Re: new experimental music project

[=?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>]

Well, there's nothing new under the sun . . . and I'm sure it didn't 
originate with me either for that matter.

But I did a performance in 1989 in Ventura CA, with lovely Bay Area 
vocallist Liz Stuart, called "Vox in Box" where she sang her own 
interpretation of a non-standard graphic "score" I'd concocted for her 
while I looped her performance with a pair of Electro Harmonix 16-second 
delays, ring modulators and envelope followers . . . along with a Roland 
pitch-to-MIDI converter and an array of synths and samplers selectively 
shadowing her vocal gymnastics..

I've wanted to do it again ever since but just haven't found the 
opportunity -- and I've sold off (or given away) most of that old gear in 
the meantime.

--
tEd ® kiLLiAn

"Different is not always better, but better is always different"

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---- Brian Good <bsgood@adelphia.net> wrote: 
> nico spahni wrote:
> > I'm working on a new experimental music project by the name of CAM 
> > (Coincidental Audio Manipulation). This is the concept in a nutshell:
> > 
> > An improvising musician and a sound manipulator interact musically 
>with 
> > each other in real-time.
> > 
> > Here are some first attempts with two piano players:
> > 
> > http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_1.mp3
> > http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_2.mp3
> > http://www.recpro.ch/mp3/alain_bollag_and_cam.mp3
> > 
> > I find the idea of looping someone else rather intriguing. Both 
> > participants (the looper and the loopee :-) can explore new musical 
> > territories that would have remained unapproachable by playing on 
>their 
> > own. Also, I can fully concentrate on sound processing while a 
>musician 
> > does the playing.
> > 
> > Do you think this project is worth persuing? Is there anyone who has 
> > worked in a similar direction? I'd love to hear about your sonic 
>ventures.
> 
> I did something similar two or three years ago. I fed my soprano sax 
> into Tim Walters' laptop, and he did all kinds of real-time damage with 
> a bunch of Supercollider code he had written. Unlike your stuff, it was 
> monophonic, but Tim's processing was so creative that the results were 
> still interesting, at least to my ears.
> 
> 
> Brian
>