...

________________________________________________________
Dave Trenkel, NEW EMAIL ADDRESS: improv@peak.org
self promotional web-site: http://www.peak.org/~improv/
"A squid eating dough in a polyethelene bag is fast
and bulbous, got me?"
                                     -Captain Beefheart
________________________________________________________




From ???@??? Tue Apr 01 22:05:56 1997
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Loopers-Delight@annihilist.com,Internet writes:
>The man in question is Ed Alleyne-Johnson, and if you're in the UK you can
>pick up his CDs in the high st.  The Cds are "Purple Electric Violin
>Concerto" (containing the Oxford Site, surprisingly enough) and
>"Ultraviolet", both on Equation (I thinK).  He's GREAT.

Cool, another consumer durable for me to hanker after (along with the
Echoplex, a VCD player, a MiniDisk 4-track, a house with room to turn round
in .... drone...drone) I'll see my friendly CD dealer at the weekend. Is one
CD better than t'other or are they fairly similar in style?

And yes, I live in Hong Kong at the moment hence the HongKong Jim (mebbe I'll
change my name to Phooey.)

HKJ


From ???@??? Tue Apr 01 22:06:02 1997
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From: jim@manager.com (Jim Morgan)
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Subject: HOP for Mac?
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Unfortunately I delete all my emails (something to do with getting 50 or 60
emails a day I reckon) so I can't remember who was talking about HOP
recently.  Anyway it reminded me of a piece of freeware that is sitting in a
dark corner of my hard disk at the moment, which does more or less the same
thing for Macintosh, as far as I can work out. 

Here is the blurb from the Readme file which has details on where to get it,
and the licensing restrictions.

Hope you find it useful.

HK Jim

_____________________________

bomb - automatic interactive visual stimulation
Scott Draves <spot@cs.cmu.edu>
http://www.cs.cmu.edu/~spot
ftp://hopeless.mess.cs.cmu.edu/spot/bomb.tar.gz
ftp://hopeless.mess.cs.cmu.edu/spot/bomb-mac.sit.bin
ftp://hopeless.mess.cs.cmu.edu/spot/bomb-sgi.tar.gz
see the file COPYING for the license covering this software.
see below for the license covering the output of this software.

this program is for svgalib (on linux), with working ports to X11,
OpenGL, and the Power Mac (with CodeWarrior).

see manual.txt for instructions about how to run and use bomb.

see http://hopeless.mess.cs.cmu.edu:8001/bomb/index.html and
http://hopeless.mess.cs.cmu.edu:8001/nab/nab.html for online
documentation, explanation, and discussion.

i apologize for the quality of this code.  it is very low.  i use this
project as a garbage dump for my worst coding impulses.  this helps
keep the rest of my code cleaner.  no kidding.

chunks of code and various rules have been taken from various sources
(i'm always looking for more stuff, so email if you have something
that you think fits). contributors/sources include:

jepler@herbie.unl.edu  originally derived from vga_eyecandy
tcl@sgi.com            rotor idea
nix@cs.cmu.edu         wisps, waves, fade2cmap, many suck/*.gif
ehn@cs.cmu.edu         gifs
Jim Frost              xli header file (copyright below)
Kirk L. Johnson        gif code (copyright below)
Torben Mogensen        idea for symmetric life
ajw@cs.cmu.edu         lots of help for all sorts of mac things

thanks to nix for many interesting discussions and don
hopkins@kaleida.com for inspiration.  thanks to toffoli and margolus
for their excellent book _cellular automata machines_ (isbn
0-262-20060-0, or see http://www.im.lcs.mit.edu/cam8)

-----------------------

license covering output:

`bomb' is covered by the GNU GENERAL PUBLIC LICENSE, but as noted on
line 75:

        ... the output from the Program is covered only if its
        contents constitute a work based on the Program (independent
        of having been made by running the Program).  Whether that is
        true depends on what the Program does.

in the case of `bomb', the output *is* considered to be derived from
the bomb itself and its datafiles.  i place the following restrictions
on its use:

1) you may not publicly exhibit it.
2) you may not record it.
3) you may not make any money with it.

if you want to do any of these things, contact me, and i'm sure we can
work something out. depending on circumstances, my terms are generally:

1) you must notify me in advance
2) you must give me credit
3) you must give me a cut of any money you make


From ???@??? Wed Apr 02 09:04:22 1997
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From: "James Reynolds" <tritone@dsp.net>
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Subject: Re: Onion soup
Date: Wed, 2 Apr 1997 01:15:37 -0800
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okay, okay... i'm sure i'm not the only one who feels this way... but after
all this talk of french onion soup....

LET'S HAVE THAT DAMN RECIPE, KIM C. !!!

thanks,

james 


From ???@??? Wed Apr 02 09:04:27 1997
>From kflint  Wed Apr  2 01:47:37 1997
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Date: Wed, 2 Apr 1997 04:44:25 -0500
From: Michael Peters <MPeters@compuserve.com>
Subject: RE: Mercedes and visual looping
To: "'INTERNET:Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
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Dave,

>I looked at you HOP pages, very impressive stuff. It's nice to see someone
>finding new material in fractals, since certain things like the Mandelbrot
>set became very overused a few years ago. Too bad I've only got macs, will
>it run under SoftWindows (not likely if it's doing serious
calculations...)

I doubt very much that Hop will run under Softwindows. I recommend finding
someone with a decent DOS machine (or Windows), that is, at least a 486,
and try it there. Write me anytime you have questions or comments on the
program (not being a Win program, it is not quite as easy to install as Win
programs).

Michael Peters   
mpeters@compuserve.com
http://ourworld.compuserve.com/homepages/mpeters

HOP - Fractals in Motion ..."the only screen saver you'll ever want"
http://ourworld.compuserve.com/homepages/mpeters/hop.htm



From ???@??? Wed Apr 02 09:04:28 1997
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>...I'm sure this topic has been covered before, but I want to know 
>about a MIDI controller for my Jamman.  

A very basic level of control is available from the Zoom 4040 floor effects 
unit. It doesn't allow you to resend the same command two times in a row 
(because stepping on the patch pedal changes it to manual/tuner mode), but you 
can usually get around this by using the JamMan's supplied footswitch.

And at least all of the commands necessary for the Jamster are in the first 20 
User patches so you can use your own programmed sounds and control the Dude at 
(about) the same time. The fade commands are all on the same bank, but cue loop 
1 is on the end of one bank, with cue loop 2-5 etc on the next.

Not to malign this product, which I bought new at approx. half its original 
price, but ultimately a seperate delay/reverb unit and a midi unit are probably 
more `effective', depending of course and what you already own, can afford etc.

Anyway, I'll be discovering how reliable this is live at the Croydon Clocktower 
on 10th April (yes, another shameless plug)

Non anagramatically looping near London,

David
http://subnet.virtual-pc.com/~or387751


From ???@??? Wed Apr 02 09:04:31 1997
>From kflint  Wed Apr  2 05:46:35 1997
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Date: Wed, 2 Apr 97 08:42:48 EST
From: c62op27@ibx.com (Victor Fiorillo)
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To: stickwire-l@netcom.com, Loopers-Delight@annihilist.com
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To all of those who expressed an interest in and/or submitted recordings for
my music magazine, COM, I am sorry to tell you that the project is postponed
indefinitely.

After investing much time and money, I have come to learn the hard lesson that
you cannot take people at their word.  This criticism is not directed at
any of the people receiving this message.  On the contrary, all of my dealings
with the people on these lists have been thoroughly enjoyable and very helpful.

The length of the full story lends itself to a 20 page or so short story... all
I will say is that ALL of the music I received was wonderful and I sincerely
appreciated all submissions.  I only wish that I were able to provide the spot-
light that all of these talents deserve.

Victor 


From ???@??? Thu Apr 03 19:53:03 1997
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Date: Wed, 2 Apr 1997 12:11:39 -0600 (CST)
From: Kim Corbet <kcorbet@post.cis.smu.edu>
Subject: Re: Onion soup
To: Loopers-Delight@annihilist.com
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> LET'S HAVE THAT DAMN RECIPE, KIM C. !!!

........Having been raised up in Rooster Poot, Arkansas, I'm not sure 
everyone would like to venture into them parts...it starts with 2 jars of 
possum squeezins and a gone off persimmon.  Bark and pepper to taste.

For a complete recipe, send your requests on the back of a twenty to:

                       Uncle Butt Cuisine
                       Rt.1  
                       Rooster Poot, Ar
                                  72116

And we thank ya'll for it.



From ???@??? Thu Apr 03 19:53:04 1997
>From kflint  Wed Apr  2 20:21:27 1997
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From: ronault@mindspring.com (Ron Ault)
Subject: Re: Unidentified subject!
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At 5:49 PM 3/31/97, rmenger@groupz.net wrote:
>I subcsribed to this list a few weeks ago and have really enjoyed reading
>it....I had thought that i subscribed to the "digest" though...Is it
>possible to get this in digest form?
>Rich
>
>If you have an unpleasant nature and dislike people
>this is no obstacle to work.
>                                --J.G. Bennett

try putting it in the blender, or maybe eat more roughage




From ???@??? Fri Apr 04 03:25:06 1997
>From kflint  Thu Apr  3 20:26:00 1997
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From: patrick@his.com (Patrick Smith)
Subject: The Joy of Looping
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Ahhhhhh.... I know that most people on this list are very busy, I certainly
know that I am. After the Philly Loop Show I was suppossed to be on
vacation, well there was a problem. I had to work two days. Then my wife
and I were off to the mountains of north Carolina for some R & R.

We returned to other family obligations. My equipment still packed up. My
other group has a gig this weekend, need to practice my acoustic. Staring
at the packed up gear. And then on the eleventh day I set her up
again...... AHhhhhhhhhhhhhhh ......bliss.

It's so wonderful to set my looper's in motion. So peaceful......so freeing....

SO all of you busy folk. DON'T FORGET TO LOOP!!! Be it 'Plex, Jam Men.
Boomerdangs,or Time Machine's...just let 'em whirl.

Patrick


 ***  ***    ** Fingerpaint http://www.his.com/~Patrick/FNGP.html  ***  **

  




From ???@??? Thu Apr 03 19:54:08 1997
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From: Eric Edberg <edberg@mail.tds.net>
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I just discovered the looper's delight page and I am a delighted
looper-to-be).  I'm a classcal and improvisational cellist.  I've been
totally acoustic up until lately.  Some friends turned me on to the
JamMan just as it dissapeared from the market.  I've been trying to
locate one for a while.

I just heard about the Boomerang.  Does anyone on this have one, and if
so can you let me know what you think about it?  I'm primarily
interested in creating multi-layered backgrounds to solo over;  sounds
like the B. will do that.

Also, any advice on where to FIND a JamMan?

Thanks,

Eric Edberg


From ???@??? Thu Apr 03 19:54:13 1997
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From: "Ott, John" <John_Ott@ATK.COM>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
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-----quote----
>From:  Eric Edberg
>Reply To:      Loopers-Delight@annihilist.com
>Sent:  Thursday, April 3, 1997 10:20 PM
>To:    John_Ott@ATK.COM
>Subject:       Boomerang
>
>I just discovered the looper's delight page and I am a delighted
>looper-to-be).  I'm a classcal and improvisational cellist.  I've been
>totally acoustic up until lately.  Some friends turned me on to the
>JamMan just as it dissapeared from the market.  I've been trying to
>locate one for a while.
>
>I just heard about the Boomerang.  Does anyone on this have one, and if
>so can you let me know what you think about it?  I'm primarily
>interested in creating multi-layered backgrounds to solo over;  sounds
>like the B. will do that.
>
>Also, any advice on where to FIND a JamMan?
>
>Thanks,
>
>Eric Edberg
--------end quote-----

Musican Friend still has a few JamMen for $349 
They had one "blemish" for $309 they are at

 http://www.musiciansfriend.com/

Thats where I got mine, good service.
Some other mail order places may still have
some.  My local music stores were all out.

later
John
>


From ???@??? Thu Apr 03 19:54:15 1997
>From kflint  Thu Apr  3 15:22:34 1997
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Date: Thu, 3 Apr 1997 18:19:34 -0500 (EST)
From: Adam Levin <alevin@ari.ari.net>
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Subject: RE: Boomerang
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On Thu, 3 Apr 1997, Ott, John wrote:

> Musican Friend still has a few JamMen for $349 
> They had one "blemish" for $309 they are at

It seems like MF never update their web database. I called about three
weeks ago inquiring about the Jamman and they were all gone (including the
blem). I've inquired about several of the blems that they list there and
I've struck out on all of them.

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti



From ???@??? Thu Apr 03 19:54:25 1997
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From: Eric Edberg <edberg@mail.tds.net>
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Subject: Musician's Friend
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Ott, John wrote:

> 
> Musican Friend still has a few JamMen for $349
> They had one "blemish" for $309 they are at
> 
>  http://www.musiciansfriend.com/
> 
> Thats where I got mine, good service.
> Some other mail order places may still have
> some.  My local music stores were all out.
> 
> later
> John
> >

Musician's Friend is out as well.  I had about 24 hours of false
paradise, though, because last week bot a new one and a blem one were
still listed on their website, which evidently has to be manually
updated by them.  I ordered a Jamman, but got a message the next day
saying they were all gone. :-(

Thanks for the suggestion, though.  I've also tried the other mail-order
houses (Rock 'n Rhythm, Daddy's, Manny's, etc.) I know of.

Eric


From ???@??? Thu Apr 03 19:54:35 1997
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From: "Ott, John" <John_Ott@ATK.COM>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Musician's Friend
Date: Thu, 3 Apr 1997 19:03:43 -0500
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Sorry for the false info.  I would definitly demo a boomerang 
before buying one.  I has a lower sampling rate than 
the Jamman or Echoplex, you might not be as happy.
That was the only complaint in a otherwise pretty good
review in last October's guitar player. 
 They're online at 

http://www.enews.com/magazines/guitar_player/

However only the feature article is in the archive,
Which was Los Lobos, you could order the back issueif you're interested.

sorry
John

>----------
>From:  Eric Edberg
>Reply To:      Loopers-Delight@annihilist.com
>Sent:  Thursday, April 3, 1997 11:25 PM
>To:    John_Ott@ATK.COM
>Subject:       Musician's Friend
>
>Ott, John wrote:
>
>> 
>> Musican Friend still has a few JamMen for $349
>> They had one "blemish" for $309 they are at
>> 
>>  http://www.musiciansfriend.com/
>> 
>> Thats where I got mine, good service.
>> Some other mail order places may still have
>> some.  My local music stores were all out.
>> 
>> later
>> John
>> >
>
>Musician's Friend is out as well.  I had about 24 hours of false
>paradise, though, because last week bot a new one and a blem one were
>still listed on their website, which evidently has to be manually
>updated by them.  I ordered a Jamman, but got a message the next day
>saying they were all gone. :-(
>
>Thanks for the suggestion, though.  I've also tried the other mail-order
>houses (Rock 'n Rhythm, Daddy's, Manny's, etc.) I know of.
>
>Eric
>
>


From ???@??? Fri Apr 04 03:25:12 1997
>From kflint  Thu Apr  3 23:25:15 1997
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Date: Fri, 4 Apr 97 01:23 CST
From: "kim corbet"  <kcorbet@mail.smu.edu>
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Subject: Re: Boomerang
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> I just heard about the Boomerang.  Does anyone on this have one, and if
> so can you let me know what you think about it? 

........sounds like a job for Motley.  

         Hey, Motley, you got your ears on, good buddy???














From ???@??? Fri Apr 04 03:25:13 1997
>From kflint  Thu Apr  3 23:32:50 1997
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Date: Fri, 4 Apr 97 01:31 CST
From: "kim corbet"  <kcorbet@mail.smu.edu>
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Subject: Re: The Joy of Looping
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> SO all of you busy folk. DON'T FORGET TO LOOP!!! Be it 'Plex, Jam Men.
> Boomerdangs,or Time Machine's...just let 'em whirl.

........................I was about to delete this fond greeting when I 
thought, you know, you're absolutely right.  If I can't sleep or just when I'm 
about to log on, I often do myself a favor and stir a little loop to keep me 
company...tweaking now and just to let it know I'm still enjoying it.  

Loops are our friends.  World peace is for dweebs.  

                 Visualize using your turn signal.kimosabe















From ???@??? Fri Apr 04 03:25:15 1997
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Date: Fri, 4 Apr 1997 10:01:55 +0100
From: Michael Hughes <pycraft@elec.gla.ac.uk>
To: Loopers-Delight@annihilist.com
Subject: Re: Boomerang
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>I just discovered the looper's delight page and I am a delighted
>looper-to-be).  I'm a classcal and improvisational cellist.  I've been
>totally acoustic up until lately.  Some friends turned me on to the
>JamMan just as it dissapeared from the market.  I've been trying to
>locate one for a while.

An open-minded chellist - wow!  :)
How do you fel about moving to Glasgow?

Michael 


From ???@??? Fri Apr 04 09:48:54 1997
>From kflint  Fri Apr  4 05:51:46 1997
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Date: Fri, 4 Apr 1997 08:24:00 -0500
From: "Hogan, Greg" <GHogan@lexicon.com>
Subject: RE: Boomerang
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>Also, any advice on where to FIND a JamMan?

Try Pat's Music Center at 215-743-4766.  


From ???@??? Fri Apr 04 10:09:42 1997
>From kflint  Fri Apr  4 10:04:28 1997
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Hi Kim:

Want to say first off that your web sight is fantastic.  What a resource!

Secondly, I was lucky enough to find a used Oberheim Echoplex Pro.  I can't
find a serial number on the box, but when I turn it on it appears to have
software 3.0, which accoring to your FAQ would make it one of the earlier
units.  Question: Where and how can I get software updates?

I will post some of my experiences with the Oberheim.  I'm also a Jamman
and Vortex fan, and I find the differences between all these cool boxes
interesting to the extreme.

Anyway, thanks for all the great work, and I look forward to hearing from you.

Best,
Kevin




From ???@??? Fri Apr 04 22:22:57 1997
>From kflint  Fri Apr  4 11:04:30 1997
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Date: Fri, 04 Apr 1997 13:06:57 -0600
From: "Mikell D. Nelson" <mnelson@crystalball.com>
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Organization: Boomerang Musical Products
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kim corbet wrote:
> 
> > I just heard about the Boomerang.  Does anyone on this have one, and if
> > so can you let me know what you think about it?
> 
> ........sounds like a job for Motley.
> 
>          Hey, Motley, you got your ears on, good buddy???

  Yes, you pitch-shifting, delay-drenched, distortion using, stomp box
addicted, 'bone playing wild man, I've got my ear to the ground. But, I
thought it would be more convincing if a customer threw out a personal
tale of Rang usage.
  I have 2 Boomerang Phrase Samplers and I love them. The bass
player/lead singer of the band I play with has 2 and he absolutley loves
them. He's the 1996 Boomerang poster child. These people also have
Boomerangs: Victor Wooten, Vernon Reid, Jake E. Lee, Matthew Sweet, Trey
Gunn, Henry Kaiser, Howard Leese, ...
  Check our web page at http://www.netbutler.com/boomerang .

Mike Nelson
Co-owner of Boomerang Musical Products


From ???@??? Fri Apr 04 22:23:22 1997
>From kflint  Fri Apr  4 13:48:42 1997
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Date: Fri, 4 Apr 1997 13:31:43 -0800 (PST)
From: The Man Himself <altruist@shoko.CALARTS.EDU>
To: loopers-delight@annihilist.com
Subject: No summit gig?  OK...  how 'bout a tour?
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Hello people --

It looks as if the notion of a West Coast loop show is inlikely to happen 
in the near future.  (C'est la vie.)  My jones for live looping remaining 
unsatisfied, however, I'm inclined to try a different tactic.

I'm mulling over the possibility of trying to organize and set up a solo 
loop tour of the West Coast, probably starting in the San Diego area and 
running North through California and perhaps beyond.  This is a 
*completely* uncharted area for me, but I think it would be quite an eye- 
and ear-opening experience.  The main problem is that I've got no idea 
what sorts of venues are available in which cities that would be 
appropriate venues for this sort of thing.

Which is where you people can help out.  If anyone along the Pacific 
Coast can suggest some good places in their general area in which to try 
and organize some sort of concert, then I'd stand a better chance of 
trying to pull this off.  So if any West Coasters (heh) can offer up 
suggestions for venues sympathetic to experimental music, from San Diego 
up to, say, Washington State, I'd *greatly* appreciate it.  

I have no idea if this will get past the pipe dream stage, and it likely 
won't come to fruition (if at all) until the mid- to late summer.  But 
I'm still inclined to give it a whirl.  So if there are any clubs, bars, 
owners, etc. etc. who I should be aware of, I'd very much like to know.  
So far the only notion I have is Nels Cline, who runs the new music night 
at the Alligator Lounge here in LA.  

Thanks for any assistance you can offer.  Best,

--Andre


From ???@??? Fri Apr 04 22:23:43 1997
>From kflint  Fri Apr  4 16:18:21 1997
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From: BobbyZZZ@aol.com
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To: Loopers-Delight@annihilist.com
Subject: Re: No summit gig? OK... how 'bout a tour?
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In a message dated 4/4/97 5:51:12 PM, you wrote:

>So if there are any clubs, bars, 
>owners, etc. etc. who I should be aware of, I'd very much like to know.  
>So far the only notion I have is Nels Cline, who runs the new music night 
>at the Alligator Lounge here in LA.  
>
>Thanks for any assistance you can offer.  Best,
>
>--Andre
go for it andre!!!! people, get out there and support the crazy ones of us
who actually want to tour!  heck, you should try and get people to come out
and perform with you, open for you or something..we all need to try and
support one another! good luck with your tour, and go for it!
bobby d/lvx nova


From ???@??? Fri Apr 04 22:23:56 1997
>From kflint  Fri Apr  4 17:23:02 1997
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Subject: Re: Boomerang
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how do you loop on the cello? do you use a pickup? or a mic? I play the
fiddle a little bit and have a mic, (sure sm 75, i think). i never though
of loopin' my fiddle...cats in the neighborh, beware.
ron




From ???@??? Fri Apr 04 22:23:46 1997
>From kflint  Fri Apr  4 16:44:04 1997
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From: improv@peak.org (Dave Trenkel)
Subject: Re: No summit gig?  OK...  how 'bout a tour?
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>Hello people --
>
>It looks as if the notion of a West Coast loop show is inlikely to happen
>in the near future.  (C'est la vie.)  My jones for live looping remaining
>unsatisfied, however, I'm inclined to try a different tactic.
>
>I'm mulling over the possibility of trying to organize and set up a solo
>loop tour of the West Coast, probably starting in the San Diego area and
>running North through California and perhaps beyond.  This is a
>*completely* uncharted area for me, but I think it would be quite an eye-
>and ear-opening experience.  The main problem is that I've got no idea
>what sorts of venues are available in which cities that would be
>appropriate venues for this sort of thing.
>
>Which is where you people can help out.  If anyone along the Pacific
>Coast can suggest some good places in their general area in which to try
>and organize some sort of concert, then I'd stand a better chance of
>trying to pull this off.  So if any West Coasters (heh) can offer up
>suggestions for venues sympathetic to experimental music, from San Diego
>up to, say, Washington State, I'd *greatly* appreciate it.
>
>I have no idea if this will get past the pipe dream stage, and it likely
>won't come to fruition (if at all) until the mid- to late summer.  But
>I'm still inclined to give it a whirl.  So if there are any clubs, bars,
>owners, etc. etc. who I should be aware of, I'd very much like to know.
>So far the only notion I have is Nels Cline, who runs the new music night
>at the Alligator Lounge here in LA.
>
>Thanks for any assistance you can offer.  Best,
>
>--Andre

Hey Andre, I can help in Eugene and Portland, maybe even something in here
Corvallis depending on how little you're willing to play for...

Maybe we could do some stuff together, or my band could share a bill with
you. Also, I could put you in touch with some people in Olympia and
Seattle. I'm organizing some gigs for May/June right now, if these work out
I can give you some better/clearer details.


________________________________________________________
Dave Trenkel, NEW EMAIL ADDRESS: improv@peak.org
self promotional web-site: http://www.peak.org/~improv/
"A squid eating dough in a polyethelene bag is fast
and bulbous, got me?"
                                     -Captain Beefheart
________________________________________________________




From ???@??? Fri Apr 04 22:24:03 1997
>From kflint  Fri Apr  4 18:26:11 1997
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From: inti@webtv.net (Carlos Carrillo)
Date: Fri, 4 Apr 1997 18:23:27 -0800
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Spaceland in Silverlake, Los Angeles would be a great place to host such
an event. The people in charge are very hip and supportive of different
musical tendencies. The sound engineer's name is
Michael Whitmore and their phone # is 
(213)634-7671. Please give them a call
 

Carlos R. Carrillo


From ???@??? Fri Apr 04 22:24:11 1997
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From: The Man Himself <altruist@shoko.CALARTS.EDU>
To: Loopers-Delight@annihilist.com
Subject: Re: No summit gig? OK... how 'bout a tour?
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On Fri, 4 Apr 1997, Dave Trenkel wrote:

> Hey Andre, I can help in Eugene and Portland, maybe even something in here
> Corvallis depending on how little you're willing to play for...
> Maybe we could do some stuff together, or my band could share a bill with
> you. Also, I could put you in touch with some people in Olympia and
> Seattle. I'm organizing some gigs for May/June right now, if these work out
> I can give you some better/clearer details.

This raises another possibility -- rather than trying to stage a one-spot
summit concert, we could try coordinating other loopists along the pathway
up the coast, and I could attempt a rendezvous with them as I move north,
so that at each stop (or at least some of them) there are different
loopers to share the gig with.  This would make things a lot easier
logistically, as there would be some local support at some of the stops,
and it would also help facilitate a more genre-specific gig (multiple
loopists at one show makes a bit more sense than a solo guy making wierd
sounds between top 40 and blues bands -- at least, in general, anyway). 

Thanks for the advice, Dave; let me know how the work goes in terms of 
the Seattle-area arangements.  Anyone else interesting in trying to do 
show-by-show participations?  Far be it from me to annoint myself the 
pied piper of loopography, but this might be a very interesting way of 
solving a variety of logistical problems...

--Andre


From ???@??? Fri Apr 04 22:24:15 1997
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Hi Andre:

A friend and I have a looping duo that has a regular second Friday of the
month gig at a little place called Evo's coffee house right here in the
town of Ashland, Oregon (pop. 17,000).  We would love to have you sit in
with us!  Ashland is on the I-5 corridor and right across the border from
California.  Also, we're interested in playing other places
north/south/east/and west as well, so if we can put together some kind of
network of "looping friendly" cafes/bars/living rooms...whatever, then it
could help all us left coasters know where the natives and managements are
friendly.  Incidentally, we loop for tips only at this point, so don't
expect to make enough to run right out and buy another Echoplex. ;)

Let us know when you'll be up.  We're saving an input on the Mackie for you.

Best,
Kevin




From ???@??? Sat Apr 05 12:43:19 1997
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In a message dated 4/5/97 3:30:02 AM, you wrote:

>
>Let us know when you'll be up.  We're saving an input on the Mackie for you.
>
>Best,
>Kevin
>
now THIS is brother/sisterhood!!! i'm proud of you all :-).....this is the
way to network!
bobby d/lvx nova


From ???@??? Sat Apr 05 12:43:30 1997
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Unsubscribe.

Thanks all--must take some time off now, can't keep up with all the mail.
Will check in with the archives until I sign back on.

DM




From ???@??? Sat Apr 05 17:33:55 1997
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From: The Man Himself <altruist@shoko.CALARTS.EDU>
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Subject: Re: No summit gig? OK... how 'bout a tour?
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Hi Kevin --

Thanks very much for the invitation -- sounds like a very promising start 
to things.  I'll definitely keep the second Fridays of the months in mind 
as the time draws nearer (whenever that time happens to be -- probably 
July, I'm guessing.)

Damn -- this thing might actually happen!  Time to check the oil on the 
car...

Best,

--Andre



From ???@??? Sat Apr 05 17:33:57 1997
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Andre, I forgot to ask, what is it you play -- I mean besides the loopers...




From ???@??? Sat Apr 05 23:15:12 1997
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remove wbrake@aol.com


From ???@??? Sat Apr 05 23:31:14 1997
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Subject: Re: Echoplex pro questions
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At 10:00 AM 4/4/97, mgsam@wave.net wrote:
>Hi Kim:
>

>Secondly, I was lucky enough to find a used Oberheim Echoplex Pro.  I can't
>find a serial number on the box, but when I turn it on it appears to have
>software 3.0, which accoring to your FAQ would make it one of the earlier
>units.  Question: Where and how can I get software updates?

The LD3.3.2 version, which the vast majority have shipped with, should be
easily available from Oberheim. 510-635-9633. You might want to wait a few
weeks, just in case another version is about to come out.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com




From ???@??? Sun Apr 06 10:42:26 1997
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Subject: Re: No summit gig? OK... how 'bout a tour?
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I've been kinda lurking on this list up to now, but I just had to jump in.
I'm an LA guitarist, Recording Engineer & Loopist (Echoplex, Boogie, Roland
GR300 & 700, Steinberger.....). I'm intrigued by the idea of a west coast
show and or tour and wanted to let Andre and all west coasters know you
have another in your ranks! People have mentioned Spaceland and Mon. night
at the Alligator-those would be my 2 best suggestions also. Please feel
free to email me personally for any future questions and or coordinations.
LOOP ON Brothers!!

("huh, whu?" - Walter Cronkite in response to Stuttering John)




From ???@??? Mon Apr 07 00:02:45 1997
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From: The Man Himself <altruist@shoko.CALARTS.EDU>
To: Loopers-Delight@annihilist.com
Subject: On tour part II: The stylistic frontier 
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('scuse the header...)

On Sat, 5 Apr 1997 mgsam@wave.net wrote:

> Andre, I forgot to ask, what is it you play -- I mean besides the loopers...

Oh yeah...  *that* issue.  ;-/

Do you mean equipment-wise or stylistically?  Gear will probably be the
following signal path: guitar - ebow - whammy pedal - echoplex - vortex -
stereo guitar amp - two 2-12 speaker cabs, with a seperate feed going into
a "straight" guitar amp, i.e.  whatever I can cram into the trunk and back
seat of my Chevy. 

Genre?  Good question; I'm still figuring that one out myself.  Pretty
much everything from abrasive, confrontational shards of sound to subdued
"ambient" meditations and pseudo-Indian drone dealies.  I'm also edging my
way slowly but surely towards a "cut and paste" approach using the
multiply and insert features on the Echoplex.  In my eternal inability to
go BEYOND FRIPP, I subscribe to the notion of taking the time and localle
of a performance into account, so you needn't worry about my subjecting a
coffeehouse crowd of small-town Oregon citizens to a sensory overload of
abstract atonal industrialisms whilst I holler forth various and sundry
selections of my favorite Edgar Allan Poe and William S.  Burroughs
writings atop the whole cacophonous din, guitar splayed face-down on the
floor all the while (unless you think that might be a good idea, of
course). 

Part of the reason I'm interested in more public performance, be it a
summit show or a tour, is that I want to see where my own looping work
fits in alongside other people's.  I've just finished compiling some solo
recordings, and I'm stymied by the fact that I have very little idea how
it rates in terms of other loopists' efforts.  All I know is that it
doesn't sound (very much) like Fripp or Torn.  So a big part of my
interest in more multi-artist gigs is in seeing other people doing their
thing, and getting a better sense of how many different ways the same
fundamental technique can be varied depending on specific instrumentation,
stylistic background, etc. etc. 

So again, Kevin, if this is a quiet, sedate sort of gig we're talking
about, I won't go spewing sonic gunfire all over the audience.  I'll save
that for a downtown LA gig... 

--Andre




From ???@??? Mon Apr 07 00:02:55 1997
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Dear A:

Are you kidding?

You think we bring loopers up from LA so they can sing campfire songs?

Let it rip, babe...

Kevin




From ???@??? Mon Apr 07 00:02:56 1997
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Subject: Please Remove
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Please remove. thank you for all the helpful info with my Boomerang. I
can't keep up with all the mail, but I will check in from time to time.
THANKS AGAIN!
Ron Ault




From ???@??? Mon Apr 07 18:13:12 1997
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Subject: Looping gig in Austin
Date: Mon, 7 Apr 97 11:53:54 -0000
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For anyone in the Austin, Texas area, Jon Morris and I will be playing a 
looping show at the Electric Lounge (302 Bowie) on Thursday, the 17th, 
starting at 9:30 PM.  We'll be playing for an hour or 90 minutes 
(billed as Tiktok), depending on how quickly the main acts can get their 
rigs together.  We'll be playing in the Elbow Room/Lounge section, not on 
the the main stage, so feel free to drop by and enjoy some two-man 
looping improvisations.  Cover will be either $3 or $5, and they never 
give me accurate information before hand.  There will be four "bands" 
playing later that night, of the "electronic" variety (according to the 
booker), which given the current climate probably means something dancey, 
like Aphex Twin, or angry, like NIN.

Travis Hartnett


From ???@??? Mon Apr 07 18:12:47 1997
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From: "bocs" <bocs@mail.bogo.co.uk>
To: <Loopers-Delight@annihilist.com>
Subject: echoplex england
Date: Mon, 7 Apr 1997 15:50:32 +0100
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----------
> From: Andrew@bocs.com   
> To: Loopers-Delight@annihilist.com
> Subject: Echoplex England
Anyone know the best place to get hold of an echoplex in 
England ? Any maybe an idea of price. I've not had much
luck in London Central.


From ???@??? Mon Apr 07 18:12:50 1997
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From: erwill@ix.netcom.com (James E Williamson)
Subject: Calling all central Illinois loopeople!!!
To: "Loopers-Delight@annihilist.com
    Just wanted to tell everybody who might be in the area":  I'll.be@ix.netcom.com
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playing every Sunday afternoon at a coffee shop in Peoria.  The Peoria 
Wine and Coffee Works, adjacent to the Pizza Works in Peoria Heights.

    I play classic synth-based loopmusik, based (unfortunately) around 
a five-year old RDS-8000.  Here's a kitlist:
    -Roland xp80 synth
    -Roland juno6 synth
    -Digitech rds8k (7.6sec delay box)
    -Lexicon Vortex
    -Peavey Spectrum Synth
    -Peavey Spectrum Organ
    -Mackie 1202 mixer
    -Rolls CV expression pedal

    I've had an Echoplex on order for the past 7 months, and need to 
get a used Jamman too.

    I only use patches I program myself (which means I don't use the 
Peavey stuff much, as I don't have the programmer for it), which 
generally tend to be pure tones, with liberal use of the volume pedal 
and portamento.

    I also have a jazz fusion quintet, Cold Fusion, who are still 
looking for a place to play.  We play 'space jazz', trying to bridge 
the gap between jazz and ambient, trying to work in a little Booker T 
and Sly Stone on the way.

Thanks...
-- 
James Eric Williamson - erwill@ix.netcom.com - erwill@heartland.bradley.edu
          One of Peoria's most obscure ambient blues musicians



From ???@??? Mon Apr 07 18:12:53 1997
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From: KILLINFO@aol.com
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Andre,

'Tis a bit early for me to be suggesting appropriate venues in the
Medford/Ashland, Oregon area (since I moved here only five days ago. But, if
I come up with something I'll be sure to let you know.

BYW, did you ever get ahold of Nels Cline about gigging at the Allegator
Lounge?

Best regards,
Ted


From ???@??? Mon Apr 07 18:13:15 1997
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From: AntiFret@aol.com
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Subject: used gear anyone selling any?
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anyone got any old stuff or just stuff theyre trying to unload? like a
JamMan? or
any low cost looper? ( i am firm believer in used and second hand swag )
thanks for all of your time....Pearson


From ???@??? Mon Apr 07 21:14:03 1997
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From: Adam Levin <alevin@ari.ari.net>
To: Loopers-Delight@annihilist.com
Subject: Another new DOD pedal
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I just received the new catalog from Veneman's in Rockville, MD. They have
a new DOD pedal model FX-96 which claims to sport a classic analog tape
delay sound. No mention of max delay time. Runs $95.  Anyone seen one of
these or have any info? 

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti



From ???@??? Mon Apr 07 18:14:35 1997
>From kflint  Mon Apr  7 16:31:48 1997
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From: SoundFNR@aol.com
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Subject: JamMan, hidden function.
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Here's a JamMan trick that isn't in the manual.

First go into diagnostic mode.( Hold down reset/bypass & function during
power up, until a "d" appears).
Now turn Mode(Echo/loop/sample) control until "13" appears.
Hit rest/bypass, a "4" should appear.
Hit rest/bypass again, you'll get a very loud tone which I think is A440Hz.
My guitar tuner  says it's spot on.

If anyone out there knows why it does this I'd be interested, also any other
tricks of a similar nature for the JamMan, Vortex or Alex.

                                      .................Andy Butler.


From ???@??? Tue Apr 08 07:20:40 1997
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From: pycraft@elec.gla.ac.uk (Dr M. P. Hughes)
Subject: Del...ays.
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>I just received the new catalog from Veneman's in Rockville, MD. They have
>a new DOD pedal model FX-96 which claims to sport a classic analog tape
>delay sound. No mention of max delay time. Runs $95.  Anyone seen one of
>these or have any info? 

I've been using the DOD ADL (FX81?) for years now, and the sound is damned
close to a tape delay.  Only problem is the total dly time, which runs to
about 300ms.

Speaking of delays, is it me or does the new Symmetrix 606 (see ad in
latest EQ) read like a Vortex, but better implemented? I mean, a
delay-based FX box with really wierd mod options, but with MIDI....

Michael

Dr Michael Pycraft Hughes      Bioelectronic Research Centre, Rankine Bldg,
Tel: (+44) 141 330 5979        University of Glasgow, Glasgow G12 8QQ, U.K.
    "Wha's like us?  Damn few, and they're a' deid!" - Scottish proverb




From ???@??? Tue Apr 08 18:06:16 1997
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Date: Tue, 8 Apr 1997 11:22:39 -0400 (EDT)
From: KemMc@aol.com
Message-ID: <970408112157_-1067500737@emout08.mail.aol.com>
To: Loopers-Delight@annihilist.com
Subject: go forth and multiply
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Kim,
In the Echoplex manual there is a mention of how to add to or remove loops
that
have been multiplied. Can't seem to figure it out.  Can you explain how to
remove multi 3 of a loop mutilplied 3 times and then how to add a different
multi 3 back  to that same loop, and does "next loop" command work to change
to the next multi.of say a loop with 3 multi. Was that a hint that new
softwear for the plex is coming soon , in the last post. 
thanks
Kem McNair
KemMc@ aol.con





From ???@??? Tue Apr 08 18:07:48 1997
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From: RA336@aol.com
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Subject: Re: Another new DOD pedal
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check out the May issue of Guitar Player magazine... as usual, a very
informative article on pedals by cool pedal-guru Joe Gore...
this box was mentioned...


From ???@??? Wed Apr 09 09:22:28 1997
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From: "Steven R. Murrell" <smurrell@ford.com>
To: "'Loop'" <Loopers-Delight@annihilist.com>,
        "'Stickwire (discussion)'"
         <stickwire-l@netcom.com>
Subject: Rack  mounted Mixer
Date: Wed, 9 Apr 1997 10:26:41 -0400
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Could anyone recommend a good RACK-MOUNTED MIXER with two or more Aux/Effects Sends (pre-fader) and 8 or more inputs.  This would be used for a MIDIfied Stick w/ effects, etc.


From ???@??? Wed Apr 09 09:22:34 1997
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From: "Mascarini, Rick (CORP)" <Rick.Mascarini@Corporate.ge.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Rack  mounted Mixer
Date: Wed, 9 Apr 1997 11:06:06 -0400
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Steve,

I would recommend the Fostex rack mounted (2 spaces) line mixer -
configured
either 8 or 16 chann. I think the model is a 1216 (??) or something like
that.  I
purchased mine from AMS (American Music Supply) catalog sales for
@279.00
last December.  Works great!!
Regards.

Rick Mascarini
GE GSO/Information Delivery Services
Voice & Fax:  8*235.5187,  518.385.2394


> ----------
> From:         Steven R. Murrell[SMTP:smurrell@ford.com]
> Sent:         Wednesday, April 09, 1997 10:25 AM
> To:   Mascarini, Rick (CORP)
> Subject:      Rack  mounted Mixer
> 
> Could anyone recommend a good RACK-MOUNTED MIXER with two or more
> Aux/Effects Sends (pre-fader) and 8 or more inputs.  This would be
> used for a MIDIfied Stick w/ effects, etc.
> 


From ???@??? Wed Apr 09 23:24:40 1997
>From kflint  Wed Apr  9 22:55:09 1997
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From: sarajane@tmbsbbs.com (Sarajane)
Subject: visual looping
Date: Wed,  9 Apr 1997 16:20:44 GMT
Message-Id: <97040913000799@tmbsbbs.com>
Organization: The Malibu Bikini Shop BBS - 303.772.8549 - 28.8
To: loopers-delight@annihilist.com
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Dear  Loopers,
          Usually I lurk behind Bryan while reading this group, but I
did wish to
respond to the "visual looping" query. I'm Sarajane, and I work in
polymer
clays. Like some of you, my work is non-electric, manual formation of
repetitive patterns. I use a process called caning, in which colored
clays are
 placed to form visual images, then squeezed and manipulated into a long
 tube of clay, which can be sliced to form hundreds of intricate
repititions.
 These repeat images can be further manipulated, distorted, cut, or
added to,
 used to build further patterns in progressions...sound familiar? We
have used
some of  my polymer work make visual images for Bryan, and Dave
Stafford's,
use as tape cover art, t shirts (well, two of 'em) and there is a mosaic
piece
(using thousands of sliced pieces) on the Bindlestiff website that is a
fully
encrusted and beaded guitar. (Bryan says its's some of his best work on
 guitar. Certainly it is the loudest.)
     There is a certain synchronicity between this loopgroup and the
polyclay
group  that I also read...everything from the "art-vs-entertainment"
thread to
 the  superiority of convection ovens  when baking plastics has an
audio- to-
 visual equivalent....
                 Thank you  all for being such an interesting group to
read.
                                                 Sarajane Helm


From ???@??? Wed Apr 09 10:56:32 1997
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From: "" <crb@silvertone.Princeton.EDU>
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Hello,

Does anybody know how to hack an ADM4096 to add more memory or
features? (or know a technician that could?) I opened it up and 
it looks like its using 16 chips soldered into the board for its
current 4 sec delay time (chips say "MOSTEK 8328 MK4564N-20").

Is Deltalab still in business? if so does anyone have their number?

thanks!
Curtis Bahn
crb@music.princeton.edu



From ???@??? Wed Apr 09 10:56:43 1997
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From: "Ott, John" <John_Ott@ATK.COM>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Another new DOD pedal
Date: Wed, 9 Apr 1997 13:48:41 -0400
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---quote---
>From:  RA336@aol.com
>Reply To:      Loopers-Delight@annihilist.com
>Sent:  Tuesday, April 8, 1997 11:33 PM
>To:    John_Ott@ATK.COM
>Subject:       Re: Another new DOD pedal
>
>check out the May issue of Guitar Player magazine... as usual, a very
>informative article on pedals by cool pedal-guru Joe Gore...
>this box was mentioned...
>---end quote---
>
I've not recieve my may issue yet.  So how many seconds does it have?
I now the FX-94 has 4 seconds.  What about the FX-96? (It 's not on
their
web page yet)

later
>John


From ???@??? Wed Apr 09 23:23:29 1997
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From: "Robert S. Carter" <rsc4@hmivax.humgen.upenn.edu>
Subject: Re: Rack  mounted Mixer
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> Could anyone recommend a good RACK-MOUNTED MIXER with two or more =
> Aux/Effects Sends (pre-fader) and 8 or more inputs.  This would be used =
> for a MIDIfied Stick w/ effects, etc.

I'm hard pressed to think of any smaller mixers with two pre-fader
sends. However, in addition to a single pre-fader send (monitor), mixers
in the style of the Mackie 1202 and 1604 or rackmountable LM3204 have a
switchable stereo Aux buss which might substitute for a pre-fader send
depending on your needs (for example, hit a switch to route your signal
to the LOOPING buss). Mackie also provides schematics for modifications
which may include moving an aux send from post to pre. BOB.


From ???@??? Wed Apr 09 23:23:37 1997
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Date: Wed, 09 Apr 1997 13:51:32 -0500
From: "Mikell D. Nelson" <mnelson@crystalball.com>
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Steven R. Murrell wrote:
> Could anyone recommend a good RACK-MOUNTED MIXER with two or more
> Aux/Effects Sends (pre-fader) and 8 or more inputs.  This would be
> used for a MIDIfied Stick w/ effects, etc.

  Absolutely. Mackie 1604. I have one in my home studio and it sounds
good and is loaded with features/quality for the price. I think used
ones go for $500-$700. Check out their other models, too.

Motley


From ???@??? Wed Apr 09 23:24:29 1997
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In a message dated 97-04-09 15:01:35 EDT, Mikell D. Nelson wrote:

<<   Absolutely. Mackie 1604.  >>
i second that motion. we just got a 1604vlz for church and it's ample. very
clean. sweepable mids and tons of routing/monitoring options. and with the
rotopod you can mount/patch just about anyway you'd like, and if you change
your mind down the road, no problem. however it does not have global eq or
any effects of it's own.


From ???@??? Thu Apr 10 00:47:37 1997
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From: Kim Corbet <kcorbet@post.cis.smu.edu>
Subject: Re: Rack mounted Mixer
To: "Mikell D. Nelson" <mnelson@crystalball.com>
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>   Absolutely. Mackie 1604. I have one in my home studio and it sounds
> good and is loaded with features/quality for the price. I think used
> ones go for $500-$700. Check out their other models, too.

(hey, motmonster)....Mackie's the real deal.  I have both 1604 for 
studio or big pa stuff and the 1402 for personal rig needs.  I would 
think they have rack hardware available for the 1402...I bought a rack 
box specifically for the 1604 and have been very happy with it in all 
applications.  The 1402 was $475 new...the 1604 was used for $650.



From ???@??? Thu Apr 10 09:16:13 1997
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synchronicity raising it's head again...
i loop and my wife is a dedicated "fimette"(polymer clay manipulator). very
wild!


From ???@??? Thu Apr 10 09:16:10 1997
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From: Dave Stagner <dstagner@icarus.net>
To: Loopers-Delight@annihilist.com
Subject: Re: delta-lab echotron
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On Wed, 9 Apr 1997,  wrote:

> 
> Hello,
> 
> Does anybody know how to hack an ADM4096 to add more memory or
> features? (or know a technician that could?) I opened it up and 
> it looks like its using 16 chips soldered into the board for its
> current 4 sec delay time (chips say "MOSTEK 8328 MK4564N-20").

I'd be VERY leery of trying such an operation.  Old equipment like the
Echotron is generally a one-off affair, and not meant to be upgraded.
Unless you have some explicit reason for wanting to upgrade the
Echotron (like its user interface, or superior sound quality), I'd say
spend your money on a JamMan or some other long delay instead.  Toying
with the innards of the Echotron may well destroy it, since it
probably has a number of static-sensitive MOSFET digital circuits.

> Is Deltalab still in business? if so does anyone have their number?

Nope, they went out of business many years ago.  Your Echotron is a
genuine vintage device now.  Enjoy it... I have one myself, and I
prefer its sound over supposedly higher-fidelity modern devices. 

-dave

By "beauty," I mean that which seems complete.
Obversely, that the incomplete, or the mutilated, is the ugly. 
Venus De Milo.
To a child she is ugly.       /* dstagner@icarus.net */
   -Charles Fort              



From ???@??? Wed Apr 09 23:24:19 1997
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Date: Wed, 9 Apr 1997 17:48:00 -0400
From: "Hogan, Greg" <GHogan@lexicon.com>
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Cutis Bahn asked"Is Deltalab still in business?"

The answer is no.


From ???@??? Thu Apr 10 00:47:46 1997
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From: kflint@annihilist.com (Kim Flint)
Subject: Re: delta-lab echotron
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>Hello,
>
>Does anybody know how to hack an ADM4096 to add more memory or
>features? (or know a technician that could?) I opened it up and
>it looks like its using 16 chips soldered into the board for its
>current 4 sec delay time (chips say "MOSTEK 8328 MK4564N-20").
>


The Mostek parts are DRAMs. from the part number, probably 200ns, 64kbit. I
found an interesting mini history about mostek on the web page of a former
employee:

http://www.keller.com/~mff/mostek.html

They invented DRAM and went out of business when the price had dropped so
low by the mid-80's. Life in the computer biz.... You almost certainly
won't find those parts anywhere, unless you pull them out of some other old
junk.

As far as expansion, it would be interesting to find a schematic of the
echotron and take a look. It probably is not as simple as simply adding
more memory chips. You would probably need to hack some other logic in
there for addressing and such. Even then it might not be possible, or worth
it. It is worth taking a look though. Anyone know where a schematic for
this beast might be had? Surely there are some old deltalabs employees
floating around?

kim




>Is Deltalab still in business? if so does anyone have their number?
>
>thanks!
>Curtis Bahn
>crb@music.princeton.edu

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com




From ???@??? Thu Apr 10 09:58:37 1997
>From kflint  Thu Apr 10 09:24:05 1997
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Subject: Re: delta-lab echotron
Date: Thu, 10 Apr 97 11:17:50 -0000
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> Anyone know where a schematic for
>this beast might be had? 

There's a Echotron for sale at the co-op where I practice, which does 
have the original documentation.  I'll have a look tonight to see what 
info they included.

Travis Hartnett


From ???@??? Thu Apr 10 09:16:20 1997
>From kflint  Thu Apr 10 06:50:04 1997
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From: RA336@aol.com
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Subject: clay looping
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Sarajane
you wrote:
> I use a process called caning, in which colored
>clays are
 >placed to form visual images, then squeezed and manipulated >into a long
> tube of clay, which can be sliced to form hundreds of >intricate
repititions.

- this sounds alot like the technique I saw being used by a ceramicist named
Jane Peiser while I was studying at Penland. Did you go there, or pick up
your technique elsewhere, or stumble upon  it yourself?

best
RA


From ???@??? Thu Apr 10 22:26:30 1997
>From kflint  Thu Apr 10 11:27:31 1997
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Date: Thu, 10 Apr 1997 13:12:50 -0400 (EDT)
From: Adam Levin <alevin@ari.ari.net>
To: Loopers-Delight@annihilist.com
Subject: Re: Another new DOD pedal
In-Reply-To: <Pine.SGI.3.95.970407131515.15078x-100000@ari.ari.net>
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On Mon, 7 Apr 1997, Adam Levin wrote:

> I just received the new catalog from Veneman's in Rockville, MD. They have
> a new DOD pedal model FX-96 which claims to sport a classic analog tape
> delay sound. No mention of max delay time. Runs $95.  Anyone seen one of
> these or have any info? 

Just as a follow up, I had to pick up some equipment out near Veneman's
today. They don't have this box in stock yet and the salesman didn't know
the specs.

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti



From ???@??? Thu Apr 10 22:26:52 1997
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Date: Thu, 10 Apr 1997 15:42:00 -0400
From: "Sellon, Bob" <bsellon@lexicon.com>
Subject: RE: delta-lab echotron
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Curtis,

You are in luck. It turns out that, way Delta Lab implemented their delay   
lines makes it quite easy to expand the memory. In Delta Lab products,   
the A-D converters spit out a single serial stream of 1s and 0s  which is   
fed to the memory chips sequentially (into the first chip, out of the   
first chip into the second chip, etc..). On the simpler products, they   
derive their delay times by simply tapping off the serial data stream   
between the memory chips or at the output of the last chip. To expand the   
memory, you simply add more memory chips in the chain.

There is a cheat you can use to add the memory chips as well, though it's   
not very pretty. Get some additional memory chips of the same type and   
lift pins 2 and 14 so they are sticking straight out of the side of the   
chip. Place the new chips on top of the existing chips, soldering all of   
the pins of the new chip to the same pins of the chip it is sitting on.   
You then connect the input (pin 2) and outputs (pin 14) of each of the   
new chips together forming a chain. Then all you have to do is connect a   
wire from the output of the last original chip to the input of the first   
new chip to add the new chips into the existing chain.

The last step is to change the data stream that is feeding the AD   
converter. This is usually the output from one of memory chips in the   
chain selected by an electronic or mechanical switch. You can brute force   
it here to permanently add in the new memory by cutting the etch coming   
from the last original chip and routing it to the new last chip in the   
chain. The other alternative is to add another selector switch of some   
sort.

I'm not interested in doing this kind of work myself but I do have   
schematics and would be willing to send someone a copy and walk them   
through it. Let me know.

Also, I am in the process of putting together a web site that will   
include procedures for various mods I have done including this one. I'll   
send a message around when it is operational.

Bob Sellon
Lexicon/Stec
phone: 617-280-0395 (days)
            508-670-6098 (evenings (preferred))
bsellon@lexicon.com




 ----------
From:  Loopers-Delight[SMTP:Loopers-Delight@annihilist.com]
Sent:  Wednesday, April 09, 1997 4:17 PM
To:  Loopers-Delight
Subject:  delta-lab echotron


Hello,

Does anybody know how to hack an ADM4096 to add more memory or
features? (or know a technician that could?) I opened it up and
it looks like its using 16 chips soldered into the board for its
current 4 sec delay time (chips say "MOSTEK 8328 MK4564N-20").

Is Deltalab still in business? if so does anyone have their number?

thanks!
Curtis Bahn
crb@music.princeton.edu




From ???@??? Thu Apr 10 22:27:12 1997
>From kflint  Thu Apr 10 20:50:56 1997
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From: SoundFNR@aol.com
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How about pointing a video camera at it's own monitor screen then?


From ???@??? Fri Apr 11 01:32:04 1997
>From kflint  Thu Apr 10 22:36:54 1997
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>How about pointing a video camera at it's own monitor screen then?

Hey, I've got about 2 hours of that on tape. Great stuff! I'm in the midst
of dumping it into the computer and editing the best parts in Premiere.
Very cool, especially if you slow it way down.

________________________________________________________
Dave Trenkel, NEW EMAIL ADDRESS: improv@peak.org
self promotional web-site: http://www.peak.org/~improv/
"A squid eating dough in a polyethelene bag is fast
and bulbous, got me?"
                                     -Captain Beefheart
________________________________________________________




From ???@??? Fri Apr 11 09:23:50 1997
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From: kflint@annihilist.com (Kim Flint)
Subject: RE: delta-lab echotron
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At 3:42 PM 4/10/97, Sellon, Bob wrote:
>Curtis,
>
>You are in luck. It turns out that, way Delta Lab implemented their delay

Hi Bob-

Thanks for bringing your expert knowledge to the list, its great to have
you join us!

>
>I'm not interested in doing this kind of work myself but I do have
>schematics and would be willing to send someone a copy and walk them
>through it. Let me know.

I'd love to have copies of these for the Looper's Delight web page. Do you
have any way to scan them? If not, we can arrange for that somehow. Let me
know. I'd love to have all these little bits and treasures about old loop
devices collected together where anyone can refer to them.



>Also, I am in the process of putting together a web site that will
>include procedures for various mods I have done including this one. I'll
>send a message around when it is operational.
>
>Bob Sellon

Great. If there is anything you would like to contribute to the Looper's
Delight pages, we would love to have it!

thanks,

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com




From ???@??? Fri Apr 11 09:24:07 1997
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From: Aviansongs@aol.com
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In a message dated 97-04-10 23:07:05 EDT, you write:

> You are in luck. It turns out that, way Delta Lab implemented their delay
  
>  lines makes it quite easy to expand the memory. In Delta Lab products,   
>  the A-D converters spit out a single serial stream of 1s and 0s  which is
  
>  fed to the memory chips sequentially (into the first chip, out of the   
>  first chip into the second chip, etc..). On the simpler products, they   
>  derive their delay times by simply tapping off the serial data stream   
>  between the memory chips or at the output of the last chip. To expand the
  
>  memory, you simply add more memory chips in the chain.
>  

     Hmm... I wonder if the memory of the Digitech RDS 7.6 (or 4000 & 8000)
can be expanded as well. If so, what would the average cost of an upgrade be
(parts only)?
     Also, what's the status of the Jamman upgrade?
     Take care, Marc


From ???@??? Fri Apr 11 09:24:19 1997
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From: "Steven R. Murrell" <smurrell@ford.com>
To: "'Loop'" <Loopers-Delight@annihilist.com>,
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         <stickwire-l@netcom.com>
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I just wanted to thank everybody who responded to my inquiry regarding rack-mountable mixers.  

I am leaning toward the Mackie 1202 mounted onto a rack-mounted shelf.  No definite decision yet, though.

Also, I had planned to compile all of the suggestions and post to the list but I inadvertently deleted the responses.  Sorry.


Thanks again everybody!!

Steve Murrell



From ???@??? Fri Apr 11 09:24:25 1997
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>I just wanted to thank everybody who responded to my inquiry regarding
>rack-mountable mixers.  
>
>I am leaning toward the Mackie 1202 mounted onto a rack-mounted shelf.  No
>definite decision yet, though.

In that case you should be aware that the "VLZ" version of the 1202 has
more sends and is a significantly nicer machine that the "non-VLZ".  Also,
the newsgroup rec.music.makers.marketplace moves loads of Mackie 1202s
every week, both VLZ and non-VLZ.  A good price for used is $200-$250 for
VLZ, $150-$200 for non-VLZ.
J.

**********************
My Town: Philadelphia!



From ???@??? Fri Apr 11 11:04:29 1997
>From kflint  Fri Apr 11 10:41:09 1997
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From: erwill@ix.netcom.com (James E Williamson)
Subject: Re: visual looping
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You wrote: 
>
>>How about pointing a video camera at it's own monitor screen then?
>
>Hey, I've got about 2 hours of that on tape. Great stuff! I'm in the 
midst
>of dumping it into the computer and editing the best parts in 
Premiere.
>Very cool, especially if you slow it way down.

    Cool.  I did alot of experiments in that, as well.  If you could 
send me some screen shots (jpgs) I would really appreciate it.  
Unfortunately, my dad accidently erased what I had done a couple of 
years ago, but if I ever get Snappy I'll grab a couple frames off a 
copy I made.  I made them about 5 years ago for a German class parody 
of Dr Who.

Thanks...
-- 
James Eric Williamson - erwill@ix.netcom.com - erwill@heartland.bradley.edu
          One of Peoria's most obscure ambient blues musicians



From ???@??? Fri Apr 11 11:04:36 1997
>From kflint  Fri Apr 11 10:56:34 1997
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From: Adam Levin <alevin@ari.ari.net>
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Subject: RE: delta-lab echotron
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On Thu, 10 Apr 1997, Sellon, Bob wrote:

> You are in luck. It turns out that, way Delta Lab implemented their delay   
> lines makes it quite easy to expand the memory. In Delta Lab products,   
> the A-D converters spit out a single serial stream of 1s and 0s  which is   
> fed to the memory chips sequentially (into the first chip, out of the   
> first chip into the second chip, etc..). On the simpler products, they   
> derive their delay times by simply tapping off the serial data stream   
> between the memory chips or at the output of the last chip. To expand the   
> memory, you simply add more memory chips in the chain.

Bob,

Would this scheme also work for the DeltaLab CompuEffectron CE1700 model?
Looking at the tech specs in the manual, I have a sneaking suspicion that
you could add the RAM, but the MPU might not be able to address it. But
then again, my electronics knowlege is pretty limited.

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti



From ???@??? Fri Apr 11 11:04:39 1997
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From: erwill@ix.netcom.com (James E Williamson)
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I'm sorry, I didn't intend for that to go to all of you...
-- 
James Eric Williamson - erwill@ix.netcom.com - erwill@heartland.bradley.edu
          One of Peoria's most obscure ambient blues musicians



From ???@??? Sat Apr 12 02:16:03 1997
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Date: Fri, 11 Apr 1997 14:41:00 -0400
From: "Sellon, Bob" <bsellon@lexicon.com>
Subject: Delta Lab schematics
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Kim,
I'll take a look at those schematics to see what kind of shape they are   
in. Some are large blue prints but I think the Echotron schematics were   
reduced. I'll let you know.

Bob Sellon



From ???@??? Sat Apr 12 02:16:06 1997
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Date: Fri, 11 Apr 1997 14:57:00 -0400
From: "Sellon, Bob" <bsellon@lexicon.com>
Subject: Digitec expansion/Jamman update
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Marc,

>     Hmm... I wonder if the memory of the Digitech RDS 7.6 (or 4000 &   
8000)
>can be expanded as well. If so, what would the average cost of an   
upgrade be
>(parts only)?

I've never worked on the Digitech units and don't have schematics so I   
really don't know.

     >Also, what's the status of the Jamman upgrade?

Work is progressing at a pretty good clip. This summer still seems   
realistic for a release if legal issues can be cleanly resolved. I'll   
keep everybody posted.

Bob Sellon
Lexicon/Stec



From ???@??? Sat Apr 12 02:16:28 1997
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From: "Stephen P. Goodman" <sgoodman@primenet.com>
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Subject: Re: Digitec expansion/Jamman update
Date: Fri, 11 Apr 1997 13:39:32 -0700
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> >     Hmm... I wonder if the memory of the Digitech RDS 7.6 (or 4000 &   
> 8000)
> >can be expanded as well. If so, what would the average cost of an   
> upgrade be
> >(parts only)?
> 
> I've never worked on the Digitech units and don't have schematics so I   
> really don't know.

I too have a RDS 7.6 but my concern isn't as much increasing the RAM in the
unit, thus potentially causing a loss of resolution, as much as it is
lowering the S/N ratio of the unit.  Given incorrect levels of
input/output, and the longest setting for the loop length, one can get an
incredible - though removable - amount of hiss.  This is fine for studio
stuff, but not the live material...

Any thoughts on this, fellow RDS owners/operators?

* Stephen Goodman            It's the Loop Of The Week!  And it's free!
* EarthLight Productions      http://www.primenet.com/~sgoodman/Studios


From ???@??? Sat Apr 12 12:37:24 1997
>From kflint  Sat Apr 12 08:39:22 1997
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> An open-minded chellist - wow!  :)
> How do you fel about moving to Glasgow?
> 
> Michael


It is kind of funny- most cellists don't seem to have a very eclectic
aestetic.  Tough to get them into the rock/punk/folk/loop thing. In
fact, it seems to be pretty hard to get anyone in to it... :) 

So I have just followed through on my on my four year old threat and
bought an old Kay 3/4 size plywood cello. I dated a girl for a while who
was a phenominal cellist and started giving me pointers.  With the
cheater tape (you know, that yellow tape that novice violinists use as
fret markers) I find that more of my left hand technique translates than
I would have thought, but the right right hand technique is a bastard.

Now all I need is to get some kind of pickup thingy in there and let the
loops begin!


From ???@??? Sat Apr 12 12:37:25 1997
>From kflint  Sat Apr 12 08:44:41 1997
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I am a big proponant of feedback (like every other guitarist in NYC) but
my bigest problem is that my pickups get crazy high pitched microphonic
feedback with my old Jaguar.  I just got my pickups back from Seymour
Duncan (they repotted my Jag reissues and the originals) and while they
are better than they were before, they can still get a little out of
control.

Anyone out there ever have to solve this problem?  I don't use that much
pre-amp gain, or a compressor, just a whole lot of volume.  I don't see
how Hendrix got such great feedback with his single coils.

The good news is my hollowbody works like a charm.


Trev


From ???@??? Sat Apr 12 18:45:00 1997
>From kflint  Sat Apr 12 17:00:20 1997
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Hi Bob,

Care to tease us with some info as to what the upgrade will contain???

Patrick


 ***  ***    ** Fingerpaint http://www.his.com/~Patrick/FNGP.html  ***  **

  




From ???@??? Sat Apr 12 12:38:06 1997
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nyfac wrote:

> I am a big proponant of feedback (like every other guitarist in NYC)
> but
> my bigest problem is that my pickups get crazy high pitched
> microphonic
> feedback with my old Jaguar.  I just got my pickups back from
> Seymour
> Duncan (they repotted my Jag reissues and the originals) and while
> they
> are better than they were before, they can still get a little out of
>
> control.
>
> Anyone out there ever have to solve this problem?

Fernandes guitars with patented Sustainer circuit.
Just try one and see.



From ???@??? Sat Apr 12 14:56:09 1997
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In a message dated 4/12/97 2:31:56 PM, Roland Eberle wrote:

<<Fernandes guitars with patented Sustainer circuit.
Just try one and see.>>

Or you could rent Steve Tibbetts fingers and setup 8-).


From ???@??? Sat Apr 12 14:56:11 1997
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Looking forward to the JamMan upgrade you are working on


>Marc,
>
>>     Hmm... I wonder if the memory of the Digitech RDS 7.6 (or 4000 &
>8000)
>>can be expanded as well. If so, what would the average cost of an
>upgrade be
>>(parts only)?
>
>I've never worked on the Digitech units and don't have schematics so I
>really don't know.
>
>     >Also, what's the status of the Jamman upgrade?
>
>Work is progressing at a pretty good clip. This summer still seems
>realistic for a release if legal issues can be cleanly resolved. I'll
>keep everybody posted.
>
>Bob Sellon
>Lexicon/Stec




From ???@??? Sun Apr 13 00:26:35 1997
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can i get off the list, the sheer volume of it is a bit overwhelming and its
not what i expected...nothing personal...


From ???@??? Sun Apr 13 11:52:57 1997
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Sellon, Bob wrote:

> You are in luck. It turns out that, way Delta Lab implemented their delay
> lines makes it quite easy to expand the memory.

Bob,

Would the same happen to be true of the Vortex?  The thought of a 3.6sec
or 7.2sec delay capability in the Vortex does unbelievable things to my
erectile tissues and mucous membranes... ;-)

Welcome to the list! :-)    
-- 
John Pollock
mailto:johnpollock@delphi.com
http://people.delphi.com/johnpollock (Troubador Tech)



From ???@??? Sun Apr 13 22:33:50 1997
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In a message dated 4/9/97 1:14:42 AM, you wrote:

<<check out the May issue of Guitar Player magazine... as usual, a very
informative article on pedals by cool pedal-guru Joe Gore...
this box was mentioned...
>>

I spent an enjoyable hour or so on the phone with Zachary Vex this weekend,
whose pedals rec'd much praise in that GP/JGore NAMM report, and he mentioned
that he's coming out with a lo-fi 20-sec digital looper stomp box for under
$250 sometime soon. You can reach him at Z. Vex Effects, 612-781-1775;
zvex@bitsteam.net
anybody know anything about the Matchless Echo Box, described in the same
issue, with a "craftily deployed cassette"?
dp


From ???@??? Mon Apr 14 10:16:48 1997
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Paul Poplawski, Ph.D. wrote:
> 
> Looking forward to the JamMan upgrade you are working on

Bob-

Just want to lend some moral support for fear that you might think that
we don't care.  Do you have some idea where you are going to take us?  I
don't suppose that you are working on being able to reverse in loop mode
or being able to mute the input in echo mode by any chance.

Trev


From ???@??? Mon Apr 14 10:16:46 1997
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From: Dave Stagner <dstagner@icarus.net>
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On Sat, 12 Apr 1997 PMimlitsch@aol.com wrote:

> Or you could rent Steve Tibbetts fingers and setup 8-).

I dunno about that... I saw Steve Tibbetts live several years ago, and
he was having such horrible hum problems he couldn't really play
electric guitar at all.  Then it got scary... at one point, he said
something about a "ghost in the machine".  Then a minute or so into
the next piece, one of the PA speakers fell off the stage, landing
face down with a resounding thud (luckily, no one was sitting that
close).  To their credit, Steve Tibbetts and Marc Anderson didn't
break stride at all.  

Incredible show, btw.  For a setup, he was using a couple of 12-string
acoustics, and his old Strat.  He had Ernie Ball volume pedals, a
Marshall JCM800, and older Lexicon delays.  It looked and sounded like
some loops were being sampled in realtime, and then played back by
Marc Anderson via an electronic drum pad.  Interesting approach.  :}

-dave

By "beauty," I mean that which seems complete.
Obversely, that the incomplete, or the mutilated, is the ugly. 
Venus De Milo.
To a child she is ugly.       /* dstagner@icarus.net */
   -Charles Fort              



From ???@??? Tue Apr 15 01:53:19 1997
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Dpcoffin@aol.com wrote:
> anybody know anything about the Matchless Echo Box, described in the same
> issue, with a "craftily deployed cassette"?

  No details, but rumor has it that the retail price will be about $800
and it is similar to the original Echoplex tape loop. Of course it's all
tube, coming from Matchless. Should sound great.

Motley


From ???@??? Tue Apr 15 23:44:02 1997
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>THANK YOU!!!!!!!!! i feel much better now. i, too, have found interesting
> updated to 198 seconds this weekend, haven't had a
>chance to try out though (maybe tonight!!)


Where did you get your memory?  Anybody have any info on who has the best
prices on memory for the Echoplex?

Best,
Kevin




From ???@??? Tue Apr 15 23:42:26 1997
>From kflint  Tue Apr 15 12:51:33 1997
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ok, i guess y'all missed my point about the footcontroller. i thought i'd let
it die so it would maybe just fix itself. when i try and record on the plex-i
have to hold the button down for the entire length of the loop. i've just
reread the manual and this does not seem correct at all. this, as i
understand it, would be the "long hold" which would reset the loop. am i
lost, or is this wrong?

ps latest from obie: cueu late this month. sorry for the false alarm last
month


From ???@??? Tue Apr 15 23:42:35 1997
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You need to set the RecordMode parameter back to its default of "tog" for
toggle. You somehow got it set to "SUS" which gives the record function a
sustain pedal action. 

If want to reset all your parameters to the factory default, you can do so
by holding the parameter button down at power up.

I actually have lots of fun with RecordMode=SUS. I use it to create
micro-length delays. If you just tap the button, the loop length is only as
long as the time the switch actually contacted. It's easy to get loops that
are so short that the repetition rate becomes an audible frequency.  I then
use the replace function and vary the feedback a lot to evolve the texture
and make some very cool sounds. If you've got a source playing continuously
into the delay, the mix control is just like a crossfade on a dj mixer. This
has given a whole new life to my old Alesis HR-16B drum machine - the two
together are making some killer techno percussion grooves. The sounds are
pretty unique, and very easy to manipulate in real time. Often times I'll
also multiply the micro loops to add some longer phrase over the pulsing sample.

I'd like to explain this better, but at the moment I'm a bit busy. I'll try
to get to it later....

kim



At 03:46 PM 4/15/97 -0400, you wrote:
>ok, i guess y'all missed my point about the footcontroller. i thought i'd let
>it die so it would maybe just fix itself. when i try and record on the plex-i
>have to hold the button down for the entire length of the loop. i've just
>reread the manual and this does not seem correct at all. this, as i
>understand it, would be the "long hold" which would reset the loop. am i
>lost, or is this wrong?
>
>ps latest from obie: cueu late this month. sorry for the false alarm last
>month
>
>
>
_______________________________________________________
Kim Flint                       408-752-9284
VLSI Systems Engineering        kflint@chromatic.com
Chromatic Research



From ???@??? Tue Apr 15 23:42:46 1997
>From kflint  Tue Apr 15 13:51:44 1997
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THANK YOU!!!!!!!!! i feel much better now. i, too, have found interesting
uses/timbres available with this happy accident, but now am able to get going
with the real deal. also updated to 198 seconds this weekend, haven't had a
chance to try out though (maybe tonight!!)

what is the status of the looper's recording/cd? i am very interested in
hearing everyone out there doing this thing. what i am most interested in is
the live/one take loop- i need to knock down the barriers of my thinking in
this area badly.


From ???@??? Tue Apr 15 23:44:07 1997
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Kevin said:

>Where did you get your memory?  Anybody have any info on who has the best
>prices on memory for the Echoplex?

I second this! Does anybody know the cheapest place to get the SIMMS for
the plex? As someone who has a plex on order (finally!) I'd like to get
that sucker fully loaded as cheaply as possible. I know there was talk here
a while back about getting four 4MB SIMMS for $60-$75. I'd love to know
where that is , with a phone number included. If anyone has this info,
please post it to the list as this question does come up often enough.

Thanks   Ed




From ???@??? Wed Apr 16 09:22:55 1997
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From: Stew Benedict <benedict@netcom.com>
Subject: Sitar-like effect, by accident
To: Loopers-Delight@annihilist.com
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Hey all you string-instrument players/loopists.  I don't know if anyone
else is a CAD-jockey, but I stumbled on an interesting effect last night
by accident while setting up a digitizing tablet and trying to get in
some Stick practice.  The "puck" on a digitizer has wire windings around
the bullseye, which connect back to the circuitry to locate the puck on
the tablet.  Anyway, by accident I lifted the puck from the tablet and
it got close to my pickups/strings and generated some very interesting
sounds, sort of a sitar/spring reverb kind of thing, amplitude varied
by proximity to strings and pickup.  I would guess this is similar to
the concept the ebow uses?  I didn't have time to explore it fully,
but if any of you have a digitizer laying around, check it out, it's
sort of neat!

Stew Benedict
Teak Chapman Stick #926



From ???@??? Wed Apr 16 10:30:43 1997
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Date: 16 Apr 97 13:05:31 EDT
From: <Russell_Gorton@CreatSvc-Ada.CCMAIL.CompuServe.COM>
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Subject: SIMMs for EP
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     I just upgraded my 'plex to the full 16Mb/198sec.  VERY worthwhile.
     
     Because I work as a Mac specialist, 30-pin SIMMs are pretty much 
     free...I just took some out of an old IIcx motherboard we weren't 
     using.  
     
     However, the best price for 4Mb SIMMs I've seen recently is from L.A. 
     Trade (800.433.3726 US and Canada) ... $28.  A full upgrade for the 
     'plex would cost $112.  Not bad. 
     
     Good luck...SIMMs seem to vary in price like pork belly futures.  Pick 
     up a Computer Shopper or MacWeek and bargain hunt.
     
     --Russell
       



From ???@??? Wed Apr 16 10:30:46 1997
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where did i get the memory? out of a dead server i'm afraid. i did look for
some time, prices ranged considerably. the lowest i found was the guy listed
below($22 for 4mb 30 pin), who was out of stock when i called, but was going
to check to get some more. the usual "i have nothing to do with this person"
disclaimer applies; i found him on a bulletin board on aol. btw, he is a
guitarist!
Moon Business Systems
156 Los Angeles Ave.  
Oxnard, CA 93035  
Phone: 805-985-6495 
FAX: 805-984-3295 
moonbizsys@FISHNET.NET 


From ???@??? Wed Apr 16 23:14:39 1997
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Subject: Re: Sitar-like effect, by accident
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>the tablet.  Anyway, by accident I lifted the puck from the tablet and
>it got close to my pickups/strings and generated some very interesting
>sounds, sort of a sitar/spring reverb kind of thing, amplitude varied
>by proximity to strings and pickup.  I would guess this is similar to
>the concept the ebow uses?  I didn't have time to explore it fully,
>but if any of you have a digitizer laying around, check it out, it's
>sort of neat!
>
>Stew Benedict
>Teak Chapman Stick #926

In this case it's probably ac current in the wires of the puck getting
coupled into the pickup windings. It's probably not quite like an ebow. You
could tell if the pitch of the sound was related to the pitch of the
string. An ebow actually drives the string, so you can fret notes. Your
sound is probably a constant pitch?

I think this is like the effect of a motor in close proximity to the
pickups. In addition to being fun stage props and serving other amusing
uses, adjustable-speed vibrators work great for this, since you can vary
the pitch. I know Reeves Gabrels and Dave Navarro are known for using that
technique.

There are probably lots of other electronic doodads with similar effects. I
once ran my guitar through an A/D converter with a digital audio S/PDIF
output. I plugged the s/pdif output directly into a tube amp and wailed
away. I was amazed that the pitch of the resulting sound was the same as
the pitch of the notes I played. How did it sound? Well, I liked it...Like
a hideous fuzz box with some serious problems. And since it was a digital
waveform, there are only two choices for amplitude, on or off. That's a lot
of compression! Or: great sustain! (Do this at your own risk...if you blow
your speakers up, I ain't payin'!)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com




From ???@??? Wed Apr 16 23:14:45 1997
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Subject: Re: SIMMs for EP
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At 1:05 PM 4/16/97, <Russell_Gorton@CreatSvc-Ada.CCMAIL.CompuServe.COM> wrote:
>     However, the best price for 4Mb SIMMs I've seen recently is from L.A.
>     Trade (800.433.3726 US and Canada) ... $28.  A full upgrade for the
>     'plex would cost $112.  Not bad.
>
>     Good luck...SIMMs seem to vary in price like pork belly futures.  Pick
>     up a Computer Shopper or MacWeek and bargain hunt.
>
>     --Russell
>

$28 is a commonly advertised price. I think I saw $23 from some ad in a
recent MacWeek. At Fry's in the Bay Area, I've seen 4mb simms as cheap as
$17. If you are actually ordering, you can probably bargain these guys down
a bit. There are several companies that used to advertise in MacWeek and
other computer rags who sold used simms. Those should be real cheap, since
as Russell mentioned, there are lots of them floating around in archaic
computers. I already threw out the last MacWeek I got, so I can't check
phone#'s for you. Pick up some magazines at a local bookstore and check the
bargain dealer ads in the back.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com




From ???@??? Wed Apr 16 23:14:54 1997
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From: "andrew" <andrew@bocs.com>
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Subject: plex UK
Date: Wed, 16 Apr 1997 19:21:05 +0100
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Anybody out there know where the Echoplex can be purchased
in the UK ? London preferably. Price ?

If you have infomation leading to the apprehension of one you may
be eligible for a reward.
 mail info directly to me, if you like.

much appreciated

A
'cheese in the fridge with a mile long beard'
                                                                 DVV


From ???@??? Thu Apr 17 01:44:47 1997
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From: Stew Benedict <benedict@netcom.com>
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You're right Kim, it's a constant frequency, although the effect does
vary slightly depending on the strings it's in closest proximity to.
It seems the bass strings facilitate the best "springy" sound.  I've
seen Adrian Belew do some interesting effects with a cordless drill
with King Crimson too.

Stew Benedict



From ???@??? Thu Apr 17 01:44:54 1997
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From: pycraft@elec.gla.ac.uk (Dr M. P. Hughes)
Subject: Re: plex UK
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>Anybody out there know where the Echoplex can be purchased
>in the UK ? London preferably. Price ?

I've no idea about getting a Plex in the UK, although many places stock
JamMen (surely worth a thought)!  You might try to contact Gibson's UK
importers Rosetti (01376 550033), since they _might_ also deal with
products from Gibson-owned companies (or know who does).

The bad news is that I've never seen one in Glasgow, and we get most kit up
here....

Michael

Dr Michael Pycraft Hughes      Bioelectronic Research Centre, Rankine Bldg,
Tel: (+44) 141 330 5979        University of Glasgow, Glasgow G12 8QQ, U.K.
    "Wha's like us?  Damn few, and they're a' deid!" - Scottish proverb




From ???@??? Thu Apr 17 10:14:16 1997
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Subject: Re: Sitar-like effect, by accident
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>You're right Kim, it's a constant frequency, although the effect does
>vary slightly depending on the strings it's in closest proximity to.
>It seems the bass strings facilitate the best "springy" sound.  I've
>seen Adrian Belew do some interesting effects with a cordless drill
>with King Crimson too.
>
>Stew Benedict

Adrian's drill trick couldn't possilbly be as cool as Paul Gilbert
attaching a bunch of picks to a drill bit and using it to play
really-fast-wheedily-shredder crap. Now that was funny! Great crowd
pleaser. He even got a Makita endorsement for that one. He quit doing it
when he got his hair tangled in the drill during a show. Something to think
about before bringing the power tools out......

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com




From ???@??? Fri Apr 18 00:50:37 1997
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Subject: Re: Bill Frisell looping device
Date: Thu, 17 Apr 97 12:59:08 -0000
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> Frisell was using
>an Andersen ACUSTIC (!!!) guitar (no more electric Klein) and an effect
>pedal called Echoplus, by Digitech, I think.
>
>Great looping work!!! With the pedal he could record looping seguences and
>change the speed and pitch of the loop in real time. The effect was awesome.
>Someone knows about the Echoplus? What are the other features of this pedal?
>Someone using it? And about the price?

As I recall, the Echoplus was just an 8-second delay, similiar to the 
PDS-2000, but with more memory.  Nothing special, no modulation, but it 
did have a sample trigger input, I think.  It was in the $200-300 range.

Travis Hartnett


From ???@??? Fri Apr 18 00:50:29 1997
>From kflint  Thu Apr 17 10:48:59 1997
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From: LEONARDO CAVALLO <LEO@DINONET.IT>
Subject: Bill Frisell looping device
Date: Thu, 17 Apr 1997 19:46:52 +0200
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Hi all

Yesterday night I saw the Bill Frisell Quartet performance. Incredible
musicianship, great compositions for guitar, violin, trumpet and trombone;
check out their CD (Bill Frisell Quartet, 1996, Nonesuch). Frisell was using
an Andersen ACUSTIC (!!!) guitar (no more electric Klein) and an effect
pedal called Echoplus, by Digitech, I think.

Great looping work!!! With the pedal he could record looping seguences and
change the speed and pitch of the loop in real time. The effect was awesome.
Someone knows about the Echoplus? What are the other features of this pedal?
Someone using it? And about the price?

Ciao
Leo



From ???@??? Fri Apr 18 00:52:13 1997
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>Kevin
>Try LLB Comp. At 1-800-848-8967
>You want 30pin mac simms
>70n/s, matched pairs,same manufacturer,same lot
>Prices are cheap and the chips are good.
>kemMc@aol.com

Thanks Ken...I'll give them a call.






From ???@??? Fri Apr 18 00:51:13 1997
>From kflint  Thu Apr 17 14:14:26 1997
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From: hporter@UAkron.Edu (Hayden Porter)
Subject: Re: Bill Frisell looping device
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>> Frisell was using
>>an Andersen ACUSTIC (!!!) guitar (no more electric Klein) and an effect
>>pedal called Echoplus, by Digitech, I think.
>>
>>Great looping work!!! With the pedal he could record looping seguences and
>>change the speed and pitch of the loop in real time. The effect was awesome.
>>Someone knows about the Echoplus? What are the other features of this pedal?
>>Someone using it? And about the price?


Ive got one of those echoplus pedals.

Here's the scoop:

ECHO+PLUS
8 SEC DIGITAL DELAY/SAMPLER
PDS 8000
Digitech

The device was part of the PDS pedal series made by Digitech in the late
80's early 90's.  As you can guess, it is not made anymore :-(.

Audio:
Mono input, mono out
no info about internal signal processing.

Power:
10 volt DC negative ground power supply (I use a 9v dc and it works fine)
or
9volt battery

Functions in 3 modes:
Normal- looping or short echoes
Trigger- initiates a previously recorded sample (sample will loop according
to regen. and delay time settings)
Sample- Records the desired sample (record only-no play back in this mode)

Capabilities:
100ms(???) - 8sec delay
or
record a sample in sample mode and then trigger the sample in trigger mode.

Repeat loop indefinately

Operations and controls:
>From left to right across the top panel of the pedal-

3 way delay time range switch
toggles between the following delay ranges:
100ms-500ms, 500ms-2sec, 2sec-8sec

Delay time knob
has a relative value of 1(least)-10(most) depending on the setting of the
delay time range switch.

Rengeration knob
has a range of 1(least)-10(most) repeats of echo or loop.

Mix knob
allows for wet/dry mix of signal and effect
ranges 0% effect/100% signal - 100% effect/0% signal

LEDs for Effect on and Repeat on

3 way toggle switch for changing mode
Normal
Trigger
Sample

Output level knob

Input level knob

mono input for signal

mono input for recording sample (trigger input)

mono output

Bypass pedal(effect on/off)

Repeat(hold)/Trigger(initiates recorded sample) pedal

Price new:????
Used: I got one for $100

Sound quality:  Fine but not high quality

Size: around 5" high, 6" wide and 11/2" deep

Color: blue :-)

I like the user interface.  It is very easy to use.  All of the features
are right there.  No hunting through menus on a rack device display.  I
think it is a great low end looping device.  If you are looking for cheap
looping this would be a great buy.  Easily portable too.

Sincerley,

Hayden Porter
hporter@UAkron.edu






From ???@??? Fri Apr 18 00:52:11 1997
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Date: Thu, 17 Apr 1997 23:53:57 -0400 (EDT)
From: KemMc@aol.com
Message-ID: <970417235351_-401469211@emout05.mail.aol.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Loopers-Delight-d Digest V97 #57
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Kevin
Try LLB Comp. At 1-800-848-8967
You want 30pin mac simms
70n/s, matched pairs,same manufacturer,same lot
Prices are cheap and the chips are good.
kemMc@aol.com


From ???@??? Fri Apr 18 08:47:46 1997
>From kflint  Fri Apr 18 06:03:49 1997
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Date: 18 Apr 97 03:59:58 EDT
From: Teed Rockwell <74164.3703@CompuServe.COM>
To: Pete Gascoyne <pggrafx@wenet.net>, David Alfano <dda@wenet.net>,
        Bernard Baars <baars@cogsci.berkeley.edu>,
        Arthur Cronos <traktor@well.com>,
        "INTERNET:cttart@ucdavis.edu" <cttart@ucdavis.edu>,
        "INTERNET:Harpnhorse@aol.com" <Harpnhorse@aol.com>,
        "INTERNET:Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>,
        Eric Meece <eameece@global.california.com>, Shari <Shari@aimnet.com>,
        Stickwire <Stickwire-l@netcom.com>,
        Larry Tuttle <LSTuttle@ix.netcom.com>,
        Kyle Wohlmut <kyle@Csli.Stanford.EDU>,
        Kim Flint <kflint@annihilist.com>, Dan Drasin <Ddrasin@aol.com>,
        Dawn Atkinson <amito@infoasis.com>
Subject: Re: Indo-Funk Music at Open Secret
Message-ID: <970418075958_74164.3703_GHP33-2@CompuServe.COM>
X-UIDL: b8f7cf7a0d7b723e8232b2bf47a9cabe

On Saturday, April 26th, Teed Rockwell (Chapman Stick) and Habib Khan (Sitar,
vocals), will collaborate with Sam Sheats, Electric Bass, and Brad Van Cleave,
tabla to create a dynamic and delightful musical experience. There will also be
a special performance of Rockwell's original world music (accompanied by Sheats
and Traps drummer Peter Gascoyne of Psychotic Melodic), and a Raga performed by
Khan and Van Cleave on Sitar and Tablas.

         Rockwell began studying this year with Habib Khan, after ten years at
the Ali Akbar College of Music, and the two discovered they had a chemistry
together that made a performance inevitable. Fans of the Ali Khan Band and of
Jai Uttal will surely enjoy the Indo-Rock Dance Music they have created
especially for this concert.  

        Rockwell is the only person in the world to play Classical Indian music
on the Chapman Stick, an electric string instrument played by tapping with both
hands on a wooden fretboard. He has played with his group "Geist" in the
Festival of Harps (sm) ) at Great American Music Hall, the Yerba Buena Center,
and Grace Cathedral , and is featured on CDs distributed internationally by
Warner Bros. and Polygram. Habib Khan's family has played Sitar for many
generations, often for the noble families of India, and have contributed several
techniques to the evolution of the instrument. Since coming to America, Khan has
displayed a rare gift for tuning his tradition to American ears without
compromising its beauty and depth. In this special collaboration with Rockwell,
their different but strangely similar instruments (and Khan's haunting vocals)
dance triumphantly over Sheats' and Van Cleave's Indo-Funk  Rhythm Section. Open
Secret Book Music and World Art Gallery 923 C street San Rafael. 7:30 p.m. for
Info call 510/548 8779



From ???@??? Fri Apr 18 08:47:48 1997
>From kflint  Fri Apr 18 06:05:47 1997
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Date: 18 Apr 97 03:59:58 EDT
From: Teed Rockwell <74164.3703@CompuServe.COM>
To: Pete Gascoyne <pggrafx@wenet.net>, David Alfano <dda@wenet.net>,
        Bernard Baars <baars@cogsci.berkeley.edu>,
        Arthur Cronos <traktor@well.com>,
        "INTERNET:cttart@ucdavis.edu" <cttart@ucdavis.edu>,
        "INTERNET:Harpnhorse@aol.com" <Harpnhorse@aol.com>,
        "INTERNET:Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>,
        Eric Meece <eameece@global.california.com>, Shari <Shari@aimnet.com>,
        Stickwire <Stickwire-l@netcom.com>,
        Larry Tuttle <LSTuttle@ix.netcom.com>,
        Kyle Wohlmut <kyle@Csli.Stanford.EDU>,
        Kim Flint <kflint@annihilist.com>, Dan Drasin <Ddrasin@aol.com>,
        Dawn Atkinson <amito@infoasis.com>
Subject: Re: Indo-Funk Music at Open Secret
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On Saturday, April 26th, Teed Rockwell (Chapman Stick) and Habib Khan (Sitar,
vocals), will collaborate with Sam Sheats, Electric Bass, and Brad Van Cleave,
tabla to create a dynamic and delightful musical experience. There will also be
a special performance of Rockwell's original world music (accompanied by Sheats
and Traps drummer Peter Gascoyne of Psychotic Melodic), and a Raga performed by
Khan and Van Cleave on Sitar and Tablas.

         Rockwell began studying this year with Habib Khan, after ten years at
the Ali Akbar College of Music, and the two discovered they had a chemistry
together that made a performance inevitable. Fans of the Ali Khan Band and of
Jai Uttal will surely enjoy the Indo-Rock Dance Music they have created
especially for this concert.  

        Rockwell is the only person in the world to play Classical Indian music
on the Chapman Stick, an electric string instrument played by tapping with both
hands on a wooden fretboard. He has played with his group "Geist" in the
Festival of Harps (sm) ) at Great American Music Hall, the Yerba Buena Center,
and Grace Cathedral , and is featured on CDs distributed internationally by
Warner Bros. and Polygram. Habib Khan's family has played Sitar for many
generations, often for the noble families of India, and have contributed several
techniques to the evolution of the instrument. Since coming to America, Khan has
displayed a rare gift for tuning his tradition to American ears without
compromising its beauty and depth. In this special collaboration with Rockwell,
their different but strangely similar instruments (and Khan's haunting vocals)
dance triumphantly over Sheats' and Van Cleave's Indo-Funk  Rhythm Section. Open
Secret Book Music and World Art Gallery 923 C street San Rafael. 7:30 p.m. for
Info call 510/548 8779




From ???@??? Fri Apr 18 08:47:45 1997
>From kflint  Fri Apr 18 05:59:02 1997
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To: Loopers-Delight@annihilist.com
From: LEONARDO CAVALLO <LEO@DINONET.IT>
Subject: Re: Bill Frisell looping device
Date: Fri, 18 Apr 1997 15:01:40 +0200
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Thanks for the reply. You said:

>
>
>Ive got one of those echoplus pedals.
>
>Here's the scoop:
>
>ECHO+PLUS
>8 SEC DIGITAL DELAY/SAMPLER
>PDS 8000
>Digitech
>
>The device was part of the PDS pedal series made by Digitech in the late
>80's early 90's.  As you can guess, it is not made anymore :-(.
>
>Audio:
>Mono input, mono out
>no info about internal signal processing.
>
>Power:
>10 volt DC negative ground power supply (I use a 9v dc and it works fine)
>or
>9volt battery
>
>Functions in 3 modes:
>Normal- looping or short echoes
>Trigger- initiates a previously recorded sample (sample will loop according
>to regen. and delay time settings)
>Sample- Records the desired sample (record only-no play back in this mode)
>
>Capabilities:
>100ms(???) - 8sec delay
>or
>record a sample in sample mode and then trigger the sample in trigger mode.
>
>Repeat loop indefinately
>
>Operations and controls:
>From left to right across the top panel of the pedal-
>
>3 way delay time range switch
>toggles between the following delay ranges:
>100ms-500ms, 500ms-2sec, 2sec-8sec
>
>Delay time knob
>has a relative value of 1(least)-10(most) depending on the setting of the
>delay time range switch.
>
>Rengeration knob
>has a range of 1(least)-10(most) repeats of echo or loop.
>
>Mix knob
>allows for wet/dry mix of signal and effect
>ranges 0% effect/100% signal - 100% effect/0% signal
>
>LEDs for Effect on and Repeat on
>
>3 way toggle switch for changing mode
>Normal
>Trigger
>Sample
>
>Output level knob
>
>Input level knob
>
>mono input for signal
>
>mono input for recording sample (trigger input)
>
>mono output
>
>Bypass pedal(effect on/off)
>
>Repeat(hold)/Trigger(initiates recorded sample) pedal
>
>Price new:????
>Used: I got one for $100
>
>Sound quality:  Fine but not high quality
>
>Size: around 5" high, 6" wide and 11/2" deep
>
>Color: blue :-)
>
>I like the user interface.  It is very easy to use.  All of the features
>are right there.  No hunting through menus on a rack device display.  I
>think it is a great low end looping device.  If you are looking for cheap
>looping this would be a great buy.  Easily portable too.
>
>Sincerley,
>
>Hayden Porter
>hporter@UAkron.edu
>
>
>

>From what I've heard at the Frisell concert, he could vary the speed and the
pitch of his loops. He sapled a guitar phrase and then, tweaking the unit
knobs, he could alter the nature of the loop. After the process you could
not say that it was a guitar lick... really impressing. Hayden, do you know
if it's possible with the pedal alone or he was using some other device that
I missed?

I know that Frisell used a Jamman and some other delay unit, too. One of
these was Boss DD1 (digital delay). Any looping capabilities?

Thanks 

Ciao
Leo 



From ???@??? Sat Apr 19 01:42:34 1997
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Subject: Re: Bill Frisell looping device
Date: Fri, 18 Apr 97 13:20:05 -0000
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>I hate these
>new fangled, steenkeeng menu-driven hunk-o-crap interfaces! When will the
>manufacturers get it? Realtime, realtime, realtime! Knobs, knobs, knobs!!!

When will end-users get it?  Cost, cost, cost! 

Travis Hartnett

P.S. I'm in complete agreement with you, but I don't think this trend in 
MI design is going away.


From ???@??? Fri Apr 18 08:47:53 1997
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To: Loopers-Delight@annihilist.com
From: hporter@UAkron.Edu (Hayden Porter)
Subject: Re: Bill Frisell looping device
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Leonardo Cavallo wrote regarding Echoplus:

>>From what I've heard at the Frisell concert, he could vary the speed and the
>pitch of his loops. He sapled a guitar phrase and then, tweaking the unit
>knobs, he could alter the nature of the loop. After the process you could
>not say that it was a guitar lick... really impressing. Hayden, do you know
>if it's possible with the pedal alone or he was using some other device that
>I missed?
>
>I know that Frisell used a Jamman and some other delay unit, too. One of
>these was Boss DD1 (digital delay). Any looping capabilities?

I have heard recordings of Frisell doing this.  I am pretty sure that he is
just turning the delay time knob on the echoplus while an echo or a loop is
going.  This would speed up the echo and transpose the pitch at the same
time.

Hayden
hporter@UAkron.edu




From ???@??? Sat Apr 19 01:43:11 1997
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To: Loopers-Delight@annihilist.com
From: patrick@his.com (Patrick Smith)
Subject: Roland US 2
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On Friday 4/17/97 Eric Fischer wrote:

I need a Roland A/B switch for the 24 pin cable on the GR300 &
GR700 guitar synths. I believe the model is US-2.


Good luck Eric, my partner Steev Geest has been looking for one of these
for a year. Very hard to come by.

Patrick


 ***  ***    ** Fingerpaint http://www.his.com/~Patrick/FNGP.html  ***  **

  




From ???@??? Sat Apr 19 01:42:27 1997
>From kflint  Fri Apr 18 10:44:46 1997
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Date: Fri, 18 Apr 1997 13:37:53 -0400 (EDT)
From: Adam Levin <alevin@ari.ari.net>
To: Loopers-Delight@annihilist.com
Subject: Re: Bill Frisell looping device
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On Fri, 18 Apr 1997, LEONARDO CAVALLO wrote:

> From what I've heard at the Frisell concert, he could vary the speed and the
> pitch of his loops. He sapled a guitar phrase and then, tweaking the unit
> knobs, he could alter the nature of the loop. After the process you could
> not say that it was a guitar lick... really impressing. Hayden, do you know
> if it's possible with the pedal alone or he was using some other device that
> I missed?

By fiddling with the delay time knob you change the speed of the existing
sample/loop. 

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti



From ???@??? Sat Apr 19 01:42:13 1997
>From kflint  Fri Apr 18 10:11:15 1997
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From: efisch@artnet.net (Eric R. Fischer)
Subject: Help!
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I've Hoping maybe someone on the list can help me.
I'm looking for a couple of pieces of gear and not having much luck finding
them in LA. I need a Roland A/B switch for the 24 pin cable on the GR300 &
GR700 guitar synths. I believe the model is US-2. I'm also looking for a
couple of Steinberger guitars. The first is a GL2T equiped with the
electronics for the GR300 & GR700 guitar synths. It's the 2 humbucker w/
transtrem. The second is the strat style GM model with binding on the body
and a transtrem. Any info would be greatly appreciated!
Andre-there is another venue in LA that might be of interest. It's called
"Lumpy Gravy" on Beverly and it's kind of a Zappa tribute club run by one
of the people responsible for Duckman. They have live events every night.
Havn't been there myself but I've been told it's very cool!
Thanks all -
Eric



("huh, whu?" - Walter Cronkite in response to Stuttering John)




From ???@??? Sat Apr 19 01:42:30 1997
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From: PainPete@aol.com
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Subject: Re: Bill Frisell looping device
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I do this all the time with my Digitech RDS-8000 and RDS 1900. I hate these
new fangled, steenkeeng menu-driven hunk-o-crap interfaces! When will the
manufacturers get it? Realtime, realtime, realtime! Knobs, knobs, knobs!!!

Sorry, venting. 


In a message dated 97-04-18 13:44:40 EDT, you write:

<< Subj:        Re: Bill Frisell looping device
 Date:  97-04-18 13:44:40 EDT
 From:  alevin@ari.net (Adam Levin)
 Resent-from:   Loopers-Delight@annihilist.com
 Reply-to:      Loopers-Delight@annihilist.com
 To:    Loopers-Delight@annihilist.com
 
 On Fri, 18 Apr 1997, LEONARDO CAVALLO wrote:
 
 > From what I've heard at the Frisell concert, he could vary the speed and
the
 > pitch of his loops. He sapled a guitar phrase and then, tweaking the unit
 > knobs, he could alter the nature of the loop. After the process you could
 > not say that it was a guitar lick... really impressing. Hayden, do you
know
 > if it's possible with the pedal alone or he was using some other device
that
 > I missed?
 
 By fiddling with the delay time knob you change the speed of the existing
 sample/loop. 
 
 -Adam
  >>



From ???@??? Sat Apr 19 01:42:36 1997
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From: David Talento <legion@voicenet.com>
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Regarding the post on BF and realtime looping...

I've been using the PDS1002 two second delay pedal for years (I actually 
have two of 'em now) I also use teh RDS3600 rack mount but in a 
differebnt way (Warping with the width feature is wonderful)

Question:

Has anyone put together a list of all the Digitech pedals and rack 
machines that are realtime loopers with knobs. I've also used the Ibanez 
DM1100 and some boss pieces. These are all very affordable and some have 
up to 8 seconds which is pretty useful. Grated they aren't Jam/plexes but 
for the money and availability (plus the real time knobs) they certainly 
warrent some attention.

Anyone else use these creatures? Anyone care to comile a quick and dirty 
list of models and features?

--------
Help Wanted Productions - Bringing you the best in organic electronic and 
sweaty rock music since we started.  Http://www.voicenet.com/~legion

Available Now!: "The Feedback Machine" a new studio album 
from the Music for Isolation Tanks live lineup. Only $6.00 postpaid!




From ???@??? Sat Apr 19 01:42:43 1997
>From kflint  Fri Apr 18 12:02:58 1997
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Date: Fri, 18 Apr 97 15:01:10 -0400
From: "" <crb@silvertone.Princeton.EDU>
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To: Loopers-Delight@annihilist.com
Subject: Bill Frisell
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Bill has been using an Electro-harmonix 16 sec. delay for years which
allows him to freely detune, reverse and generally pervert his guitar
loops in concert.  This devise is a "collector's item" now and the only ones
I've found in the last few years have been > 1500.00$ !

I hope Kim and Motley and other delay hardware designers are checking out
all the interest in the ability to detune loops in performance!  The only 
devise I have that can do it is my delta lab Echotron (which is why I was 
interested in expanding the memory a few weeks ago thanks to all who replied!)

Curtis Bahn
crb@music.princeton.edu



From ???@??? Sat Apr 19 01:42:46 1997
>From kflint  Fri Apr 18 12:13:08 1997
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Date: Fri, 18 Apr 1997 14:07:04 -0500 (CDT)
From: Kim Corbet <kcorbet@post.cis.smu.edu>
Subject: Re: Bill Frisell looping device
To: Loopers-Delight@annihilist.com
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> new fangled, steenkeeng menu-driven hunk-o-crap interfaces! When will the
> manufacturers get it? Realtime, realtime, realtime! Knobs, knobs, knobs!!!

...rang, rang, rang.


From ???@??? Sat Apr 19 01:42:50 1997
>From kflint  Fri Apr 18 12:20:37 1997
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Date: Fri, 18 Apr 1997 12:23:09 -0700
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Subject: Re: Loopers-Delight-d Digest V97 #57
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At 11:53 PM 4/17/97 -0400, KemMc@aol.com wrote:
>Kevin
>Try LLB Comp. At 1-800-848-8967
>You want 30pin mac simms

30 pin PC simms work fine in the plex, too. Speeds anywhere between 70ns and
120ns should be fine. I've also used 60ns without any trouble. Prices will
vary with these different options - pick the cheapest one.

kim


>70n/s, matched pairs,same manufacturer,same lot
>Prices are cheap and the chips are good.
>kemMc@aol.com
>
>
>
_______________________________________________________
Kim Flint                       408-752-9284
VLSI Systems Engineering        kflint@chromatic.com
Chromatic Research



From ???@??? Sat Apr 19 01:43:01 1997
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From: David Talento <legion@voicenet.com>
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Subject: EH 16sec delay found (WAS Re: Bill Frisell
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On Fri, 18 Apr 1997,  wrote:

> Bill has been using an Electro-harmonix 16 sec. delay for years which
> allows him to freely detune, reverse and generally pervert his guitar
> loops in concert.  This devise is a "collector's item" now and the only ones
> I've found in the last few years have been > 1500.00$ !

FWIW Rogue Music IN NYC a good but not cheap dealer of vintage synths and 
such had an EH 16 second delay in their last mailing for $795. I have 
always used them as a bench price for the top cost any item *should* be 
as they offer warrenties and are a fully professional business. 

Not to spread rumors but I know Sovtek/EH are reissuing the microsynth 
pedal (another VINTGE! item currently selling for hundreds) and are 
considering reissuing the 16 sec delay again for the same reason.


--------
Help Wanted Productions - Bringing you the best in organic electronic and 
sweaty rock music since we started.  Http://www.voicenet.com/~legion

Available Now: "The Feedback Machine" a new studio album 
from the Music for Isolation Tanks live lineup. Only $6.00 postpaid!



From ???@??? Sat Apr 19 01:43:15 1997
>From kflint  Fri Apr 18 15:40:32 1997
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Date: Fri, 18 Apr 1997 17:37:18 -0700
From: Jim Coker <jcoker@interaccess.com>
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You might try either black box or datatek, they make all sorts
of computer switch boxes (datatek's run about $20 or serial).  They may
not have the roland connector, but you may be able to get
a switcher for some other 24-or-more-conductor-cable and
modify it yourself.  I'm not sure about the electrical
ramifications, but roland tech support may be able to help
w/ that.

jim

Patrick Smith wrote:
> 
> On Friday 4/17/97 Eric Fischer wrote:
> 
> I need a Roland A/B switch for the 24 pin cable on the GR300 &
> GR700 guitar synths. I believe the model is US-2.
> 
> Good luck Eric, my partner Steev Geest has been looking for one of these
> for a year. Very hard to come by.
> 
> Patrick
> 
>  ***  ***    ** Fingerpaint http://www.his.com/~Patrick/FNGP.html  ***  **
> 
>


From ???@??? Sat Apr 19 02:56:22 1997
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Subject: Re: Digitech pedals...
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At 2:27 PM 4/18/97, David Talento wrote:
>Regarding the post on BF and realtime looping...
>
>I've been using the PDS1002 two second delay pedal for years (I actually
>have two of 'em now) I also use teh RDS3600 rack mount but in a
>differebnt way (Warping with the width feature is wonderful)

I got into looping and delays with a pds2000. I had lots of fun with it...I
should pull it off the shelf one of these days and give it another
spin.....


>Question:
>
>Has anyone put together a list of all the Digitech pedals and rack
>machines that are realtime loopers with knobs. I've also used the Ibanez
>DM1100 and some boss pieces. These are all very affordable and some have
>up to 8 seconds which is pretty useful. Grated they aren't Jam/plexes but
>for the money and availability (plus the real time knobs) they certainly
>warrent some attention.
>
>Anyone else use these creatures? Anyone care to comile a quick and dirty
>list of models and features?


I want to put together a page for all the digitech stuff. I've collected a
couple bits so far, but I could really use some help. I don't know much
about most of those units. Any contributions are most welcome!

Oh, sorry I haven't added much to the web site in the past couple of
months. All of my free time has been sucked into another project....
Hopefully that will lighten up a bit in a couple weeks....

thanks

kim



______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com




From ???@??? Sat Apr 19 11:37:22 1997
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From: PainPete@aol.com
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There was a series of racks which were pretty much the same but for the lengh
of memory and variations on the sample/trigger function. They all had knobs
for delay time (one real-time variable knob, the range of which was
determined by four buttons), speed, width, sample-hold, mix, feedback, input
& output. They were the RDS 1900 (1.9 sec) and the rest were also named by
how much memory they had - the RDS 2100 or something, 3600 or something, and
7600 or something. Then the RDS 8000 Time Machine came out which was the same
deal with a different case and a full 8 seconds.  I may have documentation
somewhere if anyone wants to see it, though how to transmit it I'm not
sure...

By the way these are all very Frissel-like per that earlier topic...

(And there were less fancy footpedal versions minus the speed and width
controls, I think, and fewer input/output options...I had a two-second but it
died a painful feedback-soaked electronic death...)

I have the 1900 and 8000 and love them dearly. My first 1900 was stolen and
it took me years to find another - When I got one back I felt such a deep
sense of release I couldn't believe how much I'd missed it (loving gadgets is
fun but bad for you when they go out of production so fast...setting myself
up for a life of loss!)

Pete

PS - Does anyone know the resolution of the delay on those things? Is it some
random bit size and sample rate that one might not expect? I've always
wondered...


From ???@??? Sun Apr 20 03:20:40 1997
>From kflint  Sun Apr 20 02:02:09 1997
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From: SoundFNR@aol.com
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Subject: Re: Sitar-like effect, by accident
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In a message dated 17/04/97  2:33:03, you write:

>some interesting effects with a cordless drill

Interesting effects also with tuning forks,  and a gyroscope.


From ???@??? Sun Apr 20 12:47:56 1997
>From kflint  Sun Apr 20 03:56:25 1997
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>hello all..

e.coast andre' here....
>
>anyone in the nj area - my duo "Jfk's Lsd-Ufo" may be of interest to
looping guitar & synth-heads like ourselves. 

We are drums, percussion (acous. & electr.) and guitar, and we both trigger
synths and samplers (roland, casio, kawai, ensoniq. Lots of looping and
crazy rhythms. Sortof in the boredoms, ruins area if you've heard them...
from abrasion to beauty in a flash. Jungle sounds and silicon breathe
>
>here's the deal.. 
>
>Mon april 28
>
>THE SAINT 
>601 main st
>asbury park, nj
>908-775-9144
>
>10:00 pm
>
>with the mighty....BUCKETHEAD....!
>
>
>a completely unique guitarist - he's touring in support of a new release
and this is his pre-nyc stop. don't miss it, the saint is a great small room
to see shows in...
>
>Buckethead has played with Praxis, Bernie Worrell, John Zorn, Bootsy
Collins and many many more....
>
>Jfk's does improv music for percussion, drums, guitar, samples, and noise.
>
>be there>
>
>email andre@monmouth.com for directions, more info, email list, etc.
>
>thanx
>>



From ???@??? Sun Apr 20 12:47:59 1997
>From kflint  Sun Apr 20 09:29:34 1997
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Date: Sun, 20 Apr 1997 12:25:15 -0400
From: Michael Peters <MPeters@compuserve.com>
Subject: RE: Sitar-like effect, by accident
To: "'INTERNET:Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
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> some interesting effects with a cordless drill
>> Interesting effects also with tuning forks,  and a gyroscope.

ok, I can't stand back and say nothing when I read this.

Interesting effects with a small portable turkish hand-held battery driven
fan (I'm sure you can get them in the US too). Replace the wings of the fan
by short pieces of nylon or steel strings, shoestrings, or other material,
and hold it over different parts of your guitar to make very different and
interesting sounds.

I saw a member of the (highly recommendable) Fred Frith Guitar quartet
using such a device on stage, and of course I had to have one too, but I
had to wait until summer came and the turkish shops here in Cologne/Germany
had a new supply of hand-held battery fans. Oh, how weird were the sounds I
could make!! 

Also still an interesting device: the good old screwdriver. I've been using
my screwdriver for many years now. Still remember the Steve Hillage concert
(must have been the mid-seventies) and how excited I was seeing him use the
screwdriver as a bow. The good thing about this is that you can hold it
parallel to the frets to make straight chords, but also in another angle to
make real weird microinterval chords. Why not add a ringmodulator?

Next time I'll tell you about the possible misuses of the kind of walkman
which has an inbuilt loudspeaker. 

Michael Peters   
mpeters@compuserve.com
http://ourworld.compuserve.com/homepages/mpeters

HOP - Fractals in Motion ..."the only screen saver you'll ever want"
http://ourworld.compuserve.com/homepages/mpeters/hop.htm



From ???@??? Mon Apr 21 09:46:16 1997
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Date: Mon, 21 Apr 1997 11:39:23 +0200 (MET DST)
From: Olivier Malhomme <malhomme@infobiogen.fr>
To: Loopers-Delight@annihilist.com
Subject: Re: Micro synth
In-Reply-To: <E0wIdsJ-0003e2-00@ferret.slip.net>
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>>>>Not to spread rumors but I know Sovtek/EH are reissuing the microsynth
pedal (another VINTGE! item currently selling for hundreds)>>>>

I got one for free ones upon a time in a store that could not konw what to
do with it (???!!) Yes!. So I don't now what is its real street price, but
you can a hold on it.....

For those who do not know, it is a pedal (EH) with input and ouput both
mono. Then you can adjust, with faders:
Guitar level
A tone an octave lower (quite octaver like but the boss OC-2 et warmer and
more punchy to my opinion)
A square wave at the pitch of the guitar, sounding quite raw, almost like
a fuzz but... (see at "filter...)
A tone an octave above, that a sound you could mistake for a Roland
GR-300 with right FILTER setting (there an hidden message here)

The filter (AH, can't Say I did not warn you)

Analog low pass, resonating at its cutoff frequency with a faders
adjusting 1) the cutoff "in" of the filter when you play your note, then
the cutoff "out" of the note (sorry I don't know haow best say that in
plain english or american). Basically, you adjust the sensitivity of the
pedal with another fader, and the time of decay of the filter, providing
with sensitivity, those to cut-off faders and he decay, a way to have an
envelope for the filter that is even dynamic dependant. Sounds quite good,
don't you think???

Olivier Malhomme

(OOPPS!, wasn't it off topic...)



From ???@??? Mon Apr 21 10:57:58 1997
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Subject: Report on my looping show
Date: Mon, 21 Apr 97 12:42:32 -0000
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Jon Matis and I played a looping show last Thursday.  We'd persuaded one 
the local clubs to allow us to play in a side lounge area before the 
regular evening's entertainment began.  

The show went off pretty well, despite a few road-bumps along the way.  
The venue had reorganized the room since I'd last seen it, by adding in a 
small, short stage at one end of the L-shaped room.  We'd been expecting 
that we'd be playing on the floor at the other end of the "L", but time 
didn't allow for us to move the furniture out the way.  The stage was too 
small to allow both Jon and I to both be on the stage, so Jon put his 
equipment up there and sat on a stool next to the stage.  I was on the 
stage, but not too happy about it, since a stage seems to frame the event 
in terms of "look up here--this is where the action is", and I was hoping 
for more of a sound-installation sort of vibe, where people were free to 
pay attention or ignore us as need be.  There's not much to look at while 
we play, but the use of a stage implies to many people that they should 
be looking at what's going on on the stage.

We played for about an hour and a half, sort of one long continually 
evolving piece.  I've recently added a drum machine to my setup, and the 
Echoplex is set up to sync to the drum machine.  I'd bring the drum 
machine in and out during the performance, since I don't always want to 
be tied to a steady rhythm, and the patterns that I've programmed at this 
point are short and simple, and I get bored with them after a while.  
People drifted in and out during the performance, and it seemed to be 
well-received.  Another unfortunate result of our placement within the 
room was that the audience were seated quite close to us while we played. 
 That makes me uncomfortable, and several audience members I spoke to 
later said that it was also uncomfortable for them.  At times, it's sort 
of like having someone read over your shoulder.

I was fairly happy with how it all went, but I did feel a pressure to 
keep things happening.  When Jon and I play without an audience, I feel 
much more free to lay out with a very sparse groove, but the pressure of 
having an audience made me less comfortable with space.  

Travis Hartnett


From ???@??? Mon Apr 21 09:46:20 1997
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> Next time I'll tell you about the possible misuses of the kind of walkman
> which has an inbuilt loudspeaker.


This is something that I am interested in...

Trev


From ???@??? Mon Apr 21 09:46:24 1997
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Hmmm....

Is there anyone here who wouldn't want one of those little bastards? 
Maybe we should write to old Mike Matthews and give him a hard time.

Does anyone know where to get the schematics for one?  It might be
possible to build a few (many of us seem to be so inclined) if we could
get boards printed/etched/whatever.

Trevor


From ???@??? Mon Apr 21 09:46:28 1997
>From kflint  Mon Apr 21 08:21:43 1997
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From: BobbyZZZ@aol.com
Message-ID: <970421111741_-2003360832@emout04.mail.aol.com>
To: Loopers-Delight@annihilist.com
Subject: LVX NOVA on tour in July--and need help :-)
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hi all!
well, we are going to attempt a small tour in July, as we have to play at our
distribution company BMG's convention in NYC. so if any of you on the list
who live along the eastern seaboard between miami and NYC know of any good
places we should contact, please let us know...and we'd love to have some of
you play with us if possible...please contact me via email so as not to clog
the loop list, and thanks!
musically and loopily yours:
bobby devito/lvx nova
http://www.sar.usf.edu/~devito
the official LVX NOVA website


From ???@??? Tue Apr 22 00:21:12 1997
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Thanks Travis for the report on your show.  I totally empathize with small
spaces and unexpected situations.  Playing live with a lot of equipment
always seems to facilitate Murphys' law.






From ???@??? Tue Apr 22 00:21:11 1997
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From: PainPete@aol.com
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Is this the gizmo Helios Creed uses (besides Crybaby, delay and everything
else) to get that "retro-future" sound? (Helios Creed = Guitarist of
proto-industrial weirdo-rock band "Chrome", now gone solo). I saw him play
once and he had this metalic big-muff looking thing which was some sort of
quasi-guitar synth. Been wondering ever since what the heck it was.

(Not quite loop-related, but Helios Creed uses so much delay he almost counts
as a looper!)

In a message dated 97-04-21 05:41:26 EDT, you write:

<< 
 >>>>Not to spread rumors but I know Sovtek/EH are reissuing the microsynth
 pedal (another VINTGE! item currently selling for hundreds)>>>>
 
 I got one for free ones upon a time in a store that could not konw what to
 do with it (???!!) Yes!. So I don't now what is its real street price, but
 you can a hold on it.....
 
 For those who do not know, it is a pedal (EH) with input and ouput both
 mono. Then you can adjust, with faders:
 Guitar level
 A tone an octave lower (quite octaver like but the boss OC-2 et warmer and
 more punchy to my opinion)
 A square wave at the pitch of the guitar, sounding quite raw, almost like
 a fuzz but... (see at "filter...)
 A tone an octave above, that a sound you could mistake for a Roland
 GR-300 with right FILTER setting (there an hidden message here)
 
 The filter (AH, can't Say I did not warn you)
 
 Analog low pass, resonating at its cutoff frequency with a faders
 adjusting 1) the cutoff "in" of the filter when you play your note, then
 the cutoff "out" of the note (sorry I don't know haow best say that in
 plain english or american). Basically, you adjust the sensitivity of the
 pedal with another fader, and the time of decay of the filter, providing
 with sensitivity, those to cut-off faders and he decay, a way to have an
 envelope for the filter that is even dynamic dependant. Sounds quite good,
 don't you think???
 
 Olivier Malhomme
 
 (OOPPS!, wasn't it off topic...)
  >>



From ???@??? Tue Apr 22 00:21:13 1997
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Date: Mon, 21 Apr 1997 21:14:47 PST
Subject: Vortex
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Does anyone know if those mythical $150 new Vortexes are still around and
where I can get one?  

Thanks,
Jesse


From ???@??? Tue Apr 22 22:01:22 1997
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You wrote:

>Does anyone know if those mythical $150 new Vortexes are still around and
>where I can get one?
>
>Thanks,
>Jesse

Jesse, they are long gone...we think, but if you find a stash, please email
because we will provide numbers to our Swiss Bank accounts in exchange for
more Vortextual amplitude.

Best,
The Loop Doctors




From ???@??? Tue Apr 22 22:01:06 1997
>From kflint  Tue Apr 22 10:46:36 1997
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Finished programming my GC last week and I just thought I would say that
what a dramatic improvement it has made.  I am having a much easier time
getting my loops timed properly, and having control over my regeneration
in echo mode given me a whole new lease on life/looping.

I got a fairly descent deal on the GC too (found it used) and the ROM
update (you have to run 2.0 or better, I think to have it work) was
pretty cheap.  Programming it is not tricky, just a bit tedious.  The
effort is worth it though.

I heartily recommend on to anyone having trouble with the standard
pedal, and I would be willing to give my standard pedal up to anyone who
would want to pay for the shipping/cod/whatever.  I get to keep the
stereo cable, though, as it may come in handy for other things....

Trev

PS-  Is there any way to control the input gain via midi?  I doubt it,
but I would find it very useful.  My old volume pedal works out ok,
except for a bit of noise every now and then.


From ???@??? Tue Apr 22 22:01:15 1997
>From kflint  Tue Apr 22 11:33:09 1997
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From: Mark@asisoftware.com (Mark Kata)
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Ground controller with JamMan
Date: Tue, 22 Apr 1997 14:07:04 -0400
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Trev,
I have tried several times to use a continuous control pedal (a Roland volume pedal) with my Ground Control (software version 1.0) to control the volume on my Peavey ProFex (software version 1.3).

The results have always been horrible.  There's no noise, but you loose the smooth transition from minimum to maximum volume.  It abruptly steps from one MIDI volume value to the next.

I've used a volume pedal for a long, long time and feel like my guitar is missing a couple of strings when I don't use one.  If anyone knows how to eliminate this stair-step, zippering, I'd be most appreciative.

Mark Kata
Mark@asisoftware.com

----------
From:   nyfac[SMTP:nyfac2@nyfac.com]
Sent:   Tuesday, April 22, 1997 12:48 PM
To:     Loopers-Delight@annihilist.com
Subject:        Ground controller with JamMan

Finished programming my GC last week and I just thought I would say that
what a dramatic improvement it has made.  I am having a much easier time
getting my loops timed properly, and having control over my regeneration
in echo mode given me a whole new lease on life/looping.

I got a fairly descent deal on the GC too (found it used) and the ROM
update (you have to run 2.0 or better, I think to have it work) was
pretty cheap.  Programming it is not tricky, just a bit tedious.  The
effort is worth it though.

I heartily recommend on to anyone having trouble with the standard
pedal, and I would be willing to give my standard pedal up to anyone who
would want to pay for the shipping/cod/whatever.  I get to keep the
stereo cable, though, as it may come in handy for other things....

Trev

PS-  Is there any way to control the input gain via midi?  I doubt it,
but I would find it very useful.  My old volume pedal works out ok,
except for a bit of noise every now and then.





From ???@??? Tue Apr 22 22:01:21 1997
>From kflint  Tue Apr 22 12:13:31 1997
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From: jtaylor@scsn.net (Jay Taylor)
Subject: Re: Micro synth
Date: Tue, 22 Apr 1997 15:00:33 -0400
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i am trying to imagine what this sound is like. is it like the wacky
guitar-controlled sound on "goin' mobile" on the "who's next" album? does
anybody know what that gizmo that was?

At 08:40 PM 4/21/97 -0400, you wrote:
>
>Is this the gizmo Helios Creed uses (besides Crybaby, delay and everything
>else) to get that "retro-future" sound? (Helios Creed = Guitarist of
>proto-industrial weirdo-rock band "Chrome", now gone solo). I saw him play
>once and he had this metalic big-muff looking thing which was some sort of
>quasi-guitar synth. Been wondering ever since what the heck it was.
>
>(Not quite loop-related, but Helios Creed uses so much delay he almost counts
>as a looper!)
>
>In a message dated 97-04-21 05:41:26 EDT, you write:
>
><< 
> >>>>Not to spread rumors but I know Sovtek/EH are reissuing the microsynth
> pedal (another VINTGE! item currently selling for hundreds)>>>>
> 
> I got one for free ones upon a time in a store that could not konw what to
> do with it (???!!) Yes!. So I don't now what is its real street price, but
> you can a hold on it.....
> 
> For those who do not know, it is a pedal (EH) with input and ouput both
> mono. Then you can adjust, with faders:
> Guitar level
> A tone an octave lower (quite octaver like but the boss OC-2 et warmer and
> more punchy to my opinion)
> A square wave at the pitch of the guitar, sounding quite raw, almost like
> a fuzz but... (see at "filter...)
> A tone an octave above, that a sound you could mistake for a Roland
> GR-300 with right FILTER setting (there an hidden message here)
> 
> The filter (AH, can't Say I did not warn you)
> 
> Analog low pass, resonating at its cutoff frequency with a faders
> adjusting 1) the cutoff "in" of the filter when you play your note, then
> the cutoff "out" of the note (sorry I don't know haow best say that in
> plain english or american). Basically, you adjust the sensitivity of the
> pedal with another fader, and the time of decay of the filter, providing
> with sensitivity, those to cut-off faders and he decay, a way to have an
> envelope for the filter that is even dynamic dependant. Sounds quite good,
> don't you think???
> 
> Olivier Malhomme
> 
> (OOPPS!, wasn't it off topic...)
>  >>
>
>
>
Jay Taylor
Reporter
The State
Columbia, SC
(v) 803 771 8549
(f) 803 771 8430, 8480



From ???@??? Tue Apr 22 22:01:24 1997
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From: Mark@asisoftware.com (Mark Kata)
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Micro synth
Date: Tue, 22 Apr 1997 15:28:42 -0400
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Jay,
I had a chance to buy a E-H Micro Synth in the mid-'80s for $35.00 and I passed on it.

It sounds like an octave down and an octave up played through an overdrive with envelope effects that ranged from subtle to (I think) near self-oscillation--like an analog synth when the filter cutoff control is turned down and the resonance control is turned up.

I think it could do a decent job of re-creating the "Going Mobile" sound.

>From what I remember, it only sounded good with single note lines--it seemed to cut the highs a fair amount; chords sounded too mushy.

Now, since I've been through analog, digital and sampling technologies, I'd welcome the opportunity to re-evaluate the Micro Synth.

Vintage units are selling for around $350 ! ?  They're occasionally listed in Vintage Guitar's ads.

Mark Kata
Mark@asisoftware.com

----------
From:   Jay Taylor[SMTP:jtaylor@scsn.net]
Sent:   Tuesday, April 22, 1997 3:00 PM
To:     Loopers-Delight@annihilist.com
Subject:        Re: Micro synth

i am trying to imagine what this sound is like. is it like the wacky
guitar-controlled sound on "goin' mobile" on the "who's next" album? does
anybody know what that gizmo that was?

At 08:40 PM 4/21/97 -0400, you wrote:
>
>Is this the gizmo Helios Creed uses (besides Crybaby, delay and everything
>else) to get that "retro-future" sound? (Helios Creed = Guitarist of
>proto-industrial weirdo-rock band "Chrome", now gone solo). I saw him play
>once and he had this metalic big-muff looking thing which was some sort of
>quasi-guitar synth. Been wondering ever since what the heck it was.
>
>(Not quite loop-related, but Helios Creed uses so much delay he almost counts
>as a looper!)
>
>In a message dated 97-04-21 05:41:26 EDT, you write:
>
><< 
> >>>>Not to spread rumors but I know Sovtek/EH are reissuing the microsynth
> pedal (another VINTGE! item currently selling for hundreds)>>>>
> 
> I got one for free ones upon a time in a store that could not konw what to
> do with it (???!!) Yes!. So I don't now what is its real street price, but
> you can a hold on it.....
> 
> For those who do not know, it is a pedal (EH) with input and ouput both
> mono. Then you can adjust, with faders:
> Guitar level
> A tone an octave lower (quite octaver like but the boss OC-2 et warmer and
> more punchy to my opinion)
> A square wave at the pitch of the guitar, sounding quite raw, almost like
> a fuzz but... (see at "filter...)
> A tone an octave above, that a sound you could mistake for a Roland
> GR-300 with right FILTER setting (there an hidden message here)
> 
> The filter (AH, can't Say I did not warn you)
> 
> Analog low pass, resonating at its cutoff frequency with a faders
> adjusting 1) the cutoff "in" of the filter when you play your note, then
> the cutoff "out" of the note (sorry I don't know haow best say that in
> plain english or american). Basically, you adjust the sensitivity of the
> pedal with another fader, and the time of decay of the filter, providing
> with sensitivity, those to cut-off faders and he decay, a way to have an
> envelope for the filter that is even dynamic dependant. Sounds quite good,
> don't you think???
> 
> Olivier Malhomme
> 
> (OOPPS!, wasn't it off topic...)
>  >>
>
>
>
Jay Taylor
Reporter
The State
Columbia, SC
(v) 803 771 8549
(f) 803 771 8430, 8480






From ???@??? Tue Apr 22 22:01:27 1997
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Date: Tue, 22 Apr 1997 12:28:51 -0700 (PDT)
From: Stew Benedict <benedict@netcom.com>
Subject: RE: Micro synth
To: Loopers-Delight@annihilist.com
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Jeez,  I wish I'd have known there was so much interest in this old EH
stuff here.  I just sold a whole pedalboard full, that I've owned since
the 70's.  Personally, I'd take the new stuff over it anytime.  The
tracking on the microsynth was horrible, and all of the EH stuff was
pretty noisy.

Stew Benedict




From ???@??? Tue Apr 22 22:01:42 1997
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Subject: Re: Ground controller and Midi volume control (was JamMan)
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Date: Tue, 22 Apr 1997 20:34:03 EDT
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On Tue, 22 Apr 1997 14:07:04 -0400 Mark@asisoftware.com (Mark Kata)
writes:
>I have tried several times to use a continuous control pedal (a Roland 
>volume pedal) with my Ground Control (software version 1.0) to control 
>the volume on my Peavey ProFex (software version 1.3).
>The results have always been horrible.  There's no noise, but you 
>loose the smooth transition from minimum to maximum volume.  It abruptly

>steps from one MIDI volume value to the next.

Volume pedals like the Roland (actually their expression pedals too) have

a minimum "volume"  knob, which the GC hates.  It decreases the range of 
continuous controller info and contributes to the zipper effect.  I use 
Ernie Ball Volume pedals for both volume control and MIDI CC.  Though
this pedal makes for a smoother MIDI volume transition, I still run the
extra cable
to run an audio volume  pedal rather than use MIDI CC.  Optimally, I'm
looking 
for one of the old Rocktron dual VCA devices to place in my rack.  If
anyone
finds or has one please let me know.  

Kim, would you repost the address for the Boogie newsgroup/discussion
list?
Thanks. 

Regards,
Robert Williams
DERISION 


From ???@??? Tue Apr 22 22:01:46 1997
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Date: Tue, 22 Apr 1997 21:38:34 -0500
To: Amielke@juno.com, arlene@cmhpsr.upenn.edu, bwetherbee@state.de.us,
        djefferson@state.de.us, Renna & Alina <aliren@aol.com>,
        Erikar@udel.edu, labarge@udel.edu, Acstine@aol.com, baron@olywa.net,
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        Monda@aol.com, jbarnes@astro.ocis.temple.edu, Stuartb@voicenet.com,
        PAMiles@strauss.udel.edu, P.Woznicki@genie.geis.com,
        out@oddgirl.demon.co.uk, NDiMaria@aol.com, ccohen@voicenet.com,
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        BALL@music.SFSYMPHONY.ORG, David Forlano <Forlano1@aol.com>,
        Ed Schweizer <Schweizer@PSYCHPO.PSYCHNET.PSYPHARM.UPENN.EDU>,
        spfeifer@state.de.us, MJones@wlgore.com,
        Beth_Krieger@diamond.net.udel.edu
From: paulpop@ssnet.com (Paul Poplawski, Ph.D.)
Subject: GIG THIS WEEK
Cc: SRoberts@Mail.MCD.Gen.De.US, BKPanula@aol.com
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The music improvisational ensemble, "ACCIDENTS WILL HAPPEN" (AWL) will be
performing this Saturday night, April 26 @ JAM'N & JAVA, from around 8 -
11PM.  JAM'N & JAVA is an intimate coffehouse in Newark, Delaware @ 99
Newark Shopping Center ... phone number is 302/456-3031.  It is easily
accessible from I95.

For those of you who don't already know, AWL has been performing in its
current form for almost two years though some members have played together
for close to 20 years.  The players are Steve Roberts (bass), Bruce Panula
(drums) & Paul Poplawski (guitar).  The group employes various sonic and
compositional devices in hopes proliferating the space-time-sweat & silly
dimension.  You can be the judge as to our success.

Hope to see you there.  Other shows coming up in May and June with an
improvisational workshop planned for May 17 at the Arts House of the Newark
Arts Alliance.

Aliens also invited.

Paul Poplawski, Ph.D.
email = ppoplawski@state.de.us  or  paulpop@ssnet.com
phone service = 302/737-4491
weekday office = 302/577-4980




From ???@??? Wed Apr 23 09:52:17 1997
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From: c62op27@ibx.com (Victor Fiorillo)
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To: Loopers-Delight@annihilist.com
Subject: MicroSynth
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In my band, I regularly use an original microsynth to affect some of my keyboard
sounds.  The unit is a little unpredictable with these frequencies, which 
I like because it never sounds the same 2x.



From ???@??? Wed Apr 23 09:52:21 1997
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        Erikar@udel.edu, labarge@udel.edu, Acstine@aol.com, baron@olywa.net,
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        KBarnes@popmail.brynmawr.edu, MTippett@state.de.us, Loughery@ssnet.com,
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        Monda@aol.com, jbarnes@astro.ocis.temple.edu, Stuartb@voicenet.com,
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        Ed Schweizer <Schweizer@PSYCHPO.PSYCHNET.PSYPHARM.UPENN.EDU>,
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The music improvisational ensemble, "ACCIDENTS WILL HAPPEN" (AWL) will be
performing this Saturday night, April 26 @ JAM'N & JAVA, from around 8 -
11PM.  JAM'N & JAVA is an intimate coffehouse in Newark,Delaware @ 99
Newark Shopping Center ... phone number is 302/456-3031.  It is easily
accessible from I95.  If you need directions let me know.

For those of you who don't already know, AWL has been performing in its
current form for almost two years though some members have played together
for close to 20 years.  The players are Steve Roberts (bass), Bruce Panula
(drums) & Paul Poplawski (guitar).  The group employes various sonic and
compositional devices in hopes of proliferating the space-time-sweat & silly
dimension.  You can be the judge as to our success.

Hope to see you there.  Other shows coming up in May and June with an
improvisational workshop planned for May 17 at the Arts House of the Newark
Arts Alliance.

Aliens also invited.

Paul Poplawski, Ph.D.
email = ppoplawski@state.de.us  or  paulpop@ssnet.com
phone service = 302/737-4491
weekday office = 302/577-4980

°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
Paul Poplawski, Ph.D.
email = ppoplawski@state.de.us  or  paulpop@ssnet.com
phone (service) = 302/737-4491    weekday office = 302/577-4980




From ???@??? Wed Apr 23 22:56:39 1997
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Date: Wed, 23 Apr 1997 16:59:49 -0400 (EDT)
From: Dan Trueman <dan@lespaul.Princeton.EDU>
To: loopers-delight@annihilist.com
Subject: GC upgrade
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I'm wondering if somebody who has upgraded their Ground Control to V2.0 
could give me some idea of the improvements. I'm interested, but I'd 
rather not have to reprogram my whole pedal if it's not that much 
better...

Thanks!
Dan Trueman



From ???@??? Wed Apr 23 22:56:41 1997
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Dan Trueman wrote:
> 
> I'm wondering if somebody who has upgraded their Ground Control to V2.0
> could give me some idea of the improvements. I'm interested, but I'd
> rather not have to reprogram my whole pedal if it's not that much
> better...
> 
> Thanks!
> Dan Trueman

Please unsubscribe me (remove me from the subscription) list as I don't
have time to read the messages.  Thanks
Francis Leach
ba754@lafn.org



From ???@??? Thu Apr 24 09:38:33 1997
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From: Mark@asisoftware.com (Mark Kata)
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Date: Thu, 24 Apr 1997 08:14:56 -0400
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I know this is off topic, but I've learned many useful things from my fellow loopers.

I'm developing a website for a singer/songwriter and want to include brief (30 second) samples of his songs.

I used the internal recorder in my PC while playing his CD on it.  When I recorded an excerpt at "CD quality--mono" the file was 1.6MEG.  Then I tried recording it at "Radio quality--mono" and the file was 700K.

The 700K version took about 5 minutes to download from the Internet.

What should I do to reduce the size of the file and make downloading faster?

Thanks,
Mark Kata
Mark@asisoftware.com


From ???@??? Thu Apr 24 09:38:36 1997
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> What should I do to reduce the size of the file and make downloading faster?

You could run the analog outs of your CD player into your computer and
sample at a lower rate- 33KHz works pretty well for this sort of thing. 
Oh yeah, and be sure that you have clear and appropriate links to where
you can download the proper drivers... There have been about ten bands
in the Sonic Lodge in the Addicted to Noise site, but I can never get to
hearing them because they break the ten minute rule- if I chase around
for ten minutes and still can't get it to work, I look for something
else to do.

It's a shame in a way though... I would have liked to hear clips from
that new Wayne Kramer record.


Trev


From ???@??? Thu Apr 24 19:59:58 1997
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Mark Kata wrote:
> I'm developing a website for a singer/songwriter and want to include brief (30 second) samples of his songs.
> 
> I used the internal recorder in my PC while playing his CD on it.  When I recorded an excerpt at "CD quality--mono" the file was 1.6MEG.  Then I tried recording it at "Radio quality--mono" and the file was 700K.
> The 700K version took about 5 minutes to download from the Internet.
> What should I do to reduce the size of the file and make downloading faster?

  There is a software technology called self-extracting files. These
files contain a very small decompression engine and compressed data. The
relatively small file is downloaded and then executed. The decompression
engine does it's magic and expands the file to it's natural state. The
file can then be played. The beauty is the person getting the file needs
no special software to expand the file.
  On your end, you need the utility to create the self-extracting file;
it will compress your sound file and insert the decompression engine.
  I have used this technology to move large graphic files between
computers on floppy disk. I don't recall any specific vendor names, but
you can probably find them easily by searching the net or calling a PC
store. I was using Macintoshes, but surely this technology exists for
PCs.

Motley


From ???@??? Thu Apr 24 20:00:14 1997
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From: "Stephen P. Goodman" <sgoodman@primenet.com>
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Subject: Re: Soundbytes on a Website
Date: Thu, 24 Apr 1997 11:48:32 -0700
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> I'm developing a website for a singer/songwriter and want to include
brief (30 second) samples of his songs.
> 
> I used the internal recorder in my PC while playing his CD on it.  When I
recorded an excerpt at "CD quality--mono" the file was 1.6MEG.  Then I
tried recording it at "Radio quality--mono" and the file was 700K.
> 
> The 700K version took about 5 minutes to download from the Internet.
> 
> What should I do to reduce the size of the file and make downloading
faster?

First off I recommend using other than the Sound Recorder or Media Player
to record the pieces.  If your sound card didn't come with a recorder that
lets you control the quality level of the sound file, go get ahold of Cool
Edit, at http://www.syntrillium.com - I use it to record my pieces directly
to hard disk, and it does a great job of clean-up if you need to do that
too.  The major strength is of course that you can specify 44.1KHz, 16-bit
Stereo for the file output.

Secondly, the resultant 5-minute .WAV file will be prohibitively huge
anyway - so go to http://www.realaudio.com and get a copy of the 3.0
encoder for RealAudio, which, amongst others, accepts .WAV files as source
material for encoding into a .RA or .RAM file.  The RA file will be greatly
reduced in size but not in quality...!  For an example of this, go to my
EarthLight Studios at http://www.primenet.com/~sgoodman/Studios and note
the size of the two RealAudio files I've got there for
downloading/listening.  The original WAV files were in the neighborhood of
54MB each!  The encoded RA files are about 600KB.  This is well within the
limitations as far as size and speed of downloading is concerned.  And, if
your ISP supports streaming audio using RealAudio (like mine doesn't!), the
people clicking on the links to your files will hear it playing almost
immediately.

Hope this helps.  Any other questions, let me know!

Stephen.

* Stephen Goodman            It's the Loop Of The Week!  And it's free!
* EarthLight Productions      http://www.primenet.com/~sgoodman/Studios


From ???@??? Thu Apr 24 20:00:18 1997
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Subject: Re: Soundbytes on a Website
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Mark wrote:

>I know this is off topic, but I've learned many useful things from my
>fellow loopers.
>
>I'm developing a website for a singer/songwriter and want to include brief
>(30 second) samples of his songs.
>The 700K version took about 5 minutes to download from the Internet.
>
>What should I do to reduce the size of the file and make downloading faster?
>
>Thanks,
>Mark Kata
>Mark@asisoftware.com

Hi Mark,

I think Stephen's suggestion about using realaudio is about the best you
can do to reduce audio file sizes.  In addition, there are some other
things you can do to get the file size down.  By reducing the bit depth and
the sampling rate you decrease the amount of info in the audio file (and
also the quality).  You might try different combinations of sample rates
and bit depths.  22khz at 8bit wont sound great but it might be an
acceptible compromise for file size.  Also by creating mono files instead
of stereo you can decrease the file size.

When you put the excerpt up on the page it would be a good idea to have the
real audio file and a .wav file.  This way you are covered incase someone
comes along and wants to hear your excerpt but doesnt have the RA plug-in.
You should include a link to real audio so people can get the plug-in if
they want it.

One more thing, trying to compress an audio file with stuffit or compact
pro or some other compression software wont help.  Audio files wont
compress.

later,

Hayden Porter
hporter@uakron.edu




From ???@??? Thu Apr 24 20:00:20 1997
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From: hporter@UAkron.Edu (Hayden Porter)
Subject: looped music and the Web
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Hi all,

Since the topic of sound on the web has come up I would like to discuss the
web and looped music.

Looping sounds solves download problems on the web:
As many of you know long playing sound files can take a loonnnggg time to
download and be heard.  One solution is to take a shorter sound or midi
file and make it loop several times or infinitely.  This way you have
shorter downloads and longer playing music.  In creating a sound file for
this purpose one has to take the compositional issues of repetition and
loops into consideration.  Personally I havent experienced many interesting
applications of looped music on the web, but I wonder if that is because
the people making these loops aren't "loopers" like us.

Making looped music on the web interesting:
I think it would be difficult to make a single short duration audio file,
that loops over and over, sound interesting.  There are other options
though.

Most of the web sound players allow for playing of several looped sound
files at the same time.  This allows for all the possibilities inherent in
layering loops or multi tracking loops.  By playing loops of different
lengths one can create phasing and polyrhythmic effects that add variety
and change to the composition over a long period of time.  Also with a
minimal amount of work one can encorporate interactive features like giving
the user control over muting, start/stop and mixing of multiple looped
sound files.
I am sure there are many other techniques and possibilities than just these.
(If you have any other ideas please contribute.)

I have yet to try these things but I believe the web is possibly a new
"venue" for experimenting with looped compositions.   The web can provide a
different and potentially much larger audience than most loopers perform
for.

Unfortunately, I havent had time to experiment with looping in this medium
yet.  I plan do some in about 4 weeks, when I am out of school.

I would love to hear from any of you regarding this topic.  If you have
visited sites that make effective use of looping then please send them
along.  If you have tried looped music for the web please share your
experiences.

I look forward to your replies.

Sincerely,

Hayden Porter
hporter@uakron.edu




From ???@??? Thu Apr 24 20:00:22 1997
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From: SoundFNR@aol.com
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To: Loopers-Delight@annihilist.com
Subject: JamMania
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A new JamMan trick :
Start a loop synched to a drum machine (or sequencer),with the
drum machine as send and JamMan receiving..
You don't need to hear the drum machine if you don't want.
Now vary the tempo of the drum machine.
With faster tempo you get a shorter loop, it jumps back to the start before
the end.
....But when you slow the tempo again, the hidden part returns ( it  survives
"replace" ).

With slower tempo a fraction of the loop is repeated at the end of a whole
loop.
If, after going into "layer", you can send a midi program change to  start a
fade
you are left with a sort of disjointed echo to play with.

These effects aren't click-free, but are certainly worth the cost of a
midi-lead.

I used a Yamaha MU10 with a pc running Cubasis. I found that the
midi-program-change 
No. needed to be one less than that shown in the JamMan manual.

 Andy Butler


From ???@??? Thu Apr 24 20:00:24 1997
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Subject: Re: looped music and the Web
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Hey Hayden!

>Making looped music on the web interesting:
>I think it would be difficult to make a single short duration audio file,
>that loops over and over, sound interesting.  There are other options
>though.

There's Phil Miller and I doing a 9 beat sample loop experiment on the
frameset at

< http://musart.co.uk/fram/samfram.htm >

There are a couple of looping samples on this page.....
Is this what you mean....?

>From before O_O

MUSIC CLIPS ON THE WEB
We're going to go for MPEGS.... Mainly because the studio ISDN lines use
MPEG layer 2 for inter-studio streaming.... Kinda seems neat......

P&L>M

°°°   MARK HEWINS  °°°
     < http://www.musart.co.uk/hewins.htm > (/markcv1.htm)
        (try the new CHORD PICKER)
                         < http://www.musart.co.uk/script/chords.htm >
                                  °°°                                °°°
      OR
MUSART - THE CANTERBURY SCENE MUSICIANS
                http://musart.co.uk/   (www)
        350+webpages - 14,000+ hits a week
*********************************************
               Subscribe to "What's Rattlin'" the weekly
  CANTERBURY MUSIC ON-LINE NEWSLETTER
*****************           just email          ***********
    bigbang@mail.alpes-net.fr (with the message-subscribe)
*************                                ************
               WHAT'S RATTLIN' ? BACK ISSUES 
                - ONLINE ARCHIVE (MUSART)
                 http://www.musart.co.uk/watrat/watrat.htm
                      NEW!! MUSART SOUND SERVER
                http://www.musart.co.uk/fram/samfram.htm
**********************************************
FACELIFT; THE CANTERBURY SCENE-AND BEYOND
                    http://www.musart.co.uk/face1.htm



From ???@??? Thu Apr 24 20:00:54 1997
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Date: Thu, 24 Apr 1997 15:04:12 -0800
From: fred marshall <fred@fredmarshall.com>
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Mark Kata wrote:
> 
> I know this is off topic, but I've learned many useful things from my fellow loopers.
> 
> I'm developing a website for a singer/songwriter and want to include brief (30 second) samples of his songs.
> 
> I used the internal recorder in my PC while playing his CD on it.  When I recorded an excerpt at "CD quality--mono" the file was 1.6MEG.  Then I tried recording it at "Radio quality--mono" and the file was 700K.
> 
> The 700K version took about 5 minutes to download from the Internet.
> 
> What should I do to reduce the size of the file and make downloading faster?
> 
> Thanks,
> Mark Kata
> Mark@asisoftware.com
==========================================

- yo!

- sounds like you're ready for Shockwave Streaming Audio! (from
Macromedia)

- you can hear my band, Marshall Arts, using Shockwave Streaming Audio
(a six and a half minute complete selection from our c.d. that loads and
starts playing in under 10 seconds).  

             http://www.fredmarshall.com/

- millions (seriously) of people have downloaded the software to hear
this (free), and  hundreds of thousands of sites are "Shocked", so it
seems to be the developing "standard".

- for information go to the macromedia.com site, and for unusual and
original requirements you might try      buzz@macromedia.com    (he's
the backstage brains behind this miracle). 

mmmmmmm


From ???@??? Thu Apr 24 20:00:40 1997
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From: "Stephen P. Goodman" <sgoodman@primenet.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: looped music and the Web
Date: Thu, 24 Apr 1997 16:06:04 -0700
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> In creating a sound file for
> this purpose one has to take the compositional issues of repetition and
> loops into consideration.  Personally I havent experienced many
interesting
> applications of looped music on the web, but I wonder if that is because
> the people making these loops aren't "loopers" like us.

The reason one doesn't see any looped material is that browsers don't
really 'loop'.  The main problem with utilizing the inboard feature of
LOOP=TRUE in an audio href is that, due to the use of MCI controls in the
browsers that run on PCs, the 'loop' is actually a REPEAT.  There's an
unacceptable gap of about 1/5 to 1/2 second between the end and restart of
the piece.  I've tried this and it just doesn't work yet.  As a result I
got a good friend of mine to write me an encapsulation routine that
correctly plays my Loop Of The Week in downloadable .EXE format; and, to
prevent the .WAV file I've got from attempting to just play one iteration,
I had to put it in .ZIP format so people could download it without me
having to tell people to Right-Click and choose Save Target As... over and
over, which is a loop I don't want to perform! :)

> Making looped music on the web interesting:
> I think it would be difficult to make a single short duration audio file,
> that loops over and over, sound interesting.  There are other options
> though.

I don't like to appear to 'dis' anyone but I've been producing relatively
short (3-7 seconds) loops for downloading off my web page at
http://www.primenet.com/~sgoodman/Studios now for over a year.  It's
self-executing of course, but I like to think that the folks who keep
coming back to download it each week find it a little interesting at least.
:)

> Most of the web sound players allow for playing of several looped sound
> files at the same time.  This allows for all the possibilities inherent
in
> layering loops or multi tracking loops.  By playing loops of different
> lengths one can create phasing and polyrhythmic effects that add variety
> and change to the composition over a long period of time.

I've only been able to find one Java routine out there that does the above,
and no proprietary formats that support correct looping to my knowledge. 
As is, Java only supports playing Sun format .AU files, and only 8KHz mono
files at that - though it produces a nice layering effect as described
above.  I just wish it was higher quality, but perhaps this shall occur in
the future.

* Stephen Goodman            It's the Loop Of The Week!  And it's free!
* EarthLight Productions      http://www.primenet.com/~sgoodman/Studios


From ???@??? Thu Apr 24 20:00:44 1997
>From kflint  Thu Apr 24 17:35:11 1997
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Message-ID: <335FF569.1169@fredmarshall.com>
Date: Thu, 24 Apr 1997 16:06:09 -0800
From: fred marshall <fred@fredmarshall.com>
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Mark wrote:

> What should I do to reduce the size of the file and make downloading faster?
> 
> Thanks,
> Mark Kata
> Mark@asisoftware.com
===================================
&fm suggested:

- yo!

- sounds like you're ready for Shockwave Streaming Audio! (from
Macromedia)

- you can hear my band, Marshall Arts, using Shockwave Streaming Audio
(a six and a half minute complete selection from our c.d. that loads and
starts playing in under 10 seconds).  

             http://www.fredmarshall.com/

- millions (seriously) of people have downloaded the software to hear
this (free), and  hundreds of thousands of sites are "Shocked", so it
seems to be the developing "standard".

- for information go to the macromedia.com site, and for unusual and
original requirements you might try      buzz@macromedia.com    (he's
the backstage brains behind this miracle). 

mmmmmmm

&buzz added:
===============================================

Subject: 
                Re: [Re: Soundbytes on a Website]
      Date: 
                Thu, 24 Apr 1997 15:20:12 -0700
     From: 
                buzz@macromedia.com (Buzz Kettles)
          To: 
                fred@fredmarshall.com

please send them your first letter with this addendum -

Just a note about the delivery of sound streams over the Internet

MPEG2 is good, BUT
Shockwave Audio features MPEG layer 3 encoding,
(for optimum streaming quality vs connect speed)
Over an ISDN, it's real close to CD quality.

& We have even done LIVE streaming of a George Clinton concert (last
November).

& since Shockwave for Director is the actual serving mechanism,
you can make your player/controller look like anything you can dream up
!

-Buzz
==========================================


From ???@??? Thu Apr 24 20:00:45 1997
>From kflint  Thu Apr 24 17:42:28 1997
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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: looped music and the Web
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At 04:06 PM 4/24/97 -0700, you wrote:

>The reason one doesn't see any looped material is that browsers don't
>really 'loop'.  The main problem with utilizing the inboard feature of

Check out the Beatnik plugin from Headspace. (www.headspace.com) It's a
ridiculously cool audio widget that should be a must-have for everyone. It
handles looping just fine, even allowing multiple files and midi to play at
once. It also handles interactive audio very well. I went to several
demonstration sites that essentially let you compose/arrange on the fly.

For those that don't know, Headspace was founded by Thomas Dolby. (the
blinded me with science guy). A friend and former coworker of mine is VP of
engineering there, and since he has a pair of echoplexes in his guitar rack,
that might explain the solid looping functionality in Beatnik.

kim
_______________________________________________________
Kim Flint                       408-752-9284
VLSI Systems Engineering        kflint@chromatic.com
Chromatic Research



From ???@??? Thu Apr 24 20:00:48 1997
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From: Kevin Simonson <simonson@uis.edu>
Message-Id: <199704250107.AA210090422@eagle.uis.edu>
Subject: looped...web  Thanks!
To: Loopers-Delight@annihilist.com
Date: Thu, 24 Apr 1997 20:07:02 -0600 (CDT)
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'just wanted to say thanks for everyone's contributions with this current
discussion thread.  I have yet to encounter another group with more
creativity, tolerance for diversity, grace, intelligence, and general 
willingness to go beyond Fripp...;)

Token Gear List:
Juno-60
GR-505
GR-300
Jamman
some EH stuff
E-Bow

-- 
Kevin Simonson                      * AS/400 Application Development Team
University of Illinois-Springfield  * Programmer / Analyst
Computer Science, et al.            * Norwest Mortgage, Inc.
simonson@eagle.uis.edu              * Springfield, IL

                             1
amount of tv I watch =     ------
                         # of programs
                        involving benevolent,
                        anthropomorphic angels
 


From ???@??? Fri Apr 25 09:00:05 1997
>From kflint  Fri Apr 25 08:52:07 1997
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From: miguel.barella@poyry.com.br
Date: Fri, 25 Apr 97 12:39:50 TZ3
Message-Id: <9703258619.AA861997246@jpccmail.poyry.com.br>
To: loopers-delight@annihilist.com
Cc: ghogan@lexicon.com
Subject: JamMan & MIDI sysnc
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     Hello,
     
     I am facing the following problem with JamMan, that maybe somebody 
     already solved and can give me some help.
     
     An SMPTE track (from an ADAT) drives a PC with Cakewalk that sends 
     MIDI clock to JamMan. Fine, JamMan syncs properly!
     
     The problem is that in the beginning of every bar and/or loop JamMan 
     introduces an audible perturbation on the sound. The silly solution I 
     found is not to play in this spot but this keeps me away from 
     continuos sounds and many other things.
     
     This does not happen when Jam Man is used alone or driving the 
     computer or any other box.
     
     Any clues on how to solve this?
     
     Miguel
     
     



From ???@??? Fri Apr 25 08:59:51 1997
>From kflint  Fri Apr 25 06:03:29 1997
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Date: Fri, 25 Apr 1997 08:58:29 -0400 (EDT)
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From: andre <andre@monmouth.com>
Subject: roland ms-1 sampler
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hey loopers

Anyone interested in a Roland MS-1 phrase sampler?? A neat little digital
sampler/ loop device - it allows sampling up to 44.1 kHz - and with an added
memory card (special pcm-cia cards) a max of 50 mins sampling is available -
It's got 8 pads on the front so you can trigger the samples directly or from
a keyb, gtr, drum pad, etc. 

sounds can be set up as single trigger or loops , and you can record
sequences. Included - 500 sound sampling CD. This unit is from last year,
but i see it out there for $399-479

This one is brand new, in the box with all papers, etc. - used at one gig. 

$250 C.O.D Ups, RPS, FEDex or whatever

email me direct

andre'



From ???@??? Fri Apr 25 08:59:59 1997
>From kflint  Fri Apr 25 07:13:03 1997
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Date: Fri, 25 Apr 1997 10:09:50 -0400 (EDT)
From: RA336@aol.com
Message-ID: <970425100948_-767523760@emout02.mail.aol.com>
To: Loopers-Delight@annihilist.com
Subject: where's Collier?...
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non-loop related posting here, but I was wondering if anyone could mail in
Collier Hyams email address which I have lost...
Many thanks in advance or:
Collier if you read this get in touch quick okay?
best,
Robby Aceto


From ???@??? Sat Apr 26 02:08:56 1997
>From kflint  Fri Apr 25 12:18:48 1997
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From: SoundFNR@aol.com
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To: Loopers-Delight@annihilist.com
Subject: Re: JamMan modifications
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In a message dated 07/04/97  12:43:45, you write:

>
>Bob Sellon
>Lexicon/Stec
>
> ----------
>From:  SoundFNR[SMTP:SoundFNR@aol.com]
>Sent:  Friday, April 04, 1997 6:27 PM
>To:  bsellon
>Subject:  JamMan modifications
>
>Bob
>    Yes I'm interested in an upgrade for the Jamman as mentioned in   
>Loopers'
>Delight.
>What would really make me happy would be the ability to make multiple   
>loops
>of different lenghs. I try to make multiple loops without a drum machine
>synched (I
>haven't got one because I don't like them) and find that the timing error
>adds up with
>each loop.
>     Would this be a plug in mod?
>     Also stereo looping, but especially multiple loops of related (or
>arbitrary) lengh all
>playing together .
>                              thanks        Andy Butler
>
>




From ???@??? Sat Apr 26 02:08:53 1997
>From kflint  Fri Apr 25 11:42:25 1997
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From: SoundFNR@aol.com
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To: Loopers-Delight@annihilist.com
Subject: Re: looped music and the Web
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In a message dated 24/04/97  8:55:31, you write:

>Hi all,
>
>Since the topic of sound on the web has come up I would like to discuss the
>web and looped music.
>
>Looping sounds solves download problems on the web:
>As many of you know long playing sound files can take a loonnnggg time to
>download and be heard.  One solution is to take a shorter sound or midi
>file and make it loop several times or infinitely.  This way you have
>shorter downloads and longer playing music.  In creating a sound file for
>this purpose one has to take the compositional issues of repetition and
>loops into consideration.  Personally I havent experienced many interesting
>applications of looped music on the web, but I wonder if that is because
>the people making these loops aren't "loopers" like us.

As it happen's, I have a number of midi files which could easily class as
loop related.
Techniques like copying parts from one instrument to another, reversing
sections,
adding a transposition with a time displacement.
 Find them on my site at
    
                           http://aol.members.com/soundfnr/ab.htm

Andy Butler
     
         Midi files are quick to download, and can compress easily to about a
third.


From ???@??? Sat Apr 26 02:09:42 1997
>From kflint  Fri Apr 25 15:29:32 1997
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From: SoundFNR@aol.com
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To: Loopers-Delight@annihilist.com
Subject: Re: JamMan & MIDI sysnc
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In a message dated 25/04/97  3:51:07, you write:

>  An SMPTE track (from an ADAT) drives a PC with Cakewalk that sends 
>     MIDI clock to JamMan. Fine, JamMan syncs properly!
>     
>     The problem is that in the beginning of every bar and/or loop JamMan 
>     introduces an audible perturbation on the sound. The silly solution I 
>     found is not to play in this spot but this keeps me away from 
>     continuos sounds and many other things.
>     
>     This does not happen when Jam Man is used alone or driving the 
>     computer or any other box.

Me too, I get the same from a similar setup (but without the DAT).
If you fire up cakewalk and choose Midi Devices from Settings menu you'll see
why.
Notice that the resolution suggested for Custom settings is 1 millisecond.
The JamMan records signal up to 15kHz, so the glitch comes when the ends of
the loop don't meet properly. For some reason I couldn't get Cakewalk to
even, accept the custom settings mode. I can click the button, it changes,
but it won't do anything; if
I OK then look again it's still on the same setting.
It might work for you however (I only have a 486).
The resolution would ideally be .01 milliseconds, maybe less. As the highest
continuous tone your guitar (if thats what you use) puts out at significant
volume is 2kHz you might get away with .05 milliseconds.
Basically Midi-sync isn't very good, daisy chains of Midi gear produce enough
delay for errors in rhythmic timing, so I think maybe we aren't going to get
a solution.
 Nevertheless there's alot of people out there who know a lot more about this
than me,

 let us know if you get it solved.
                                                           Andy Butler.


  


From ???@??? Sat Apr 26 02:09:43 1997
>From kflint  Fri Apr 25 16:46:30 1997
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Date: Fri, 25 Apr 1997 19:39:33 -0400 (EDT)
From: PMimlitsch@aol.com
Message-ID: <970425193928_-1969327860@emout17.mail.aol.com>
To: Loopers-Delight@annihilist.com
Subject: Official Gig Announcement
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Star's End Gathering XI on Friday, May 2nd, 1997, will feature live
electronic space music by Pure Gamma. Opening for Pure Gamma will be
Chapman Stick player Paul Mimlitsch. Sponsored by the 21-year-old radio
program, Star's End, the concert will be held from 8:00pm-11:00pm in
Houston Hall, 3417 Spruce Street on the University of Penn campus in West
Philadelphia. Tickets, at the door: $10, WXPN members and students free.
For more information, call 1-800-565-WXPN.

                Also:

Notes About the Star's End broadcast of 04.27.97
..............................................................................
..

Concert Preview: The music of Pure Gamma and Paul Mimlitsch will be
featured on Star's End this week. We'll be hearing excerpts from the
forthcoming Pure Gamma CD and also from their live performance at Star's
End Gathering VI last September. From Paul Mimlitsch, we'll hear a live
improv tape made especially for Star's End.

"Star's End" can be heard every Saturday night/Sunday morning from 1am-6am
on:

                88.5fm WXPN Philadelphia, PA
                88.1fm WXPH Harrisburg, PA
                90.5fm Worton/Baltimore, MD
                104.9fm Allentown, PA


From ???@??? Sat Apr 26 12:36:28 1997
>From kflint  Sat Apr 26 07:09:19 1997
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Date: Sat, 26 Apr 1997 10:05:39 -0400 (EDT)
From: Yonni Harif <jharif@emerald.tufts.edu>
To: Loopers-Delight@annihilist.com
Subject: Re: JamMan & MIDI sysnc
In-Reply-To: <9703258619.AA861997246@jpccmail.poyry.com.br>
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Pardon my ignorance, but this has been bothering me for quite sometime as
I read all the messages on the list, what exactly is
"Cakewalk"?..unfortunately the name itself does not elucidate its
meaning.. I hope ...

thanx a bunch,

--yonni
        jharif@emerald.tufts.edu



From ???@??? Sun Apr 27 11:48:28 1997
>From kflint  Sun Apr 27 10:21:58 1997
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From: andre <andre@monmouth.com>
Subject: Live Loops Monday nite..
Cc: metalfunk@aol.com, lolorec@aol.com, sspnj@exit109.com,
        norbrook@imap2.asu.edu, gregorr@tcg.com, mudshark2@juno.com,
        todd.mizenko@ariel.com, rich@con2.com, danielle@ncc.net,
        otherroad@aol.com, slepian@eclipse.net, dwinsor@nola.srrc.usda.gov,
        jkertesz@monmouth.com, JillFlex@aol.com, burger@biology.rutgers.edu,
        tiby@opus1.com, aroolaart@monmouth.com, inajesse@aol.com,
        dariel@juno.com, jtricci@exit109.com, jws@cbsnews.com,
        abacus@hudsonet.com, colchol@toj.com, mstorer@hardees.rutgers.edu,
        dcuthber@ix.netcom.com, lillian@infinity.com, MCraghan@rci.Rutgers.EDU,
        lcholmon@dc.rtkl.com, kkaragan@ifu.net, eclark@monmouth.com,
        aroolaart@monmouth.com, hubcity@exit109.com, dmb5561719@aol.com,
        eliotk@eden.rutgers.edu, loved1s@aol.com, dja@pacifier.com,
        annie@hitthis.com, relief@igc.org, dja@pacifier.com,
        mfrankel@monmouth.com, tps11@ix.netcom.com, andrewgreg@aol.com,
        farcus@injersey.com, pizzaqual@aol.com, recycler@eclipse.net,
        bendsmind@aol.com, dave_ross@mindspring.com, sdcurtin@lucent.com,
        lilweb@aol.com, jkennedygran@wesleyan.edu, paul@con2.com,
        rich@con2.com, papadato@bioresource.rutgers.edu, dbears99@aol.com,
        bengtl@bellatlantic.net, annie@hitthis.com, richard@rella.com,
        diziak@aol.com, sdm@frontier.wilpaterson.edu, todd.mizenko@ariel.com,
        jester@aol.com, NKD452@aol.com, trevska@aol.com, esdunn@earthlink.net,
        yoshka1@aol.com, lchigi@ix.netcom.com, wenchla@aol.com,
        murcury@hotmail.com, dflync01@homer.louisville.edu,
        73503.1074@compuserve.com, fthecops@aol.com, seanm@monmouth.com,
        nancyjay@msn.com, skinbone@eden.rutgers.edu, nclem76469@msn.com,
        lauren@ven.net, phydoux3@aol.com, rifraffinf@aol.com,
        hotrats@pop.delphi.com, dwinsor@nola.srrc.usda.gov,
        danielg@hopper.unh.edu, mdaniele@monmouth.com, pokechop@bellsouth.net,
        Gary_Titone.DDI.BMG__ENTERTAINMENT@bmgmusic.com, perverse@aol.com,
        jkiebon@idt.net, mattm2@ziplink.net, explora@nettuno.it,
        pocius@bigfoot.com, s.trischetta@worldnet.att.net
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Resent-Date: Sun, 27 Apr 1997 10:21:57 -0700
X-UIDL: 794da4c923f300493b4b65281f34500a

hello all

welcome to the latest impersonal, yet efficient shipment of last minute
e-info on a gig - hope all is well - and some of you may have gotten on my
e-list thru coming to see {hidden agenda} or {project-object SEGMENT} - a
zappa tribute band..

Anyone in the nj area ? - stop over to the SAINT this monday night...

we'll be presenting our sonic assault - percussion, synths, samplers and
guitar - 100% live - JFK'S LSD-UFO - is what we call it. Sort of like "drums
and space meets bad brains at a henry kaiser acid test..."

Upon hearing our demo tape, The Knitting Factory said:

"Too weird for us...."


And then of course to top the night off - it's ...

BUCKETHEAD !!!

he's touring in support of a new release and this is his pre-nyc stop. don't
miss it, THE SAINT is a great small room to see shows in...

Buckethead has played with Praxis, Bernie Worrell, John Zorn, Jonas Hellborg
(ex-mahavishnu), Bootsy Collins and many many more.... he's a cult figure in
Japan and has several releases to his name that you should really check out.

If you've never seen him - he performs and is ALWAYS seen in a hockey mask
and a KFC bucket on his head... very strange man. he does sort of an
over-the-top hardcore techno spacejazz thing..(??!?@##!??)

MONDAY APRIL 28

THE SAINT 
601 main st
asbury park, nj
908-775-9144

jfk's lsd-ufo 10:00 pm

buckethead 11:00 pm

18 and older, 21 to drink



AND ONLY $6.00 !!! 

...with GREAT BEERS ON TAP !! 

...it's real NEAR THE TRAIN STATION !!! 

...there's TONS OF FREE PARKING !!! DON'T FORGET TO FLOSS !!!!


peace, Andre'

more info andre@monmouth.com or 908-747-6448 10am-9pm



From ???@??? Sun Apr 27 11:48:34 1997
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Date: Sun, 27 Apr 1997 14:13:13 -0400 (EDT)
From: BobbyZZZ@aol.com
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Subject: Re: Live Loops Monday nite..
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damn, wish i could be there....i was born in long branch, at monmouth
memorial hospital....used to live on atlantic ave...good luck with the show
:-)
bobby d/lvx nova


From ???@??? Mon Apr 28 01:46:05 1997
>From kflint  Sun Apr 27 23:39:54 1997
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thanx bro - you'll be there in spirit, no doubt... we play in longbranch a
lot, too..


peace/music, andre'


At 02:13 PM 4/27/97 -0400, you wrote:
>damn, wish i could be there....i was born in long branch, at monmouth
>memorial hospital....used to live on atlantic ave...good luck with the show
>:-)
>bobby d/lvx nova
>
>
>



From ???@??? Mon Apr 28 01:46:06 1997
>From kflint  Mon Apr 28 00:04:27 1997
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Date: Mon, 28 Apr 1997 03:04:53 -0400
From: Future Perfect <" artmusic"@gte.net>
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andre wrote:
> 
> thanx bro - you'll be there in spirit, no doubt... we play in longbranch a
> lot, too..
> 
> peace/music, andre'
> 
> At 02:13 PM 4/27/97 -0400, you wrote:
> >damn, wish i could be there....i was born in long branch, at monmouth
> >memorial hospital....used to live on atlantic ave...good luck with the show
> >:-)
> >bobby d/lvx nova
 Ah, Andre..we are making our trek up there in early June (I'll post
dates when it gets closer..for those that just can't bring themselves to
wait, check out our web page below).....are ya playing anywhere from
June 1-6??
By the way Bobby...I grew up in Monmouth County (Manalapan, Englishtown,
Freehold area)...small world, ain't it?? How did we end up in
Florida???? Arg!

Dave
-- 
********************************************************************* 
'Future Perfect' - progressive art music - visit our website at:
http://www.geocities.com/SoHo/Lofts/8082 
'Music is a mirror of who we are.' - Robert Fripp


From ???@??? Mon Apr 28 01:46:07 1997
>From kflint  Mon Apr 28 00:22:26 1997
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Date: Mon, 28 Apr 1997 03:18:36 -0400
From: Michael Peters <MPeters@compuserve.com>
Subject: music places in SF?
To: "'INTERNET:Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
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Vacation time. In 2 weeks, I'll be leaving rainy Germany to get fried in
the American southwest (May) and hang out in San Francisco (1st week of
June). I'd appreciate recommendations for (music related and other) places
to go, especially cool music hardware shops in SF, and those obscure record
shops where I can find unusual music. Also, if anyone of you will be doing
concerts at this time, maybe I could make it there.

Michael Peters   
http://ourworld.compuserve.com/homepages/mpeters

HOP - Fractals in Motion ..."the only screen saver you'll ever want"
http://ourworld.compuserve.com/homepages/mpeters/hop.htm

Support the Warr Guitar Defense Fund
http://home.earthlink.net/~greendog/warrfund.html



From ???@??? Mon Apr 28 09:01:16 1997
>From kflint  Mon Apr 28 05:28:49 1997
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From: miguel.barella@poyry.com.br
Date: Mon, 28 Apr 97 09:25:38 TZ3
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To: Loopers-Delight@annihilist.com
Subject: Re[2]: JamMan & MIDI sysnc
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     Cakewalk is a sequencer software for Windows.
     
     Miguel


___________________________ Separador de Resposta ______________________________
Assunto: Re: JamMan & MIDI sysnc
Autor:  Loopers-Delight@annihilist.com na INTERNET
Data:    26/04/1997 14:43


>Message was resent -- Original recipients were: 
To:
Loopers-Delight@annihilist.com--------------------------------------------------
-----------------------------
Pardon my ignorance, but this has been bothering me for quite sometime as 
I read all the messages on the list, what exactly is 
"Cakewalk"?..unfortunately the name itself does not elucidate its 
meaning.. I hope ...
     
thanx a bunch,
     
--yonni
 jharif@emerald.tufts.edu
     
     



From ???@??? Mon Apr 28 09:01:17 1997
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From: "andrew" <andrew@bocs.com>
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Subject: a/b switcher
Date: Mon, 28 Apr 1997 13:35:04 +0100
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Question :


Can I use an A/B switch , or a line selector (like that made by Boss)
to send the speaker out signal of my amp to either A) the speaker
in the amp or B) to a Palmer speaker emulator and on to a mixer 
with looping gear. The words 'large footswitchable device' were
used by Mr. Torn to describe the thing he uses to switch off the send 
to his amp speaker, and I think he was using the line out of the 
amp to go to the mixer.  I always find the line outs on amps to sound
a bit fizzy, due to their pre output tube send, so I'm trying to get around
this with the above idea.

Thanks men,

Andrew



From ???@??? Tue Apr 29 01:03:46 1997
>From kflint  Mon Apr 28 11:53:44 1997
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Date: Mon, 28 Apr 1997 11:47:09 -0800
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: JamMan & MIDI sysnc
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Miguel wrote:
>
>     I am facing the following problem with JamMan, that maybe somebody
>     already solved and can give me some help.
>
>     An SMPTE track (from an ADAT) drives a PC with Cakewalk that sends
>     MIDI clock to JamMan. Fine, JamMan syncs properly!
>
>     The problem is that in the beginning of every bar and/or loop JamMan
>     introduces an audible perturbation on the sound. The silly solution I
>     found is not to play in this spot but this keeps me away from
>     continuos sounds and many other things.
>
>     This does not happen when Jam Man is used alone or driving the
>     computer or any other box.
>
>     Any clues on how to solve this?
>

The way I understand this is that the MIDI beat clock has a certain
"randomness" associated to it, that is each beat may be up to 1/96 or 1/128
of a second off of an absolute clock.  So, if your beats are 1 second
apart, the actual time between beats may end up being 0.99 to 1.01 seconds.
If you have a 1 second loop, the loop will get CUT OFF slightly, when the
time between beats is 0.99 seconds.  Thus, when the time between beats is
1.01 seconds, there will be a .02 second gap, or glitch.  It seems to me,
there is no way to resolve this. Any ideas?
- Chris

---------------------------------------------------
AVIRIS Experiment Coordinator
mailto:avec@gomez.jpl.nasa.gov
ftp://ophelia.jpl.nasa.gov/pub/docs/html/AvDep.html
Lab:   (415) 604-2170
Pager: (888) 415-4547
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From ???@??? Tue Apr 29 01:03:51 1997
>From kflint  Mon Apr 28 12:55:41 1997
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Date: Mon, 28 Apr 1997 15:47:13 -0400
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From: hporter@UAkron.Edu (Hayden Porter)
Subject: Re: looped music/web
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Hi all,

I recently possed the following question to Headspace about their new audio
Netscape plug-in called Beatnik.

>It is my understanding that due to the way MCI controls work on PCs, it
>is possible for a large audio file to "repeat" with a short gap of
>silence instead of "loop" seamlessly with the end of the file imediately
>joined to the begining.  Is there a way to bypass the MCI controls in
>this situation and create a seamless playback of a loop on a PC using
>the Beatnik plug-in?
>

This was the encouraging response:

"Beatnik does not use any of the MCI playback devices on the PC.  Rather,
Beatnik is a software synthesizer that allows us to bypass the MCI
connection to the soundcard and frees us from any restrictions imposed by
the MCI.  This feature enables Beatnik to sound and operate EXACTLY the
same on every platform, regardless of sound card quality.  In addition, Beatnik
offers one of the most robust API's available - giving the user COMPLETE
control over virtually every aspect of the sound/song file.  By bypassing
the MCI, we have made these controls the same on every platform, giving
the user an unprecidented amount of control over their work."

Doug
support@headspace.com                           http://www.headspace.com
--------------------------------

Has anyone tried playing back seamless loops from a PC using this plug-in?

Sincerely,

Hayden Porter
hporter@uakron.edu




From ???@??? Tue Apr 29 01:03:47 1997
>From kflint  Mon Apr 28 12:02:18 1997
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From: Chris Chovit <cho@newdream.net>
Subject: Re: a/b switcher
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Andrew wrote:
>
>Can I use an A/B switch , or a line selector (like that made by Boss)
>to send the speaker out signal of my amp to either A) the speaker
>in the amp or B) to a Palmer speaker emulator and on to a mixer
>with looping gear. The words 'large footswitchable device' were
>used by Mr. Torn to describe the thing he uses to switch off the send
>to his amp speaker, and I think he was using the line out of the
>amp to go to the mixer.  I always find the line outs on amps to sound
>a bit fizzy, due to their pre output tube send, so I'm trying to get around
>this with the above idea.
>

An A/B switch should work, as long as it can handle the current.  I've been
using a similar setup with a THD hot plate.  Just be sure that (if your amp
is a tube amp) that you always have a load on the amp, whether it is from
the speaker or the emulator.

Are you sure your amp line-out is pre-power-tubes?  (I think) on my amp,
the line out is after the power tubes but before the output transformer.
- Chris





From ???@??? Tue Apr 29 01:03:53 1997
>From kflint  Mon Apr 28 13:22:50 1997
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From: Kim Flint <kflint@chromatic.com>
Subject: Re: looped music/web
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At 03:47 PM 4/28/97 -0400, you wrote:
>Hi all,
>
>I recently possed the following question to Headspace about their new audio
>Netscape plug-in called Beatnik.
>
[interesting beatnik stuff]
>
>Has anyone tried playing back seamless loops from a PC using this plug-in?
>

Just install it and go to the Headspace site. Thomas Dolby's walk-through
examples include several looped audio parts. Also good examples of
interactive audio on a web page. They also have links to demonstration sites
with more interesting stuff. I went to one created by a trip-hop dj that let
you control four parts of a mix, with the ability to change the audio
samples in different parts, as well as mixing and muting the different
channels. It was a blast! Another page let you essentially compose an
ambient piece interactively by starting up various audio samples and letting
them loop or go in and out, or whatever., all by interacting with a graphic
on the page. It was all incredibly cool.

Another thing my girlfriend noticed, is that midi files from the web sound
fantastic through beatnik. I think they have their own sample library, which
replaces the crappy gm sounds we had through quicktime. I'm using it for all
web based audio now, and highly recommend it.

kim
_______________________________________________________
Kim Flint			408-752-9284
VLSI Systems Engineering        kflint@chromatic.com
Chromatic Research



From ???@??? Tue Apr 29 01:03:55 1997
>From kflint  Mon Apr 28 13:33:32 1997
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From: "Stephen P. Goodman" <sgoodman@primenet.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: looped music/web
Date: Mon, 28 Apr 1997 13:25:55 -0700
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>From what I've understood the encoder is still Mac-based, though they've
got plans to make a PC encoder sometime this year.  Being a PC-based
person, this is alas, only encouraging. :)

----------
> From: Kim Flint <kflint@chromatic.com>
> To: Loopers-Delight@annihilist.com
> Subject: Re: looped music/web
> Date: Monday, April 28, 1997 1:12 PM
> 
> At 03:47 PM 4/28/97 -0400, you wrote:
> >Hi all,
> >
> >I recently possed the following question to Headspace about their new
audio
> >Netscape plug-in called Beatnik.
> >
> [interesting beatnik stuff]
> >
> >Has anyone tried playing back seamless loops from a PC using this
plug-in?
> >
> 
> Just install it and go to the Headspace site. Thomas Dolby's walk-through
> examples include several looped audio parts. Also good examples of
> interactive audio on a web page. They also have links to demonstration
sites
> with more interesting stuff. I went to one created by a trip-hop dj that
let
> you control four parts of a mix, with the ability to change the audio
> samples in different parts, as well as mixing and muting the different
> channels. It was a blast! Another page let you essentially compose an
> ambient piece interactively by starting up various audio samples and
letting
> them loop or go in and out, or whatever., all by interacting with a
graphic
> on the page. It was all incredibly cool.
> 
> Another thing my girlfriend noticed, is that midi files from the web
sound
> fantastic through beatnik. I think they have their own sample library,
which
> replaces the crappy gm sounds we had through quicktime. I'm using it for
all
> web based audio now, and highly recommend it.
> 
> kim
> _______________________________________________________
> Kim Flint			408-752-9284
> VLSI Systems Engineering        kflint@chromatic.com
> Chromatic Research
> 
> 


From ???@??? Tue Apr 29 01:03:59 1997
>From kflint  Mon Apr 28 13:59:08 1997
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Date: Mon, 28 Apr 1997 13:47:32 -0700 (PDT)
From: The Man Himself <altruist@shoko.calarts.edu>
To: Loopers-Delight@annihilist.com
Subject: Re: a/b switcher
In-Reply-To: <199704281233.NAA25462@mail.bogo.co.uk>
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On Mon, 28 Apr 1997, andrew wrote:

> Can I use an A/B switch , or a line selector (like that made by Boss)
> to send the speaker out signal of my amp to either A) the speaker
> in the amp or B) to a Palmer speaker emulator and on to a mixer 
> with looping gear. The words 'large footswitchable device' were
> used by Mr. Torn to describe the thing he uses to switch off the send 
> to his amp speaker, and I think he was using the line out of the 
> amp to go to the mixer.  I always find the line outs on amps to sound
> a bit fizzy, due to their pre output tube send, so I'm trying to get around
> this with the above idea.

Couple of things come to mind -- first, in the Homespun vid, I believe 
that Torn said he'd had his Rivera amp custom-modded so that the speaker 
could be switched on or off, while maintaining the load.  As someone else 
mentioned, be careful if you're using a tube amp, because if the amp 
isn't hooked up to a speaker (or a load resistor, or a simulator with a 
built-in load), then you'll blow the thing up.  (Disregard this warning 
if that is in fact the result you're looking for...)

--Andre


From ???@??? Tue Apr 29 01:03:59 1997
>From kflint  Mon Apr 28 14:18:24 1997
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Date: Mon, 28 Apr 1997 14:16:28 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: looped music/web
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I believe that is right. The authoring tools are only mac-based now, with
plans to release pc-based tools later. The end user plug-ins are available
on all platforms. 

I am glad to see that the coolest stuff on the net is available for macs
before pc's for a change,  heh heh......

kim
 


At 01:25 PM 4/28/97 -0700, you wrote:
>>From what I've understood the encoder is still Mac-based, though they've
>got plans to make a PC encoder sometime this year.  Being a PC-based
>person, this is alas, only encouraging. :)
>
>----------
>> From: Kim Flint <kflint@chromatic.com>
>> To: Loopers-Delight@annihilist.com
>> Subject: Re: looped music/web
>> Date: Monday, April 28, 1997 1:12 PM
>> 
>> At 03:47 PM 4/28/97 -0400, you wrote:
>> >Hi all,
>> >
>> >I recently possed the following question to Headspace about their new
>audio
>> >Netscape plug-in called Beatnik.
>> >
>> [interesting beatnik stuff]
>> >
>> >Has anyone tried playing back seamless loops from a PC using this
>plug-in?
>> >
>> 
>> Just install it and go to the Headspace site. Thomas Dolby's walk-through
>> examples include several looped audio parts. Also good examples of
>> interactive audio on a web page. They also have links to demonstration
>sites
>> with more interesting stuff. I went to one created by a trip-hop dj that
>let
>> you control four parts of a mix, with the ability to change the audio
>> samples in different parts, as well as mixing and muting the different
>> channels. It was a blast! Another page let you essentially compose an
>> ambient piece interactively by starting up various audio samples and
>letting
>> them loop or go in and out, or whatever., all by interacting with a
>graphic
>> on the page. It was all incredibly cool.
>> 
>> Another thing my girlfriend noticed, is that midi files from the web
>sound
>> fantastic through beatnik. I think they have their own sample library,
>which
>> replaces the crappy gm sounds we had through quicktime. I'm using it for
>all
>> web based audio now, and highly recommend it.
>> 
>> kim
>> _______________________________________________________
>> Kim Flint			408-752-9284
>> VLSI Systems Engineering        kflint@chromatic.com
>> Chromatic Research
>> 
>> 
>
>
>
_______________________________________________________
Kim Flint			408-752-9284
VLSI Systems Engineering        kflint@chromatic.com
Chromatic Research



From ???@??? Tue Apr 29 01:04:04 1997
>From kflint  Mon Apr 28 16:08:30 1997
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From: "Stephen P. Goodman" <sgoodman@primenet.com>
To: <Loopers-Delight@annihilist.com>
Subject: Beatnik
Date: Mon, 28 Apr 1997 15:30:59 -0700
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Heh, the name "Beatnik" would imply that Thomas D. still is sporting the
goatee...  

Alas, the centrism of the Mac community will be its ultimate downfall. :) 
Cases like this - Mac-sourced ports - have hardly ever come to fruit, since
Mac developers tend to not go outside their own community when they port
something to the PC platform.  Their assumptions in many cases (from
hardware on down) tend to come off as more an evangelization of the Mac
platform, than what it may or should be.  Otherwise Adobe, etc. would be
doing much better by now.  Typically we on this side of the fence have come
to expect disappointments with respect to ports from Mac platforms, mainly
for this reason.  Which, of course, lends itself to a 'wait and see'
attitude on this side.

Not to dis something before its time, of course, I'd welcome the
opportunity to assist Mr. Dolby in his efforts.  I've been in the PC
community on the development end on down, since 1981, and know a bit about
system processes.  And I've got contacts that have written some
heavy-hitters on the multiple-platform level as well: for instance, the guy
who wrote the software for pen recognition that you use when you sign for a
UPS package?

> I believe that is right. The authoring tools are only mac-based now, with
> plans to release pc-based tools later. The end user plug-ins are
available
> on all platforms. 
> 
> I am glad to see that the coolest stuff on the net is available for macs
> before pc's for a change,  heh heh......

Then again, I've come to know "PC vs. Mac" arguments as nothing more than
intellectual masturbation. :)  I've worked on Macs as well, going back to
85.  But the business world being what it is, and the PC being what it is,
in their opposite states of change, well, I know what pays the rent.  :) 
If I supported just Macs for a living I'd have one here - despite my great
dislike for having Philosophy installed in the hardware. [s]  However, I
remain in an observant frame for this.

Cheers,

Stephen.

PS - Have you ever been to my site?

Stephen Goodman       * Download The Loop Of The Week and more! 
EarthLight Studios         * http://www.primenet.com/~sgoodman/Studios
*---------------------------------------------------------------------------
------------------------------
> 
> At 01:25 PM 4/28/97 -0700, you wrote:
> >>From what I've understood the encoder is still Mac-based, though
they've
> >got plans to make a PC encoder sometime this year.  Being a PC-based
> >person, this is alas, only encouraging. :)
> >
> >----------
> >> From: Kim Flint <kflint@chromatic.com>
> >> To: Loopers-Delight@annihilist.com
> >> Subject: Re: looped music/web
> >> Date: Monday, April 28, 1997 1:12 PM
> >> 
> >> At 03:47 PM 4/28/97 -0400, you wrote:
> >> >Hi all,
> >> >
> >> >I recently possed the following question to Headspace about their new
> >audio
> >> >Netscape plug-in called Beatnik.
> >> >
> >> [interesting beatnik stuff]
> >> >
> >> >Has anyone tried playing back seamless loops from a PC using this
> >plug-in?
> >> >
> >> 
> >> Just install it and go to the Headspace site. Thomas Dolby's
walk-through
> >> examples include several looped audio parts. Also good examples of
> >> interactive audio on a web page. They also have links to demonstration
> >sites
> >> with more interesting stuff. I went to one created by a trip-hop dj
that
> >let
> >> you control four parts of a mix, with the ability to change the audio
> >> samples in different parts, as well as mixing and muting the different
> >> channels. It was a blast! Another page let you essentially compose an
> >> ambient piece interactively by starting up various audio samples and
> >letting
> >> them loop or go in and out, or whatever., all by interacting with a
> >graphic
> >> on the page. It was all incredibly cool.
> >> 
> >> Another thing my girlfriend noticed, is that midi files from the web
> >sound
> >> fantastic through beatnik. I think they have their own sample library,
> >which
> >> replaces the crappy gm sounds we had through quicktime. I'm using it
for
> >all
> >> web based audio now, and highly recommend it.
> >> 
> >> kim
> >> _______________________________________________________
> >> Kim Flint			408-752-9284
> >> VLSI Systems Engineering        kflint@chromatic.com
> >> Chromatic Research
> >> 
> >> 
> >
> >
> >
> _______________________________________________________
> Kim Flint			408-752-9284
> VLSI Systems Engineering        kflint@chromatic.com
> Chromatic Research
> 
> 


From ???@??? Tue Apr 29 01:04:14 1997
>From kflint  Mon Apr 28 18:27:10 1997
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	id 0wM1hF-0001ea-00; Mon, 28 Apr 1997 18:27:09 -0700
Message-ID: <41DE695CE6FCCF11AD1000805FCCF8EC1BB2A3@SF-01-MSG>
From: Tom Attix <toma@microsoft.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Beatnik
Date: Mon, 28 Apr 1997 18:05:43 -0700
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Well, you can either have philosophy installed or just bad engineering
and something that claims to pass for user interface. The reason a lot
of complex media-related apps get developed on the Mac is because of
that "philosophy". If you create a consistent and coherent environment,
things can be easily made to fit within it. You make philosophy sound
like a dirty word.
-Tom Attix
Microsoft Quality Assurance 
toma@microsoft.com

	-----Original Message-----
	From:	Stephen P. Goodman [SMTP:sgoodman@primenet.com]
	Sent:	Monday, April 28, 1997 4:08 PM
	To:	Tom Attix
	Subject:	Beatnik

	Heh, the name "Beatnik" would imply that Thomas D. still is
sporting the
	goatee...  

	Alas, the centrism of the Mac community will be its ultimate
downfall. :) 
	Cases like this - Mac-sourced ports - have hardly ever come to
fruit, since
	Mac developers tend to not go outside their own community when
they port
	something to the PC platform.  Their assumptions in many cases
(from
	hardware on down) tend to come off as more an evangelization of
the Mac
	platform, than what it may or should be.  Otherwise Adobe, etc.
would be
	doing much better by now.  Typically we on this side of the
fence have come
	to expect disappointments with respect to ports from Mac
platforms, mainly
	for this reason.  Which, of course, lends itself to a 'wait and
see'
	attitude on this side.

	Not to dis something before its time, of course, I'd welcome the
	opportunity to assist Mr. Dolby in his efforts.  I've been in
the PC
	community on the development end on down, since 1981, and know a
bit about
	system processes.  And I've got contacts that have written some
	heavy-hitters on the multiple-platform level as well: for
instance, the guy
	who wrote the software for pen recognition that you use when you
sign for a
	UPS package?

	> I believe that is right. The authoring tools are only
mac-based now, with
	> plans to release pc-based tools later. The end user plug-ins
are
	available
	> on all platforms. 
	> 
	> I am glad to see that the coolest stuff on the net is
available for macs
	> before pc's for a change,  heh heh......

	Then again, I've come to know "PC vs. Mac" arguments as nothing
more than
	intellectual masturbation. :)  I've worked on Macs as well,
going back to
	85.  But the business world being what it is, and the PC being
what it is,
	in their opposite states of change, well, I know what pays the
rent.  :) 
	If I supported just Macs for a living I'd have one here -
despite my great
	dislike for having Philosophy installed in the hardware. [s]
However, I
	remain in an observant frame for this.

	Cheers,

	Stephen.

	PS - Have you ever been to my site?

	Stephen Goodman       * Download The Loop Of The Week and more! 
	EarthLight Studios         *
http://www.primenet.com/~sgoodman/Studios

*-----------------------------------------------------------------------
----
	------------------------------
	> 
	> At 01:25 PM 4/28/97 -0700, you wrote:
	> >>From what I've understood the encoder is still Mac-based,
though
	they've
	> >got plans to make a PC encoder sometime this year.  Being a
PC-based
	> >person, this is alas, only encouraging. :)
	> >
	> >----------
	> >> From: Kim Flint <kflint@chromatic.com>
	> >> To: Loopers-Delight@annihilist.com
	> >> Subject: Re: looped music/web
	> >> Date: Monday, April 28, 1997 1:12 PM
	> >> 
	> >> At 03:47 PM 4/28/97 -0400, you wrote:
	> >> >Hi all,
	> >> >
	> >> >I recently possed the following question to Headspace
about their new
	> >audio
	> >> >Netscape plug-in called Beatnik.
	> >> >
	> >> [interesting beatnik stuff]
	> >> >
	> >> >Has anyone tried playing back seamless loops from a PC
using this
	> >plug-in?
	> >> >
	> >> 
	> >> Just install it and go to the Headspace site. Thomas
Dolby's
	walk-through
	> >> examples include several looped audio parts. Also good
examples of
	> >> interactive audio on a web page. They also have links to
demonstration
	> >sites
	> >> with more interesting stuff. I went to one created by a
trip-hop dj
	that
	> >let
	> >> you control four parts of a mix, with the ability to change
the audio
	> >> samples in different parts, as well as mixing and muting
the different
	> >> channels. It was a blast! Another page let you essentially
compose an
	> >> ambient piece interactively by starting up various audio
samples and
	> >letting
	> >> them loop or go in and out, or whatever., all by
interacting with a
	> >graphic
	> >> on the page. It was all incredibly cool.
	> >> 
	> >> Another thing my girlfriend noticed, is that midi files
from the web
	> >sound
	> >> fantastic through beatnik. I think they have their own
sample library,
	> >which
	> >> replaces the crappy gm sounds we had through quicktime. I'm
using it
	for
	> >all
	> >> web based audio now, and highly recommend it.
	> >> 
	> >> kim
	> >> _______________________________________________________
	> >> Kim Flint			408-752-9284
	> >> VLSI Systems Engineering        kflint@chromatic.com
	> >> Chromatic Research
	> >> 
	> >> 
	> >
	> >
	> >
	> _______________________________________________________
	> Kim Flint			408-752-9284
	> VLSI Systems Engineering        kflint@chromatic.com
	> Chromatic Research
	> 
	> 


From ???@??? Tue Apr 29 01:04:20 1997
>From kflint  Mon Apr 28 19:23:21 1997
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Date: Mon, 28 Apr 1997 19:20:23 -0800
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- somebody once said, "the world is more like a thought than a thing".

- hats off to the gentleman from ms.

mmmmmmm



- yo chris! 

- beat is beautiful ! ! !


From ???@??? Tue Apr 29 01:04:21 1997
>From kflint  Mon Apr 28 20:43:10 1997
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Date: Mon, 28 Apr 1997 23:37:49 -0400
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To: Loopers-Delight@annihilist.com
From: hporter@UAkron.Edu (Hayden Porter)
Subject: Re: looped music/web
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Hi folks,

I didnt mean to start up a PC vs. Mac war over a few loops. {:+/
I just wanted to know if anyone using Beatnik on a PC had any problems
playing a "seamless" audio file loop.

They, Headspace, claim that Beatnik bypasses Window's MCI controls.
Consequently I would assume that the gap of silence that Stephen Goodman
previously pointed out would not be present on a loop played back using
Beatnik.

Also I dont believe that you have to encode a file into Headspace's RMF
format to get Beatnik to play it back. The readme that comes with Beatnik
claims that it plays all standard formats plus its own RMF and that it
should be backwards compatible with Liveaudio (NS).

I think this test would be a simple matter of just using the Beatnik
plug-in to play back any audio file loop (wave, au or aiff) on the web and
listen for a difference between its playback and Liveaudio's playback.  I
am assuming that liveaudio does not bypass the MCI controls and as a result
puts in a gap of silence inbetween each repeat of the loop.  Beatnik since
it bypasses the MCI controls should play the loop seamlessly.

Unfortunately, I cannot test this myself because I dont have access to a
PC.  Have I got anytakers out there??? or would you all rather drop the
matter????

Sincerely,

Hayden Porter
hporter@uakron.edu




From ???@??? Tue Apr 29 01:04:37 1997
>From kflint  Tue Apr 29 00:07:56 1997
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	id 0wM70t-00047N-00; Tue, 29 Apr 1997 00:07:47 -0700
Date: Tue, 29 Apr 1997 03:01:34 -0400
From: Michael Peters <MPeters@compuserve.com>
Subject: RE: looped music/web
To: "'INTERNET:Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
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>Just install it and go to the Headspace site. 

it still doesn't run under NT4 ... arg!!!
___________
Michael Peters   
        http://ourworld.compuserve.com/homepages/mpeters
HOP - Fractals in Motion ..."the only screen saver you'll ever want"
        http://ourworld.compuserve.com/homepages/mpeters/hop.htm
Support the Warr Guitar Defense Fund
        http://home.earthlink.net/~greendog/warrfund.html



From ???@??? Tue Apr 29 01:04:38 1997
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Date: Tue, 29 Apr 1997 03:01:40 -0400
From: Michael Peters <MPeters@compuserve.com>
Subject: David Torn's new loop CD
To: "'INTERNET:Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
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David Torn just announced that the Audio version of his second loop-only
CDROM, "Pandora's Toolbox", is now available from Q-Up Arts per mail order.
Does anyone know their address, and/or if the CD is also available
somewhere in shops?
___________
Michael Peters   
        http://ourworld.compuserve.com/homepages/mpeters
HOP - Fractals in Motion ..."the only screen saver you'll ever want"
        http://ourworld.compuserve.com/homepages/mpeters/hop.htm
Support the Warr Guitar Defense Fund
        http://home.earthlink.net/~greendog/warrfund.html


From ???@??? Tue Apr 29 01:04:39 1997
>From kflint  Tue Apr 29 00:10:29 1997
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Date: Tue, 29 Apr 1997 00:15:02 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: looped music/web
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At 11:37 PM 4/28/97 -0400, you wrote:
>Hi folks,
>
>I didnt mean to start up a PC vs. Mac war over a few loops. {:+/

well, we were tired of the beyond-fripp vs. jamman debate anyway....


>Also I dont believe that you have to encode a file into Headspace's RMF
>format to get Beatnik to play it back. The readme that comes with Beatnik
>claims that it plays all standard formats plus its own RMF and that it
>should be backwards compatible with Liveaudio (NS).

I think that's right. I think the Headspace authoring tools are for creating
their RMF format audio files. That is primarily oriented at people creating
interactive audio for multimedia and games and such. Just about any audio
files work with Beatnik. On my mac at home I've got Netscape set to use
beatnik for just about every audio format possible. I've got LiveAudio
totally off. 

Also, it seemed like most of the interactive stuff I tried with Beatnik was
done with java scripts. So it should be possible for anyone to set up
beatnik-aware websites. (assuming you are java-aware, of course)


>I think this test would be a simple matter of just using the Beatnik
>plug-in to play back any audio file loop (wave, au or aiff) on the web and
>listen for a difference between its playback and Liveaudio's playback.  I
>am assuming that liveaudio does not bypass the MCI controls and as a result
>puts in a gap of silence inbetween each repeat of the loop.  Beatnik since
>it bypasses the MCI controls should play the loop seamlessly.
>
>Unfortunately, I cannot test this myself because I dont have access to a
>PC.  Have I got anytakers out there??? or would you all rather drop the
>matter????

I'd be surprised if it didn't work. I know the guy in charge of engineering
there - he's one of the best people I've worked with. I'd like to hear other
people's experiences if they try it, since this could be a really
interesting new way to compose interactive music. I'd test the pc stuff for
you myself, but despite the fact that I work at one of those hot silly-con
valley multimedia wizbang companies, I don't have any multimedia hardware in
my pc. Go figure.....

kim
_______________________________________________________
Kim Flint			408-752-9284
VLSI Systems Engineering        kflint@chromatic.com
Chromatic Research



From ???@??? Tue Apr 29 09:29:10 1997
>From kflint  Tue Apr 29 06:11:25 1997
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From: miguel.barella@poyry.com.br
Date: Tue, 29 Apr 97 10:09:17 TZ3
Message-Id: <9703298623.AA862333741@jpccmail.poyry.com.br>
To: Loopers-Delight@annihilist.com
Subject: Re[2]: JamMan & MIDI sysnc
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     Bob,
     
     Thank you for the explanation.
     
     Although it does not solve the problem, it clarifies the subject.
     
     Let me know if anything new happens.
     
     Regards,
     
     Miguel
     


___________________________ Separador de Resposta ______________________________
Assunto: RE: JamMan & MIDI sysnc
Autor:  Loopers-Delight@annihilist.com na INTERNET
Data:    29/04/1997 9:45


>Message was resent -- Original recipients were: 
To: Loopers-Delight
<Loopers-Delight@annihilist.com>------------------------------------------------
-------------------------------
Miguel,
     
There are two possible causes for the noise I can think of; one you can   
fix the other you can't.
     
When Jamman is slaved to an external MIDI clock it determines the end of   
the loop by itself based on the tempo of the clock and the number of   
beats selected on the front panel. If the operator tries to end the loop   
manually, the resulting loop will very likely be shorter than it should   
be. When the loop is too short, Jamman restarts the loop twice: once when   
the end of the loop (time) is detected and once when the correct number   
of MIDI clocks has come in. The solution is to let Jamman close the loop   
by itself (DON'T tap a second time). This will get the loops size to it's   
best fit.
     
The second cause is based on the jitter on the incoming MIDI clocks and   
the resolution of Jamman itself. At best, Jamman can lock in a loop size   
to within half a millisecond (512us). The problem is that most MIDI clock   
sources have jitter (timing variations) in the same neighborhood. After   
the loop time is locked in, the priority in Jamman is to stay in perfect   
sync with the incoming MIDI clock. The problem is that the combined half   
millisecond resolution of Jamman and the jitter on the incoming clock   
result in the actual size of the loop changing very slightly every time   
through. As the loop size changes, Jamman either shortens the loop or   
replays the very beginning of the loop to compensate resulting in   
potential clicks and pops. With the PC itself being slaved the jitter   
gets worse and so do the clicks and pops.
     
As I said, there is currently no work-around for this other than, as you   
said, not playing anything at the loop edge. The only other thing I can   
suggest (which is equally klugey), is to place something percussive at   
the splice point which will tend to mask the noise. I am looking at the   
problem, however, and will let you know if I come up with anything.
     
If anyone out there has any suggestions on how to deal with this, I'd   
love to hear it.
     
Bob Sellon
Lexicon/Stec
bsellon@lexicon.com
     
 ----------
From:  Loopers-Delight[SMTP:Loopers-Delight@annihilist.com] 
Sent:  Friday, April 25, 1997 12:56 PM
To:  loopers-delight
Cc:  ghogan
Subject:  JamMan & MIDI sysnc
     
     Hello,
     
     
     I am facing the following problem with JamMan, that maybe somebody 
     already solved and can give me some help.
     
     
     An SMPTE track (from an ADAT) drives a PC with Cakewalk that sends 
     MIDI clock to JamMan. Fine, JamMan syncs properly!
     
     
     The problem is that in the beginning of every bar and/or loop JamMan   
     
     introduces an audible perturbation on the sound. The silly solution   
I
     found is not to play in this spot but this keeps me away from 
     continuos sounds and many other things.
     
     
     This does not happen when Jam Man is used alone or driving the 
     computer or any other box.
     
     
     Any clues on how to solve this?
     
     
     Miguel
     
     
     
     
     
     
     



From ???@??? Tue Apr 29 09:29:07 1997
>From kflint  Tue Apr 29 03:14:34 1997
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Date: Tue, 29 Apr 1997 12:11:33 +0200 (MET DST)
From: Olivier Malhomme <malhomme@infobiogen.fr>
To: Loopers-Delight@annihilist.com
Subject: A new looper?
In-Reply-To: <E0wM6yG-0003vg-00@ferret.slip.net>
Message-ID: <Pine.SOL.3.95.970429120809.14077D-100000@lovelace.infobiogen.fr>
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I read this morning in the issue #84 or Door X, a mailing list devoted to
David Torn, a post mailed by himself where he stated the incredible number
of things he was doing and working on. The thing that should interest us
is that he is currently designing a new looper and he seems to want to
approach the industry with the plan of the thing. 
He he! ssounds pretty interesting, except he did not give details...

Olivier Malhomme




From ???@??? Tue Apr 29 09:29:08 1997
>From kflint  Tue Apr 29 05:42:13 1997
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Priority: urgent
Date: Tue, 29 Apr 1997 09:21:00 -0400
From: "Sellon, Bob" <bsellon@lexicon.com>
Subject: RE: JamMan & MIDI sysnc
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Miguel,

There are two possible causes for the noise I can think of; one you can   
fix the other you can't.

When Jamman is slaved to an external MIDI clock it determines the end of   
the loop by itself based on the tempo of the clock and the number of   
beats selected on the front panel. If the operator tries to end the loop   
manually, the resulting loop will very likely be shorter than it should   
be. When the loop is too short, Jamman restarts the loop twice: once when   
the end of the loop (time) is detected and once when the correct number   
of MIDI clocks has come in. The solution is to let Jamman close the loop   
by itself (DON'T tap a second time). This will get the loops size to it's   
best fit.

The second cause is based on the jitter on the incoming MIDI clocks and   
the resolution of Jamman itself. At best, Jamman can lock in a loop size   
to within half a millisecond (512us). The problem is that most MIDI clock   
sources have jitter (timing variations) in the same neighborhood. After   
the loop time is locked in, the priority in Jamman is to stay in perfect   
sync with the incoming MIDI clock. The problem is that the combined half   
millisecond resolution of Jamman and the jitter on the incoming clock   
result in the actual size of the loop changing very slightly every time   
through. As the loop size changes, Jamman either shortens the loop or   
replays the very beginning of the loop to compensate resulting in   
potential clicks and pops. With the PC itself being slaved the jitter   
gets worse and so do the clicks and pops.

As I said, there is currently no work-around for this other than, as you   
said, not playing anything at the loop edge. The only other thing I can   
suggest (which is equally klugey), is to place something percussive at   
the splice point which will tend to mask the noise. I am looking at the   
problem, however, and will let you know if I come up with anything.

If anyone out there has any suggestions on how to deal with this, I'd   
love to hear it.

Bob Sellon
Lexicon/Stec
bsellon@lexicon.com

 ----------
From:  Loopers-Delight[SMTP:Loopers-Delight@annihilist.com]
Sent:  Friday, April 25, 1997 12:56 PM
To:  loopers-delight
Cc:  ghogan
Subject:  JamMan & MIDI sysnc

     Hello,
       

     I am facing the following problem with JamMan, that maybe somebody
     already solved and can give me some help.
       

     An SMPTE track (from an ADAT) drives a PC with Cakewalk that sends
     MIDI clock to JamMan. Fine, JamMan syncs properly!
       

     The problem is that in the beginning of every bar and/or loop JamMan   

     introduces an audible perturbation on the sound. The silly solution   
I
     found is not to play in this spot but this keeps me away from
     continuos sounds and many other things.
       

     This does not happen when Jam Man is used alone or driving the
     computer or any other box.
       

     Any clues on how to solve this?
       

     Miguel
       

       





From ???@??? Tue Apr 29 09:29:06 1997
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To: "INTERNET:Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Subject: loops in open air - gig announcement
Date: Tue, 29 Apr 97 11:14:00 -0500
From: Markus <mreuter@post.Uni-Bielefeld.DE>
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X-UIDL: fa6c7f30a15d95a7c2d9493fd16f910c

Dear fellow loopers!

CENTROZOON will be headlining this year's 'Music Painting'
festival in the big park of Rheda-Wiedenbrueck, Germany.
It'll take place on May the 8th and CENTROZOON is scheduled
to be on at 15:00.

CENTROZOON are:
Bernhard Woestheinrich - ROLAND MC 303, Oberheim CYCLONE
Thorsten Niestrath - percussion, synthesizer
Markus Reuter - Warr Guitar TSG-8, Oberheim Echoplex, etc.

We are playing heavily looped improvised music and are looking
forward to see you there! Contact me when you need more info!

--
-> Markus  Reuter,  Dammwiese  7,  33613  Bielefeld,   Germany <-
-> email  mreuter@post.uni-bielefeld.de <-> phone (521) 896248 <-
-> http://ourworld.compuserve.com/homepages/mpeters/markus.htm <-
-> SUPPORT THE WARR GUITAR DEFENSE FUND:                       <-
-> http://home.earthlink.net/~greendog/warrfund.html           <-


From ???@??? Wed Apr 30 02:07:29 1997
>From kflint  Tue Apr 29 13:59:27 1997
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Date: Tue, 29 Apr 1997 16:49:44 -0400 (EDT)
From: SoundFNR@aol.com
Message-ID: <970429164755_776423363@emout07.mail.aol.com>
To: bsellon@lexicon.com
cc: Loopers-Delight@annihilist.com
Subject: Re: JamMan & MIDI sysnc
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In a message dated 29/04/97  3:01:16, you write:

>
>If anyone out there has any suggestions on how to deal with this, I'd   
>love to hear it.
>
>Bob Sellon
>Lexicon/Stec

How about?
 With the jamMan synced to PC a loop is started not when the tap occurs,  but
when
the audio threshold is exceeded. JamMan then records till the end of the 
midi-defined-cycle, and then continues recording a fade out of suitable
duration 
( 100millisecond?)(simultaneous with 1st playback). 
For continued playback simply start at the beginning of each cycle,
overlapping
the tail of the last copy.


You now have a sample which is regularly triggered with a 
polyphonic No. of 2.


Layering,

For this to work you need some way of guessing that the next trigger is 
about to occur.So you'd have to monitor the incoming midiclock and make a
guess, then ignore the actual trigger.


When recording a layer:-
(assume layering starts mid loop)
At 100ms(?) before the next trigger( estimated) start recording a fade in as
 well as recording the same material to the end of the sample.
On the guessed trigger  stop recording the faded in signal and start layering
at
full vol onto the beginning of the sample.
Simultaneously record a fade out onto the end of the sample.
Splice the faded in material to the beginning of the sample next time round.

On subsequent loops the fade in will need to be layered .
Perhaps it would be easier to add a 100ms silence to the beginning of the
sample
before layering started, so the algorithm for layering wouldn't have to be
different for the 1st layer.

Hope this isn't gibberish,
               Andy Butler  






From ???@??? Wed Apr 30 02:07:30 1997
>From kflint  Tue Apr 29 14:02:37 1997
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In a message dated 07/04/97  12:43:45, you write:

>We have been considering the issue of different sized loops   
>simultaneously but are not sure of how to implement it cleanly. For   
>instance, if you created a loop in 4/4 then wanted a second loop of a   
>different size, would you want the second loop to be in a definable   
>relative time signature (5/4, 13/4) or just "tapped" in on the fly? Our   
>current software approaches the traditional multi-loop concept used in   
>Jamman (play the current loop then switch to the next one) by switching   
>"Pages". Each Page can have up to 4 simultaneous loops which change when   
>the Page changes. The Page changes at the end of the loop. How do I deal   
>with this if the loops are of different size. If I wait for the end of   
>each loop, the loops on the second page will be out of sync even if they   
>weren't intended to be. Any ideas? We have the capability to have loops   
>of different size but we have been backing away from them because of   
>problems like these. We also weren't sure how many people would use them   
>if we did work it out. Obviously there are some.
>
>If you have a preference on how you would like the thing to work, let me   
>know. I can't make any guarentees but would like to put this kind of   
>functionality in the new rom if we can.
>
>Bob Sellon
>Lexicon/Stec
>
>




