Doug wrote: > But, what I also remember was that the guy had moved the electronics > into his own guitar, and had setup a "touch plate" on his guitar as the > switch. So he could get these really fast mutes going, just by tapping > the touch plate. That sounds incredible. There are persian frame drum techniques called 'Ris' (not sure of the spelling, but the pronunciation is 'reese') Where you flam your fingers over the drum so that each finger lands milliseconds after the first original ones. This is as opposed to the more Arabic technique where every finger is articulates (which is great for playing accurately but also takes a whole lot of hours to perfect.) With such a touch plate and set to a momentary off (or on) position you could do extraordinarily quick glitches. That's my idea of a good time. Next Question: how difficult and/or expensive would such a plate be. It would necessitate playing it with ones fingers instead of with feet but fingers are for more accurate (unless you've spent a few years of hard work a double kick trapset drummer). This would mean you'd have to manipulate the loop after you made it, not during, but it also means that you could glitch the thing until you felt like stopping and then the loop would return to it's original sound (unless you resampled it).