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Re: kingcrimson in sf-no loop content...
>My first exposure to this technique was the Pauline Oliveros piece "I
>of IV" (1966). PO and her colleagues at the San Francisco Tape Music
>Center were doing a lot of pieces with live tape delay systems as
>early as 1962, and Terry was part of that scene. Tape delay as both
>live and studio technique was well known in those circles. Otto
>Luening's "Low Speed" used delay techiques in 1952! This music is
>all readily available on CD, so check it out.
>As to "soundscape," I find that the term is indeed generally credited
>to R. Murray Schafer (The Tuning of the World, 1977), though John
>Cage's series of Imaginary Landscapes (1939 and later) are plausible
thanks for all that.
dt / s-c