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tony martucci - looping drummer video
I was just checking through the Kennedy centre archives and came across a
chap called Tony Martucci using looping technology in a one-man percussive
performance. 55 minutes in total but only two looped tracks, viz the second
track, approx 8 minutes into the performance, and again at about 34 mins or
something of that order which is as far as I got before realaudio decided
be come all picture and no sound.
It sounds like he's using a DL-4 or other basic looping function to create
foundation loop, overdubbing more material and then grooving over the top.
Interesting & relevant stuff for me as a solo percussionist preparing for a
gig (my inaugural looping gig) with Rick Walker in Belfast as part of his
euroloop tour, June 13 Linenhall Library, Belfast if I may get away with a
You may need to cut & paste the link above to get it to work.
Portfolio Sound Artist
NI Facilitator for the Da Capo Foundation
Drumdojo Recommended Reading For April 2003 - Indigenous Irish Percussion
----- Original Message -----
From: "daviD" <firstname.lastname@example.org>
Sent: Sunday, April 27, 2003 10:55 AM
Subject: Re: Filter poles...
> >Date: Sat, 26 Apr 2003 18:24:33 -0600
> >From: "Jesse Ray Lucas" <email@example.com>
> >To: <Loopers-Delight@loopers-delight.com>
> >Subject: Filter poles...
> >Sorry to go OT here, but I have been looking around online and can't
> >out what the difference between a 4-pole filter and a 6-pole filter is.
> >Does it have to do with the amount of gain that can be applied/cut by
> It determines the steepness of the cutting curve, i.e. how fast the
> filtered signal falls off with frequency (filter rolloff, measured in
> dB/octave). In other words, the number of dB/oct is a measure of how much
> frequency will be attenuated for each octave beyond the cutoff frequency
> (each octave represents a doubling of the frequency : a 1,000 Hz sinewave
> is exactly one octave higher than a 500 Hz one for example).
> The rolloff in dB is equal to 6*NP (NP being the number of poles).
> Most filters used in synths etc. are either 2 poles (12dB/oct) or 4 poles
> In effect, the most important thing is how the filter actually sounds ;)
> "What sounds to you like a big load of trashy old noise
> is in fact the brilliant music of the genius, myself"
> Iggy Pop