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Re: process Vs product



That's exactly what I like to do. I like to have my recording environment 
ready to go and whenever I start playing following a warmup, I record.

The amazing thing is going back and listening to stuff that was recorded 
in the past. I pulled out  a box of zip disks no less that I recorded 
using a Roland VS-840 rig and have been previewing them. Many songs I 
never committed to CD because there might have been a sour note or perhaps 
portions of the song were not terrifically inspiring, hence they haven't 
seen the light of day for 5 years or more. BUT, I've noticed a lot of the 
old stuff sounded pretty darn good and even the lower eschelon ones had 
some sections that warranted cutting out and using as separate pieces.

--
Paul Richards

---- David Kirkdorffer <vze2ncsr@verizon.net> wrote: 
> I used to record my jams to a cassette deck even.  I'd just record things
> for a few weeks.  Then I'd go back and listen to them. Very often I was
> surprized by what I discovered.  The distance would help divorce me from 
>the
> emotions I had as I played them.  Mostly things seemed to get better.
> 
> I totally agree that while the process can be interesting ultimately it 
>is
> irrelevant to the end result, which needs to be "good music" in and of 
>it's
> own right.
> 
> David
> 
> ----- Original Message ----- 
> From: "gareth whittock" <gareth@whiteoakstudios.freeserve.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, July 31, 2006 4:24 AM
> Subject: Re: process Vs product
> 
> 
> > I think Tangerine Dream worked like this. They'd record hours of 
>jamming
> and
> > cut it into shape for an album.
> > Anyone here doing this?
> >
> > Gareth
> >
> 


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