Re: Boops and Beeps (was Feedback (was RC-50 FEEDBACK WORKS))

["Timothy Mungenast" <mungenast@earthlink.net>]

A friend of mine added a toggle switch to his tape echo so he could defeat the erase head, thereby allowing him to keep recording until he had a wonderful smushed-up sonic mess. Can modern equipment do that? My MPX-500's "Infinite Reverb" patch does something vaguely similar... I just play one big chord and it becomes that sci-fi rocket or jet sound effect, getting bassier and louder until I have to switch patches to keep my amp from detonating (LOL). I love that box immensely in spite of its criminally awful signal-to-noise ratio. BTW, anyone have any ideas for de-hissing a Lexi-box?

~TimM

 

 

----- Original Message -----

From:

To: Loopers-Delight@loopers-delight.com

Sent: 7/20/2006 1:17:59 PM

Subject: Re: Boops and Beeps (was Feedback (was RC-50 FEEDBACK WORKS))

In a message dated 7/19/06 11:51:04 PM, hqr@cox.net writes:

but continuing to add layers without being able to reduce
the amount of accumulated sound (I have come to refer to this as the
"Lobster trap") is neither artistic nor creative.

i think to work without feedback calls forth both creativity and an artistic bent to pull it off, rather than adding "layers" perhaps think more in terms of adding the occasional "sound".....and never forget "undo is for sissies!".....:)m



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