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Re: OT: final mixing and mastering of film score....hints?



i was of course only refering to the Logic grid... but i know you know
that, as your point was more a philosophical one.

when you say a " wanna be weirdo" i promise you she aint no wanna be ,
she a 100% no holds barred, yoko, amos, bjørk, dax, Hagen, Love,
fucked up fruitcake! With very little actual talent, (except she a
very talenter animator)

m

Sent from my (advertisement removed)

On 13 Feb 2012, at 17:32, Per Boysen <perboysen@gmail.com> wrote:

> IMHO there is always a grid. You just need to find it. Even one single
> note played/sung has a tempo. Improvisation, my main interest, is all
> about following the grid (the inner grid that is, the one that usually
> syncs to like minded you play along with). If she isn't a totally
> wanna-be weirdo she has a grid. Swans are griddy imo. Grid isn't equal
> to "fixed tempo". Grid is just a technical implication of FLOW.
>
> Per
>
>
>
> On Mon, Feb 13, 2012 at 5:07 PM, mark francombe 
> <markfrancombe@gmail.com> wrote:
>> Thanks again Per, you really are earning your nick name...
>>
>> Have to say though... I wish..
>>
>> In this, the actress is not a good singer, interesting maybe, Ive
>> worked with her on NinJam, but here she sings and plays a pink bass...
>> its very slow and goth for a bit, like a swans track, then she
>> suddenly goes totally wild, im not sure what she is trying to do
>> really, and im not sure she does either... its gonna be...
>> interesting. gonna play with the grid for a bit, but you know... I
>> might go gridless!!! Remember playing In time??? No quantise in
>> 1988!!!
>>
>>
>> mark
>>
>> On 13 Feb 2012, at 16:29, Per Boysen <perboysen@gmail.com> wrote:
>>
>>> I never got to comment on the last task, the about making music to an
>>> acapella voice recording.
>>
>